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#like...what if yusuke is still recruited same as canon but like
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If nothing else Koenma is a Kuwabara stan and I'm right there with him o7 (I need to write the kuwameshi fic that goes with this fr)
#maybe one day i'll write that au i have sitting in my head#ever since the comment he made about making kuwa spirit detective instead ive been thinking about it#like...what if yusuke is still recruited same as canon but like#kuwa was already spirit detective? doing assignments for the guys upstairs and all#and they made yusuke help him after his resurrection instead of going solo#and it's hilarious because they still have the ''rivalry'' set in place so it's like#now i gotta be coworkers with this guy i was in a fist fight with last week?#yusuke is like you can't be serious you want me to fight DEMONS with the guy who cant even beat ME? lmaooo okay#kuwa would be more in tune with his powers atp in this au and super offended like hello#why would i use my reiki on a FELLOW HUMAN CHILD you DICK i can hold my own on my assignments just fine#but he's actually really excited to be able to spend time with yusuke doing something besides getting his ass handed to him#they're both genkai's students (she's endlessly annoyed but they grow on her)#i just think it'd be fun cos like#it'd be harder to exclude kazuma from shit if he's literally been involved in this shit before he even met#kurama and hiei#kuwabara isn't really told about yusuke's resurrection so things go mostly the same up til he's brought back#they're both called to koenma's office and it's the spiderman pointing meme 💀#it's koenma's first time seeing kuwa in person as he usually just sends assignments with botan#yusuke has already seen him cos of the resurrection arc#and koenma is SUCH a fanboy ''kuwabara it's such a pleasure. you know you're my best worker 🥺''#''um urameshi am i seeing things or is that a fuckin baby'' yusuke will NOT stop laughing#it fucks koenma up so bad he makes sure he's in his adult form when he's around kuwa next#cos he wants to be the respected boss but also guy that you can chill with!! he's so cringe#okay yeah i need to write this it's such a fun concept#kuwameshi#yu yu hakusho#kuwabara kazuma#yusuke urameshi#koenma
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starryo · 9 months
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OH MY GODDDD YOUR WHITE MASK AU AAAAAAAAAA
YOUR WHITE MASK DESIGN IS MAKING ME INSANEEEEEEE AAAAAAAAAAA
HE!!!!!! HIM!!!!! Joker is soooooo ominous and insane looking in his white mask outfit and mask and omg I loveeeee his mask it’s sooo fitting especially for a wild card with so many masks, for him to be represented by a half crying half laughing theatre mask like that and his hair!!!!
Does his hair change when he enters the metaverse?? Does he still have arséne/does he carry his personas into the new run? If not, does he reawaken arséne as his first persona again? Or does he awaken to a different persona when he gets metaverse access? He’s still a wild card but I’m soooo curious about his awakened persona especially considering his new ‘fit like damnnn.
ALSO can he change his metaverse outfit like og!Akechi? Does he have an opinion on his outfit (hate it, like it, finds it creepy or weird to adjust to or anything)? (Did I mention I ADOREEEE your white mask design for him bc hoooollyyyyyy hellll do I adore it with every single fiber of my being wow-
How does Shido find out about him if he doesn’t approach him (or does he approach Shido as a keep your enemies closer kind of thing)?
I cannot IMAGINE how the white mask reveal would go like omg, does he also have a little mini insane breakdown in front of them or is he still chill during it, you said the engine scene and interrogation room bit would go very differently but AAAAA HOWWWW PLSSSS SHAREEEE😭😭😭😭😭😭😭😭
And don’t even get me STARTED on how much I absolutely adore Akechi’s design here, his little earring, his everything omggg, I really wanna know how far he got beating up Shido lmaoo
Did Akechi still get tossed around foster homes growing up? Did he lean into his “unwanted child” thing instead of crafting his likeable “perfect” personality/facade (considering he look a little delinquent-y in the art I saw)? If so, what makes the change there? Does his mother die differently or does he just not know about Shido maybe, causing him to not create the same facade because he no longer has a clear revenge goal? Idk but I’m soo curious what got him looking and acting so different (assuming his facade isn’t actually the same and it’s just the appearance that changed).
Does Joker have a likeable “detective prince” persona (pun not intended) now instead since he took the detective spot, or is he less public/handles it differently? If he does then does he have the same cult following of fangirls lol
What school does Joker go to in this AU?? Does he go to the same (unnamed) school Akechi went to last time? Does he still go to Shujin (unlikely I’d assume)? Does he maybe go to Kosei since it’s a school for prodigies n stuff so it would be willing to work around his whole detective prince shtick? Plus Kosei means getting to talk to Yusuke without Shido finding out
Also you said that the Yoshizawas and Niijimas could be explained to Shido as useful connections, how are the Yoshizawas useful connections? Their family? Also does he get to meet Haru pre-canon because of the same logic?
Does he have a better relationship with Sae than Akechi? Maybe being able to help with her distortion before the canon timeline even starts? I’d imagine Makoto doesn’t despise him like she does Akechi (since I doubt he’d be anywhere near as passive aggressive and awful lmao) so are they friends or does Makoto still have a bit of jealousy for someone her age being so much closer to her sister than her (or both??👀 she can multitask)?
And also does Akechi have a different outfit than canon too then?? Does he have a different persona? Or just Robin Hood? You said he takes Jokers place in the unjust game so I’d assume he gets to recruit and fuse persona but does that mean that Joker can’t??? Or can he recruit persona but just not fuse them? OR can he do both bc of some NG+ shenanigans or him having more time in the metaverse (in this loop and others) meaning that he manages to get some kind of higher powers than canon? Like maybe he can talk shadows into fusing or can enter/exit the metaverse without the Nav or change/use cognition to do things he never thought of doing before (Monabus style but minus the Mona).
Does he have a persona that helps him cause shutdowns/mental breaks or does he just talk the shadows to the mental ledge or sth? I could see him talking shadows into mental breaks or shutdowns to match his whole talking to recruit shadows ability and will he still have a place or title as a/the trickster? Especially if Lavenza and people refers to him as the trickster to Akechi or something. Also does he have Satanael? Or is this one of those AUs where he never awakens Satanael even in the OG run? Also does he reset runs because the year is up, because they disappear bc of the grail, bc they die in the Yaldy battle, or something else? And does *he* know why he resets or is he stressed out of his mind?
