#both characters are so much more interesting when read as what they ARE

[cdbabymp3]

ur writing is so chefs kiss omggg 🤍 would love if you could expand on the part in your hc fic on where a sex scene comes up and hamzah gets super nervous omggg

MDNI 18+ expansion on my editor!reader hc's (tysm for the kind words !!!<3)

˚ ༘ ೀ⋆.˚ to be fair, both of you did not do research on the movie currently playing in front of you. it was rated R, but for what reasons neither of you cared to check. hamzah sort of just put it on and beckoned you to couch after you'd been editing for a majority of the day. it was smooth sailing for the first 45 minutes or so, until the two main love interests finally get each other alone. anticipating what's to come next, hamzah clears his throat and gets up to get more popcorn from the kitchen. he's gone for longer than he should and once he returns, the two characters finally start going at it.

"jesus christ..." he mumbles, pretending to check a notification on his phone as the two characters grind against each other.

it's graphic. not just a brief little love scene. no, god, no. the main girl whimpers and pants, riding the main with so much force that their bed rocks against the wall. the man grips her ass, spanking her roughly as she begs him for more.

your face feels like it's on fire and you can only imagine what hamzah must be feeling. he lets out a nervous, breathy laugh, adjusting his pajama pants not-so-discreetly.

"we can-um, we can watch something else if you want." you suggest, grabbing the remote and turning down the volume to the main girl isn't screeching in your ear.

hamzah shakes his head, mouth full of popcorn, "nah, it's fine. i'm sure it's almost done."

boy, was he wrong. the scene lasted about 5 minutes and little did you know, hamzah was internally a fucking wreck. being a single guy, was one thing. sure, he got horny pretty frequently. but, being a single guy living with a single girl who he thought was the hottest woman to ever grace his presence......it had him praying you couldn't read his mind in this moment. if you knew what he was imagining, the dirty fantasies of throwing you on the bed the way the characters did.....he doesn't even want to think about how much you'd probably hate him.

"are you okay?" you nudge his shoulder, snapping him out of his trance.

he blinks a couple times, swallowing the chewed popcorn that had just been sitting in mouth, "yeah, no-sorry. i was trying to disassociate so this damn scene would go by faster."

a lie. a blatant lie that he hopes you'll believe. but you don't. how are you supposed to believe him when he looks all flushed and awkward, scratching the back of his neck while he avoids eye contact. he's a terrible liar, you giggle to yourself. however, for the sake of your work relationship, you just shrug and lay back against the couch.

໒꒰ྀི´ ˘ ` ꒱ྀིა taglist ; @nativegirltapes @etherealval + let me know if u wanna be added !!!

[in1-nutshell]

TRANSFORMERS ONE IS OUT! Unfortunately, I couldn't watch it in theaters because work and money is a bit tight right now. I can't wait for this movie to come out in YouTube Movies to watch it. Since we both know it's obviously gonna have a sad ending, do you mind if I added a bit more sadness in this request? Orion Pax has a younger sibling that he raised named Buddy. Buddy loves both Orion Pax and D-16 as a family. Buddy is willing to bite some ankles if anybody was mean to someone Buddy cares about. Buddy is also tagging along with them in the adventures, much to Orion's dismay and dread. I heard there is gonna be a fight between them at the near ending. Buddy is horrified and scared that those two bots that Buddy considered their family is now fighting each other as enemies. Buddy begs and screams at them to stop, but Optimus and Megatron obviously won't. When Optimus and Megatron shoot each other at the same time, in a moment of panic and terror for their loved ones - Buddy jumps in between them and get hit by both of their shots accidentally that immediately offlined Buddy. They both stopped fighting in shock and grief. Buddy's death was the final straw between Optimus and Megatron's relationship. When Megatron and Optimus went in their separate ways, they both knew the war had begun. Characters: Orion Pax, D-16, Bumblebee, and Elita-one. Please and thank you!

Trying to get the TF1 fics out a bit early so we have something to read.

Hope you enjoy!

Slight mention of spoiler in the movie

Bot Buddy being Orion Pax's younger sibling

SFW, Platonic, Familial, Angst, Character death (you have been warned!), Cybertronian reader

TF1

Buddy was one of the youngest miners in the group.

They did get some special treatment from certain bots but was otherwise expected to act just like everyone else.

One bot in particular took interest in the younger bot.

Orion Pax was his name.

He saw a lot of himself in the younger bot and offered his companionship.

The younger bot quickly latched onto him faster than rust.

It didn’t take long for them to fall into a sibling dynamic.

Soon D-16 was introduced.

D-16: “So let me get this straight. You saw them and decided to be their friend and the next thing you know your siblings?” Orion: “That’s pretty much it.” D-16 shakes his helm in good humor. D-16: “Sometimes I can’t with you.” Buddy swings their arms around him and Orion. Buddy: “Get used to it D! You’re one of us now!” D-16: “As long as you’re not like this rusty bucket its fine.” Orion: “Hey!” Buddy chuckles: “Don’t worry about that D.” 2 weeks later… D-16 watching Buddy trying to drop kick Darkwing after he ‘accidentally’ knocked their energon cart. D-16: “Primus… they’re worse…” Orion pats D-16 on the back. Orion: “Yep… want to help them out?” Both mech’s wince seeing Buddy get punched in the chassis. D-16: “…Fine.”

Buddy always kept their brothers on their pedes with their antics.

Always kept them both on alert.

Buddy loved to randomly jump on their shoulders or try and pick them up.

Despite their antics, Buddy was a good miner and even managed to do something most miners couldn’t do.

Get on Elita-One’s good side.

No one knows what exactly happened between them both for Buddy to get a bit of favoritism.

Elita refuses to elaborate and Buddy likes to see bots squirm for the answer.

Buddy hands Elita a spare jetpack. Elita: “Buddy I already have a jetpack.” Buddy: “We’re going to need it.” Elita raises an optic but ignores it. Later… Elita: “… How did you know—” Buddy: “The jetpacks are old Elita. Its only a matter of time before someone falls from a faulty one.” Elita pats their helm. Elita: “When I get promoted, I might just ask to move you to be my assistant.” Buddy: “No! I don’t want any more work!” Elita: “Too late, already considering it.” Buddy: “Orion tell her to stop being mean!”

Buddy was helping Elita get used to her new role in waste management when they saw who was on the Iacon 500.

They cheered for their brothers with everyone else.

The bot let out a yelp when they saw D-16 get hurt, but quickly smiled seeing Orion try and help him to the finish line.

…Too bad Chromia won the race.

Good news, Buddy was now a couple shanix richer from the betting pool.

 While they were heading to the med bay to go see Orion and D-16, they quickly hid seeing Darkwing picking them up and leading them somewhere.

