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empanada2017 · 5 years ago

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jeremias...

Cuídese de la envidia, mi hijo Mirándome a los ojos, mi vieja, descanse en paz, ya una vez me dijo Y qué razón tenía al advertirme de esta vida puerca, no críes cuervos O arrancaran tus ojos de sus cuencas Me he dado cuenta que la verdad es tan relativa Y la realidad es tanta mentira Perros tratando de invadir mi propiedad priva' mientras dormía Buscando robar mis hembras, mis reales, mi comida Maldito sea el hombre que confía en otro hombre Gran verdad en esa frase se esconde Me siento como un loco al tratar de confiar yo todavía en alguien En el planeta de la hipocresía Válgame, soy un iluso, tan bravo que me la doy Y el abuso es natural que en contra de mí den uso, mundo sucio Donde todos piensan solo en ellos mismos Malditos mil veces, títeres del egoísmo Esta es pa' ti, pa' ti, tú que me traicionaste a mí, me das la mano Con tu cara yo no fui Y yo inocente te la di porque todavía no sabía Que tu risita venía con la fecha ya vencia' Esta canción no es para nadie Que no tenga ganas de matar a alguien por falso y c*ño de su madre Otra mano con puñal en mi dorsal La mano de un tal carnal, hermano que mi mano solía estrechar El más traidor puede que lo tengas de frente Bebiendo tus frías o compartiendo tu cena caliente Ojalá se ahoguen los que siempre mienten Y una vez en el infierno que se quemen para siempre Nunca había pensado que tu socio puede ser un sucio Que por un negocio te puede dar chuzo Mi brazo me dice que el amor me llevará lejos Pero el odio me enseñó a ser un lince, nunca un pendejo Con los dedos de una mano eran contados Los que esa misma mano por ellos metía al fuego Ahora por un zamuro en traje de cordero Canserbero está pensando en tener que volarse un dedo Por eso ya no creo ni en mi almohada Ni en mi sombra, o sea en nada Ni siquiera creo en mi viejo Si algún día te digo que te creo, no me creas que te creo Porque ya, no creo ni en mi reflejo Si buscas una mano amiga empieza por tu brazo Eso lo supe a punta de coñazos Ojalá mi vida sea larga Pa' ver cuando la tuya fracase y pisar tu mano Cuando me pidas que te alce, mi parce Soy simplemente inexpresivo cuando escribo Ya casi no bebo ron sino vino y de corazón digo Que la sucia venganza mata el alma y la envenena Pero cuando de traición se trata, si vale la pena La palabra vale, la trampa sale Los varoncitos se ven a los ojos para decir verdades Déjala cola' cuando pierdas batalla, que esa no es la guerra Y si alguna te falla, cámbiala por perra Pon de mierda la sangre, de piedra el corazón Súbele volumen, repíteme la oración Maldito sea el hombre que confía en otro hombre Los que traicionaron, recuerda sus caras y sus nombres Solo hay una cosa en ti que admiro Y es que como siendo tan dos caras puedes todavía dormir tranquilo Por mi parte bien, yo sonrío Pero por mi madre que no es bueno tener al Canserbero de enemigo El barrio no pasó en vano Como Willie Colón en el profundo de mi corazón soy malo Estos malditos cagapalos piensan que yo no estoy claro Que no son unos coño madres mis hermanos Yo soy la vida y la muerte y no creo en nada Ni en leyendas vivas, ni en leyendas muertas, ni resucitadas Yo soy real como Bolívar y su espada Dándole puñaladas a los hipócritas por sus fachadas Me sabe a mierda cultura, putas y fama Esta canción no es pa' que pegue, ya tiene verdad pegada Vivirás trauma cuando no tengas panas Y notes que las que te dicen que te aman me miran con ganas Me sabe a culo el flow y las habilidades Yo soy tosco, no me salen rimas que no sean reales Dios quiera y no te encuentres a González afuera Y te invite una cancha hasta que alguno de los dos se muera Un coño e' madre, caballero, ¿verdad? Si puedo, te apuñalo hasta con el lápiz que usé pal' tema Farsantes, hay más que moscas donde te cagaste O mal olor donde measte, ¿sin metáforas? Bastante Una mano te corta la otra, como dijo Tempo Y las acciones no se las lleva el viento Que te perdone Cristo si existe Porque si por mí puedo cantar esto mientras meo en tu tumba triste Que suba la mano el que no crea en nadie Y si nadie las sube, la subo yo Ojalá te mueras, antiguo compadre Y nos veamos en el infierno pa' volverte a matar yo Dios no puede duplicarme lo que pienso cuando te observo Porque más de una vez no puedo entrar al infierno Y a mí no me digas tu hermano Que pa' ti soy Canserbero Rolitronco, mamaguevo Cuídese de la envidia, mi hijo Mirándome a los ojos, mi vieja, descanse en paz, ya una vez me dijo Y qué razón tenia al advertirme de esta vida puerca No críes cuervos, o arrancaran tus ojos de sus cuencas Deja de llorar maldita puta Que yo no he botado lágrimas

#frases #notas #textos #escritos #populares #mundo #canserbero

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justforbooks · 5 years ago

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Lawrence Tesler, Who Made Personal Computing Easier, Dies at 74

Lawrence Tesler, a pioneering computer scientist who helped make it easier for users to interact with computers, whether cutting and pasting text or selecting text by dragging a cursor through it, died on Sunday at his home in Portola Valley, Calif. He was 74.

The cause was not known, his wife, Colleen Barton, said, but in recent years he had suffered the effects of an earlier bicycle accident.

Mr. Tesler worked at a number of Silicon Valley’s most important companies, including Apple under Steve Jobs. But it was as a young researcher for Xerox at its Palo Alto Research Center in the 1970s that he did his most significant work: helping to develop today’s style of computer interaction based on a graphical desktop metaphor and a mouse.

Early in his Xerox career (he began there in 1973), Mr. Tesler and another researcher, Tim Mott, developed a program known as Gypsy, which did away with the restrictive modes that had made text editing complicated. For example, until Gypsy, most text-editing software had one mode for entering text and another for editing it.

Mr. Tesler was passionate about simplifying interaction with computers. At Apple he was responsible for the idea that a computer mouse should have only one button. For many years the license plate on his car read, “NO MODES.”

His first breakthrough at Xerox PARC came when he took a newly hired secretary, sat her in front of a blank computer monitor and took notes while she described how she would prefer to compose documents with a computer. She proceeded to describe a very simple system, which Mr. Tesler then implemented with Mr. Mott.

The Gypsy program offered such innovations as the “cut and paste” analogy for moving blocks of text and the ability to select text by dragging the cursor through it while holding down a mouse button. It also shared with an earlier Xerox editor, Bravo, what became known as “what you see is what you get” printing (or WYSIWYG), a phrase Mr. Tesler used to describe a computer display that mirrored printed output.

And Gypsy brought to fruition the idea of opening a computer file by simply clicking on a screen icon while pointing at it with the mouse cursor. Before that, files had to be opened by typing the file name into a command line.

“At Xerox he pushed a lot for things to be simpler in ways that would broaden the base of users,” said David Liddle, a veteran Silicon Valley venture capitalist who worked with Mr. Tesler at Xerox PARC. “He was always quite focused on users who weren’t also Ph.D.s in computer science.”

Mr. Tesler later joined a small team of researchers run by Alan Kay, a visionary computer scientist who had pioneered the idea of a so-called Dynabook, which would become the inspiration for today’s laptop computers. The group was developing a software environment called Smalltalk, and Mr. Tesler developed a system for searching for software components, which he named the browser.

“He can be hailed as one of the true pioneers of many important aspects of personal computing,” Mr. Kay said.

After attending a demonstration of the Altair, an early hobbyist personal computer, at a Palo Alto hotel in 1975, Mr. Tesler returned to PARC to alert his colleagues to the arrival of low-cost systems. His warnings were largely ignored.

He continued to press for less costly computers. In 1978, with Adele Goldberg and Douglas Fairbairn, he designed a portable machine called NoteTaker, a forerunner of luggable computers like the Osborne, Kaypro and Compaq machines of the early 1980s. But Xerox declined to commercialize the NoteTaker; only a few prototypes were made.

It was Mr. Tesler who gave Mr. Jobs the celebrated demonstration of the Xerox Alto computer and the Smalltalk software system that would come to influence the design of Apple’s Lisa personal computer and then its Macintosh.

Mr. Tesler left Xerox to work for Mr. Jobs at Apple in 1980.

“The questions the Apple people were asking totally blew me away,” Mr. Tesler was quoted as saying in a profile that appeared in IEEE Spectrum, the magazine of the Institute of Electrical and Electronics Engineers, in 2005. “They were the kind of questions Xerox executives should have been asking but didn’t.”

In addition to helping develop the Lisa and Macintosh, Mr. Tesler founded and ran Apple’s Advanced Technology Group, after which he led the design of the Newton handheld computer, although that proved unsuccessful. The group also created much of the technology that would become the Wi-Fi wireless standard, and Mr. Tesler led an Apple joint venture with two other companies that created Acorn RISC Machine, a partnership intended to provide a microprocessor for the Newton.

Although Apple eventually sold off its holdings in that venture, it would come to dominate the market for the chips that power today’s smartphones. The chip architecture created by the partnership is today the most widely used microprocessor design in the world.

Mr. Tesler left Apple in 1997 for a startup and later went on to work for both Amazon and Yahoo. He left Yahoo in 2008 and spent a year as a product fellow at 23andMe, the genetics information company. He was most recently an independent consultant.