Does he try to stay away from the other PTs even once canon starts (bc Shido)? Is Akechi less smarmy and awful lol? I am dyingggg to know more about this AU (DID I MENTION I WOULD KILL FOR YOUR WHITE MASK OUTFIT OMGGGG ITS SO GOOD) and I am soooo sorry for the super long ask I didn’t even realize how long it had gotten I just am insane from this AU sorry T.T
hello!!! sorry for replying so late! oh my god i first opened your ask when i was in a discord voice called and was floored by your enthusiasm!!! i mean that in such a positive way thank you so much for loving my little au! im going to try my best to answer all your questions <3 this is going to be another long text post haha
since lavenza is the only other character that is also carried over from the previous run of the game, joker actually has access to the full persona compendium he collected. i will say that in the new run, the phantom thieves don’t see him use arsene due to reasons :) he also does receive a new persona! dont ask who yet though i haven’t finalized it. his hair changes with his outfit, meaning he still has access to his original joker outfit and can switch between them like how original akechi can switch between his. as for his opinion on it… he has pretty complicated feelings over it. he does appreciate the aesthetic of it and without hiscircumstances he would probably enjoy it even if it’s not his usual style. i think the best way to describe his opinion of it now is that he’s numb to it, and he also finds it quite comedic when you consider the what it symbolizes. (and thank you so much 🥺 i love character design so much and he is my baby)
like og!akechi, he does approach shido first, more because he felt like he had no other choice. he tries to justify it in his mind that taking this initiative is the most reliable way to guarantee the future going how he wants them to go.
he doesn’t really get his full breakdown until his palace! so he stays pretty composed when he is confronted in the engine room up until this point he hasn’t revealed his hand as the true culprit yet, so it’s pretty shocking to all of the thieves (except goro) and they feel a lot more conflicted as a result.
akechi kind of lives up to his delinquent appearance and rumor in this au yeah haha! he unfortunately wasnt able to get too far beating shido up, which makes him all the more frustrated and angry. he was tossed around foster homes growing up yes, and it was mostly after his criminal record that he fully leaned into the “unwanted child”. i guess part of him still kind of hoped that things would work out somehow for him even if he barely scrapes by. he still taps into that good kid facade sometimes if its more beneficial! aside from that, nothing has changed from canon regarding his backstory. his mom still died the same way and he knows who shido is, he just didnt get his powers like in canon which meant he didnt have any power to back any plans for actually exacting revenge even if he wanted to.
detective prince akira kurusu is very likeable and popular with the fans! he leans into the theatrics of it a lot more, but he also finds it so much more exhausting and often wonders how og!akechi was able to manage. he doesnt put as much of an emphasis on his popularity as og!akechi and more on increasing his authority as a detective, but he does consider both to be vital to his goal of crafting the perfect outcome. he goes to the same unnamed school as akechi (i’m trying to figure out a good name for it rn) and im deciding whether or not i might have him transfer to shujin in the second semester.
yoshizawas’ dad is the director of a really popular news channel! since both the niijimas and the yoshizawas arent direct associates with shido, akira can use the excuse that he’s maintaining good relationships so that he gets some influence. with haru and okumura he doesn’t really have that excuse, since okumura is already directly collaborating with shido. he has met haru in passing a few times though, and he wishes he could reach out more without both shido and okumura raising an eyebrow.
i think the best way to describe the difference between akira and og!akechi in terms of their bonds is that og!akechi didn’t have any true bonds aside from joker during his run, while akira is forging many bonds that are founded on deception. so while he technically has a better relationship with sae and many others than og!akechi did, akira questions a lot if they truly count when he’s only ever giving them what they want to see and none of the truth. to him they’ve started to feel even more transactional, and it doesn’t help that he sometimes questions if he’s attached to the present or the past more. i hope this explanation makes sense lmao, his experiences and thoughts are pretty contradictory at times so sometimes they dont make sense when i try to explain his logic.
i will say that he neither encourages or discourages sae’s distortion though, but he will help mitigate the consequences and advise her at times when she does ask for input. he’s definitely not as passive aggressive, and they’re at a weird stage where they’re not quite friends yet (mostly because yes makoto is still a little jealous and she is very awkward/guarded around him and a bit proud i guess? akira is patiently waiting for her to make the first move while giving her opportunities)
akechi has both robin hood and loki! he does have a different outfit that is a bit of a fusion between his two original ones (i havent finalized the designs yet). both of them are able to access the velvet room and can fuse personas, though joker doesnt really have the need to since he already completed his compendium.
his new persona does give him some new abilities that help with his new role yes, and yes he does do something similar to talking shadows into mental breakdowns. he is still referred to as a trickster by the velvet room residents when spoken to directly, but when they speak to akechi about akira they refer to him as “player”.
he did successfully awaken to satanael in the previous run. i’ll keep the details of why and when he resetted a secret for now hehe, cant give away the entire mystery!!
once he gets the excuse to hang out with the phantom thieves he 100% uses it to his advantage. it’s a sensitive balancing game, because he knows that shido will one day notice either way. one can even argue that he is being too reckless but unlike og!akechi, akira gets the advantage of knowing a lot more information.
as for akechi… he’s kind of a bitch haha like i would say he’s a bit like third semester og!akechi but less unhinged in the metaverse. definitely still very bloodthirsty with the shadows though just a bit less loud about it. he’s very blunt and direct with the phantom thieves, and likes to use sarcasm or mockery sometimes (the phantom thieves quickly learn that this is his weird love language). he’s definitely a lot more honest in his mannerisms in this au, so much that when he does turn on his pleasant boy charm, everyone else starts getting chills and feel super unsettled.
thank you again so much for all your questions!!! i hope i was able to answer all of them okay 💖 im so happy to hear you like my au so much! i hope i can draw them more often 🥺
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akechicrimes · 4 years
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Prompt 37? Futaba and Akechi platonic/Futago siblings?
37. “Follow me. It’s okay, just hold my hand.”
after akira leaves tokyo, futaba does just fine without her key item, except for when she doesnt.
(one of them AUs were goro survives the engine room and rejoins the phantom thieves. no i will not explain. persona 5 canon AND persona 5 royal do not interact. for reference in this universe futaba and akechi are half siblings but only akechi knows that)
*
“Next time you see me, I’ll be a whole new person,” Futaba tells Akira excitedly on his second-to-last day in Tokyo. “I’m going back to school, I’m out and about by myself—oh! Oh! Did I tell you I said yes to Kosei? I told Kosei I wanted to go to Shujin and they offered me scholarship! And I went to the subway station by myself yesterday!”