Orion and D-16 talking to B-127 when something big falls on to the conveyer belt and jumps off it. Buddy dusts themselves from the junk. Buddy turns and waves at the bots. B-127: “New friend!” Orion and D-16: “Buddy!?” They both go over to Buddy looking for any injuries. Buddy: “Hey quit it! I’m not dying!” Orion: “What are you doing here?” Buddy: “Well I was going to the med bay to congratulate you two, but Darkwing got to you first. Then I had to wait a while until the coast was clear and find out where you were sent. It’s kinda fun going through the shoot though.” D-16: “What you did was—” B-127 pushes D-16 out of the way and shakes Buddy’s servo. B-127: “Hi there! I’m B-127, or you can call me B or—” Buddy: “Wait! I can be B and you can be BB!” B-127: “Or maybe we can go by the Double B’s!” B-127 and Buddy start chatting up a storm. Orion: “What just happened?” D-16: “I don’t know but I don’t like it…”

Orion catches Buddy up on the new information on Alpha Trion.

Buddy is ready to go.

Orion and D-16 try to get them to stay, but Buddy ends up joining.

They are having a blast climbing the crates inside the train as Orion tries to get Elita.

Buddy stared long and hard at the landscape when the group reached to the surface.

Is sprinting with B-127 the moment the giant rock formations start getting closer.

Grips Orion and D-16’s servo when they all get tossed out of the train.

Their chatting and B-127’s chatting makes the other older bots consider gagging them for the remainder of the trip.

When reaching the cave of the fallen Prime’s, they gently hold D-16’s servo as they silently mourn for Megatronus Prime.

Hides behind Elita when Alpha Trion comes back online and nearly decks Orion in the face.

Cries a little bit seeing what Sentinel had done to the other Prime’s.

They deserved so much better than that fate.

Absolutely seething with D-16 when the group sees Sentinel giving the Quintesson’s THEIR hard earned energon.

Once everyone gets their T-cog’s, Buddy is the first to try and transform… unfortunately they did not get it the first time.

The group was running down the hill. Buddy’s helm gets tucked into their frame. Buddy: “I CAN’T SEE! I CAN’T SEE!” Orion starts laughing Orion: “HAHAHAHA—AAH WHERE’S MY HEAD?!”

Buddy gets a bad feeling about D-16 when he starts talking to Orion but brushes it off as stress.

They hoped they were right, especially after he admitted to wanting to terminate Sentinel.

Don’t get them wrong, they absolutely hate the bot now, but to go so far as terminate him?

It didn’t seem right.

Was the first one to get tased and wake up.

They get excited the second they see Starscream, Shockwave and Soundwave.

B-127 and Buddy both tell the other’s who the High guard were.

An excitement that quickly turns into frightened when they see D-16 beating up Starscream.

They tried to get to him, but the crowd wouldn’t let them.

Buddy looked over at Orion, both sharing the same look of worry and fear for their brother.

They end up getting captured by Arachnid with B-127 and D-16 after the explosion.

Orion is riddled with guilt the second Elita tells him that Buddy, D-16 and B-127 were captured with some of the high guard.

Thankfully, he and Elita made a plan with the remainder of the guard to help get the others and bring Sentinel to justice.

Back at Iacon…

Buddy was in between D-16 and B-127 on the ground, restrained as Sentinel prattled about having them executed.

They felt their spark stop for a second when D-16 stood up.

Arachnid had to restrain them when Sentinel started branding Megatronus’s face on D-16’s chassis.

Buddy kicks the spider in the back of one of her legs. She lets go. The younger bot then kicks Sentinel in the back of his knee joints before helm butting him. Snetinel staggers back a bit. They stood in front of D-16 with fury in their optics. Buddy: “Touch my brother again and I swear I will send you to Primus myself!” Many of the captured bots looked in surprise at the young bot protecting the fallen miner. B-127: “Buddy just stay down!” D-16 tries to stand up the second he sees Sentinel start to move to them. D-16: “Buddy get out of the way!” Buddy: “Fat chance!” Buddy tries to kick Sentinel again, but this time the Prime grabbed their pede and with a swift movement twisted it. SNAP! Buddy: “AAAAHHH—” WHAM! Sentinel punched Buddy across the face sending them skidding across the floor. D-16: “BUDDY!” He glares at Sentinel. D-16: “Stop! Your fight is with me!” Sentinel: “No, they made it personal when they helm butted me. Its time to make an example.”

Thankfully the train had just crashed into the building.

Orion hops out and helps D-16 and Buddy up.

Orion briefly thinks on punching Sentinel in the face but is quickly drowned by D-16 yelling that he was going to terminate Sentinel.

Buddy tried to tell Orion that something was wrong, but their older brother was gone, off to tell everyone the truth about what Sentinel did.

They did their best in battling the other guards with their bad pede.

The bot screamed in horror when they saw D-16 and Sentinel going off the edge.

It took them a while to get to where the fight was.

They remembered seeing D-16 holding an extremely injured Orion over the edge of a dark hole.

They didn’t remember screaming, but their voice box started glitching when they saw D-16 let go of Orion’s servo.

Elita and B-127 were by their side holding them tightly, afraid they would try and jump off the ledge to get to him.

Buddy remembered looking at D-16 giving his speech.

Their audial winced when he called himself ‘Megatron’.

They had to close their optics for a second, not believing they had seen a newer version of Orion, now calling himself Optimus Prime.

The two former brothers fought.

Megatron and Optimus were on the ground wrestling the former’s fusion cannon. They barely registered the sounds of pedes coming closer. Megatron: “Let go!” Optimus: “Never!” Suddenly the cannon went off. A scream. THUD! Both mech’s look over and see Buddy’s frame laying on the ground…so still. Optimus quickly gets off Megatron and runs to Buddy. Optimus: “Buddy!” Optimus gets to the frame. Buddy’s optics were offline and there was a smoldering hole in the middle of their chassis where their spark was supposed to be. Optimus gently cradles them. Optimus: “Buddy! Buddy please! Buddy… please… don’t…” He gently hugs the limp frame, not caring in that moment if Megatron blasted him. Megatron just stood up and stared. He wanted to scream. To yell. Megatron wanted to hug his little sibling frame and pray to Primus that this was not happening. Optimus gently places the frame down, stands up and looks at Megatron dead in the optics. Optimus: “Take the High Guard and go. You are banished from Iacon.” Megatron starts walking away but stops for a moment to take one last look at Buddy’s still frame before yelling for his troops to follow him.

There was a small funeral held for Buddy.

 Optimus made sure to hold it together in front of the others.

But Elita and B-127 caught him alone, sobbing with a picture of Buddy, Orion, and D-16, smiling, without a care in the world.

The two bots held their leader tightly as he continued to sob.

Megatron mourned for Buddy in private.

It was only right.

He cried in silence holding a picture of him, Buddy, and Orion Pax on their first day of mining.

In the safety of his habsuite, he could cry all he wanted before his Decepticon’s expected him to come out with a rally cry.

[oristian]

So how come we can tell that Elain wants azriel and is attracted to azriel but Eluciens claim they need Elain's POV to confirm she doesn't want Lucien??

Idk it's almost like thoughts and acts and verbal things she has said matter?? It's almost like... we don't need everyone and their mother's POV to tell very basic information??

Y'all acting like she is a complete black box just because we don't have her POV yet 😭😭

What if I said "oh we need Lucien's POV to tell he actual feels a bond and didn't orchestrate a fake mating bond to claim an Archeron sister after she got made?"

