#no one is going to read all of this lmao

[lousysharkbutt]

setting the tone for 2024 by making this my first post thank you for your attention

[wispforever]

original quote under the cut

[mttonex]

joanfucius if one of them was a zombie and they killed people for body parts (lisa frankenstein au)

bonus doodles :3

[lauraneedstochill]

I won’t fall for someone who can’t misbehave

summary: Aemond is betrothed to the sweetest girl in the Seven Kingdoms. She's smiley, soft and kind-hearted. Until she isn't. (or, alternatively: "No one took your side when you were a kid. But I'm doing it now.")

pairing: Aemond Targaryen and F!Reader (her House is not specified) words: 9000 +

warnings: slow (!) burn, attempted harassment, Aemond is in pain 70% of the time (headache and all that) and has no clue how to act around someone he's clearly in love with.

author's note: I'm working on 3 fics at the moment, and it's taking forever to finish (yay for my poor time management skills!), so I whipped up something short(er) for starters. I'm a bit more comfortable with sharing this one because I feel like it's actually more of my style (wow, that sounds kinda pretentious). Rhaenyra is the queen here but I barely mention the blacks (not out of spite, I just thought it wouldn't add anything to the story). also, I don't think women would be allowed to misbehave like that... I don't care ;)

Aemond knew of the preplanned betrothal even though everyone around him was ridiculously mysterious about the subject matter. He's been made aware of the upcoming visit of some noble family, and the preparations were quite extensive. Then he overheard Baela telling Jace that the expected guests will bring their daughter. The middle one. It wasn't very hard for Aemond to put two and two together. His wedding was long overdue, and Alicent was eager for him to make his choice. But he dreaded the mere thought of it.

Aemond's never been very good at courting women, but mostly due to the lack of trying. He's used to them looking at him with fear and suspicion as if he's some kind of wild animal ready to attack at any minute. Getting sidelong glances did hurt him growing up, but with time Aemond learned to benefit from it, using his fearsome image as a shield. No one ever dared to try and break it to see what was underneath. But now he is faced with the inevitable change that's approaching his life at the speed of a storm wave. To him, taking off the eyepatch won't be nearly as excruciating as giving into the vulnerability of letting someone in, opening up to someone. He's never been afraid of much but that? That was terrifying.

The anticipation made Aemond nervous. He knew he should probably ask around and try to gain any information about his soon-to-be wife, but it felt wrong. Not knowing felt even worse. No matter how good of a fighter he was, fighting the uncertainty seemed like a challenge. Aemond spent his nights tossing and turning, wrapped up in blankets as insomnia was clinging to his body. He tried to busy himself with training, but his usual easy victories brought him no satisfaction. He's been winning for so long maybe it was time for him to lose. Except not to his training partners but to a stranger, who in time will get a permanent place in his life.

His rides with Vhagar, which usually brought him peace, now had the opposite effect. The old dragon acted annoyed and disgruntled for no reason, huffing and grumbling at every turn as if she could sense his own frustration. You can’t tame your emotions yet I’m supposed to listen to your commands? Silly boy. If Vhagar could speak, she would probably tell him that, Aemond thought. And he blamed himself even more.

Somewhere in the midst of it all, the headache came back. As usual, it started with a feeling of pounding heaviness in the back of his head, which then spread further: into his temples, forehead and down the hateful scar. Within a couple of days, the pain gets so bad, he has to grit his teeth to keep a straight face, and he's barely able to shove a few bits of food down his throat. But it's a topic he never brings up, it's a humiliating secret that's just between him and his mother. When he lost his eye, for the first month the pain was close to unbearable. The maester kept telling him that it was caused by the healing of skin tissues and assured that the intolerable feeling would go away. It never did. His scar was something he learned to cover up, and the bright red stripe faded slightly with time, but the pain lingered. Aemond opted to think that it only contributed to him becoming more resilient, yet that argument didn't withstand the test of time. The pain receded for some short periods, but then it'd always come back, and he could never get used to that, no matter how hard he tried.

He can only hope it will get better by the time the guests arrive. But the gods seem deaf to his prayers, and the night before the event he doesn't get a wink of sleep. He goes through his day in a daze, skipping the training session to hide in the library instead, although he can't bring himself to focus and read more than a single page. When the time comes for him to walk into the dining hall, it's the last thing he wants to do but he forces himself to go. Festive ornaments, tables laden with the finest dishes, bright-colored clothing of everyone around him blend and blur into each other. He takes deep breaths and counts his steps, gathering all his strength to sit down and not wince at the movement.

All it takes is one look at him for Alicent to understand what's going on.

"Aemond," she approaches him, whispering. "What's wrong? Is it the headache again?"

Aemond doesn't want to admit it, but he lacks the energy to deny it either so he just nods. She gives him a regretful look, gently squeezing his shoulder.

"Should I call for the maester? Maybe he will be able to come up with something to ease the pain."

"I don't think we have time to fuss over me," he declines with a pain-stained voice. "I was under the impression that we're expecting someone to join us today."

Alicent sighs. She knows better than to fight his stubbornness, but she hates how helpless it makes her feel. Aemond hates that feeling, too.

"Please don't tell me you require motivation," Aegon's voice is loud as it is but right now it sounds deafening, and Aemond sharply exhales. His brother flops on a nearby chair, bringing his ignorant attitude with him.

"Undoubtedly you've interacted with women before," he chuckles, completely unaware of Aemond's suffering. "Try not to scare her with your creepy stare, and maybe she won't run away."

Alicent briefly closes her eyes in annoyance. She glances around, making sure not to attract any attention, and then grabs Aegon by the chin, forcing him to look at her.

"Enough with pestering, I need you to behave yourself," her voice is tinged with irritation. "Just for one evening. Can you do that?"

Aegon's body stiffens up, the smug look disappearing from his face.

"As you wish, mother," he mutters, and she lets go of him. Alicent shoots another glance at Aemond before leaving. Aegon gives his brother a side-eye but says nothing.

Aemond is exhausted, anxiety's bubbling in his chest, and he thinks he has a few more minutes to compose himself yet that time passes in the blink of an eye. Before he knows it, the guards at the door make the announcement, and he sees a group of unfamiliar faces. None of them are of his age, though, and for a moment that realization brings him some comfort. But then he notices a female figure in the distance as she's approaching the entrance.

When she walks in, the music goes quiet, and Aemond hears people gasping. It seems like every man in the room has his gaze on her. And she certainly is a sight for sore eyes. She moves with a gracious pace, the silky fabric of her dress flowing downward with every step. It's not too revealing, but it hugs her body in all the right places. Her hair is up, and he can see the waves of her collarbones peaking through. A half-smile is plastered on her face, but she doesn't seem to be nervous. If he was to take a guess, he would've said she was tired. But she won't let it show, keeping her head high and being seemingly unaware of the attention she got. Maybe she's used to it just like he is, Aemond thinks. Although people usually glare at him for a completely different reason.

"Someone is about to get a piece of cake," Aegon elbows him lightly, his voice low.

"Someone needs to shut up," Aemond snarls, earning a laugh from his brother. That catches her attention, and her gaze lands on Aemond. When their eyes meet, her face softens, smile growing wider. He tries his best to force a wan smile in return, but his stomach turns in discomfort. He can already imagine how people will react: a stunning woman like her with a man like him, what a tragedy. That thought stings, his anxiety growing stronger. The headache gets worse, and he tightens his grip on a cup of wine that he hasn't even tasted yet. Aemond can't help but wonder if she knew she would have to marry him. If it does bother her as much as it bothers him.

The members of her family are greeted as guests, with no mention of a possible betrothal. Her name is the only one he catches — and then silently repeats it a few times. Y/N, Y/N, Y/N, the sound of it breaking through his clouded mind. She's seated next to him, as expected, and he notes that her dress compliments her eye color. Aemond is thinking of a way to start a conversation, but she beats him to it:

"You gave us such a warm welcome, but I must admit, I'm surprised by the scale of it. I hope it wasn't too much of an inconvenience?"

When her words reach his ears, the buzzing in his head stops, and Aemond turns to Y/N, astonished by his own reaction. It's not the naivety of her question, nor the friendly tone of it. It's just her voice. Melodic and mellow, it feels soothing among the loud noises they're surrounded with.

"I assure you, your family was simply welcomed with the respect you deserve," he answers pensively. His throat is sore, but he can't steel himself to take a sip of wine, afraid that it will make him sick. He wants her to speak again.

Aemond asks about her family, letting Y/N lead the conversation. She's easy to talk to and she gives just the right amount of information before jumping to another topic. At any other time, he would've really enjoyed the flow of it, yet now he is growing weary. The headache is still there, but her voice does bring him some relief. That's until she abruptly stops.

"Are you feeling alright?" she sounds worried, and the same emotion is written on her face. Aemond tries to blink away his exhaustion. 

"I apologize if I'm not exactly the best at keeping you company. It's been a long day," he knows he should've come up with a better excuse. He feels like he can hardly function at this point.

She keeps her attention on him for a few more seconds. Then Y/N moves her eyes to the other end of the table, where her family is seated. She makes eye contact with her father and gives him a big yawn. It's obviously and comically fake but it works: her family finds an excuse to leave earlier. Aemond knows that now he also got a chance to escape soon after. He feels a pang of guilt knowing that he's the reason their conversation was cut short, but Y/N doesn't make a big deal out of it.

"We shall continue on the morrow when we are both well rested," she smiles reassuringly at him before leaving.

