#les coulours

[pigeonneaux]

Tortle neck 🤲🤲🤲

[northmorocco]

The colors of the medina of Asilah

Les couleurs de la médina d'Asilah

ألوان مدينة أصيلة الساحرة Photo : EL Houssine @H.Houssine Photography

[fandompeepsgoburrrr]

Due to 3 hopes i changes quite a lot of songs and even added quite a few. I also changed the order somewhat.

Please enjoy this Character Theme Song playlist. I worked hard and am very proud, let me know what you think!

Full track list under the cut

Edge of Dawn

Black Eagles: Trouble - Valerie Broussord

Edlegard: Monster - Crashing Atlas

Hubert: Reaper - Glaceo

Ferdinand: Glass Piano - Kathleen

Dorothea: Shangri-La - Caitlyn Scarlett

Bernadetta: Courage - Clay Finnesand

Petra: Finish Line - He is We

Caspar: Call me Fighter - Matt Beilies

Linhardt: Fly Away - Lola Blanc

Jeritza: Cover My Traces - Reach

Crimson Flower: Jericho - Celdweller

--

Blue Lions: Panic Room - Au/Ra

Dimitri: It Knows Me - Avi

Dedue: Walk Through Fire - Chuxx Morris

Felix: Playing God - Paramore

Ashe: Lions! - Lights

Sylvain: Sky Full Of Song - Florence & the Machine

Ingrid: Handmaid - Xenen

Mercedes: Stand In The Light -  Brody Ray

Annette: Climb Higher - PinkZebra

Miklan: Come And Get It From Me - Sun Heat

Glenn: Blue Skies (Remix) - Workday Release

Azure Moon: Soldiers - Fjoka, Neoni

--

Golden Deer: New Tradition - Saysh

Claude: Wander. Wonder. - The Arcadian Wilds

Hilda: Time To Go - Jilian Linklater

Lorenz: Prodigal Son - Rationale

Lysthiea: Future Me - Echosmith

Ignatz: Dear Doubt - Michael Schulte

Ralpheal: Fighters - Kris Allen

Marianne: Stray Italian Greyhound - Vienne Vega

Leonie: Keep Fighting - FireFlight

Holst: Never Surrender - Liv Ash

Verdent Wind: Into The Wild - Connell Cruise

--

Abyss: Can't Go to Hell - Sin Shake Sin

Ashen Wolves: Alarm - Score

Yuri: Monet Issues - Chase Petra

Hapi: Like That - Bea Miller

Constance: Talk Too Much - Coin

Balthus: Botton Is A Rock - Mother Mother

Alfreic: Cruel - Everlove

Cindered Shadows: Breath Of Life - Florence & the Machine

--

Garreg Mach: Feels Like Home - Atoms to Ashes

Catherine: Lion's Tale - The Miscreants

Shamir: Things - Matilda Smedius, William Beneckert, HiP CouLouR

Cyril: Old Scars/Future Hearts - All Time Low

Alois: On Your Side - CiN3MA

Gilbert: Dreamer - Brave The Royals

Hannamen: Conspiracy of Silence - The Swoons

Manuela: The Grey - Annelle Staal

Jeralt: Guardian - Aether Realm

Sitri: Solitude - Valahlore

Byleth F: Valley of The Dolls - Marina

Byleth M: All Eyes on You - Smash into Pieces

Anna: Adding To The Noise - Switchfoot

Silver Snow: Heavy Hands - Ryan Lake, Joshua Duchene, Mary Clair Le Plante

--

Saints and the Apostles: The Call - Regina Spektor

Rhea/Serios: Plenty - Aeseaes

Seteth/Cichol: Stories - Lilli Furforo

Flayn/Cethleann: The Glow - Shannon Saunders

Indech: Chasing Twister - Delta Rea

Macuil: Feel Good - Weathers

Aubin: Make Them Hear You - nine

Chevalier: Legacy - Lost Star

Noa: One Foot In Front Of The Other - Emilie Autumn

Timotheos: Broken Bird - Jared & The Mill

Sothis: Legends Never Die - Ty Brown

--

Agarthians: Hush - One True God

Solon: Violence Fetish - Disturbed

Thales: Long Forgotton Sons - Rise Against

Kronya: Warpath - Tim Halpern

Cornelia: Alpha - Little Destroyer

Myson: Me and Mine - The Brothers Bright

--

(Elites)

Nemisis: Woke Up A Rebel - Ruebens and the Dark

Blaiddyd: Run Wild - Laney Jones

Fraldarious: Dare Ye Cry Mercy - Sirena

Dominic: We Are The Brave - VERIDIA

Daphnel: Indestructible - Daniel Baron

Charon: Savage Daughter - Sarah Hester Ross

Lamaine: Dragons Accoustic - Annelle Staal

Gautier: Soldier - Fleurie

Gloucester: Crooked Ways - Motion City Soundtrack

Goneril: Helios (Burn Me To The Sky) - Alpine Universe

Riegen: The Darker The Weather/The Better The Man - Missio

Maurice: Monster - Gabbie Hanna

[oslofusion]

FAUVE from Jeremy Comte on Vimeo.

187 festivals, 90+ awards. Academy Award® Nomination for Best Live Action Short Film

FAUVE by Jeremy Comte

Synopsis : Set in a surface mine, two boys sink into a seemingly innocent power game with Mother Nature as the sole observer. "Fauve" is this week's Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/fauve

Follow FAUVE on social media (@fauveshortfilm): facebook.com/FAUVEshortfilm/ instagram.com/fauveshortfilm/ twitter.com/FAUVEshortfilm/

CAST

Tyler: Félix Grenier Benjamin: Alexandre Perreault The Woman: Louise Bombardier

CREW

Writer/ Director : Jeremy Comte Production : Evren Boisjoli (Achromatic Media), Maria Gracia Turgeon (Midi la Nuit) Cinematographer : Olivier Gossot Production Manager: Julie Groleau Production coordinator: Kelyna N. Lauzier 1st AD: Catherine Kirouac Casting Director: Victor Tremblay-Blouin Costume Design: Renée Sawtelle Make-up & Hair Artist: Stéphanie Barette Sound recordist: Laurent Ouellette Key Grip: Roland Cody Laroque Best Boy Grip: Nicola Poitras Gamache Grips: Patrice Arsenault, Thibault Kersani 1st Camera Assistant: Jeanne Dupuis 2nd Camera assistant & Gimbal operator: Benjamin Granet Stunt Coordinator: Tyler Hall Visual Effect Supervisor: Jean-Francois Clément Assistant Visual Effect Supervisor: Alex Legault Unit Production Manager: Jean-Maxime Giguère Set Production Assistant: Gabrielle de Cevins Production Assistants: Stéphane Pierre-Dufour, Sophie Cullen Aubut, Sabrina Lavergne, Molly Manseau Production Driver: Antonio Gracia Molero Production Intern: Gabrielle de Cevins Medic: Dominique Laplante Catering: Reception GL Animal Wrangler: Alain Chiocchi