"But he wouldn't do that"

How am I supposed to know he wouldn't!! We don't have his POV either 🤪 he could be Koschei for all we know 🤷🏻‍♀️

And nobody better fucking bring up Feyre hating Rhys or Nesta kicking Cassian in the balls. Their words differed from their actions. They might've SAID they hated their love interests at the time, but their ACTIONS differed. Anyone who genuinely thought Feyre hated Rhys or Nesta hated Cassian is literally just lying atp because come on what do you mean you didn't pick up on that?? Nesta was willing to die for Cassian and Feyre was literally thinking Rhys was the most beautiful man she had ever seen. Be so fr.

Elain's actions match her words. We don't need her POV to know that.

Good morning! This might be a long response, so hope you enjoy!

Elain Archeron is a book character. Books follow standards enacted by the stricture of narratives, and how stories are told overall—in short, the reader is being told something through a book. A story is told through settings, dialogue, characters, et cetera. While the reader may be able to create their own theories, pick up on literary devices, and generate predispositions, until the reader is fully informed by the intent of the author on page, it is speculation.

When people claim that we need Elain’s POV to understand how she is feeling towards Lucien, that is very much true. There is a plethora of reasons as to why she shifted her composure around him between ACOWAR and ACOSF. From asking if he is alright and inviting him to Velaris, to shrinking around him? Until we are in her inner monologue and seeing what she is seeing, the reader can only speculate. Is she now very horny for him, is the mating bond chafing when he’s around, did she have a vision of their future, is she wildly attracted to him, et cetera? The same way that people claim she is in love with Azriel is the same way we claim we need her POV—neither is true until Elain confirms it herself with her own thoughts, feelings, and words.

Now, I want to bring up “thoughts, actions and verbal things,” because, more often than not, it is misconstrued. The only instance where the reader might be swayed to believe that Elain feels anything for Azriel is the almost kiss in the bonus chapter. However, we only had Azriel’s POV. Compared to Wings and Embers bonus chapter with Nessian, the reader was lacking the female’s POV. With Nesta and Cassian, we read that both were feeling the pull towards each other in that chapter. In ACOSF, we were limited to just Azriel—why is that? As for the other lines of dialogue that are seemingly connected to Elriel, those are regarding Graysen. “I don’t want a male,” would also be applied to Azriel, no? “And that love would trump even a mating bond,” is about Graysen.

I have been asked before how I can confidently ship Elucien when Elain seemingly lost her “newfound boldness,” and, “shrunk in on herself,” when Lucien came during Solstice. While I do understand how some people can read that as a negative for the ship, I once again have to say that we do not know why either of those actions happened. There has been zero indication that Lucien is forcing himself on her, is bad for her, and/or is disrespecting her wishes, so why has Elain suddenly started acting like this? This is why we claim that we need her POV for all of these unanswered questions.

Essentially, Elain is a blank sheet of paper. Could she stay this newfound meek personality and live all her days in a small cottage with a garden, or will she revert back into her old personality and become the socialite that she once was? While the reader can understand some of her character, she is still more shifted towards the background and is lacking the substance that a fleshed out POV and aligned character development would offer to her. This is one of the reasons why so many people seemingly dislike her character, because she has not been able to explain her actions. This was similar to Nesta.

The example you brought up with Lucien and the bond needing clarification actually was solved very quickly in ACOMAF. When Feyre unleashed Helion’s spellcleaving magic and broke the bonds in Hybern, she would have broken any fake mating bond tied to Elain and Lucien. Feyre has also been inside of Lucien’s head while he was experiencing the tug of mating instincts. Elain has felt the tug of the bond and Lucien was able to experience her from the inside due to the bond. They both have experienced mating behavior towards each other. The reader has had a snippet of Lucien’s POV.

Feyre, Nesta and Elain are all similar in how they were reluctant to accept the bond at first—the only difference is that Elain is fully aware of the bond before she accepts it. Feyre and Nesta were stuffed into forced close proximity with both of their mates, which also differs from Elain, and her sisters also had access to their mates before they turned fae. Elain met Lucien the night she turned fae and had very little alone time with him. Feyre and Nesta both experienced firsthand the chaffing of the bond while being so close to their mates for so long, but Elain has not. Elain was in love and engaged to Graysen and was now suddenly tossed a fae male as her mate, while simultaneously losing her humanity? It is only reasonable that she would not be jumping for joy over this new revelation.

SJM is an author that uses similar patterns across her entire body of work. To say that we cannot compare how she wrote Feysand and Nessian to Elucien in the same series makes no sense to me. Now, I do believe that you have contradicted yourself in your paragraph regarding Feyre and Nesta. I agree, while they may have claimed that they wanted nothing to do with their mates, their actions showed the reader otherwise. Elain is similar with Lucien, however, she has not once said that she hated him, wanted him gone, wanted to reject the bond, et cetera. Anything she has said against wanting a fae male was because she wanted Graysen and to return to her mortal life. Her actions towards Lucien have included worriment for his safety, relief that he is alright, inviting him to Velaris, keeping all of his Solstice gifts, the half step, et cetera. Someone who planned on rejecting the bond with their mate would not have done any of the above.

If the reader does not need Elain’s POV, why would she need an entire book? If her thoughts, feelings, and actions are fully explained from another’s POV, why would she need to explain herself in her own inner monologue? She already has hobbies, friends, a lover, a home, joy, purpose, and family—what would be the point of her having a book?

I so hope I managed to answer your question. Have a good day!

[purple-dreams9]

If Thea was Theo, a controversial opinion

I want to preface this post by stating that this is not meant to change anyone's mind or opinion. I am not here to tell you to like a character or to ship a certain ship. You are free to hate Thea, write her off your fics, ignore her existence, and ship Kevin with the milkman if you so desire. This is also not an essay. Instead, think of it as the thought dump of someone munching over it for days.

This all started with a conversation about Thea with a couple people on a Discord server. I've been mostly neutral about Thea, not understanding the overall hate but not knowing much about her either. It led me to read Nora's most recent post about Thea, the replies and the "Why do you not like Thea?" poll, and I've seen plenty of Tweets about her, too.

In general, I noticed one main element when people explain their stance: it is not because Thea is a woman and people want to ship Kevin with male characters. The real reason(s), branched in different directions: the age gap, the lack of building of her character, how little she shows up/how little we know about her/the feeling of her being shoo-ed in out of nowhere as Kevin's love interest, and her attitude (inc. her lack for communication with Kevin after he left the Nest, her comment to Jean in TSC, etc.)

I have been in many fandoms for over a decade, some with more prominent mlm ships, and to be honest, none of those reasons seemed to truly justify the dislike of Thea to the degree she is disliked in the fandom as a whole, especially as the romantic interest of a main character. It seemed to me that most of it is rooted in the desire for Kevin NOT to be straight, but to be gay and be with a guy (or bi, but I see more people using "gay" for Kevin. And some prefer Aro/Ace Kevin, but these fans are a bit more quiet and subdued with their headcanon.) See, even taking Thea out of the equation, there are no popular mlw ships for Kevin with characters from canon, and even in fanon ships the counterparts are mostly (if not all) men.

