#my fucking God though. yeah. YEAH

[hajihiko]

Sonia and Komaeda getting along well enough to room together is so good honestly. Even if its mostly bc she takes no shit, Komaeda was still like the only person to stand up for her when Teruteru was trying to get frisky about her naiveté in the prologue/ch1.

I kind of suspect she was acting more unknowing than she really was then, to suit her role as a princess, but he had no way of knowing that then. Plus, if she was aware then, it might be easier for her to recognize the side of him that isn't all hope n murder? Since outside of the killing game he's pretty polite (if self effacing) and generally not down for creepy behavior.

If you've got any more thoughts on these two's interactions postgame, I'd love to hear.

I dont think it's perfect by any means (nothing on the ship is!) but its proooobably the best quick-solution scenario?

[a-sketchy]

persona misogyny is so fucking wild. ignoring literally everything else about the entire rest of the games, every single s.link with a female character is like “entirely for having been born a woman i have had to work twice as hard for a fraction of the benefit. even now, i am stripped of my agency in a position i never wanted in the first place” and/or “i’m put on a pedestal by the people in my life because of my looks. men see me as an object to be conquered, women hate me for ‘stealing’ ‘their’ men. if i’m withdrawn i’m a bitch, if i’m friendly i’m easy. because of this, i’m alone” and/or “because of my personality or hobby or lack of cooking skills, i feel like i’m failing at femininity. if being a woman is something i can fail at, then where does that leave me? i’m scared at the loss of my identity and place in society”

like very consistently they present female characters with complex thoughts towards their place in society as women, femininity as a whole, and facing issues stemming from misogyny, and then the payoff is always “my problems were entirely my own fault. i wasn’t strong enough, i was a coward. but now, i’m gonna work hard to be exactly what society expects me to be (which is what i want to be)! i’m gonna do better at femininity (which is still something tangible i can fail at)! i’m going to try hard at making friends (which was my fault for not doing)! all my problems are solved through personal responsibility (that im totally culpable for), effort (which i previously was not putting in), or you, a man! i am Happy and Satisfied with this outcome, can i be Your woman?”

and like hello? why are we here. what the fuck are we doing. why do we keep doing this every single time. can we not do the constant lukewarm attempts at criticizing misogyny so you can jerk off to your own thoughtfulness, while ultimately reinforcing patriarchal systems and brushing off any deeper misogyny-bred issues as a lack of deference to one’s rightful place in society? like maybe don’t do that? for fucking once? just an idea

[mishapen-dear]

badboyhalo october 1st stream recap

okay okay quick recap for anyone who couldn't watch the stream/can't watch bad's vod (tw discussion of derealization, paranoia (being watched especially), hallucinations, bad having a BAD time, etc. if any of this stuff super bothers you then you may want to avoid badboyhalo's livestreams for the foreseeable future, he's a long-term storyteller)

Bad started off his stream with a black screen and white text.

"Welcome. Dear cucurucho, why are you in my [the text went offscreen] I just want to talk please come say hello I know your there cucurucho come come come out wherever you are cucuruchoooooooo CUCURUCHSOFIOOGI" [note: keysmash not exact]

When Bad turned his screen on, he was in dapper's room, rocking back and forth. he was calling for cucurucho and talking about it living in his house. He kept jumping at nothing. He spoke to the pictures of the kids as if they were real, and asked "richarlyson" if forever was the one in his house.

he didn't want to leave dapper's room because it was his 'safe room,' but he eventually did. His base is now covered in GIANT signs that have red text and cucurucho's model that say "NO FEDERATION ALLOWED" and "YOUR BEING WATCHED" and one more i can't remember. he put up cameras everywhere and said "Look! I have cameras! Now I know when someone comes in... and when someone leaves." which isn't super important but it was an awesome line

he ended up going to spawn to look for cucurucho, and it was full of scaffolding. bad didn't take this well. It's unclear if the scaffolding was part of his hallucinations or not, but he fixated on it 'being' cucurucho. He suspected forever, cellbit, and foolish were also cucurucho. He questioned what was and wasn't real- including himself.