Script collaborators: Patrica Boucher & Daphnée Côté Hallé Script Consultant: Phillipe Lesage

Image Post Production: Outpost Post Production Supervisor: Simon Allard Editor : Jeremy Comte Online Editor: Simon Allard VFX Artist: Val Michailov

Sound Post Production: Cult Nation Mixing & Sound Design : Hugues Bertrand, Théo Porcet, Jean-David Perron Foley Artist: Michael Anctil Sound Post Production Coordinator: Sophie Bérubé

Colour: The Mill - Chicago Colourist : Luke Morrison Colour Assist: Lindsay Mazur Coulour Producer: Dan Butler Colour executive Producer: Laurie Adrianopoli

Music: La Hacienda Composer: Brian D'Oliveira

Distribution and international sales: H264 Distribution

Poster & Title design: Sebastien Camden - Pusher

Filming Equipment: Cineground, Achromatic Media, Cinepool, Multiservice Luna Vehicles: Location Via Route Production Accountants: Marie-Ève Desbiens Tremblay, Johane Bergeron Auditing: Benoit Gauthier Production Insurance: BFL Lawyer: Gabriella Rozankovic - Lussier & Khouzam

Produced with the financial participation of SODEC, CALQ, Provincial tax credit & Federal tax credit

* Awards * Special Jury Award - Sundance Film Festival 2018 * Best of the Festival - Palm Springs ShortFest * Grand National Jury Prize & Best Youth Short Film - Regard Int. Short Film Festival * Best Drama - Aspen ShortsFest * Programmers Choice Award - Cleveland Film Festival 2018 * Best Narrative Award - Minneapolis Saint Paul International Film Festival 2018 * Jury Award for Live Action- Vienna Shorts 2018 * Best International Short - Rincon International Film Festival, Puerto Rico, 2018 * Jury Award, Public Award, Prix Ciné Tapis-Rouge - Festival Courts d’un soir, 2018 * Best Directing, Public Student, Young Voters & Public Award - Longue vue sur le court, 2018 * Premio SIGNIS MÉXICO - Guanajuato International Film Festival, 2018 * Grand Jury Prize (Short Film) - 12th FIRST International Film Festival Xining, 2018 * Grand Prix for Best Short Film - Melbourne International Film Festival, 2018 * Best International Narrative - DC Shorts, 2018 * Best Quebec Short Film - Les Percéides, 2018 * Artist Award Winner - Odense International Film Festival, 2018 * Honourable mention for Best Canadian Short Film - Toronto International Film Festival, 2018 * LeCentral Jury Prize - Off-Courts Trouville, 2018 * Best Overall Short Film - Calgary International Film Festival, 2018 * Best Short Film, FIPRESCI Award : Best Short Film - IFF Pacific Meridian, Vladivostok, 2018 * Brief Encounters Grand Prix - Encounters Film Festival, Bristol. 2018 * La Fabrique Culturelle Award - Long Week-End du Court, 2018 * National Competition Grand Prize, Audience Award - Quebec City Film Festival, 2018 * German Independence Award : Best Short Film - Oldenburg Film Festival, 2018 * Best Actor - International Shorts Competition (Félix Grenier) - Les Fantastiques week-ends du cinéma québécois : Vidéotron Award for Best Short (Argent), UDA Award for Best Actor, EVS Award for Best Upcoming Producer (Maria Gracia Turgeon) - Fantasia International Film Festival, 2018 CONTACTS H264 Distribution / Jean-Christophe J. Lamontagne/ jc@h264distribution.com Midi la Nuit / midilanuit.com / maria@midilanuit.com / facebook.com/MidiLaNuitFilms Achromatic Media / achromatic.ca/ evren@achromatic.ca /

[lukeskywaker4ever]

How King João choose Philippa of Lancaster for his wife!!

Before being the chosen one by King João I of Portugal, John of Gaunt tried to married Philippa with other Kings, one of them was her cousin Richard II who was a child at the time, and also the King of France. It is known that Eustace Dechamps wrote a poem called The Floure and the Leaf where the dedicate a part to Philippa, calling the Flower:

Pour ce que j'ay oy parler en France

De deux ordres en l'amoureuse loy,

Que dames ont chascune en defferance,

L'une fueille et l'autre fleur, j'octroy

Mon corps, mon cuer a la fleur; et pourquoy?

Pour ce qu'en tout a pris, loange et grace

Plus que fueille qui en pourre trespasse

Et n'a au mieux fors que verde coulour,

Et la fleur a beaut6 qui trestout passe.

A droit jugier je me tien a la fleur

 Celle doit on avoir en reverance,

Sy l'y aray; qu'en toutes choses voy

Loer la fleur en bonté, en vaillance,

En tous deduis, en manniere, en arroy;

S'on scet rien bon, c'est la flour pour un roy.

En tous estas vient la fleur a plaisance:

De tout dit on, et par grant exellance,

Que cilz ou celle a la fleur sans retour

De quoy que soit, tele est l'acoustumance:

A droit jugier je me tien a la fleur

 Amour la sieut, doulz desir, esperance,

Beauté, bonté, et de tous loer l'oy.

Coulour, odour et fruit de souffisance

Viennent de ly. Maiz mie n'apergoy

Que la fueille ait nulle vertu en soy,

Ne que dougour, fruit, ne grant plaisir face,

Maiz maintes foys apalit et efface,

Ne rien ne voy en li de grant vigour

Fors de couvrir la fleur dessus sa place:

A droit jugier je me tien la fleur

 Celle humble flour aray en remembrance

Qui tant noble est, humble et de maintien coy,

Que n'est tresor, pierre, avoir ne finance,

Qui comparer peust a li par ma foy.

Son ordre prain et humblement regoy,

Qui plus digne est d'esmeraude ou topace:

 Guillaume fay La Tremouille, or li place

Que du porter me face tant d'onour;

Car ordre n'est qui plus mon cuer solace.

A droit jugier je me tien a la fleur

Et qui vouldra avoir la congnoissance

Du tresdoulx nom que par oir congnoy

Et du pais ou est sa demourance

Voist en l'ille d'Albyon en recoy,

En Lancastre le trouvera, ce croy.

P. H. et E. L. I. P. P. E. trace,

Assemble tout; ces .viii. lettres compasse,

S'aras le nom de la fleur de valour,

Qui a gent corps, beaux yeux et douce face.

Au droit jugier je me tien a la fleur

 Royne d'amours, de douce contenance,

Qui tout passez en senz et en honnour,

Plus qu'a la fueille vous faiz obeissance:

A droit jugier je me tien a la fleur.

Trying to conquer Castile throne, John of Gaunt saw in Portugal a big ally, especially after the Windsor Treaty being signed in May 1386 (being the oldest alliance that still exists today). 

On  July 7, 1386 - John of Gaunt departs from Plymouth with his two unmarried daughters...and 20,000 men! Arriving in Corunna on August 9th. 

