#masonic temples of los angeles

[paulftompkins]

LOS ANGELES: Varietopia returns to Lodge Room on Saturday February 24th!

We cannot wait to kick off another year at our home base. COME ON OUT!

TICKETS

[spinallyspiraling]

Number 33 is a Master Number (Master Teacher).

Number 33 also relates to 3×3=9 which is the power of creation and the God of All or Truth. The Amon (AMEN).

33 is the numerical equivalent of AMEN: 1+13+5+14=33. Amen is the God of Truth.

33 represents Christ consciousness.

Jesus was crucified at Golgotha (place of the skull) at age 33 in the year 33 A.D.

God corresponds to 1/3 (33.3%) as seen in Revelation 12, where the great red dragon is sweeping 1/3 of the stars from heaven.

The number of turns in a complete sequence of human DNA equals 33.

Mount Hermon is at 33 degrees latitude and longitude. (In the Book of Enoch, Mount Hermon is the place where the Grigori; “Watchers, Sons of God or the Nephilim,” a class of fallen angels descended to Earth.)

The divine name Elohim appears 33 times in the story of creation i okn the opening chapters of Genesis.

The first Temple of Solomon stood for 33 years before being pillaged by King Shishak of Egypt.

King David ruled over Israel for 33 years in Jerusalem.

33 is the alleged age that Alexander the Great (Alexander of Macedonia) had died.

The Grand Orient de France of Freemasonry founded in 1733.

33 is the highest degree of Scottish Rite Freemasonry.

Harry S. Truman, a 33 degree Mason, became 33rd President of the United States.

1933, Adolf Hitler became Chancellor of Germany.

A normal human spine has 33 vertebrae.

Rare human spines have 34 vertebrae.

Jeremiah 33:3 – Call to me and I will answer you and tell you great and unsearchable things you do not know.

Ezekiel 33:33 – And when this cometh to pass, (lo, it will come,) then shall they know that a prophet hath been among them.

[jedivoodoochile]

Hotter Than Hell Photo Sessions

The Stage

Hollywood, California, August 18 & 25, 1974

Photographer : Norman Seeff

Photo Upgrade: @rickardmanson

Photo Source Courtesy: The God Of Thunder Facebook

The quality of the sound on the resulting album has always been partially blamed for its lack of success, yet this argument is somewhat spurious and unsubstantiated. Located in Los Angeles, The Village Recorder was only six years old when KISS recorded there in 1974. Built in a former 22,000-square-foot Masonic Temple, the studio had four separate studios, A-D, plus additional recording facilities. By 1972 the studio had become one of Los Angeles' premier recording locations. Thus, the studio was not a sub-par recording facility that could be blamed for the sound. There are other factors that can explain the resulting product, which shares more in common with Blue Cheer production values than those expressed by either the KISS demo, the debut album, or the Kerner/Wise recording ethos. The album sessions are sure to have been affected by the band's unhappiness at recording in Los Angeles. There was a tremendous difference to the mindset and attitude of their beloved home of New York City. There was also probably the no small matter of mental and physical exhaustion. The band had been working non-stop since January 1974 with very little time off away from the music scene. The band had been continuously crafting their identity, sound, and show and traveling haphazard all over the United States and Canada.

(www.kissconcerthistory.com)

[allthingsgrunge]

BAND & MUSICIAN NR, NEWS RELEASES

FEBRUARY 21, 2019

BY ADMINISTRATOR

Happy Birthday Kurt Cobain!

In honor of what would have been Kurt Cobain's 50th birthday, Morrison Hotel Gallery is announcing its next exhibition: Grunge - The Rise of a Generation, a photography exhibit celebrating grunge music, the fashion, the attitude and its impact on anyone who has listened to Nirvana, Soundgarden, Pearl Jam or worn a flannel shirt.

Nirvana's Bleach was released 30 years ago this year. Soundgarden's Superunknown will celebrate its 25th anniversary on March 8th. Grunge is making a comeback and it's happening now.

Opening March 8th in New York City, Los Angeles and Maui, Grunge - The Rise of a Generation is a collection of images taken by legendary photographers who were in the middle of all things grunge.