Aemond seriously doubts that he'll get any rest as his head feels like it's gripped in an iron vise again.

The next morning he drags himself out of bed later than usual, the pain now dull but present nonetheless. He sits with his face in his hands, breathing in and out, until he's almost numb. The almost leaves a sour feeling in his mouth — or maybe it's the nausea, he doesn't know nor does he care. He's been handling this for years, he can survive another day.

Aemond decides that since he is to be wed, he should make an effort for it to work. He thinks about his duty, his mother, about Y/N, who traveled all the way to the King's Landing for a man she's never met before. Aemond thinks of everyone but himself because there's only so much he can do without draining himself completely.

He missed the breakfast already but hopes to find Y/N within the perimeter of the castle and rushes out of the bedroom. He's passing by Helaena's chambers when he hears someone laughing. And it's not his sister. Aemond debates if he can deal with kids right now, but chooses to give it a chance and quietly walks in. Helaena has embroidery in her hands but seems more focused on a sight in front of her, and he follows her gaze. Y/N is sitting on the floor with her back to the door, Jaehaerys and Jaehaera are on either side of her, their cheeks plump and pink, tiny fingers grabbing her dress. She's reading to them, and it's a tale they've heard many times before, yet the kids are listening attentively, occasionally making noises of excitement. Aemond doesn't need to speak gibberish to know that they are fascinated by the melody of her voice and the playful tone she uses to make the story more engaging. He leans on the door frame, his body relaxing at the sound. Jaehaera puts her head on Y/N's shoulder and eagerly turns the page, making her laugh again.

"You are an impatient little thing," Y/N giggles.

"That she is," Helaena agrees, and when Y/N turns to her, she is surprised to see that Aemond joined them.

"Pardon me, I didn't hear you coming in," she stands up in a hurry, both kids are instantly glued to her. "Your sister was kind enough to keep me company."

"I asked her to come by after breakfast, and they haven't left her side ever since," Helaena explains, sounding very pleased.

"Would you mind if I steal this new friend of yours?" Aemond asks while keeping his eye on Y/N, waiting for her reaction. Her face flushes but he sees no indication of discontent. Aemond grudgingly admits to himself that it brings him something akin to joy. But it fades, absorbed by his numbness.

"Make sure to be on time for dinner," his sister nods, calling for the nanny to take the kids.

It takes a little bit of persuasion but eventually Jaehaerys and Jaehaera let Y/N go, and she follows Aemond out of the room. Y/N mentions that Helaena wanted to show her the library, and Aemond agrees to take her there. Along the way, he strikes up a conversation in attempt to compensate for their last one. As she's telling him about her morning, her voice seeps into his mind like honey, and Aemond tries to concentrate to take the right turns and not trip on the stairs.

When they walk into the library, Y/N pauses, looking around in awe. This woman makes men turn around after her, yet she is so easily impressed by the simplest things, Aemond thinks. The prince wonders if she'll ever be impressed by him.

"This is where you study?" she's admiring endless rows of shelves, and Aemond gives her an affirmative "hmm".

"How many of these have you read?"

"Quiet a few," he is modest as ever, and she shoots him a curious look.

"I wonder what are your preferred subjects."

"History and philosophy," he doesn't mean to sound so terse, but whatever interactions with women he's had before, that experience obviously didn't turn him into a lady's man.

"Would you be so kind to share your favorite books with me?" when Y/N glances at him, there's a sparkle in her eyes. It looks like she's actually interested to know more, as if she does want to know him. His immediate response, however, is to distance himself, and he takes a step back.

"I'm afraid there are not enough hours in the day to name them all," Aemond opposes, hands clasped behind his back.

"Please, take pity on me, I need something to help me pass the time," she presses the matter further but does so very gently. "Name just a couple."

He gives into her pleading tone and reluctantly agrees but they don't stop at just a couple. They end up spending the day roaming in the library, lost in the labyrinth of shelves and books. She's never too pushy with her questions, she's making small jokes, she doesn't take offense at his cold demeanor. Behind his mask of feigned indifference, Aemond feels like someone is hammering at his left temple, and the pain echoes through his whole body. But he doesn't dare to leave Y/N hanging for the second day in a row.

The prince is too preoccupied with his internal struggle to notice that she's growing worried about him again, and by the time they come back for dinner, her face expresses an alarming concern.

"I must apologize if I tired you out with my relentless chatting," she says, almost whispering, when they're seated.

"You did not, no need to fret," Aemond states. I must apologize that you are to marry a man who can't curb the pain that's spilling out of him, he thinks.

Food is tasteless in his mouth. Y/N is sitting on his right, and Aemond's body can't adjust to the foreign feeling of someone being in his close proximity. He's so accustomed to being on his own, he doesn't know how to unlearn that.

Throughout the whole dinner, Aemond can feel his mother's gaze on him. Later that evening, when a maid brings him a cup filled with the milk of the poppy, he decides against taking it.

He regrets it the very next day.

When Aemond tries to lift his head off the pillow, he feels like his skull is full of rocks. They're rolling from side to side as the pain rumbles, and for a few minutes he can't hear anything else around him. That's why, when Aemond opens his eye, he's startled at the sight of his mother standing in the doorway.

"I did knock but got no response," she gives him a look that's a mix of concern and suspicion. She suspects that he's unwell again and it concerns her. He wishes she never knew of that burden of his.

Aemond moves up in his bed, clenching his jaw. He knows his mother well enough to realize she must've had a reason for this early visit. Alicent proves him right when she speaks:

"The queen went into labor a couple of hours ago."

He absentmindedly hums, not knowing how to react. His mother continues, with a hint of hesitance:

"There will be a feast when the baby is born. We thought... Rhaenyra and I, we thought it would also make for an occasion to do the announcement. About your betrothal."

Her words come as no surprise to Aemond. It is what's expected of him, it's about his duty and his responsibilities, but this time he doesn't want to think of that. He wants to be left alone, to drown in the layers of blankets, to go back to his short-lived slumber.

"The day Y/N arrived, I asked the queen to postpone the announcement. To give you some time to get to know each other," Alicent takes a few steps towards his bed. "It seems like you're getting along quite well?"

"I could think of no better woman than Y/N," Aemond admits and it is true. What he doesn't say is that he can also think of a dozen other men who would be more deserving of her, more than he is.

Alicent catches the discreet sadness in his words but doesn't know what caused it. She eyes her son with undisguised empathy.

"Her father implied that she is content with the betrothal, too. I thought you'd be happy to know," Alicent gives him a lax smile. "I shall let you go back to sleep," she adds and leaves.

Aemond knows he'll get no sleep now. He repeats the well-known routine of deep breaths with the minimum movements, scraping up the remains of his strength before leaving the room. He goes straight to Y/N's chambers, wondering if his mother visited her, too, and how that visit went.

To his surprise, Y/N is nowhere to be found. A maid informs him that she left the room a few hours ago. He can't find her in the library and she isn't in Helaena's chambers, either. He searches for her in the courtyard and then goes back to roam through the corridors, peering into every room on his way. He's lost in his thoughts until he hears Y/N calling his name. Aemond turns around — and there she is, at the other end of the hall.

"I've been looking for you," she skips towards the prince, beaming. He could never imagine anyone being this happy at the sight of him. She stops when they're only a couple of meters apart, her smile glowing.

"We must've passed each other, because I've been looking for you, too," he confesses. Y/N seems very pleased with herself though he isn't sure why.

"I think the weather calls for a walk," she blithely suggests. "Would you like to accompany me?" — as the words leave her mouth, she reaches out a hand to him. For a moment Aemond's looking at her baffled, and then hesitantly takes Y/N's hand. Her skin is soft, fingers warm, and she intertwines them with his own. That gesture comes so naturally as if they've done it before, yet Aemond clearly hasn't. The feeling of holding someone's hand is unusual to him. But it seems enjoyable.

By the time they get to the garden, Aemond finds that her hand fits perfectly in his. He's blushing profusely. He also notices that his headache receded a little and he can't help but think that Y/N was the reason for that.

"Your mother came to me this morning," she informs him as they are walking hand in hand. "I assume she talked to you, too?"

"She did," Aemond confirms. "Am I right to guess we had the same conversation?"

"Well, mine was about uniting two great Houses," Y/N mimics a man's voice, and Aemond grasps that Otto was there, too. "Your grandfather gave a very convincing speech".

"He had a lot of practice while being the Hand of the King. Maybe he misses having an audience," the prince chuckles and she laughs. Aemond holds a pause and then adds:

"Forgive me if I'm being too blunt but I wonder if the conversation was of unpleasant nature to you."

"It was not," she slows her steps. "I know what's expected of me and I will perform my duty. But if I'm being honest...," she turns to him, and the tenderness of her gaze tugs at his heart. "I am glad that it's you," Aemond feels a flare of an unknown emotion deep in his chest. "We'll make a pretty good team. Wouldn't you agree?"

Aemond lets out a breath he didn't know he was holding. He looks down at their hands and then back at Y/N.

"It seems so," he tells her, a slight smile in the corner of his lips. There's a moment of comfortable silence as they make a short stop in the shade of the trees.

"But I shall give you a warning," Y/N says with a mischievous grin. "My siblings take any celebration very seriously. Every single relative of ours will come to the wedding, and most of them won't shy away from enjoying a cup of wine... Or two".

"Can any of them outdrink Aegon?" he jokes, and Y/N bursts into laughter.

