#lps global

[mrbopst]

[fidenciojesusfan92]

Littlest Pet Shop 2012/Transformers EarthSpark watch on Nickelodeon

[lunapwrites]

Me: [keeps drawing cards and runes flagging a major upheaval on the horizon.]

The news: "yeah so Russia deliberately crashed one of the USAF's drones, and--"

Me:

[brf-rumortrackinganon]

What could King Charles do to put a stop to this once and for all? Other than giving into their demands?

Take them off the website.

Issue a new LP restricting use of HRH Prince/Princess titles to the direct and immediate line of succession. (This would remove the titles and styles from Archie and Lili.)

Stop listing Harry as a Counsellor of State in the LPs when he travels.

Remove their titles.

Release the dirt.

Authorize the US to release Harry's immigration/visa paperwork with the bare minimum PII redacted.

Issue a public, global statement reminding the world that Harry and Meghan do not represent the UK or the British monarchy and that they work and travel on a personal basis.

Enforce the terms of the Sandringham Summit - no using their titles for anything commercial or for personal profit/gain.

Enforce RAVEC's terms of traveling to the UK - thirty days' advanced notice.

[ellexplays]

Becoming an Idol - CASTING SIMS NOW An upcoming Let's Play series by Elle Plays on Youtube

Maxis Music is holding open trainee auditions for their first global girl group based out of San Myshuno/Del Sol Valley (Seoul/LA).

I am super excited to announce a new LP that I have been working on! This series will follow Valentina's journey of becoming an idol. Although the girls will be following a k-pop training program, those who debut will become a part of a global girl group (similar to VCHA & KATSEYE)

EDIT: (09/23/2024)

Deadline: There is no deadline as of now. But I am selecting sims already so the earlier the better!

Here are the requirements for submitting a sim:

female

sim must be a teen or young adult (16 to 20 years old)

no cc or minimal cc (I will be using my own cc if I do not already have it)

outfits for each occasion

likes/dislikes selected

in the description please include a little background on them, their age, their strength (vocal, dance, rap, visuals), trainee experience (if any), and their ethnicity

tag your sim with #ellexplaystrainees in the gallery

Here are some important things to know if your sim is selected:

you must be okay with me making edits to your sim to match my aesthetic and the gameplay progress

you must be okay with how your sims will be portrayed. i follow the natural flow of the game, but will need to intervene for storyline purposes (this includes ranking trainees and sending those not improving home. this is nothing personal, again just for the purpose of the series)

Please let me know if you have any questions and I look forward to seeing your sims! 😊🤍

credits: blackpink members: cloversimss seoul billboard override: ellexplays (unreleased) my socials: tiktok | youtube

[ocean-sailor]

LOUIS TOMLINSON : LIVE "FOLLOWING THE RELEASE OF HIS CHART-TOPPING ALBUM ‘FAITH IN THE FUTURE’, AND DOCUMENTARY ‘ALL OF THOSE VOICES’, LOUIS TOMLINSON RETURNS WITH HIS DEBUT LIVE ALBUM ‘LIVE’, A RECORD THAT SHOWCASES HIS LOVE FOR LIVE PERFORMANCE AND WAS RECORDED AT VARIOUS SHOWS SPANNING THE PAST 3 YEARS ACROSS LOUIS'S GLOBAL ‘FAITH IN THE FUTURE WORLD TOUR' AND 'LOUIS TOMLINSON WORLD TOUR'.

LIVE PERFORMANCE HAS ALWAYS BEEN IMPORTANT FOR LOUIS AS A WAY TO CONNECT WITH HIS GLOBAL FANBASE, THIS RECORD FEATURES A SELECTION OF FAN FAVOURITE TRACKS, AS WELL AS THE SINGLES ‘BIGGER THAN ME’, ‘WE MADE IT, ‘WALLS’ AND ‘OUT OF MY SYSTEM’, ALL RECORDED AT DIFFERENT SHOWS IN DIFFERENT COUNTRIES, MAKING THIS A TRULY GLOBAL ALBUM."

TRACKLIST OPTIONS!

DIGITAL DOWNLOAD: 14 SONGS

THE DOUBLE CD INCLUDES THE STANDARD 14 SONG ALBUM PLUS 2 ADDITIONAL TRACKS ‘HIGH IN CALIFORNIA’ AND ONE DIRECTION CLASSIC ‘WHERE DO BROKEN HEARTS GO’.

