#my man should have just written the sequel trilogy because everything he touches turns to gold

[fandomrantsandtwittertakes]

[allgirlsareprincesses]

Why I need Reylo to happen and Ben Solo to live in TROS:

I have two stories to tell that will hopefully explain why I’m not neutral about the ending of The Rise of Skywalker. I mean, I’d love to temper my expectations and say that I’ll be happy no matter how it ends, but that’s not true because this story has become intensely personal for me.

Most Reylos and even many members of the general audience agree that the Sequel Trilogy is being told from a feminine perspective. Maybe you hate it and can’t stop whinging about Kathleen Kennedy’s “man-hating agenda” *eyeroll* or maybe your reaction is more F*CKING FINALLY, but either way, the centering of a female protagonist and the fact that Leia is the only surviving member of the OT trio going into TROS clearly demonstrate that it is their hopes and dreams that are driving the story. We have to ask ourselves, what does Rey want, and will she get it? What does Leia want, and will she get it?

**Major trigger warnings for abandonment, loss of parents, terminal illness, suicide mention, and loss of child. Please take care of yourself and skip this post if need be.**

Rey, we know, is an abandoned child. Left alone on a barren planet to pick through the bones of the fallen Empire, she had to fend for herself when she was at her most vulnerable, with no one to comfort her and only the delusional belief that her family would return for her to keep her going despite the intense loneliness. She did find friends in BB-8, Finn, and Han, but Han was quickly snatched away and she left poor Finn in a coma to go find Luke Skywalker. Her story was clearly unfinished by the end of The Force Awakens, her loneliness unassuaged and her growth merely beginning. If friendship were truly all she needed to be whole, then her story would have been over then.

I have a friend, whom let’s call E, an only child whose mother died of cancer when she was a teenager. Now that she is in her 30s, E’s father just passed away as well. She now finds herself orphaned, except everyone treats her like it’s not as big a deal because she’s an adult. But she has no partner, no children, no siblings, not even a roommate, and even her cat has recently passed away. The remaining family she does have is distant and seems mostly to judge her or to want her to conform to their idea of who she should be, how she should grieve, etc. E does have a few good friends, but they are all married and/or have children and this is a constant and painful reminder to E that she does NOT have a family like this. She suffers daily, furious that people act like she should be content with just friends. She tries to explain over and over that there is nothing that compares to a partner, someone with whom she could share the deepest physical and spiritual intimacy, who would choose her and be devoted to her, and into whom she could pour all of the love she has to give. She tries further to explain that even if she puts her friends first, they can’t put HER first because she is not their spouse nor their children; there is no one on earth for whom SHE comes first. E is on medication for depression and anxiety, and has had to back out of her friends’ weddings when they triggered a panic attack. As her friend, I feel powerless to help her in her bottomless loneliness, because I know I can’t give her the one thing she needs, which is the companionship of a romantic partner.

This is Rey. Scarred by the loss of her family and a lifetime without intimate companionship, she cannot be healed by friendship alone when those friends will still inevitably have families who come first. She can’t find intimacy with people who don’t relate to her infinite loneliness and feelings of worthlessness. She shouldn’t HAVE to hold parts of herself back, to give her heart but not her body, or her powers but not her soul. Rey, as the hero of the story, deserves to have what she wants most, and what she wants is a family. As an orphaned adult, the only way she will have a family is to find a soulmate, someone who will be bound to her in every way, who can give her children and hope for the future. Not every woman wants this, but many do and Rey certainly does. Rey’s journey constantly centers around LIFE and CONNECTION: she is overwhelmed by the verdant green of Takodana, and surrounded always by life-giving, feminine water. She has connections to every person she meets, but especially to Ben Solo, whom she can touch even across space and time, PHYSICALLY touch because that has meaning, more than simply seeing one another. As a character, Rey is written to experience the fullness of life with an intimate romantic partner, and there is only one person in the story who is her equal. Reylo has to happen for Rey’s journey to reach a satisfying conclusion, and for Star Wars to remain true to its message of hope.

Then there is Leia. Throughout the entire saga, she is the symbol of hope. When Padme lies dying, her children become her hope for the future. Years later, Leia carries the hope of the Rebellion as she escapes Scarif with the Death Star plans. She brings hope to her brother Luke. Her hope helps her rescue Han Solo from Jabba the Hutt, and then again help the Rebellion to victory on Endor. Her hope helps build the new Republic, found the Resistance, search for Luke, beg Han to reach their son, and continue leading the Resistance even when they are beaten and dwindling.

And through it all, Leia has suffered loss after loss.... after loss. Her parents, childhood friends, home, everything and everyone she ever knew or loved.... were snuffed out in an instant when Alderaan was destroyed. That’s honestly a loss on a scale that is unimaginable. It’s like being made an orphan a thousand times over, because everything that might have been a happy memory is gone. She suffered repeated losses throughout the Galactic Civil War, and saw many soldiers go to their deaths. Her son was lost to the Dark Side, her brother abandoned her, her husband left, and then her son killed her husband. Next, she lost more loyal soldiers, and when Luke suddenly returned, he passed away, too. Given all of that, what does Leia still want? What COULD she still want?

For years, I have followed a blogger on social media. Let’s call her L. Like E, her life has been marked by loss: she never knew her father, had an absent and abusive mother, became pregnant at a young age by a man who did not stay with her, and so was a single teenaged mother of a baby boy by the time she was seventeen. L experienced failed romances, had more children, stepchildren, and grandchildren, and experienced several of those children pulling away from her. Finally, her beloved aunt and uncle, who had cared for her throughout her difficult childhood and were more like parents to her, passed away within the same year. Only a few months later, her eldest son, now a young man, committed suicide at home.

Many people choose to grieve privately. L did not, and her pain.... there really aren’t words. I felt that I could not turn away, that I had to witness what she shared and know, even a little bit, the depths of human suffering. I have a young son, and as I watched L share pictures of her little boy around a similar age.... I could only think that none of us is immune from such loss. At any moment, our children could be snatched away in the cruelest of ways, and what would we not do to bring them back? Worse, if possible, for L was acknowledging the historic family cycles of trauma that had contributed to her son’s despair. She found herself asking if she shared any responsibility for his death, and wondering if she had failed him as a mother. She knew on a conscious level that his choices were his own, but still the doubt and guilt gnawed at her. Agony upon agony, sorrow upon sorrow, a horrible unending night.

L is very religious. Understandably, she had a crisis of faith after her son’s death, not least because she did not know if his suicide meant they would be separated even in eternity. She studied, prayed, and consulted with spiritual advisors for years, and eventually concluded that his soul is not in her hands, and so all she can do is hope. She will pray and hope that he is waiting for her in heaven, and live her life in such a way that she will be reunited with him after death. L still has doubts and moments of deep darkness, especially as she sees the painful ripples from her son’s loss spread into her marriage, her children’s lives, her grandchildren’s lives. But she survives with hope for reunion, and I believe in a benevolent God who will give her her heart’s desire.