All images are available for purchase at the gallery locations and via the website www.morrisonhotelgallery.com

From Sonic Youth to Soundgarden: Morrison Hotel Gallery Kicks Off Grunge Month with Grunge: Rise of a Generation

Characterized by frayed fashion, a brooding sense of apathy and slow, riff-heavy sounds, the grunge era not only soundtracks an angst-ridden coming of age but moreover defines the general sentiments of an entire generation. A musical genre unlike any other, grunge took the aggression of punk and the intensity of heavy metal and added elements that gave the music its signature grinding, sludgy distortion. Hitting its commercial stride by the early 90s, "the Seattle sound" gives rise of a pantheon of grunge gods including but not limited to Nirvana, Alice in Chains, Stone Temple Pilots and the evergreen Kurt Cobain once dubbed by Time as "the John Lennon of the swinging Northwest."

As Nirvana's debut Bleach celebrates its 30th anniversary this year and Soundgarden's Superunknown turns 25 on March 8th, Morrison Hotel Gallery kicks off Grunge Month in celebratory recognition of the genre that would provoke an entire pop cultural movement with the unveiling of Grunge: Rise of a Generation, a photographic exhibition highlighting the work of Lance Mercer, Jesse Frohman and many other exceptional photographers who helped define a cultural phenomenon which continues to resonate with audiences throughout the world.

Kurt Cobain 'The Last Session', 1993 © Jesse Frohman

Among the photographs highlighted in the exhibit are images that encapsulate the unvarnished vibe that ran throughout the grunge scene. There from the beginning was Seattle-born photographer Lance Mercer who began documenting what was to be a seismic shift in American music and culture from its very onset. From 1991 to 1995, Mercer went on tour with Pearl Jam as their official photographer. During that time, he photographed the band's elevation to legendary status - Eddie Vedder's raw energy onstage juxtaposed with him relaxing backstage next to a bottle of booze, as well as the band posing in a pile on a Seattle hillside. From Alice in Chains onward, Mercer's stunning work takes viewers back to a time when dirty and unpolished became the new paradigm in sound and style.

A number of other extraordinary photographers were also poised to capture the grunge movement's visual culture dating back to 1986 when Ebet Roberts photographed Sonic Youth performing onstage at NYC's CBGB in a series of shots that would ultimately capture the infancy of the entire grunge era. Additionally, early images of Soundgarden by Karen Mason-Blair and Jay Blakesberg resonate with the many reasons the band would come to define the distinct Seattle sound, whether they show a long-haired Cornell and crew sweating and whipping the audience into a frenzy or crowd-surfing across a wave of fans. Furthermore, in one of the last official photo shoots with Nirvana before the untimely death of Kurt Cobain, Jesse Frohman captured a series of shots of the front man swathed in a leopard skin cardigan, hunting cap and oversized enamel sunglasses covering his head and face. Aloof yet strangely vulnerable and connected, these portraits draft the legacy of an unlikely icon.

"With Grunge: Rise of a Generation, we are not only celebrating the 30th anniversary of Nirvana's Bleach, the 25th anniversary of Soundgarden's Superunknown, or those artists whose contributions exist within the time capsule of a genre; we're also celebrating the durational implications of a cultural phenomenon," said Marcelle Murdock, Gallery Director. "Featuring the pioneering contributions of grunge predecessors like Sonic Youth in dialogue with the usual suspects like Nirvana, Soundgarden, Pearl Jam, Hole, and L7 among others, Grunge: Rise of a Generation provides the framework for a more holistic yet all-encompassing conversation between the super famous and the fringes of a definitive movement's coming-of-age."

In addition to the exhibition, Jesse Frohman will give a talk on March 14th, at the NYC gallery, where he will discuss his photo shoots with Cobain and Cornell. His book, Kurt Cobain: The Last Session, will also be available for sale.

"As someone who came into adulthood within the era, I never imagined the possibility-much less, the importance-of revisiting the period through fresh eyes in collaboration with some of my favorite photographers and artists of all time. With that, I am eager to present this special exhibition of such social and personal significance this spring at Morrison Hotel Gallery." adds Murdock.

