#light and hard headed

[inhabitedselfshipper]

What's one or multiple song(s) from your favorite musical artist that you associate with ur f/o(s)?



I'm going to pick a few f/os and songs from Ghost I associate them with!

Alot from the IMPERA album. Some I can't explain. To me they just fit. Some have multiple songs!

Tim:

Higgs:

König:

Octane:

Bloodhound:

Ghost:

[hotdogmchiggin]

I guess DARE wasn’t a thing in Goron City

[spearxwind]

I purchased a little freak recently and I'm completely obsessed with him

[kizzer55555]

Ultimate Escape Room

Sam, Danny, and Tucker are bored. Nothing seems to be a challenge anymore. Summer vacation is coming up but they can’t agree on anything . Themepark? What’s a better roller coaster than Jack driving? Scary movie? I’m sorry, nothing beats Fright Knight’s nightmare realm. Bungie jumping? Danny can fly. Then Tucker, who’s been typing on his computer, asks “what about an escape room?”. The others are about to shut the idea down because seriously? Easy. But Tucker just grins and shows them his computer screen.

“Ever heard of Arkham?”

Danny and Sam lean over to read the description and all three turn to each other and grin. 

Now, what’s the fastest way to get into Arkham?

…

So the chaos trio do ✨something✨ that gets them locked up in Arkham and then try to escape and they keep. You know, normal stuff for Arkham inmates. Except this trio? Keep. Getting. Out. Of. Their. Cells. So they are just passing by locked up rogues and waving at them as an army of prison guards chase after them. Sure they could get out the easy way (Aka powers) but no, this is a challenge so they have the normal rules of an escape room. Aka, you can’t break anything and an extra rule where if a guard catches you, then you can’t fight back (also, no one can get hurt). (They make fake identities and everything). So they need to go through the whole process. Figure out how to unlock cuffs. Could be learning to pick a lock with a spoon/stick/long nails. Then find the keys. Possibly having to crawl through vents to get in the warden’s office. Or making deals with prison inmates. Like, I’ll get this for you if you give me that (however they extract a promise that the rogue can’t kill anyone with whatever they help them with.) So they are in prison literally doing errands like find freeze’s weapons in exchange for him telling them the passcode to the gate or something. Or getting Waylon some meat from the cafeteria and he’ll break the lock on this movable vault that has materials to make smoke bombs they can use to distract the front guards. 

These kids are just going wild and it gets to the point where Arkham has to call the bats (like no Waylon, we won’t escape with you, we have to do it without breaking any walls!) So literally the only reason they are not escaping is because they want to do it ‘right’. But they are also aiding other rogues in their escape (at least certain ones. They aren’t helping joker no matter what he offers)

It’s driving the bats mad. They have vigilantes stationed in each hall, in multiple monitor rooms.

They aren’t even using anything clever to block the cameras. They’re using mirrors. Mirrors! Where did they even get so many handheld mirrors! 

They are running circles around the bats. The escaped rogues literally aren’t doing anything yet because they want to see how the three hellions will escape the entire bat clan. They have bets going. So there is a temporary truce.

Just imagine the conversations/interrogations the bats will have with trio, trying to figure out their master plan - because surely there's something more going on than three chaos young adults playing a game, right?

They trio each have a different story. And they are so passionate/convincing actors that no one knows which story is real. At least one of them told a sob story with legitimate tears.

Danny: (all mysterious) You shall never know our master plan….until it is too late. And just casually dropping hints that there is something greater or that the bats are playing right into their hands. Even using ridiculous scenarios like yesss the ketchup explosion in the cafeteria….We are one step further….Mwa ha ha! (Rubs his hands together)

Sam: (absolutely distraught with literal tears running down her face and ruining her mascara.) There is a terrible organization holding their parents hostage. They had been framed and forced to be in Arkham. If they don’t do exactly as they are told, their loved ones are in danger! Should we stay? Should we escape and help them!? No one will believe us and what if we make things worse? We don’t know what to do!