Star Wars MUST give Princess Leia Organa, its avatar of hope, the one remaining wish of her heart. When everything and everyone else in the galaxy whom she has loved has been taken from her, she MUST have this one thing. Her hope for her beloved son Ben must not be in vain. The Force has to reward Leia with everything she desires for Ben: his return to the Light, his return to life, the joy and love which every mother wishes for her child. For all that the Skywalker family has suffered in their long darkness, their last son must live the full life they have all been denied. And Leia - Daughter, Princess, Leader, Lover, Mother - must have the ultimate victory. Nothing else will satisfy.

I know this all sounds very melodramatic but I don’t give a damn. E and L deserve the fantasy wish fulfillment that may not be granted them in this life. Star Wars, at its best, can do this, and that’s why I love it.

[mysterious-prophetess]

4 AM thoughts on the Star Wars Sequel Trilogy-A Rant

So, firstly I’ll say this: If you like them-More power to you. You do you. 

My thoughts are mine and I will not claim that they are the only opinion to have because that’s a wrong way to be.

Secondly: It is literally 4 AM as I write this. So, I will probably go off on tangents and there won’t be a lot of structure to this.

So, approx eight and a half months since I was dragged to The Rise of Skywalker and I go back to a trilogy and a franchise for that matter that I was kind of DONE with. 

Yeah. Disney Star Wars ruined my love of Star Wars in general and I even liked the Prequel trilogy!

I liked The Force Awakens when I first saw it, but I think it was my nostalgia goggles blinding me to its issues.

One of which it was almost a beat-for-beat remake of Episode 4. Being that 4 is my favorite of all the Star Wars films, this also worked in its favor as it was just fresh enough for the nostalgia and partiality to its predecessor to work in its favor.

Also, the new trio--Finn, Rey, and Poe-- had a lot of great potential. Especially Finn. Former Stormtrooper & taken from his home to be raised as a soldier to find he no longer could stay with the First Order, but terrified of them. Yet, despite that fear deciding to go save Rey--who was one of his first real friends. That was a character’s journey with so much potential and the marketing made it seem like he’d be a jedi. 

Yet, I wasn’t too upset when it was Rey. 

In retrospective, Rey winning against Kylo Ren was dumb. She should have been decent at the weapon since she was able to protect herself and Kylo was injured but, the planet falling apart could have happened sooner to prevent her from going on a ass-kicking spree of Kylo Ren.

Then we get to 8 which had an opening crawl it didn’t need since it was literally just after 7. 

I hated that btw

Then we get Poe who was shown as a smart ass in 7 but talked up as this great pilot but shown to be an IDIOT in 8. Rose’s whole storyline was badly handled.

People were shitty to Kelly Marie Tran over shit out of her control. Rose Tico was a terribly written character and the actress did what she could with what they gave her. 

What they did to Finn was undid ALL of his character development from 7 and turn him into a joke for the rest of 8 and nothing in 9. I’ve recently learned that this was done to appeal to a certain market that has never liked Star Wars anyway. Way to go, Disney. You fucked up your new character with the most compelling backstory to appease a market that hates this product in the first place. Bra-fucking-vo. 

The Light Speed tracking thing was bullshit. Canto Bite was a pointless side quest. Cut that stupid shit out of the movie and you lose nothing of value. You could cut from them landing on that pointless planet to them ending up in jail for parking illegally and saved the audience around 20 minutes of wasted time.

It didn’t advance the plot. It didn’t make Rose any more sympathetic. It just felt preachy. Also, Rose x Finn was so fucking forced. Kelly Marie Tran tried to sell it but again, she was given shit to work with.

I recently found out that who Rey was kept changing and It’s SOOO fucking stupid to not have a solid plan for a fucking trilogy. (and to find out my favorite idea of Rey as a Kenobi was the first one before Johnson came in and she was No One also is irksome)

Idk what Abrams planned but by not having it implemented over all and letting Johnson piss all over it with his ideas for a subversive mould-breaking story ruined any flow the films had.

Yeah, I am aware 4 was all but stand alone, but it was set up so it could connect to 5 & 6 just in case it was successful enough for 5 & 6 to be made. It was very stand alone because there was a chance nothing would come after 4.

7, 8, & 9 however, could be planned for there to be three because it was fucking STAR WARS. Which meant, they should have had people fucking plan out what they were doing. Instead, they didn’t, it shows, and it also seems to take an almost savage glee at pissing on the past.

Ruining Luke I-see-the-good-in-my-Father-who-committed-genocide Skywalker by having him give up on Ben/Kylo was one of the biggest betrayals of character I’ve ever fucking seen. 

Trying their best to get all the other OT characters out of the way so their new shiny replacements can take center stage without any nuance was also irritating. And this is at the parks too. It’s apparently all Sequel shit now with no legacy characters. 

Killing off Luke in 8 in a stupid way in how the force does not work. Continuing the force bullshit in 9. Wasting our time on a redemption arc for Kylo Ren/Ben only to KILL HIM AT THE END. 

No. Make him face what he’s done and atone as a living person. No more redemption=death. Death is too easy.

And I hate that they brought Palpatine back in a corporal form. Nice way to piss on the BEST moments of the OT where Anakin, finally throwing off the ties of bondage to Palpatine and the dark side and destroying the man to save his son, sacrificing himself in the process, dying at peace. Nope. That now means NOTHING. Palpatine survived.

Force Ghosts fucking exist. Sith Ghosts FUCKING EXIST TOO. Just make him a force ghost possessing some fucker and I might not have been as pissed off.

That force diad shit? Either play it up more or cut it out.

Snoke being a Palpatine puppet was fucking dumb. If he’d been Darth Plageius’s creation then that might have been better than “it was palpatine all along.”

It’s just such a waste. Star Wars was a film series about hope. The first film was retitled to have its subtitle be “A New Hope.” These films? Are not about hope at all. They’re about cynical cash grabs and trying to signal the right virtues to try to exploit the movie going public of their money and attempt a moral high ground. 

One more thing that bugs me: the fact they shunted a lot of shit per film to the novelizations. Fuck that shit. If your medium is FILM, you tell all your shit in that damn film. I shouldn’t have to read your tie in materials to understand your fucking film.  e.g. Palpatine’s son is really his clone is in the last film’s novelization. That stupid casino world allegedly has a full explanation too. 

No. It’s a sign of really poor planning and command of storytelling that you shunted this information into your peripheral materials. Then agian, we know the planning was shit because they couldn’t even fucking settle on who Rey was WHILE FILMING THE DAMNED TRILOGY AND EVEN DURING 9 THEY WERE CHANGING THEIR MINDS. 

And there are lots of other things but better minds than mine have talked about them-like everything wrong with Poe’s backstory. That can of worms I won’t touch because I don’t have the expertise beyond wondering if Disney has a single person with any sort of common sense or any awareness of optics on staff.

Final mini-rant: 

I fucking hate the way they’re trying to push their oh-so-special OC’s as better than the original cast at times. Luke and Leia were presumed to have been born the same day the empire was founded because THAT’S THE FILM’S APPARENT TIMELINE. But now. Now, somehow that took 2 days and now their new special snowflake character from Rebels Ezra Bridger has that Empire Day birthday and is force sensitive too and has a jedi teacher. 