Grunge: The Rise of a Generation will open to the public on March 8th and will run through March 31st.

Photographers featured in the show: Richard Bellia Jay Blakesberg Justin Borucki Danny Clinch Henry Diltz Jesse Frohman Lynn Goldsmith JJ Gonson Bob Gruen Karen-Mason Blair Clay Patrick McBride Catherine McGann Lance Mercer Dustin Rabin Amy Rachlin Ebet Roberts

Bands featured in the show: Alice in Chains Hole L7 Mudhoney Nirvana Pearl Jam Sonic Youth Soundgarden Stone Temple Pilots

About Lance Mercer Lance Mercer, born and raised in Seattle, started photographing at 13. Through his involvement with the local music scene in Seattle, Washington specifically portraits of the late Andrew Wood, Malfunkshun and Mother Love Bone, he was invited to tour with Pearl Jam (1991-95) as their official photographer. This endeavor quickly established him as a sought-after photographer for a host of other well-known bands including Alice In Chains, Beck, and The Presidents of the United States to name a few. Other music clients then followed including projects for: Epic, Columbia, Capitol, Warner Brothers, Geffen, A&M, Sony, Microsoft, Redbull, VH1, MTV. Lance's work quickly appeared in publications like: Rolling Stone, Spin, Time, Vanity Fair, and Alternative Press among others.

In 1997, he collaborated on a retrospective book of Pearl Jam photographs called Place/Date, with Seattle photographer Charles Peterson. In 2007, 5X1 Pearl Jam Through the Eye of Lance Mercer was published, further chronicling Lance's experiences with the early 90's grunge rock era.

Presently, Lance continues to create striking photographic work with special focus on documentary, editorial, commercial and music photography.

About Morrison Hotel® Gallery Morrison Hotel® Gallery (MHG) was founded in 2001 by former record company executive Peter Blachley, music retail industry professional Richard Horowitz, and legendary music photographer Henry Diltz. In 2012, author, director and photographer Timothy White joined the team, launching an additional West Coast gallery at The Sunset Marquis Hotel in West Hollywood. In 2016, the gallery launched its third location at Mick Fleetwood's General Store in Maui, Hawaii.

MHG is the world's leading brand in fine art music photography representing over 125 of the world's finest music photographers and their archives. Their vast catalog of photography encompasses jazz, blues, and rock imagery spanning several generations through to today's contemporary music artists and now includes iconic photographs in the world of celebrity and sports as well. MHG has a robust online presence, featuring over 100,000 images searchable by photographer, music artist, band or concert. www.morrisonhotelgallery.com

[banjorice3]

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[thelensofyashunews]

LIZZY MCALPINE’S NEW ALBUM OLDER OUT NOW

Older, the highly anticipated new album from singer, songwriter and producer Lizzy McAlpine is out today on RCA Records—get it here.

In celebration of the album, Lizzy will embark on “The Older Tour,” an extensive headline run hitting North America, the U.K. and Europe. The dates, which kick off this month, will see Lizzy playing back-to-back nights at New York’s Radio City Music Hall, Los Angeles’ Greek Theatre, Washington D.C.’s The Anthem, Boston’s MGM Music Hall at Fenway and Philadelphia’s The Met. Additional stops include Toronto’s Budweiser Stage, Seattle’s WaMu Theater and San Francisco’s Bill Graham Civic Auditorium as well as performances at Bonnaroo and Hinterland festivals. See below for a full itinerary.

Recorded and produced in Los Angeles by Lizzy with Mason Stoops (Ryan Beatty, Del Water Gap), Ryan Lerman of Scary Pockets, Jeremy Most (Emily King, Norah Jones) and Tony Berg (Taylor Swift, Boygenius), Older finds the 24-year-old rising star stepping into newfound confidence, discovering her voice and defining her artistry with profound simplicity. It’s a notable departure for Lizzy, who wrote the LP’s deeply personal 14 tracks during a transition into adulthood.

Lizzy’s eagerly awaited third studio album features previously shared singles, “I Guess” and the record’s title track, which she performed for the first time on “The Tonight Show Starring Jimmy Fallon” last month—watch here.

