#not really fourth year. theyre spaced out in very different time frames.

[floweypilled]

i have the fourth year redraw of something in a couple month s im getting impatient i wanna draw it already😭

[sanstropfremir]

episode 9 baby!!! dear lord that was a lot!!

frankly, i'm still in shock that i full on manifested an opera stage, AND it was a rock opera stage at that! plus i got a jazz stage AND a taemin stage??? if they’re pulling out all my favourites now then what on earth are they gonna do in the finale??? this was a very overwhelming crop of stages, i thought i was going to be prepared, but oh no i was not prepared. i'm just going to get right into it because this one is gonna be long and i have many words. i'll discuss in airing order first, and then put my personal rankings for this round at the end.

btob

costume

changsub, you absolute king. spectacular. stunning. incredible. zoot suit riot playing in my brain on repeat. will i finally get the zoot suit revival of my fucking dreams instead of this current drab ill-fitting suit trend? for those who are wondering why in the fuck changsub is dressed like that and what on earth i’m talking about, the specific cut of suit that he’s wearing is called a zoot suit, which were popular in mexican, black and italian american communities in the 30s and 40s, until they were outlawed by the united states war production board as a fabric rationing method as part of the war effort in 1942. there was a huge amount of mob violence surrrounding the wearing of them (there were actual zoot suit riots) as they were direct counter culture fashion to the predominant drab trends of white americans at the time. i'm actually very impressed they got a proper (modernized) cut of zoot suit instead of just putting him in an oversized one; there are actually specific structural differences. the pegged trouser legs, large should pads, and knee length single breasted jacket are key features, and they were often in much more flashy fabrics than a pinstripe, but they get points for effort. i wish they had put all of them in zoot suits but he’s playing the ‘lead’ actor so i will begrudgingly forgive them.

eunkwang those are the stupidest sleeve garters ive ever seen i love them never take them off. they’re like someone decided to repurpose a suspender in the worst way. excellent. i do love that they’ve got three of them in oxford saddle shoes, another great touch.

love the three piece and the fedora* on peniel. it's also in a relatively close period cut; waistcoasts (vests) were generally cut much higher in the neck pre-war, we only start seeing the neckline slide down in the 60s (i think? i don’t remember when exactly). also love to see a proper sleeve and jacket length, it's good practice to have at least a finger’s width of sleeve cuff visible ahead of the jacket sleeve when hanging at rest. also looks like there’s french cuffs on everyone, which is also great.

minhyuk in his slutty lowneck shirt....thank you. in addition to the zoot suit revival i would also like a revival of those ultra low necklines on mens’ shirts from like 2010-2011. i don’t think those are the same boots from the backdoor stage but those are some beautifully cut boots. i also loved the little details of his crewmember look, especially the chunky watch and the string bracelets; those are super realistic, i know so many crew with them and i had several for many years. and who doesn’t love a visible button fly?

none of any of the other costumes are period in any way shape or form but i’m forgiving it because there’s several layers of meta in this stage, and they explicitly based it on la la land, even though we don’t respect la la land in this house. do i wish they had gone more strictly period with at least the jazz club ‘actors’ a little more? absolutely, but i'm not mad about it.

set

again we’ve got a good delineation of the two different ‘stages,’ there’s the club itself in the smaller stage and the soundstage set in the larger space. you can pretty clearly see all the ‘pieces’ of the set on the soundstage, especially the obvious set painting techniques on false prosc frame and the window facade from that first little scene. also the you can see the castors (wheels) on all the setpieces too, which is another nice little versimilitudinous** (triple word score!) touch, as old hollywood movies were made still using theatre stagecraft techniques.

i love how the visual shorthand for ‘this is a set wink wonk’ is just...leaving a ladder on stage. i see it all the time and it's so funny. it doesn’t always make sense because as soon as there’s actors on set the ladders are the first thing cleared because actors cannot be trusted, but yes there are always ladders, so. also psa ladder safety is no joke, please be careful on ladders.

nice streamline of the mnet deco into the club. i’m consistently surprised at how well the designers have been able to mask it or use it to their advantage, because in the normal kingdom stage lighting it is SO obvious and stylistic that it always sticks out.

i'm going to ignore the fact that they implied changsub and miyeon were drinking wine out of martini glasses.

lighting

no complaints, it does its job. everything is visible and super clear. love that the ‘scene’ changes are made through the lighting, it's a really simple and effective device to change atmosphere. purple/blue/amber are the most flattering colours on human skin and that’s why you see it so commonly in stage lighting. also blue/lavendar is the best way to show nighttime/moonlight.

really nice and subtle projection work, especially with the billboard bit and the blue moon sign in the club. despite being obviously meta/’world breaking’ it’s actually very seamless and fits well into the flow of the stage.