Bad started SEEING cucurucho in the distance, watching him, before it would disappear again. When it came back, sometimes it was renamed. "ENJOY THE ISLAND" and ":)" were some of the renamings, and I cannot remember them all. Bad started out by chasing cucurucho, shouting at it and asking if it were various items/mobs. He saw two of them at once at once point and was lead up into slime's hold house, through flippa's room (where there was a single block of scaffolding), and then out off of jaiden's balcony.

As the chase went on Bad started to become more frightened. Cucurucho was flying. he started to lose sense of where he was (shown by the admins teleporting him around) and hallucinated a nether portal he threatened to go through.

At some point Bad questioned if Dapper was cucurucho, too.

Eventually Bad retreated to the wall to cower in a 1x1 hole that went beneath the wall. cucurucho broke several blocks in front of him and appeared, revving its chainsaw. when it disappeared again there was a hole broken into the floor that lead to a cave and LONG tunnels beneath the wall. the visual was terrifying i promise.

cucurucho chased bad through the tunnels. he was screaming “please please stop I’ll be good I promise please go away.” At one point cucurucho appeared behind bad with the name "Bad?Boy?Halo?" and bad freaked out about potentially being cucurucho.

cucurcucho chased bad through a cave system until two cucuruchos cornered him to blow bubbles. their names were "do you?" and "YES". bad ran from them and found some scaffolding loose on the ground, (which had been built up to lead him out of the cave), said "this is it, this is you" and threw into lava.

Bad warped back home, insisting, "You can't come here, you can't come here." He was calmer in his house, but then was hit by the blindness effect and started yelling about the signs and "NO FEDERATION ALLOWED." he sang a little song about it

short story short: cucurucho appeared in his house. he saw it behind a glass wall. he was furious and terrified and growling "you can't be in here." he ran into dapper's room, where it appeared AGAIN with the name "WITHOUT M***" (last few letters were in the wall lmao). bad started sprinting around his house trying to find a safe place. cucurucho chased him with a chainsaw down the aquarium hallway.

Two cucuruchos kept popping up and disappearing, both with different names each time. Bad asked them "who let you in my house?" and went through a series of names such as: foolish, forever, tina, cellbit, baghera, antoine, fit- and finally settled on Ron.

Bad went to go see Ron. The hallway was dark, and Ron's room was unlit. When Bad opened the door, Cucurucho, with the nametag "RON" above its head, looked back at him. Bad said, "I knew it. It was Ron. He let you in." A second Cucurucho appeared with the nametag "ALWAYSHERE."

Bad was given blindness again, and he started to laugh as a chainsaw whirred. We heard bubbles blowing. Then the screen faded entirely to black, and Bad said, "Come here, Ron. Come out, come out, wherever you are..."

We heard rapid damage sounds, and then the sound of eating.

(the END of his stream had black and white text "SEE You NeXt tIme :)" as an example. The other messages were classic streamer "thanks for watching" and "make sure to follow" messages with similar fucked up cases, but this was supposed to be a fast recap lmao)

TLDR: Bad's paranoia has increased to the point of hallucinations. He's now frightened of Cucurucho, and suspects that everyone on the island is/could be helping Cucurucho get into his base. He associates cucurucho with scaffolding now. He is NOT sound of mind. He ate Ron Lemons.

If I missed anything important, feel free to add on!

[vaguely-concerned]

Thinking about the symbolic weight of smoking in the TLT universe that comes to the fore in The Unwanted Guest -- the way it moves through from person to person: Pyrrha smoked, and Augustine wanted to impress her in all her stone cold fox MILF James Bond glory (and tbf who wouldn't) so he started too. and even though as far as he knows she's been gone for a myriad and is never coming back, he keeps the habit. Ianthe sees something in the hollowed-out Faberge eggshell of Augustine that resonates with her, all that gilded eloquent emptiness and disdain through the ages, so she picked it up from him to try to emulate it. She picked it up so hard that Palamedes -- the exact spiritual antithesis of the 'smoking! on a space station! what a powermove' ennui Ianthe so admired -- spontaneously unnerded enough to even known how to, simply from a sort of contact contamination of the soul.

