#my favorite fabulous unstable mess of a woman

[actuallylorelaigilmore]

thanks to a conversation with @declermontdiana i’m now thinking about the end of riverdale s2 and where all the characters were at after the chaos in town and the black hood reveal, and i think it’s time to talk about the fact that alice was perfectly positioned to be pulled into a cult.

because while she was vulnerable to the farm because of how traumatized she was, i’ve never seen a discussion of the way that she was also incredibly, horribly alone in the face of nearly being murdered by her husband and finding out he was the source of the town’s terror for all that time.

yes, we know that betty was trying to look after her, but not being able to pull herself together around betty could only have added ‘i suck as a mom’ feelings to alice’s emotional problems in the immediate aftermath. despite what betty thinks because she’s spent her life trying to be everything to everyone, alice would actually be a worse parent if she were using betty for friendship and emotional support, because that shouldn’t be her teenage daughter’s role.

and yes, polly also came and offered her support and potential help. but despite being a mom already, polly is her teenage daughter too, who she shouldn’t expect to lean on, so it makes sense that alice would be more likely to throw all her trust in with the adults in the cult that polly eased her into.

but why, after everything she had been through, would she decide to trust and get help from total strangers? we focus so much on the fact that she was an easy target, like her instability after hal and fake-charles and even polly is the only factor. but alice’s openness to the cult because of what happened to her is just part of it--the world around her matters too.

and the reality of it is that alice let the farm become her most trusted support system because nobody else was there for her.

alice doesn’t have a single female friend in riverdale. though she and sierra probably have the least antagonistic dynamic, that doesn’t make them friends...and hermione, mary, and penelope make it very clear how they feel about her. obviously there are valid reasons why she’s not well-liked, but having made more enemies than friends doesn’t change the fact that alice is a mess after hal and in need of sympathy and support.

arguably, the two people in town who you’d most expect might care about how alice is doing after she’s nearly strangled to death by her husband are fp and fred. with fp, there’s all the history and obvious feelings that s3 showed us were still there even after their affair ended...and fred has both known her forever and is a genuinely nice guy. he may snark back when alice is being a jerk about archie, but it’s hard for me to believe that he wouldn’t check in on his next door neighbor who’s just been through a tragedy.

however, that’s where the events of s2 really conspire to leave alice totally isolated. fp’s son is in the hospital barely alive, and fp dove into a losing fight with a rival gang--he’s in no shape to immediately rush to her side, even once word does reach him about hal. meanwhile, fred was hal’s first victim. he nearly died thanks to alice’s husband, which i imagine would make it hard to offer her unsolicited support, even though fred assures betty she’s not to blame when it comes up.

now personally for the sake of human decency, i think it’s totally crappy that alice was left alone in that house to suffer. i don’t care how little she was liked in town, anybody who’s nearly murdered should get checked on by someone. but as far as we’re aware, that doesn’t happen. after hal tries to kill alice, the only people who come to her door are reporters looking for more scandal. (you could argue that this part is a twisted kind of karma given how often alice’s reporting reveled in others’ pain, but that shouldn’t mean she’s also without other visitors.)

when you really think about it in context, alice and the farm make even less sense. the last thing alice cooper should want to do is trust a stranger just because her daughter vouches for him--the last time she did that, she had to bleach her whole kitchen! and by the end of s2, she’s found out that she can’t trust the last twenty years of her life, the most intimate partner she had, or her own judgement.

only desperation can explain her throwing herself into the arms of polly’s new friends, when she must have the worst trust issues she’s ever had in her life.

but honestly, of course she’s desperate. her entire carefully-crafted life unraveled a piece at a time over the last three years. she lost her older daughter to the blossoms, her younger daughter to the serpents, her husband to madness or evil or both depending on how you look at it, her credibility at her job once her history was revealed, and her rekindling with fp because they’re both idiots who can’t get it together. she wasn’t even left with a shred of normalcy--or the facade of it that made her life worthwhile before.

