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starburstfloat · 1 year ago

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Let's Talk Innuendos and Queer Subtext: TXT's Poppin' Star Lyrics Analysis

One of the joys of making progress in my Korean language journey has been the ability to analyze lyrics more critically by dissecting tone, word choice, or rhyme schemes that would have otherwise slipped by me a few years ago. And as someone who has a deep love for literary analysis and kpop, there's an unparalleled joy in getting to bridge the two together. I'm happy I have this space to do that. So without further ado, let's take a look at TXT's Poppin' Star from their first full-length album, The Dream Chapter: Magic (thank you nika for requesting this!).

This song feels like a sonic representation of this memefied image:

It's literally bubblegum pop at its finest. It sounds sparkly, cute, uplifting, and deceptively adorable, and anyone who has seen the choreography can attest to watching the video with a ridiculous smile on their face.

I could give high praise endlessly about this underrated early TXT Bside, but I wanted to prioritize the lyrics for this post! We're going to talk about the superficial meaning of the song before we dissect some of the more suggestive, metaphorical elements. Heads up I'll be mentioning sexual innuendos, so if that's not your cup of tea then please kindly leave.

My goal is to get you to see that, at the very least, this song is not just about eating candy. Whether or not we agree on the queer subtext is another debate, but I'm hoping this analysis post can be a lesson on interpreting figurative language and grasping inneundos.

Whenever I do analysis, I always start with the surface level face-value of what's being presented, and then I try to peel the layers and discern the underlying themes or suggested connotations based on context clues. Usually I leave out the initial face-value in my posts because it's something so obvious that it feels contradictory to present it. But it feels relevant to include for Poppin' Star. So what is the face-value meaning of the song when we look at the lyrics as a whole?

On the surface, this song appears to be about a young male protagonist who experiences a burst of emotions - dizzying warmth, sweetness, and a clouded brain - after he eats a variety of flavored candies. He states that he is not satisfied with the burst of flavor he's experiencing - now that he knows this intense feeling, he's craving more.

cr. color coded lyrics (though I'm cross referencing multiple translations and using my own knowledge of individual words and tonal conjugations to understand the song)

It doesn't take much of an analytical eye to catch the innuendo presented in Poppin' Star. What exactly is an innuendo? An innuendo is an allusive hint to something typically sexual. The keyword here is hint - it's something you pick up on based on subtly provocative language. Critics could argue that "your brain must be in the gutter" if you find sexual context where there is supposedly none. I'd say blaming the observer for a sexual interpretation is disrespectful to the art in question. Inneundos are meant to be spotted and discussed - they have the potential to heighten the art and unveil a greater message. Just because something is sexual does not mean it is bad.

Now that we have that cleared, it's pertinent to reflect on the surface value of the lyrics in contrast to the glaring inneundo jumping out at the audience. Let's look at the opening lyrics together:

One look at the lyrics, and you'll raise your eyebrows and go, "Really? You sampled a mouthful of candy and can't stop talking about how you're tingling all over, feel dizzy, and are melting from the sweetness?" The song's lyrics and language is quite figurative: the audience is guided to see beyond the literal meaning.

If we break down the individual feelings our protagonist shares, it sounds reminiscient of a first kiss or sexual experience. Considering how strongly the lyrics center on oral pleasure (oral as in the literal sense of the mouth), the rightfully assummed metaphor here is kissing. Let's look at all the instances where the song connects pleasure to the mouth:

별가루 가득 물면 느껴지는 불꽃놀이일까? / (Is this) fireworks that I feel when I bite a whole mouthful of stardust?

입 안을 채운 콕콕 따끔한 이 느낌은 또 / This tingling feeling that has filled my mouth

혀끝에 건전지 / A battery at the tip of my tongue

Our protagonist talks extensively about the pleasure in his mouth in correlation to feeling dizzy, warm, fuzzy, electrified, and excited - all feelings heavily associated with heightened sexual experiences, and notably kissing.