THE DOUBLE PICTURE DISC LP INCLUDES THE STANDARD 14 SONG ALBUM PLUS 3 ADDITIONAL TRACKS 'HIGH IN CALIFORNIA', 'ONLY THE BRAVE' AND 'KILL MY MIND' AND AN EXCLUSIVE TOUR BOOK WITH NEVER-BEEN-SEEN PHOTOS AND MESSAGES FROM LOUIS' FANS.

[kisslovegoodbye]

Shuhada' Sadaqat (8 December 1966 – 26 July 2023)

Sinéad O'Connor is widely regarded as one of the most influential female performers of the 90s, not only for her sensational performances and raw vocal emotion but also for her outspoken confidence to express herself publicly.

Sinéad was born in Dublin in 1966, and was discovered by Paul Byrne, drummer of U2 protégés In Tua Nua, while singing wedding covers in the city. After co-writing the first In Tua Nua single, she left school to focus on music, studying voice and piano at the Dublin College of Music. She relocated to London in 1985.

Her debut album, The Lion and the Cobra produced two alternative hits ‘Troy’ and ‘Mandinka’ and would go on to be one of 1987’s most critically acclaimed LPs. Follow up, 1990’s I Do Not Want What I Haven’t Got confirmed her as a major artist with the Prince-written Nothing Compares 2 U reaching number 1 in the UK, the US and globally.

A series of public gestures have tended to interrupt the critical focus on O’Connor’s artistry including her infamous performance on SNL where she ripped up a photograph of Pope John Paul II. However, Sinéad’s ability to move through Pop, Rock, Folk, Reggae and incorporate multiple influences into her complex and powerful sound is in evidence all throughout her now three-decade long career.

Her death comes a year after the mother-of-four's son Shane, 17, took his own life in January 2022 after escaping hospital while on suicide watch. 

Farewell, beloved one...

[moirtre]

‎ ‎ ⋆⠀⠀&.⠀⠀٬⠀⠀(⠀⠀ARSENIC.⠀⠀)⠀...⠀is the first full album (lp) by south korean girl group, letalis. the album was released in both digital and physical form by south korean entertainment company, apricus culture on october 29, 2014.

the album was supported by performances of the title track, "POISON" and two additional promotional singles, "FOR THE THRILL" and "CHECK IT". as the group's first full-length album, ARSENIC received mixed reviews despite its overwhelming commercial success. the group promoted the album for a total of five weeks through music show performances, two seoul concerts, five fanmeetings, and several variety show appearances. the album's title track, "POISON" received a total of 8 music show wins while "CHECK IT" amassed 2 towards the later end of promotions.

despite the album's popularity, critics published mostly lukewarm reviews of the album. most prominently, a common critique was the "repetitive" sentiment shared by critics in both korea and abroad. despite critical favorites "REBOUND", "CHECK IT", "LOVE/OR", and "BAD GIRL" receiving praise for the involvement of contributing members naryun, jiseo, and melanie, other songs were heavily criticized for their recurring themes, genres, and structure. regardless, the group's fanbase would propel the album and its promotional singles onto the gaon and billboard global charts, solidifying the "bread and butter" of letalis' musical character.

⠀*⠀SECTION ONE⠀:⠀the tracklist.

ʬ.ʬ.⠀001:⠀ ⠀٬⠀⠀ REBOUND

ʬ.ʬ.⠀002:⠀⠀٬⠀⠀ FOR THE THRILL⠀

ʬ.ʬ.⠀003:⠀⠀٬⠀⠀ POISON* (title)⠀

ʬ.ʬ.⠀004:⠀⠀٬⠀⠀ GINGER TRUFFLE

ʬ.ʬ.⠀005:⠀⠀٬⠀⠀ DRIP⠀

ʬ.ʬ.⠀006:⠀⠀٬⠀⠀ LIGHT ME UP⠀

ʬ.ʬ.⠀007:⠀⠀٬⠀⠀ CHECK IT

ʬ.ʬ.⠀008:⠀⠀٬⠀⠀ LOVE/OR

ʬ.ʬ.⠀009:⠀⠀٬⠀⠀ MISS.ME

ʬ.ʬ.⠀010:⠀ ⠀٬⠀⠀ GUN

ʬ.ʬ.⠀011: ⠀ ⠀٬⠀⠀ BAD GIRL⠀

ʬ.ʬ.⠀012:⠀ ⠀٬⠀⠀ MINDURZ

ʬ.ʬ.⠀013:⠀ ⠀٬⠀⠀ GLASSSY

⠀*⠀SECTION TWO⠀:⠀the physical album.