Aemond gets carried away by their conversation once again, losing track of time. While she's listing her relatives, adding innocuous remarks about each of them, the prince is enthralled by the warmth that radiates off her. Her presence alone calms the storm of his insecurities, lulling his fears to sleep. She does that so effortlessly, it's almost intimidating. But there's a certain thrill to it, too — the thrill of being close to her, sharing laughs and stories, and Aemond clings to that feeling.

He enjoys the moment while it lasts; until his headache predictably creeps up on him a few hours later. He can't tell if Y/N senses that something is wrong but she's the one to suggest returning to the castle. Aemond gladly accepts it.

On the way back they're greeted by one of the guards who notifies them that the queen gave birth to a girl. Y/N lightly squeezes Aemond's hand.

"Tomorrow is a big day then," — and the prince knows exactly what she means. The fragile bond that they only started to get the hang of will soon become public knowledge. It won't be their secret anymore but rather an over-discussed gossip.

"There is still time for you to plan an escape," Aemond jests half-heartedly.

Y/N looks puzzled for a second, but then shakes her head:

"Only if you're planning one. We are in this together, remember?" her thumb brushes over his. "It's all about teamwork."

Aemond savors the last fleeting minutes of their day. He barely touches the food at dinner, the pain in his head intensifying but he pushes through. When the time comes for them to part, he doesn't want to. That feeling is alien to him and the prince is clueless about its nature. But he knows that with her any misery will be bearable.

When Aemond walks into his chambers, he notices a little jar on the bed table. It's the one that the maester used to bring him the ointments in, and the prince sighs. The maester doesn't grasp the extent of the problem but occasionally would suggest a thing or two to help with the pain. They've tried using cold packs, then the warm ones, tried massaging his temples, then drinking cinnamon tea, then adding some ginger that's known as a remedy for reducing inflammation... Nothing has worked so far.

But he should make an effort.

Aemond barely glances inside the jar and tosses away a piece of paper with the instructions scribbled on it. The prince already knows it all too well: he applies a thick layer of whatever that concoction is on his scar, involuntarily wincing at the cooling sensation. It smells of herbs and feels oily but absorbs into the skin pretty fast.

For some reason, his mind goes back to his mother's words — "I thought you'd be happy to know". Aemond is unsure what happiness means. The happiest day of his life is forever chained with the worst one, smeared with blood and pain that he's been carrying through the years.

But now that he met Y/N, he questions if there's more to life than what he's been through so far.

While he is laying in bed, Aemond wonders if can consider Y/N his friend. If she will ever be more than just a friend to him.

And then, before he knows it, the prince is fast asleep.

He wakes up feeling like a new man. At first, he mistakes that feeling for the remnants of his dreams that he was enveloped with at night. He shakes off his drowsiness and looks at the ceiling, catching a glint of sunlight that seeped through the curtains. That's when Aemond realizes that the pain is gone.

He sits up, bewildered, waiting for any sign of discomfort yet nothing happens. He waits for a couple of minutes — and then for up to thirty, but his head is clear and doesn't ache at all. His eye shifts to the jar on the bed table, and Aemond makes a note to extend his gratitude to the maester later. Suddenly the upcoming festivities don't seem so torturous anymore.

He doesn't get a chance to see Y/N throughout the day as everyone is preparing for the feast. When Aemond walks into the hall of the Iron Throne, he takes in the decorated surroundings. Unlike the last time he was here, now he wants to remember every detail, knowing that this evening would be of great importance.

The room fills with people, but Aemond patiently waits for her alone. He spots Y/N the second she steps in. Her dress is violet, the material bright and luminous, and it puts her into the spotlight yet again since she's the only one wearing that color. As soon as she takes her place at the table next to Aemond, her hand finds his. He's getting used to that way too fast. It's hard not to.

The first round of toasts goes to honor Visenya, the newborn daughter of the Queen. Rhaenyra willingly tolerates the sweet talk, generous with her smiles and appreciation. At some point, when the timing seems right or maybe when her cheeks are already aching, she gives a nod to Alicent, and Aemond knows what it means. As she starts her speech, he ruefully releases Y/N's hand.

But right when they're standing up, with everyone around cheering and staring, Y/N lightly presses her body against his, and Aemond feels how tense her back is. That's when it dawns on him that she's well aware of the attention but she doesn't really like it. Instinctively, he puts his fingers on her waist, his touch respectful and delicate. She breathes out and briefly rests the back of her head against his shoulder. For a moment it feels like it's just the two of them.

That feeling doesn't go away.

Usually, he's not the one to take part in dancing, but he does so for her. Aemond feels out of practice and he can't tell if that's what makes his head spin or if he's getting tipsy from the intimacy of their dance. Her moves are elegant, well-rehearsed, her body follows the rhythm of the music with ease. He doesn't remember when was the last time that silly activity brought him so much elation. Did it ever?

Time flows by in a blur, and they eventually take a pause after going into a fit of giggles at the sight of Lord Velaryon trying to improvise a move and failing, only to amuse his loving wife. Y/N suggests going out for a while and Aemond is keen on following her but then his mother catches up to them, her hand and her gaze are on him in an instant, pulling him away.

"Aemond, you've been dancing," she can't hide her bewilderment, a timid smile on her face.

"Should I not? Seems like a suitable occasion," Aemond chaffs with a tilt of his head.

"It is, indeed," she doesn't let him go just yet, and he discerns the hidden meaning of her words, the apprehension she fails to conceal. Aemond wants to grant her some respite, at least for the rest of the day, so he tells her with plain-spoken sincerity:

"I can assure you, this isn't a cause for your distress."

But then he quickly finds a cause for his when he doesn't see Y/N around. He goes searching for her in the crowd, then leaves the room altogether, coming out into the hallway.

Aemond hears her before he sees her — and she isn't alone. It takes no effort to recognize the second voice, which belongs to no other than Jason Lannister. As the prince rounds the corner, they come into sight, and Aemond has a very bad feeling.

He missed the start of their dialogue, and the look on Y/N's face is unreadable. She's oblivious to Aemond's presence and he decides to watch them. He tells himself that he'll never allow her to get into trouble. There is something very tempting in having a chance to save her from anything; as if he feels the need to prove himself to her. He tries not to entertain that thought.

"... It's not too late to change that, don't you think," Ser Lannister purrs, his tone sickly sweet but arrogant.

"It is. Which I have no regrets about, ser", when Y/N talks to him there's not a hint of friendliness in her voice.

"Your approach may be short-sighted. The proposition of mine wasn't of a frivolous kind," he's circling her, the manner of his movement is borderline predatory.

"I believe you will soon find a lady to welcome your advances but I would very much prefer to drop this conversation," she recapitulates.

Aemond tenses up, feeling like this is the moment for him to step in. Then he looks at Y/N and realizes that something is off. Her face expression changes — but it's not a look of fear. By the rising of her chest, he detects that her breathing sped up, eyes are shooting daggers at the man in front of her. She's looking, for the lack of a better word, positively furious.

But Ser Lannister, apparently, is not very good at reading signs as he comes improperly close to her.

"I can be very persuasive," his fingers fall on her back — and then go lower. "I think you should appreciate the attention while I'm this generous and..."

He doesn't finish his sentence. In about two seconds his face is suddenly slammed into the nearby wall, the hand he put on her is now twisted behind his back. Y/N uses her free hand to push right between his shoulder blades, pressing him into the stony surface.

To say that Aemond is shocked would be an understatement.

Right at this moment, she looks like a different person. This side of her he's not acquainted with but it only adds to her appeal. The change is barely perceptible: she's still maintaining her posture, keeping up the face of a woman who knows her worth. But Aemond catches a flaming spark of defiance that threatens to shutter her restraint. He can sense her anger from far away despite her doing her best to contain it.

"I do not know what kind of attention you are used to, but you're forgetting your manners. Next time you dare lay your hand on me, I will not hesitate to break it," her voice doesn't lose its usual softness, but now has an added layer to it. It sounds sharper, bolder. It sounds like she's not afraid of anything.

Y/N lets Ser Lannister go, taking a few steps back and smoothing her dress. He's frozen at first, but then slowly turns to her.

"You didn't... You did not just do that," there's a visible red mark on his cheek that will undoubtedly turn into a bruise.

"Did what, ser?" her tone is laced with coldness.

The man looks at her in disbelief, his face is a parade of emotions — from shock to annoyance to anger.

"You will not get away with this," he scowls, nettled.

"You're telling me that you're considering letting everyone know you were overpowered by a woman? Sounds hard to believe," Y/N seems unfazed.

His mouth opens and closes a few times before he roars:

"You, insidious wre...!"

This time Aemond is the one to interrupt the man:

"I suggest you watch your tone when speaking to my betrothed," Y/N flinches at his voice, turning to face him, and Aemond slackens his pace a little.

"Shouldn't she watch hers? She's talking to a lord," Ser Lannister exclaims lamely, his arrogance instantly toned down a notch.

"And I see no wrongdoing on her part. Care to explain what got you into this situation?"

"It was a... a simple misunderstanding," his excuse is so pathetic that it makes the prince sneer.

"And what was the matter in question?" Aemond comes closer to the man which makes ser Lannister evidently uncomfortable. He carefully contemplates his next move.

"I only wanted to extend my congratulations on her betrothal," the man fakes a smile. "Mayhaps I expressed myself poorly".

"You should opt to choose your words more wisely next time," Aemond looks down on him. "Perhaps you are needed somewhere else?"