Taking advantage of the occasion of the Duke of Lencastre to meet in Galicia, D. João I arranged to meet him at Ponte do Mouro. A single arch bridge raised on the high slopes of the Mouro River, a tributary of the Minho River situated between Melgaço (that at the time was parte of Galizia, now it is Portuguese territory) and Monção.

This meeting took place on November 1, 1386 - the year after the Battle of Aljubarrota. D. João I, coming from Porto, appeared with his host on the left bank while the Duke, coming from Celanova, appeared on the right bank also with his people. Fernão Lopes tells us that D. João I crossed the bridge and joined the Duke on a slope, where they were both welcomed and embraced, after which they passed below the river, where a large tent was pitched. who out of the King of Spain in the royal battle. Here it was a matter of establishing the alliance between Portugal and England, combining the marriage of D. João I with the daughter of the Duke, D. Filipa de Lencastre.

When John of Gaunt met with D. João I at Ponte de Mouro, Gaunt’s second wife and daughters were already at or on their way to the 10th century Benedictine monastery at Celanova, relatively close to the Portuguese border, where they would be staying as they waited for news from Ponte de Mouro. Philippa, Gaunt’s daughter by his first wife Blanche of Lancaster was probably well aware that her father’s negotiations with the Portuguese King were likely to lead her to a royal marriage in Portugal. Her halfsister Catherine must have been equally aware that she might have to participate in a matrimonial link of some sort, in the pursuit of her father’s Castilian ambitions. 

The meeting at Ponte de Mouro took place initially on the Galician side, then on the Portuguese side. As if to underline his power and reputation, D. João I entertained Gaunt inside the tent he had captured at Aljubarrota in the previous year, from the very same Castilian monarch they were both plotting to overthrow4 . The conditions upon which D João I was to provide help to Gaunt were established; D. João I would assist Gaunt in Castile with a force of 5,000 men.

To help to consolidate the alliance, John of Gaunt gave King João I the opportunity to choose one of his two daughters: Philippa who at the time was 26 years old, and Catherine who was 14 at time, as his wife and future Queen of Portugal.

João, who at the age of 7 was made Master of Aviz and military and religious order, had a deep education, learning every language, military and religious stuff and because of that he could speak French very well and read a lot of books too. So when John of Gaunt offer him the choice of one of his daughters, João had already made up his mind. Since Catherine could be Queen of Castile and had just one less than a year ago a battle against Juan of Castile, the last thing João want was to have more trouble and battles with the neighbor country. Besides Catherine was his cousin, since his father King Pedro and John of Gaunt’s wife Constanza’s father were cousins. So there was only one option. The legend said that when he told John of Gaunt his choice he said to him: “My Lord I already made my mind and to phrase Dechamps: “Je me tien a la fleur” (I stand with the flower). 

And that was the way King João I of Portugal choose Philippa of Lancaster as his wife.

[benjaminjouet]

Spring colours

Le printemps a démarré avec l’arrivée des cerisiers à fleurs, narcisses et jonquilles!

Spring has started with cherry blossoms, narcissus, daffodil!

Etudiante venue de Corée pour réaliser un bouquet aux couleurs vitaminées.

Student from Korea made a beautiful handtied bouquet with vitamines coulours :)

Pour réaliser une composition florale romantique j’aime utiliser un camaïeux de fleurs aux mêmes tonalités et avec du feuillage pour paraître naturel et élégant.

To make a romantic French flower arrangement, I like to use similar tones with foliage to look elegant and natural.

[mariaslozak]

Promenade dresses in Le Moniteur de la Mode, the third issue of August, 1859. On the left, a flounced, pearl-grey and black taffeta dress and a bonnet of straw and tulle decorated with jet and fastened with maize-couloured ribbons. On the right, a taffeta dress in blue and grisaille stripes, complemented by a cap in black lace and blue and black taffeta adorned with jet, straw embroidery, and black ostrich and rooster feathers.

Image (edited) via LAPL.org, where it is (misleadingly) labelled “February 1, 1859″.

[makeuptrendy-blog]

New Post has been published on https://makeuptrendy.com/5141/ban-da-biet-cach-lam-mat-nho-nhan-thon-gon-cung-bronzer/

Bạn đã biết cách làm mặt nhỏ nhắn, thon gọn cùng bronzer?

Khi quá vội vã, bạn có thể bỏ qua bước dùng phấn tạo khối. Một ít bronzer phủ lên má và vùng trán sẽ tạo góc cạnh và chiều sâu tương đối cho khuôn mặt.

Nhiều người mặc định bronzer là một sản phẩm giúp đem lại làn da bánh mật tạm thời. Tuy nhiên, loại phấn còn được xem là một bước thay thế tạo khối và là một cách làm mặt nhỏ nhắn, thon gọn trong trang điểm. Trong bài viết này, ELLE mời bạn tìm hiểu cách chọn và kỹ thuật trang điểm với các loại bronzer.

Bronzer là một trong những thủ thuật trang điểm hiệu quả giúp khuôn mặt thon gọn hơn. Ảnh: Gettyimages.

SỰ KHÁC BIỆT GIỮA TẠO KHỐI VÀ BRONZER

Bronzer là kĩ thuật chính để tạo màu da bánh mật trông ấm áp và khỏe khoắn. Các tín đồ trang điểm kiểu Tây thường sử dụng bronzer để tạo hiệu ứng làm ấm màu da. Bên cạnh đó, phần màu tối của bronzer cũng giúp khuôn mặt bạn trông thon gọn hơn. Dù vậy, bạn đừng nhầm lẫn giữa phấn tạo khối và bronzer. Đây là hai kỹ thuật trang điểm hoàn toàn khác nhau. Vì vậy, cách lựa chọn màu phấn, vị trí tán và cách tán phấn cũng sẽ khác biệt.

Trong trang điểm, bạn có thể sử dụng bronzer như một bước tạo khối cho gương mặt. Ảnh: Gettyimages.

Để tạo được hiệu ứng khuôn mặt thon gọn, các tín đồ làm đẹp thường sử dụng phấn tạo khối. Khác với các cô nàng phương Tây thích tông nâu lạnh, phái đẹp châu Á ưa chuộng những màu tạo khối tông ấm như nâu vàng hoặc nâu cam. Tuy nhiên, những gam màu ấm lại khiến cho phần tạo khối khó tự nhiên, đặc biệt là những ai không phải chuyên gia. Vì vậy, bronzer được xem là một bước thay thế hoàn hảo giúp khuôn mặt thêm thon gọn và góc cạnh.

LỰA CHỌN BRONZER phù hợp là cách LÀM MẶT NHỎ tự nhiên hơn

So với phấn tạo khối phức tạp trong việc chọn tông màu, bronzer lại “dễ chịu” hơn và không quá kén màu da. Tuy nhiên, để có khuôn mặt thon gọn tự nhiên nàng cần phải chọn được bronzer phù hợp. Những bronzer nhẹ nhất cũng có thể chuyển màu rất nhanh đối với người có nước da siêu nhợt nhạt. Vì vậy, hãy đảm bảo xác định đúng undertone để tìm được bronzer tôn da.