alice smith became alice cooper who reinvented herself again and again once things started falling apart, and it’s not clear if even she knows who she really is deep down. so she’s heading fast toward middle age, with very little to show for it, living in a house full of ruined memories with no one to talk to, and no reason to believe any of the other adults in riverdale would be there for her if she did reach out.

in the aftermath, all she has is one daughter she didn’t protect from her own father, who she never knows how to save...and another who’s offering her hope.

it’s terrible that she took it, as is everything alice has done since the farm became the center of her world. i don’t know anyone who’s blindly trying to defend her s3 behavior, or who isn’t expecting an awful reckoning someday.

but at the same time, of course she accepted the help that edgar evernever was reaching out to her, during the absolute lowest period in her life.

he was the only one who offered.

[dixie-diamonds]

The (non) Fridging of one Ms. Emma Frost.

For our initial offering, dear followers, we bring you our thoughts on the sad, tragic, and sadly unnecessary, fate of one Ms. Emma Frost at the end of the sordid, editorially driven to the ground, non-event Inhumans vs. X-Men.  

We wanted to get some distance from the events of this installment before putting down our thoughts to keyboard about…well there’s really no better way to say it…the character rape-ification that happened to Emma on IvX # 6.  So now a few days later. I think our thoughts have settled.  

One of the most awful truisms in life is the notion of having to take one’s own advice.  It sucks.  Particularly when it comes to comics.  We’re usually the one to tell folks, right after their favorite characters get nuked because some writer thinks awful writing choices means ‘genius’ or something, that one of the only constants in our hobby/culture/life is the constancy of change.  Status quos last only rarely and even something seemingly permanent can be rebirthed, rebooted, forgiven, recast, retconned, whatever.  That’s a long winded way of saying that…even though things are bleak at the moment, to quote Avenue Q, ‘this is only for now’.  We know it’s small, fleeting comfort fellow Emma fans.  We feel you.  But…it’s the only silver lining we can see emerging from this hot mess of a fucked up sitch we’re in right now. It’s hard to swallow.  We find it difficult to accept it at times still.  At the end of the day though, I think it’s also important to assess and realize that look, at the end of day, and as much as we all love her, she is just a fictional character.  Her status quo now, as awful as it is, hasn’t killed anyone (as far as I know) or made the Trump regime even worse (again as far as I know).  So we’re ok.  

So now that the table-setting is out of the way…let’s get on with the nitty gritty.  We’re not gonna summarize the plot of IvX, as that’s available plenty of other places.  And if you’ve read the story…well you know.

We’re not unhappy about Emma’s reversion to an out and out villain.  Honestly, after the events of Death of X and the earlier installments of IvX, any other kind of conclusion, or hell even having her returned to the X-Fold wouldn’t make much story sense.  Lemire and Soule have laid down enough story real estate that having it end any other way than that would just be silly or horribly contrived.  And you know what? That’s fine.  That’s totally fine.  Why not? It might even be interesting.  What would an anti-hero Emma, skirting on the darker sides of the gray lines she already inhabits, look like? What would an Emma-ized notion of Magneto’s previous ideology look like?  Would that even be her motivation?  Or would it just be (and to us far more interesting plot-wise and commentary wise on the X-franchise as a whole) more of Emma finally saying ‘FUCK IT’ to all the endless thumb-twiddling the X-folks have been doing ever since Bendis took over?  Or hell, she can just go full on Black Cat and just be an international jewel thief coz she is so sick and done with the X-Men’s perennially regressive approach to things and the endless Uncle Tom-ing they all seem to be doing lately.  All of these options are cool to us and they would be interesting to read about.