‎ ‎ ⋆⠀⠀&.⠀⠀٬⠀⠀two versions of arsenic were available for purchase upon initial release. the group would go on to record the entire album in japanese for a limited edition special release in 2015 as part of their debut anniversary celebration.

ʬ.ʬ.⠀STANDARD VERSION: contains one disc, one photobook (featuring 100 photos), one of four unit posters, one of seven member-written letters, one of seven random photocards, one group poster, and one of three random stickers.

ʬ.ʬ.⠀TONEDEAF VERSION: contains one disc, one photobook (featuring 111 photos), one of four unit posters, one of seven member-written letters, two of seven random photocards, one of seven individual mini-poster, one of two random group posters, three stickers, and one fandom charm.

ㅤ*ㅤSECTION THREEㅤ:ㅤthe styling.

sticking to the general idea of their previous era, the members each had a personal hand in their own looks. each stage built off the individual tastes of each member while holding on to their cohesiveness. easily one of their most identifiable eras solely off the styling.

ㅤ*ㅤSECTION FOURㅤ:ㅤthe notes.

a fan favorite era

one of their more iconic albums, def a top three vitalis staple album

people either loved or hated this era (including the girls themselves). there were a lot of mixed reviews among critics and it wasn't secret to the girls.

weird animosity between emmy and juniper starts here. no one really knows why but they were regularly exchanging not-so nice words about each other to anyone who cared enough to listen.

one of their encore stages went viral after they used voice changing microphones with shuffled effects (entirely emmy's idea). still one of the highest viewed encores of all time, a letalis fandom staple video as well. several members were in tears from laughter (emmy, jiseo, naryun) while others were completely stoic (naira, juniper). ironically, this video pretty much sums up their public dymanic pretty well.

lots of controversy surrounding the tracks on the album. towards the end of the promotional period, the girls were visibly tired of performing "for the thrill" which was unanimously voted in a fan poll posted to melanie's fancafe as being the fans' least favorite b-side off the album.

despite how well the title track, "poison" did, some of the girls voiced their varying opinions on what they would chosen instead. snowballed into a weird scandal where they were accused of suffering from "celebrity disease". never ended up being addressed but apricus did tighten the reigns on what the girls were allowed to say/bring up during the rest of the promotions.

the true beginning of the core writers and producers that usually appear on letalis albums. also the beginning of the naryun and trenton rumors (that would eventually be entirely true). it wasn't lost on the public that letalis was gonna stick to what works so these same writers and producers in different arrangement are a staple to their discography.

miss. me randomly went viral in 2020 around the time challenges became a regular occurrence. so in between the challenges for the album they were promoting at the time, they were suffering through doing cute little hand choreo for the song.

naryun, melanie, and emmy gained their first credits on this album!

announced their first asian tour after the end of promotions. cute little 15-show tour, mostly in large theaters and arenas, nothing crazy but a precious memory for all the girls.

[krispyweiss]

Fab Reissues on Tap

- Seven out-of-print, U.S.-only Beatles LPs slated for re-release Nov. 22

Out of print on vinyl since 1995, seven U.S.-only Beatles albums will be reissued to mark 60 years of “global Beatlemania,” per a news release.

The LPs - Meet the Beatles!, the Beatles’ Second Album, A Hard Day’s Night (Original Motion Picture Sound Track), Something New, the Beatles’ Story, Beatles ’65 and the Early Beatles - originally appeared between January 1964 and March 1965.

They will be re-released Nov. 22 as the Beatles: 1964 U.S. Albums in Mono; all but the Beatles’ Story will also be available individually. The boxset was announced with a short trailer including snippets of “Twist and Shout,” “I Saw Her Standing There,” “She Loves You,” “I’m Happy Just to Dance with You,” “Boys” and other cuts.

The forthcoming release landed the Fabs on the cover of Uncut magazine, which carries a feature wherein “eyewitnesses and contemporaries relive the mania of the British Invasion,” per a news release.