Làn da trắng hợp với lớp bronzer mỏng có ánh be ấm hoặc hồng nhạt. Điều này giúp làm sáng và làm ấm sắc da. Màu đồng hoặc ánh vàng kim lại là lựa chọn hoàn hảo của sắc da vàng. Với những làn da sậm màu, những dạng bronzer rạng rỡ sẽ tôn lên các điểm nhấn trên khuôn mặt.

CÁCH LÀM mặt nhỏ nhắn VỚI KỸ THUẬT TÁN BRONZER

Dù bronzer được coi là cách fake tan tạm thời, bạn không nên đánh bronzer lên toàn bộ gương mặt. Nếu không biết cách tán bronzer, lớp trang điểm rất dễ loang lỗ, không đều màu. Vì vậy, nếu là người mới bắt đầu trang điểm, hãy học mẹo tán bronzer đơn giản dưới đây.

Đầu tiên, bạn dùng cọ lấy một lượng bronzer phù hợp. Sau đó, tán cọ dọc theo xương gò má và đường chu vi gương mặt. Đặt biệt, thái dương, trán và xương hàm là những nơi ánh sáng mặt trời thường chiếu đến. Nếu bạn thích một gương mặt góc cạnh sắc sảo, hãy tán cọ dọc theo góc cạnh của xương hàm kỹ hơn.

Tuy cùng giúp mặt thon gọn, bronzer và phấn tạo khối là hai kỹ thuật trang điểm khác nhau. Ảnh: Gettyimages.

Chìa khóa để có một khuôn mặt thon gọn tự nhiên là tán thật đều bronzer vào lớp nền. Tán những vòng tròn nhỏ thay cho những đường thẳng. Điều này sẽ khiến màu bronzer tan đều tự nhiên trên da. Cuối cùng, sử dụng phần bronzer còn lại trên cọ cho mũi, cằm và cổ. Màu bronzer sẽ lên thật nhẹ nhàng và không lãng phí phấn.

Những lưu ý khi áp dụng cách làm mặt nhỏ lại bằng bronzer

Để có được màu bronzer mềm mại, hãy chọn cọ trang điểm lớn, mềm, lông thưa vừa phải và đầu nón.

Không lấy quá nhiều bronzer. Điều đó sẽ khiến lớp bronzer bị vón cục và khó tán.

Nếu bạn muốn cung cấp thêm độ sáng cho da, hãy sử dụng bronzer dạng nhũ.

Phấn bronzer dạng bột tạo ra một tông màu mịn và đồng đều. Đây cũng lý tưởng cho da dầu vì có tính chất kiềm dầu cao.

Kem hoặc gel bronzer phù hợp cho da khô. Sản phẩm sẽ cung cấp thêm độ ẩm cho làn da, giúp da không bị loang lổ.

Nếu tán bronzer không đều, gương mặt bạn sẽ loang màu một cách kỳ lạ. Ảnh: Gettyimages.

BRONZER TỐT NHẤT CHO DA trắng bợt

Đối với người có nước da nhợt nhạt, hãy tìm một sản phẩm mỏng nhẹ sắc tố be hơn là nâu sẫm hoặc rám nắng. Bạn cũng không nên lựa chọn các loại bronzer có tông cam và có độ nâu giòn cao. Những loại bronzer có sắc tố ngọc trai là gợi ý phù hợp với các nàng có tông da trắng bợt.

Chanel Les Beiges Healthy Glow Sheer Coulour SPF 15.

BRONZER TỐT NHẤT CHO DA TRẮNG SÁNG

Những sản phẩm màu ấm lấp lánh ánh nhũ có vẻ là highlight cho những người tông da trung bình hoặc tối. Tuy nhiên, đây cũng là tông màu bronzer lý tưởng cho các cô nàng có tông da trắng sáng. Nếu bạn may mắn sở hữu một làn da trắng không tì vết, hãy thử các bronzer nhũ tông màu vàng đồng thay vì cam hoặc đỏ.

Tom Ford Bronzing Powder in Gold Dust.

BRONZER TỐT NHẤT CHO DA trung bình – SÁNG

Khi chọn bronzer cho tông da này, bạn hãy dùng những tông màu không quá ấm. Những màu bronzer trung tính trên các vùng bắt nắng sẽ tạo đường nét cho khuôn mặt một cách tự nhiên. Nếu có làn da trung bình – sáng, hãy thử các bronzer dạng kem nâu nhẹ. Một lớp bronzer bóng mờ sẽ giúp các đường nét trên gương mặt thanh thoát, nhẹ nhàng hơn.

Nars Laguna Liquid Bronzer.

Cách làm mặt thon gọn với bài tập thể dục 5 phút

Sự trợ giúp từ các bài tập sau cùng việc thay đổi một số lối sống sẽ giúp bạn “xóa” đi đôi má mũm mĩm và xương quai hàm mờ nhạt.

BRONZER TỐT NHẤT CHO DA TRUNG BÌNH

Lựa chọn hàng đầu cho tông da trung bình là loại phấn bronzer màu đất hoặc vàng kim. Đây là tông màu bronzer giúp nàng sở hữu làn da rám nắng tự nhiên hay những đường nét sắc sảo trên gương mặt. Một ít bronzer màu nâu đất nung cho má và hàm sẽ khiến gương mặt thêm thon gọn, và góc cạnh. Đồng thời, hiệu ứng bắt nắng sẽ khiến bạn có làn da tươi khỏe, quyến rũ hơn.

Marc Jacobs Beauty O!Mega Bronzer Perfect Tan

BRONZER TỐT NHẤT CHO DA TRUNG BÌNH – TỐI

Bạn nên sử dụng bronzer tông màu cam để thêm ấm áp cho làn da màu olive. Hãy bắt đầu với một lớp highlight ở những vùng bắt sáng cao trên gương mặt. Sau đó, phủ một ít bronzer cam ấm dọc theo xương gò má. Điều này sẽ khiến gương mặt bạn thêm rạng rỡ, vừa tạo được điểm nhấn cho gương mặt.

Anastasia Beverly Hills Powder Bronzer in Mahogany.

  Nhóm thực hiện

Bài: Nguyễn Nhung

Nguồn: Tạp chí Phái đẹp ELLE

Tham khảo: Allure, Cosmopolitan

Ảnh: Tổng hợp

  (function(d, s, id) var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "http://connect.facebook.net/vi_VN/sdk.js#xfbml=1&version=v2.10&appId=1328021227295842"; fjs.parentNode.insertBefore(js, fjs); (document, 'script', 'facebook-jssdk')); Xem thêm kiến thức về làm đẹp

[marcmavec]

2 octobre 2017 - Escanaba (Michigan) à Rouyn-Noranda (Québec)

1002 km de plus => 15699 km

On veut partir tôt pour se rendre au chalet avant qu’il fasse noir.  Le dernier bout de route avant la pause de l’Action de Grâce.  La plus grande distance parcourue dans une seule journée mais la destination est chez nous :-)

On se réveille dès 6h mais comme Escanaba est situé tout à fait à l’ouest du fuseau horaire de l’est, le soleil prend tout son temps pour se lever.  On fait une pause déjeuner pendant la période ou les chances qu’il nous aveugle sont les plus grandes.  Ce lever de soleil sur les rives du lac Michigan est superbe.