A striking detail is the fact that our protagonist is not alone during the story - he's actively talking to another person, meaning he's not literally eating candy by himself and getting an explosive sugar rush as the superficial interpretation insinuates. We notice this from the opening line which calls to a direct "you":

짜릿한 정전기 you’re popping star / Electrifying static, you're popping star.

Not only is this a reference to the title, making it an important detail to note, but it's also inviting the audience into acknowledging the relevant prescence of another character, some unnamed you. He goes on to say:

머리가 띵하게 기분 좋은 my love / Making my head feel dizzy, that good feeling, my love

He's directly saying "my love," so this person is clearly special to him. This person is his popping star - someone who evokes all of these explosive, tingling feelings.

The chorus is riddled with suggestive language: "This isn't enough / I need something stronger / A chew full of lemon, lime, orange, yeah / I need more, more, more / A stronger popping / A chew full of lemon, lime, orange, yeah"

Our protagonist is craving more flavor as he seeks a pleasure high. My interpretation is that the other character is wearing flavored chaptstick, perhaps fruit-flavored or candy-flavored, and our protagonist wants to taste more of the character's lips. Another interpretation is that they're both chewing on flavored gum, and when they kiss, the flavors blend together in a satisfying burst. Both feel plausible to me. The chorus suggests a kiss through the explosive repetition of surprised "oh's" that the members sing. It's hard to explain without hearing it, so skip to 0:48 in the song to catch what I mean. The explosive instrumental paired with the high-pitched oh's feels representative of an epiphany, or at least a heightened emotional state.

Perhaps one of the most glaringly suggestive parts of the song is Beomgyu's line after the first chorus, where he says:

잠깐 쉬어갈 땐 slime vacation / When (I) take a short break, slime vacation

This implies he's taking a break from exchanging slime, or saliva, with the aforementioned "you". Keep in mind that Korean sentences don't always need an explicit subject, so it's unclear whether Beomgyu is saying "When I take a short break" or "When we take a short break". However, later in the song, during a critical moment that I'll get to shortly, Yeonjun explicitly mentions the pronoun 우리 (we/us) which means we can assume this whole candy-tasting fiasco is, at the very least, a pleasure-seeking high that our protagonist is doing with someone by his side.

The kissing metaphor is more strongly suggested when Taehyun says:

어제 했던 건 벌써 지루해 / The things that (I did/were done) yesterday are already boring

더 더 더 강한 popping이 필요해 / I need a stronger popping

which tells me the song is self-aware enough to recognize it's not just about eating candy. Why would yesterday's candy be described as "the things that were done yesterday"? I also find it interesting that he's using the verb 지루하다 instead of 심심하다 when mentioning boredom. Both of these verbs mean "to be bored", but 심심하다 refers to boredom through a lack of action, whereas 지루하다 has the connotation of being bored by something because you've been doing it for a prolonged time; as in, you're getting physically tired of it. So, Taehyun is saying that the stuff he did yesterday has become repetitive and tiring, and he's now seeking a stronger high. Very suggestive language.

There's a line from Heuningkai that really stands out towards the latter half of the song. He goes:

가끔은 조금 위험해도 돼 / Sometimes it can be a little dangerous

엄마 몰래 자물쇠를 열어봐 / Open the lock without my mom knowing

The conjugation here is very interesting!! He uses the 아/어도 되다 pattern at the end of the adjective for "dangerous", which is a conjugation used to give permission for something. So, rather than him stating the fact that it's dangerous, he's giving permission to the speaker to be a little dangerous. It's a subtle nod at him approving risky behavior, so perhaps a better translation would be "it's alright if sometimes it's a bit dangerous".

"Open the lock" reminds me of Soobin's verse in Sugar Rush Ride:

, which I interpret as a more blatantly sexual inneundo for losing one's virginity. I don't think Poppin Star implies more than kissing, but asking someone to open your lock without your mom knowing, and engaging in risky behavior, appears symbolic to doing something you wouldn't want your mom to see, so at the very least it's suggestive language.