But that isn’t what we got.  What we got instead is Emma literally assuming the identity of the Crazy Ex-Girlfriend (also known as Cyclop’s secondary mutation, seriously man, you should check that, it is a serious condition), and without the wit or awesome musical numbers that you get from the CW show.  Her motivation for turning the heel is literally, and we wave our fist to the sky as we type this, ‘my boyfriend died and I’m nothing without him’.  A notion that Soule (and Lemire too? It isn’t clear which of these two editorial puppets came up with the notion, though most seem to argue that it’s Soule) ratchets up to a level beyond creepy when he has Emma don an outfit THAT LITERALLY IS HER PUTTING ON HER EX-BOYFRIENDS SKIN.  What in the fuckity fuck fuck fuck is this?  How/why does this make sense?  As many other fans (and non fans) have said…we are talking about a woman who a) watched many iterations of her students die b) survived the 9/11-ing of Genosha by Sentinels (more on that FUCKITY FUCK plot point in a little bit) c) killed her sister for killing one of her students d) lost her brother, whom she cared for deeply to insanity because of an abusive father e) literally started from the bottom to build up a massive financial empire.  We can go on.  The point is, in the grand scheme of traumas that Emma has experienced, losing Scott would probably just amount to a small paper cut.  The fact (that Soule and Lemire forgot about?) that she and Scott ALREADY BROKE UP BEFORE DEATH OF X makes the notion of this crazy, stupid love even more ridiculous. Also, remember, in her diamond form, she is supposed to feel nothing, NOTHING, now let’s go back to IvX and count how many times Emma assumes her diamond form... bored of counting already? This characterization of Emma as jilted lover, turned all the way up to level 100 gazillion, is just idiotic writing borne out of some editorial mandate. 

And look ok, fine, let’s make Emma unstable.  Sure, why not, we can go there too.  But seriously? You’re going to show that by having the woman who, when she got god-like Phoenix powers (which, by the way also maybe made her a little crazy?) MADE IT HER FIRST PRIORITY TO LITERALLY DESTROY EVERY SENTINEL ON THE PLANET.  How does this even fucking work?  If Emma is really all ID now and she’s gone off the rails, and is now doing whatever the fuck she wants…why in the hell would she want to create Sentinels?  It makes no sense….even if the aim was to show her instability.  It also lacks the kind of deeper, elegant hurt that she’s capable of and prefers to inflict.  This Sentinel shit is amateur fucking hour, and she is anything but.  See, for contrast, the way she handled Laura’s previous handler Kimura.  That wasn’t the kind of mustache twirling fuckery we got handed.  That was Emma going for the elegant kind of pain: one that’s long lasting and deliciously poetic.  If Emma is going to be a baddie, then that’s the kind of next level shit they need to show her being capable of, not this two-bit hysterical monologuing bullshit we got.  Cullenn Bunn has stated in a recent CBR X-Position that Ems will be playing a big role in X-Men Blue.  Now, we trust Bunn, he does good work, particularly with anti-heroes like Magneto and Sabretooth...perhaps he can salvage something from this horrible situation.  

Making Emma the big bad of ResurrXion, the next Magneto, now that Magneto is a hero (at least this week), is all fine and dandy. But do it well. Make it meaningful. It takes about 2 panels for her to kill hundreds of inhumans. Almost as a side note. Those panels are going to define her as a genocidal villain for the rest of her days, the same way Hank Pym has been defined by a single panel that was not even scripted.

Why is all this happening? Why did it have to happen this way?  Our completely unscientific (and admittedly conspiracy theory-leaning) argument is that it all has to do with nostalgia.  RessurXion seems to be banking on regressing everything back to the 90s…the time when the X-Men were walking around in tights, constantly playing baseball, and involved in 30 plus year subplots that don’t ever get resolved.  And look, there’s nothing wrong with that.  But, why does that shiny new reboot have to be bought and paid for by throwing both Cyclops and Emma under the bus?  Why does this have to come at the price of wiping away so much of  the compelling additions that the Scott/Emma era of the X-franchise created? The notion of mutants as a tribe, as one people; of mutants being an actual political minority that exists in the larger Marvel firmament; the notion of an X-character, who not only is a compelling, multi-layered female character, who doesn’t go for the usual liberal/assimilative platitudes the X-People usually spout.  Why does all this need to be wiped away?  Are the new writers just not good enough to create something that the nostalgic mouthbreathing focus groups want (and is this even a real demographic? Who exactly did this development please? Other than godawful Jean partisans and non-intelligent comic readers?) while being respectful of and keeping (mostly) intact the import of stories that have already been told.  The fact that what happened happened feels like a slap in the face to all the fans who are rightly asking these questions.