Like, I’m sure that the character isn’t as Gary Stu-ish as I just bitched about there, but from the outside looking in, it pisses me the fuck off because of all the other shit Disney’s been pulling with Star Wars to distance themselves from legacy characters and push the new characters at all costs.

It’s just I hate what they’ve done in their corporate greed.

[wonderfulworldofmichaelford]

Michael in the Mainstream - Star Wars: Episode IX - The Rise of Skywalker

Star Wars is a franchise very near and dear to my heart. I’ve grown up watching the films and have fond memories of each of them, in particular Revenge of the Sith, which I got to see in theaters with my father. It’s a series that has introduced me to great characters, great actors, great ways to tell stories, and if nothing else the movies were always fun. I never saw a Star Wars movie I couldn’t enjoy on some level.

That all changed with this movie.

The Rise of Skywalker is a wet fart of a finale. It is a mess, it is underwhelming, it is disrespectful to the previous two films, and worst of all it’s bland. But hyperbole aside, this movie isn’t a complete and utter waste; it’s certainly not the worst film of all time or anything, or even the worst Star Wars movie. It’s just a sad case of a mixed bag where the bag skews more to the bad side than the good side.

Let’s go over what I actually did enjoy first. Obviously, the score was fantastic, but I think this goes without saying; John Williams has never once screwed around, so why would he stop now? His music honestly does a lot of the heavy lifting emotion-wise, as scenes such as the supposed trinity of this trilogy’s reunion at the end would not have any sort of impact otherwise. Then we have stuff like the practical effects, which is both a blessing and a curse as they seem to be a sort of dancing bear for this trilogy. As great and lively as they make the worlds, they shouldn’t be what gets focus over story and character development… but hey, Babu Frik is great.

Speaking of characters, there are a few who were handled very well in this film. In terms of comedy, there is C-3PO and Palpatine. C-3PO is just a genuine riot here, and almost every goofy little joke he cracked gave me a genuine chuckle. He’s really at his best here. Palpatine on the other hand is just a character who is so inherently hilarious that it is physically impossible to be mad at him. Like, he’s an evil zombie wizard who spends half the film insulting Kylo Ren and then the other half cackling and shooting lightning in his big arena full of hooded weirdos while strapped to a big dialysis machine and wearing a sparkling red vest under his robe. Sheev Palpatine is pretty much the greatest character in human history, and while his role in this film is so stupid, shoehorned, and underbaked, you cannot help but crack a grin at the sheer lunacy good ol’ Sheev brings to the table. The sheer revelation that this man actually, canonically had more sex than Kylo Ren is enough to send a man into a fit of giggles.

In terms of actual character, Rey gets a solid arc marred by some incredibly poor writing choices, but overall stays solid throughout. Her interactions with Kylo Ren especially solidify her as an interesting and engaging character, and honestly the whole reveal that she’s a Palpatine is intriguing and could have added depth to her… but they managed to bungle it. And it’s an easy fix too; early on, there’s a scene where she and Kylo are playing tug-of-war with a transporter that is holding an iconic character. Rey accidentally unleashes Palpatine lightning and blows it up, seemingly killing the character inside… only for the character to inexplicably be alive two scenes later. Now, if Rey had actually killed said character by accident and spent the rest of the film struggling with her nature, it would make her ultimate showdown and rejection of Grandpa Sheev’s ideology all the more sweeter and satisfying. A moment at the end would have likewise been improved if she had simply not chosen to rename herself and instead chose to just simply be “Rey,” but gotta have that sweet, sweet branding! Still, I think Rey is remarkably done here, though not nearly as good as she was in The Last Jedi.

But the real MVP here is definitely Adam Driver as Kylo Ren. I’m just gonna say it: this guy carries the film. He has had the most remarkably consistent character arc in this new trilogy, and that concludes just as well here, though sadly in the most obvious way: with a redemption. However, it comes not from Rey, as desperate shippers had hoped, but from his parents – Leia and Han both play a part in ensuring their son’s redemption. And when he’s redeemed, the way Driver is able to convey the character of Ben Solo with just his face and body language is incredible enough to make the redeemed man feel like a totally different character than when he was Kylo Ren, and all of this is without speaking. Driver deserves every ounce of praise he gets for these films, and while I feel his arc would have been far more satisfying if it wasn’t a carbon copy of Anakin’s arc, it’s a testament to Driver’s skill that he managed to sell me such a cliché turn of events and made it work.

This is where my kindness dries up, however, as the rest of this is going to be pretty negative. The story here is just an incoherent mess; it honestly feels like an entire trilogy crammed into one film, a film divorced entirely from the other two films. The big problem with this trilogy is how there is so little cohesion between films that each film feels like a soft reset, and nowhere is that more clear than here. It doesn’t help that this film decides to cram in a bunch of stupid backspaces to everything from The Last Jedi, the most awkward and egregious being how they write off the “Holdo Maneuver” as a one in a million shot at success despite the fact that using the far more obvious “using the rebels as suicide bombers is a bit morally iffy and such a move should not be used unless we’re totally desperate” explanation would have sufficed. It honestly feels like the writers were chickening out a lot of the time and decided to try and distract us from their yellow-bellied attempts at ignoring the previous film by slapping us in the face with tons of fanservice. Sometimes it works – the voices of all the fallen Jedi in the final act was an awesome touch (I hear you Qui-Gon, Windu, and Ahsoka!) - but most of them time it is just painfully on-the-nose and groan worthy, such as when Chewbacca gets his medal. The worst offender here is Lando, who is so carelessly tossed into this mess of a plot that it feels really disrespectful to Billy Dee Williams.

Speaking of screwing over characters though, no one got it worse than Finn, Poe, and Rose. With Rose, it’s frankly just insulting they didn’t even try. It would have been so easy to redeem Rose in the eyes of the fans that didn’t like her character in The Last Jedi; if The Clone Wars can make Jar Jar a likable character, then I’m pretty sure a big budget Hollywood blockbuster can fix the issues of a poorly written character in its sequel. Instead though, this film takes the coward’s route and relegates Rose to a role less important to the plot than Babu Frik, who despite his integral role is only in one single scene. Poe is just handled as nonsensically as ever, given really dumb jokes and a forced and unneeded backstory as a spice smuggler, complete with an implied female love interest in an attempt to try and convince us the character is heterosexual.

But Finn gets it worst of all. Not only does he get a forced implied love interest (who is black, because we can’t have miscegenation in our big blockbuster films!), but he just in general gets shafted so hard. Finn being shafted has been a running theme with this trilogy. The first film set him up to be an integral, important main character, one who would even become the main character…. And then he slowly faded from relevance as the writers put him in increasingly bad plotlines, culminating with the slap in the face this movie gives us by implying but not outright stating that Finn can use the Force. There were so many interesting ways they could take Finn’s arc and they chose the route that is, quite frankly, the absolute worst. The fact that Finn got totally shafted in such a way despite being a fan favorite is all the more baffling and honestly has me wondering what the suits at Disney were thinking. If they weren’t actually minimizing a character as beloved as Finn was after The Force Awakens out of racism, what were they even trying to do? John Boyega has a right to be as angry as he is.