Tucker: (takes a long slurp of a smoothie. Where he got one? No one knows). Yeah we were bored and had nothing better to do than mess with you guys. (Sluuuuurp).

The bats are trying to figure it out. Is the black haired guy telling the truth and the other two are just manipulating them? Is it the girl and the others are only following the plot of the organization? IS THE BARET KID RIGHT AND THEY’RE JUST MESSING WITH US!? WHICH STORY IS IT!?

Under normal circumstances, Sam wouldn’t give a sob story because It’s not really her vibe. But Sam has the opportunity to pull one over on a bat. Do you honestly think she won’t take a chance to mess with them? Also, Dick is the one who is interrogating Sam.

He’s crying too by the end of the story.

Poor guy, Sam will play his heart like a fiddle. 

Also, their fake identities are Jordan for Danny. Mortica for Sam (or Macey for short) and Phineas for Tucker. The fact that they are using fake identities is the only thing they all agree on in the interview. But the bats find nothing on them and the identities are so realistic they wonder if they are even fake at all. If the three are faking fake IDs to throw them off their tail from looking deeper. Apparently their ‘parents’ having a missing persons report.

Damian is interrogating Danny. It’s just so easy to rile him up and get under his skin. It’s absolute drama in that interrogation room. 

Danny: ah yessss. Master plan.

Damian: you shall never succeed! Justice shall prevail evil scum!

And Duke is interrogating Tucker. He just…has no idea how to respond to this. He wasn’t trained for this response. Hostile, yes. Mysterious, yes. Scared, yes. Civilian, yes. Even Flirtatious! YES! But not…this. What does he do? should he take out his note cards?

Also, I’m adding a mix of home alone elements to this. They have to get past the bats somehow and it can’t be lethal. Poor Jason and Steph who are patrolling the halls fall victim to most of this.

At one point, both of them are tied up together and hanging from the ceiling. While the trio just casually walk by under them. 

It’s dental floss. Really strong dental floss.

Then the bats start taking sides. 

Jason? once he hears Sam's story, he's immediately willing to help her. He and Dick are searching for that missing person's report almost religiously.

Tim believes Danny's story. part of it is because it makes the most sense, and the other part is that he's slightly biased from becoming an evil megalomaniac in every timeline he's seen so he's subconsciously trying to stop that from happening here.

Cass believes Tucker because come on, it's Cass.

Steph is siding with Tim because her father was cluemaster so same reasons.

Bruce is trying to fact check all of them and is failing desperately.

Sam added some ‘clues’ in her interrogation and basically threw the GIW under the bus as the organization. So the bats do find a shady organization but so far no missing persons so the other bats still don’t know if what Sam is saying is true or not while Dick takes this as absolute proof and Jason feels like it doesn’t matter if she’s telling the truth at this point. It’s a corrupt organization. So he’ll still blow it up.

I think in this AU, the GIW isn’t a threat and more of an annoyance so Sam just plays them up as even worse. Like, she doesn’t say anything untrue just makes it sound worse out of context. Oh yeah, they opened fire on this random kid. (Gregory when they thought he was phantom) Oh yes, they have destroyed Danny’s house at one point. (The prank war with Vlad) Yes, the have an unhealthy obsession with dissecting people. (Even though they are too incompetent to actually catch anyone).

So again, they don’t know if Sam is telling the truth of the organization or they just used this random organization to draw their attention away from the three’s plans (as Danny implied). Possibly an enemy organization or a competitor.

I know everyone makes the GIW a big threat but I decided to change it up. They aren’t a threat but still get obliterated by a pissed off Red Hood and Nightwing.

And that’s  another reason why Sam gives the sob story. Danny and Tucker are great but they wouldn’t actually sick a crime lord on the GIW. Sam? Absolutely would. She does not care what happens to them. They tore up her garden one time with a stray shot. She wants revenge. And sure, she didn’t actually know what would happen to them after the bats find out but she still doesn’t care.

And through all of this, the rogues are sitting back and eating popcorn while Joker screams bloody murder from his cell. 