They’re crammed into Akira’s Leblanc attic, sitting around a cake that literally none of them were capable of baking themselves, so they’d bought the thing from a bakery and decorated it with little black and red hearts. Ryuji is passing around his gross soda, while Ann is recounting some story that doesn’t matter with incredible enthusiasm. Makoto looks like she’s determined to enjoy herself and will hear no argument.
The whole thing is incredibly morbid, if you ask Futaba. It feels less like they’re waiting for Akira to leave Tokyo and more like they’re attending Akira’s funeral. Akechi in particular looks like he’s regretting attending, which honestly tickles Futaba more than it should, that the most dishonest Phantom Thief seems to be the only one looking as honestly put-off by the entire affair as everyone else is determined not to be.
That’s everyone else’s problem. Futaba might not be happy Akira has to leave, but she’s proud. She’s sad that Akira has to leave, but also she promised Akira that by the time that he had to leave, she’d be able to get around on her own, without clinging to him for support. And she is able. She kept her promise.
Tomorrow might be the day that Akira has to go, but today is the day that Futaba is Officially Recovered.
Akira does that annoying thing he does where he puts his hand on her head and messes up all her hair, like he’s a human cat showing affection by pissing everyone off. Futaba yelps. “Look at you. You don’t need me at all.”
“I told you that I’d be ready to say goodbye by the time you had to go back to your hometown,” says Futaba. “I haven’t broken my promises yet, have I?”
There’s a burst of laughter from Haru over something Yusuke said, who looks rather surprised to discover that he said anything funny. Both Makoto and Akechi snicker at him, and then stop immediately to glare at each other the second they realize they’ve accidentally wound up sharing an opinion.
Akira ignores them. “Well, you can still text me if you need me. Or call.”
“I’m trying to tell you I’m getting better and I don’t need you,” Futaba grumbles. “Also, what kind of psychopath do you think I am to call someone on the phone?”
“That’s what phones are for.”
“Calling people is scary.”
“I thought you were getting better?” Akira teases.
“I am!” she says, pointing a finger at him. “I am! Just you watch, Akira. I’m getting better every day.”
*
Six months after joining Kosei, Futaba locks herself in her room and does not reemerge for seven days straight.
*
She tells Sojiro that she’s sick. Sojiro tells the school that Futaba told him that she’s sick. She definitely fakes a hell of a good cough, and the school lets Yusuke send her her all the homework that she was supposed to be doing in the first place, but Futaba already knows it’s only a matter of time before Sojiro rats on her, and she won’t even blame him because it’ll be for her own good.
In the meantime, she has stashes of crackers and peanut butter from back when she was a full-time hermit. She hates the taste of peanut butter within three days. Her bed is a relief, soft like a home she never left, up until it isn’t anymore. It’s too soft. No matter how she lies on it, no matter how soft it is, a mattress just isn’t comfortable when you’ve been lying on it for seventy-four hours. It’s hot. Smothering. She feels like she’s going to drown in the blankets and they’ll have to fish her moldy, sweaty corpse out of the bottomless quicksand pit of her too-soft mattress.
The thing about being a shut-in is that you don’t actually like your room very much. It’s not a relief, or an oasis, or even a place you enjoy. You’re just terrified of everywhere else more.
She plays a lot of video games that she doesn’t even like. She watches a lot of Twitch streamers she doesn’t even like. She doesn’t do her homework. She ignores Sojiro. She pretends she’s alright to everyone who texts. She wakes up and goes to sleep and thinks about going outside and goes to sleep and wakes up and wonders if the whole last year and her cautious baby steps back into the world outside was all just a hazy dream.
*
There aren’t a lot of Thieves left in Tokyo, weirdly. Haru and Makoto both graduated, off doing business and law junk that honestly makes Futaba’s brains want to crawl out her ears, but all the numbers check out and Haru’s not in the red yet, and Futaba’s looked at enough people’s dirty laundry to appreciate Haru’s clean ledger. Akira’s back in his dinky hicktown, where there’s barely anything electronic connected to Wifi worth breaking into for surveillance, which is really boring.
Ann’s been doing so many modeling gigs that she might as well not be attending Shujin anymore. She’s practically surrounded by electronics, and all of them are connected to the internet. On any given day, Futaba can snoop through the internet trail of electronic file cabinets full of images of her face, emails about her face, paychecks for her face. Futaba sends Ann more than one email about creepy old dudes making gross comments about her, along with a bunch of other illegal shit they’ve done, plus their offshore accounts full of cash if Ann wants Futaba to sic a lawyer on them.
Ann looks like she’s having fun. Ann looks different on the other side of the computer screen, like she’s less real. Like she’s not someone Futaba really knows. Like Ann’s not someone Futaba’s literally cried on at one point in her life.
Ryuji is definitely attending Shujin, but between physical therapy, catching up on a whole year of track, athletic scholarship hunting, and studying for college admissions tests, Ryuji seems to have been swallowed whole by Shujin, really. Out of boredom, one day, Futaba went down that rabbit hole of researching what it takes to get recruited for track in college, and holy shit–apparently Ryuji’s coach was supposed to be helping him with that whole process, but of course Ryuji barely has a proper coach ever since Kamoshida left Shujin’s track program in pieces. The amount of networking he’s doing is insane, especially for one teenaged boy who barely remembers his homework every night.
Sometimes, when Ryuji’s forgotten to check his email in a while and there’s a message from a coach sitting in his inbox, Futaba will send him a text to make him check it. And then it’s all, What were you doing looking at my emails, Futaba and Which of my other passwords do you know, Futaba, as if Ryuji doesn’t just use the same password over and over and has literally nobody but himself to blame.
So it’s really just Futaba, Yusuke, and–weirdly–Akechi, who’s off doing his gap year and said he was going to go abroad, but then he never did. Not to be a huge snoop, but Futaba went digging through his junk for about five seconds and then she never did it again, because she felt really weird about finding out that the guy that killed her mom is looking into social work, volunteerism, and reforming the justice system.
Like. The man who killed the Thieves’ leader is now literally out there saving orphans. It’s wild.
She might’ve been the one to tell Akechi that he can start over again and do better, but she reserves the right to at least feel weird about it.