sound

i love love love the big band feel in the intro, combined with the piano lead. very duke ellington, as all things should be.

no complaints. i love big band. i love eunkwang’s voice. i have nothing else to say.

staging

i LOVE this movie within a movie within a performance meta nonsense! it's such a fun concept and it is exactly what i wanted ikon’s first round stage to be! i also love to see btob consistently coming up with concepts that are inventive and fun and allow them to showcase their technical performance skills without the aerobics the younger groups are putting themselves through. it provides a really lovely variety and it just goes to show that you can make impressive, dramatic stages without having to be serious or ‘dark.’

i do wish they had leaned into the band director/lead singer with eunkwang a bit more; this could have been a really excellent place for a tap number a la the nicholas brothers or an homage to cab calloway. i know i know this was meant to be la la land themed but la la land is a cheap and whitewashed version of jazz and look me right in the eyes and tell me this isn’t the greatest tap routine of all time. i know i’ve typed this out somewhere before but la la land is just a conglomeration of old hollywood tropes and so stylistically cheap that this would have such a better visual core if they had actually looked back at the real old hollywood musicals like stormy weather. even singing in the rain and an american in paris have such phenomenal visuals and are really beautiful examples of the scope you can pull off with a limited technical capacity and sticking to these old techniques.

now that i'm thinking about it, oh my GOD i would DIE for a lindy hop routine in kpop PLEASE. i know it would never happen because kpop doesn’t like partner dancing and not a single kpop boy has the chops but oh you think fourth gen has too many acrobatics?

this got off track but i think you see my point.

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ateez

costume

these are really sharply cut suits. and the detail work on the beading??? so beautiful. i'm disappointed that they gave me a rock opera stage without the true ridiculousness of rock opera costuming, because they could have pushed this a lot farther if they really wanted. a tragic lack of gay little outfits, seonghwa’s lace choker is just not enough! two favourite suits: hongjoong’s and yunho’s.

that being said i do actually really like these. this stage is actually very modern opera with a kpop twist and i'm a little surprised by that? i continue to be impressed by the ateez team who are clearly doing their research.

i'm absolutely not going back through their stages to check all the choreography but i wonder if you can track all the ‘wound’ placements to places they’ve been ‘hit.’ i wouldn’t put it past them to have put that thought in but also i’m not expecting that much either.

who is this white grim reaper bdsm executioner chain arm man. where did he come from. i have no idea and i love it.

why is honjoong blindfolded. it was such a fast beat, if youre gonna blindfold someone give it a little longer and some more obvious narrative weight!

seonghwa does that quickchange, runs across that massive stage to the smaller set, and gets into places in like 45 seconds. it's not the hardest quickchange in the world but still, under a minute is fast for any quickchange, especially when there’s travel time involved. i think the fastest, most complex quickchange i ever did was in university which was a 50s cocktail dress into a flannel and culottes with a shoe, hair, and jewelry change in 35 seconds. and that took three dressers. quickchanges are always impressive. the added bonus of this review being later is that i can specifically reference that you can see him book it the fuck off stage in the full cam!

cute moment with the backup dancers dressed in costumes from the previous stages. i'm assuming this is a time travel reference? i'll get more into my thoughts on this in the staging section. regardless, love to see that iconic seonghwa moment again.

set

this is such a restricted space! they really pared down their dancing space with those staircases and ....arms? honestly i have NO clue what these are supposed to be. the only thing i can maybe think of is flying buttresses??? but why?? i mean, i'm 90% sure theyre just there for drama and i agree but i do still have questions.

there’s a lot of moving parts in this set? the buttresses, and the upstage centre staircase. i don’t think the staircase is totally automated because i spotted some dancers securing it in place, but it’s still a moving part. i do really like that we get that expanding upwards energy, because it's really tough to get functional level movement in this kind of a performance, mostly because of its length and because it moves so quickly. so seeing the downward vertical movement and then the upward movement was actually a really nice visual contrast that made use of how tall those fucking ceilings are, and the fact that they had less horizontal space. in sort of similar way to sf9’s jealousy stage, using long, narrow vertical lines really makes it feel like a castle space. the interiors of castles, especially the really old ones, are a lot smaller than you think they would be.

i’ve actually seen that type of small house/tent/thing several times in various types of performances before, but i think this is the first time i’ve seen it used as a time travel device (other than in the say my name mv). aesthetically it's a bit incongruent but i dont really mind because i'm used to watching rock operas that look a lot weirder than this.

lighting

there is so much happening. i have NO clue what the projections are doing. i dont hate it though, so that’s a plus? there’s a clear-ish colour arc even if it does get a bit funky in the middle, which is why the projections dont feel as insanely distracting as some of the other stages we’ve seen.