That got me thinking: "What if Thea was Theo? How would that change how fans interact with this character, even if her personality was the same? What about the relationship with Kevin? Would fans approach the ship differently if he had had Theo as a boyfriend instead of Thea as a girlfriend?"

Of course, it is all hypothetical. For one, a big part of her character is that she is a woman of color (note that I am not black, so I am in no position to talk about how her race plays out with her character) in a predominately male and white team (violent cult) that had to fight her way to the top. It wouldn't quite have the same weight or the same background if she was a male. For two, I am aware it would bring another discourse to the table, that of the "predatory gay men stereotype" (even though there was nothing predatory or "grooming" in their relationship, but that conversation is not for this post.) I am sure plenty of fans would still hate the Kevin/Theo ship, and Theo himself.

Still, I allowed myself to picture it. I read, once, that women used to ship male characters together because female characters were underdeveloped and were not interesting. I wondered if this applies to fandom as well, how certain fandoms prefer to develop and grow male characters.

Things like "lack of canon information about Theo" would not be an issue. Fans are very good at filling in the blanks and building a character from the few spare parts given by the source. This also applies to "there is almost no interaction with Kevin" because let's be honest here, guys, ships are sometimes made from nothing. Rarepairs exist, and even ships like pre-TSC Jerejean can explode in popularity.

With how big of a part Kevin plays in the books and how big his shipping fandom is, if Theo was a thing, I truly believe we would have seen him bloom in fanon spaces. He would have given space and opportunity to grow, change and develop both as a character and in his relationship with Kevin.

The "forbidden relationship" trope and the possibility for angst would have fans foaming, fics working around Theo's past and how he had to fight his way to the top would be written, AUs where he leaves the beliefs of the cult behind and reunites with Kevin would also exist. We would see stories about how his and Kevin's love story played out before and after Kevin left the Nest (at least one primarily focused on the notes they used to pass each other in secret). His mean comments and bitchiness would be ignored, played down, understood, forgiven, or found charming (like Andrew's throughout the series, or even Abby's in TSC.) In a few words, he would be more present and less disliked.

AFTG is a predominately queer fandom, and there is nothing wrong with wanting representation, but I also think it's necessary to use the same scale for female and male characters that are romantically or sexually involved with more popular ones. It's fine not to like Thea, but also to sit and think: would I asses a male character in the same way? How would my view of them change regarding their gender? Just food for thought, I guess.

Again, this is not a call to action of any sort. It is just me, rambling and putting my thoughts down. I can't see different realities so this is basically all fiction. I wanted to take it out of my brain, hear what others think and that's it. Ship what makes you happy. Create what inspires you. Curate your experience. All that being said, Id love to hear your thoughts, but I wont debate anyone's opinion because that's truly, not what Im seeking.

This got longer than I intended so I'll end this here. If you made it, thanks! I hope you have a nice day.

[crxzytogether]

Lol I wanna address this even tho nobody asked because I’m mad. Like ship whoever you want as yk this person said but leave it out of our tag-💀 my problems more with the fact that they tagged byler for this post than what they said but yk since they tagged us might as well respond.

Firstly, “ideas planted by your community”? Huh? Girl what- you mean our evidence? You mean our analysis and perceptions and ability to interpret what we’re watching beyond surface level? And honestly after season 4 even surface level melodramas not looking too good- Secondly, what harsh truths were brought up? The lies? Your perception of montauk? which idk sounds a lot like mike and wills relationship to me but to each their own… “they’ve been together since pretty much day one”, “they have a deep connection”, “four seasons of character development”?? Do I even need to explain? Who’s been together since day one? Right mike and will, in the beginning of episode 1 before any of the upside down shit even happens we’re shown that their relationship is different from their relationship with the other party members. A fact that’s proven time and time again throughout season 1 where we see how much more Mike is affected by Will’s disappearance(not tryna negate everybody else’s feelings or reactions but it’s clear that we’re supposed to notice Mike cares slightly more or in a different way). As for the deep connections? Season 2 shed scene ring a bell, the first one of Mike’s monologue that’s an attempt to help someone he cares about that actually works and is completely honest, deep connection boom. And that connections emphasized again in s4 with Will being able to encourage Mike and make him feel better and we already know why it’s special on Will’s side and their whole plot-line that season. Next, “four seasons of character development” im sorry what?, season 1 and season 3 maybe are the only seasons I’d consider they had that meanwhile season 4 I’d say they had character regression because tell me how Mike goes from being able to comfort El about her feeling like she’s a monster but then does a 180 not only unable to comfort her but also make her feel worse-(I’m talking about she didn’t look fine in case you didn’t catch that). Back to s1/s3, s1 where they were friends for the most part is the healthiest their relationship has ever been the entire show- like😭😭it literally just goes downhill from there. Season 2/season 3 their codependency I’m- and season 4 El feeling like she has to lie to Mike about her life and Mike unable to comfort her and also hiding his own interests from her. Like sure the bullying thing I get why she’d hide that maybe not really but El lies about so many things😭😭 she feels like she has to lie to keep up the relationship. THAT 👏 IS 👏 NOT 👏 HEALTHY 👏. Like maybe after they’ve both grown separately I’d consider it but as of now? No sir. Also let me remind you how El confronted Angela and asked her to help El keep up the pretence- SHE STILL DIDN’T FEEL SAFE OR COMFORTABLE ENOUGH TELL MIKE THE TRUTH. That’s not healthy for either of them. My byler agenda aside I still don’t think Mike and El should be together. Lastly, “the fact that Mileven IS endgame”, again I’m sorry what? Have you watched season 5? Have you read the scripts or been on set or talked to anybody working on st5 or work on st5 yourself? No? So then how is that a fact- it’s a prediction, an assumption but it’s not a fact. If after season 5 comes out and it did end up becoming true then you could use that phrase but as of now when you have no idea how season 5 is gonna go you can’t call that a fact. Also rip how are you so confident when Mike and Will are literally attached at the hip so far from what we have seen besides the rooftop convo and if that is enough to convince you then yikes- bc we’ve got like 10 of those to convince us so good luck watching season 5 and have a good day ig

[slugtranslation-hypmic]

Hihi slug, I love your work, and thanks for everything!! Since Matenro season is nearly upon us, I was wondering if we could get your opinion on the solo snippets🤞🤞

Matenro's new solo previews are SO GOOD, what do you think of them?

Thank you both for notifying me about them! Taking a look now...

(The album is probably already out now, but... better late than never...)

Jakurai's A Majestic Figure

Title note: 4-kanji compounds are like the SAT vocab words of Japanese; they're not super common in everyday speech and can evoke a literary or sophisticated feeling. This one is...interesting. To the best of my knowledge, it isn't a standard compound (I'm also not getting any hits when I Google it) and I wonder if that's significant. It's just two words strung together to make the appearance of fanciness, perhaps. I couldn't say for certain. At any rate, both 威風 and (especially) 颯爽 describe a majestic, often captivating appearance. This isn't to say that such qualities of dignity or majesty aren't real, but I definitely feel like both terms are defining a subject from an outside perspective. These aren't terms I would ever expect someone to describe themselves with, which makes the song title sound like it's an outside observer commenting on Jakurai instead of Jakurai talking about himself. We see this happen a lot in Hypmic, with people putting Jakurai on pedestals or Jakurai struggling to see himself as the same grand figure others perceive him as. As a result, I wrote the song title as "A Majestic Figure" to emphasize the appearance of majesty, whereas the character of the figure is unknown. Anyway, let's dive in and see what this is all about.