[thelvadams]

Whether skyward bound, adrift in time, or steeped in the glowing embers of twilight... The sacred blade is forever bound to the soul of the Hero.

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[iamhereinthebg]

the boi!

[desceros]

ok this one's better. ignore any previous villain donnie's left in your inbox oooo

[meteorologist voice] well folks if you look to your night sky you'll have a chance of catching a special treat tonight! looks like tumblr user desceros has fucking exploded and will be ascending to become a star in our cosmos. wow, what an opportunity to see spontaneous human combustion in real time. truly something special. anyway, back to you, janice

[orange-artblog]

O.M.G. THEY‘RE ON THE SAME COVER ART???? AND THEY‘RE MATCHING??? This MUST mean the next album will feature both bands guys TRUST—

close up/no colouring versions :p

sneak peak:

The very obviously disguised as Interviewer-Paparazzi comes closer and closer towards him, „Please, just one question!“ Dream rolls his eye „I‘m not supposed to speak with strangers… But alright! I‘ll bite! What‘s your question?“ the ‚interviewer‘ gets out a notepad and pen, the moment dragging on into annoyingly endless territory, then comes the question; „Do you have a father?“ The room goes quiet is an understatement.

Rock band + Rock Band!Killer by @zu-is-here

Rock band Dream (idea? + partially design) by @help-im-a-gay-fish

art and other details/changes on designs by me!

[still-we-rise]

Unreleased Kovis from Helsinki

[solargeist]

any time i imagine kid xelqua lounging in grian's house, he is watching sesame street or dragon ball z, with snacks sat on the cushion next to him.

he shoves the snacks into the crease of the couch when he thinks he might get in trouble for eating on the furniture and doesn't want to get caught. (he would not have got in trouble, but now he will, just for that)

[inhabitedselfshipper]

What’s one thing Tim does that really makes you feel loved?

River looked over their shoulder towards the kitchen where Tim was preparing dinner. They smiled and shifted in their seat to lean forward.

"He checks on me. As simple as that seems its just... With how things are its the fact he takes the time to make sure im alright. For the most part I do the same but I have a few issues trying to emphasize even though we're going through the same situation."

They sat up and leaned against the arm of the couch. They stare forward for a second seeming to zone out a bit.

"He... Um.... He makes sure I'm okay and stays by my side, yknow? It's the simple things."

[katiekatdragon27]

It’s pieces like this that truly reflect how little I understand shading 💀

Kinda eye strainy but I promise it’s worth it (probably):

Midnight art rush yet again. Felt an incredible need to cook. Did I tho? I think so. I did know that I had to finish in one go tho or else I would’ve lost motivation and gave up lol.

This is based on that one song from Chicago that became a trending audio lol. In a way, they both reached for "the gun". Anthony (and Abel) was the reason the whole war in Spaceland started. On the other hand, Zenith (someone I haven't posted yet) was the one to actually drop the first bomb. I love my media where everyone is at fault and super doomed.

I will yap about Zenith and his beef with Abel in a later post, but for now you get a hand shot lol.

Have a good one dudes :))

[thecoldcoffeecup]

in my head i play a supercut of us

[blueskittlesart]

what do you think his thoughts were at that moment?

this is an insane question and i am going rabid trying to answer it. for context this is about my. link dead on the fucking floor compilation. i. e. "what do you think went through link's mind as he all but DIED in precalamity botw."

i've thought about this before because. well obviously i have. look at how many times i've drawn it. i think context matters more than anything when examining that moment, because it's essentially the culmination of link's entire life up to that point in the worst way possible. you have a kid who has been raised to either win or die. those are his only two options. he's known this for basically as long as he can remember. either he defeats the calamity like he's supposed to and lives the rest of his life as an untouchable gold standard of soldier, as proof that all that pressure and pain he suffered worked, or he dies and dooms everyone he has ever loved to suffer horribly for the rest of their likely very short lives. And i do think he thought about this extensively, because how could you NOT, and i think that he probably believed that death was the most likely outcome. He was raised by a soldier, around soldiers, to be a soldier. soldiers are practical. soldiers strategize for the most likely scenario. they're not pessimistic, but they know how to look at a situation objectively and make a judgement call. Looking at link's situation objectively, it would have been obvious that he couldn't win. he was one kid, a 16-year-old boy, with maybe some above-average swordsmanship skills, but too many variables were missing. he couldn't hear the sword's voice. zelda's power wouldn't manifest. Hylia, who should have been there guiding them through this prophecy that SHE had supposedly inflicted on them, was completely silent. the divine beasts may have given him some hope, initially, but it was clear below the optimistic facade that hyrule was toying with very dangerous forces they didn't truly understand. I think he very likely went into that confrontation with the calamity anticipating death.