Older is the follow up to Lizzy’s widely successful album, five seconds flat, which was released to critical acclaim in the spring of 2022. The record features hit singles “all my ghosts” and “erase me (feat. Jacob Collier)” as well as the Platinum-certified track,“ceilings,” which debuted at No. 75 on the Billboard Hot 100 chart.

Born outside Philadelphia, Lizzy gained recognition when she began to share original songs and covers on Soundcloud and YouTube. In 2020, Lizzy released her debut album, Give Me A Minute, solidifying herself as a rising force and amassing thousands of devoted fans. She has collaborated with some of the industry’s biggest names, most recently featuring on Niall Horan’s “You Could Start a Cult” and Noah Kahan’s “Call Your Mom.” Watch Lizzy perform on Jimmy Kimmel Live!, The Ellen Show and NPR Music’s Tiny Desk, where her set was voted in the Top 5 Tiny Desks of 2022.

THE OLDER TOUR

April 21—San Diego, CA—Cal Coast Credit Union Open Air Theatre

April 24—Morrison, CO—Red Rocks Amphitheatre

May 11—Seattle, WA—WaMu Theater

May 13—Portland, OR—Alaska Airlines’ Theater of the Clouds

May 16—San Francisco, CA—Bill Graham Civic Auditorium

May 18—Los Angeles, CA—Greek Theatre

May 19—Los Angeles, CA—Greek Theatre

June 11—Washington, D.C.—The Anthem

June 12—Washington, D.C.—The Anthem

June 14—Manchester, TN—Bonnaroo*

June 18—New York, NY—Radio City Music Hall

June 19—New York, NY—Radio City Music Hall

June 21—Boston, MA—MGM Music Hall at Fenway

June 22—Boston, MA—MGM Music Hall at Fenway

June 24—Philadelphia, PA—The Met

June 25—Philadelphia, PA—The Met

August 1—Chicago, IL—Lollapalooza*

August 3—Saint Charles, IA—Hinterland*

August 6—Detroit, MI—Masonic Temple Theatre

August 7—Toronto, ON—Budweiser Stage

October 13—Brussels, BE—Forest National

October 15—Amsterdam, NL—AFAS Live

October 17—Berlin, DE—Uber Eats Music Hall

October 19—Cologne, DE—Palladium

October 21—Paris, FR—Zénith Paris - La Villette

October 24—London, U.K.—Eventim Apollo

October 25—London, U.K.—Eventim Apollo

October 27—Manchester, U.K.—O2 Victoria Warehouse

October 28—Birmingham, U.K.—O2 Academy

October 31—Dublin, IE—3Arena

*festival performance

[chorusfm]