Lawrence Gordon Tesler was born in the Bronx on April 24, 1945, to Isidore and Muriel (Krechman) Tesler. His father was an anesthesiologist.

In 1960, while attending the Bronx High School of Science, Mr. Tesler developed a new method of generating prime numbers. He showed it to one of his teachers, who was impressed. As Mr. Tesler later recalled, he told the teacher that the method was a formula; the teacher responded, “No, it’s not really a formula, it’s an algorithm, and it can be implemented on a computer.”

“Where do you find a computer?” Mr. Tesler asked.

The teacher said he would first get him a programming manual and then figure out where to find a computer.

One day Mr. Tesler was sitting in the school cafeteria reading his manual, which offered instructions on how to program an IBM 650 mainframe in the most low-level, arcane machine programming language.

A student walked up to Mr. Tesler and asked, “What are you doing with that?”

“I’m learning about programming,” Mr. Tesler responded.

The other student alerted Mr. Tesler to a program at Columbia University, which gave high school students programming time. He was able to use a university computer for a half-hour each week, teaching himself to program before he got to college.

He attended Stanford, graduating in 1965 with a degree in mathematics. While there, he became involved in a number of early projects that prefigured personal computing.

Mr. Tesler had early access to a computer known as a LINC when he worked as a student programmer for the Nobel laureate Joshua Lederberg. The LINC, designed by the M.I.T. physicist Wesley A. Clark, is believed by many computer historians to have been the first true personal computer.

Mr. Tesler’s first start-up venture was a programming consulting company located in a shopping mall next to the Stanford campus. He also used a mainframe computer to build a system to permit the student rooting section at Stanford football games to program elaborate card stunts. It was, Mr. Kay said, a forerunner to the ways in which modern graphical displays would be programmed.

In 1969, with two other scientists at the Stanford Artificial Intelligence Laboratory, Mr. Tesler created a design for a small computer and proposed it to the calculator company Friden. Although intrigued, the company declined to pursue the idea.

Mr. Tesler left computing for a short while after that and moved to an Oregon commune with his daughter from a short-lived marriage. Lack of work led him back to the Bay Area, where he would join Xerox PARC.

In addition to Ms. Barton, a geophysicist, and his daughter, Lisa Tesler, he is survived by two brothers, Charles and Alan.

At Stanford and afterward, Mr. Tesler was active in both the antiwar movement and the 1960s counterculture. He participated in an alternative school, the Midpeninsula Free University, where he taught classes, including one exclusively for people born under the sign of Taurus. In 1968 he taught a class titled “How to End the IBM Monopoly.”

Years later, as a computer scientist at Xerox, he remembered his activist roots, his former colleague Ms. Goldberg said. The Central Intelligence Agency was a Xerox customer, and when agency employees arrived for a meeting, Mr. Tesler attended wearing a trench coat and a fedora.

When you’re cutting and pasting, dragging the cursor over selected text and performing other common computer tasks, you can thank him.

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

#JUST FOR BOOKS #Lawrence Tesler

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xxxedenxxx-blog1 · 6 years ago

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JEREMÍAS 17-5

En ninguna...

"Cuídese de la envidia, mijo", mirándome a los ojos mi vieja, descanse en paz ya, una vez me dijo Y qué razón tenía al advertirme de esta vida puerca no críes cuervos o arrancarán tus ojos de sus cuencas Me he dado cuenta que la verdad es tan relativa y la realidad es tanta mentira Perros tratando de invadir mi propiedad privada mientras dormía buscando robar mis hembras, mis reales, mi comia' "Maldito sea el hombre que confía en otro hombre" gran verdad en esa frase se esconde Me siento como un loco al tratar de confiar yo todavía en alguien en el planeta de la hipocresía

¡Válgame! ¡Soy un iluso! Tan bravo que me la doy y el abuso es natural que en contra de mí den uso Mundo sucio donde todos piensan solo en ellos mismos malditos mil veces, títeres del egoísmo Esta es pa' ti, pa' ti, tú que me traicionaste a mí me das la mano, con tu cara e' "yo no fui" Y yo inocente te la di porque todavía no sabía que tu risita venía con la fecha ya vencia' ¡Esta canción no es para nadie que no tenga ganas de matar a alguien por falso y coño e' su madre! Otra mano con puñal en mi dorsal mano de un tal carnal, hermano que mi mano solía estrechar Al más traidor puede que lo tengas de frente bebiendo tus frías, compartiendo tu cena caliente Ojalá se ahoguen los que siempre mienten y una vez en el infierno que se quemen para siempre ¿Nunca habías pensado que tu socio puede ser un sucio que por un negocio te puede dar chuzo? Mi brazo me dice que el amor me llevará lejos pero el odio me enseñó a ser un lince, nunca un pendejo Con los dedos de una mano eran contados los que esa misma mano por ellos metía al fuego Ahora por un zamuro en traje de cordero, Canserbero está pensando en tener que volarse un deo'

Por eso ya no creo ni en mi almohada ni en mi sombra, o sea en nada. Ni siquiera creo en mi viejo Si algún día te digo que te creo, no me creas que te creo porque ya, no creo ni en mi reflejo Si buscas una mano amiga: empieza por tu brazo eso lo supe a punta de coñazos Ojalá mi vida sea larga pa' ver cuando la tuya fracase y pisar tu mano cuando me pidas que te alce, mi parce Soy simplemente inexpresivo cuando escribo ya casi no bebo ron sino vino y de corazón digo Que la sucia venganza mata el alma y la envenena pero cuando de traición se trata sí, vale la pena La palabra vale, la trampa sale los varoncitos se ven a los ojos para decir verdades Déjala colá cuando pierdas batalla, que esa no es la guerra y si alguna te falla, cámbiala por perra Pon de mierda la sangre, de piedra el corazón súbele el volumen, repíteme la oración "Maldito sea el hombre que confía en otro hombre" y los que traicionaron, recuerda sus caras y sus nombres Solo hay una cosa en ti que admiro y es que cómo siendo tan doscaras puedes todavía dormir tranquilo Por mi parte, bien, yo sonrío, pero por mi madre que no es bueno tener al Canserbero de enemigo El barrio no pasó en vano como Willie Colón en el profundo de mi corazón soy malo Estos malditos cagapalos piensan que yo no estoy claro que no son un coño e' madres, mis hermanos Yo soy la vida y la muerte, y no creo en nada ni en leyendas vivas, ni en leyendas muertas, ni resucitadas Yo soy real como Bolívar y su espada dándonle puñaladas a los hipócritas por sus fachadas Me sabe a mierda cultura, putas y fama esta canción no es pa' que pegue, ya tiene verdad pegada Vivirás trauma cuando no tengas panas y notes que las que te dicen que te aman me miran con ganas Me sabe a culo el flow y las habilidades yo soy tosco, no me salen rimas que no sean reales Dios quiera y no te encuentres a González afuera y te invite una cancha hasta que alguno de los dos se muera Un coño e' madre, caballero, ¿verdad? Si puedo, te apuñalo hasta con el lápiz que usé pa'l tema Farsantes, hay más que moscas donde te cagaste un mal olor donde measte, ¿sin metáforas? Bastantes Una mano te corta la otra, como dijo Tempo y las acciones no se las lleva el viento Que te perdone Cristo si existe porque si por mí puedo cantar esto mientras meo en tu tumba triste Que suba la mano el que no crea en nadie y si nadie las sube, la subo yo Ojalá te mueras, antiguo compadre y nos veamos en el infierno pa' volverte a matar yo Dios no puede duplicar lo que pienso cuando te observo porque más de una vez no puedo entrar al infierno Y a mí no me digas tu hermano que pa' ti soy Canserbero rolitronco e' mamagüevo "Cuídese de la envidia, mijo", mirándome a los ojos mi vieja, descanse en paz ya, una vez me dijo Y qué razón tenía al advertirme de esta vida puerca no críes cuervos o arrancarán tus ojos de sus cuencas Deja de llorar maldita puta que yo no he botado lágrimas.

#canserbero #sin #sentimientos #ni #me dolio #:v

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the-liars-you-love · 6 years ago

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“what’s going on?” (To Linc from Vero)

The question elicits a conspiratorial smile from Lincoln as she glances at Veronique. The sparkle in her eye should clue the other in that something is about to happen, but exactly what it is will, hopefully, remain a surprise.

The two have been on a little vacation for the past week. Las Vegas, a warm city full of lights and devoid of judgement, seemed the perfect setting for the admittedly insane surprise Lincoln has spent the last year and eighteen days planning. For context, she and Veronique had been dating for one year. Eighteen days into the relationship, Veronique had already numbers for Ver’s remaining family, and called to let them know that she was, in fact, head over heels and planning on marrying the woman who walked beside her now. And so the preparations had begun.

Lincoln is well-aware that these past few months had been stressful for her girlfriend, and she’s also aware that this surprise could make that worse. But if all goes well, hopefully this will make up for the insanity (and at times distance) between them since Linc’s photography took off, and Ver’s fashion line went live. And with another three weeks of vacation ahead of them, she’s crossing her fingers that this isn’t going to blow up in her face.

“If I told you that, it wouldn’t be a surprise,” Lincoln shoots back, pulling Veronique onto an escalator leading up to a banquet hall at the Bellagio. All she’d told Veronique about this whole event was that a makeup artist would arrive at their suite and do Ver’s makeup, and that a dress would be delivered (one Veronique herself had picked out months ago as a joke when walking past a wedding boutique) which Linc currently had in a garment bag slung over her shoulder. And now, the big reveal has to happen.