There’s other stuff that’s obnoxious. Leia’s scenes are all terrible and poorly executed, which comes off as really disrespectful to Carrie Fisher; the romance in this film which, as mentioned above, is totally forced, but special mention goes to the Ben/Rey kiss at the end, which while not some life-ending travesty is so utterly out of nowhere due to the lack of romantic chemistry between the two in any of these films that it’s laughable; the editing is so incoherent and terrible in places that it feels like it was done by someone on a mixture of crack and Red Bull; the complete waste that is Hux and his childish reasoning for betraying the First Order, completing the character’s change from a terrifying Nazi allegory to a complete and utter joke; the fact that the new First Order general who takes center stage gets so little development despite being a great throwback to Grand Moff Tarkin and a genuinely amazing character otherwise, with a fascinating history with Palpatine that is never explored and no meaningful interactions with the heroes; the complete and utter unexplained nature of Palpatine’s return; and just how painfully unfunny a lot of the humor in this film is. This movie just has so many problems, so many flaws, and it ends on such a completely limp and unsatisfying note that it’s honestly kind of sad.

This film… I don’t know about this film. It’s definitely not the worst Star Wars film, because it at least has some genuinely good bits to it, unlike Attack of the Clones which I can only really justify liking ironically. But that being said, this film is just so unsatisfying, and what’s more, it’s not very memorable. Not much will stick with you with this one, and if it does, it might be more of the bad things rather than the good ones, which is a shame, because I do think there’s some good stuff buried under the garbage here, but I don’t know if it’s worth sitting through this film to find. This is not the worst thing ever, I really can’t stress that enough… but it’s just not fun, engaging, or anything that will really make you feel anything meaningful, and sometimes that’s just worse.

Ultimately, this film has an incredibly uncertain audience. It’s wrapping up a trilogy in one of the biggest franchises on earth with a plotline that tries to pander to fans in a way that feels gross and condescending, leaving the film feeling like it was made for absolutely no one. If you like this, that’s fine; Star Wars is a franchise that has greatness ingrained in its DNA, to the point where I can’t say any of the films are really among the worst I’ve ever seen. But I think generally this is not going to be a film worth watching, and certainly one to skip in any future marathons of the franchise. It really is a shame… this trilogy if nothing else was full of potential to be a new take on Star Wars for a new generation. Instead, it ended up as a confusing, corporate mess. 

[thezachrogers]

The Best and Worst Films of 2019.

We are THREE days away from the Academy Awards and I know this is way overdue, but I made the deadline and have brought the films to watch and avoid that came out last year. We will be counting down from the films that were best all the way down to the worst.

2019 was the best year for film in a long time and I will go down saying I LOVED my top 26, I liked 27-65 and I only disliked/hated four films I saw last year. Overall an excellent year of endings to series, a great year for original films, and we are in for one of the most competitive Academy Awards yet. So here it is, counting down from best to worst, the 69 films I saw in 2019:

Avengers: Endgame - NOW AVAILABLE ON DISNEY+ nominated for 1 Oscar, one of the best films I have ever seen in my life and my current all time favorite comic book film. 

Ford v Ferrari - nominated for 4 Oscars including Best Picture. Wow, wow, wow; what a movie, see this movie ASAP. Hands down the BEST performance of Matt Damon’s career, a definite snub for Best Actor, directed by 2017′s Logan’s James Mangold.

Jojo Rabbit - nominated for 6 Oscars including Best Picture, Best Director, and Best Supporting Actress, this film gives you all the feels. Border lining on the edge of offensive, this story is about a little boy growing up in the Nazi Regime learning that everything he loves about Nazi Germany and what he believes about Jews just doesn’t add up. 

Marriage Story NETFLIX ORIGINAL - nominated for 6 Oscars including Best Picture, Best Director, Best Actor, Best Actress, and Best Supporting Actress, this cast brings it in this tragic story of marriage and divorce. I’m rooting for my boy Kylo Ren Sunday Night even though I know Joaquin Phoenix is going to win as the Clown Prince of Crime.

Bombshell - nominated for 3 Oscars including Best Actress and Best Supporting Actress (GO MARGOT ROBBIE), this is based on the true story of Roger Ailes’s firing at Fox News due to Gretchen Carlson’s accusations. Robbie gives the performance of her career and Charlize Theron plays a very convincing Megyn Kelly starting the “Me Too” movement.

The Two Popes - NETFLIX ORIGINAL nominated for 3 Oscars including Best Actor and Best Supporting Actor. This true story and Netflix original is about Anthony Hopkins portrays Pope Benedict leaving the position and asks the now Pope Francis (Jonathan Pryce) to fill his shoes.

Once Upon a Time...in Hollywood - Nominated for 10 Oscars including Best Picture, Best Director, Best Actor, Best Supporting Actor (guaranteed win), and Best Original Screenplay, Quentin Tarantino’s masterpiece is LOOSELY based on 60s Hollywood during the time of the Manson Family murders.

The Irishman - NETFLIX ORIGINAL Nominated for 10 Oscars including Best Picture, Best Director, and Two Best Supporting Actor Nominees, Scorsese brought it in this four hour Netflix Orginal.

1917 - Nominated for 10 Oscars including guaranteed Best Picture and guaranteed Best Director, 1917 takes place in real time and is shown in two takes. Brilliant cinematography and direction, this is one to see in theaters.

A Beautiful Day in the Neighborhood - Oscar Nominated for Best Supporting Actor, this movie brought me to tears. I grew up with Mr. Rogers and Tom Hanks absolutely kills it in this role.

The King NETFLIX ORIGINAL

Parasite - Nominated for 6 Oscars including Best Picture and Best Director. This Korean Film has the craziest plot I have ever seen in a movie. See it. You will be blown away.

Star Wars Episode IX: The Rise of Skywalker - Nominated for 3 Oscars including Best Score this was quite the underwhelming finale compared to Endgame, I mean a 42 year buildup and it just did not hit home like it should have. Now they ended the big three’s (Luke, Han, and Leia) arcs very well and FREAKING KYLO REN has become my all-time favorite character. We all need to thank Adam Driver for carrying this trilogy on his back as Rey, Finn, and Poe’s arcs where just meh. I do believe JJ did everything he could do with what he was given with The Last Jedi. All the fan service was amazing and very appreciated like bringing back Wedge, Lando, Han, Young Luke, Young Leia, Red 5, and Palpatine back for last ride. I will be in line at Target at 7am to pick up their exclusive packaged Ultra 4K Bluray and yes, I’ve already started the paperwork on financing the Best Buy exclusive complete Skywalker saga (I’m not joking).

El Camino: A Breaking Bad Movie NETFLIX ORIGINAL

Honey Boy PRIME ORIGINAL - 2019 was the comeback of Shia LaBeouf’s career. This movie was written by him and loosely based on his life. LaBeouf plays his father and brings the best performance of his career.

The Report PRIME ORIGINAL 

Spider-Man: Far From Home

They Shall Not Grow Old NOW AVAILABLE ON HBO

Uncut Gems - Snubbed by the Golden Globes and the Academy Awards, the Safdie brothers deliver a masterpiece and the performance of Adam Sandler’s career.