"I shall rejoin the celebration then," ser Lannister eagerly agrees and bows out way too quickly.

Aemond can barely wait for the man to get out of sight before turning to Y/N. Even though the prince witnessed the whole thing, he can't stop himself from asking:

"Did he harm you?"

"He didn't get a chance," she mumbles, avoiding his gaze. She looks so embarrassed, he wants to offer her some comfort but isn't sure how.

"Dare I say we've got enough interactions for one evening?" Aemond tries to lighten the mood yet she only offers him a half-hearted smile.

"I'll escort you to your chambers," the prince suggests, and before she can argue he adds: "I know you can stand up for yourself if needed. But I insist."

Y/N doesn't move an inch.

"...You are not mad at me?" she's looking at him with doe-eyed sincerity, clearly upset. Aemond is mad at himself.

"I'm thinking about cutting his arm off," he says under his breath, but she catches it.

"Aemond, there's no need!" Y/N gasps and he sees a glimpse of a smile on her lips.

"I will have to disagree," he starts but then she grasps his elbow and Aemond's hand — finally — clings to her again.

"I don't want you to get in trouble because of me," Y/N confesses. 

"And I don't want you to get hurt," his fingers caress her arm through the lace material. Y/N's cheeks heat up and Aemond finds it adorable.

"I think I... I was the one who did some damage," she complains.

"You must imagine my surprise," Aemond drawls, teasing.

"Oh, Gods," a quiet groan leaves her mouth. "That was not very ladylike of me."

Y/N covers her face with the other hand, her grip on his arm loosening. Aemond dithers before gently brushing her palm away from her face.

"You did the right thing and you have nothing to be ashamed of," he enunciates each word. "He only sets an example of unseemly behavior."

"I'm afraid I wasn't too far off," Y/N remarks, her voice relenting.

"Hmm, you're certainly not to be truffled with," he retorts, earning a faint laugh from her as they start walking, arm in arm.

"May I inquire how did you... master that very handy skill?" Aemond ventures to ask. That image of her — brave and unapologetic in her anger — will be forever engraved in his memory. Aemond is apprehensive about voicing his curiosity, uncertain of her reaction but when she answers:

"My father taught me that," her tone is surprisingly impish.

"And how did you manage to talk him into it?"

"Talking didn't help much, actually," Y/N grins. "And then I broke my brother's nose and my father decided he should find a way to guide my enthusiasm."

"How old were you?"

"Nine," she looks so satisfied with herself, Aemond can't hold back the laugh.

Y/N joins him and they fall into the comfort of each other's company. But then her smile wilts.

"There was a time when I was the youngest child and my siblings... They weren't very nice back then," she blurts out. Aemond feels his heart sinking.

"What did they do?"

"Oh, it wasn't that bad, honestly, they were only teasing. It's just um," she's looking for the right words or maybe for an acceptable explanation, but there isn't any. "It was very tiresome mostly. I could never understand the reason for them being mean."

Aemond is yet to tell her the story of him losing his eye, and the memory pops back into his head in a flash. He knows exactly what she feels, his own sense of helplessness fresh in his memory. And it still stings the same, and Aemond loathes that.

While he revisits the past, unwillingly slowing his pace, Y/N spots the change in his demeanor within seconds. She sees his facial features congealing, his fingers clenching, and she comes to the only conclusion she can make.

"Is it the headache?" her voice is suddenly quiet, and Aemond comes to an abrupt stop. The question catches him off guard, words stuck in his throat and his mouth agape. He doesn't know how to react nor does he understand how could she possibly know that. Y/N is quick to clear up his confusion:

"I noticed not long after we met and then your mother confirmed my suspicions. I am sorry that I didn't ask you directly, I thought... I didn't want to sound intrusive," she explains coyly.

"By asking about my health?" he finds his voice again. "I am to become your husband, you are free to ask such questions."

"We've only known each other for about a day back then. Surely, you're allowed to take more time than that to open up to someone," she kindly points out.

A day. Up until now the only person who's known about his pain was his mother, and for years no one else ever questioned his well-being. And it took her a day to notice that something was wrong.

"Did the ointment help?" she asks hopefully. For a second he thinks he heard her wrong but the shadow of concern on Y/N's face tells him otherwise.

"That was your doing?" he can't hide his amazement, and it elicits a laugh from her, sonorous and dulcet. Aemond likes the sound of it, he really does.

"I've been fortunate to obtain the knowledge required," she informs him.

"And what kind of witchcraft is it?"

"It is not," she playfully elbows him. "It was something my grandfather taught me. He used to have an ache of a similar nature. No one could understand the cause of it, and it only got worse with age. But my grandmother refused to sit idly by and one day she found a way to ease his pain," Y/N has a dreamy expression on her face but it melts into a wistful one. He guesses that both of her grandparents passed away.

"After her death, he wouldn't let anyone help him. It took me months to persuade him and eventually he let me on her secret," her smile is bittersweet. "Then he died, and I never thought the recipe would come in handy ever again."

Aemond hates seeing her wallow in sadness. He puts his palm on top of her hand in an attempt to offer some consolation. If there was a way to free her of that grief, to take at least some of it upon himself, he would've done it in a heartbeat. But his touch is enough to bring back the cheerfulness in her voice.

"I should mention that your maester did help, too, although he was reluctant at first," Y/N reveals.

"And I presume that it also took some convincing?" Aemond thinks of the maester's face that always looks like he is surrounded by imbeciles.

"I shamelessly boosted his ego," she wrinkles her nose. "Told him there was no way anyone would ever be as skilled as he is, and that my attempt was merely a gesture of goodwill."

"But I wasn't just that," Aemond cordially protests.

They already reached her chambers but he doesn't want to let go of her hand. He wants to tell her that meeting her was like taking a breath of fresh air after being held underwater, like finding a source of light in the pitch darkness of the night or feeling the warmth in the dead of winter. Aemond wants her to know that she's been a saving grace for him, but he's somehow at a loss for words, his thoughts jumbling together.

"It was way more than that and I...," never in his life had he gotten this tongue-tied and flustered. Yet she treats him with the same kindness and with no sign of prejudice, listening closely and keeping her eyes on him. Her gaze is disarming enough to make him say the first thing that comes to mind.

"I must admit, you exceeded my expectations," Aemond breathes out.

It immediately feels like the worst, the dullest choice of words possible, and he wants to sink into the ground right this second. But then he sees her natural smile, genuine and bright, blossoming on her face again.

"I am glad to be of service, my prince," she murmurs the last part, and his heart skips a bit.

He didn't register the moment Y/N came a bit closer, but she isn't shying away from shortening the distance. There's something enamoring about her trusting nature but that's not what draws him in. For the first time, he experiences an unfamiliar feeling that tightens his chest, makes his breathing rapid. His gaze slips over her face, down from her radiant eyes to her smile, framed by the lips that look as soft as freshly bloomed flowers. The feeling melts into an urge — he only needs to take a step, to lean his head forward just a bit and...

Aemond inhales deeply. He thinks they are in no rush, he thinks it would've been disrespectful and naive. He's mostly afraid to misread the situation, to scare her away.

But he wants to make his intentions clear. Aemond runs his thumb over her knuckles, brushing them one by one. And then he takes her hand to his lips, planting a kiss on it. He allows himself just this flicker of bravery before straightening up and releasing her hand. When he looks at Y/N, her gaze is directed at him already. It feels like a particular question is hanging in the air; they let it dissolve for now.

"I shall bid you goodnight," her eyes linger on him for a second before she turns away.

As Aemond watches her go, he is certain he wants them to be more than just friends.

Lucerys's name day comes in a about month, and by that time Aemond's routine has changed drastically. It might look the same: he wakes up with the sun, flies with Vhagar, he trains regularly, he spends his free time reading — except now Y/N is a part of his every activity.

She's never nosy or clingy; he's the one seeking her company at all times. She's an early riser, too, and they're always the first ones at the breakfast table: he asks her about her dreams, they make plans, they poke fun at Aegon, who is perpetually sleepy, and Y/N can effortlessly hold any other conversation with his family which only makes him ever so pleased.

She watches him train with genuine curiosity, she never looks away nor flinches, even when he gets too competitive and rough. Her attention is flattering — and it's all on him, and it feels unusual at first, but becomes empowering and he bathes in it.

When he takes her to meet Vhagar, she's terribly nervous. Aemond jokes that meeting his old dragon will pose no challenge after she handled Ser Lannister. It gives Y/N enough confidence to pat Vhagar's snout as the beast observes her calmly. Aemond assures her that the dragon will never go against his wishes. What he wants to say is that Vhagar senses how he feels about her.

They spend evenings in the library, both absorbed in reading but always sitting close by, their arms and shoulders coming into contact more often than not. He sometimes can't help but get distracted which leads to him forgetting about his book, instead secretly watching her, his glance full of adoration.

For a while, he's oblivious to how inseparable they've become until Helaena tells him one day, while Y/N is playing with Jaehaerys and Jaehaera in his sister's chambers. When Helaena mentions it ever so nonchalantly — "You two seem joined at the hip!", it startles him. But that moment doesn't turn into an awkward one — instead, Aemond realizes that he's not scared anymore.

"I will steal her away from time to time," Helaena says, as cheery as ever.

"Bold of you to assume I will let you," he chuckles, his gaze not leaving Y/N.

"I think she’ll have the last word," his sister retorts with a cunning smile.

Aemond doesn't think twice before admitting:

"She will never say no."

"My point exactly."