She can feel her heart hammering in her chest. It’s way more nerve wracking than she’d ever expected. Especially given that Veronique and she had been having such a great trip so far, and Lincoln had fallen even more hopelessly in love with the French woman. If things didn’t work out today…

Walking to the closed door of the hall, Lincoln turns to Veronique, and the conspiratorial smile fades into something more sincere and even slightly nervous. She clears her throat.

“Here goes everything,” Lincoln whispers to herself.

And she gets down on one knee.

“Veronique,” she starts, already feeling her chest tighten with emotions. “I know we’ve only been together for a year. But this has been… the most enriching, happiest, and most important year of my life. I remember a blind date that started all of this– seeing you sitting there, looking like a goddess.. and proving that you are one every day since then.” She can feel the tears, and has to laugh to push them down. “You are… the kindest, most dedicated, most talented, and most brilliant person I’ve ever met. Every second with you makes me a better person, and every morning when I wake up to you singing in the shower, and every night I spend with you barefoot on a shag carpet drinking wine that’s way too cheap for either of us, makes my life better than it ever was before I met you.

So, I guess what I’m trying to say, is… If I told you I’d planned our wedding, and that it’s waiting right through those doors– et si je vous ai demandé de m'épouser aujourd'hui et de faire en sorte que chaque jour de ma vie soit digne d'être vécu simplement parce que vous y seriez … diriez-vous oui, mon amour?”

#goxinsane #Lincoln;veronique #v: I'm in your arms (in Central Park)

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vincentbarletta1 · 2 years ago

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What is the most widely used personal computer?

There are various options available if you are seeking a personal computer. They include the Apple Macintosh, the Commodore PET, the LINC, and the Xerox Alto X. Whether you are a company owner, home user, student, or gamer, you may find one to meet your needs.

Apple Inc. created the Macintosh personal computer. A Motorola 68000 CPU powers it. A graphical user interface (GUI) enables users to choose commands, access files, and make menu selections.

The graphical interface approach of the Macintosh was popular with other PC software vendors. This was due to the advantages of the GUI over text-based interfaces.

The popularity of the Macintosh declined after the advent of MS-DOS. Microsoft's Windows became the central personal computer operating system. Macintosh, on the other hand, was able to maintain its market share.

The Macintosh was first advertised on television in 1984. Ridley Scott directed the commercial, which depicted a guy dictating to the masses on a massive screen.

One of the first personal computers was the Commodore PET. Commodore International created it in 1977. Initially, the cassette drive was the sole option to save data on the PET. However, early users quickly discovered a technique to make the entire system perform more quickly.

PET, one of the earliest home computers, was made in the United States. It went for $595. It included a tiny integrated keyboard as well as a monochrome display. Although PET was touted as a low-cost computer, production was restricted. Only 500 units were built in the first year.

The MOS Technology 6502 microprocessor was used to power the PET. This CPU was also found in many of the day's most popular computers.

The Xerox Alto was the first personal computer to include a graphical user interface, sometimes known as a GUI. As so, it was a forerunner to modern computers. Many of Xerox Alto's features are still in use today.

The Alto was created in the early 1970s by Xerox PARC, a research center in Palo Alto, California. This system includes a graphical display, a three-button mouse, and a bespoke central processing unit. It was also one of the first computers to make use of Ethernet.

The Xerox Alto began as a desktop computer. However, a portable personal computer variant was later developed.

The original Alto X is a PC with a graphical display and a mouse. On a 60-line screen, up to 90 characters can be shown. A user can also choose different font sizes and forms for the characters.

The LINC was one of the most exciting discoveries of the mid-1960s. This computer was planned and built by MIT engineers and scientists in Cambridge, Massachusetts. It was a little machine that was the first to be commercially produced. The LINC was eventually implemented across the country. The LINC-I, or initial LINC model, was a 12-bit transistorized system with a tiny display and two magnetic tapes for storage.

In the mid-1970s, a more powerful LINC was developed and released. Meanwhile, numerous smaller computers were developed. The Scelbi-8H minicomputer, which was released in 1974, was one of them.

Workstations are personal computers created primarily for the needs of engineers, scientists, and other professionals. They usually feature a lot of RAM and storage, as well as fast CPUs, powerful graphics cards, and high-resolution displays. These computers are frequently used for video editing and graphic design.

In the mid-1980s, there was a surge in the manufacturing of big, powerful personal workstations. These devices had specialized components, proprietary operating systems, and high-priced hardware. Early versions cost approximately $10,000, but by the late 1980s, prices had begun to fall.

Workstations are now available at a variety of pricing points. A low-cost desktop computer can cost less than a fourth of the price of a high-end server. Vendors are increasingly offering off-the-shelf components that may be combined into a bespoke workstation.

A gaming computer is a computer that is solely dedicated to video games. It is widely regarded as a robust system, with features such as a high-end CPU, solid-state storage, and a solid-state graphics card. Your computer can handle both single-player and multiplayer online games. Aside from gaming, it is frequently used for multimedia, video editing, and other purposes.

You'll need more than a few gigabytes of RAM to play a game. At least 8GB of RAM is required for the finest gaming laptops. But it's a small price to pay for a truly immersive gaming experience.

A good gaming PC will include an SSD, and one of them will protect your game from freezing at vital points. You'll also have to spend some money on cooling.

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pinktankcollective · 6 years ago

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FARIZA BASRI

Graduated with Bachelor of Information Technology (Graphics and Multimedia (Hons) from Universiti Tenaga Nasional (UNITEN) in 2011, Siti Fariza Ahmad Basri or fondly known among the art enthusiasts as Fariza Basri started her art journey in 2018 with her first exhibition titled ‘World of Private Label’ at RAI Amsterdam. Since then, she had exhibited in multiple art exhibition both locally and international. Among her notable art exhibitions are ‘Maison & Objet’, Parc Des Expositions, Paris (2018); ‘Visual Art Pitch 3.0’, Ken Gallery, TTDI (2018), ‘Pivotal’, The Linc, Kuala Lumpur (2018), ‘Women Behind the Art’, Common Ground, TTDI (2019), ‘Bosna Bank International (BBI)’, Sarajevo (2019).

Among the recognition that Fariza had bagged for herself is the 2nd Runner Up for Visual Art Pitch 3.0 back in October 2018.

Links:

www.farizabasri.art

www.instagram.com/farizabasri.art

#pinkshowmy #pinktankco #artomovement

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martt-de-leon · 8 years ago

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Cuídese de la envidia mijo mirándome a los ojos mi vieja descanse en paz ya, una vez me dijo ella que razón tenia en advertirme que esta vida puerca no críe cuervos o arrancaran tus ojos de sus cuencas.

Me he dado cuenta que la verdad es tan relativa y la realidad es tanta mentira. Perros tratando de invadir mi propiedad privada mientras dormía buscando robar mis hembras, mis reales, mi comida.

Maldito sea el hombre que confía en otro hombre gran verdad en esa frase se esconde me siento como un loco al tratar de confiar yo todavía en alguien en el planeta de la hipocresía valgame, soy un iluso tan bravo que me la doy y una pose tan natural que en contra de mi denunció.

Mundo sucio donde todos piensan solo en ellos mismos malditos mil veces títeres del egoísmo.

Esta es pa’ ti pa’ ti tu que me traicionaste a mi me das la mano con tu cara de yo no fui y yo inocente te la di porque todavía no sabia que tu risita venia con la fecha ya vencida.

Esto no es para nadie que no tenga ganas de matar a alguien por falso y c*** de su madre.

Otra mano con puñal en mi dorsal mano de un tal carnal hermano que mi mano solía estrechar.

El mas traidor puede que lo tengas de frente bebiendo tu fría o compartiendo tu cena caliente ojala se ahoguen los que siempre mienten y una vez en el infierno que se quemen para siempre.

Nunca habías pensado que tu socio puede ser un sucio que por un negocio te puede dar chuzo.

Mi brazo me dice que el amor me llevara lejos pero el odio me enseño a ser un lince y no un pendejo.

Con los dedos de una mano eran contados los que esa misma mano por ellos metía al fuego.

Por eso ya no creo ni en mi almohada ni en mi sombra osea en nada ni siquiera creo en mi viejo si algún día te digo que te creo no me creas que te creo porque ya no creo ni en mi reflejo.

Si buscas una mano amigo empieza por tu brazo eso lo supe a punta de chigasos. Ojala mi vida sea larga para ver cuando la tuya fracase y pisar tu mano cuando me pidas que te alce mi parce.

Soy simplemente inexpresivo cuando escribo ya casi no bebo ron sino vino y de corazon digo que la sucia venganza mata el alma y la envenena pero cuando de traición se trata, Si! vale la pena.

La palabra vale la trampa sale los varoncitos se ven a los ojos para decir verdades. Dejala colar cuando pierdas batalla que esa no es la guerra y si alguna te falla cámbiala por perra." :) :*

#te odio #traicion #cobarde #desamor #falsos amigos #falsos amores #apuñalamiento #rencor #muerte #cosas de la vida #infierno #cielo #dios #diablo

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locksmith-unit-orlando · 5 years ago

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Barcelona, Spain

Cerrajero de emergencia las 24 horasAl trabajar con nosotros, tiene acceso a los servicios de emergencia de cerrajería las 24 horas del día, los 7 días de la semana. Ya sea que haya dejado las llaves en el automóvil, se haya encerrado fuera de su hogar o haya perdido las llaves de seguridad, descubrirá que nuestros profesionales están listos para ayudarlo. Locksmith Unit es uno de los pocos servicios de cerrajeros verdaderamente confiables en Barcelona. Por lo tanto, nuestros servicios vienen con la promesa de brindarle ayuda rápida de expertos certificados cerca de usted. Entendemos la frustración por estar bloqueado fuera de su hogar, negocio o automóvil. Puedes quedarte tranquilo sabiendo qué nuestros servicios de cerrajería las 24 horas están disponibles en cualquier momento del día, cualquier día de la semana para que nunca tengas que esperar mucho para abrir una cerradura en Barcelona.