Sum 41 Add Canadian Tour Dates

Sum 41 have added some final Canadian tour dates. 03/29 – Mexico City, MX @ Punk Rock Festival 03/30 – Monterrey, MX @ Pa’l Norte 04/19 – Omaha, NE @ The Astro ^ 04/20 – Wichita, KS @ Wave ^ 04/21 – Kansas City, MO @ Uptown Theater ^ 04/23 – Minneapolis, MN @ The Armory ^ 04/24 – St. Louis, MO @ The Factory ^ 04/26 – Grand Rapids, MI @ GLC Live at 20 Monroe ^ 04/27 – Milwaukee, WI @ Rave ^ 04/29 – Baltimore, MD @ Pier 6 ^ 04/30 – Boston, MA @ MGM Music Hall at Fenway ^ 05/01 – Portland, ME @ Cross Insurance Arena ^ 05/04 – Asbury Park, NJ @ Stone Pony Summer Stage ^ 05/05 – New York, NY @ Brooklyn Paramount ^ 05/06 – New York, NY @ Brooklyn Paramount ^ 05/08 – Reading, PA @ Santander Arena ^ 05/09 – Raleigh, NC @ The Red Hat Amphitheater ^ 05/11 – Atlanta, GA @ Coca-Cola Roxy ^ 05/12 – Daytona Beach, FL @ Welcome To Rockville 05/14 – Nashville, TN @ Ryman Auditorium ^ 05/15 – Charlotte, NC @ Skyla Credit Union Amphitheatre ^ 05/17 – Columbus, OH @ Sonic Temple 05/18 – Philadelphia, PA @ Skyline Stage at The Mann ^ 05/19 – Norfolk, VA @ Chartway Arena ^ 06/13 – Interlaken, CH @ Greenfield Festival 2024 06/14 – Hradec, CZ @ Rock For People 06/15 – Nickelsdorf, AT @ Nova Rock 06/16 – Derby, UK @ Download Festival 06/19 – Dublin, IE @ Fairview Park 06/21 – Neuhausen ob Eck, DE @ Southside Festival 06/22 – Lyon, FR @ Slamdunk 06/23 – Schneesel, DE @ Hurricane Festival 06/26 – Viviero, ES @ Resurection 06/28 – Ysselsteyn, NL @ Jera on Air 06/29 – GeiselWind, DE @ Mission Ready 06/30 – Marmande, FR @ Garorock 07/04 – Nantes, FR @ La Nuit de ’Erdre 07/05 – Werchter, BE @ Rock Werchter 07/06 – Belfort, FR @ Les Eurockéennes 07/07 – Hunxe, DE @ Ruhrpott Rodeo 07/09 – Milan, IT @ I-Days 07/11 – Argeles sur mar, FR @ Les Deferlantes 07/12 – Madrid, ES @ Madcool 07/13 – Lisbon, PT @ Nos Alive 08/01 – Rimouski, QC @ Parc Beausejour 08/03 – New Glasgow, NS – The Jubilee 2024 08/04 – Saint John, NB – Area 506 Festival 2024 08/07 – Saguenay, QC @ La Baie’s Harbor Village Agora * 08/08 – Québec, QC @ Quebec City Old Port Agora * 08/09 – Victoriaville, QC @ Rock La Cauze 09/03 – San Francisco, CA @ Masonic Auditorium ^ 09/04 – San Francisco, CA @ Masonic Auditorium ^ 09/06 – Portland, OR @ Alaska Airlines’ Theater Of The Clouds ^ 09/07 – Seattle, WA @ Wamu Theater ^ 09/08 – Boise, ID @ Revolution Concert House and Event Center ^ 09/10 – Salt Lake City, UT @ The Lot at The Complex ^ 09/11 – Denver, CO @ Red Rocks Amphitheatre ^ 09/12 – Des Moines, IA @ Vibrant Music Hall ^ 09/14 – Detroit, MI @ Masonic Temple ^ 09/15 – Cuyahoga Falls, OH @ Blossom Music Center ^ 09/17 – Coraopolis, PA @ UPMC Events Center ^ 09/23 – Miami, FL @ The Fillmore Miami Beach ^ 09/24 – Orlando, FL @ Orlando Amphitheater ^ 09/26 – Louisville, KY @ Louder Than Life 2024 09/28 – Austin, TX @ H-E-B Center at Cedar Park ^ 09/29 – Houston, TX @ 713 Music Hall ^ 09/30 – Irving, TX @ The Pavilion at Toyota Music Factory ^ 10/02 – Phoenix, AZ @ Arizona Financial Theatre ^ 10/03 – Los Angeles, CA @ YouTube Theater ^ 10/05 – Las Vegas, NV @ Bakkt Theater at Planet Hollywood Resort & Casino ^ 11/23 – Nanterre, FR @ Paris La Défense Arena 01/10 – Victoria, BC @ Save On Foods Memorial Centre # 01/11 – Vancouver, BC @ Rogers Arena # 01/13 – Kelowna, BC @ Prospera Place # 01/16 – Calgary, AB @ Scotiabank Saddledome # 01/17 – Edmonton, AB @ Rogers Place # 01/18 – Saskatoon, SK @ Sasktel Centre # 01/20 – Winnipeg, MB @ Canada Life Place # 01/23 – St. Catharines, ON @ Meridian Centre # 01/24 – Ottawa, ON @ Canadian Tire Centre # 01/25 – Laval, QC @ Place Bell # 01/27 – London, ON @ Budweiser Gardens # 01/28 – Toronto, ON @ Scotiabank Arena 01/30 – Toronto, ON @ Scotiabank Arena (Final show) * = w/ PUP ^ = w/ The Interrupters # = w/ PUP and Gob --- Please consider becoming a member so we can keep bringing you stories like this one. ◎ https://chorus.fm/news/sum-41-add-canadian-tour-dates/

