Where does that weird characterization of Izuku being a whiny nice guy incel even comes from anyway?
Just because he is kind that doesn't mean he's constantly doing that out of malice to get into a girl's pants, that's literally the antithesis of Izuku's whole ass character.
People say no one is against boy/girl friendships but they can't even handle platonic Iz/och as a concept.
I wish I knew where that came from, Anon! Actually on second thought, no the heck I don't.
I really hate that, just in general for these kind of characters, how some people will flip Izuku's niceness into something else that is entirely not him.
Oh, he's nice? Pushover.
Wrong, you're wrong.
He's nice? Trying to get into a girl's pants.
Disgusting, how dare you.
Seriously, they can't handle nice characters like Izuku without twisting them into some OC with the same name and completely misinterpreting the story.
Those same people as you said can't even handle M/F pairs being friends. They whine about same sex relationships and "people can't see them as friends" but BEHOLD! Here they are losing the damn mind over a canon friendship between a male character and a female one.
They also act as if people are stopping them from shipping a girl and a guy. They whine about people shipping characters of the same gender (mostly males) and mischaracterizing them. Yet turn around and do the same thing with characters of different genders! Projection, no better.
I guess they're mad that Horikoshi didn't make their "Deku Harem" concepts canon.
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I’ll preface this by saying I’m not really a shipper. I just enjoy canon couples on TV Series/films.
Terms I’d like B*ddies to remove from their vocabulary because they don’t know how to use them correctly:
Media literacy: For a group that uses this term a lot you sure do misinterpret everything in this show.
Queerbaiting: Going to expand on this one. A show that’s already been pre established for having queer characters simply cannot queerbait.
Ship baiting: While sometimes you can argue that they could be doing that, that’s only if you look at the show in a very biased manner. You might think this is the case but the general audience doesn’t think the way you do.
Ship war: This isn’t a one tree hill situation where there was Team Brooke Vs. Team Peyton where the middle guy (Lucas Scott) had canonically been with both women. This is people not understanding fanon vs. canon and not being able to just watch the show. It’s like playing quarterback on Madden and thinking you could be better than Patrick Mahomes.
Plot device: everything’s a plot device. Move tf on.
Predator: You sound like crazy MAGA supporters calling everything regarding the LGBTQIA+ community as predatory. Sit down.
Co-parenting: I know this is a big one and discourse was brought up during the hiatus. Oliver and Ryan have loosely mentioned this years ago but it was never to be taken this seriously. Do y’all even know what co-parenting is or are you that big of a donut? Buck is someone who loves his best friend deeply and by extension, his kid too. Him taking care of him frequently does not make him a co-parent. Maybe he is a parental or uncle figure, but he isn’t a co-parent. Also, I swear y’all need to learn how a will works. He is a GODPARENT, not a GUARDIAN. Stfu.
Hag: This especially applies to women, but to say that someone 25-30+ is a hag for still being in fandoms or enjoying tv shows/films is inherently misogynistic. Men are never held to this much criticism for enjoying fictional media, but women aren’t allowed to?
Queer Coding: people of the same sex “looking at each other”, hugging, or having intimate moments all together doesn’t make them queer coded. It could mean that they just love each other that deeply platonically. While representation is amazing and just because you interpret a character as queer coded (just like my ship baiting comment) doesn’t mean others interpret it that way as well. In addition, network TV has stipulations, and also actors are allowed to decline storylines. Ryan has mentioned his character is heterosexual an abundance of times which means (at least for now) that he isn’t willing to go for this storyline.
Dead naming: Y’all construing the fact that Buck wants people like coworkers and some of his former love interests, to saying Evan is his dead name is inherently transphobic because do you even understand what a dead name is? Evan Buckley is shown as being fine with being called Evan by both Tommy and his sister. I’m pretty sure some of his love interests have called him Evan as well.
Fetishizing: You guys saw two hot guys who “looked at each other” and for 6 seasons have wanted nothing but to see those two make out with each other. Those of us who enjoy Tevan saw Buck giddy at the thought of Tommy and have wanted domestic fluff for them since.