what's most interesting to me about the scene of link's death isn't that he fell, but WHERE he fell. because he didn't die in the sanctum, at the scene of the calamity's birth, as one might have expected. he died in an empty field along the road to a fortress that might have been able to protect him. Link, the bearer of the triforce of courage, the boy raised to die a martyr at the hands of the calamity, who had all but accepted his fate before the monster even showed its face, chose to run for safety, what some might call the coward's approach, instead of dying where he stood at ganon's hand. and it seems almost out of character at first, when you think about the person he was when he first met zelda, the person who would do anything in his power to show no weakness, to take the pain and the stress without flinching or faltering. the boy who so completely embodied that idea of "courage." but i think that zelda was the piece that changed him. If it had just been him at that final confrontation, maybe he wouldn't have run. maybe he would have been content to take his final stand and accept the death he'd been promised. but zelda insisted on being there, too. "there must be something i can do to help." and while link was a soldier, more than willing to engage in self-sacrifice, he was also a knight, sworn to protect this girl, and so he couldn't in good conscience sacrifice HER, too. so he ran. he tried to live, at a moment when he should have expected to die. and i think that was infinitely more courageous of him. to go against everything you have ever known and expected is infinitely scarier than accepting the outcome you've always anticipated. Running for his life (and for zelda's) was running into the unknown. escaping death in that way was defying everything he'd built himself up to be, everything everyone expected of him. Who is link if not the hero who faced the calamity with courage? what would he have to be if he could not be what was expected of him? in that moment, he made the choice to step into the unprophesized timeline, into a world where his actions were no longer defined by some great all-seeing power. and that was the most courageous move he could have made in that moment. he must have been terrified.

so what was going through his mind as he made his last stand? Honestly, i think the only thing on his mind was zelda. I don't think he cared about himself, his physical condition, any of it. I think he made the choice to run because of zelda and so he made the choice to take his final stand where he did because of her, too. just before zelda's power manifests, we see him try to continue fighting even inches from death, so gravely injured that he's unsteady on his feet, using his sword to keep himself standing. i think he must have known that he was in no condition to fight anymore, but he expected death to come for him at one point or another. what mattered was that she might live as long as he kept going. that's why he ran in the first place. not for himself, but because zelda was there and zelda didn't deserve to die like this. Even once zelda's power manifests, link only gives up and allows himself to fall once a beat or two has past--once he's sure that there really is no more danger. that she'll be okay, that she can make it past the fort and into relative safety even if he lets go here. He collapses then, and only then, after running miles through fields and woods, already gravely wounded, because in that moment he sees that the danger has past. a soldier's work is only done when there is nothing left to fight. a knight's work is only done when his princess is truly safe.

maybe he was relieved that he'd managed to hold on as long as he had. that he'd been able to find her some form of safety, in one way or another. maybe he worried about what manner of things would come for her once he was gone. maybe he wondered why she wouldn't just leave him and run for the fort. i'm sure there was a flash of regret in the back of his mind, for the family and friends he'd leave behind, for the people he'd let down, for the calamity he wasn't able to defeat. but this was the outcome he'd expected, even if it had come in a slightly different form. Even if now there was a girl hovering above him begging him to open his eyes.

[matoitech]

i know i have an addiction to making buff men with big arms and nice pecs but this one came to me in a vision. he has a bleached blond buzzcut and a massive c *im dragged off stage*