(10 seconds in) Vibing with these instrumentals

(19 seconds in) Not vibing with these "ah"s... but we can't have everything in life

(43 seconds in) I'm a little too tired to fully keep up (I'll look up the lyrics when I'm done) but I REALLY like the urgency in the delivery, which is so at odds with the flowing, dignified background music. In JPN fiction as a whole, flusteredness/desperation is contrasted with calmness as a synonym for imperfection and perfection. Jakurai is, honestly, really kind of a desperate character...yet one that appears outwardly calm/perfect to most of the rest of the cast, so it's interesting that we get to see his desperate nature on full display right at the start of the song.

(1:26 in) Hand motif mentioned *Cinemasins ding* (of

(End) Thank you uta-net for having the lyrics up already; ily. Let's see now... Interesting. I'll have to read them again in more depth later, but it looks like a call to forgive past wounds and seek out a better, less painful way of existence--in a societal sense, a religious (as in like, ascending or becoming enlightened) sense, and a personal sense. All great things to see Jakurai expressing. Again, it's interesting to see Jakurai expressing this with such urgency, even if these are things we know he really, really cares about. That coupled with the background music seems to match a bit in the lyrics that says "And [to end war within society, paraphrased] I take grand, dignified action mixed with the discord and noise of Shinjuku, a samsara spiral of cacophonous echoes." Mixing the stately and the chaotic, the "imperfect" and the "perfect." Really interesting stuff!

Hifumi's The Beginning of the Last Song

Title note: "Last Song" is English and written in katakana, which is a sharp contrast to the style of Jakurai's title. Creates a much younger and casual feel appropriate for Hifumi. Not much else to say here, so let's jump in.

(10 seconds in) Modern indie pop song on the radio feel. I'm not a fan of autotune in general so I'm not in love with this, but I'm hopeful it'll pick up soon.

(22 seconds in) I listen to so much "soft hiphop" (for lack of a better term) during work that my brain instantly catapulted itself into work mode and stopped paying any attention to the words. Coffee mug? Check. Emails? Check. Anxiety? Check. Let me rewind and listen to this properly.

(32 seconds in but for real this time) So far, very Hifumi. Opening verse has some fun figurative language but essentially says Hifumi's suit is pure courage he dons like a suit of armor. In doing so, it masks him and makes him become like a whole other person. From there, he switches to addressing a listener: "I want to soothe your mental wounds. I want to change your frown into a smile. I won't let go of your hands, and no, I'm not doing this for a reward." It's something that Hifumi should be saying to himself (something Hifumi wants to hear, maybe?) and yet he says "To [Host!]me, this is happiness."

(59 seconds in) Hmm... I was going to say this song feels sad to me, because all these positive messages of "Keep going! You're safe now!" are framed as being directed at other people, and I was like..."Hifumi, who's going to say that to you? Who's going to help you feel that way?" but then the line "You made me realize I'm not alone" radically flips the framing so that it DOES become things Hifumi is saying to himself, too. How nice. :) I would not want to translate this, personally... Haha it's using the vagueness of Japanese grammar and lyrical conventions to great effect, but I don't feel comfortable touching that personally.

(1:02) Hell yeah, belt that shit, homie

(1:32) So it's a last song in the sense that it's a farewell or the final song of his old self. Now he's the new, healing Hifumi. We love to see it 10/10 bravo. The song is also a happy, heartfelt thank you to the unspoken listeners (presumably Matenrou) who helped him feel less alone. That's cute! I like it. I probably shouldn't go here, but I find it intriguing how the vagueness of listeners is utilized. The first time the listeners are addressed, the language is...if not borderline romantic, pathos-filled to the point where it's definitely evocative of his host job (hence why he's not seeking compensation for handholding, an often romantic gesture). Yet it's borderline enough that it wouldn't be inappropriate to imagine it being addressed to Matenrou instead of his patrons. Hahaha. Again, another reason I don't want to go near this one.

(Overall) I like it! A nice ballad for Hifumi.

Doppo's Andante

(5 seconds in) For a song called Andante, this has a faster tempo than at least one other song on this album lol. But it's much less frenetic than Doppo's other solos, so there's that, I guess.

(7 seconds in) This delivery is giving me anime ending made by a 2010s rock band vibes lol.

(14 seconds in) Damn there's a baller line here that I'm stumped on how to convey in Eng in a way that's both baller and sensical. Meaning wise, it's like "I want to take back the things I shouldn't have said and give them as a present to you" and in figurative language it's like "Once, I used to fire words into the air [speak things in anger or carelessly]. Now, I want to gather them up [esp. like a bouquet of flowers] after their flight and use them to decorate you [again, like flowers or like a piece of jewelry--it's a positive connotation]" Pop off, Doppo

(40 seconds in) Oh this is killer and also going to need some major explaining. Doppo's name is literally "he who walks alone" which is usually considered a positive thing--someone who "walks the path of life" alone would have gotten there by outstripping the rest of the pack. In Doppo's case, though, this is a negative thing. I think it's not as obvious to Eng-only fans, and I know I didn't really think about it for a long time myself, but Doppo considers himself a "loser" bc he didn't follow a conventional life path. It's considered atypical to switch employers, especially very early on in one's career, as he did when he stood up for Hifumi and got himself fired at his first job. Part of why he puts up with shitty treatment at EL Medical is because it's one of the few places that would hire someone who switched employers at such a young age. (Sidebar: My (probably flawed, as I don't live in Japan) impression is that this is becoming less and less of a thing as time goes on and the economy goes to shit, but I think it's the self-stigma more than anything else that's affecting Doppo. To me, it feel similar to the societal pressures in the US to attend and graduate from a four-year college. Plenty of people don't for all sorts of reasons, but because that's so ingrained as the default life story for Americans in a lot of communities, Doppo's dealing with the kind of disappointment and self-hatred someone who dropped out before getting a four year degree might feel.) Doppo beats himself up about that a lot, but here we get that lovely line of "In the waves of people (hitonami) passing all around me, I no longer see anyone who looks like me. It's a shame, because I always wanted to be just like everyone else (hitonami)." Outside of that beautiful wordplay on hitonami, we're also treated to the figurative language of hitonami being literally "in line with others." Doppo, a character who walks through life alone, wanted to walk through life at the same pace/reaching the same milestones at the same time as everyone else.

(1:04 in) "Life is a tightrope act; it's like walking a balance beam [lit. "average beam" aka a beam where everything is averaged/balanced]. In a country where not everything can be average (narasarenai) and where even if the things that [I] can accomplish (narasareru) don't matter [in the eyes of society], sometimes the sounds I want to make don't come out right (narasarenai). When that happens, I can call myself pitiful--or I can feel the breathing of the beautiful flowerbed that is this city, and when someone's humming under their breath disturbs that short break [lit. breath], I ask them 'So, what is this happiness thing anyway?'" I would rather die than TL this song but I'm LOVING the creativity and depth of the lyrics.

