#like he has to guve us the second term

[c28hunter]

Do I have a difficult math test tomorrow? Yes

Yesterday, did I spontaneously buy a ticket for a tonight's concert? Yes, I did

I'm in my "I don't give a fuck anymore era"

[warrioreowynofrohan]

Conservatism in Brandon Sanderson’s Writings; or, Reflections on Revolution in the Cosmere

I’ve only read The Stormlight Archive and Warbreaker, so this is based on an incomplete picture, but the combination of those two have given me an impression of Sanderson’s ideas on social structures, appropriate and inappropriate responses to institutional injustice, and revolution. These ideas strike me as being essentially conservative; I’m tempted to say Burkean (hence my alternate title), but I don’t know Burke’s writings well enough to be sure if that’s correct.

To be clear: this is not a ‘call-out’ post. I personally disagree with some of Sanderson’s themes, but I’m trying to understand, engage with, and debate them, not flatly condemn them.

My interpretations here are primarily based on two storylines: Warbreaker, and Kaladin and Moash’s arcs in Words of Radiance. Both of these two storylines, and their resolutions, seem grounded in the following political ideas:

1) Injustice and cruelty are the result of bad, or flawed, people; not of bad systems. And people can change. The solution to a system that seems unjust is to improve the people within it, not to tear it down.

2) Those who seek revolution are basically self-serving and vengeful, not interested in the good of others or that of society.

3) Radicals and those who seek revolution have a blinkered political perspective, flattening societies and people into stereotypes rather than acknowledging their complexity.

1. People, not systems

For the first point: both Alethkar and the world of Warbreaker have systems that are fundamentally founded on entrenched and institutionalized inequality. In Alethkar it is the division between lighteyes and darkeyes (and the different ranks thereof). In Warbreaker it is the position of Returned, who can only exist by daily taking life-force/spirit from others - typically from the poor. Nonetheless, the narrative justifies the maintenance of both systems, primarily on the basis that the ruling classes contain good people (e.g. Dalinar, Adolin; Siri, Susebron, Lightsong); one of the major themes in TWOK and WOR revolves around forcing Kaladin to recognize that some lighteyes are good, and others, like Elhokar, have the desire and capacity to improve.

The basic political conflict is, to me, expressed by two lines following Kaladin’s (second) defeat of a Shardbearer. The first is Dalinar’s, when he states what Kaladin should do about institutionalized discrimination against darkeyes: “You want to change that?...Be the kind of man that others admire, whether they be lighteyed or dark...That will change the world.” This fundamentally rubs me the wrong way - it’s the Booker T. Washington theory of how to address racial inequality, and history has proven time and time and time again that it doesn’t work. If Kaladin did that, people would say, “Wow, that Kaladin, what an unusually exceptional darkeyes!” and continue to treat the rest of darkeyes just the same.

The second line is Kaladin’s when he refuses the shardblade that would make him lighteyed: “I don’t want my life to change because I’ve become a lighteyes. I want the lives of people like me...like I am now...to change.” This, I completely agree with - but later events would suggest the narrative may not. (And the fact that Kaladin doesn’t used his increased status in later books to push for change on this front frustrates me.)

To give another example: when Sadeas treats bridgemen as cannon fodder and their lives as utterly disposable, the problem is treated as being that Sadeas is a bad person (and facing certai. tactical constraints) - not the fact that Sadeas and the other brightlords has the power to treat darkeyes’ lives as disposable in the first place. When Kaladin is imprisoned for challenging Amaram to a duel - in effect, imprisoned for being darkeyed, since a high-nahn lighteyes would not have been punished for issuing such a challenge - this is treated as Kaladin’s fault, not the fault of a system that treats him as having fundamentally less worth than Amaram.

There’s no focus in the books on getting rid of the unjust system - by any means, violent or non-violent, bottom-up or top-down - just on having the ruling class become better people, which is expected to alleviate some problems without fundamentally altering the social structure.