Anything to do with racism, homophobia, and misogyny: I’ve seen the way you guys have conveniently weaponized Henren and by extension Aisha/Tracie when you didn’t get the Ryan/Oliver interview, don’t try to act like you’re morally superior. Not to mention wanting a canonically gay man to die in a show and not even holding those who use your ship name to write CSA fics accountable because you’re petty and want to throw hissy fits. Anyone looking at your comments as an outsider would think you’re homophobes and yes queer people can be homophobic.
I do hope you can expand your vocabulary. 🤍
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One, two, three... a couple of moments in narrative, or all of them viewed isolated, could be called "misinterpretation" and "an incurable case of shipping goggles" but when the events start piling up and staying consistent between each other, every new one adds context to the previous events.
Zuko keeps Katara's necklace for 10 episodes? Oh it's a plot device so he can track them. Zuko steadies Katara so she doesn't fall off of the shirshu? Oh anyone would fall off of it while paralyzed. Katara jokes about giving a kiss to Zuko for the necklace? Oh she's uh... teasing Aang to whom this completely goes over head? Iroh keeps encouraging annoying love songs during music nights on the ship? Oh it's typical content for sailors. Zuko randomly recites cringe poetry after basically ending a fight in a draw against Katara while he's clearly running out of time? Oh it's the Rule of Cool. Katara randomly defends Zuko's hairstyle when Sokka insults it? She's uhh... defending Sokka's hairstyle even though Sokka didn't insult his own hairstyle (honestly I have no other explanation for this one). Katara is in Zuko's personal space 5 minutes after they started talking without being on opposing sides? She's uhh just that much empathetic. Zuko smiles at her on the very same day they let him stay near them? Uhhh... He waits an entire night awake to apologize to her? Uhh he's just a master manipulator hiding his selfish motives he's really sorry and would do this for anyone. Katara's glued to his side since their hug? Uhh she's empathetic. Zuko plants himself next to Katara during the play and won't budge? Uhh he's just socially unskilled (for now due to abuse) and does't quite understand what Aang wants from him. Zuko intercepts lightning for Katara in slow motion? It's the Rule of Cool again.
All of these things are true, but it's also true that when viewed as a whole... the narrative is portraying something. Reality is everything, the purposeful and the pointless. But theatrical stories pick and choose what to show, and we are taught how to interpret shorthands. Good writing won't have pointless or unconnected events. Neither is it smart to over-animate irrelevant actions.
And I purposefully didn't even list any of the symbolism or outside events that don't "originate" from the characters themselves (other than Iroh's actions because it's hilarious).
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Ganna rant about Episode 4 of Hazbin again. For starters it has the same issue that Seeing Stars did for Helluva boss, that being Loona giving Octavia advice in comparison to Husk giving Angel advice. While the characters situations are different, both Loona and Husk were the wrong characters to pick to give advice, or simply just comfort the other character. I’ve already seen some people say that Charlie or Vaggie should have been the one to cheer Angel up, and that would have made more sense. They’ve known him longer and it’s in character for them to do that. For it to be Husk, not only does it feel forced as an excuse to just hook Angel up with a boyfriend and get the shipping fuel going, but it doesn’t make sense narratively.
In Loona’s case, her situation was flawed because she just MET Octavia, didn’t know a thing about her struggles and spouts to her about how she should be thankful just because her dad is “trying”, and the show tries comparing both girl’s situations when they’re not the same. This is practically the same situation with Angel and Husk. While Husk is aware of Angel, he barley knows him. He hasn’t been at the hotel that long considering the pilot took place only a week ago. On screen, all that Husk knew about Angel was that he was a porn star who constantly flirts with everyone, him especially, and we as the audience only see that and only that when the two interact. However episode 4 claims that Husk can see right through him and know that this is all part of his persona that he displays. If we had more time with these two characters outside of flirty banter scenes, this would make more sense, but instead it’s all tell and no show, being rushed with the little time we’re given. Husk even says that the hotel residents go to him to rant their sorrows while they’re drunk and even THAT happens off screen and that’s the problem, the audience has no reason to believe that Husk knows Angel deep down or even cares enough to want to help him, in our eyes, all Angel’s been doing is sexually harassing him.