[chrisryanspeaks]

André 3000 Announces New Blue Sun Live Tour

André 3000 is embarking on a tour titled "The New Blue Sun Live Tour" to promote his unexpected solo debut album. This tour, starting soon and running into March, will feature Carlos Niño, Nate Mercereau, Surya Botofasina, and Deantoni Parks. They will perform songs from "New Blue Sun," which André 3000 released unexpectedly, collaborating with artists like Niño, Mercereau, Botofasina, Parks, Matthewdavid, and Mia Doi Todd. The album, featuring an unconventional 12-minute opening track, made an impressive debut on the Billboard Hot 100. Additionally, Botofasina, Mercereau, and Niño recently launched their own album, "Subtle Movements." 01-29 Brooklyn, NY - Crown Hill Theatre 01-31 New York, NY - Blue Note Jazz Club (8:00 p.m.) 01-31 New York, NY - Blue Note Jazz Club (10:30 p.m.) 02-01 New York, NY - Blue Note Jazz Club (8:00 p.m.) 02-01 New York, NY - Blue Note Jazz Club (10:30 p.m.) 02-02 New York, NY - Blue Note Jazz Club (8:00 p.m.) 02-02 New York, NY - Blue Note Jazz Club (10:30 p.m.) 02-05 Brooklyn, NY - St. Ann & the Holy Trinity Church 02-06 Brooklyn, NY - St. Ann & the Holy Trinity Church 02-08 Detroit, MI - Cliff Bell’s 02-09 Detroit, MI - The Chapel at Masonic Temple (7:00 p.m.) 02-09 Detroit, MI - The Chapel at Masonic Temple (10:00 p.m.) 02-12 Chicago, IL - Thalia Hall 02-13 Chicago, IL - The Salt Shed 02-15 Chicago, IL - Garfield Park Conservatory (7:00 p.m.) 02-15 Chicago, IL - Garfield Park Conservatory (9:00 p.m.) 02-02 San Francisco, CA - Bimbo’s 365 Club 02-22 San Francisco, CA - Bimbo’s 365 Club 02-24 San Francisco, CA - The Independent (7:00 p.m.) 02-24 San Francisco, CA - The Independent (9:00 p.m.) 02-27 Atlanta, GA - Variety Playhouse 02-28 Atlanta, GA - Variety Playhouse 02-29 Atlanta, GA - Variety Playhouse 03-02 Atlanta, GA - Center Stage Theater 03-05 Los Angeles, CA - The Masonic Lodge at Hollywood Forever 03-06 Los Angeles, CA - The Masonic Lodge at Hollywood Forever 03-07 Los Angeles, CA - The Masonic Lodge at Hollywood Forever 03-08 Los Angeles, CA - The Masonic Lodge at Hollywood Forever 03-09 Los Angeles, CA - The Masonic Lodge at Hollywood Forever Read the full article

[audiofuzz]