This interpretation aligns with the direct album overview provided by Bighit, which states that "The Dream Chapter: MAGIC tells the story of 'magical adventures' that boys encounter together with their friends [...] the boys share their transformation, confusion and exploding emotions that arise during their transition to adolescence." Notice that the official statement itself says that the album centers on a boy and his friends as they transition into adolescence. Interesting.

I'd be happy to leave the analysis there and say, "See? The song is clearly an innuendo", but then the writers toss in the gayest shit during the last third of the song that forces the audience to pause and reinterpret.

Yeonjun and Taehyun sing the following lines:

이건 어쩌면 나라에서 허락한 / Maybe this is something that the country has allowed

우리끼리만 숨겨둔 유일한 / Something we have kept hidden just among us

자 아무에게나 허락된 게 아냐 / Alright, it's not allowed to just anyone

입안 가득 터뜨려 / Burst a mouthful

The verb used here is 허락하다 which means to allow, permit, or approve. Talking about what your country allows in connotation to something you've kept hidden among the two of you…feels queer-coded. Especially when the rest of the song has been dedicated to pursuing a thrill from "my love", a pursuit which they acknowledge is intimately private given the line "without my mom knowing". Why bring up what's allowed in your country in a song that centers on a boy seeking pleasure? The last line is odd too - it's conjugated as a command, so our protagonist is telling us, the audience, that we should pop a mouthful of the candy too. In connection to the line above it, it's implied that he knows popping the candy aka kissing his love is not allowed for everyone, but he's encouraging others to try. Adding to the intrigue is the fact that they repeat the last two lines again, but change the command to 입안 가득 터뜨려 봐 which is a less forceful command and more like "Give it a try".

If the song truly were just about candy, talking about what your country allows and who is allowed to do it feels very out of place and strange. This, paired with the striking fixation on oral pleasure makes me believe the song is about a boy kissing his friend, and it's been a fun, exciting little secret between the two of them.

It doesn't feel like an exaggeration to find queer subtext here. If you're an avid TXT fan, you'll know their songs are very queer-coded, from 0x1=lovesong having the most blatant thematic connection (I still regularly think about Soobin's "I can't go to heaven, I don't belong there" line) alongside Sugar Rush Ride, which suggests we "swallow the sugar rush"....sir, swallow what exactly??!

I hope this could spark your interest and see the lyrics from a new perspective. Sorry not sorry if this burst your innocent perception of the song...like I said, it sounds deceptively adorable 😂 let me know your thoughts and thanks for reading!

#lyrics analysis #txt lyrics #txt poppin star #kpop discourse #tomorrow x together #yeonjun #soobin #beomgyu #taehyun #heuningkai #txt moa

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pakscimission · 7 months ago

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mdmintukhan · 8 months ago

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caalaadd · 8 months ago

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gayregis · 5 years ago

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do you think the netflix series will stick to the books messages of anti war, family and friemdships? i hope not because those messages are what makes me like the books so much, also i hope the netflix fandom don't memefy the stories like they did with renfri, her story is supposed to be tragic and show how revenge corrupts people but the fandom just treats it like "uwu bisexual feral sword woman wants to kill big baddie wizard hehe"

correction: it's supposed to be “i hope so,” not “i hope not,” lol i can't spell

sadly, i don’t think that the netflix adaptation will stick to the themes of the books at all and here’s why.

first reason why: ciri

in the first season, they took out ciri and geralt meeting in brokilon. that is just the most unforgivable action they could have taken. that scene is literally what defines the entire series being about ciri, the child of destiny, geralt’s daughter who is the whole point of everything. they gave her more screentime, but less significance. she also is played by 18 yo freya allen who is acting as a 14 yo ciri, which blurs how she is supposed to symbolize childhood. instead, they went for a spunky sort of young teenage girl, which ciri becomes later (in the care of yennefer and during around the time of thanedd), but it is significant that she was a CHILD when cintra fell to nilfgaard, because it traumatized her for life and is the point of no return for her. because geralt thought that by fathering her, he would introduce her to death, but instead, the opposite occured - by deferring her, she was introduced to death. ciri loses her innocence, she loses the abilty to be a child. now she will continue to fixate on revenge for the entire saga, until she loses everything, absolutely everything. the witcher is a tragic story but it only manages to have this story because it is dominated by this theme of a lost childhood, surrounded by themes of family, vulnerability, revenge, destruction, violence...