Cerrajero en Barcelona

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Residencial & ComercialLocksmith Unit es una compañía de cerrajería en Barcelona con varios técnicos que están especializados en sistemas de cierre residencial y comercial. La seguridad de su hogar u oficina es de mucha importancia. Siempre aconsejamos a nuestros clientes que obtengan un servicio de cambio de combinación, cambio de cerradura o actualización en el mecanismo de bloqueo cada vez que tengan un robo. Además, probablemente sea mejor para el cliente que un experto examine sus cerraduras si ocurre un incidente similar en el vecindario. Nuestros cerrajeros residenciales y comerciales son profesionales certificados y la información sobre sus mecanismos de bloqueo están completamente segura con nosotros. Además de proporcionar servicios de alta calidad, aplicamos la cerradura de la mejor calidad y materiales relacionados con la seguridad. Nuestro servicio de emergencia las 24 horas del día, los 7 días de la semana, incluye cambio de llave, instalación de cerraduras, reemplazo de cerraduras, instalación nueva, instalación de cerraduras de seguridad de alta tecnología, llave maestra y más.

lince cerraduras

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https://locksmithunit.es/kaba-cerraduras

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Cerrajero Automotriz | Barcelona

Nuestros servicios de automoción se centran en cualquier tipo de emergencia en la que pueda entrar. Si desea recuperar las llaves bloqueadas desde el interior del automóvil, llámenos. Estamos capacitados y especializados en servicios de cerrajería automotriz. Uno de nuestros técnicos licenciados te contactará rápidamente para analizar la situación y darte una solución experta. Locksmith Unit es un proveedor de servicios de cerrajería reconocido y confiable que ayuda con todo tipo de necesidades de cerrajería en carretera en Barcelona. Tenemos técnicos altamente calificados que pueden ayudarlo con las aperturas de automóviles a pesar del tipo de vehículos y cerraduras.

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bigyack-com · 5 years ago

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Lawrence Tesler, Pioneer of Personal Computing, Dies at 74

Lawrence Tesler, a pioneering computer scientist who, in his work at Xerox and with Steve Jobs at Apple, devoted himself to making it easier for users to interact with computers, died on Sunday at his home in Portola Valley, Calif. He was 74.The cause was not known, his wife, Colleen Barton, said. the cause was not known. But at in recent years Mr. Tesler had suffered the effects of an earlier bicycle accident.During his career Mr. Tesler worked at a number of Silicon Valley’s most important companies. But it was as a young researcher at Xerox’s Palo Alto Research Center in the 1970s that he did his most significant work, helping to develop today’s style of computer interaction based on a graphical desktop metaphor and a mouse.Early in his Xerox career (he began there in 1973), working with another researcher, Tim Mott, Mr. Tesler developed a program known as Gypsy, which did away with the restrictive modes that had made text editing complicated. For example, until Gypsy, most text-editing software had one mode for entering text and another for editing it.Mr. Tesler was passionate about simplifying interaction with computers. At Apple he was responsible for the idea that a computer mouse should have only one button. For many years the license plate on his car read, “NO MODES.”At Xerox PARC, his first breakthrough came when he took a newly hired secretary, sat her in front of a blank computer monitor and took notes while she described how she would prefer to compose documents with a computer. She proceeded to describe a very simple system, which Mr. Tesler then implemented with Mr. Mott.The Gypsy program contained such innovations as the “cut and paste” analogy for moving blocks of text and the ability to select text by dragging the cursor through it while holding down a mouse button. It also shared with an earlier Xerox editor, Bravo, what became known as “what you see is what you get” or WYSIWYG printing, a phrase Mr. Tesler used to describe a computer display that mirrored printed output.And it implemented the idea of opening a computer file by simply clicking on a screen icon while pointing at it with the mouse cursor. Before that, files had to be opened by typing the file name into a command line.“At Xerox he pushed a lot for things to be simpler in ways that would broaden the base of users,” said David Liddle, a veteran Silicon Valley venture capitalist who worked with Mr. Tesler at Xerox PARC. “He was always quite focused on users who weren’t also Ph.D.s in computer science.”Mr. Tesler later joined a small team of researchers run by Alan Kay, a visionary computer scientist who had pioneered the idea of a so-called Dynabook, which would become the inspiration for today’s laptop computers. The group was developing a software environment called Smalltalk, and Mr. Tesler developed a system for searching for software components, which he named the browser.“He can be hailed as one of the true pioneers of many important aspects of personal computing,” Mr. Kay said.After attending a demonstration of the Altair, an early hobbyist personal computer, at a Palo Alto hotel in 1975, Mr. Tesler returned to PARC to alert his colleagues to the arrival of low-cost systems. His warnings were largely ignored.He continued to advocate for less costly computers. In 1978, with Adele Goldberg and Douglas Fairbairn, he designed a portable machine called NoteTaker, a forerunner of luggable computers like the Osborne, Kaypro and Compaq machines of the early 1980s. But Xerox declined to commercialize the NoteTaker; only a few prototypes were made.It was Mr. Tesler who gave Steve Jobs the celebrated demonstration of the Xerox Alto computer and the Smalltalk software system that would come to influence the design of first Apple’s Lisa personal computer and then its Macintosh.Mr. Tesler left Xerox to work for Mr. Jobs at Apple in 1980.“The questions the Apple people were asking totally blew me away,” Mr. Tesler was quoted as saying in a profile that appeared in IEEE Spectrum, the magazine of the Institute of Electrical and Electronics Engineers, in 2005. “They were the kind of questions Xerox executives should have been asking but didn’t.”In addition to helping develop the Lisa and Macintosh, Mr. Tesler founded and ran the company’s Advanced Technology Group, where he led the design of the Newton hand-held computer, although that proved unsuccessful. The Advanced Technology Group also created much of the technology that would become the Wi-Fi wireless standard, and Mr. Tesler led an Apple joint venture with two other companies that created Acorn RISC Machine, a partnership intended to provide a microprocessor for the Newton.Although Apple would eventually sell off its holdings in that company, it would come to dominate the market for the chips that power today’s smartphones. The chip architecture created by the partnership is today the most widely used microprocessor design in the world.Mr. Tesler left Apple in 1997 for a start-up and later went on to work for both Amazon and Yahoo. He left Yahoo in 2008 and spent a year as a product fellow at 23andMe, the genetics information company. He was most recently an independent consultant.Lawrence Gordon Tesler was born in the Bronx on April 24, 1945, to Isidore and Muriel (Krechman) Tesler. His father was an anesthesiologist.In 1960, while attending the Bronx High School of Science, Mr. Tesler developed a new method of generating prime numbers. He showed it to one of his teachers, who was impressed. As Mr. Tesler later recalled, he told the teacher it was a formula; the teacher responded, “No, it’s not really a formula, it’s an algorithm, and it can be implemented on a computer.”“Where do you find a computer?” Mr. Tesler asked.The teacher said he would get him a programming manual first and then figure out where to find a computer.One day Mr. Tesler was sitting in the school cafeteria reading his manual, which offered instructions on how to program an IBM 650 mainframe in the most low-level, arcane machine programming language.A student walked up to Mr. Tesler and asked, “What are you doing with that?”“I’m learning about programming,” Mr. Tesler responded.The other student alerted Mr. Tesler to a program at Columbia University, which gave high school students programming time. He was able to use a university computer for a half-hour each week, teaching himself to program before he got to college.He attended Stanford, graduating in 1965 with a degree in mathematics. While there, he became involved in a number of early projects that prefigured personal computing. He had early access to a computer known as a LINC when he worked as a student programmer for the Nobel laureate Joshua Lederberg. The LINC, designed by the M.I.T. physicist Wesley A. Clark, is believed by many computer historians to have been the first true personal computer.Mr. Tesler’s first start-up venture was a programming consulting company located in a mall adjacent to the Stanford campus. He also used a mainframe computer to build a system to permit the Stanford football student rooting section to program elaborate card stunts. It was, Mr. Kay said, a forerunner to the ways in which modern graphical displays would be programmed.In 1969, with two other scientists at the Stanford Artificial Intelligence Laboratory, Mr. Tesler designed a small computer and proposed the idea to the calculator company Frieden. Although intrigued, the company declined to pursue the idea.Mr. Tesler left computing for a short while after that and moved to an Oregon commune with his daughter from a short-lived marriage. Lack of work led him back to the Bay Area, where he would eventually join Xerox PARC.In addition to Ms. Barton, a geophysicist, and his daughter, Lisa Tesler, he is survived by two brothers, Charles and Alan.At Stanford and afterward, Mr. Tesler was active in both the antiwar movement and the 1960s counterculture. He was a participant in an alternative school formed around Stanford, the Mid-Peninsula Free University, where he taught several classes, including one exclusively for people born under the sign of Taurus. In 1968 he taught a class titled “How to End the IBM Monopoly.”Years later, as a computer scientist at Xerox, his former colleague Ms. Goldberg said, he remembered his activist roots. The Central Intelligence Agency was a Xerox customer, and when agency employees arrived for a meeting, Mr. Tesler attended wearing a trench coat and a fedora. Read the full article

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mastcomm · 5 years ago

Text

Lawrence Tesler, Pioneer of Personal Computing, Dies at 74

The cause was not known, his wife, Colleen Barton, said. the cause was not known. But at in recent years Mr. Tesler had suffered the effects of an earlier bicycle accident.