G1deon and Augustine sharing a jittery smoke after their near-Harrow experience during soup night, and it's the closest thing to any real sense of brotherhood that remains between them. Pyrrha going ten thousand years dying both literally and for a smoke (and then Camilla sold her fucking cigarettes (for a third of what they were worth, probably Pyrrha's own good, and also more importantly grocery money). what an entirely haunted time to be alive etc.). Augustine and Mercy trading a cigarette back and forth in the middle of their collusion over the love and murder of god.

An act of small and measured self-destruction in the name of something a little bit like connection when you're stuck somewhere in yourself where love itself dares not or cannot tread (ritualized, transmissible)..........

[carnivalcarriondiscarded]

I'm in love with your drawing of Wally and Howdy fighting over the arm. I love how mad Poppy is. Her saying "is2g" gave me the idea that she starts cussing more the longer she has to deal with this bs. And I'm also imagining Frank leaning against Eddie's hat saying "oh Eddie we're really in it now"

10 out of 10 artwork. Good job. No notes.

it has been Well Received it seems! i'm very pleased, i was hoping i wouldn't be the only one who found it funny ahaha

and i couldn't resist:

[spearxwind]

IT IS TIME. BASTARD FAMILY LINEUP 2023 BABY!!!! WOOO!!

[novelconcepts]

Do you ever just lay awake at night, turning over in your head the stark difference in delivery between Hewson's Van saying--steadily, unshakably--"it's just something that's happening to you...happening to us" and Cypress' Taissa saying--imploringly, whiningly--"this was not just my dream, this was our dream"?

Do you ever just turn it over and over, how often Tai tried to scare Van away, and how it only made Van set her feet more firmly? How Taissa's first love was this person who saw a problem fall into Taissa's lap, a problem that was quite literally trapped inside Taissa's body, and decided unflinchingly: No, that's an us problem now? How she refused point-blank to walk away even with blood in her mouth, how she flatly informed Tai "I'm never gonna be scared of you", and promptly turned a moment of pain into a declaration of love? And how this would etch itself into Taissa for the rest of her life? How she'd take these things that worked with Van--with the person Van was, with the bond they shared--and try so hard to run through an identical script with Simone?

Except Simone is her own person. A completely different kind of person. A person who hasn't been offered any of the context, any of the realities going on inside Taissa. So: naturally she doesn't respond the way Van did at eighteen--and will go on to do all over again in her forties. Naturally, she hears our dream as the excuse it is, not as a plea for connection. Naturally, she is scared away when Taissa pushes, and shouts, and begs. Because there isn't blood in her mouth, not yet, but there will be. And they have a son to worry about. And she isn't eighteen and a special kind of immortal, a special kind of romanticized. She's a grown woman with responsibilities, with priorities, with an understanding that you can't fix someone just because you love them. And Tai can't just perform a revival of the play she and Van had memorized twenty-five years later with a whole new performer in the works, and expect it to shake out the same.

Of course it doesn't work. But look at Taissa trying it. Look at Taissa trying to reframe her first love through a new lens. Trying to recast it. Trying to play it through again. Van taught her love was sticking out the blood, shaking off the pain, making a you problem into an us problem. Does it ever just eat at you, how tragic it is, watching Taissa try to shape her marriage around a woman who isn't even wearing a ring?

[emprcaesar]

I JUST SAW SOMEONE ON TIK TOK COMPARE THIS LINE TO CROWLEY AND AZIRAPHALE

[bonefall]

can fallenleaf die? if yes, does her spirit become the new god of autumn?