in the netflix series, we receive approximately none of this. ciri’s trauma is more treated as a “wake up call” because she’s such a “privileged princess” who doesn’t know about or care that her beloved grandmamma committed mass genocide (what???). this is treated like something ciri needs to overcome, thus it is actually a good thing that she is seeing people being murdered left and right in the name of imperialist conquest!

second reason why: geralt

geralt in the books is a kind person. he is a pacifist. his profession is to kill, he ocassionally punches people so hard they die (he did this to save his best friend from being sliced open), and other acts of badassery, but inside, he does not want to kill and is opposed to it. this is the man that refused to slay a giant bug-like monster because he didn’t feel it was necessary (the witcher equivalent of trapping a house spider in a glass and slipping a piece of paper under it, then releasing it outside, instead of squashing it with your sandal). this is the man that felt himself unworthy to be yennefer’s lover, because he was afraid he couldn’t feel love in the same capacity she could. this is the man who pushed his best friend away on a dangerous quest because he was terrified that he’d be harmed and he’d suffer, and it would be his fault. and as mentioned, this is the man that deferred his daughter, his daughter who he genuinely loved and wanted to protect no matter what, his daughter who he legitimately raised a conflict with the queen of brokilon over, because he was terrified that he would bring violence and death into her life. this geralt is an introspective, pragmatic man. he cares deeply about the welfare of others, and the only way he can even do his job is to justify it though morality and codes of conduct which he makes up himself because he is so obsessed with not harming the innocent. he spares and befriends many “monsters” (post-conjunction creatures) and only slays the ones that genuinely pose a threat to the innocent and are usually are not creatures capable of rational thought. in the first book in the voice of reason 5, geralt literally states that he won’t kill innocent creatures.

and he continues this philosophy throughout:

he doesn’t kill dragons:

he advocates for dudu’s innocence:

he only was wary of regis because he was mistaken and thought he was going to harm dandelion in this moment:

in the netflix adaptation of the witcher, what is the first thing that we see him do? kill a monster brutally and without remorse. he doesn’t talk about his motivations behind it or why he felt justified to kill it, or why the monster was a danger in the first place. he just kills it and this violence defines him. later in the show, we see him antagonize and mock torque (when in the books he asked dandelion NOT to do just that) and he also punches dandelion right in the stomach. even when geralt was the most mad at dandelion in the books, he never did physical harm to him. ever.

the netflix show is representating a very different man. some have argued that they will try to develop him later on, but that is too late. geralt in the books was a good person from the very beginning for a reason.

third reason why: cahir.

the anti-war and anti-imperialist themes of the books hinge upon the concept of universal humanity and understanding that violence has its own motivations and reasons. cahir i think is a very good example of how the witcher saga comments on the effects of nationalist sentiment / patriotism.

cahir in the books is a teenager or very young adult during the massacre of cintra (since he was no older than 25 in baptism of fire). even though he was also young and doing this only because it what was expected of him and he was intending to bring honor to his family, that does not change the effect that he has on ciri as a child. he enters her nightmares as an exaggerated version of what he was, even though he was scared, too. this demonstrates how impressionable youth are misguided into the military and people are made unaware of just how much violence they ensue.

cahir is built up as this nightmarish figure, this horrifying man that ciri wants revenge upon more than anything else, and THEN he is revealed to also be a terrified youth. underneath the helmet, there was a terrified young man. that is an incredibly powerful image and metaphor.

and what did the witcher netflix do? ... well...