We want to get going early to get to our cottage before darkness.  This is the last piece of road before the Thanksgiving weekend. This ends up being the longest distance traveled in one day but the destination is our place :-)

We get up at 6 am but since Escanaba is at the most westerly end of the Eastern time zone, the sun is fairly late to rise. We decide to take our breakfast stop at the time when we risk being blinded by the sun rising on the horizon. The sunrise along lake Michigan is superb.

Tout le long du voyage, on a pris en photo les affiches qui indiquent notre entrée dans une nouvelle juridiction, sauf pour l’Idaho qui nous a pris par surprise en haut d’un col. En passant le pont international à Sault Ste-Marie, on était prêt pour prendre l’affiche “Bienvenue au Canada” mais il n’y en avait pas! Pas même au poste de douane!  A l’endroit ou aurait dû être l’affiche de bienvenue était apposé le nom de l’entrepreneur qui fait présentement des rénovation. Ce fut très décevant.

Along the route, we took pictures of the road signs indicating that we entered a new state, except for Idaho that surprised us atop a mountain pass. When crossing back through the International bridge in Sault Ste-Marie, we were ready to take a picture of the “Welcome to Canada” sign but there was none!  Not even on the border building.  At the spot where one could have expected to see the welcome sign stood the name of the contractor renovating the customs building.  This was very disappointing.

Dans notre blog final nous parleront des routes en général mais cette journée à conduire dans les deux pays a amplifié la différence dans les infrastructures routières. Vers l’heure du diner, en s’approchant de Sudbury, Ontario, ville de 160,000 habitants, nous étions pris dans une longue et lente filée de voiture sans chance de dépasser. On parle ici de la route “transcanadienne”.  Environ 10 km avant la ville, on a droit à une autoroute (voies doubles et séparées).  Mais non, elle est en construction.  Arrivé à la ville, la construction est terminée et on s’engage sur une toute nouvelle route de contournement de la ville.  C’est une route à deux voies à contre sens; aucun dépassement possible.  Il faut attendre plusieurs kilomètres à l’est de Sudbury pour enfin avoir droit à une voie de dépassement!  Rappelez-vous de notre commentaire d’hier sur notre passage par Green Bay: 100,000 habitants qui a un autoroute à six voies, assez large pour huit; pas de bouchon de circulation en mi-journée.

Finalement on arrive au chalet par un soleil brillant et de belles couleurs d’automne dans les arbres.  Nous allons ralentir notre rythme des cinq dernières semaines et passer la fin de semaine de l’Action Grâce en famille, avant de revenir à la routine.

In our final blog we will talk about roads in general but this day, driving in both countries amplified the difference in the road infrastructure..  At around lunch time as we were approaching Sudbury, Ontario, with a population of 160,000, we were tied up in a long and slow driving line up of vehicles without any opportunity to pass. By the way, this is the “Transcanada” highway. At approximately 10 km from the city, there is a divided highway but it is all under construction so we continue to crawl along.  As we get to town there is a brand new road to go around, but it is a single two-way road with no passing lane!  We keep on crawling along until we finally see a passing lane, several kilometers east of the city. We commented yesterday about the road infrastructure around Green Bay, a city of 100,000 people: a six-lane highway that could be widened to eight; no crawling in traffic in mid-day.

We finally arrive at the cottage under a sunny sky and beautiful fall coulours.  It’s time to slow down form the pace of the last five weeks and spend Thanksgiving with family, before we get back to the work routine.

[hipsterfashionnet]

Beauty : Eye Shadow Eye Liner & Mascara : ♡ NYX Perfect Filter Palette in Rustic Antique Review les coulours sont juste … https://ift.tt/33dxi44

[losingcontrol-again]

Get to know me !

Tagged by @le-pleurnichard

rules: answer 30 questions then tag 20 blogs you would like to know better

1. Nickname(s): I don’t have any 2. Gender: female 3. Star Sign: Virgo 4. Height: 175cm 5. Time: 11:14 6. Birthday: September 15th 7. Favourite Band(s): It used to be The Doors but now I have no idea 8. Favourite Solo Artist: used to be The Weeknd but now I’m getting bored with him 9. Song Stuck in My Head: Swalla 10. Last Movie Watched: Kick-ass (lol) 11. Last Show Watched: I watched an episode of How To Get Away With Murder 12. When Did I Create My Blog: A long long time ago 13. What Do I Post: check it out 14. Last Thing I Googled: Razvoj hospicijskog pokreta u Americi 15. Do You Have Other Blogs: no 16. Do You Get Asks: sometimes 17. Why Did You Choose Your URL: It’s something like the song from Joy Division 18. Following: 372 19. Followers: 738 20. Favourite Colours: Light blue and pink, pastel coulours I guess, and black 21. Average Hours of Sleep: 7-8, but I’m always tired 22. Lucky Number: 7 I guess, idk 23. Instruments?: I used to play guitar 24. What Am I Wearing: Shorts and a shirt 25. How Many Blankets I Sleep With: 0, it’s summer 26. Dream Job: pathologist or neurologist 27. Dream Trip: Ireland 28. Favourite Food: lasagna 29. Nationality: Croatian 30. Favourite Song Now: I think it’s Sweet creature- Harry Styles, I am so lame, I know, shut up

I tag: @tragiccdisorderr, @fotelja, @djevojcicaizvode, @neroromanticidio, @ii-solation @graphicvein, @narandzasta, @openthatdoor, @aduaine, @kurvin-sin, @methamedic, @dete-sa-stanice-zo and anyone who wants to do it

[aronsonfilm]

FAUVE from Jeremy Comte on Vimeo.

130+ festivals, 70+ awards. Academy Award® Nomination for Best Live Action Short Film.