The Queen plans a great hunt to celebrate her secondborn son, and a feast is being held in no time. Aemond detests those pompous events yet Y/N seems too enthusiastic about the idea, and he begrudgingly agrees to participate. He doesn't want to burden her with his weighted resentment toward Luke but, as usual, she sees right through him. Y/N asks him if he has any reservations about the upcoming celebration, and that's when he decides to tell her. Aemond doesn't want her to pity him nor does he want to upset her so he keeps the story brief: he claimed the dragon, his siblings didn't like it, things escalated way too quickly and they haven't been on good terms ever since. 

She heeds his every word, then bluntly asks:

"Must you really go?"

He ponders before answering with a sigh:

"It would be rude not to. I should pay my respect."

"I wish he had the courtesy to do the same for you," she frowns.

"It would be a little too late for an apology," Aemond shrugs even though her caring tone moves him deeply.

"I still think you deserve one," she says like it's the most obvious, logical thing in the world. He wonders how obvious the reddening of his cheeks is.

"I do not wish to dwell in the past when so many great things lay ahead of me," and he only means her. Having a future with her is his greatest blessing.

She bestows him with her softest smile:

"I guess we should make the best out of the situation we are in. Maybe you will have some fun hunting."

Aemond doesn't know what was her definition of fun, but his definitely doesn't involve babysitting Aegon. Yet that's what he ends up doing as they get separated from the group of hunters and his brother gets so drunk, he can barely stay in the saddle. He babbles and whines and Aemond is on the verge of praying for a miracle when the two of them finally stumble upon a boar. The younger prince catches the animal without a struggle.

"Oh, must be good to be a boar. Wild and free!" Aegon grumbles on their way back to the camp.

"I just slit his throat. I doubt you would want to switch places with him."

"I didn't say I want to switch places," he shakes his head so vigorously, he almost falls down. Aemond moves his horse closer, grabbing Aegon by the shoulder to steady him.

"Although switching places with you sounds tempting," he sneers.

"And why would you ever want that?" Aemond raised his brow questioningly.

"You've got yourself a pretty wife-to-be," Aegon chants and whistles.

"Are you asking for me to tie you to that boar? That can be arranged," Aemond deadpans.

" 'tis won't be necessary," Aegon's quick to object. "Whatever she sees in you, those qualities are not in my possession," his frown turns into a grin and he winks at his brother.

Aemond lightly chuckles:

"You'll get no argument from me."

Leaving Y/N is not an easy task for Aemond but coming back to her might be the second-best thing in the entire world. And the first one, obviously, is being with her.

When they return to the camp, he helps Aegon down, impatiently looking around, and as his eye lands on her, his breathing hitches.

She's standing next to the hunting tent, surrounded by a group of ladies, Helaena by her side and they're both laughing as his sister unsuccessfully tries to finish her sentence. Y/N has a violet in her hair, strands of it falling down her shoulders, her smile bright against the fading evening sun. She helps Helaena to articulate whatever she's talking about, the ladies around them cackling.

Aemond admires his betrothed from afar, savoring the moment.

It amuses him that her softness is a choice, that she chooses to be open-minded and kind, even though the world around her is armed to the teeth, and she does know how to fight back. And yet, that's not what motivates her. Instead, she's an image of benevolence and generosity, always understanding and forgiving, hence why people are so naturally drawn to her. And he is no exception.

Aemond gets distracted when a couple of servants approach him and he instructs them to take the boar's carcass away.

"You had a successful hunt, dear prince," when Aemond hears the question, he rolls his eye. Turning around, he sees Tyland Lannister with a smile so forged his face might crack in half.

"As usual," Aemond answers indifferently. "Never took you for a hunter."

"I cannot appreciate cruelty," Lannister forces out. "And I am afraid I will not be able to negotiate my way out of a bear's grip. So I am here merely to control my brother's primal impulses."

The mentioning of Jason makes Aemond cautious.

"Developing some self-control may be beneficial for him," the prince mutters.

Tyland goes blanch white, taking the hint.

"I was wondering if I should address the delicate issue of my brother's sympathy toward your..."

"You should not," Aemond cuts him off. "Would be better to address his manners but it's the thing you must sort out amongst yourselves," with that, he turns away to find Y/N again.

Except she isn't there.

The ladies moved closer to the tent but she and Helaena are the only ones missing. It takes him a second to realize that the women look alarmed, glancing at the tent. Or rather inside of it.

Aemond all but runs there, going over the worst scenarios in his head. When he gets in and sees Y/N in the company of Ser Lannister, he thinks he's never been angrier in his life. If Aemond was a dragon, the lord would've been burned to a pulp as of right now.

Jason keeps his distance and his face expresses nothing but regret yet it looks like it's already too late as Y/N is glaring at him with a sharp glint in her eyes. And in the next moment, she loses her temper.

"...What am I missing exactly?" she asks Jason, her voice unexpectedly loud, and it draws the attention of some nearby men. She doesn't care.

"You've been eager to win me over, but I am yet to find a single reason why would any woman find your company endearing," she takes a step toward the lord and he shrivels under the weight of her words.

"Is it the winery that your servants built for you? Is it your herd of fine horses? You talk so much about your stable, one may think your betrothed is to marry a stallion," her smile is mirthless. Aemond hears a faint groan behind his back and recognizes Tyland's scared tone.

"But what are your accomplishments?" the tent gets deadly quiet as she continues. "Do you consider your persevering courtship to be one of them? Or your harassing of my parents, my relatives and even my maids with your never-ending propositions, no matter how many times were they all rejected? Or mayhaps ambushing me in the hallway counts as an achievement for you?"

Out of the corner of his eye, Aemond sees Helaena and Aegon, both looking stunned. Pretty much everyone around him has the same expression at the sight of Y/N. He, on the other hand, has never been more proud of anyone.

Y/N looks at Jason as if she wants to bore a hole in him, her voice getting lower but harsher.

"You want to know what prince Aemond did? None of the above," Aemond feels his heart freeze at the mention of his name. She is yet to see him but when she speaks, it feels like she's seen enough.

"The man I am about to marry has been nothing but kind, respectful and loving, fulfilling my every wish, granting me the comfort of his company and his loyalty. The man with the sharpest mind and the kindest heart — both of which you're clearly lacking," Y/N casts Jason a disdainful glance. "So from where I am standing, it looks like I'm the luckiest woman in the Seven Kingdoms."

When she feels a hand on her waist, she isn't surprised and welcomes the touch with no hesitation, knowing full well who is standing beside her. She swiftly turns to Aemond, their eyes locking.

"I would like it if we left earlier, my prince."

"As you wish," Aemond wishes he could marry her right now.

Disregarding everyone's attention, he leads her out and asks the coachman to fetch their carriage. When they are away from prying eyes, her confidence wavers a little. It only fuels Aemond's ire.

"Give me just a second," he can't help himself.

Aemond goes back to the tent — and right to the Lannisters, one of them is already scolding the other. Tyland stops his lecturing when he notices Aemond, but the prince doesn't let him make a sound.

"That was the second time your brother couldn't hold his tongue," Aemond ignores Jason and walks up close to the other man. "If you care about his well-being in the slightest, make sure there will be no third time."

"Aemond, let us not make another scene. You must think how that will look like..."

Aemond stares Tyland dead in the eyes and promises:

"I will gut him like a boar. Imagine how that will look like."

Without saying another word, the prince storms off.

Y/N already got into the carriage, fidgeting with the hem of the dress as she falls deep into her thoughts.

"Ser Lannister will not bother you anymore," Aemond says, sitting next to her.

"I sure hope so," she mumbles, looking down at the wrinkled fabric.

"Y/N, whatever he said, you should not let it get to you. I do appreciate the gesture," way more than he cares to admit, "but there's no need to go through the trouble of standing up for me," Aemond barely finishes the sentence when she retorts:

"I will."

She looks at him, her eyes burning with blazing certainty.

"No one took your side when you were a kid. But I'm doing it now," she states as her palm covers his, the touch is as warming as her glance.

Aemond thinks he is the luckiest man in the Seven Kingdoms.

He runs out of luck so fast, he must've jinxed it. They are nearing the castle when the pain on the back of his head stings so unexpectedly, he winces, his eyebrows furrowing. Y/N notices it immediately and insists he should take a rest when they arrive.

"Mayhaps you have some of the ointment left?" she wonders, leading him to his chambers. Aemond rarely allows people to coddle him but he accepts her care freely. He is also aware that the near-miraculous balm that she makes is long gone because he hasn't had a headache in a while.

When Y/N finds out, she looks devastated.

"It must steep for a few hours, I can't make it right away," her enthusiasm brittles. She glances at him in a dither, mulling over something, while he lights the fireplace.

"There is another way that I know of," she slowly suggests. "But you will need to lie down."

"Quite a vulnerable position you want to put me in," Aemond lightheartedly jests but brings himself at her disposal with no second thoughts.

She sits on his bed right next to him, the bend of her hips an inch away from his arm.

"Close your eye," she asks calmly and he obliges.

Aemond senses that Y/N leans over him and he struggles not to hold his breath at the realization of how close she is. Then he feels the tips of her fingers on his face, the touch is so light and gentle, it makes him shiver. The pattern of her movements first contours his face, then goes up to his forehead, then slowly glides onto his temples. She massages them delicately in a circular motion.

"It was probably all the noise that caused this," she presumes.

"Or maybe the fact that the man makes my blood boil," Aemond says, although his anger is completely gone by now.