Togo - DISNEY+ ORIGINAL

Frozen II - Nominated for Best Original Song, if it doesn’t win, lets riot.

Knives Out - Nominated for Best Original Screenplay, this Rian Johnson directed film was snubbed from every other category due to everyone remaining pissed off about The Last Jedi.

Toy Story 4 - NOW AVAILABLE ON DISNEY+ Nominated for Best Animated Film and Best Original Song, another underwhelming finale (that no one asked for, because we already got it with Toy Story 3), I still loved this movie and it is well deserved for best animated film but not more deserving than the snubbed Frozen sequel.

Little Women - Nominated for 6 Oscars including Best Picture, Best Actress, and Best Supporting Actress, Florence Pugh and the rest of the cast delivered in this reboot and this was a film I thoroughly enjoyed at home.

Richard Jewell - Nominated for Best Supporting Actress

The Peanut Butter Falcon

The Farewell

Harriet - Nominated for 2 Oscars including Best Actress

Klaus - NETFLIX ORIGINAL Nominated for Best Animated Film

Dolemite Is My Name - NETFLIX ORIGINAL Eddie Murphy’s triumphant comeback delivers. Definite snub, this is not the last we will see of Eddie in the coming months with Coming 2 America and Eddie’s much anticipated standup special

Missing Link - NOW AVAILABLE ON HULU Nominated for Best Animated Film

Joker - Leading the Oscars with 11 Nominations including Best Picture, Best Actor (guaranteed win), Best Director, Best Cinematography (Guaranteed win), Best Score (guaranteed win); Joaquin Phoenix delivers a career-defining performance (that still does not touch Heath Ledger’s) in a quite underwhelming plot with beautiful cinematography and a masterful score, this movie is turning the tides for the comic-book film genre.

Late Night PRIME ORIGINAL

John Wick Chapter 3: Parabellum NOW AVAILABLE ON HBO

Shazam! NOW AVAILABLE ON DC UNIVERSE

Fighting With My Family NOW AVAILABLE ON HULU

Long Shot NOW AVAILABLE ON HULU

Doctor Sleep

Hustlers

Fyre: The Greatest Party That Never Happened NETFLIX ORIGINAL

The Highwaymen NETFLIX ORIGINAL

The Laundromat NETFLIX ORIGINAL

The Aeronauts PRIME ORIGINAL 

Always Be My Maybe NETFLIX ORIGINAL

Maleficent: Mistress of Evil - Nominated for Best Hair and Makeup

Chasing Happiness PRIME ORIGINAL

Good Boys

Fast and Furious Presents: Hobbs and Shaw

Aladdin NOW AVAILABLE ON DISNEY+

Captain Marvel NOW AVAILABLE ON DISNEY+

The Lego Movie 2: The Second Part NOW AVAILABLE ON HBO AND HULU

Isn’t It Romantic NOW AVAILABLE ON HULU

Detective Pikachu NOW AVAILABLE ON HBO AND HULU

Lady and the Tramp DISNEY+ ORIGINAL

MIB: International NOW AVAILABE ON HULU

6 Underground NETFLIX ORIGINAL

Noelle DISNEY+ ORIGINAL

Ad Astra - Nominated for Best Sound

The Lion King - NOW AVAILABLE ON DISNEY+ Nominated for Best Special Effects

It Chapter Two

Ready or Not

The Lighthouse - Nominated for Best Cinematography

Dumbo NOW AVAILABLE ON DISNEY+

Little NOW AVAILABLE ON HULU

Happy Death Day 2U NOW AVAILABLE ON HULU

Triple Frontier NETFLIX ORIGINAL

Extremely Wicked, Shockingly Evil and Vile - NETFLIX ORIGINAL Another gem from Netflix, Zac Efron gives the acting performance of his career as Ted Bundy.

Glass NOW AVAILABLE ON HULU - The final film in the Unbreakable trilogy that no one asked for...yet we didn’t know we wanted. This film was highly anticipated for a sad (yes, tears) ending to same great characters. Glass does not hold a candle to Unbreakable, nor Glass, but it is still loads of fun.

Dark Phoenix - They say they save the best for last...well it X-Men’s case, they don’t. This film was a polished turd with great acting from McAvoy and Sophie Turner. 

Murder Mystery - NETFLIX ORIGINAL Oh look, another movie where Adam Sandler went on vacation with his buddies and said “lets get Netflix to pay for a Eurotrip by making a movie,” and then you get Netflix’s Murder Mystery. Looks like they will be paying for another vacation with 2021′s Murder Mystery 2. No, I am not kidding.

Wine Country NETFLIX ORIGINAL- This film had literally all the SNL power women except for Kristen Wiig...I wonder why? JK, horrible...no wonder it went straight to Netflix

Us NOW AVAILABLE ON HULU - The worst and most overrated movie of the year. I was so excited, I went to the theater opening night. What a disappointing follow up to Get Out and a complete waste of time. Do not watch this movie.

[lovvedaggers]

The Dynamic between Kylo & Rey and where it can go: A parallel analysis with the Shatter Me trilogy

This meta is a collaboration between my friend @sillylovesongs17 and me. We decided to do this after I told her to read the books because I didn’t want to scream alone about this series. We think this is a wonderful example of what a relationship between Kylo and Rey should look like in the next movies and we hope you have fun reading this meta.

WARNING: There will be spoilers about Shatter Me and Star Wars.

Shatter Me is a book series written by Tahereh Mafi. Followed by Unravel Me and Ignite Me, Shatter Me tells the story of Juliette Ferrars, a girl that can kill with a single touch. After being locked up for 264 days, she gains a cellmate, a boy she thought she would never see again as the Reestablishment (the new government in power) has plans for her, Juliette must make a choice: be a weapon or be a warrior.

In this meta we will discuss the possibilities for Kylo and Rey’s relationship and where they might end up at the end of the sequel trilogy comparing them to the very similar relationship of Juliette and Warner in the Shatter Me trilogy.

We are aware that these stories are not the same but both dynamics are similar, sharing a lot of common traits so we’ll only analyze these characters and their dynamic only.

In the surface, Rey and Juliette share little in common. Rey starts of as a very capable scavenger, she can hold her own against enemies because she had a lot of time to learn how to defend herself in Jakku. In contrast, Juliette starts as a fragile girl, she’s locked in a cell for quite some time because of her lethal abilities and is on the verge of losing her mind.

But they do share similarities. Both girls were born with powerful gifts: Rey is force sensitive and Juliette has a lethal touch. She was abandoned by her parents because of her abilities and if the leaks about Ep. VIII are correct Rey’s parents did the same to her making both wish for belonging.

Rey and Juliette are destined for great things and one more thing they share is their uncommon relationship with the antagonist.

Kylo Ren and Warner share very similar traits, both in personality and their actions. Aaron Warner is the leader of Sector 45, viewed as a cruel sociopath by his soldiers and enemies he hides behind this mask not allowing anyone to see the real him until he meets Juliette.

With Kylo we have the same pattern, his descent into darkness is only stopped when he meets Rey. He senses that she’s special and their connection only grows after their first interaction.