I'm honestly not sure yet, both because I like to keep my magical systems vague until I need them due to the "nature" of needing to fit canon's events, and also because Fallenleaf is doing something never seen before!

Right now though, I think it's working in the sense that the two of them are slowly merging. Come back in a few hundred years, and Fallenleaf and Sol are going to be essentially the same person, one personality just more dominant than the other. But it's also important to note that people change. Even gods.

Not only are they going to merge, but they're also going to grow into someone new. It'll call itself Fallenleaf, or perhaps have new titles, but it's not just going to just be one of its components. Kinda like Steven Universe, y'know? Only a lot slower, less "equal," and irreversible. Garnet isn't just Ruby + Sapphire. She is a person in and of herself.

If it's interrupted though, I think it would depend on where in that "process" it's halted. Likeeee... if you took the bone out of a stew before its marrow fully dissolved. You can't remove the broth that remains. Sol would be altered in some way, and so would Fallenleaf.

But eventually, if Fallenleaf's mortal vessel falters in several hundred years and she dies, there won't really be a Sol Soul to "trap" anymore. It's going to be part of her.

[revvethasmythh]

It is interesting, in retrospect, how during and immediately after their encounter with Delilah in episode 77, you can see it actively dawn on Imogen that Delilah is a 24/7 voyeur to everything that happens to/around Laudna, including her relationship with Laudna. Delilah taunts them by saying, "I'm always here" and Imogen whispers to herself, "Always," like this is the first time she's realized it and then immediately starts trying to plan a way, any way, to separate them, including saving the gods from Predathos specifically to call in a favor from one of them. It's such a numb, sudden, harrowing realization. It build perfectly to her admission of disgust when they were in the Fey Realm a couple episodes later

[canolaaoil]

To all my best friends, only twelve leagues and one text message away

1. Dearly Departed, Brockhampton. // 2. The Year of Magical Thinking, Joan Didion. // 3. unsent project. // 4. I am in Eskew. // 5. His dark materials. // 6. Where did you go? Hishaam Siddiqui. // 7. parts in motion, Vera Much. // 8. Your Name Engraved, Herein. 9. Hmu, spacegirl GEMMY.

Description follows

[ID: song lyrics reading, "What's the point of havin' a best friend if you / end up losin' him?" end ID]

[[ID: a photograph in the style of an early digital camera of two teenage girls cuddling under blankets on a couch watching something on a computer. end ID]

[ID: a poem reading, "Life changes fast. / Life changes in the instant. / You sit down to dinner and life as you know it ends. end ID]

[ID: a fuzzy photograph in the style of an early digital camera of three people huddled around a fridge. All of the people have brown hair, glowing golden from the lighting and only one of their faces is turned toward the camera. end ID]

[ID: a text entry on a pink background reading, "To: Harry I / i've written 43 / poems about you. / come back and i / won't have to write anymore. / -asle" end ID]

[ID: a photograph in the style of an early digital camera of a couple in a photobooth with only their feet and legs visible behind the curtain. one is sitting on the other's lap. ]

[ID: text reading, "The problem is, my love, is that I can't sustain the fact of your death. / I can convince myself that it's true, force myself to picture your rotting, ruined face dumped in a mass grave somewhere out in the world... / ...and then my phone buzzes and I'm still expecting an unexpected message from you, telling me what corner of the globe you've holed up in, the foods you're eating, the card-players you're outwitting." end ID]

[ID: a photograph of two people in an aquarium, shot from behind. they stand in front of a large window showing a tank of water and seaweed. the two pose as if dancing grandiosely with no one else around. end ID]

[ID: a paragraph reading, "And it was comforting to think she and Will had another thing in common. She wondered if there would ever come an hour in her life when she didn't think of him- didn't speak to him in her head, didn't relive every moment they'd been together, didn't long for his voice and his hands and his love. She had never dreamed of what it would feel like to love someone so much; of all the things that astonished her in her adventures, that was what astonished her the most. She thought the tenderness it left in her heart was like a bruise that would never go away, but she would cherish it forever." end ID]