FAUVE by Jeremy Comte

Synopsis : Set in a surface mine, two boys sink into a seemingly innocent power game with Mother Nature as the sole observer. "Fauve" is this week's Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/fauve

Follow FAUVE on social media (@fauveshortfilm): facebook.com/FAUVEshortfilm/ instagram.com/fauveshortfilm/ twitter.com/FAUVEshortfilm/

CAST

Tyler: Félix Grenier Benjamin: Alexandre Perreault The Woman: Louise Bombardier

CREW

Writer/ Director : Jeremy Comte Production : Evren Boisjoli (Achromatic Media), Maria Gracia Turgeon (Midi la Nuit) Cinematographer : Olivier Gossot Production Manager: Julie Groleau Production coordinator: Kelyna N. Lauzier 1st AD: Catherine Kirouac Casting Director: Victor Tremblay-Blouin Costume Design: Renée Sawtelle Make-up & Hair Artist: Stéphanie Barette Sound recordist: Laurent Ouellette Key Grip: Roland Cody Laroque Best Boy Grip: Nicola Poitras Gamache Grips: Patrice Arsenault, Thibault Kersani 1st Camera Assistant: Jeanne Dupuis 2nd Camera assistant & Gimbal operator: Benjamin Granet Stunt Coordinator: Tyler Hall Visual Effect Supervisor: Jean-Francois Clément Assistant Visual Effect Supervisor: Alex Legault Unit Production Manager: Jean-Maxime Giguère Set Production Assistant: Gabrielle de Cevins Production Assistants: Stéphane Pierre-Dufour, Sophie Cullen Aubut, Sabrina Lavergne, Molly Manseau Production Driver: Antonio Gracia Molero Production Intern: Gabrielle de Cevins Medic: Dominique Laplante Catering: Reception GL Animal Wrangler: Alain Chiocchi

Script collaborators: Patrica Boucher & Daphnée Côté Hallé Script Consultant: Phillipe Lesage

Image Post Production: Outpost Post Production Supervisor: Simon Allard Editor : Jeremy Comte Online Editor: Simon Allard VFX Artist: Val Michailov

Sound Post Production: Cult Nation Mixing & Sound Design : Hugues Bertrand, Théo Porcet, Jean-David Perron Foley Artist: Michael Anctil Sound Post Production Coordinator: Sophie Bérubé

Colour: The Mill - Chicago Colourist : Luke Morrison Colour Assist: Lindsay Mazur Coulour Producer: Dan Butler Colour executive Producer: Laurie Adrianopoli

Music: La Hacienda Composer: Brian D'Oliveira

Distribution and international sales: H264 Distribution

Poster & Title design: Sebastien Camden - Pusher

Filming Equipment: Cineground, Achromatic Media, Cinepool, Multiservice Luna Vehicles: Location Via Route Production Accountants: Marie-Ève Desbiens Tremblay, Johane Bergeron Auditing: Benoit Gauthier Production Insurance: BFL Lawyer: Gabriella Rozankovic - Lussier & Khouzam

Produced with the financial participation of SODEC, CALQ, Provincial tax credit & Federal tax credit

* Awards * Special Jury Award - Sundance Film Festival 2018 * Best of the Festival - Palm Springs ShortFest * Grand National Jury Prize & Best Youth Short Film - Regard Int. Short Film Festival * Best Drama - Aspen ShortsFest * Programmers Choice Award - Cleveland Film Festival 2018 * Best Narrative Award - Minneapolis Saint Paul International Film Festival 2018 * Jury Award for Live Action- Vienna Shorts 2018 * Best International Short - Rincon International Film Festival, Puerto Rico, 2018 * Jury Award, Public Award, Prix Ciné Tapis-Rouge - Festival Courts d’un soir, 2018 * Best Directing, Public Student, Young Voters & Public Award - Longue vue sur le court, 2018 * Premio SIGNIS MÉXICO - Guanajuato International Film Festival, 2018 * Grand Jury Prize (Short Film) - 12th FIRST International Film Festival Xining, 2018 * Grand Prix for Best Short Film - Melbourne International Film Festival, 2018 * Best International Narrative - DC Shorts, 2018 * Best Quebec Short Film - Les Percéides, 2018 * Artist Award Winner - Odense International Film Festival, 2018 * Honourable mention for Best Canadian Short Film - Toronto International Film Festival, 2018 * LeCentral Jury Prize - Off-Courts Trouville, 2018 * Best Overall Short Film - Calgary International Film Festival, 2018 * Best Short Film, FIPRESCI Award : Best Short Film - IFF Pacific Meridian, Vladivostok, 2018 * Brief Encounters Grand Prix - Encounters Film Festival, Bristol. 2018 * La Fabrique Culturelle Award - Long Week-End du Court, 2018 * National Competition Grand Prize, Audience Award - Quebec City Film Festival, 2018 * German Independence Award : Best Short Film - Oldenburg Film Festival, 2018 * Best Actor - International Shorts Competition (Félix Grenier) - Les Fantastiques week-ends du cinéma québécois : Vidéotron Award for Best Short (Argent), UDA Award for Best Actor, EVS Award for Best Upcoming Producer (Maria Gracia Turgeon) - Fantasia International Film Festival, 2018 CONTACTS H264 Distribution / Jean-Christophe J. Lamontagne/ jc@h264distribution.com Midi la Nuit / midilanuit.com / maria@midilanuit.com / facebook.com/MidiLaNuitFilms Achromatic Media / achromatic.ca/ evren@achromatic.ca /

[mybrunettediary]

Hello, dans l’article d’aujourd’hui je vous présente ma dernière petite creation à imprimer, le Daily Goal Tracker !

En ce début d’année j’ai voulu créer quelque chose qui pourrait vous aider dans votre quotidien à vous motiver afin d’accomplir tous les objetcifs que vous vous êtes fixés pour la nouvelle année, donc j’ai eu l’idée du Daily Goal Tracker !

Très à la mode depuis un petit moment maintenant, ce tableau vous aide à suivre chaque mois vos objectifs quotidiens. Je trouve le principe très astucieux et utile puisque ça vous aide à visualiser chaque jour l’ensemble des choses que vous souhaitez accomplir tout au long du mois.

Mais comment ça fonctionne ? Alors le principe est simple, tout d’abord il faut entourer le mois dans la case “MONTH” en haut à droite. Ensuite, une fois que c’est fait, vous devez remplir la liste de “GOALS” avec vos objectifs. Puis enfin, il ne vous reste plus qu’à trouver une citation motivante ou inspirante à placer dans la case “Motivational quote of the month” qui se trouve au bas de la page.

Une fois que tout ça est fait votre Daily Goal Tracker est prêt à l’emploi ! Un petit conseil que je peux vous donner pour que ce soit efficace c’est de le laisser à porter de main, à un endroit visible (accroché au frigo, posé sur votre bureau…) afin de ne pas oublier de le remplir à la fin de chaque journée !

Voici une petite liste pour vous donner des idées d’objectifs que vous pouvez ‘tracker’, libre à vous de l’adapter selon vos besoins…

Petit conseil : ne faites pas une liste trop exhaustive dès le début sinon ça vous semblera impossible à réaliser, commencez par des objectifs simples puis vous pourrez ajouter de la difficulté les mois suivants.

Idées d’objectifs quotidiens :

Se coucher plus tôt / Dormir au moins X heures

Se lever à X heure tous les matins

Manger sainement

Journée sans sucre

Lire avant de dormir

Boire au moins 1 litre d’eau par jour

Faire une activité physique

Prendre du temps pour soi

Pas de dépenses inutiles

Ensuite vous pouvez aussi ajouter des objectifs qui ne sont pas quotidiens, dans ce cas vous n’aurez qu’à pré entourer la case le jour où cet objectif devra être accompli (exemple : tous les jeudis, 4 fois dans le mois, etc).