(1:27) WILD! FUCKING! CHEERING!!! "You fake smiles in a mirror to make other people happy and call it love. It's a form of hypnosis, and I've made a go of falling under its spell because I just want to be equals [on par with, balanced], and so if you and I can walk these crowded streets together, then I think I don't mind as much that I'm always walking alone." THE GROWTH! THE GROWTH!!!!

Damn, this album's lyrics go hard. What a feast.

[musicalmoritz]

what are your thoughts on hananene?

I’m so glad you asked this!! Some people assume I hate HanaNene because I ship Nene with Aoi and I don’t post about it as much as Aoi//Aoi, but that could not be further from the truth. When I first watched the anime I absolutely adored HanaNene, they were my favorite ship for a hot second there (though I was saving that spot for Mitsuba and Kou, and it was also Sakura and Natsuhiko for like a day. I never expected it to be the plant lesbians lol)

My love for HanaNene tends to be more mild when I’m not actively reading about them. I have never and will never dislike them, but I don’t think about them as consistently as some of the other ships (though I think of them more than some others). Then I read a scene of them in the manga and I’m abruptly reminded of why they’re one of my favorite TBHK ships. This also applies to when I’m rewatching either of the animes or when I get in the rare mood to read fan fiction for them

The thing that initially stole my heart was how weird they are. Their whole relationship is odd, it’s like if Aladdin got with the Genie. The first chapter doesn’t have anything romantic between them up until the very end and if you didn’t know they were love interests, you’d assume he was meant to be her goofy sidekick. And then we start the gag of him flirting with her while she’s very adamant about him being Not Her Type. But her relationship with him is still so different from everybody else, she’s usually so self-centered but with Hanako she notices things about him and makes efforts to make him feel better (ex: deciding to be his friend in the mokke chapter). Sure, there are still things she misses about him, Teru had to be the one to tell her he was unhappy in the new timeline. But she’s significantly better at looking out for Hanako than she is with everybody else, because he’s so important to her. She gives him time to open up about his past because she knows he’s not ready for it, she wants to be the one to confess to him because he deserves to feel loved. With heterosexual relationships I’m mainly focused on what the woman is feeling/experiencing and HanaNene is such an interesting ship for Nene! It gives her a lot of important development and stands out from her other crushes and ships. She had cheesy romantic fantasies about him but she doesn’t act like a blushing fangirl, it’s real love and we get to see a more mature side of her when they’re together

I have so many favorite moments for them so I’m gonna list them all now because I’ve been waiting for an excuse to do so. The end of the Picture Perfect arc where Nene asked Hanako if he wanted to trap her and he said “of course not, how could you even think that?” The Confession Tree chapter as a whole, it’s my favorite early chapter by far. When Hanako told Nene she’s cute when she’s smiling. When he tucked her into bed at Sumire’s house. I don’t remember when this was but when Nene made some big statement on the roof and then she was like “as a friend ofc.” When she kissed him on the cheek duh that was so cute. That convo they had in the classroom during the Picture Perfect arc. Their first kiss but that’s like a given everybody loves that scene. Wow. HanaNene.

I will say that I prefer their dynamic with Amane’s personality but I’m not one of the people who separates those ships entirely, I think people who do sort of miss the point of Hanako’s character. Amane is still a part of him, there are many scenes in present times when he acts like his old self. Sure, he’s changed over the years, but he can’t fully become a different person the way humans often do because he is forever that same 13 y/o boy. So if you were to ask me “HanaNene or Amanene,” I’d say both. I do prefer to call him Amane tho bcuz it’s such a pretty name. Amane. Amane. Amane. Pretend you can hear it, it’s gorgeous

Similar to how I will never slander Aoi and Akane for Aoi and Nene, I’ll never slander Hanako and Nene in favor of them either. I love all the canon ships so I’ll never be the type of fan to put them down in order to justify my fanon ones. I don’t need to do this because I have good reasons for liking fanon pairings, I can back them up without having to put down another ship. If you have to put down another ship in order to make yours look good, it’s probably not that great on its own

Also for headcanons. They are t4t and bi4bi to me, that’s just how it’s gotta be. Toilet-Bound Woke-Kun. Woke-Bound Hanako-Kun. Toilet-Woke Hanako-Kun. Much to ponder

[ravi-is-my-beloved]

I can't believe the new Ryan interview dropped while I was showering. Always when I leave to do something, smh.

Anyways, onto my thoughts on this interview! (NOTE: I wrote this as I read the interview.)

So here's where the "he kind of falls in line" quote comes from, but then three sentences after it says that this is "not what Eddie "wants" for his team."

Which dispels any notion that Eddie will be completely fine with what's happening and that makes sense with Eddie's character. And honestly, I'd be really mad if the writers made him be completely fine with Gerrard because that's not how I think any of the main characters would react with him in the captaincy based on how they reacted to the news of his captaincy in the season 7 finale.

An interesting thing that Ryan says is "So it doesn't really affect him as much as some of the other characters who happen to be a little bit more emotional or erratic in their behavior.”

And to me is reminiscent of what Tim said in his interview where he said Buck be the one who wouldn't be used to dealing with someone like Gerrard. (That was me paraphrasing what Tim said, btw.) It's really interesting to me that, if that's the case, they're drawing parallels between Buck's reaction to Gerrard and Eddie's reaction Gerrard. I'm super curious for that.

Ryan said that Eddie's journey this season is about loving himself. I'm very excited for that, very excited on this journey with him. (I know this was short, but to be fair, he only talked briefly talked about it in the interview.)

I find it interesting that when it comes to Buck and Eddie, Ryan (according to the writer, so take that as you will) said that "the duo are still "going strong," noting that Eddie will be a source of comfort for Buck when Gerrard makes things difficult on the job." And the next thing that's in quotations (which are his words) are about how both Buck and Eddie will lean on each other.

Even without taking this in a romantic light, I'm assuming it means that they'll have a lot of scenes together like they did last season. Which I'm personally not mad about because I just love Buck and Eddie's dynamic even if I'm not thinking about it with shipper goggles.

And there are more things after that, but since this post is already long and I've deemed those other things as not really pertaining to be about the storyline for Eddie this season. So this is where my conclusion is coming in.

What I've taken away from this interview is that there are two things that are prevalent in Eddie's storyline in 8A: his journey of self-love and his way of dealing with Gerrard being captain. I do think it's worth noting that by the sounds of it, Buck seems to be intertwined with Eddie's storyline in a way that the others aren't.

I keep saying this, but I truly am excited for this season. I can't wait to see how everyone's storylines pan out. I'm hoping that we get interviews from the other cast members that we haven't seen, because it seems like the storylines this season are really interesting.

[tater-tot-jr]

Yapping time! Spoilers for DRDT C2E14

So the entire episode was great, but there’s one part I’d like to talk about most. David’s monologue towards the end. Specifically the second half, where he gets away from his logical stuff and into the more interpersonal stuff. I’ll break it down line by line.

“All I want is for Teruko to distrust others.”