9/13/24

[shortyinblue]

I am fully prepared to drop money on that Mingi vinyl because it’s SO cool, but I’m having a hard time figuring out the website it’s being sold on. Thinking about taking a loss on this one😭

I think this is the global link!

If that's what you needed but yeah the website's a little weird

[mr-styles]

Harry Styles' Sonic Evolution: How He Grew From Teen Pop Idol To Ever-Evolving Superstar

Harry's House' not only gives Harry Styles his most GRAMMY recognition yet — it serves as a testament to how much he's expanded his sound over his already storied career.

GABRIEL AIKINS | GRAMMYS/JAN 25, 2023 - 12:02 PM

Watching 16 year-old Harry Styles walk onto the stage for his "The X Factor" audition in 2010, it's remarkable how little some things have changed in the following 13 years. Though his rendition of Stevie Wonder's "Isn't She Lovely" was rather unpolished — even receiving a "no" from judge Louis Walsh — his magnetic charisma and natural talent were more than evident. And at just 16, Styles clearly knew he was on the right path.

"Singing is what I want to do," Styles said in an interview before his audition. "And if the people who can make that happen for me don't think that I should be doing that, then it's a major setback in my plans."

Of course, so much else has changed in the ensuing decade. Styles was tabbed alongside other contestants Liam Payne, Louis Tomlinson, Niall Horan and Zayn Malik to form the group One Direction. As the band stormed the charts and captured the love of fans globally, Styles grew into his abilities — and now, he's achieved a rarified level of fame. 

Even after being part of one of the most successful boy bands of all time, Styles has reached new heights of superstardom in his own right. In addition to selling millions of albums and selling out arenas around the world, he's starred in four feature films and became the first male cover star of Vogue magazine. The depth of Styles' charisma and drive he's shown from that first audition have made him an all-encompassing star like few before him.

While Styles was a solo star as soon as he emerged in 2017 — selling out his first-ever solo tour and debuting his self-titled first album atop the Billboard 200 — he has dominated the 2020s. His second album, 2019's Fine Line, spawned his first No. 1 hit in the U.S. in 2020 with "Watermelon Sugar," which also earned him his first GRAMMY in 2021 for Best Pop Solo Performance. But 2022 was the year he took his stardom to the next level — and it all began with an invitation to Harry's House. 

The lead single of Styles' third album, "As It Was," became undeniable, debuting atop the Billboard Hot 100 and spending 15 weeks there — the most in history for a British act. And when Harry's House arrived less than two months after "As It Was," it was clear that 2022 was the year of Harry. 

The album, featuring smooth electronic beats and funky bass riffs, went platinum in the UK and US, put four songs into the Billboard Top 10 at the same time, and earned Styles the most GRAMMY nominations of his career. His six nominations for the 2023 GRAMMYs include his first in the coveted Album Of The Year, Song Of The Year and Record Of The Year categories; Harry's House also earned a nod for Best Pop Vocal Album and "As It Was" is up for Best Pop Solo Performance and Best Music Video.

If you ask Tyler Johnson — who has co-written and co-produced the majority of Styles' three solo albums — the GRAMMY nominations may just be Styles' biggest validation yet. "It's really the music community recognizing him as Harry Styles — [his time in the band] is just another part of his resume, it no longer defines him. And that's really exciting."

In reality, Styles hardly ever let his past define him. Even Johnson sensed Styles' star power upon meeting the singer in 2015. "When I first met him, I knew a lot about him from the band, but it was obvious he was a star," he recalls. "Especially how he performed in the vocal booth, it was very brave. I was like, 'Wow, this person has no barriers.'"

With no barriers comes a willingness to always try something new — which is why the Harry Styles of Harry's House sounds much different than Harry Styles of One Direction. The change was heard immediately back in 2017 on his first solo single "Sign of the Times," released ahead of his self-titled debut LP later that year. It's a rock track to its core, starting with hearty piano chords and building to a crescendo of wailing electric guitar and crashing drums. This initial offering was a sign of what was to come, as Harry Styles is built on these rock sounds from beginning to end. 

Even if reviews weren't outright surprised by this sound, they noted the seemingly brand new, well, direction. "Few people probably predicted the 23-year-old ex-One Direction superstar to drop the kind of album that makes your uncle or your mom perk up," read Variety's review. Pitchfork mused, "If you only know one thing about Harry Styles, it's probably that the album bucks the established trends governing bids for young male solo pop stardom." Styles becoming a rock star was something new, but looking back at the totality of his work, it's not quite as surprising as it might be at first glance.