"He is pissed I didn't choose him," she laughs quietly.

"Choose him?" her words peak his interest. "You had a choice in the matter?"

"My father said he would hate it if I marry someone I didn't like," her thumbs are following the lines of his cheekbones, then run under his chin, then all the way up to his hairline, right next to his ears.

"May I ask what was your decision process?" Aemond selects his words very carefully. What he really wants to ask is why would anyone pick him, out of all people.

"I've heard you claimed the biggest dragon in the world at the age of ten," he can't see her smile but he can hear it. "That was impressive enough."

Aemond takes a peek at her through his lashes:

"That can't be the only thing you've heard."

"I can distinguish valuable information from pointless rumors," she notes imperturbably.

"I bet those rumors included the stories of me being the scariest man in the realm..."

Her fingers cover his mouth and he stumbles.

"I decided I would be the judge of that," Y/N says firmly.

"And what is your verdict?" he can't stop himself from asking, his pulse speeding up.

She doesn't think for a second:

"All the people who were spreading those vile tales clearly have never met you. There isn't a single bad thing I can think of when it comes to you."

Aemond shouldn't take it to heart but that's precisely where it hits, her voice cracking his shield, her eyes telling him she will never regret knowing him, caring for him. He thinks this is what true happiness is — being with someone who will choose you every time.

Her fingers graze over the strip of his eyepatch and she pauses her movement. She isn't breaking eye contact, waiting for his reaction, for his permission or refusal. Aemond gulps, helpless under her gaze, and doesn't stop her.

She picks up the leather strip slowly, as if she wants to give him a chance to change his mind. Aemond watches her, his body still, heart rate booming in his ears. Y/N removes the eyepatch and looks straight at the sapphire that gleams brightly in the warm lighting. And then she smiles.

"What do you see?" he exhales.

"Nothing scary, that's for sure," Y/N's gaze doesn't leave his face, her index finger tracing the scar, barely touching his skin.

"Nothing I don't admire," her voice is a little above a whisper.

"Nothing I wouldn't love."

His heart is beating so fast, it feels caged and ready to jump out at any second. Aemond forgets about the headache as if it never existed. In this state of bliss, he contemplates making a very emotional decision. But she makes one instead.

Y/N lowers her face closer to his and all of a sudden he feels a touch so light, it's almost like a petal brushes over his skin. It's her lips. She kisses his face — his scar — moving tenderly from the high point of his cheek to the area under the sapphire and then right above what's left of his eyelid.

When their eyes meet again, Aemond can only think of one thing.

He surges upward, his lips colliding with hers — she responds in an instant. His chest feels like it's on fire as kissing her is the most overwhelming feeling in the world, but he doesn't want to stop, ever. Her fingers gently slide down to his neck and Aemond uses his arm for support as he sits up without breaking the kiss. He then pulls her closer, one of his hands on her lower back and the other nestled under her jaw.

She softly sighs into his mouth — and it might be his new favorite sound. She tastes like berries, her lips getting more eager, fiery, addictive, and he is dizzy with joy and longing, trying to memorize each second. The pacing of the kiss grows heated and intoxicating as they melt into each other perfectly. They only part when both are out of air, their lips tingling, swollen and craving to continue.

"I must admit," she tries to catch her breath, she can't stop smiling, her hands caressing his face, "you exceeded my expectations."

Aemond laughs, cheerful and carefree, his nose bumping into hers.

"It's all about teamwork, as I've heard," he plants a quick peck on the corner of her mouth — and on the other one. And then they're kissing again, desperately drawn to each other. He's lost in the sound of her voice, in the feeling of her lips on his.

His love for her is all-consuming. Her love for him is healing.

Turns out, letting her in doesn't make him lose. With her by his side, he always feels like a winner.

English is not my first language, so feel free to message me if you spot any major mistakes!

> the title is a quote from Hozier's song

>> I originally took inspiration from this post that lists the possible consequences of losing an eye. I also can't help but mention the extensive research that @ adderess did, which only adds to that heartbreaking yet very realistic concept.

>>> I have a playlist for Aemond 🎵 I didn't add any music in this fic BUT I've listened to "Mr Sandman" a lot, especially the instrumental version (I didn't mention it earlier in case you don't like listening to music while reading). 💕 my masterlist

[ectogeo-rebubbles]

My friends @the-last-dillpickle and @wanderingwriter87 made a very important post connecting the dots between Heathers and Star Trek DS9 "In the Pale Moonlight" a few months ago and I have been extremely unwell about it ever since

[oceanwithouthermoon]

ive come to realise that i dont actually hate kubokai, i just hate the way people write them

[moongothic]

This is gonna turn into some Crocodad Propaganda eventually but putting the man aside for a little bit

Let's be real for a moment. Regardless of who Luffy's other biological parent is, regardless of if they're relevant to the story or not, no matter what has become of that person, if they're dead or somewhere out there alive, etc-- I believe Oda "knows the truth".

Although it took One Piece until post-Enies Lobby to reveal some of Luffy's blood relatives to us, Oda had technically introduced both Garp and Dragon to us all the way back in the East Blue saga. And Ace was introduced not too long after in the Baroque Works saga, along with his tattoo which held that secret tribute to Sabo all along. (Also he was introduced as "Portgaz D. Ace" meaning Oda must've intended to make the two non-blood brothers from the get-go.) All this means that Luffy's family, both adopted and blood relatives, have been in Oda's mind from the very begining of the story. And so if Oda had figured out Luffy's grandfather, father and at least one brother (if not both) from the begining, then why would he not have decided what became of the person who gave birth to the idiot as well? Like considdering how detail-oriented and meticulous Oda can be, would it not be unusual for him to essentially forget about a character that important (in the sense that Luffy literally would not exist without them) and just handwave them away without much thought? Would that not be out of character for Oda? As such, I don't think it is not unreasonable for us to believe that Oda would know what happened to Luffy's other bio-parent. Mind you, it really could be just something like "Luffy's mother died of The Disease when Luffy was a baby", or "the mom fell down the stairs" or "was eaten by a bear in the woods" or something, anything, whatever. Even if it truly does not matter to the story one bit, I'm sure Oda knows the truth of what happened and why that character wasn't a part of Luffy's life.

But at the same time, if the identity and the fate of Luffy's birthing parent truly did not matter to the story at all, then why wouldn't Oda just tell us who that was and what happened to them? In an SBS or an interview? It's not like people haven't been asking about it, because fans and staff alike have been asking about it for years. If the information really would not change anything, be it the direction the story will take or how we view the characters, if it really is just worthless trivia, then why keep it away from us?

Now of course, I'm sure you'd want to point out that one time Oda told Mayumi Tanaka that "A young boy's adventure begins after he leaves his mother's arms. I want to tell this young boy's adventure story, so his mom is not part of it." And Oda isn't known for lying, we do kind of want to take what he told Mayumi Tanaka at face value. At the same time though. If Luffy's other parent did become a plot relevant character in like the final 200 chapters of the story, after a 1100 chapters, they and their potential connection to Luffy would not have mattered to the story for 90% of its run. For an overwhealming majority of Luffy's adventure, that person would not have been a part of it. So if that character did become relevant, and Oda was lying, then it'd be a white lie at worst. But also, if Oda did intend to reveal that other parent eventually, when the time was right, then surely he wouldn't want to get people hyped up about it way ahead of time. If it did turn out to be a big plot twist or an otherwise important plot point, Oda would want to keep it under the wraps and a secret until the right time, you don't want to spoil something like that. Not to mention it could end up working like a distraction and make people not focus on the more important things happening in the story currently. So really, I think we'd all forgive him for a white lie there. Not to mention, technically speaking, if Luffy doesn't even have a mom but two dads, then Oda wouldn't really be lying either.

But that does bring up an important thing to considder.

If Crocodile does turn out to be Luffy's other dad, when did Oda get that idea, and when would he have committed to it?

Because, keep in mind, One Piece began back in 1997. Twenty seven whole years ago. Which means there's two things to considder; the evolution of queer rights over the past near three decades, as well as the fact that One Piece has more than surpassed Oda's original plans for the series. We must not forget how for a manga to remain serialized in Weekly Shounen JUMP, you need to perform well in the popularity polls consistently; if your manga starts dropping in popularity, JUMP can cancel it and force you end it prematurely. Of course, Oda arguably does not have to worry about those polls anymore after all these decades, there's no way in hell JUMP would ever cancel fucking One Piece in this day and age. But that might not have been the case 15 years ago, that was not the case 20 years ago, and that was absolutely not the fucking case 25 years ago. Like we all famously know that Oda originally planned One Piece to maybe run for like a year, then five years, then ten etc etc. That really is because at the begining of his career he had no quarantee he'd be able to tell the full story he was slow cooking at the back of his mind. Back in the early days, One Piece could've been canceled and ended prematurely, so Oda smartly chose to write it focusing very specifically on what mattered to the story at that moment, in the short term. Yes, he did start laying out the groundwork for things to come, but he did it so subtly that had OP been forced to end early, the series wouldn't have been left with too many massive, gaping plotholes or unresolved sidestories. Another thing to keep in mind is how comic artists for JUMP do have editors etc who can have a say in what goes into the manga (famously, Sasuke only existed because Matashi Kishimoto's editor suggested it). So again, while Oda might be able to do whatever the hell he pleases in One Piece at this point, that wouldn't have been the case 20+ years ago. He would have been more or less at the whims of his editors back in the day.