During his career Mr. Tesler worked at a number of Silicon Valley’s most important companies. But it was as a young researcher at Xerox’s Palo Alto Research Center in the 1970s that he did his most significant work, helping to develop today’s style of computer interaction based on a graphical desktop metaphor and a mouse.

Early in his Xerox career (he began there in 1973), working with another researcher, Tim Mott, Mr. Tesler developed a program known as Gypsy, which did away with the restrictive modes that had made text editing complicated. For example, until Gypsy, most text-editing software had one mode for entering text and another for editing it.

At Xerox PARC, his first breakthrough came when he took a newly hired secretary, sat her in front of a blank computer monitor and took notes while she described how she would prefer to compose documents with a computer. She proceeded to describe a very simple system, which Mr. Tesler then implemented with Mr. Mott.

The Gypsy program contained such innovations as the “cut and paste” analogy for moving blocks of text and the ability to select text by dragging the cursor through it while holding down a mouse button. It also shared with an earlier Xerox editor, Bravo, what became known as “what you see is what you get” or WYSIWYG printing, a phrase Mr. Tesler used to describe a computer display that mirrored printed output.

And it implemented the idea of opening a computer file by simply clicking on a screen icon while pointing at it with the mouse cursor. Before that, files had to be opened by typing the file name into a command line.

“He can be hailed as one of the true pioneers of many important aspects of personal computing,” Mr. Kay said.

He continued to advocate for less costly computers. In 1978, with Adele Goldberg and Douglas Fairbairn, he designed a portable machine called NoteTaker, a forerunner of luggable computers like the Osborne, Kaypro and Compaq machines of the early 1980s. But Xerox declined to commercialize the NoteTaker; only a few prototypes were made.

It was Mr. Tesler who gave Steve Jobs the celebrated demonstration of the Xerox Alto computer and the Smalltalk software system that would come to influence the design of first Apple’s Lisa personal computer and then its Macintosh.

Mr. Tesler left Xerox to work for Mr. Jobs at Apple in 1980.

In addition to helping develop the Lisa and Macintosh, Mr. Tesler founded and ran the company’s Advanced Technology Group, where he led the design of the Newton hand-held computer, although that proved unsuccessful. The Advanced Technology Group also created much of the technology that would become the Wi-Fi wireless standard, and Mr. Tesler led an Apple joint venture with two other companies that created Acorn RISC Machine, a partnership intended to provide a microprocessor for the Newton.

Although Apple would eventually sell off its holdings in that company, it would come to dominate the market for the chips that power today’s smartphones. The chip architecture created by the partnership is today the most widely used microprocessor design in the world.

Mr. Tesler left Apple in 1997 for a start-up and later went on to work for both Amazon and Yahoo. He left Yahoo in 2008 and spent a year as a product fellow at 23andMe, the genetics information company. He was most recently an independent consultant.

Lawrence Gordon Tesler was born in the Bronx on April 24, 1945, to Isidore and Muriel (Krechman) Tesler. His father was an anesthesiologist.

In 1960, while attending the Bronx High School of Science, Mr. Tesler developed a new method of generating prime numbers. He showed it to one of his teachers, who was impressed. As Mr. Tesler later recalled, he told the teacher it was a formula; the teacher responded, “No, it’s not really a formula, it’s an algorithm, and it can be implemented on a computer.”

“Where do you find a computer?” Mr. Tesler asked.

The teacher said he would get him a programming manual first and then figure out where to find a computer.

A student walked up to Mr. Tesler and asked, “What are you doing with that?”

“I’m learning about programming,” Mr. Tesler responded.

He attended Stanford, graduating in 1965 with a degree in mathematics. While there, he became involved in a number of early projects that prefigured personal computing.

He had early access to a computer known as a LINC when he worked as a student programmer for the Nobel laureate Joshua Lederberg. The LINC, designed by the M.I.T. physicist Wesley A. Clark, is believed by many computer historians to have been the first true personal computer.

Mr. Tesler’s first start-up venture was a programming consulting company located in a mall adjacent to the Stanford campus. He also used a mainframe computer to build a system to permit the Stanford football student rooting section to program elaborate card stunts. It was, Mr. Kay said, a forerunner to the ways in which modern graphical displays would be programmed.

In 1969, with two other scientists at the Stanford Artificial Intelligence Laboratory, Mr. Tesler designed a small computer and proposed the idea to the calculator company Frieden. Although intrigued, the company declined to pursue the idea.

In addition to Ms. Barton, a geophysicist, and his daughter, Lisa Tesler, he is survived by two brothers, Charles and Alan.

At Stanford and afterward, Mr. Tesler was active in both the antiwar movement and the 1960s counterculture. He was a participant in an alternative school formed around Stanford, the Mid-Peninsula Free University, where he taught several classes, including one exclusively for people born under the sign of Taurus. In 1968 he taught a class titled “How to End the IBM Monopoly.”

Years later, as a computer scientist at Xerox, his former colleague Ms. Goldberg said, he remembered his activist roots. The Central Intelligence Agency was a Xerox customer, and when agency employees arrived for a meeting, Mr. Tesler attended wearing a trench coat and a fedora.

from WordPress https://mastcomm.com/tech/lawrence-tesler-pioneer-of-personal-computing-dies-at-74/

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revuedepresse30 · 7 years ago

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Entretien avec Ikaz Boi : "Je me suis rendu compte que je ne devais plus faire de concessions"

Il y a un message derrière le titre Brutal et sa pochette assez sombre ?

La pochette a été faite spontanément. Nayan Graf Quartier, un photographe suisse, a pris plusieurs photos de moi et on en a gardé une. Le nom du projet concerne l’enchaînement brutal des morceaux. Il y a une intro de 30 secondes, puis un son de rap, puis un interlude davantage électro, puis un son de R&B… Je peux tout faire, et la tracklist représente cet éclectisme. J’ai laissé libre cours à ma créativité et je ne me suis pas pris la tête. Ce n’est pas brutal musicalement mais on retrouve cette brutalité dans la structure du projet.

Peut-on dire que c’est ton premier projet solo ?

C’est mon premier vrai projet oui, parce que je m’occupe de tout, aussi bien de la musique, l’image ou la promotion, pour que le rendu soit cohérent malgré cette diversité. On pourrait penser à une playlist mais cette ouverture artistique forme une seule entité et permet à Brutal d’être mon projet le plus abouti.

Je trouve justement que Brutal te représente complètement, on retrouve tes influences, tes goûts, tes ambitions, tout ce qui te fait en tant qu’artiste. Il était nécessaire de te présenter à nouveau ?

Ce projet est plus profond que mes productions pour les autres, de nombreux titres instrumentaux sont très personnels (Alone, I Can Feel Better, Do U Know Me, Me vs. Me…). J’avais envie de me livrer davantage dans la musique parce qu’elle est la meilleure façon de m’exprimer pour moi aujourd’hui.

Finalement, avec Brutal tu fais un premier bilan de ta carrière et de ta vie ?

Exactement, c’est une étape très importante de ma vie, et je suis heureux de faire de plus en plus partie du monde de la musique et de pouvoir vivre de mes créations. C’est aussi une sorte de nouveau départ parce que j’ai décidé de me lancer sur ce projet par amour pour la musique. Je me suis rendu compte que je ne devais plus faire de concessions pour que cet amour continue, seuls la passion et l’envie doivent primer selon moi, et ce projet le prouve.

Est-il difficile d’être plus personnel dans sa musique ?

Ce n’est pas plus dur ou plus compliqué, j’ai compris que tout est possible dans la musique. Souvent on se met des barrières et on se limite sans raison, alors qu’il suffit de le faire ou de se prouver qu’on peut le faire.

La musique t’offre aujourd’hui la possibilité d’extérioriser des émotions ou des sentiments que tu gardais au fond de toi ?

Complètement, un événement en juin 2017 a eu l’effet d’un véritable déclic et je me suis lancé vers octobre, j’ai eu besoin de réaliser Brutal. Les idées et les ambitions sont bien là et désormais j’aimerais réussir en restant moi-même.

Comment as-tu procédé pour choisir les invités ?

Tous les invités sont des artistes avec qui j’ai déjà collaboré de nombreuses fois, que ce soit Adamn Killa, Kami, 13 Block, Joke ou Hamza. C’était plus facile de faire des morceaux avec eux parce qu’on partage des affinités, musicales ou humaines. La seule exception est Loota, un chanteur japonais, que Sam Tiba m’a présenté. On a fait trois sons ensemble et j’ai choisi l’un des trois.

De quelle manière tu as travaillé avec eux ?

Tout dépend des artistes et des morceaux. Pour Vrai Love, j’ai envoyé la prod’ à Hamza et il a fait ce qu’il voulait dessus. Je voulais faire une chanson R&B avec lui depuis longtemps parce que je le trouve encore plus fort dans ce registre, il me touche vraiment avec ses mélodies. Pour Ganja, Joke a posé de son côté puis j’ai proposé le morceau à 13 Block en studio, c’était pendant la préparation de Triple S. Plus généralement, j’aime laisser la liberté de création aux artistes et j’apporte ma vision au niveau du mixage et de la structure des morceaux.

On a l’impression que vous êtes plus que de simples collaborateurs avec Joke, qui figure deux fois sur Brutal, peux-tu me parler de ta relation avec lui ?

On est en contact tous les jours, pour prendre des nouvelles ou juste échanger. Même s’il a sorti très peu de choses ces derniers mois, on a fait énormément de musique ensemble et du son devrait arriver.