André 3000 Announces New Blue Sun Live Tour

André 3000 is embarking on a tour titled "The New Blue Sun Live Tour" to promote his unexpected solo debut album. This tour, starting soon and running into March, will feature Carlos Niño, Nate Mercereau, Surya Botofasina, and Deantoni Parks. They will perform songs from "New Blue Sun," which André 3000 released unexpectedly, collaborating with artists like Niño, Mercereau, Botofasina, Parks, Matthewdavid, and Mia Doi Todd. The album, featuring an unconventional 12-minute opening track, made an impressive debut on the Billboard Hot 100. Additionally, Botofasina, Mercereau, and Niño recently launched their own album, "Subtle Movements." 01-29 Brooklyn, NY - Crown Hill Theatre 01-31 New York, NY - Blue Note Jazz Club (8:00 p.m.) 01-31 New York, NY - Blue Note Jazz Club (10:30 p.m.) 02-01 New York, NY - Blue Note Jazz Club (8:00 p.m.) 02-01 New York, NY - Blue Note Jazz Club (10:30 p.m.) 02-02 New York, NY - Blue Note Jazz Club (8:00 p.m.) 02-02 New York, NY - Blue Note Jazz Club (10:30 p.m.) 02-05 Brooklyn, NY - St. Ann & the Holy Trinity Church 02-06 Brooklyn, NY - St. Ann & the Holy Trinity Church 02-08 Detroit, MI - Cliff Bell’s 02-09 Detroit, MI - The Chapel at Masonic Temple (7:00 p.m.) 02-09 Detroit, MI - The Chapel at Masonic Temple (10:00 p.m.) 02-12 Chicago, IL - Thalia Hall 02-13 Chicago, IL - The Salt Shed 02-15 Chicago, IL - Garfield Park Conservatory (7:00 p.m.) 02-15 Chicago, IL - Garfield Park Conservatory (9:00 p.m.) 02-02 San Francisco, CA - Bimbo’s 365 Club 02-22 San Francisco, CA - Bimbo’s 365 Club 02-24 San Francisco, CA - The Independent (7:00 p.m.) 02-24 San Francisco, CA - The Independent (9:00 p.m.) 02-27 Atlanta, GA - Variety Playhouse 02-28 Atlanta, GA - Variety Playhouse 02-29 Atlanta, GA - Variety Playhouse 03-02 Atlanta, GA - Center Stage Theater 03-05 Los Angeles, CA - The Masonic Lodge at Hollywood Forever 03-06 Los Angeles, CA - The Masonic Lodge at Hollywood Forever 03-07 Los Angeles, CA - The Masonic Lodge at Hollywood Forever 03-08 Los Angeles, CA - The Masonic Lodge at Hollywood Forever 03-09 Los Angeles, CA - The Masonic Lodge at Hollywood Forever Read the full article

[thisdayinmetal]

Where did all the Heavy Metal bars go?

Where did all the Heavy Metal bars go?

This Day in Metal’s Metalhead Marv takes a look back at 3 major cities in North America with Toronto, Los Angeles and New York City. So where did all the Heavy Metal bars go? TORONTO Gone The Gasworks 1969-2018 Highlights Rock n’ Roll Heaven 1970-2014 Highlights Hard Rock Cafe Highlights Larry’s Hidaway Highlights 1984 Hanoi Rocks first North American performance Masonic Temple…

[aerikvon]

Masonic

[d-vk]

De Reims

[hollyweirdangeleno]

[k-vk]

marciano art foundation

[audreykempphoto]

Golden Dawn | Marlena & Patrick

[didanawisgi]

Jazz and freemasonry are unlikely bedfellows, but in the 1950s, the secret society became a support network for musicians and the world’s largest fraternity for black men, among them Duke Ellington and Sun Ra

When the City of London festival found out about a long dormant masonic temple that had been uncovered next to Liverpool Street station, it seemed obvious that this wonderfully opulent hall should be used as a one-off music venue. The only question was – what music should it host?

“The obvious choice would have been to host a Mozart recital, because everyone knows that Mozart was a freemason,” says Paul Gudgin, former director of the Edinburgh Fringe and now director of the City of London Festival. “But it just so happened that I was reading a biography of Duke Ellington which mentioned, in passing, his membership of a masonic lodge. I found it astonishing that such an anti-establishment figure turned out to be at the heart of an establishment organisation. And I thought it would be a perfect place to pay tribute.”

This month, the City of London Festival will host two Duke Ellington tributes in this elaborate, neo-classical masonic temple, now in the basement of the Hyatt group’s Andaz hotel. Saxophonist Tommy Smith plays on 4 July, and pianist Julian Joseph on 11 July.

“It’s something of a badge of honour to hear that Ellington was a mason,” says Joseph. “Not only was he part of a musical elite, but he had managed to enter this secretive and powerful organisation, one that only the privileged few had access to.”

Start digging into the history of freemasonry and you discover that Ellington was just one of many renowned African-American musicians to be inducted into its mysterious world. He was joined by the likes of Nat King Cole, WC Handy, Dizzy Gillespie, Count Basie, Lionel Hampton and Paul Robeson.