So would Oda have thought about giving Luffy, the main character of the series, a transgender father back in the year 2000? Could that really have been the secret plan from the start? And would Oda's editor(s) at JUMP have allowed that? Or, did Oda maybe come up with the idea later?

Now just so we're clear, I am NOT suggesting Crocodad was Oda's original intent and that his editors didn't let him do it or anything like that, my tinfoil hat isn't on that fucking tight. What I do want to suggest, is that it is plausible Crocodile being Luffy's other dad was an idea Oda was playing around with at the back of his mind from the begining, but wasn't sure he'd ever get to, mainly due to the uncertainty of series' future and partially because he could've been unsure if his editors would even allow him to write that story. And IF this was the case, Oda may not have even started committing to to the idea until around the CP9 saga. Or, it's possible Oda only got the idea sometime after the completion of the Alabasta arc/during Skypiea saga, and started laying down the groundwork for during Summit War so that, if he ever got around to it, he'd be able to commit and tell that story.

Regardless, let's be real.

It is interesting and kind of suspicious how Crocodile does just happen to be introduced around the same time the rest of Luffy's family was first shown to us, even if we didn't know Garp and Dragon were Luffy's family yet (this was also the same time the first canon queer character was introduced; Oda was playing around with queer characters during Crocodile's introduction, possibly testing the waters to see what he could get away with?) During the CP9 Saga we got the Miss Goldenweek cover story, where we see what's become of Crocodile after the fall of Baroque Works. This is of course adding to the world building of the CP9 Saga (where we're told the criminals who go through Enies Lobby are either sent to Impel Down or to Marineford; so us finding out Crocodile's gone to ID is playing off of what we knew would become of Robin and Franky and the Strawhats not come to rescue them. AND it's foreshadowing for the Summit War Saga), but also, soon after we were reminded of Crocodile and told where he's been sent off to, we were finally formally introduced to Garp and Dragon (Garp having already been mentioned by Aokiji at the begining of the Saga). And we close off the Saga watching Ace and Blackbeard have their fateful match. So again, Crocodile was on Oda's mind around the same time the rest of Luffy's family was. And indeed, after Thriller Bark we then move onto Summit War proper, where Oda does all The Things we would considder The Groundwork for Crocodad, most important being the introduction of Ivankov and their Devil Fruit. But again, just like before, Crocodile just happens to be there at the same time as this saga, which really heavily focuses on Luffy's family, plays out. While we learn about Dragon's secretive nature and connection to Iva-chan, Garp's feelings for the boys, Ace's struggle with his heritage and Luffy's love for him, Sabo and Garp... Yeah, Crocodile's just... Also there.

Whenever Oda starts dwelling into Luffy's family, Crocodile is always there. It's a bizarre coincidence if nothing else.

(And oh won't you look at that, Crocodile has once again become a plot relevant character, just in time for The Final Saga where Dragon has also started becoming actually plot relevant as well)

All of this to say, again.

The fact that Oda has refused to tell us anything about Luffy's other parent is sus, and to me indicates that either although unusual for him Oda genuinely just doesn't give a damn about Luffy's other parent, or he's been trying to play it safe for years so that if he ever got the opportunity, he could give Luffy two dads. (Or maybe there's some other twist that has nothing to do with Crocodile, that is possible too, I just feel like if that was the case then why hide it for 27 years?)

Whatever the case, I'm sure Oda knows the truth.

And I'm sure we will find out the truth eventually, be it on the pages of the comic or in the SBS.

[iwritenarrativesandstuff]

I'm probably going to do a terrible job of articulating myself here but every time I think about the worldbuilding in Hatoful Boyfriend, I think about the implications of having the birds simply have adopted the structure and policies of human society and go insane.

It's clearly originally just for the ridiculousness of it all for the players, but AGH it explains so much regarding the extremely rampant classism/racism/speciesism and how apparently normalized it is. It also, to me, adds a bit of moral nuance to the Dove - Hawk Party conflict.

(Long post under the cut. I'm so sorry I just kept going.)

First off, I'm obsessed with the concept of the birds becoming sapient and simply... taking over a society that was not structured for them. It leads to difficulties in universe! Bird wings are not made for doing tasks that human hands can do naturally - there's a couple instances where the characters ask for Hiyoko's assistance or express envy since she can just do the task more easily than they can. The birds are outright disadvantaged in certain areas of life, and yet, the society is in such turmoil due to the newness of it all that there still aren't really any workarounds for stuff like this.

Not that there haven't been any suggested solutions, such as the Labor 9 series, put forward initially by the Dove Party. Yeah, you know, that one throwaway line about how the party that up until this point have been the "good guys" wanted to take still semi-conscious human brains and make robotic slaves out of them Cyberman-style? What the hell. And what gets me is that Shuu was able to find the initial proposal, which he really only made tweaks to, which means that the project was at least close to being finished on the conceptual/planning/design phase before somebody went "hey this is a little fucked up actually".

The Dove Party wants peaceful coexistence with the humans, while the Hawk Party wants to eliminate humanity entirely. But we don't really go into how these two lines of thought evolved. I believe I have a suggestion for at least one part of the puzzle though.

Of all the birds in Hatoful, who enjoys the most privileges and the highest status? Fantails, it would seem. A breed of pigeon that is popular as a pet, considered beautiful and sought after, and achieve high accolades in shows and competitions - for clarity's sake, fantails were valuable in human society, and this status appears to have transferred when birds became sapient and took over. Conversely, which birds are ranked lower and often blocked from entering certain higher class places? Rock doves, who, in human society, are given an unfairly bad reputation, and considered anything from unclean and dirty, to nuisances, to pests. Again, this status transferred over when the birds took over.

So, while we don't know too many of the birds who make up the agents of the Dove and Hawk Party, let's take a look at who we do know of.

Fantails (Yuuya, Dove Party) are considered valuable over other doves and pigeons for being specially bred for their striking tail feathers

Cockatiels (Leone, Dove Party) are some of the most popular and beloved companion birds, kept as pets and considered very friendly

Rock doves (Ryuuji, Hawk Party) are considered unclean pests who receive a bad reputation, and are generally not treated with respect or appreciation <;- notable thing to mention here is that Ryuuji actually does like humans - I think he was only Hawk affiliated for the grant money and research facilities, which... fair enough man.

Chukar partridges (Shuu/Isa, Hawk Party) are game birds, specifically bred and released to be killed and eaten, and considered a delicacy

...do you... see what's going on here?

(I haven't mentioned Tohri as he's a special case. Give me a minute and I'll get to him!)

The birds we see in the Dove Party are those birds that were already viewed in a more favourable light by humans, a favourability that transferred over to their new society. Of course they are more likely to advocate for coexistence! They have less to lose, overall. And the Labor 9 series, and how that could've ever been suggested in the first place, suddenly makes a lot of sense. For many of these birds, society the way it exists now benefits them. Some of these high ranking Dove Party folks may be less about actual peace and justice (like Yuuya or Leone) and more about maintaining the current order of things - humans coexisting under their control, while they get to maintain their status... which is itself a product of human invention.

The birds we see in the Hawk Party, by contrast, are looked down on or hunted. Historically, even before bird sapience, they did not have a harmonious relation with humans - and it's likely this status carried over to their new society also, with many of these birds being more likely to have been disenfranchised. Their goal of elimination is therefore reactionary towards perceived threat. After all, the people who suffer when things go wrong aren't the ones at the top - it's all the people who sit at the bottom of the social rung; the vulnerable members of society who do not enjoy the same advantages as others.

Of course, the Hawk Party has built itself up into such a powerful group that they may have lost touch with this starting foundation - the only thing that remains is likely that reactionary fear. After all, people caught up in the actual conflict - Nageki, Hitori, Ryouta, and Hiyoko - see this kind of horrible bloodshed firsthand (firstwing?) and just want it to stop.

Again, it's not usually the people in these political factions who are the ones caught up in their conflict. It's the individuals who lack power or influence.

But that's just the political groups themselves. On an individual level, it's kind of interesting to look at and theorize where along the spectrum our core cast falls based on their species/breed.

Ryouta (rock dove) is actually rather indifferent towards humanity as a whole - he just likes Hiyoko. However, his witnessing of the Heartful House tragedy led him to abhor violence and unnecessary loss of life, and I'd imagine his mother's later illness solidified this. Ryouta doesn't seem overly interested in political struggles or the broader implications of a lot of things - he's actually a rather self-oriented character when it comes down to it (this is not a judgment, nor a bad thing! I love my boy!). Ryouta just doesn't want to lose people, really. A conflict would mean more loss, and rock doves seem to have to struggle enough as is.

Hiyoko (human) is the daughter of two diplomats, but interestingly, we don't get to see much of her political views on things - perhaps because even if she expressed them, it wouldn't really matter - she's not herself a diplomat, and humans are the lowest of the low - her going to a fancy school doesn't really change that. Social-wise, except with her friends, she is tolerated, not accepted. Yet, it's safe to say that Hiyoko strongly disapproves of people who flaunt their status - she's quick to not take crap from Sakuya, to get angry on behalf of Ryouta and herself over the gull clerk's assholery, and also to defend Miru and Kaku as living beings worthy of respect. Interestingly though, she also uses Okosan's status as a fantail to get Ryouta to let go of him and let him do whatever he wants so... it's kind of unclear what her firm beliefs are. Perhaps, as a human, she still values fantails more highly. I don't know honestly. Implicit bias?