She does not call Akira. She talks to Yusuke at school, but she refuses to ask him to accompany her on the subway. She should be recovered by now, shouldn’t she? She was supposed to have gotten over all that when Akira left Tokyo. She’s doing fine. She’s just looking out for her friends. Her, living vicariously through her friends, who’re growing up and growing away, flourishing into young adults? Never.
*
Everything is the same.
*
Didn’t she help kill a god last year?
Didn’t she work so hard to get out of her room, to make friends, to reconnect with Kana-chan?
Didn’t she work so hard to change herself?
Didn’t she help change the world?
*
Everything is the same.
*
Tuesday, 1:43 PM
YUSUKE: Futaba?
FUTABA: yo inari
FUTABA: u got more homework for me or what
YUSUKE: Ah, no.
YUSUKE: I think your teacher finds it suspicious that I’m sending you homework when I’m not in your grade, as it is.
FUTABA: oh no
FUTABA: what a shame that we didn’t have an entire year of experience with getting away with wildly illegal magic brain crimes without raising any suspicion
FUTABA: truly emailing me like four pieces of paper a day is far too difficult
YUSUKE: Well, I can’t get your homework from your teacher, but I can give you more homework if you’d like.
FUTABA: ok bucko that wasn’t a challenge
YUSUKE: There’s a math problem set that’s been incredibly dull to get through when I have more important pieces I could be working on…
FUTABA: inari im sorry to say but
FUTABA: me literally doing your homework for you is about a thousand times more illegal than you giving me my homework when ur not in my grade
YUSUKE: Oh, is it?
FUTABA: wh
FUTABA: are y
FUTABA: what do you mean OH IS IT
FUTABA: did you not KNOW ur not allowed to have other ppl do ur hw????
FUTABA: inari have u been making other people do ur hw for u so u can have more time to do art?????????
FUTABA: no shut up i dont want to know
FUTABA: i will not be ur accomplice
FUTABA: i see ur little speech bubble thingamajig yusuke i said stop typing forever and ever
YUSUKE: I can’t invite you to the art gallery tomorrow if I can’t type.
YUSUKE: It also seems impractical for you to outlaw me from texting forever.
FUTABA: i literally did not say that
YUSUKE: You said, and I quote,
YUSUKE: “Yusuke, I said stop typing forever and ever.”
FUTABA: ok i know it looks like i said that but please im begging u it’s literally just an exaggeration
YUSUKE: As Makoto would say, it’s hardly an enforceable law.
FUTABA: u literally texted my sick and crusty ass just to give me a hard time
YUSUKE: Are you about recovered from your cold?
FUTABA: and now u have the nerve to ask me to go to ur art show thing
YUSUKE: I didn’t say that.
FUTABA: oh really
FUTABA: what were u gonna ask me about then
YUSUKE: The art show, naturally.
YUSUKE: But you could have done me the courtesy of letting me ask.
FUTABA: all that on the day of my daughter’s wedding and now u want me to do u a solid
FUTABA: well i have news for u
FUTABA: the answer
FUTABA: is yeah
FUTABA: sure why not
YUSUKE: Oh, excellent.
YUSUKE: I thought that you might decline on account of your illness.
FUTABA: i’m not a punk bitch
FUTABA: i’m going
FUTABA: u were only working all those paintings for like two months i wanna see their oily faces in person
YUSUKE: Just because they were made with oil paints does not mean that they are oily.
FUTABA: cant wait to see my oily boys
YUSUKE: Unfortunately, I have to set up the event beforehand, so I will not be able to accompany you on the way here.
YUSUKE: Will you be alright by yourself?
FUTABA: uh
FUTABA: hmm
FUTABA: how oily are these boys in case i need to call a rain check
YUSUKE: Hmm.
YUSUKE: Perhaps someone else can go with you.
YUSUKE: Let me see if I can find someone.
FUTABA: what like one of ur art friends
FUTABA: i’m not going with anyone i dont know sry
YUSUKE: I’ll keep it in mind.
Tuesday, 1:59 PM
YUSUKE: Unfortunately, Ann and Ryuji were not available. Both of them will be coming late to the art show.
YUSUKE: Fortunately, Goro is.
FUTABA: whomst
YUSUKE: Goro Akechi?
YUSUKE: Crow, in case you know multiple Goro Akechis.
FUTABA: no like why u callin him goro
YUSUKE: I asked him if I could and he said yes.
YUSUKE: There’s not many people left in Tokyo who were part of the Thieves.
YUSUKE: I’m not exactly popular at school myself, so I thought it prudent to hold onto the connections I already had.
FUTABA: hhhhhhhhhhhhh
FUTABA: but why him……………………………………….
YUSUKE: Has he done something wrong?
YUSUKE: Well.
YUSUKE: Besides the obvious.
YUSUKE: Last I heard, you were quite vocally supportive of Goro making a change for the better,but have you prehaps reconsidered?
FUTABA: i mean he’s always been nice to me
FUTABA: like even before he was on the team as crow
FUTABA: and then later after he like lost his shit and tried to kill us
FUTABA: he was also like weirdly nice
FUTABA: even if he was dressed as a tokusatsu villain
FUTABA: but
FUTABA: i
FUTABA: ok this is gonna sound really weird but like
FUTABA: you know how i said that the person to take me to the art show has to be someone that i know
YUSUKE: Yes.
FUTABA: even though akechi was one of the thieves at the end
FUTABA: i feel like i dont really know him
FUTABA: he like had that whole breakdown where he spilled all his kylo ren sadstuck junk and then he peeled his dumb ass up off the floor and then we beat up his dad in a dark alley
FUTABA: and then i guess akira likes him a bunch and hangs out with him and i guess probably talked to him about all that stuff that happened
FUTABA: and also i think ann talks to him
FUTABA: and also haru i think for some reason……………………..
FUTABA: but like i feel like. we as a group. never really uhhhhhhh
FUTABA: got to know him very well i guess
FUTABA: because he spent like the whole year being a fake ass bitch
FUTABA: and then by the time he wasnt, the thieves were busy literally fighting god, and it was all business business business
FUTABA: ughghfhg i guess this is just a really long way of saying that like yeah ok i guess i do know him but i dont think i really do
FUTABA: even when he was off the shits in the engine room it was like
FUTABA: somehow that was not……………………………….. really him
FUTABA: idk maybe this is just my Thoughts but like
FUTABA: idk some people are like “your true self is who you are at your worst” and
FUTABA: yeah maybe you are some PART of urself when youre at your worst but like
FUTABA: also not???
