#louis hofmann edit

[rcbertleckie]

masters of the air · part six

[kruemel8]

[ilreleonewikia13]

◌TDIOBCB chapters as gifsets ↪

∯ C H A P T E R 2 : The Antefact

It had been precisely 136 years since the Conquest of Aegon Targaryen when the Seven Kingdoms once again found themselves in the throes of turmoil, bracing for the arrival of another awe-inspiring tempest, bearing the same name as its predecessor. The highly anticipated union between Prince Aegon Targaryen and Lady Daenaera Velaryon was a grand spectacle, unparalleled and captivating the hearts of all fortunate enough to bear witness. The Dragonpit, the sole edifice in the entire capital city capable of accommodating the nearly seventy thousand guests, overflowed with exuberance and anticipation as the two young lovers made their entrance. - (x)

[tpotr]

PRINCE RHAEGAL TARGARYEN fanfic edit | m!helaena targaryen

The only son of King Viserys I, born to his second wife Queen Alicent Hightower. Regarded reclusive and odd as a boy, he faded into the backdrop between his four outspoken sisters. 'A boy trapped in his own garden,' some would say. Yet as his garden grew, so did he. Becoming a vibrant prince for the realm to behold and admire, he was no less beloved than the Realm's Delight.

[404badwolf]

[xofeno]

ALL THE LIGHT WE CANNOT SEE based on the novel by Anthony Doerr November 2, 2023 | Netflix

[niallhoranhasthat1thing]

via jakob.fliedner

[precious-little-scoundrel]

All the Light We Cannot See edit to Taylor Swift’s 1989, screencaps my own crummy ones with an edition by the talented @arabellas and hats off to @rozevhs on Instagram for their gorgeous little edit of the show to this song, it gave me a obsession. Y’all, this pair has such a Eugene Roe and Nurse Renee in BOB vibe in their instant connection and I am an absolute sucker for such tender communions

[shcynetopps]

harry styles & louis hofmann

amo os nenê @whcvian​

[dobshappytrail]

via naifhen

[byneddiedingo]

Emil Belton and Zoe Zandvliet in Land of Mine (Martin Zandvliet, 2015) Cast: Roland Møller, Louis Hofmann, Joel Basman, Mikkel Boe Følsgaard, Mads Riisom, Oskar Bökelmann, Emil Belton, Oskar Belton, Laura Bro, Zoe Zandvliet. Screenplay: Martin Zandvliet. Cinematography: Camilla Hjelm. Production design: Gitta Malling. Film editing: Per Sandholt, Molly Malene Stensgaard. Music: Sune Martin. The English title, Land of Mine, is an unfortunate but perhaps irresistible pun. The original Danish title was Under Sandet -- "Under the Sand" -- which lacks resonance with its central theme: the cruelty inflicted by victors on the vanquished. Land of Mine at least picks up on that theme, the patriotic urge to revenge one's country on those who attacked it, as well as indicating the action of the film, the defusing and disposal of land mines planted by the Germans along the Danish coast during World War II. It focuses on the Danish Sgt. Carl Rasmussen (Roland Møller), tasked with training and supervising a company of German prisoners of war who are the ones who do the terrifying work of locating unexploded mines along the seashore. When we meet Rasmussen, he is brutally beating a German soldier who has had the audacity to pick up a Danish flag as a souvenir, so the officers in charge of the land mine detail are fairly certain that he will be no softy when it comes to handling the POWs. It turns out that the prisoners are very young -- barely out of their teens, late conscripts into the German army in the waning days of the war. Rasmussen and the POWs are billeted on a woman who has a small farm near the shore, and who shares his hatred for the Germans, stinting on the food she is supposed to provide the young men. She also has a young daughter, who in her innocence bears no grudge against the men and happily plays with one of them until her mother sends him away. It's a situation full of suspense, of course, but writer-director Martin Zandvliet can't seem to stay away from the obvious plotting clichés. We know that there will be some sort of rapprochement between Rasmussen and his fresh-faced charges. When we see that two of the young men are twins, who have dreams of returning to Germany and using their bricklaying skills to help rebuild their country, we're pretty sure that one or both of them will have to die. The hard-bitten sergeant shows no affection to anyone except his dog, so we're certain that the dog's a goner. We're not surprised when the little girl wanders off into the minefield and has to be rescued by the Germans, causing a change of heart in the girl's mother. And so on to the end of the film, which is supposed to be heartwarming but really feels like a foregone conclusion, a working-out of the movie's moral vision. Forgiveness is a fine and necessary thing, but Land of Mine too often sacrifices the drama for the sermon, just as the intrinsic facetiousness of the titular pun undercuts the seriousness of the film's intent.

[athalineiaresources]

Louis Hofmann

[itsnotkeyla]

louis hofmann in black and white, yes i love this concept

[scullyxdark]

undefined

Louis Hofmann

— Giant Rooks — "All We Are"

[awardseason]

72nd Berlinale International Film Festival Louis Hofmann, Opening Ceremony — February 10, 2022

[404badwolf]

“You'll find me

In a sea of dreams

Where no one cares about my words”