Sakuya, Yuuya and Okosan (fantail pigeons) may share the same breed, but their experiences are highly different. Sakuya is largely separate from the human-bird conflict, as he is unlikely to be directly affected by it. As such, a lot of his story and development has to do with actually learning and un-learning about the world outside of the limitations of his "father's" classist views, which he simply mimics without understanding the larger implications. Yuuya and Okosan, on the other hand, may be fantails, but are also looked down on and often treated as inferior - Yuuya for being a "half-breed" and for his reputation, and Okosan for being closer to feral than a lot of other doves. Interestingly, these two show more interest and respect for the individual than Sakuya does, who often makes sweeping generalizations based on status - which makes sense to a degree, as they've been on the receiving end of this kind of treatment, whereas Sakuya hasn't. Okosan believes that each person has their own "wonderful names" (read: identity outside of breed or status), while Yuuya is a genuine fighter for justice who is able to get to the heart of people, especially in Holiday Star. However, even though they have experienced classism, they still have certain privileges with regards to species/race - take Okosan's shock when Hiyoko and Ryouta are barred entry from his favourite store. None of them are quite as out of place in everyday society as some of the other birds here, and it's notable that "diverse" St. Pigeonations still apparently has a significant fantail student population.

Shuu (chukar partridge) is really interesting, as he doesn't particularly care for the politics of the Hawk Party, and yet his role as a killer/hunter of both his fellow birds and humans is an interesting reversal of the chukar being a game bird. Shuu also has a disability (his semi-paralyzed right side) which hinders him in bird society even more than most. His extreme, yet coldly logical solution to kill all humans to stop the fighting between them, could be as much his rationality, as his joy in the sadistic, as a reactionary survivalism (remember he was caught up in a human terrorist attack as a child - while overall he considered this beneficial to him, he also did lose much of his colour vision and the use of his right side, so it did leave him weakened). Shuu attains control by "flipping the script" as it were.

Tohri (golden pheasant) starts out in the Hawk Party, but much like his colleagues, doesn't seem to care much for their politics. Golden pheasants are game birds whose eggs can be eaten, but are more often bred and kept for their plumage - they're not prey, but they're not exactly pets either. All this puts Tohri in this interesting position of being somewhat in the middle of this conflict, and indeed he goes on to be a part of (found?) the Crow Party - an opportunistic group that seeks to benefit from the overall conflict. Golden pheasants are birds intended to be admired for their beauty and intelligence more than anything else, benefitting in some ways from humans without a strong connection or a reliance, and Tohri's opportunism fits nicely with that. (As an aside, our sole crow character, Albert, is also something of an opportunist, being an assassin on the fringes of society.)

Hitori and Kazuaki (button quails) are somewhat interesting. It would be both expected and understandable if Hitori held hatred for humanity after the Heartful House incident, or even before then, considering they were all war orphans. Instead, he doesn't seem to harbour any particular ill-will - he seems totally fine around Hiyoko, and her being a human has nothing to do with his reticence with letting Nageki hang out with her in the shrine universe. Kazuaki, too, doesn't seem to mind Hiyoko being human and isn't afraid of her any more than he is anyone else. While quails are game birds, with both meat and eggs being eaten, button quails are too tiny for that and are mostly kept as pets - they are considered cute, silly, and entertaining, though a bit too jumpy to be outright companion birds. The quails don't seem to experience too much in the way of speciesism (except arguably with the whole mistaken identity of Kazuaki's corpse... there may be a bit of an "all quails look the same" thing going on perhaps). At the very least, they are able to occupy teaching positions at a renowned school as respected intellectuals, and did go to university. Still, it's kind of a known thing that you don't put button quails with bigger, more dominant birds, since larger birds will often pick on them or even outright try to kill them simply because they're small and shy - this may, in hindsight, explain some of Kazuaki's demeanour.

Nageki (mourning dove) and Anghel (luzon bleeding heart dove) are the two who are uncommon bird species in Japan. Nageki is another war orphan, who would be forgiven for harbouring resentment for humanity, but instead is appalled at the violence and made a huge sacrifice to get it to stop. It's kind of unclear how Nageki fits into this society, as mourning doves are not prey or pets - they're wild birds. They live on the outside of the human world, and while Nageki exists within current bird society, he likely doesn't have a designated status within it. Nageki is unfortunately also alienated from much of the action due to his illness and later his untimely death - this is why a lot of Nageki's thoughts are somewhat from an observer's perspective, with his most emotional moments being derived from his rare direct experiences - specifically the Heartful House tragedy and the human killings he was forced into, which solidified a really firm stance of not wanting anyone to suffer like that. Anghel is another outsider, this time genuinely a foreigner, as opposed to Nageki. Again, Luzons are wild birds, not prey or pets, and so it's a bit unclear what his status is. This might explain why Hiyoko repeats Sakuya's remarks towards him without apparently realizing they're actually insults - Anghel is removed enough from the conflict she is familiar with that it seems she doesn't quite... get it. Again, Anghel's role is as this strange kind of omniscient observer, whose perspective is closer to the player's than to the rest of the cast. He definitely frowns on the Hawk Party's overall goal - the Demon Spores are evil to him, and his main objective is to stop them from spreading, as they would cause damage to both birds and humans. I attribute his morals to his mother having raised him right lol. The lack of a clear status for both of them may be why they appear to take the stance of judgment based on individual actions, but are not heavily involved in the conflict itself - while humans tend to like mourning doves and luzons, there isn't much interaction that goes on between them. Nageki and Anghel are simply less embroiled in bird society's human-derived status conflict, which makes them both outsiders and observers.

As a bonus note, Azami, Rabu and Kenzaburou are all species of birds that can be kept as pets (java sparrow, budgie, parakeet), which may account for some of their friendliness towards Hiyoko, and Kenzaburou's willingness to hire her. Kenzaburou is even a bit old-fashioned it seems - he sleeps in a cage, which implies his ancestors were probably pet birds themselves. It's likely he, in particular, has more positive views on humans.

...Please tell me I'm not the only one who spent ages thinking about the implications and workings of a fictional post-apocalyptic bird society. Also I hope this made sense I kind of went off the rails here.

[suffarustuffaru]

hi i made a tier list of how homophobic rezero characters are

hello in the spirit of valentine's day and the very welcoming community here on rezero tumblr i decided to make this with the help of my lovely mutuals.

[cookinguptales]

so American Girl's new historical characters are from 1999, look almost exactly like Mary-Kate and Ashley Olsen, and are worried about Y2K. They listen to the Spice Girls, have tamagotchis, and use gel pens. The word "sk8r" was used unironically in their description.

I literally had the AG slumber party book that's part of the Pizza Hut BOOK IT set. The exact AG magazine that's in other photos, too.

my childhood... is historical now...

just put me in the ground...

--------

BONUS: I texted my mother:

[azaracyy]

✦ gods of mischief ✦ digimon survive week 2024 day 3: other digi- er, kemonogami

[can-of-slorgs]

The other researchers are also here! (magical edition!)

[fras-redacted-shapes]

Alan Wake (whose face and voice we find on Thomas Zane and Casper Darling, respectively) ends up in an antagonistic relationship with Alex Casey (whose face and voice we find on Sam Lake and Zachariah Trench, respectively).

Casper Darling and Zachariah Trench? By the end, their relationship was antagonistic.

The Casey-Trench voice was once a guide-friend for Wake-Darling.

And then, they were fighting.

One was suspicious of the other, thinking he was lying, hiding something.

While the other was unaware of the darkness that was growing and consuming the former's mind, his ignorance letting it fester. Feeding it, even.

The original faces, Thomas Zane and Sam Lake? In this latest iteration they've spoken with their own voices while in the Dark Place, only in the presence of a camera.

Alan Wake and Zachariah Trench? In the end, while in a nightmare dimension, both get shot by a woman who both of these men meddled in their lives, threatening the well being of their loved one.

At least one had a hand in his fate, willing it, accepting it. The other? He was fully gone, his will overtaken by the nightmare.

A version of Alex Casey did say it after all. He and writer, they were the same.

And finally, the real Sam Lake? By happenstance he offered his face for a collaborative project, and became a symbol. Even if he tried to fight it, tried to replace it, he had to concede. The story demanded it, as if writing it wasn't enough, the narrative claimed his visage.

There's no need to make overt mentions or put the image of the Ouroboros in posters. The serpent is interwoven in the fabric of the narrative itself.

[diathadevil]

Do you ever think about how Fakir, after him and Ahiru finally broke everything that kept the town of Goldkröne in the ghostly hands of its writer, after they finally have some air of peace over the town finally being able to live in its intended early 2000s environment, that Fakir still feels at times like it's not real and that for a while he fears that if he closes his eyes it'll be back in Drosselmeyer's control. Like it just doesn't feel real to him during that first year of calm, until he feels the dull pain on his recovering hand injury and Ahiru who follows him without a pendant anywhere to be found.

He doesn't feel it's real, the calm finality of this town, but he makes sure to feel the scar on his hand. And he makes sure to hold the little duck and realize that she is who she has always been. Him and the town are finally living peacefully.

[b4kuch1n]

“Abstracting the Wolf killed It,” murmured the Crow. “Do it to me, and it’ll only turn me red.”

[carnivalcarriondiscarded]

https://www.tumblr.com/an-elegant-void/743516328073265152/here-are-the-instructions-from-the-help?source=share

Important info!

immediate indignation and rage aside, for some reason i dont have the option yet... it's probably due to the usuall "roll 'features' out to chunks of users at a time" but Still. nervous