FUTABA: that can’t be it
FUTABA: that’s not ALL of you
FUTABA: so all i ever saw was him when he was being a fake ass barbie prince and then when he was like actively losing his shit
FUTABA: and both of those were like. two types of fake ass barbie prince
FUTABA: except obviously the one where he started screamin about murder and trying to kill joker was like, fake ass serial killer barbie prince
FUTABA: anyway i dont buy it for a second that seeing akechi at his worst means that i know the first thing about his “”“”“”“”“true self”“”“”“”“”“”“
FUTABA: like i know that i technically met him but also at the same time i dont think ive ever really actually met this dude
FUTABA: uh tldr what’s the truth crowboy
FUTABA: second tldr do you got anyone else i can go to the art show with because im not unpackin all that junk in the trunk while also trying to fend off a panic attack in the subway
YUSUKE: Well, to speak to "what’s the truth, crowboy,” I’d say he’s actually really funny.
FUTABA: WHAT
YUSUKE: Yes, actually.
FUTABA: YOU TRYNA TELL ME YOU SHARE A SENSE OF HUMOR W AKECHI
YUSUKE: As everyone knows, I don’t have a sense of humor.
YUSUKE: But if I did, that might not be inaccurate to say.
YUSUKE: Either way, we could ask Boss if he’ll take you to school.
FUTABA: no
FUTABA: im not makin him shut down leblanc for the day just cause i cant get my shit together
FUTABA: and i go to school by myself all the time now i dont need to be walked there by my dad like a four yr old
FUTABA: r u sure u dont have anyone else who can take me
YUSUKE: You said it had to be someone you know.
YUSUKE: I can take you.
YUSUKE: But I’ll be getting to Kosei early to prepare.
FUTABA: how early is early
YUSUKE: Four in the morning.
FUTABA: PLEASE INARI
YUSUKE: The people you know is a quite limited pool, Futaba.
FUTABA: shut the hell ur face i dont need u tellin me to make kosei friends too
FUTABA: i get my butt to school every day i’m already a hero
FUTABA: ok alright
FUTABA: crow-san it is
FUTABA: hhh
FUTABA: no shut up stop typing i’m fine
FUTABA: i already saw his dumb ass get inflicted with Horny from Yaldy God Himself i ain’t afraid of no crows
FUTABA: actually now that i remember that that was pretty funny mwehehehehehehe
FUTABA: OKAY send me the who what when where why
YUSUKE: There’s a PDF flier. I’ll send it to you.
YUSUKE: But I will have to type the email to send it to you.
FUTABA: oh my GOD inari
FUTABA: i swear to god ur not actually this dense and youre just pretending u dont know what an exaggeration is just to drive me up the wall
YUSUKE: Oh, that is a possibility, isn’t it?
FUTABA: WH
YUSUKE: Ah, last period is starting. I’ll have to talk to you later.
FUTABA: WHAT
FUTABA: NO WAIT
FUTABA: HELLO????
FUTABA: YUSUKE NO COME BACK
Tuesday, 2:53 PM
FUTABA: YUSUKE HAVE YOU BEEN MAKING AKECHI DO UR HW FOR U SO YOU CAN DO MORE ART??
FUTABA: IS THAT WHY UR ON A FIRST NAME BASIS W HIM
FUTABA: ANSWER ME STRINGBEAN
*
In Futaba’s opinion, there’s an infinite amount of more embarrassing reasons to pull yourself out of your depression pit than “I needed to yell at my friend for being a snotty bastard,“ and there’s worse escorts to have than the weird guy who went from being a professional murderer to their weird awkward friend. Firstly, if there’s anything that can motivate Futaba Sakura, it’s the primal urge to dunk on her friends for spite and memes. Secondly, there’s no chance in hell Futaba’s going to have a breakdown in front of Akechi.
She can do this. She got herself out of this grave once; she can do it again. Even if Akira isn’t here. She’s getting better. She promised him.
On the eighth day of her almost-return to hermithood, Akechi texts her:
AKECHI: I’m here.
AKECHI: Are you ready to go?
Futaba is wearing only an old shirt, no bra, sweats, and vaguely greasy hair from all the showers she’s skipped.
FUTABA: i’m SO ready
FUTABA: the readiest
FUTABA: ultra mega super ready
FUTABA: featherman ranger code name Ready
AKECHI: Oh.
AKECHI: Alright.
Hell yes alright. Time for Futaba to save her own life from her gravesite of a room.
With… Goro Akechi. Wow, life is weird, huh?
She drags on her Kosei uniform like a skin discarded long ago. It feels stiff. Maybe because it feels wrong to wear school clothes like a functioning human; maybe because she just hasn’t washed it in a week. The very idea of explaining herself to Sojiro stresses her out, so she doesn’t do it. The idea of not explaining herself to Sojiro, when he deserves an explanation and also would probably have a heart attack if he realized that she’d disappeared from her room without his knowing, also stresses her out, so she still doesn’t explain herself to Sojiro.
I told Akira I’m better now. I can do this. I did this for more than six months. I was out of my room in the real world, I went to the school festival, I changed my own heart…
She creeps down the stairs like a thief in her own house and pokes her head out the door. Goro Akechi is fiddling with his phone in the sun outside her house, looking like he, too, has only just managed to pull on his Human Suit and look like a guy who didn’t make shadows beg for mercy for fun, so it looks like this whole expedition is going to be a lot of fun.
"Futaba-chan?” says Akechi, only just noticing her lurking in her own doorway. “It’s been a while since we last saw each other. How are you?”
Futaba opens her mouth. No noise comes out.
Akechi’s eyebrows slowly begin to knit together.
“I’m good,” she says squeakily. Clears her throat. Holy shit, she’s not afraid of Akechi after all that junk they went through in the Metaverse. She saw him as a rat. She saw him visibly want to break his father’s face when Shido tried to apologize to him on live TV. Once, Makoto and Akechi got into an unironic, passionate, hour-long argument about whether or not it’s beneficial to color code your notes.
“I’m alright!” Futaba announces louder, maybe a little loudly, considering the way he looks only more concerned. “L-Let’s hurry up and get this sidequest over with!”