Il était primordial pour toi d’avoir ces morceaux purement instrumentaux ?

J’avais envie de faire un projet intime. C’est un peu égoïste mais je voulais qu’il me plaise à tout point de vue avant de plaire aux gens. J’ai eu ce processus, et de toute manière je ne voyais pas ces titres avec des paroles ou du chant.

Ces morceaux harmonisent et équilibrent Brutal, tu tenais à ce qu’il y ait cette cohérence musicale ?

C’est dans l’incohérence du projet que j’ai vu sa cohérence : je peux composer des productions aux sonorités très différentes, j’ai produit pour beaucoup, j’ai également produit des projets entièrement instrumentaux, et toutes ces expériences ont aidé à la conception de Brutal.

On retrouve cet équilibre sur ta mixtape commune avec 13 Block (Triple S), cette collaboration a confirmé ta volonté de réaliser un projet solo ?

Totalement. En réalité j’avais déjà commencé Brutal avant Triple S, mais j’ai voulu finir ce projet avec 13 Block avant de terminer le mien. Les avis et les retours après la sortie de Triple S m’ont conforté dans l’idée de réaliser des albums de A à Z. Certaines personnes ont également été très importantes dans la conception de Triple S, notamment l’ingénieur son Kezo, de Grande Ville Studio, avec qui j’ai énormément échangé et travaillé pour le mixage des morceaux. Triple S est le résultat d’une alchimie globale.

Qu’est-ce qui change dans ta manière de travailler lorsque tu composes une instrumentale pour d’autres et lorsque tu composes pour toi ?

Je mets moins de temps pour un rappeur : je lui envoie l’instru, il a sa vision, pose dessus, puis le mix est fait, et le morceau est bouclé. De mon côté, j’essaie d’aller plus loin, notamment au niveau du mix sur certaines prods. Pour Brutal, j’ai mixé tous les morceaux instrumentaux et les collaborations ont été mixés par Kezo ou d’autres. Quand je travaille pour moi c’est une autre approche.

Grâce aux différents invités, qui chantent en trois langues différentes, et aux sonorités assez diverses, tu sembles encore plus te tourner vers l’international.

C’est ce que je suis, depuis 12-13 ans j’écoute de la musique américaine, et anglaise plus récemment. Je m’ouvre naturellement sur le monde parce que ça fait partie de moi.

Cette ambition semble liée au rôle de la musique quand tu vivais à La Roche-sur-Yon, qui te permettait de t’évader de ton quotidien.

Exactement, tu viens de m’ouvrir les yeux, je n’y avais même pas pensé. Je pense que je me suis autant intéressé à la musique parce que je vivais à La Roche-sur-Yon, je me faisais tellement chier (rires). Je traînais et faisais du foot avec mes potes mais en fait je passais mon temps dans ma chambre, à écouter des sons de rap US. J’ai eu de la chance parce que je louais des albums à la médiathèque de La Roche, et ils étaient importés des États-Unis, c’était ouf. J’ai pu découvrir Jay-Z, Dr Dre ou Snoop Dogg à 13 ans, quand j’étais au collège. J’ai commencé à composer vers 14-15 ans grâce à Ejay Groove, un petit logiciel, et c’est devenu plus sérieux à 18-19 ans. Au début c’était des loops de mélodies et après je suis passé à de la vraie composition, j’ai débuté par le sampling.

Justement, le court-métrage que tu viens de sortir s’inscrit dans cette logique onirique et expérimentale, comment a-t-il été pensé puis réalisé ?

À la base je voulais clipper le morceau de Joke et 13 Block, et finalement je me suis rendu compte que ce n’était pas pertinent de faire un clip de rap pour mettre en avant un projet de producteur. Puis j’ai pensé à un court-métrage qui serait dans l’esprit du projet. Ben Dorado m’a rappelé que Kévin Elamrani-Lince était encore réalisateur, je l’ai contacté et on s’est très bien entendu. Ce qui est important dans ce court-métrage est l’absence de paraître, tout est inscrit dans la réalité, tu pourrais tout voir de tes propres yeux. On a juste essayé de sublimer le réel, tu vois, et j’espère que les gens seront touchés par cette démarche. Toutes les séquences sont des images fortes parce qu’elles sont brutes : le soleil, la végétation, la mer, la nature… Alors que la majorité des clips s’appuie sur le paraître et la mise en scène, j’ai voulu tenter une autre approche.

Certains morceaux sont d’ailleurs plus expérimentaux. Innover et tester te passionne vraiment ?

Je pense que toutes mes influences, qui sont restées au fond de moi, se retrouvent sur ces titres. La création musicale est un processus mental que tu possèdes de toute façon, il provient de tes goûts, de ta vision, etc. L’envie de toujours innover est issue de tout ce que j’ai pu écouter jusqu’ici.

À tes débuts, a-t-il été dur pour toi de t’émanciper de tes inspirations pour trouver ta patte ?

J’ai eu une période où je ne savais pas vraiment quoi faire et dans quelle direction aller parce que j’étais influencé par trop de choses. Ensuite, j’ai fait On est sur les nerfs, qui est un peu un ovni mais qui a duré dans le temps, et ce morceau m’a libéré, il m’a motivé à persévérer dans la musique et quitter le taff que je faisais. J’étais commercial à l’époque et j’ai arrêté du jour au lendemain car grâce à ce morceau j’ai pu tourner et vivre de ce que je créais. On est sur les nerfs a vraiment eu un rôle de tremplin.

Avec du recul, tu penses que la rencontre avec Myth Syzer a changé ta vie ?

Plusieurs rencontres ont changé ma vie. Myth Syzer à La Roche, parce qu’on était les deux seuls dans ce délire et on s’est plongé très jeunes dans le hip hop underground. J’ai eu de la chance car je suis arrivé là-bas vers 13 ans et je l’ai rencontré un an après. Plus tard il y a eu Veerus, qui est le premier rappeur avec qui j’ai collaboré en France et qui est devenu un ami. Et ensuite tous mes potes qui forment mon entourage aujourd’hui.

Cerebral, ton EP avec Syzer, a-t-il été une sorte de déclic pour toi ?

Cet EP nous a ouvert des portes dans le monde de la musique, surtout qu’on était signé chez Bromance. On a gagné en réputation et en notoriété.

Durant cette période, vous vous rendiez compte de votre avant-gardisme musical mais aussi du symbole de vos revendications personnelles en tant que producteur ?

À la base, on ne se prend pas la tête, on essaie simplement de faire la musique qui nous plaît et avancer sans concession, comme je te disais. Par contre, je n’aurais jamais imaginé ce parcours, je voulais juste faire des beats dans ma chambre tu vois (rires), et je pensais que cette situation allait continuer comme ça. Quant aux revendications, elles nous tiennent à cœur car c’est très important de faire valoir ses droits, de plus en plus de producteurs le font. On revendique une marque, une création qui nous appartient et les gens ne doivent pas l’oublier, le producteur est primordial dans la conception d’un album.

À ce sujet, alors que le producteur a très longtemps été dans l’ombre, tu tiens à être reconnu pour ce que tu fais et tu n’hésites pas à te mettre en avant. Pourquoi avoir opté pour cette démarche ?

Je ne souhaite pas me mettre énormément en avant et me montrer, tu vois, ce n’est pas trop ma personnalité, mais puisque c'est mon projet et grâce au travail du photographe, j’ai quand même choisi d’apparaître sur la cover.

Les beatmakers sont considérés de plus en plus dans le monde du rap français, je suppose que c’est une belle victoire.

Cette reconnaissance touche et motive pour la suite, nous ne sommes plus en 2013 ou 2014, où c’était bien plus difficile d’être crédité et reconnu. Aujourd’hui, certains auditeurs écoutent même des prods, sans parole.

Que retiens-tu de l’aventure Bromance ?

L’entité n’existe plus mais rien n’a changé pour moi, je suis toujours chez “Savoir Faire”, j’ai le même manager et la même équipe. Sinon c’était une belle époque, Bromance était avant-gardiste, Brodinski et Gesaffelstein ont produit sur l’album Yeezus de Kanye par exemple. Puis, mélanger techno et rap était une approche visionnaire, c’est un label qui était en avance sur son temps au niveau du son et de l’image. Travailler avec Bromance a été un tremplin dans le monde de la musique, j’ai étendu mes connexions et rencontré les personnes de “Savoir Faire”.

Quelles leçons tu tires de tes collaborations avec des artistes étrangers, notamment canadiens et américains ?

Je veux vivre à Los Angeles d’ici deux ans (rires). J’aimerais m’y installer pour faire du son et rencontrer du monde, des artistes, d’autres producteurs, des entrepreneurs… J’aime autant le rap français que le rap US aujourd’hui, mais quand j’étais plus jeune toute mon influence musicale venait des États-Unis, ce serait un rêve qui deviendrait réalité.

Et maintenant que tu fais partie des meilleurs producteurs français de rap, ressens-tu une pression particulière ?

Ce n’est que de la musique, j’ai toujours l’esprit tranquille quand je compose ou quand je suis en studio. Je n’ai jamais ressenti de pression depuis que j’ai commencé.

Que penses-tu de la prise de pouvoir du rap en France et aux États-Unis ?

Je trouve cette domination logique, car le rap est le genre musical le plus universel puisqu’il est chanté dans toutes les langues et puise dans de nombreux genres, que ce soit le jazz, la funk, le R&B, la pop, l’électro ou le rock. Toutes ces influences et ses mutations permettront au rap de perdurer.

Aujourd’hui, quel regard-tu portes sur ton parcours ?