Okay we are starting off interesting. Now, due to David’s nature we can’t trust him to be honest. We cannot take this as explicit confirmation of any sort of goal. With that said, his goal appears to be fucking up the class trial in some manner. We don’t know his motive, but that goal seems consistent enough to work with. So let’s work with it. Teruko is literally one half of this classes helpful trial participants. Her and Charles are the entire brain of this class. Charles can be killed, he has a glaring flaw in a debilitating fear of blood, he’s easy enough to deal with when the time comes. Teruko is stupidly resilient. To everything. The one thing she obviously struggles with is her trust issues/paranoia. If you’re looking to get under her skin that’s where you gotta go. Saying this is a clear demonstration he intends to poke at Teruko emotionally, which is an interesting thing to admit out loud. If I had to guess, it’s because he’s trying to kill two birds with one stone and make the class start to distrust Teruko as well.

“That’s why I’m doing this, telling such obvious lies.”

This is him saying he’s lying about seeing the body, I think. He’s doubling down on inciting paranoia, in both Teruko and the class. It’s interesting he would say this out loud. He’s hyper focused on fucking with Teruko and it shows. If you take out the brain, the body goes as well. It’s certainly a strategy of all time.

“There is no other proof of Eden’s innocence.”

As far as we know, this is a true statement right now. Unless I’m unaware of something that was the biggest piece of evidence meant to clear her name, and he brought it into question.

“As long as there’s a possibility that the evidence is false, as long as there’s even the slightest reason to distrust others, then Teruko cannot trust Eden.”

Oof, he’s got her dead to rights. I don’t think there’s a good faith argument for him being wrong. It’s cool to see how much he understands the cast. It’s an interesting way to show how Teruko’s thoughts process works without betraying her guarded nature. Having a character so ready to pick at her weakness is a good writing choice, and I hope they keep David around for a time. Teruko is the least trusting character I’ve ever seen in any fangan game, granted I haven’t played them all but still. There’s a chance the story doesn’t have any sort of lesson, and we’re just gonna watch Teruko suffer. The idea that she can’t bring herself to trust if there’s even a 0.001% chance of something being false is such a good character flaw. She’s clearly terrified of risk, and she doesn’t know how to get rid of her paranoia, even though I think she wants to.

“Isn’t that right, Teruko?”

Ohohoho you smug piece of shit. You fucking dick. This is more proof he’s not just saying these things in an objective way. He’s just trying to hurt her, as far as we can assume.

“…”

Yeah she’s fucking rocked. Teruko really doesn’t take things lying down. Befitting of her backstory, she’s the type to struggle and fight back against anything she can. But here she has nothing to say. David has read her for filth and they both know it. Now that I think about it, this probably also plays on her fear of being vulnerable. What could possibly be more vulnerable than someone telling you your own exact thought process?

“It’s in your nature to distrust people.”

This is a more interesting statement than it appears at first glance. Specifically because he says it’s in her nature. To him, this isn’t a choice she’s making because of the killing game. It’s not circumstance that has pushed her into this. No, this is who she is, and this is who she’ll always be. Which is a horribly insulting thing to say, because it’s within most humans nature to trust each other somewhat, and it’s life circumstances that push them away from collaboration. He’s saying that Teruko is so fucked in the head that she’s fundamentally different from the standard human baseline.

“Everyone you know has already betrayed you. There’s no one in this world who won’t hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don’t you?”

…Jesus Christ. He really is just the devil on her shoulder. These are her worst thoughts said out loud and back to her. Do you think she considers someone dying on her and leaving her alone a betrayal? Is that a part of this? Him saying “even the people you love” is interesting, does she really even have anyone she loves in the cast? Or does she just tolerate them. He’s making grand, sweeping statements about her life potentially before the killing game and hitting the nail on the head every time. An impressive feat of manipulation and perceptiveness.

“So distrust in others. Because that’s the only way you know how to live.”

Ow. Ouch. Owie. Not only is this a banger way to end the monologue but it’s just so telling. Teruko doesn’t even say anything in response she just waits for Charles to change to subject. Also, is he even really wrong? She tried to afford people trust and then she got stabbed and everyone else blamed her. She’s definitely swung too far the other way, but it’s not like she was good at knowing how much trust to afford people. This life is really the only way she knows how to live. How things are now, she’ll suffer any other way. It’s such juicy character writing. Damned if you do damned if you don’t. David has definitely been watching Teruko’s behavior, and quite frankly he has her figured out. He’s perceived her, and she hates it. I think we all know Teruko is lonely, she deeply wants people around her. But between being a danger to them and all her trust issues she shuts herself away. David is doing everything he can to keep her as far away from forming meaningful connections as possible. He’s clearly got some sort of plan.

—

There’s also a few things I want to talk about that I didn’t have the ability to put under a spoken line, so I’ll yap down here.

Firstly, Teruko extending some “trust” to Eden doesn’t prove David wrong. If anything, it strengthens his argument. Looking at the actual content of Teruko and Eden’s back and forth, it’s barely a scrap of trust and it’s completely conditional. Teruko basically said “because you helped me last trial I will trust you enough to investigate you second” which is still incredible progress for her, but it’s nothing close to genuine trust. This is not to diminish the progress Teruko made in that scene, but it’s nothing close to countering David’s claims.

Secondly, THAT VOICE ACTING HELLO?!?? David’s VA has always been great, but combined with DRDTdev’s wonderful writing and sprite design/choices he really brought this scene to life. He was perfectly smug and condescending. He had a voice that really portrayed that “I’m 100% right about you and you can’t do anything about it” vibe. Just a total piece of shit. 10/10 would listen again.

[aakaneeee]

new luka content! you know what that means (from luka fan number one tm)

trigger warnings!: this is more or less coherent, I tried my best to tie my ideas togheter though. physical violence mentions, heart attacks mentioned? idk if these are valid tw's

pointing out the obvious, we have earpieces for both Luka and Till, which means they'll probably use their hands!! a lot!! I wonder what that means...

also, on the topic of earpieces, a lot of the times, rock singers use them.. does that mean they'll have that kind of performance? it could be, since we do know that bl8m DEFINETLY has the ability to sing that way!! I would love to see Luka just.. snapping. A lot of people say that Till will rage, but I'd like to see the opposite.

If you look close, you can see a heart rate.. at first glance, it's.. a little faster than usual? It looks a lot like Tachycardia. I looked closer and noticed the heart rate chart is kinda.. shaky?? I wonder if this is foreshadowing.. maybe I'm reading too much into it, but I know that sometimes, your heart rate can slow down during a heart attack?? (I just talked about tachycardia what am I saying.)

considering his fingers' placement, I realized that chronic migraines usually hurt on the side of the head.. I dont have chronics, but my migraines usually hurt behind my ear, so I was wondering if that's why they are there...

onto his appearance... his hair looks put up, right? At least, half put up, and that reminds me of:

top 3 luka... when he's standing on a throne all alone... foreshadowing much huh

i personally believe "Never come back again" is the name of the song, since CURE was "delivered" to us in a similar manner. for me, it could go 2 ways:

"Never come back again", as in, never participate again.. as in, either Luka losing and not participating again.. because he's dead?? or not participating again because the aliens got bored of him and Heperu gets another pet for his whims...