She pulls her hoodie over her head and jams her hands into the pockets and makes herself as small as possible and inches out of the doorway. “If you… say so,” says Akechi, and eventually matches her incredibly slow pace as she shuffles her way towards the main street.
When the noise of Yongen-Jaya’s street hits her, her heart rate (already high as hell) spikes even higher like the first day she’d come out of her room, but the old coping mechanisms come back like second nature: Breathe slower, avoid eye contact, remember her mission, stick to the sides of the streets. Breathe slower. She’s still got it. It’s still hard, but she’s got a whole arsenal of ways to deal. She can do this. She will kick Yusuke’s ass for being a dick, if only out of sheer spite.
If Akira were here, I could hide behind him and…
No, shut up, shut up. All she has is her hoodie and Goro Akechi. Akira’s not here. She can do this by herself.
Akechi makes precisely two attempts at small talk (“How has Kosei been?” “Have you seen the pieces Yusuke submitted to the art show before?”) before he realizes that Futaba isn’t going to respond by virtue of barely holding onto her shit by her fingernails. He shuts up and sticks close by. Futaba makes her way down the streets towards the subway like walking on a tightrope. The subway station isn’t busy, but she puts every step in front of her like she’s going to fall. Getting on the subway might as well be a highwire. Futaba and Akechi wait for the train in mutual silence to the sound of other commuters murmuring amongst themselves, like a toothless echo of Mementos’s depths.
When they get on the train, people around her are quiet, thank god, but all of a sudden she’s convinced that she smells because she hasn’t taken a shower in literal days, and she tries to pack herself into her seat as tightly as possible. The guy in front of her is scrolling through something at a ferocious pace and his thumbnail keeps hitting the screen with this incessant clack, clack, clack noise. The subway voice announces their next station as the doors begin to close, and a girl suddenly sits bolt upright, having realized that this is her station after all, and bangs Futaba’s knees hard as she passes. Futaba wants to curl her legs to her chest, but she’s wearing Kosei’s uniform skirt and it’d just make everyone stare at her if she did that on the subway. She curls her fingers into the skirt hem. She stares down at her knees and lets her hair drape around her like a curtain. She can do this. She can do this. Breathe slower. Even slower. I did this for more than six months, I told Akira I’m better now, I changed my own heart…
Akechi pulls out his phone. Futaba’s phone buzzes.
AKECHI: Are you alright?
FUTABA: i said i was ready dude
Akechi types and retypes an answer, which technically Futaba could just look over his arm and read, but instead Futaba flips through apps on her phone and pulls up a shitty mobile dungeon crawler. She dies four times before Akechi puts his phone away without sending anything.
They pass multiple stations like that. Futaba sure as hell hopes that Akechi’s watching which station they’re on, because she isn’t. After the millionth time she dies, Futaba just closes the app altogether. Concentration’s shot. Can’t focus on anything. Heartbeat’s too loud. Breathing’s too loud. The guy next to her is breathing too loud. Everything is too loud.
New text:
AKECHI: Yusuke said you’d recovered from your cold, but you still look a little unwell.
Futaba doesn’t respond to that. She doesn’t need Negative Nancy over here telling her she’s gonna crack. Because she isn’t gonna. The subway starts to slow, and the voice announces the station for Yusuke’s school. She’s literally almost there, she’s right there, she might die in three seconds because her heart is going to pound of her chest but at least she’s going to make it, she promised Akira that she was alright—
The subway doors open. Passengers stand to get off. Akechi stands up. Futaba drops like a rock.
“I can’t,” Futaba’s voice says. She sounds like she’s crying. “I can’t, I can’t do it, I—”
“Futaba—”
“I’m can’t do it, I—”
She buries her face in her knees on the dirty subway floor. Oh, she really is crying. “I’m sorry,” she says, “I’m so sorry, I couldn’t…”
Around her, people’s feet stop moving. They’re staring at her. She’s crying on the subway and everyone is staring at her. “Shh,” says Akechi, like Futaba doesn’t know she’s being a loud and irritating pest, but then he takes off his winter coat and covers her with it. Suddenly everything goes dark. It’s a huge coat, too; it wraps around her whole torso with enough room to spare to cover her entire head. Inside, it’s like she’s back in her room, only listening to the sounds of real life somewhere on the other side of a computer monitor, where it can’t hurt her. It’s so surprising she hiccups to a stop. Two hands pull her up by the shoulders and guide her to stand. “Up. Let’s go.”
“Is she okay?” says a voice.
Futaba’s entire body seizes with fear. She ducks into her own knees, trying to disappear.
“Hey, little girl, are you alright?”
“She’ll be fine,” says Akechi’s friendly, super fake ass barbie prince voice. “My sister just had a hard day. I’m sorry for the inconvenience.”
“A hard day?” Now the stranger’s voice is accusatory.
“For your information, our dog was recently brutally run over in front of her eyes.”
“Young man, are you serious right now?”
“Oh, yes. There was blood everywhere. Its intestines squelched horribly under the tires less than six feet away from her,” Akechi goes on. Futaba chokes, and then hiccups in what she realizes is almost a laugh. “Please excuse her. Thank you.” And before the literal complete stranger can follow up on that awful statement, Akechi takes her hand and pulls her up.
Futaba stumbles to her feet. If she has to take the coat off right now, she will actually die.
“It’s okay. Just hold my hand and follow me.”
Blindly, she lets him lead her out of the subway, weaving through people with only minimal contact with other people’s shoulders. There’s a whole awkward period where Akechi has to walk her up the stairs out of the subway station while she can’t see anything, but eventually the noise and bustle of other people around her seems to die away, and the air grows cooler in the way it does in the shadows between city buildings. Then they stop walking altogether. When Akechi lets go of her hand, she almost tries to grab it back before she catches herself.
“Okay. There’s nobody else around, now. It’s safe.”
Futaba doesn’t come out of the jacket. In the dark, her eyes dart back and forth, trying to see even as she blinds herself.
“Sorry for grabbing you so suddenly like that,” Akechi’s voice goes on after it becomes obvious she’s not going to come out.
Futaba wipes snottily at her own face. Oh, this is so gross, she’s got snot and tears on top of five days worth of grime and body juice because she hadn’t taken a shower. She’s disgusting. She really actually wants to die right now. She can’t show her face like this.
“Er,” says Akechi. “Do you want…. water, or…?”
Futaba folds up right there on the city pavement, probably dragging Akechi’s nice coat all over a dirty alleyway. She tucks her face into her knees, where she feels safest, and pulls the coat flaps even tighter. “I’m sorry.”
