Understanding Acceptance and Rejection in Tibetan Buddhist Philosophy
Introduction: Tibetan Buddhism, rooted in the teachings of Mahayana Buddhism, places a significant emphasis on the mental and emotional aspects of human experience. Central to this philosophy is the concept of accepting and rejecting, which encompasses various mental states, attitudes, and practices. This article explores key Tibetan Buddhist terms related to accepting and rejecting, shedding light on the nuanced understanding of these concepts within the tradition.
1. Rgyu 'bras Blang Dor - Cause and Effect in Acceptance and Rejection:
* Definition: This term refers to the dynamic interplay of cause and effect in the context of accepting and rejecting.
* Significance: Understanding the consequences of accepting or rejecting certain thoughts, emotions, or actions is crucial for cultivating a mindful and intentional way of life.
2. Sgrub Dgag - The Dynamics of Accepting and Rejecting:
* Meaning: Sgrub dgag involves the active processes of accepting and rejecting.
* Implication: Practitioners engage in a conscious and intentional manner with their thoughts and experiences, fostering a heightened awareness of their mental states.
3. Chags Sdang Rmongs Gsum - Three Poisons and Acceptance-Rejection:
* Components: Attachment and desire, hatred and aggression, and stupidity about objects of acceptance and rejection.
* Importance: Recognizing and overcoming these poisons are essential for achieving mental clarity and emotional balance.
4. Gti Mug Med Pa - Non-Delusion:
* Essence: The state of non-delusion involves clear discernment and understanding, particularly in the context of accepting and rejecting.
* Application: Practitioners strive to develop a non-deluded mindset through discriminating examination, avoiding ignorance about the consequences of their choices.
5. Btang Bzhag - The Act of Keeping or Rejecting:
* Definition: Btang bzhag encompasses the processes of accepting and rejecting, emphasizing the intentional nature of these actions.
* Purpose: Practitioners learn to navigate the choices they make, aiming for a balanced and mindful approach to acceptance and rejection.
6. Btang Bzhag Bral Ba - Liberation from Accepting and Rejecting:
* Objective: Liberation involves freedom from the constraints of accepting and rejecting, transcending the dualistic nature of these mental processes.
* Practice: Cultivating a mindset free from attachment and aversion contributes to the path of liberation.
7. Tha Dad Pa'i 'Du Shes Mi Mnga' Ba - Transcending Questions of Acceptance and Rejection:
* Understanding: The adept reaches a state where questions about the truth and reality of accepting and rejecting become irrelevant.
* Transformation: This signifies a profound shift in perception, emphasizing a deep understanding of the nature of samsara and nirvana.
8. Mindfulness and Introspection (Dran Pa Dang Shes Bshin):
* Role: These practices involve not forgetting and maintaining certainty about objects of accepting and rejecting.
* Application: Mindfulness and introspection support practitioners in staying present and aware of their mental processes.
9. Phag - The Symbolism of the Pig:
* Metaphor: The pig represents a mindset that indiscriminately accepts everything without discernment.
* Lesson: Practitioners are encouraged to cultivate discernment and avoid adopting a mentality that lacks discrimination.
10. Spang Blang - The Duality of Accepting and Rejecting:
* Expression: Spang blang captures the essence of the dualistic nature of accepting and rejecting.
* Reflection: Understanding this duality encourages practitioners to navigate these processes with wisdom and discernment.
Conclusion: Tibetan Buddhist philosophy offers a profound and nuanced perspective on accepting and rejecting, emphasizing the intentional and mindful nature of these mental processes. By cultivating awareness, discernment, and non-delusion, practitioners aim to transcend the limitations of dualistic thinking, ultimately progressing on the path toward liberxation and enlightenment.
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Bc I a, the type of nga to buy my lady a car ..but ion have no lady..so it's not ..like love don't cost a thing..not buying you a car to love me ..lmao .he'll no.. my principles just a Lil different..men kind of slow to me haha Ian no trick daddy mNGA
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Watch "aye ho mng mnga mere satguru dyaal g, odh nibh jaye preeti chrna de naal g, Dera sacha sauda" on YouTube
rab deeyaan glaan, naa rab daa jeada aap g nu psnd, #derasachasauda #motivation
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Today, I wanted to upload this WIP of screen toning one of the new significant characters introduced in my upcoming book A Spell Of Scarlet, (she was mentioned briefly in A Brush With Magic though! Both books published with @sweatdrop) - she is a formidable warrior queen with two almost grown-up children, so she’s around 50yrs old.I always feel like more mature women (like, over 30) are under-represented in manga/anime, or drawn far too unrealistically young-looking?
It’s funny that it’s a bit different in my series XD yes, Rua looks 20 but is 600yrs old because she’s immortal, Véronique is a mature elf so is at least 100yrs+ and looks in her 30s, this human queen is 50 and looks 50. The only actual young woman who is a main character is Arafel and she’s 21, and older than Silas (who is 19 in the new book).
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