Je n’ai qu’une seule chose à dire : je suis fier de ce que j’ai accompli jusqu’ici.

from Les Inrocks - musique https://ift.tt/2ITSUaH via IFTTT

#lesinrocks #musique #Les Inrocks - musique

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uneminuteparseconde · 7 years ago

Text

Des concerts à Paris et autour

Juin 28. Cosmo Cornelius Vigilante + City Dragon – Chair de poule (gratuit) 28. Golden Oriole + Antoine Chessex + Brutal Blues – Instants chavirés (Montreuil) 28. La Colonie de vacances – La Station ||COMPLET|| 29. Cocaine Piss + SHIT + Sordid Ship + Harassment – Le Gibus 29. Wolves in the Throne Room – Petit Bain 29. Punish Yourself + TRK_X + Virile + F/cken Chipotle + Front de crypte + Thérapie club + Nana Benamer – La Station 29. Tommy Four Seven + Headless Horseman + Phase fatale + Killawatt – Concrete 29. Polar Inertia + Erika + Luigi Tozzi + Marcelus – Rex Club 29. Fred P. aka Black Jazz Consortium + Tin Man + Kay Alce b2b Patrick Gibin + Skee Mask (Macki Music fest.) – parc de la mairie (Carrières/Seine) 30. A Deep Groove + Antal + Golden Dawn Archestra + Blake Baxter + Muddy Monk + Saint DX + Toshio Matsuura + Vox Low + Nathy Peluso (Macki Music fest.) – parc de la mairie (Carrières/Seine) 30. Eliott Litrowski (Macki Music fest.) – boat party 30. Echo Collective joue "Amnesiac" de Radiohead (fest. Days Off) – Le Studio|Philharmonie 30. Scratch Massive (dj) + Regina Demina + Char + RAG + Morello + Nasi Fshr – Cabaret sauvage 30. Femme + Stefan Christensen + Dustbreeders Extended – Espace B 30. Nils Frahm + Zoe Keating (fest. Days Off) – Salle Pierre-Boulez|Philharmonie ||COMPLET||

Juillet 01. This Will Destroy You – La Maroquinerie 01. Motor City Drum Ensemble + Josey Rebelle + Cotonete + Lomboy + Ceephax Acid Crew + Kamaal Williams + HDBeenDope + Sentiments (Macki Music fest.) – parc de la mairie (Carrières/Seine) 01. Nick V (Macki Music fest.) – boat party 01. Zaltan (Macki Music fest.) – boat party 01. Renart + Vulcanizadora + NSDOS – Agora|Maison de la radio 02. MoE + Enob + Will Guthrie – Espace B 02. Accident du travail + Sholto Dobie & Lia Mazzari – Les Nautes 03. Poison Point + Badbad + Rhume carabiné – Supersonic (gratuit) 03. David Byrne (fest. Days Off) – Salle Pierre-Boulez|Philharmonie 03. Matthias Puech + Marc-Antoine Perrio, Ariel Tessier & Xavier Gignoux – 100ECS 03. Maud Geffray & Kevin Elamrani-Lince + Balladur + Sentimental Rave – La Station 04. Usé – Point FMR 04. Enerzion + Marc Caro + Solar Return + Ensemble Dime + dj Cambi & Jokilla (fest. Electropixel) – Le Cube (Issy-lès-Moulineaux) 04. MGMT (fest. Days Off) – Salle Pierre-Boulez|Philharmonie ||COMPLET|| 05. Brnsrpprs + Brns + Ropoporose (7 ans de Petit-Bain) – Petit Bain 05. Eric Chenaux + Orgue Agnès – Point FMR 05>07. Dominique a + Jeanne Added... (Fnac Live Paris) – parvis de l'Hôtel de ville (gratuit) 06. Teknomom + Bracco + Marion d'Oktober Lieber + Marai – Trabendo (gratuit) 06. Trami Nguyen et Laurent Durupt jouent "Piano Phase" de Steve Reich + Bruce Brubaker + Laake + Fabrizio Rat + Murcof & Vanessa Wagner + Tom Rogerson + Grandbrothers (fest. Days Off) – Cité de la musique|Philharmonie 06. Etienne Jaumet + Buvette + Richard Fenet – Fondation Vuitton 06. Otto Von Schirach + Hot Bip + Motif_r + Santa Nihil – L'International 06. Speedy J + Fjaak – Concrete 06. Amelie Lens + Daniel Avery + Floating Points + Folamour + Jeff Mills + Laurent Garnier + Kink b2b Gerd Janson + Not Waving + Solomun... (The Peacock Society) – Parc floral (Vincennes) ||COMPLET|| 06. Joujou + Brandt + Société étrange + Badaboum + Cyclikweetos + Orchestre tout puissant Marcel Duchamp + The Monochrome Set + Hyperculte + The Experimental Tropic Blues Band + Belmont Witch + Me Donner + Snapped Ankles + The Absolute Never + Odessey & Oracle (La Ferme électrique) – La Ferme du Plateau (Tournan-en-Brie) 07. Sister Iodine + Warum Joe + Sida + White Heat + Tonnerre + USA Nails + Bracco + Lèche-moi + 10LEC6 + Pyjamarama + Derinëgolem + The Staches + Franky Goes To Pointe-à-Pitre + Club Cactus (La Ferme électrique) – La Ferme du Plateau (Tournan-en-Brie) 07. Etienne Daho + Tristesse contemporaine (fest. Days Off) – Salle Pierre-Boulez|Philharmonie 07. Ellen Allien + SHDW & Obscure Shape + Voiski + Fareed + Grego G – Concrete 07. Ancient Methods + Hector Oaks + Parfait + Remco Beekwilder + The Hacker – tba 07. Richie Hawtin + Tale of Us + Charlotte de Witte + Chloé + Maetrik + Mano Le Tough + Octo Octa + Joy Orbison b2b Kornel Kovacs (The Peacock Society) – Parc floral (Vincennes) 08. Krinator + Judas Donneger – La Station (gratuit) 08. Maulwürfe – La Gaîté lyrique 09. Eels – Olympia 10. Warum Joe + Stratocastors + Pierre & Bastien + Cité lumière (fest. restons sérieux) – Supersonic (gratuit) 11. Guili Guili Goulag + Guerre froide + Oktober Lieber + Keruda Panter (fest. restons sérieux) – Supersonic (gratuit) 12. Ricky Hollywood + Kumisolo + Soleil bleu + Palma Rosa + Option Géniale (fest. restons sérieux) – Supersonic (gratuit) 12. Chelsea Wolfe + Emma Ruth Rundle – Trabendo 13. Bertrand Burgalat + Marietta + Pastel Coast + Daisy Mortem + Grotte + Biche (fest. restons sérieux) – Supersonic (gratuit) 13. Ministry + Grave Pleasures – Elysées Montmartre 13. City Dragon + RedRice + Hers + Ragazza XXI – La Pointe Lafayette 13. Petra Flurr – Le Klub 13. Perc + Shlomo b2b Anetha + Ciel + Ohes – Concrete 14. Le Réveil des tropiques + Jean Jean + Cachette à branlette + Rape&Revenge + Spagguetta Orghasmmond + Posterboy Machine (fest. restons sérieux) – Supersonic (gratuit) 14. Papier Tigre + Pyjamarama + Puissant Blaster – Espace B 19. Make-Overs + RVG + Häxxan (Garage MU fest.) – La Station 20. The KVB + Structure + Giant Swan + Operant + Homoagent + Iron Sight + Luna Violenta + Shacke (Garage MU fest.) – La Station 20. Kangding Ray + Stanislav Tolkachev + Electric Rescue – Rex Club 20. Bas Mooy + Chaton Cheper + Illnurse + Rendered + Sleeparchive + Tinfoil – tba 21. Veil of Light – Supersonic (gratuit) 21. MCiPi (Deeat Palace) – Bar à bulles|La Machine (gratuit) 21. First Hate + Sneaks + Hand & Leg (Garage MU fest.) – La Station 21. Violent quand on aime + UVB 76 + Lostsoundbytes + Ian Tocor – La Machine 21. Peter Van Hoesen + Inigo Kennedy + Anthony Linell & Abdulla Rashim + Rrose + BLNDR – Les Docks de Paris (Aubervilliers) 22. IV Horsemen + Maenad Veyl + UVB 76 + Noyades + Dentelle + Tite + Vision douteuse (Garage MU fest.) – La Station 24. Dirty Fences + Hoorsees + La Chinoise – Supersonic (gratuit) 24. Negative Space + Pretty Hurts + Die Süsse Teufel – La Comedia 27. Descente + Drvg Cvltvre + Nene H – La Station

Août 01. Pardans + The Acharis – Supersonic (gratuit) 20. Front Line Assembly + Die Krupps – La Machine 24. Die Antwood + Carpenter Brut + Dirty Projectors + Parcels... (fest. Rock-en-Seine) – Domaine de Saint-Cloud 26. Jessica 93 + Idles + The Black Angels + Bonobo + Justice... (fest. Rock-en-Seine) – Domaine de Saint-Cloud 28. A Place To Bury Strangers + Entracte Twist – Petit Bain