“You don’t have to be.”
“I’m sorry for not being okay,” she mumbles.
There’s a short silence. “You really don’t have to be.”
“I do,” Futaba says. She feels like she’s nine years old again, a petulant kid who needs to hold people’s hands and be escorted around Tokyo. “This is—it’s stupid, and I can’t believe I-I’m still doing this, a-and even a-after everything that h-happened last year, I’m still just a… I’m still…”
“It’s fine,” says Akechi. Even he sounds overwhelmed, and at the first sound of weakness, she pulls the coat off her head and glares at him furiously, red-faced and covered in tears and snot and gross depression juice crust and all.
“I’m not supposed to be this way anymore!” she says miserably. “I’m supposed to be better! Moved on! Doing literally a-anything else but crying over t-taking a subway! It’s stupid and nobody else is like this and I just want to be over this already and I just want to be better already and—!“
She covers her face with her hands again. God, even when she says that, it sounds pathetic.
After a moment or two, she hears Akechi moving again. She peeks at him. He’s crouching in almost the exact same pose as her, looking like he’s resigning himself to neither getting his coat back, nor moving from this spot any time soon, nor getting to Yusuke’s art show on time, but also looking archly and entirely unperturbed about it. Actually, it looks like he’s writing a work email on his phone.
Futaba was right about being in an alleyway, but it’s so cold because they’re shielded by a trio of vending machines selling canned coffee and wrapped sandwiches. "Our dog was recently run over?” she says.
“People can mind their own damn business,” says Akechi in his Pleasant Boy Voice, without looking up from his email.
“He was just trying to help.”
“Oh, yes, let’s help the crying girl by crowding her and suffocating her in a crush of public transit.”
Futaba snorts. “That was really mean of you.”
“Oh, absolutely,” says Akechi.
Futaba sucks a truly disgusting gob of snot into her nose. “Ugh. I wish I could’ve seen the guy’s face when you told him that.”
“It was like I’d spat on his shoes. I should’ve kept going. Or had a camera.”
“Futaba giggles wetly into her forearms. "Like one of those—those prank videos online… Get Yusuke to film it.”
“Yusuke, as the cameraman? I’m not trying to make a documentary.” Akechi flips to a different screen on his phone. “I already texted Yusuke about our poor dead dog, by the way, so don’t worry about it.”
Suddenly Futaba feels like literal garbage again. “Why are you always so nice to me?” she mumbles.
Akechi makes a weird face, like he’s trying to do his old Pleasant Boy shtick while having swallowed a lemon whole. “You say that like me being nice is somehow unusual.”
“Uh, yeah. Because it is. You literally were just being a huge asshole to a guy you’d never met over a fictional dog.”
Akechi has this increasingly disgruntled look on his face like he kind of wants to punt Futaba down some stairs, which, frankly, is the best sort of reward, in Futaba’s opinion. “I’m working on it,” he says grumpily.
“How’s that been?” says Futaba.
“Which part?”
Futaba has one whole moment of self reflection on this idea as maybe not a good course of action before she barrels on anyway: “The part where you’re turning your life around. Starting over. Trying again.”
“It sucks dick,” says Akechi.
“Oh, right on,” says Futaba, and then before she can stop herself: “Wait, I thought you liked dick?”
Akechi makes a noise like a strangled cat.
Futaba cackles. “Dude, incognito mode when you’re browsing for porn does not save you from people like me.”
“Have you been spying on me?”
“Uh, yes? Obviously?”
“You know you could get arrested for that sort of breach in privacy.”
“Oh, boo hoo, so sorry I know all about your weird orphan-saving night job and your smutty Featherman doujinshi collection. You’re not gonna narc on me.” Futaba stops. “Are you?”
“Stop looking at my internet history.”
“No. You better not narc on me.”
“Then stop looking at my internet history.”
“You had to google how to change a SIM card last week, crow-boy; you couldn’t stop me if you tried.”
“I will narc on you.”
“No you won’t. You’re the one trying to not be an asshole.”
Akechi makes a face like a cat being slowly submerged in cold water. Futaba laughs in his face.
“If you’re quite done,” says Akechi grouchily.
“No, never. You’re made for being made fun of,” says Futaba. “I’m gonna be making fun of you for years and years, crow-boy; you’re never going to get rid of me.”
“Great.”
“Gonna be creeping on your weird orphan-saving night job until the day you die.”
“Wonderful,” says Akechi without inflection whatsoever.
“Mwehehehehehehehehehe.”
“If you’re quite done.”
“I will take a well-deserved break from my endless duty to troll you both on and offline,” says Futaba. “Because I really really really wanna go to the art show.”
Akechi has the nerve to look relieved that he no longer has to squat in a dirty alleyway listening to a high school freshman bully him. “Then let’s go.”
Futaba hugs her knees tight. “But I wanna keep your coat.”
“Aren’t you wearing your own coat?” says Akechi, trying to look like he isn’t shivering. “Aren’t you getting hot?”
“I’m keeping it.”
“It’s my coat.”
“I’m keeping it.”
“Fine, then. Keep it. It’s dry clean only.”
“Oh, ew. No, take it back, gross, gross,” and Futaba peels the snotty, tear-stained, dirty winter coat off and dumps it back in Akechi’s arms, who looks at it with the expression of someone long-suffering and without hope of escape.
“And,” says Futaba, “I wanna see it if you tell anyone else that our dog got run over.”
Akechi smirks. “You’ll have to film it, then.”
“Oh my god, like I wouldn’t.”
Futaba scrubs her face one last time. She still feels like she’s covered in a grimy layer of slime, but maybe she can wash her face at Kosei. When she gets there. Because she’s gonna get there.
“Uh, one more thing,” says Futaba.
“Not like you’ve bullied me into doing literally everything else you’ve wanted,” says Akechi.
“You can’t laugh at me.”
“Good thing I don’t have a sense of humor,” says Akechi, which horrifyingly confirms to Futaba that Akechi and Yusuke, of all people, really do share a sense of humor.
Futaba hesitates. “Please, um… please don’t tell Akira about this.”
“Why would I tell Akira?“
"Nice. Good answer.” She smooths her hair down, trying to make herself presentable, or just have something to do with her hands. “I… told him I was gonna be okay without him and all that, so… I don’t wanna let him down, you know?”