“Throughout history, freemasonry has attracted musicians,” says Martin Cherry, librarian at the Museum of Freemasonry in London. “Mozart is the obvious example, but in 18th-century London, a lodge was established called the Lodge of the Nine Muses, which attracted a number of European musicians and artists, including JC Bach. For musicians and artists who were new to a city, the lodge would have been an opportunity to meet fellow artists and network with people with whom they may be able to find work.”

The same applied two centuries later, across the Atlantic. “Musicians often led an itinerant lifestyle,” says Cherry. “Belonging to an organisation that had lodges all over a country could help ease the slog of life on the road, particularly in such a vast country as the US.

“Freemasonry was also charitable towards its members when they fell on hard times, looking after them when they were sick or paying for their funeral. Mozart’s funeral, famously, was paid for by his lodge, and there’s evidence that freemasons paid for the funeral of the blues musician Mississippi Fred McDowell – there are images of his open coffin which show him wearing his masonic regalia.”

Many white jazz musicians and bandleaders were freemasons, including Glenn Miller, Paul Whiteman, George Gershwin and Irving Berlin, as were many country & western stars. But, like so much in American life, freemasonry was segregated, with American masonic lodges split along colour lines.

Black freemasons: the sons of Prince Hall

Black freemasonry dates from before the American war of independence, when a freed black abolitionist and leather worker by the name of Prince Hall (1735-1807) was refused admittance to the St John’s masonic lodge in Boston, Massachusetts. Undaunted by the rebuff, Hall and 14 other free black men were initiated into freemasonry in 1775 by a British military lodge based in Boston.

In 1784, after the British had left America, the grand lodge of England issued Hall with a charter to set up an African lodge in Boston. It proved so popular that Prince Hall was granted the status of provincial grand master, allowing him to set up two further African masonic lodges in Philadelphia and Rhode Island.

Over the next two centuries, Prince Hall freemasonry snowballed across the United States, becoming the world’s largest fraternity for black men. By the middle of the 20th century there were lavish Prince Hall masonic temples around the country – from Los Angeles to Washington DC, from Seattle to Madison, Wisconsin.

“One of the attractions of Prince Hall freemasonry to African-Americans is that it is an organisation started by African-Americans in the 18th century for African-Americans,” says Cherry. “It has a history. And, like all freemasonry in America, it became very popular in the early 20th century, which was a time when Americans tended to join things.”

By 1900, Prince Hall masonry had become a forum for politicised African-Americans, with Booker T Washington (1856-1915) and W.E.B. Du Bois (1868-1963) serving as active members. Throughout the 20th century, many key figures in the civil rights movement were attracted to freemasonry. The father of Martin Luther King Jr – Martin Luther King Sr (1900-84) – was a member of the 23rd lodge in Atlanta, Georgia. Medgar Evers, the National Association for the Advancement of Colored People (NAACP) activist who was assassinated in 1963, was a 32nd-degree freemason in Ancient & Accepted Scottish Rite, Southern Jurisdiction. Alex Haley (1921-92), the writer of Roots and biographer of Malcolm X, was a 33rd-degree mason in the same order. Thurgood Marshall (1908-93), the first black member of the US supreme court, was supported by his Prince Hall lodge in Louisiana. The comedian Richard Pryor (1940-2005) joined a lodge in Peoria, Illinois, while actor and activist Ossie Davis (1917-2005), Paul Robeson (1898-1976) and the boxer Sugar Ray Robinson (1921-89) were all active Prince Hall masons.

“Like all freemasonry, Prince Hall freemasonry does tend to have a middle-class appeal,” says Cherry. “The many Prince Hall visitors to the Masonic Library and Museum in London are often doctors, lawyers or skilled artisans, and a lot of them have a military background. Some join because their family were members; some think it’s a good way of networking. Some like the comradeship and the social aspects; others like the ritual and the regalia.”

As well as being a networking institution, freemasonry might also have had a philosophical appeal to many politicised African-Americans. The mysterious tenets of freemasonry include gnostic texts, references to ancient Egypt and alternative interpretations of the Bible. Prince Hall lodges thus became a forum where pre-Christian knowledge could mix freely with black liberation theories and remnants of African religions...”