Septembre 01. Lilthics – Espace B 01. Ariel Pink + Vox Low + Cut Worms + Volage + TH da Freak (Paris Inter. Fest. of Psychedelic Music) – La Machine 02/03. Molly Nilsson + Petit Fantôme + Dead Sea + Faux Real + Saint DX... (Paris Inter. Fest. of Psychedelic Music) – tba 04. Thee Oh Sees + Male Gaze + Prettiest Eyes (Paris Inter. Fest. of Psychedelic Music) – La Cigale 05. Feist – L'Olympia 07. Conflict + Humandogfood + Social Experiment – Le Gibus 08. Death Grips – Elysées Montmartre 13. The Oscillation + Lumerians – Petit Bain 14. Qual – Supersonic 14. Dylan Carlson – Instants chavirés (Montreuil) 15. Monolith + Hypnoskull + Empusae + Meta Meat + Diaphane – tba 15/16. Tarek Atoui + Davide Balula + Jean-Luc Guionnet + Stephan O'Malley + Seijiro Murayama + BrutPop... – Cnap (Pantin) (gratuit) 20. The Brian Jonestown Massacre – La Cigale 21. Crisis + Plomb – Petit Bain 22. The Wedding Present – Point FMR 22. Zëro, Virigine Despentes & Béatrice Dalle – Auditorium du théâtre (Chelles) 22. Paula Temple + LSD + Tommy FourSeven... (Dream Nation fest.) – Docks de Paris (Aubervilliers) 23. Spiritualized – Cabaret sauvage 24. Oneohtrix Point Never (Red Bull Music fest.) – Le 104 26. Sleaford Mods + Consumer Electronics – Le Trianon 26. Chassol + Thomas de Pourquery + Flavien Berger + Jacques + Ala.Ni + Quentin Rollet + Gaspar Claus + Jocelyn Mienniel + Low Jack + Lucie Antunes + Christine Ott + Serafina Steer + Ghedalia Tazartes + Mathieu Edward + Mélissa Laveaux (Red Bull Music fest.) – Cabaret sauvage 27. Part Chimp – Espace B 27. Yuzo Koshiro & Motohiro Kawashima + Kode9 & Koji Morimoto + Oklou & Krampf + Teki Latex & DITC + Konx-Om-Pax (Red Bull Music fest.) – Gaîté lyrique 28. Rebeka Warrior – La Station 29. Terry Riley & Gyan Riley – La Maroquinerie 29. Aurora Halal + Roberto Succo + Elena Colombi + Jasss + Nihiloxica + Front de cadeaux + Julianna + Oko dj + Miley Serious + Jita Sensation (Red Bull Music fest.) – La Station

Octobre 02. The Melvins – L'Alhambra 04. Oiseaux-Tempête, Mondkopf & G. W. Sok + Princess Thailand – Centre Barbara-FGO 04. Ballaké Sissoko & Vincent Segal – La Seine musicale (Boulogne-Billancourt) 12. Les Négresses vertes – Cabaret sauvage 12. Thorofon + Control + Te/DIS – Les Voûtes 12. Les Ramoneurs de menhir vs SP32 – Gibus 13. Françoiz Breut + David Fenech – Médiathèque musicale de Paris (gratuit) 13. Low – La Gaîté lyrique 20. Tallinn Chamber Orchestra : Fratres, Cantus in memoriam Benjamin Britten, Adam's Lament, Salve Regina et Te Deum d'Arvo Pärt – Salle Pierre-Boulez|Philharmonie 20. Les Tétines noires – Petit Bain 22. Dead Meadow – Petit Bain 24. Motorama – Petit Bain 25. Marissa Nadler - Point FMR 26. Jon Hopkins – Trianon 27. Killing Joke – Cabaret sauvage 31. Acid Mothers Temple (Le Beau fest. off) – Glazart

Novembre 01>03. Bon Iver + Fever Ray + Mac DeMarco + Blood Orange... (Pitchfork Music fest.) – Grande Halle de La Villette 02. Emma Ruth Rundle – Petit Bain 04. Peaches Christ Superstar – Cité de la musique|Philharmonie 05. Colin Stetson – Café de la danse 05. Echo & The Bunnymen – Bataclan 08. Cold Cave – Petit Bain 13. Hot Snakes – Point FMR 16. Parquet Courts – Elysées Montmartre 18. Ensemble Links : « Drumming » de Steve Reich – Cité de la musique|Philharmonie 21. The Breeders – Le Trianon 22. Scout Niblett – Petit Bain 23. Michael Nyman : "War Work: 8 Songs with Film" – Salle Pleyel 23. Ennio Morricone – Bercy Arena 27. Mudhoney – Trabendo 28. Adult – Petit Bain 29. Interpol – Salle Pleyel

Décembre 01. Deux boules vanille (fest. Marathon!) – La Gaîté lyrique 06. The KVB – Badaboum 08. Père Ubu – Théâtre Berthelot (Montreuil) 09/10. Moriarty – Cité de la musique|Philharmonie 14. New Model Army – Trabendo 15. Gaspar Claus – Cité de la musique|Philharmonie 18. Drab Majesty – Point FMR

2019

Mars 29. Perturbator – Le Trianon

Avril 14. Arnaud Rebotini joue la BO de "120 Battements par minute" – Cité de la musique|Philharmonie

Mai 17. Philip Glass : Études pour piano – Salle Pierre-Boulez|Philharmonie 18. Bruce Brubaker & Max Cooper : Glasstronica – Cité de la musique|Philharmonie

Juin 26. Magma – Salle Pierre-Boulez|Philharmonie

en gras : les derniers ajouts / in bold: the last news

#concerts à Paris #agenda concerts #gigs in paris #paris gigs

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worldhotelvideo · 7 years ago

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[https://youtu.be/CcohoVpy2OQ] Welcome to La Posada del Mar in Denia, Spain (Europe). The best of La Posada del Mar in Denia. The general services included are parking, wifi available in all areas and private parking. snorkelling, windsurfing and golf course (within 3 km). In addition we will be able to enjoy specific services like internet services, free wifi and wifi. In the bars section we will enjoy room service, breakfast in the room, restaurant, packed lunches, bar and restaurant (à la carte). For wellness facilities include massage, fitness centre and sauna. With regard to relocation we find airport shuttle, car hire, airport shuttle (additional charge), bicycle rental (additional charge) and parking garage. For the reception we can find safety deposit box, luggage storage, tour desk and 24-hour front desk and newspapers. For family leisure we have at disposal babysitting/child services. The function of cleaning services include ironing service, laundry and dry cleaning. If you travel for business reasons in the accommodation you will have fax/photocopying and meeting/banquet facilities. We can highlight other benefits like bridal suite, heating, lift, non-smoking throughout, luggage storage, air conditioning, non-smoking rooms, facilities for disabled guests and vip room facilities Book now cheaper in http://ift.tt/2GN08gf You can find more info in http://ift.tt/2HNr7tk We hope you have a pleasant stay in La Posada del Mar Other hotels in Denia Hotel Los Ángeles https://youtu.be/tQcZsgvB2jY Hotel Noguera Mar https://youtu.be/DkSV79Xcp3I Hotel Adsubia https://youtu.be/hbhgsDZf3ck Hotel Palau Verd - Adults Only https://youtu.be/MShLV9bpG9k Les Rotes https://youtu.be/0Fu10NaKqk4 Daniya Denia Spa & Business https://youtu.be/8xT0vR6IZCo Hotel Villamor https://youtu.be/5WJ2k4aU4Z4 Hotel Dénia La Sella Golf Resort & Spa https://youtu.be/m5ifDowyimk El Hotelet de la Raconà https://youtu.be/aKBquJjbmYE Hotel El Raset https://youtu.be/bN3HeussOTI Hotel Fontanella https://youtu.be/jFF-cxfOxxg Hotel Costa Blanca https://youtu.be/8igML-BxqNU El Bichet https://youtu.be/dIfLP3Xes88 Art Boutique Hotel Chamarel https://youtu.be/q1dyb7XW1rU Other hotels in Spain Hotel Don Cándido https://youtu.be/MTZbyWmdhzo Hotel Lemar https://youtu.be/53flEiBK-nA Hotel Obelisco https://youtu.be/BFjccJOWZCg Almazara de Paulenca https://youtu.be/P25r7mGSeOw Boutique Hotel Pueblo https://youtu.be/NXf3ytjcg5I H Romantic- Adults Only https://youtu.be/XkmrgbYIJZA Mar Calma Hotel https://youtu.be/6-srI2xulc0 Balcones de Piedad https://youtu.be/5MpvCYH5Ksc Hotel Lince https://youtu.be/X5v1BFH_Ov0 Catalonia Park Güell https://youtu.be/c1PD5mCvug8 Exe Sevilla Palmera https://youtu.be/AqM26xI9xOo Fincahotel Cases de Sant Jaume https://youtu.be/S_HYMyBTV5k Hotel Rural Las Rozuelas https://youtu.be/qKqQTmxunOU Palia Maria Eugenia https://youtu.be/6ak7PpivmsQ Hotel Casa Rural San Antón https://youtu.be/Ss4C3WYW0CM In Denia we recommended to visit In the Spain you can visit some of the most recommended places such as Parc Natural del Montgó, Castillo de Denia, Playa de Les Marines, Playa de la Marineta Casiana, Jardín de L’Albarda, Fondos Marinos del Cabo de Santo Antonio, Caseta del Pare Pere, Primer Grup Dels Mariners and Ruinas. We also recommend that you do not miss Plaza De Toros De Dénia, Centre d'Art l'Estació de Dénia, Centro de interpretación Parque Natural del Montgó, Nuestra Señora de Loreto, Museo del Juguete de Denia, Cementerio de Los Ingleses, We hope you have a pleasant stay in La Posada del Mar and we hope you enjoy our top 10 of the best hotels in Spain All images used in this video are or have been provided by Booking. If you are the owner and do not want this video to appear, simply contact us. You can find us at http://ift.tt/2iPJ6Xr by World Hotel Video

#whv #YouTube

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