Slowly, almost shyly, Akechi smiles. “Oh, yes. I know.”
“Our secret. Secret-keepers.”
“Secret-keepers. Are you ready?”
Futaba takes another deep breath. Pushes herself up, brushes herself off, and sighs. “Absolutely not. This is gonna suck so much dick,” says Futaba. “Let’s go anyway.”
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ceescedasticity · 5 years
Text
‘start again’ writing babble
Honestly I think I am probably paying way more attention to whether (non-recruited) Personas ‘suit’ the characters than the actual canon does, and since that’s the canon and they never really spell out how it’s supposed to work there’s some question about whether it’s actually a meaningful thing to say... Well anyway I’m still really pleased with what I’ve come up with.
Defarge (Madame Defarge from Tale of Two Cities): I really like this one. Like Akechi, she has a grievance -- a legitimate, serious, life-warping grievance. Also like Akechi, got very very bitter and misanthropic and never let anything go. And like original-timeline Akechi, pursued vengeance/justice heedless of massive collateral damage. 
--In addition, it didn’t occur to me until someone pointed it out that Defarge could very well suit the Empress Arcana, what with the power and cunning hidden behind unassuming femininity, and new-timeline Goro gets the Persona about the same time he’s forming a connection (although at the time a very wary and mutually dishonest one!) with Haru... I’ve decided to just leave it ambiguous whether the connection was a key factor or if original-timeline-Akechi had Defarge, too. As Haru said, if he did, they never would have found out about it -- Defarge’s vulnerabilities mean bringing her out during a fight when you don’t have support would be stupid so she wouldn’t show up in the last confrontation, and before that he was pretending to have only one Persona. 
(In terms of powers, Defarge was awakened to have navigational abilities, and the information-gathering also fits her well. The extensive weaknesses and lack of other abilities are just a sort of... justification of why more Wild Cards don’t get a navigator or two to pull out at need. Some people are natural navigators and some aren’t.)
Medea (Greek Mythology): A couple of different aspects come into play here. Medea and Akechi are both completely ready to cut off their nose to spite their face -- they won’t hesitate to hurt themselves in order to hurt someone else. They also seem never to have picked up some basic moral principles that seem obvious to those around them. New-timeline-Goro specifically also has the aspect of, as mentioned in the awakening dialogue, embracing a newly chosen path completely, and trusting a newly formed connection to take them somewhere new. (Fortunately, Akira and Haru are both considerably more reliable than the mythological Jason.)
This time I deliberately cultivated the parallel to the developing connection with Makoto -- Medea doesn’t seem much like Priestess Arcana, but the mythological Medea was a priestess. If I hadn’t been cultivating the priestess thing, I probably would have gone with Jekyll for Goro’s healing-capable Persona. I considered a couple of legendary ancient female doctors, but none of them had the sharp edges/warpedness I wanted, so -- Medea. Unlike Defarge, ‘Medea’ has appeared as a Persona in previous games, which is why this version has ice abilities specifically.
Moving on from Akechi:
La Maupin (actual historical but much-storied person Julie d’Aubigney): La Maupin is just a really really really good candidate for a P5 initial Persona. She was a social rebel who did her own thing and ignored rules and mostly got away with it. To be perfectly frank I think she would have been better as Ann’s initial Persona than Carmen was, but that’s a whole different complaint. I knew I wanted La Maupin to be a Persona as soon as I knew I was giving other characters Personas -- until I decided Shiho would be getting involved it was going to be Hifumi, though I’m glad it wasn’t in the end.
Someone in the comments mentioned Queen Boudicea as a Persona for Shiho, which I had never thought of, and that is good, especially for canon Shiho. La Maupin is more justifiable with new-timeline-Shiho, who’s never ending up under Kamoshida’s thumb to start with -- she’s going to stop doing what’s expected of her and give herself permission to be selfish sometimes.
Sun Arcana for Shiho is not an idea original to me, and I thought about going with Strength or Temperance to be more original -- but Sun suits La Maupin better than those! So Sun it was. La Maupin’s powers were mostly Arcana-inspired -- Sun is usually Fire or Bless, and Ann has Fire covered. La Maupin may be able to learn revival skills? Not sure.
Hangaku (actual historical but much-storied person Hangaku Gozen): Like I said in story notes, Hifumi’s ideal of rebellion is a literal military revolt. (Not a successful one, but we’ll just ignore that part.) Hifumi got a Japanese figure mostly because of the shogi and... hmm, having trouble putting this into words. Hifumi isn’t actually very traditional? She just... sort of gives that impression anyway?
Hangaku has wind powers because Star Personas usually have ice or wind powers and she was going in a party with Yusuke, so. She does not have healing powers because I didn’t want the girl to automatically be the healer. (’Thanks loads,’ says the Escher crew, going forth with no healer.) The poison resistance goes with Hifumi’s ninja aesthetic.
Hypatia (fifth-century mathematician and philosopher): Hypatia wasn’t a rebel or criminal or deviant; she was a scientist who ran into trouble with politics. This suits Wakaba very well, if not the usual theme of initial Personas.
...I still need to decide a lot of things about this Persona. Hypatia wasn’t planned -- they had to get rid of the Palace immediately without a Treasure theft, and this was a way out of the corner I’d written myself into. 
Hypatia is Fortune Arcana... Apparently Fortune Personas often use wind powers, but Hangaku has that covered. Analytical abilities would make sense, but Futaba has that covered. Hmmmmmm.
Everyone knows Mishima will be getting a Persona in the very near future, right? I’m just going to go ahead and talk about that, too. Don’t read on if you want to be surprised in the next Valor and Discretion chapter.
Eulenspeigel (Till Eulenspigel, Germanic folktales): ‘Spiegel’ means ‘mirror’, which can be associated with the moon, and also with seeing/information. The folkloric Eulenspiegel spent a lot of time puncturing the egos of the arrogant, which fits Mishima’s role of pointing out good targets in the original timeline. (The folkloric Eulenspiegel is also, alas, frequently rather scatological in his pranks, but let’s ignore that part.) And the Eulenspiegel stories are described as a ‘picaresque’, which is often applied as a group description to the P5 initial Personas (even though it really doesn’t suit them all).
Eulenspiegel the Persona is going to have navigational/anaytical capabilties (information-themed again) and inflict status effects on enemies rather than attack directly. Mishima’s a little disgruntled about it.
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