Both Kylo and Warner are trying to please their leaders who abused them mentally and, in Warner’s case, also physically. In Star Wars, the Leader is Snoke, someone that according to the book “Aftermath: Empire’s End” has been watching and manipulating Kylo since before he was even born.

In Shatter Me, the Leader is Anderson, Warner’s father who treats him like shit. He taught Warner to be merciless and cruel hoping that would destroy the gentle nature of his son.

Warner and Kylo are both murderers, they don’t deny it but find no pleasure in harming someone. They are passionate and intense characters with a great sense of style and beautiful hair (sorry).

The point is, Shatter Me is a trilogy, divided exactly like the Star Wars movies. So, we will show how their dynamics are similar and with luck Mafi’s books will illuminate us, the reylos.

                 Shatter Me and The Force Awakens: 

                            Presenting the Characters

The book starts with Juliette in prison after years of passing through countless reformatories and mental institutions, her last home is now a solitary cell where she’s been locked for 264 days without no one to talk to but herself.

The only thing that keeps her from losing her mind entirely is the bird she dreams about it:

“Instead, I ignore the desperation sticking my fingers together and watch for the bird I’ve only seen in my dreams.”

(…)

“I’ve dreamt about the same bird flying through the same sky for exactly 10 years. White with streaks of gold like a crown atop its head.

It’s the only dream I have that gives me peace.” – Shatter Me. Chapter 6. Pg. 21.

Everything changes when a boy joins her. Adam is someone from her past but he appears to no longer remember her. They talk sometimes but never touch until she discovers that Adam works for the Reestablishment and he was only there to evaluate her.

She’s brought to the headquarters of Sector 45 and is immediately interrogated by Warner. His looks and youth weren’t what she was expecting it:

“I’m immediately struck by his youth. He can’t be much older than me.

It’s obvious he’s in charge of something, though I have no idea what. His skin is flawless, unblemished, his jawline sharp and strong. His eyes are

the palest shade of emerald I’ve ever seen.

He’s beautiful.” – Shatter Me. Chapter 8. Pg. 25.

This is a great parallel with Rey and Kylo’s first meeting. When Kylo removes his mask, Rey is expecting a disfigured almost robotic person and his looks caught her off guard:

“She just stared at him in silence. In itself the narrow face that looked back at her was not remarkable. It was almost sensitive. If not for the intensity of his gaze, Ren could have passed for someone she might have met on the dusty streets of Niima Outpost. But there was—that gaze. That, and what lay simmering behind it.” - TFA Novelization, Chapter 14.

“That happens when you’re being hunted by a creature in a mask.

Kylo Ren stops, considers her… then reaches up, unlatches

and REMOVES HIS MASK. Rey reacts, stunned. It takes a moment

before she regains her own mask of defiance.” – TFA Script.

The majority of the book is Warner trying to unlock Juliette’s power while she falls in love for Adam who has feelings for her. She discovers that he can, somehow, touch her and they start a relationship without Warner knowing about it. He tries to test her powers and pushes her to her limits using not so good ways to do it but it works with Juliette discovering her super force.

On TFA we see Kylo trying to get inside Rey’s mind. This works like a test, and she discovers she is Force Sensitive. Then Kylo Ren and Rey also create a bond (a deep connection, a link…). For Warner and Juliette this came with him touching her without being killed.

Juliette escapes with Adam leaving Warner in all his anger and confusion. Adam is Juliette’s love interest throughout the first book and since Rey doesn’t have a love interest in TFA there isn’t much to compare. Finn, who is Rey’s companion in the movie is more like Kenji Kishimoto, Julliette’s best friend.

While Kylo’s feelings for Rey aren’t explicitly stated, Warner’s feelings towards Juliette are very clear throughout the first book and even Adam notices that he treats her differently but all she feels for him is hatred and disgust:

“I hate you.”

“So much passion.” He laughs again. He looks so calm, so genuinely amused. He stares at me with eyes softer than I ever expected them to be.

I turn away.” - Shatter Me. Chapter 14.

Juliette and Rey are girls that never had someone who cared for them so the thought of losing Adam and Finn is horrible to them. Warner and Kylo both commit an act of violence against them making their hatred only to solidify. The word “Monster” is used by them to describe Kylo and Warner:

“You’re a monster.” My voice is too even, my body filled with a sudden rage. “Why don’t you just kill me?” - Shatter Me, Chapter 9.

“Ren held his lightsaber, poised to strike. “I could kill you right now. But there is another way.” Breathing hard, Rey looked up in disgust at the man looming above her. “You’re a monster.” – TFA Novelization.

Even with their feelings made clear both men still want these powerful women by their side:

“You and I, Juliette—together? We could be unstoppable.”

I will not look at him though I feel his gaze touching every inch of my body. “No, thank you.”

We’re in the elevator. The world is whooshing past us and the walls of glass make us a spectacle to every person on every floor. There are no secrets in this building.

He touches my elbow and I pull away. “You might reconsider,” he says softly. - Shatter Me. Chapter 13.

“No. You need a teacher.” He was beseeching and insistent all at once. “I can show you the ways of the Force.” – TFA Novelization.

At the end, they both fight. Who wins? Yes, the girls. Rey uses the Force and kicks Kylo’s ass. Juliette uses the attraction that Warner feels for her and shoots him. Then both women runaway with their friends and find their resistance. The men are hurt, but still alive.

                     Unravel Me and The Last Jedi: 

                          Finding Common Ground

Since The Last Jedi isn’t out yet we will analyze the events of Unravel Me and compare to what may happen in TLJ based in what we know so far.

After scaping from Warner, Juliette and Adam are brought to the resistance by Kenji, their friend. There she meets Castle, a mentor for her, that wants her to train and learn more about her abilities but it’s hard for her. She can’t concentrate in her training and everything seems out of place. As her relationship with Adam starts to crumble, her dreams come back and she doesn’t understand:

“The dreams are back.

They’d left me for a while, shortly after I’d been freshly imprisoned on base with Warner. I thought I’d lost the bird, the white bird, the bird with streaks of gold like a crown atop its head.

(…) It was my one piece of hope in the bitter darkness of the asylum, just until I met its twin tattooed on Adam’s chest.

(..) I thought it was a signal, a message telling me I was finally safe. That I’d flown away and finally found peace, sanctuary.

I didn’t expect to see the bird again.

(…)

I’ve had the same dream every night for the past week, and all 7 mornings I’ve woken up shaking, shuddering into the earthy, icy air, struggling to steady the bleating in my chest.

Struggling to understand what this means.” – Unravel Me. Chapter 4. Pg. 28.

The belonging she thought she had found with Adam and Castle’s resistance isn’t real, she still feels incomplete like something is missing.

The same can be said that this might happen with Rey. After her forceback, Maz tells her that the belonging she seeks it’s not behind, in the past, but ahead in her future. Rey thinks it’s about Luke and becoming a Jedi but she might find out that the belonging she wants rests with another person.

Rian Johnson compared TLJ to Letter Never Sent regarding how the story shifts in the middle surprising the audience. We know that Rey and Kylo don’t have the basic hero/villain dynamic and this could be one of the surprising elements. Showcasing their bond and the connection they feel to each other but for this to happen they need to spend time together.