When assessing the music of One Direction, the singles will of course stand out. Tracks like "What Makes You Beautiful," "Live While We're Young," and "Best Song Ever" are big and boisterous, with infectiously fun hooks. And while each of the group's five albums had rock influences — queue the Clash-like electric guitar opening of "Live While We're Young" — they're all pop projects at their core. And the writers and producers behind them were pop masterminds, too, including Rami Yacoub, Steve Mac, Ed Sheeran, and Ryan Tedder.

By nature of an essentially constant touring schedule and working with so many other people — especially the four other members of the group — there was simply less opportunity to write. Across the 86 songs in the band's discography, Styles has writing credits on only 21 of them, whereas he serves as lead writer on every track on each of his three solo albums. 

"I think it was tough to really delve in and find out who you are as a writer when you're just kind of dipping your toe each time," Styles told Rolling Stonein 2017, recalling some of the struggles of being in a band. "We didn't get the six months to see what kind of s— you can work with."

Listening to the songs Styles did have a hand in writing for One Direction, though, the throughline of his career becomes clearer. Even the earliest tracks he co-wrote include key elements to his later songs.

The chorus of Up All Night's "Same Mistakes" takes his penchant for lyrical repetition, creating a folksy call-and-response feeling and pairing it with powerful guitar chords; he uses a similar pattern on Harry Styles' opening track "Meet Me in the Hallway." Made In The A.M. ballad "If I Could Fly" is strikingly vulnerable lyrically and melodically minimalistic; this combination is seen on Styles' solo ballads, like Fine Line's "Falling" or Harry's House's "Matilda."

Styles' solo success also stems from his versatility. Alongside folksy ballads, he has an ear for rock songs to fill a stadium (and after completely selling out his 2021 and 2022 Love On Tour stretches, stadiums may be where he's headed next). "Where Do Broken Hearts Go?" is one of One Direction's most anthemic tracks, tailor made for karaoke or shouting alongside a crowd. It's no surprise Styles is the sole One Direction member on the writing credits for it, and you can hear that same exuberance on his solo rock anthems, from Fine Line’s ultra cool smash "Watermelon Sugar" to the funk rock-infused "Late Night Talking" on Harry's House. 

In a 2017 New York Times interview, Styles explained his rock influence — and really, his musicality as a whole — stems from his own musical tastes. "I really wanted to make an album that I wanted to listen to," he said of Harry Styles. "That was the only way I knew I wouldn't look back on it and regret it. It was more, 'What do I want to sit and listen to?' rather than, 'How do I shake up compared to what's on radio right now?'"

Judging by the elevated sounds on Harry's House, Styles' musical interests have grown as he has evolved as an artist. While there are hints of his previous writing and growth on the album, Styles incorporated so many new elements, and that's what makes Harry's House so interesting and so refreshing. 

Funk pervades the record, with synths and stylized loops fleshing out tracks like "Music For A Sushi Restaurant" and "Keep Driving." There's a constant sense of playfulness throughout all 13 tracks — something that was apparent to Styles' collaborators long before the world got to hear it. 

"Harry just said that he's never been more proud of anything, and Tom [Hull, better known as producer Kid Harpoon] and I are just there for the ride," Johnson says. "We didn't feel too caught up in the kind of reality of who he is and having to put out an album very specific to the commerce side of it. It was a lot of having fun and just kind of burying our heads in the sand and enjoying doing it. That was very different from Fine Line."

Styles can seemingly feel his evolution himself, too. In a wide-ranging interview with Zane Lowe upon the album's release in May 2022, Styles revealed that he tried not to take direct sonic influences on this record like he had in the past. "I kinda felt like you can reference things by the emotions that they evoke," he said.

The same interview points out how much more comfortable Styles has become with being flexible and fluid, both in his own writing and his collaborators. And now that he's found his right-hand men in Johnson and Hull, he finds it easier to bring his ideas to life. This has allowed Styles to continue to expand his writing, and that resulted in an album that launched his superstardom to even greater heights — and showcased Harry Styles simply having fun.