Idées d’objectifs moins fréquents :

Arroser les plantes

Changer la litière du chat

Faire ma séance de sport

Faire les courses

Laver le linge

Aller au cours de piano

Puis la dernière étape, qui est aussi ma préférée, est la partie esthétique, c’est le moment d’être créatif ! Utilisez des couleurs, c’est beaucoup plus sympa. Personellement j’aime bien utiliser des stylos feutres à pointe fine Stabilo pour remplir les cases, car ils sont disponibles en pleins de coulours, du coup ça me permet de définir une couleur pour chaque objectif de sorte à ce qu’à la fin du mois le Tracker ressemble à un arc-en-ciel ! Mais vous pouvez très bien utiliser tout autre choses, des feutres, des surligneurs, des crayons de couleurs, à vous de voir !

Maintenant que vous savez tout ce qu’il y a à savoir sur le Daily Goal Tracker, il ne vous reste plus qu’à le télécharger et l’imprimer ! J’ai créer trois modèles, vous verrez que le tableau et les autres cases à compléter restent les mêmes, les seules choses qui changent sont les petites illustrations.

Pour imprimer votre Daily Goal Tracker cliquez ci-dessous sur le ou les lien(s) de votre choix :

Daily Goal Tracker : fleur rose

Daily Goal Tracker : fleur blanche

Daily Goal Tracker : deux fleurs roses

  This slideshow requires JavaScript.

Et voilà c’est tout pour cet article, n’hésitez pas m’envoyer vos photos et à les partager en mi’dentifiant sur Instagram (@mybrunettediary), ça me ferait vraiment plaisir de voir comment vous avez personnalisé votre Tracker ! N’oubliez pas aussi de partager ça avec vos copines, sœurs, cousines afin de les aider à organiser leur quotidien tout au long de l’année !

Je vous mettrai ci-dessous le lien de ma vidéo “MES RÉSOLUTIONS 2019”, si vous ne l’avez pas encore vu n’hésitez pas à le faire ça pourra sûrement vous aider étant donner que je parle du Tracker !

Gros bisous, Juliana.

/LIEN DE LA VIDÉO/

  Daily Goal Tracker : organiser son quotidien Hello, dans l'article d'aujourd'hui je vous présente ma dernière petite creation à imprimer, le Daily Goal Tracker

[haut-bailly]

"Oh Colours!" at the museum of Design in Bordeaux

This summer, the museum of decorative arts and design of Bordeaux organizes an exclusive exhibition exploring the links between colour and design. Colour influences our perception of objects, it is a key element of design. Staged by French designer Pierre Charpin, the exhibition "Oh Coulours!" gathers more than 400 pieces from designers, stylists, sociologists, etc.

As French newspaper “Le Figaro” underlines in an article titled “Bordeaux, its name is a colour” (June 17, 2017), the Madd also asked Manlio Brusatin, the author of the book “A History of Colours”, to analyse the bordeaux colour, first quoted in 1886.

“Oh Colours!” is the first exhibition set in the former prison located at the back of the museum. It takes place from June 29th to November 5th, 2017. Château Haut-Bailly is proud to be its main patron.

[whileiamdying]

Set in a surface mine, two boys sink into a seemingly innocent power game with Mother Nature as the sole observer. "Fauve" is this week's Staff Pick Premiere! Read more about it here: https://ift.tt/2zOQjxu facebook.com/FAUVEfilm CAST Tyler: Félix Grenier Benjamin: Alexandre Perreault The Woman: Louise Bombardier CREW Writer/ Director : Jeremy Comte Production : Evren Boisjoli (Achromatic Media), Maria Gracia Turgeon (Midi la Nuit) Cinematographer : Olivier Gossot Production Manager: Julie Groleau Production coordinator: Kelyna N. Lauzier 1st Assistant Director: Catherine Kirouac Casting Director: Victor Tremblay-Blouin Costume Design: Renée Sawtelle Make-up & Hair Artist: Stéphanie Barette Sound recordist: Laurent Ouellette Key Grip: Roland Cody Laroque Best Boy Grip: Nicola Poitras Gamache Grips: Patrice Arsenault, Thibault Kersani 1st Camera Assistant: Jeanne Dupuis 2nd Camera assistant & Gimbal operator: Benjamin Granet Stunt Coordinator: Tyler Hall Visual Effect Supervisor: Jean-Francois Clément Assistant Visual Effect Supervisor: Alex Legault Unit Production Manager: Jean-Maxime Giguère Set Production Assistant: Gabrielle de Cevins Production Assistants: Stéphane Pierre-Dufour, Sophie Cullen Aubut, Sabrina Lavergne, Molly Manseau Production Driver: Antonio Gracia Molero Production Intern: Gabrielle de Cevins Medic: Dominique Laplante Catering: Reception GL Animal Wrangler: Alain Chiocchi Script collaborators: Patrica Boucher & Daphnée Côté Hallé Script Consultant: Phillipe Lesage Image Post Production: Outpost Post Production Supervisor: Simon Allard Editor : Jeremy Comte Online Editor: Simon Allard VFX Artist: Val Michailov Sound Post Production: Cult Nation Mixing & Sound Design : Hugues Bertrand, Théo Porcet, Jean-David Perron Foley Artist: Michael Anctil Sound Post Production Coordinator: Sophie Bérubé Colour: The Mill - Chicago Colourist : Luke Morrison Colour Assist: Lindsay Mazur Coulour Producer: Dan Butler Colour executive Producer: Laurie Adrianopoli Music: La Hacienda Composer: Brian D'Oliveira Distribution and international sales: H264 Distribution Poster & Title design: Sebastien Camden - Pusher Filming Equipment: Cineground, Achromatic Media, Cinepool, Multiservice Luna Vehicles: Location Via Route Production Accountants: Marie-Ève Desbiens Tremblay, Johane Bergeron Auditing: Benoit Gauthier Production Insurance: BFL Lawyer: Gabriella Rozankovic - Lussier & Khouzam Produced with the financial participation of SODEC, CALQ, Provincial tax credit & Federal tax credit * Fauve played over 80 festivals internationally and won over 40 awards. Winner: Special Jury Award - Sundance Film Festival 2018 Winner: Best of the Festival - Palm Springs ShortFest Winner: Grand National Jury Prize & Best Youth Short Film - Regard Int. Short Film Festival Winner: Best Drama - Aspen ShortsFest Winner: Programmers Choice Award - Cleveland Film Festival 2018 Winner: Best Narrative Award - Minneapolis Saint Paul International Film Festival 2018 Winner: Jury Award for Live Action- Vienna Shorts 2018 Winner: Best International Short - Rincon International Film Festival, Puerto Rico, 2018 Winner: Jury Award, Public Award, Prix Ciné Tapis-Rouge - Festival Courts d’un soir, 2018 Winner: Best Directing, Public Student, Young Voters & Public Award - Longue vue sur le court, 2018 Winner: Premio SIGNIS MÉXICO - Guanajuato International Film Festival, 2018 Winner: Grand Jury Prize (Short Film) - 12th FIRST International Film Festival Xining, 2018 Winner: Grand Prix for Best Short Film - Melbourne International Film Festival, 2018 Winner: Best International Narrative - DC Shorts, 2018 Winner: Best Quebec Short Film - Les Percéides, 2018 Winner: Artist Award Winner - Odense International Film Festival, 2018 Winner: Honourable mention for Best Canadian Short Film - Toronto International Film Festival, 2018 Winner: LeCentral Jury Prize - Off-Courts Trouville, 2018 Winner: Best Overall Short Film - Calgary International Film Festival, 2018 Winner: Best Short Film, FIPRESCI Award : Best Short Film - IFF Pacific Meridian, Vladivostok, 2018 Winner: Brief Encounters Grand Prix - Encounters Film Festival, Bristol. 2018 Winner: La Fabrique Culturel Award - Long Week-End du Court, 2018 Winner: National Competition Grand Prize, Audience Award - Quebec City Film Festival, 2018 Winner: German Independence Award : Best Short Film - Oldenburg Film Festival, 2018 Winner: Best Actor - International Shorts Competition (Félix Grenier) - Les Fantastiques week-ends du cinéma québécois : Vidéotron Award for Best Short (Argent), UDA Award for Best Actor, EVS Award for Best Upcoming Producer (Maria Gracia Turgeon) - Fantasia International Film Festival, 2018 CONTACTS H264 Distribution / Attn : Jean-Christophe J. Lamontagne/ jc@h264distribution.com Midi la Nuit / midilanuit.com / maria@midilanuit.com / facebook.com/MidiLaNuitFilms Achromatic Media / https://ift.tt/2NjPxwa evren@achromatic.ca /