cahir shows his face, he doesn’t have the symbolism of his imposing helmet anymore. he’s much older, eamon farren is 35 years old, 15 older than cahir canonically is, so he’s not someone who has had nationalist ideals imposed upon him unfairly by his parents and society, but rather a full adult who is established and making his own decisions fully in his own control. in the books, he stops pursuing ciri once she escapes, because he has a mental breakdown from the stress of his society and family’s expectations of success, and fear of harsh punishment he will receive. he goes to prison in the imperial capital for a year for failing. in the netflix series, he stops at nothing to get ciri, chasing her down constantly and enlisting the help of sorcerers, a doppler... it’s a whole evil entourage. cahir is not the vulnerable and noble-at-heart young man that he was in the books.

in the end, these are things that are too late to change now. these things can’t be developed upon to “fix” them. ciri cannot suddenly receive her character establishment as a child. geralt cannot suddenly become a caring father who has cared about protecting ciri since day one. cahir cannot suddenly become a young man influenced by his jingoistic society who was only in full plate armor because his parents told him to. these things are so essential to their characters that they are begun to be established immediately.

and yeah everything’s going to get memed on just like they did with renfri. no one discusses the elves’ situation in dol blathanna seriously, they just like laughing at how jaskier called them “pointy.” ciri isn’t discussed at all by the fandom except for being a token baby character. it’s dark times

#ask #anon #the witcher #the witcher netflix #geralt #ciri #cahir

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aanestis · 7 years ago

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Humorous Book Covers - Part III

Coding for cats. Purr, meow and code like there is no tomorrow. 9th Life Edition. Includes Mouse and Real Bug Scripts.

How to Disagree with Yourself. Let self-irony and self-bitterness go wild and take all the lead roles in the unfolding drama.

Weekly & Monthly 2019 Planner.

The Globe Earth Illusion. How and why God, in His Majesty, creates a spherical Earth illusion from a Flat Earth hologram emanating His coherent Holy Light. Spherical Hell is awaiting globe heretics and pagans!

Mastering Chain Saw Technology. California block chain decentralization massacre and cryptocurrencies for serial killers explained. Deluxe Leather-Bound Edition.

How to date yourself. Narcissism made easy.

Archaeology and Farting.

The Puzzle of Indo-European Origins.

"Lucid, challenging and filthy" - Filthy Magazine.

How to repeat the same mistakes till they become your new normality.

Conjuring the Cat Imaginary. Witches. Sluts. Feminists.

Make Him Beg to Leave You. 69 Sneaky Steps to Break His Heart, Get Him to Leave, and Never Want to See You Again.

Long-term Chronic Relationships. The Latest Treatment and Breakup Strategies.

Schrödinger's Love.

Superpositions of being and not being in a relationship.

The role of the classical peeping tom observer in the collapse of relationships

Resurrection Lessons from the Great Masters.

Completing Defecation. Heal your Ass to Heal the World.

How to use toilet paper. The Science behind the plies.

Vaccines. A Reptilian Conspiracy.

"A masterpiece and a must-read about how reptilian hybrids are taking over our world using vaccines to turn us into lizards" -ANONYMOUS, PhD, Illuminati research scientist

Antitoxic People Homeopathy.

Operating instructions for mirrors. A Practical and Theoretical Treatise on how to Stand in front of Mirrors to See your Own Reflection.

Beyond Recreational Drug Use. Overdosing, abusing and all it takes to achieve charming addictions.

The Definitive Book of Emoji Body Language. The Hidden Meaning Behind Emoji Gestures and Expressions.

Unreachable Rainbows.

"The most convincing proof we live on a flat Earth and inside a dome. By examining how Rainbows function as Sun reflections on a glass surface, Anestis created a scientific tour de force!" Flat Earth Review Journals.

How to keep falling in love when you don't have any crush.

Flat Earth Gentrification.

A Field Guide to the Feelings of My Exes.

"An amazing journey to barren landscapes of emotional desolation" The Times.

The Fart Yoga Book. Rectum Asana and Pranayama through the Anus Opening.

How to Breakup.

How to Use Toilet Seat Covers.

Little Ways to Live a Big Life.

Memefy Your Habits, Memefy Your Life.30 small meme-like changes you can make right now that take 5 seconds or less and become the meme you want!

#humor #irony

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