Secondly….we think this development also owes a lot to the kind of demographic Marvel is targeting, and the kind of female characters that that demographic is interested in reading and supporting.  That is, the kind of female character who is a modified distillation of the manic, pixie dreamgirl: spunky, ‘strong’, sexual (to a degree), feminist (to a degree, but also only in a very specific second wave kind of a way)  and of course have to be tumblrflower, Bleeding Cool and Mary Sue approved, lest the wrath of twitter be provoked.  I’m talking of characters like America Chavez, Kamala Khan, Kate Bishop and Carol Danvers.  Strong, feminist, etc. But, not threatening, not overtly sexual, not swagger-y, and god forbid, not sexual only for the sake of sex; they are the equivalent of Boy Bands in the 90′s and early 00′s, attractive, easy to sell, tame. Remember She-Hulk being a strong woman with a brilliant career, kicking ass and taking names, having sexual fantasies with fellow Avengers in the 90′s? well, that She-Hulk is also gone.  After Civil War 2, poor Jen is being written as a very mousey Millennial...who’s afraid of her own power and strength.  Seeing a pattern already?

 Emma, in our view, represents one of the last few fabulously written female characters that counters this second-wave feminist tendency in current comic writing/production of female characters.  She has an unproblematic relationship with sex for pleasure and she isn’t here to make you feel good about your goddamned feminist struggle or your sophomoric need for representation.  And for that, she had to be punished and made the bogeywoman of all the twitter warriors who insist that female characters be feminist-strong…but only in the way that they find palatable and ‘relatable’.  I’ve always been very aware that Marvel is a business (a point I belabor to anyone who thinks Marvel OWES them something)…and of course they have to go where the money is.  But, it doesn’t make this direction for Emma, or the character assassination she and we have endued, any more palatable.  

Which brings us full circle to the essay’s title.  She may still be alive, walking around the Marvel U in an outfit that can only be described as ‘too garish, even for pre-Joanne Lady Gaga’, but for all intents and purposes, Emma Frost has been fridged.  Not physically, and in a way this is even far more cruel to her fans.  They could have just taken her away from us cleanly, ending her story, not in the best of places, but at least it would have ended (for now) and we can go on, missing her, but at least with the comfort that it couldn’t get any worse.  But that isn’t what happened.  Instead, they took her away from us, one sordid, horribly mandated development at a time, until all that’s left is this ghoul-caricature of a character, walking around; sapped of all of her vitality and that je ne sais quoi that made her so unique, endlessly compelling, and the source of such pure comic joy.  That woman is long gone.  And what’s in her place now is just a zombie that Soule and Lemire should have just put out of her misery.  

It’s fine that Marvel needed an X-Men reboot.  Hell, in many ways as a fan, I might have welcome it with much more enthusiasm than my tepid ‘oh great I guess I’m obligated to read it’ feeling that I’m having right now.  If only, this shiny new future for the merry mutants didn’t have to bought with the merciless, cruel, and absolutely unnecessary, and far worse, character fridging of one Emma Frost.

At least, we’ll always have the trades fellow Emma fans.

Keep the faith.

We’re hanging on with you.   

[actuallylorelaigilmore]

You can’t break us. - k.s. [x]

[actuallylorelaigilmore]

mind the thorns, darling [x]