There’s no reason why these two need to have an emotional scene together, it’s unearned and unwarranted because we haven’t had enough time with these characters, just like Loona and Octavia, there’s just no purpose or buildup. I also resort back to what I’ve said before: Husk selling his soul to Alastor is not the same as Angel selling his soul to Valentino. The show tries to compare Angel and Husk’s situations and it’s just not comparable because Alastor isn’t a rapist who’s trapping Husk to sell his body and be used like a rag doll constantly. Had it been something like “you’re a drug abuser and I’m an alcoholic”- THEN that would have worked, but that’s not what we get, and this leads me to talking about why “Loser Baby” isn’t good.
Some people have already misinterpreted my opinion, so here’s a few things. Is the song in character for Husk? Yes. Is the song about Husk telling Angel not to act and just embrace himself? Yes. On its own, the song is fine outside of some distasteful lines. The CONTEXT, execution, and placement of the song is the issue. Episode 4’s whole purpose is to see just how much Angel suffers. He’s forced to work like a dog at the studio day in and day out, and he gets abused and SA’d by his boss and other demons constantly. He doesn’t have a say in anything and can never say no because he’s under contract. He can’t Fizz his way out of this one and just go “I quit”, he’s literally forced to work in the porn industry wether he likes it or not, and we see all of that on screen. We also explore just how much this affects him. They reveal some pretty dark stuff here, how Angel doesn’t even want his position as a famous porn star and is so desperate to be numb from the pain and suffering he endorses that he’ll get high constantly and let people drug him for nefarious reasons, it’s his escape. They dump ALL of that info onto us, only for this bullshit to come up:
So the writers slut shame him, call him a freak and an addict to laugh at because “haha he’s addicted to drugs and a slut”, even though we JUST got done with a scene that confirms HE DOES ALL OF THIS AS A TRUAMA RESPONSE. He said himself he does the drugs and is addicted to numb the pain, and his own flirting (while problematic) is shown to be an act of him hyper sexualizing himself due to what he goes through. It’s not excusable but it’s still a fact, and we’re supposed to LAUGH at him??? That’s what’s wrong with his character and what continues to be wrong, because Viv sees him as the butt of the joke. Every line of dialogue he has is always about sex and how we should laugh because he’s a slut, an it comes off as so distasteful and insensitive to not only people who have been abused/SA’d, but porn actors in general. We’re supposed to laugh when he talks about cock and sex, but the reason he’s doing it is so dark that we shouldn’t be laughing about it at all cause he’s a VICTIM, yet Viv thinks it’s funny. It’s so disgusting and makes my stomach twist. Angel is trapped being in a position he doesn’t even want to be in, yet his entire character revolves around comedic sex jokes, and once you figure out the reason behind said sex jokes, it feels so wrong.
And this is why Loser Baby doesn’t work. Aside from everything else I’ve already said, It doesn’t line up with what Angel is going through, it doesn’t line up with the rest of the episode. If you wanted Angel to have this arc about realizing he doesn’t need to stick to his persona, fine, but you should have done it in a different episode. This is why Husk comes off as telling him to just suck it up and stop whining rather than what he’s actually trying to say. It looks bad with how they executed it, it just looks like he’s telling an SA victim to get over it and stop whining and what’s worse is they compare their situations when it’s not the same. You literally have a scene of Angel telling Husk he lets people drug him, and not even a minute later Husk is calling him a loser. That’s the issue. The show doesn’t know how to read the room, build character relationships slower, is just so incredibly tone deaf and is hypocritical. We’re supposed to feel bad for Angel cause he’s sexualized to the maxes and is having trauma responses of that, but then we’re also supposed to laugh at him and his sex jokes while also finding him hot. Pick a fucking side Vivienne, the show wants to have its cake and eat it too and look where that’s gotten us. The writing is a fucking atrocious mess and yet it had so much potential if Viv actually cared enough to take Angel seriously, instead of just desperately wanting to give him a boyfriend, and a rushed arc where he magically feels better in the end.
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