In Unravel Me, Juliette’s feelings about Warner starts to change when she sees him commit an act of kindness:

“And I wish I’d never seen it.

Because something inside of my heart is ripping apart and it feels like fear, it tastes like panic and anxiety and desperation and I don’t know how to understand the image in front of me. I don’t want to see Warner like this. I don’t want to think of him as anything other than a monster.” – Unravel me. Chapter 20. Pg. 101.

Her doubts about him only increases when she meets him again, this time with his father Anderson, the Leader of the Reestablishment:

“And I see the difference in him now. I see what’s changed.

He’s making no effort to hide his emotions from me.” – Unravel Me. Chapter 35. Pg. 154.

Anderson knows about his son’s feelings towards Juliette and plans to kill her in front of him to teach him a lesson:

“The mistake”, he says, almost announcing it now, “that he always makes, time and time again – allowing his emotions to get in the way of his duty – it’s pathetic”, he says, spitting in Warner’s direction. “Which is why as much as I’d like to let you live, my dear, I’m afraid you’re too much of a distraction in his life. I cannot allow him to protect a person who has attempted to kill him” – Unravel Me. Chapter 35. Pg. 157.

Just as we suspected that this was what Snoke wanted to do with Rey, to kill her in front of Kylo because he felt compassion for her:

“Kylo Ren. It appears that a reminder is in order. So, I will show you the dark side. Bring the girl to me.” – TFA Novelization.

Juliette wins over Anderson and Warner is taken as hostage by their resistance. Once there, Castle states that Juliette must interrogate Warner because he’ll only talk to her.

They spent time together and the connection she feels with Warner is stronger than everything she has ever felt:

“Because there’s something about him – there’s always been something about him that’s intrigued me and I don’t understand it. I wish I could ignore it but I can’t.” – Unravel Me. Chapter 50. Pg. 203.

“But I know that I don’t hate you anymore. I’ve tried,” I say, “I’ve tried so hard. Because you’ve done so many terrible, terrible things. To innocent people. To me. But I know too much about you now. I’ve seen too much. You’re too human.” – Unravel Me. Chapter 50. Pg. 207.

They start a strange relationship, Warner thinks he knows her, knows what she feels and she is confused about Warner, not wanting to believe that he can be more than a monster. She likes to spend time with him and she hates herself for that.

She’s the only person to who Warner is kind. He sees her as his equal and explains why he wanted her by his side:

“He looks at me. Really, really looks at me.

“You’re going to go on to do incredible things,” he says. I’ve always known that. I think I just wanted to be a part of it.” – Unravel Me. Chapter 52. Pg. 218.

When Warner discovers that he has abilities, Castle offers him a place there, in their resistance but Warner refuses. That’s not who he is, he can’t change for a matter of days and forget everything he’s done. He knows nothing is that easy because he can sense other people’s feelings, he can feel the hate they have for him and that’s why he can’t stay:

“Feel what?” I whisper.

“What people think of me.”

“What…?”

“Their feelings – their energy – it’s – I don’t know what it is,” he says, frustrated, stumbling backward, shaking his head. “I’ve always been able to tell. I know how everyone hates me. I know how little my father cares for me. I know the agony of my mother’s heart. I know that you’re not like everyone else.” His voice catches. “I know you’re telling the truth when you say you don’t hate me. That you want to and you can’t. Because there’s no ill will in your heart, not toward me, and if there was I would know.” – Unravel Me. Chapter 54. Pg. 227.

Their feelings for one another are so strong that they almost have sex. Warner wants Juliette to go with him, they fight and he escapes alone.

Now back to TLJ, we know that Kylo and Rey will spend some time together on Ahch-To. According to some leaks, Kylo will go after Rey maybe finding her by their “mysterious connection”. He will be stuck on the island with Rey and Luke. Their relationship will evolve (without the “almost have sex” thing, of course), and they will get out of Ahch-To, so who knows?

We only know for certain that Kylo and Rey need to spend time together, their understanding of one another in TLJ is crucial to their future.

Another thing that we will have to wait and see is the answer about Rey’s family. Mafi’s trilogy could give us a way. Juliette was abandoned by her family and we don’t meet them. She is no one, her parents aren’t important to the story only Juliette and the discovery of her abilities are.  It’s a good contrast to Warner’s background, he is like royalty, son of the Reestablishment’s Supreme Leader.

A broken young man that meets a strange powerful girl with who he shares a connection. Sounds like something we know?

At the end of book two, everything goes to shit. Their resistance seems to be over and Juliette and Warner seems to be the only survivors making their mission to destroy Anderson.

Based on leaks, it seems that Luke and Rey get off the island and go their separate ways. Luke goes after Snoke while Rey goes after Kylo. If their connection is truly explained and deepened in this movie maybe Rey asks his help to defeat Snoke (we can only hope).

         Ignite Me and Episode IX: A forged Alliance?

This segment is basically our hopes and dreams for Rey and Kylo’s relationship since we have no clue to what will happen in Episode IX.

Ignite me sums up everything that me and Lu want for reylo. Obviously, we don’t know anything about the last movie but we want to show you what happens in the last book of the Shatter Me trilogy. Oh, and dream a little.

Juliette is now a strong woman who wants to make things better for the people. She decides to kill Anderson and stop the Reestablishment. Warner doesn’t change so much, he still cold, quiet, with a beautiful hair and only cares about Juliette, the love of his life.

Juliette and Warner spend the whole book together. He’s now the only one she can trust and their bond only grows as the trust is built between them. Warner believes in her and see her as an equal something that Juliette never had before:

“I like the way I feel about myself when I’m with him,” I say quietly. “Warner thinks I’m strong and smart and capable and he actually values my opinion. He makes me feel like his equal – like I can accomplish just as much as he can, and more. And if I do something incredible, he’s not even surprised. He expects it. He doesn’t treat me like I’m some fragile little girl who needs to be protected all the time.” – Ignite Me. Chapter 25. Pg. 105.

In return, Juliette sees the real Warner, someone he tried to hide for so long that he almost lost sight of himself:

“You allow the world to think you’re a heartless murderer,” I tell him. “And you’re not.” – Ignite Me. Chapter 4.

He tells everything to Juliette about his sick mother, why he freed her in the beginning, about the men he killed and everything he did for her. The girl now understands that he is a soldier and not a monster. Juliette finally understands him completely and she accepts who he is, the good and the bad parts of him:

“I’m not trying to fix you; I don’t think you need to be fixed. I’m not trying to turn you into someone else. I only want you to be who you really are. Because I think I know the real you. I think I’ve seen him.” – Ignite Me. Chapter 29. Pg. 120.

If Kylo and Rey spent so much time together as did Warner and Juliette this would be the kind of development that we could see happening between them. They aren’t black and white characters, both Rey and Kylo have darkness in them and the acceptance of each other’s darkness (and light) is crucial to bring balance to them and The Force.

Juliette finally understands what her dreams meant and (shocker) this is the belonging she looked for:

“Warner. A white bird with streaks of gold like a crown atop its head. A fair-skinned boy with gold hair, the leader of Sector 45. It was always him. All along.” – Ignite Me. Chapter 31. Pg. 124.