[artwalktv]

facebook.com/FAUVEfilm CAST Tyler: Félix Grenier Benjamin: Alexandre Perreault The Woman: Louise Bombardier CREW Writer/ Director : Jeremy Comte Production : Evren Boisjoli (Achromatic Media), Maria Gracia Turgeon (Midi la Nuit) Cinematographer : Olivier Gossot Production Manager: Julie Groleau Production coordinator: Kelyna N. Lauzier 1st Assistant Director: Catherine Kirouac Casting Director: Victor Tremblay-Blouin Costume Design: Renée Sawtelle Make-up & Hair Artist: Stéphanie Barette Sound recordist: Laurent Ouellette Key Grip: Roland Cody Laroque Best Boy Grip: Nicola Poitras Gamache Grips: Patrice Arsenault, Thibault Kersani 1st Camera Assistant: Jeanne Dupuis 2nd Camera assistant & Gimbal operator: Benjamin Granet Stunt Coordinator: Tyler Hall Visual Effect Supervisor: Jean-Francois Clément Assistant Visual Effect Supervisor: Alex Legault Unit Production Manager: Jean-Maxime Giguère Set Production Assistant: Gabrielle de Cevins Production Assistants: Stéphane Pierre-Dufour, Sophie Cullen Aubut, Sabrina Lavergne, Molly Manseau Production Driver: Antonio Gracia Molero Production Intern: Gabrielle de Cevins Medic: Dominique Laplante Catering: Reception GL Animal Wrangler: Alain Chiocchi Script collaborators: Patrica Boucher & Daphnée Côté Hallé Script Consultant: Phillipe Lesage Image Post Production: Outpost Post Production Supervisor: Simon Allard Editor : Jeremy Comte Online Editor: Simon Allard VFX Artist: Val Michailov Sound Post Production: Cult Nation Mixing & Sound Design : Hugues Bertrand, Théo Porcet, Jean-David Perron Foley Artist: Michael Anctil Sound Post Production Coordinator: Sophie Bérubé Colour: The Mill - Chicago Colourist : Luke Morrison Colour Assist: Lindsay Mazur Coulour Producer: Dan Butler Colour executive Producer: Laurie Adrianopoli Music: La Hacienda Composer: Brian D'Oliveira Distribution and international sales: H264 Distribution Poster & Title design: Sebastien Camden - Pusher Filming Equipment: Cineground, Achromatic Media, Cinepool, Multiservice Luna Vehicles: Location Via Route Production Accountants: Marie-Ève Desbiens Tremblay, Johane Bergeron Auditing: Benoit Gauthier Production Insurance: BFL Lawyer: Gabriella Rozankovic - Lussier & Khouzam Produced with the financial participation of SODEC, CALQ, Provincial tax credit & Federal tax credit * Fauve played over 80 festivals internationally and won over 40 awards. Winner: Special Jury Award - Sundance Film Festival 2018 Winner: Best of the Festival - Palm Springs ShortFest Winner: Grand National Jury Prize & Best Youth Short Film - Regard Int. Short Film Festival Winner: Best Drama - Aspen ShortsFest Winner: Programmers Choice Award - Cleveland Film Festival 2018 Winner: Best Narrative Award - Minneapolis Saint Paul International Film Festival 2018 Winner: Jury Award for Live Action- Vienna Shorts 2018 Winner: Best International Short - Rincon International Film Festival, Puerto Rico, 2018 Winner: Jury Award, Public Award, Prix Ciné Tapis-Rouge - Festival Courts d’un soir, 2018 Winner: Best Directing, Public Student, Young Voters & Public Award - Longue vue sur le court, 2018 Winner: Premio SIGNIS MÉXICO - Guanajuato International Film Festival, 2018 Winner: Grand Jury Prize (Short Film) - 12th FIRST International Film Festival Xining, 2018 Winner: Grand Prix for Best Short Film - Melbourne International Film Festival, 2018 Winner: Best International Narrative - DC Shorts, 2018 Winner: Best Quebec Short Film - Les Percéides, 2018 Winner: Artist Award Winner - Odense International Film Festival, 2018 Winner: Honourable mention for Best Canadian Short Film - Toronto International Film Festival, 2018 Winner: LeCentral Jury Prize - Off-Courts Trouville, 2018 Winner: Best Overall Short Film - Calgary International Film Festival, 2018 Winner: Best Short Film, FIPRESCI Award : Best Short Film - IFF Pacific Meridian, Vladivostok, 2018 Winner: Brief Encounters Grand Prix - Encounters Film Festival, Bristol. 2018 Winner: La Fabrique Culturel Award - Long Week-End du Court, 2018 Winner: National Competition Grand Prize, Audience Award - Quebec City Film Festival, 2018 Winner: German Independence Award : Best Short Film - Oldenburg Film Festival, 2018 Winner: Best Actor - International Shorts Competition (Félix Grenier) - Les Fantastiques week-ends du cinéma québécois : Vidéotron Award for Best Short (Argent), UDA Award for Best Actor, EVS Award for Best Upcoming Producer (Maria Gracia Turgeon) - Fantasia International Film Festival, 2018 CONTACTS H264 Distribution / Attn : Jean-Christophe J. Lamontagne/ jc@h264distribution.com Midi la Nuit / midilanuit.com / maria@midilanuit.com / facebook.com/MidiLaNuitFilms Achromatic Media / http://bit.ly/2zPgQLm evren@achromatic.ca /