[ID: a photograph from behind of a group of people walking together down a city street. two of the people have their arms around each other shoulders. another two link arms. the image is slightly blurry. end ID]

[ID: a couplet reading, "One day I woke up and we no longer spoke the / same language. I haven't heard from you since." end ID]

[ID: a photograph of two people, focused on one in the foreground. A young woman looks lovingly towards something out of frame, her face resting on the meat of her hand. In the background a man looks away towards another subject. The lighting is dreamy and yellow. end ID]

[ID: lyrics reading, "Show me it all / Tell me what's wrong / You got your hard drive stolen / Your phone's been broken / Play me a song off of mine / Show me it all / Show me a rise / Show me a fall / Pay me no mind / Paint me in gold / I don't mean to pry, but give me a call" end ID]

[ID: a gif from the movie 'Your Name Engraved Herein' of Birdy and A-han riding a motorbike through the streets at night. Both smile widely as they breeze along, Birdy sitting behind A-han with his shirt off over his head, yelling happily. End ID]

[ID: lyrics reading, "They say everything has reason / Life fluctuates like seasons / And maybe someday soon we'll both find our reason / But bitch you're still the bro / Never letting go / Of the friendship bracelets we made when we were twelve // I'll be waiting by my phone / For you to hit me up / For you to hit me up / Hit me hit me up" end ID]

[ID: a photograph of a plaque on an outside wall reading, "LIFE HAPPENS BUT I STILL CARE FOR YOU. I HOPE YOU'RE DOING WELL." end ID]

[andthesunwillalwaysshine]

the i believe in you spike speech i am not crying you are but also the you are a better man you may not see it but i do... i do (the voice as she repeated i do my heart can't do this) i love s7 spuffy

[the-meme-monarch]

biggest complaint about you is your not a big enough hater about kralsei. Get rageful with it. Make a whole rant about how gross it is in canon. Let the rage take over

oh it takes everything i have to not say swears about it like every day trust me. i am kra/lsei number 1 biggest hater

[moongothic]

I do kinda wonder, considdering how much Luffy hates being alone... On those first levels of Impel Down, did Luffy stick to Buggy as if they had been glued together, not because he trusted the clown (let alone liked him), but because Luffy hates being alone and being with Buggy meant he wouldn't be alone?

Like think about it, Luffy didn't give a damn when he ran into Buggy, it wasn't a Happy Reunion like it was with Bon-chan

"Oh, it's Buggy" vs "You're alive!!"

And while we know Luffy is at least A Little Stupid, Luffy does have pretty good instincts when it comes to making judgements about people, and he has emotional intelligence when needed So between Luffy not really liking Buggy when they reunited in Impel Down, and Luffy even currently thinking Buggy is a loser, it seems unlikely to me Luffy like, wanted to team up with Buggy when they ran into each other. But Luffy did understand he'd have a hard time getting to the bottom of Impel Down by himself, and he knew Buggy would be mostly harmless in this situation. If anything, the clown could maybe help him along the way, even if only a little. And yeah, at least he wouldn't have to be alone if Buggy came along.

I think that might be why Luffy decided to give the treasure map to Buggy

Like yes, Luffy may have been naïve to think Buggy wouldn't ditch him as soon as he got the map instead of keeping his end of the deal, but also. Maybe for Luffy the risk of getting ditched was a better option than not trying and being alone anyways.

Maybe Luffy chose to give the map to Buggy because of that, so he wouldn't be stuck alone.

[carnivalcarriondiscarded]

*posts this and runs away. i trip and fall into an open manhole, dying instantly*

[caffeine-high]

honestly, the finale of rvb s13 permanently altered my brain chemistry at 13 y/o and since then i have never been normal about heroic sacrifices

epsilon's speech is just ingrained in me and i think something about that makes up a core part of who i am as a person and what i like in stories

i dont know how to deal with that