2. Revolutionaries are selfish

The most open expression of this idea is in TWOK, where Moash says outright that he’d like to keep the same system but flipped, with darkeyes on the top and lighteyes on the bottom. Vivenna’s endeavours towards revolution are also portrayed as driven by bigotry against Hallandran culture. And Kalladin’s desire to remove Elhokar is shown as driven by a desire for revenge, with any larger goals or motives being mere rationalization. Likewise, the main antagonist of Warbreaker is shown as having destructive, not constructive goals.

While this is ceratinly true of some revolutionary movements, in Sanderson’s works it is shown as invariably true, with no revolutionary characters being driven by genuine justice or the desire to improve people’s lives. This provides a stark contrast with the number of virtuous characters who are shown depicting or upholding the existing social systems.

3. Radicals see society in shallow and stereotypical terms

This is a big part of the characterization of both Vivenna and Kaladin. For Vivenna, the main example is that she initially sees her people - from a largely rural nation - as fundamentally virtuous, and is horrified by the ‘criminals’ they have to live among in the slum. When she’s made to see that those ‘criminals’ are in fact members of her people, she sees them as victims tragically corrupted by the terrible (urban) culture they’ve immigrated to. She generalizes; she doesn’t want to recognize the fact that some of her people prefer life in the city - despite marginalization and poverty - to life in their country of birth, and wouldn’t want to return. She spends most of the book being gradually forced to break down her stereotypes of her culture as good and Hallandran society as corrupt.

Kaladin, for his part, continually stereotypes lighteyes. In his youth, it’s a kind of internalized caste-ism - he’s constantly disappointed and mistreated by the lighteyes around him, and he keeps on thinking that the people doing it aren’t ‘real’ lighteyes, ‘real’ lighteyes are noble and honorable and he’ll get to fight for one someday. After being betrayed one too many times, he switches to thinking that all lighteyes, invariably, are corrupt, exploitative and evil; it takes a lot to get him to trust Dalinar, and for well after that he continues stereotyping every lighteyes he meets (Adolin, Renarin, Shallan) as spoiled and uncaring even after evidence to the contrary. Even in Oathbringer stereotypes are his default reaction to lighteyes he doesn’t know. He also tends to ignore the fact of major differences in variations in status and life with the two main castes, by nahn and dahn. It’s treated as one of his more persistent character flaws, and contrasted with the more open and merit-based attitudes of the main lighteyed characters.

I’m not really comfortable with this portrayal. Kaladin’s entire life, and everything he’s suffered, have been defined and determined by being lighteyes. He doesn’t have the luxury of being ‘eye-colour-blind’ . Does he make invalid assumptions? Yes, especially about Shallan. But Kaladin thinking of Adolin as a spoiled brat and Adolin calling Kaladin ‘bridgeboy’ are not the same kind of thing; calling someone from a discriminated-against group (who is an adult of about your age) ‘boy’ has implications that both the author and reader are aware of; it is, intentionally or not, an expression of power and superiority, and it is quite justified that it would guve Kaladin a negative impression of Adolin! More broadly, mistrusting lighteyes is basically a trauma-induced defense mechanism for Kaladin, and understandable given what he’s been through. Adolin’s thinking, early in Words of Radiance, that “he was all for treating men with respect and honor regardless of eye shade, but the Almighty had put some men in command and others beneath them; it was simply the natural order of things” is to my mind far more offensive than Kaladin’s personality hostility to lighteyes, but the only main character who the narrative treats/criticizes as being bigoted on the basis of eye color is Kaladin. Adolin’s treated by the narrative as a great person who Kaladin needs to be nicer to, and the aforementioned attitude is never addressed again; it’s not part of his character arc like Kaladin’s view of lighteyes is.

In short, Sanderson’s works are strongly grounded in the idea that the quality of a society is grounded in the personal goodness of its people (including the goodness of its ruling class) more than in the creation of just and equal social structures; and that attributting a society’s problems to structures that create and perpetuate injustice rather than to the choices of individuals is basically wrongheaded. I agree with him on the importance of individual goodness and choices; I disagree with his minimization of the need to dismantle unjust social structures.