Juliette only acknowledges that her feelings for him are indeed romantic in the last chapters of the book. That is something that we would like if it happened to Rey and Kylo at the end of the movie.

“What – ‘’ Warner is blinking fast. His voice is fragile, uneven. “What are you saying?”

“I love you,” I whisper. “I love you exactly as you are.” – Ignite Me. Chapter 55. Pg. 200.

Also in this book, Warner loses his mother and Juliette is the only one there to comfort him. The only thing we know about Episode IX is that Leia is not there but this will certainly affect Kylo’s storyline.

“I’ve never, ever seen him look like a child before. Never, not once, not in all the time I’ve known him. But right now, he looks just like a little boy. Scared. Vulnerable. All alone.

(…)

“His eyes are red-rimmed and a startling, striking shade of green, shining with barely restrained emotion. His face is the picture of so much pain.

I almost can’t breathe.” – Ignite Me. Chapter 50. Pg. 189.

Now our favorite part is obviously Juliette and Warner working together. They make an alliance and built their own resistance gathering the survivors of the last battle along with Juliette’s friends to fight against the Reestablishment.

I mean, don’t we all want to see Kylo and Rey kicking Snoke’s ass (or Hux, sorry I’m not sorry at all), using the force bond and being amazing together?

This was basically it. We wanted to show how the writer wrote this very similar dynamic respecting the characters and their development making them a couple you want to root for. We expect reylo to be subtler than a YA book since their audience is PG but if TLJ follows just a bit of this same path we don’t need to be worried about Episode IX at all.

[beyondthetemples-ooc]

I was going to ramble about which of my stories is my Own Personal Favorite.

But then, after deleting 4 or 5 different paragraphs of mind-changing pre-write, I realized... I really can’t choose just one? Or even three???

** NOTE that all of these can be found on my fanfic profile!  - Raven’s secret-keeper over there! - Two on AO3: Ravens secret-keeper (pseudonymn: StellarSecretKeeper)

~ Dove’s Dark Discovery is the best-written Actually Published story! It has a sub-plot (re: her struggles with her powers as they grow, AND her relationship with Raven being strained throughout the story), it included the other Titans in Important Scenes (Dove and Raven are by far my favorite characters to write about, but the whole reason I write these stories as TEEN TITANS fanfics is the background of the team!), it EXCELS at “rising action” and “building escalation” (it gets concerning, then anxious, then frantic, then downright devastating), and the DESCRIPTIONS. Holy heavens and hells, the mindscape descriptions!! I absolutely LOVE some of those lines! And the goddamn cLIMAX. That scene alone has literally gone through 6 versions (though the kernel of an idea, “Raven vs. Evil!Dove in the Mindscape”, has always remained the same), and while it’s still not as smooth as I’d like it, some of the rhythmic cadence in that scene is pure stylistic GOLD.

~ The Final Journey is so incredible to write! It has long held an especially special place in my heart, because it’s one of the first stories I ever started writing. I can remember where I wrote almost every single scene in the binder. 

~ Even in Death got some High Quality Additions! Though it’s still not As Great as far as verbiage and pacing and the silky-smooth emotional transitions I’ve been teaching myself to use, the headcanon power it runs on (re: Azarath and Raven’s Abilities and Dove’s PTSD) is GREAT. It discusses something that’s really close to my heart, and also really close to both Raven and Dove’s (mental illness, PTSD, loss and grief and healing). It has a lot of Personal Significance too; let’s just say the revision was inspired by an Actual Astral Adventure and I realized how deeply a revelation like that would affect Dove... And that revelation finally gave that oneshot a reason to exist besides just, “I learned there was this one time...” Dove needed that closure. Desperately. And it’s a big step in her healing from that traumatic day.

~ Heart to Heart was so incredibly sweet, adorable, dramatic, AND satisfying! As far as a self-contained oneshot, it’s definitely the best I’ve ever written. (I daresay it’s among the best scenes ever, and certainly among my favorite flashback-containing scenes!) Dove and Srentha deserve a lot more Emotional Heartfelt Moments that really dive into how much they mean to each other, but I’m an emotionally-stunted aro whose sense of romance is basically “tell her i love her once in awhile”. and I don’t really know how to write those Emotionally Intense Moments with a romantic bend yet. ;; The fact that I wrote that entire scene in like, two weeks, was a complete fluke. 

~ Speaking of oneshot flukes, I’m also really proud of Umbrella? I wrote that sucker in a singular fucking HOUR. I didn’t realize “drabble” had a character limit, but  I’m glad I didn’t know, because it grew into an excellent exploration of Dove’s mindset during her first months on Earth, how she experienced the city, how she experienced strangers, and in the end, human kindness.

Also, my favorite fanfic writer for the animated series (and others!) was inspired to headcanon the random man Dove encounters in the city as his very own protagonist OC. Which I delightfully endorsed. And he wrote it into one of his very own stories. So that absolutely blew my entire mind. It’s still blown to this day! (That writer was also kind enough to review the DDD climax when I desperately needed feedback. It should be “three times as long and nine times the punch”, he said. I took it to heart, took it to the words, and I like to think I KILLED it at long last~)

~ Mystery Sickness is probably my favorite in terms of Total Rewrite Growth^tm? But it’s not Finished Yet, so I can’t show you all the Changes! Its original version (visible on fanfic.net) is heavy on the deus ex machina, and Things Happening without anyone really knowing why. Hell, I didn’t know why when I wrote the damn thing! I kind of treated it like “this is just what I see happening so I gotta write it down”. Raven falls ill, figures it has something to do with Dove, never really explain why Dove is Making Her Unwell, then she kind of just gets better? But now: Oh stars, we have a HUGE Reason! (And it’s Dove’s mother’s spells! It took a good long while for me to really Understand what was going on in Dove’s childhood, what with Alerina constantly and desperately doing everything in her power to hide Dove’s existence, including a slew of spells that kept Dove safe from the rest of Azarath AND Trigon.) And now, when I re-publish it, everything’s going to make sense.

Not to mention, I am having FUN with Mumbo in the rewrite.

~ Something Special About Srentha is probably the first story I wrote with Actual Plot, clear in the story from start to finish. It’s definitely one of my most Cohesive Plots, with the most Consistently Relevant scenes. Granted, in the Mindquest trilogy (Missing: Raven, DDD, and TFJ), every plot point plays into how it progresses, but in Something Special it’s really quite obvious and complete. Intruders are in the mystical forest, they investigate, Dove gets kidnapped, they try to save her, fail a couple times, Dove suffers and learns about her kidnappers, Srentha finds out if they don’t save her they’re going to force her into a ritual to become one of them, and then they try Extra Hard to save her. And then the sequel (Something Strange) is all about the Direct Results of the intruders’ magic having an effect on Dove and Srentha. So, you should all know by now how mystical my ass is, and Srentha’s too come to think of it, so writing these stories touches on a lot of Personal Passions for me AND them. Even the personal struggles, for everyone involved, come as a direct result of everything happening in the plot. And it just naturally turned out that way. I don’t think any story had been so entirely Relevant to one plot before, nor have I managed to captures such contiguous storytelling since.