"Never come back again", as in, "She'll never come back again", I was thinking of the song possibly being Hyuna dying and so, never returning, which would make sense because Ruler of My Heart, Luka's other song, is also about her.

No matter the outcome, I am so excited for this! Luka is.. obviously my favourite character and he's been since the first time I saw him, so any outcome will have me.. quite interested :3 if this goes into Luka dying, I will feel the grief of Ivan fans (I hope not though.. sorry Till..)

just akane fangirling under cut:

OH. MY GOD RAAHHHHH HE IS SOOO BEAUTIFUL😭😭 I can see the long hair... it's longer than in round 6... AND THE PONYTAIL TAKBHHHH HES SO BEAUTIFULLLL THE WAY I STARTED JUMPING WHEN I SAW THESEEEEEEEHEJDJSH

[pynkhues]

https://x.com/snow_droplet/status/1836806686041944275

lots of people see this scene (louis reading madame bovary) as a one more confirmation of louis = housewife = mother. just as the yellow painting depicting mother and child. why do you think he relates to these works so much? and what do you think it says about writers' intent wrt his character?

Mm, I can see the thought process, but having read Madame Bovary a number of years ago, I'm a little surprised at the interpretation of Louis as Emma, who cheats because she finds monogomy boring, provincial life even more so, and dislikes motherhood - three things that I'd associate a lot more with Lestat than I would with Louis given a) Antoinette, and the fact that Louis never cheated on Lestat given he only had sex with Jonah when the relationship was opened up, b) Lestat spent most of his mortal life trying to escape the French countryside when Louis has only ever lived in cities, and c) his Whole Deal with Claudia.

I do think that it's worth noting too that the copy of Madame Bovary Louis' reading is actually Lestat's, not Louis':

It also shows I think a real sense of taking Louis' self-assessment when he's at one of his lowest points of depression across the course of the series, as an actual representation of himself? Claudia calling Louis a housewife was pretty specifically about trying to emasculate him into action, and we're sitting with Louis here where he does feel emasculated. Louis does find purpose through work - he's an ambitious man and a capitalist from the moment we meet him - and him being forced out of the upper echelon of earning capacity due to his race is both, of course, racist, but I think also is something he does find emasculating.

Louis always took his role as provider seriously with the du Lac's, I think both as eldest son and patriarch (and I kinda touched on it in my post about Grace, but the show flirts a little with gothic themes of a perverted family structure there in that Louis is both father and brother to Grace and Paul, and son and husband to Florence), and I think even having the illusion that he was providing for at least Claudia, if not Lestat (who of course is cashed-up from Magnus), was still a crucial part of his identity. It's why it's easy for him to fall into a (again, perverted) version of that role with Armand.

That's even without getting into the Capitalism of it all, haha. I actually forgot this and just caught it again on my (very slow) re-watch, but The Azaelia isn't Louis' only business at the time when it starts getting targeted. He's invested in, at the very least, grocery stores and millineries, which Lestat points out to him when Louis' making his No Whites Allowed sign:

This - - again - - is emasculating. Grocery stores and hat makers are very specifically pink-collar industries, and Louis' been making a fortune not off women's quote-unquote 'interests', he's been making it off women's bodies. And again, one day, I'm going to write my Louis-is-a-misogynyst post, but for now, my point is that it's the insult of this that fuels Louis' (rightful!) anger, not his relation to it.

The painting I do think is a bit different, but that's kind of harder to talk about given visual art is so subjective (and honestly I know less about it / can speak to it less). I do think it's significant though that the artist is a Black man, and someone who's still pretty up and coming. The maternal side there I can see, but I don't think it's as absolute as others, just personally.

[the-judicial-assistants-notebook]

sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?

(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):

i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.

the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.

at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.

similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.

rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.

and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.

and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?

and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.

moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.

[lala-blahblah]

I will never make this because it would be for an audience of one (me) but ever since reading "If we Were Villains" (story about serious drama kids in college who perform shakespeare and deal with a murder) I have been entertaining the thought of a crack fic crossover with High School Musical The Musical The Series where the staff decides they will no longer put on shakespeare after the tragic accident that happened at Thanksgiving, because Shakespeare plays would only increase the tension and drama. So they hire Ms. Jen who decides their spring play will actually be High School Musical (which exists in the 90s in this universe) and it ruins the vibe so much that everyone gives up on being dark and mysterious because they're universally pissed at Ms Jen for making them learn choreoraphed basketball dancing.

[sskk-manifesto]

Ep 5!!!

[ccbatman]

actually so evil how much of hal's internal world gets obliterated with the rewriting of his relationships with jessica and martin.

[secretlythatsme]

i really love dc x dp tbh but i hate how so many fics end up making the batfam dumb as shit. and i don't mean in a "loveable goof" kind of way but in a genuine "these people don't have the skills or intelligence to be heroes" kind of way. which is just antithetical to their entire thing

sometimes it's because the writer just genuinely doesn't know anything about the batfam or what they've been through so they come across as idiots. and other times it's because the writer is writing op ghost king danny or just generally op danny and they genuinely think he could outsmart or beat them. more often than not, it's a combination of the two.

it's just so sad. like not only is it disrespectul to the batfam, essentially getting rid of all the skills and experience they have just to prop up danny, but it also makes things a lot more boring imo. don't get me wrong, i don't mind the occasional "main character is super op" kind of story, but it's boring when like 70% of fics are like that and there's no real challenge or obstacle for him. part of why the show danny phantom was so fun was that it was exciting and chair gripping to see danny have to deal with his new ghost powers, figuring out how to deal with ghost attacks or vlad, and dealing with school and his parents on top of that.

but often, dc x dp fics just,, get rid of any challenge for him. sure batman is a skilled detective but danny will always be able to trick him! sure cass has been trained since birth to read people's body language but this random ghost teen knows how to conceal and control everything!! yeah damian has also been trained since birth to fight and kill but this random guy from the midwest who just started fighting in his teens is so much better!!! like, alright. it's fun every now and then but it sucks when so much of the dc x dp content is just people acting like the batfam are the worst vigilantes/detectives in the world.

and honestly i still feel this way even with the ghost king danny fics because how? he's never had to deal with people obsessively reading his body language or reading between the lines. he's had to deal with hiding stuff sure but his parents aren't the most observant people - their whole deal was being neglectful. even as a ghost king, why would he know how to outsmart, take advantage of, or beat the batfam in any capacity when he would still mostly deal with ghosts. it's a completely different skill set here - one that he likely wouldn't be prepared for. it'd be fine if they at least attempted to explain why danny would have those skills (like league danny aus) but most of them don't.

and i'm not saying danny couldn't do it at all, especially if it's a ghost king au, but i'm just tired of seeing the batfam constantly downplayed in these fics Just to make danny look better, smarter, stronger, etc. ik most people in the fandom are just danny fans but it really shows with how they treat, characterize, and shit on the dc characters just to prop danny up. it also serves to occasionally make danny look like an asshole when he intentionally messes with them and basically commits psychological torture for a goof.