Now 28 (almost 29!), Styles has been a beloved star for nearly half of his life. In that time, fans have watched his musical abilities mature, morph and expand; he has shown a willingness to always have an eye on what comes next — and that forward thinking paid off in a big way in 2022. However he evolves next, it seems Styles will never lose the drive and endearing charm the world first saw on the "X Factor" stage over a decade ago.

"He's a very similar person. He's a very consistent, loyal, kind person, very focused. That is all the same," Johnson insists. "He's just doing what people do when they do it more and more — he's focusing in on who he is more, he's gaining confidence, and he's becoming more and more himself — which is a very potent thing."

via Grammy.com

[fidenciojesusfan92]

Blythe Baxter

[sleeplesssmoll]

The Poussiere: A town reclaimed by by Critters

There is a story in the stage descriptions. I summarized it and added the original text under "Keep reading." Note: the Dust mentioned in the story is this:

Once upon this time, there was a town that specialized in broom-making. The brooms were used to sweep away high concentrations of Dust and chase away Critters attracted to the Dust. However, everything changed when the youngest son of one of the workshops built a flying taxi out of scraps. He sold it and made a fortune. The town shifted its priorities. Over 253,000 vehicles were sold globally every year. However, because the town switched to manufacturing flying vehicles instead of brooms, Dust accumulated and the Critters returned. The town ignored them and focused their resources on making more profit. Eventually, the Critters grew strong enough to conquer the town. Now They live as royalty among the rubble. They took no interest in the finer things left behind and like to wear rubbish.

You can actually see the abandoned vehicles and a TRAIN trying to escape the wilds that reclaimed them.

I interpret this story as being led astray by greed and losing sight of the important things. Ignoring problems doesn't make them go away and money can't solve everything. Original text below.

LP 1 (stages are labeled LP for some reason)

This was a paradise for humans. I remember its glory was as dazzling as a sun that drops to the ground.

LP 2

A broom-making town. Brooms are made to sweep the high concentrations of Dust as well as the constant skirmishes from the critters attracted by the Dust.

LP 3

Changes always arrive out of the blue. The youngest son of the broom workshop's made a flying taxi with a pile of scraps and sold it for a whole bucket of gold coins.

LP 4

Over 253,000 vehicles leave this place every year for various destinations around the world without coming back.

LP 5

No one cares how those little monsters stuff their bellies with stolen Dust. You can see how common they are.

LP 6 (Final Stage)

Now it belongs to them. These filthy, crazy little things dropped the fancy dresses and jewelry and put on abandoned cans and tires. They are squeaking aloud, like a king and a queen.

[louisupdates]

FOLLOWING THE RELEASE OF HIS CHART-TOPPING ALBUM ‘FAITH IN THE FUTURE’, AND DOCUMENTARY ‘ALL OF THOSE VOICES’, LOUIS TOMLINSON RETURNS WITH HIS DEBUT LIVE ALBUM ‘LIVE’, A RECORD THAT SHOWCASES HIS LOVE FOR LIVE PERFORMANCE AND WAS RECORDED AT VARIOUS SHOWS SPANNING THE PAST 3 YEARS ACROSS LOUIS'S GLOBAL ‘FAITH IN THE FUTURE WORLD TOUR' AND 'LOUIS TOMLINSON WORLD TOUR'

LIVE PERFORMANCE HAS ALWAYS BEEN IMPORTANT FOR LOUIS AS A WAY TO CONNECT WITH HIS GLOBAL FANBASE, THIS RECORD FEATURES A SELECTION OF FAN FAVOURITE TRACKS, AS WELL AS THE SINGLES ‘BIGGER THAN ME’, ‘WE MADE IT, ‘WALLS’ AND ‘OUT OF MY SYSTEM’, ALL RECORDED AT DIFFERENT SHOWS IN DIFFERENT COUNTRIES, MAKING THIS A TRULY GLOBAL ALBUM.

THE DOUBLE PICTURE DISC LP INCLUDES THE STANDARD 14 SONG ALBUM PLUS 3 ADDITIONAL TRACKS 'HIGH IN CALIFORNIA', 'ONLY THE BRAVE' AND 'KILL MY MIND' AND AN EXCLUSIVE TOUR BOOK WITH NEVER-BEEN-SEEN PHOTOS AND MESSAGES FROM LOUIS' FANS. [locations]

PREORDER HERE.

[happinessismusic]

The duet of Gwen with Andrea Bocelli is entitled “Holding On.” So excited for this. 😊