the climax is a perfect example of how to light a busy stage with primarily red but still maintain clarity on the performers. a little bit of red goes a long way; the spark stage from last week would have looked so much better if they had done what the ateez designers did here.

sound

i know it's only ode to joy, but answer already gets my motor running and then i get so gassed by the guitars and then by the time those vocals come in i'm inconsolable. i don’t know why i wasn’t expecting a rock opera stage but i'm so glad i got that surprise because i genuinely love rock operas so much. it's two of the most dramatic genres in music, what more could you possibly want?

staging

the choreo for answer is so goofy that I'm kinda glad this was mostly terrible mnet boom shots. i love it, but you can't deny that it's goofy. i spotted a couple of moves from their other choreos as well?

choreographing dance fights is just as difficult as choreographing real fights and i think they did a fairly good job here. i think it was a solid mix of dance and conflict that erred on the side of dramatic rather than accurate and i prefer that over trying to be ‘realistic.’ i’ve only ever seen one truly realistic fight scene on stage and that was for a deeply naturalist play (boring and a waste of the medium), but the best fight scene i’ve ever seen was in the prague national ballet’s adaptation of kafka’s the trial where three ballet dancers beat the absolute snot out of the main character with the most beautiful leg extensions. that whole show was probably one of the best pieces of dance i’ve ever seen, holy fuck it was so good.

despite how insane the music and the visuals were going, i actually really liked how sedate this was, on the part of ateez’s performance. there was a really sophisticated and resigned energy from them that is very different from what we’ve previously seen and i think that was a pretty admirable risk to take. reaching the top and then throwing away the crown? especially in a competition where every other stage has involved stealing crowns or royalty and there’s a group competing that got here through that very concept? that shows a real maturity, peace of mind, and foresight that i did not at all expect from a bunch of 22 year olds.

here we come to a very interesting comparison. both ateez and tbz are very heavily leaning on previously established group lore. we all know my thoughts on why it isn’t working for tbz, but here’s why i think it is working for ateez: it's because it doesn’t matter to the audience’s understanding of the stage. i had absolutely no fucking clue what was going on the first time i watched this, but that didn’t stop me from enjoying the music and all the weird shit they were doing. i totally believed that they understood what was going on. there’s a loose enough established conflict right at the beginning that draws us in, and really it doesn’t matter who they're fighting because they win in the end. the key here is that they’re so earnest. they believe 100% in every move they make on that stage. there’s no winks to camera, there’s not a drop of irony. they really deeply care about the ridiculousness of it all and that’s what makes it work. i sure as fuck dont know what’s going on, but i can see that they do, and i trust that. this is what i meant when i talked about convincing the audience you belong on stage in my stage presence post. i’ve never once believed that juyeon was anything other than an idol. he’s talented and very beautiful and he may occasionally stand on that stage like he owns it but it's always as juyeon. as an idol. but when hongjoong flaps around in that gigantic fur coat i 100% believe he’s a pirate captain. I believe he’s a punk rebel leader. i believe him a resigned king. there’s always a level of irony you have to fight as a performer because we all start from a place of disbelief. acting is not just lying to the audience, it's lying to yourself too. and if you succeed in convincing yourself? well, you’re already halfway to convincing us.

i checked it out because i wanted to see if they did the blindfold how i expected them to and was genuinely surprised by hongjoong’s fancam. the boy is EMOTING even when he knew the camera wasn’t on him; that’s a real dedication to craft.

ok i'm finished talking about this stage, this is over two pages in my document, there’s so many things i have not covered here but that’s fine, i'm quite sure any further thoughts will end up out there at some point.

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sf9

costume

let’s get it out of the way......crop top. crop top? crop top. crop top.

ok, besides the crop top, i think i might actually like the backup dancer outfits more...? i find mannequin adjacent looks really fascinating and i thought there was a lot more they could have done here in connecting the two thematically. i actually think a change of costume on the boys would have been very interesting, especially because there was a lot of inference and direct reference to changes of colour.

ALL the backup dancers are wearing the same wig and i LOVE that.

special mention zuho’s.....jacket? the right idea but it absolutely should have been one of those extreme french cut bodysuits, you COWARDS. don’t come at me with this ‘male version of venus’ if you don’t have your whole torso out! come on!

set

not sure if this is meant to be a department store, a factory, or a white cube gallery. honestly you could make the case that they’re all the same place anyways. more on this later.

i loved the movator and wish they had used it more! that sequence was so good and they could have done some more interesting repetition sequences to further highlight the ‘sameness’/the breaking of that sameness.

i feel like the set could have been used more as a whole? i would have loved to see some mannequin interactions with those boxes, because all they did was dump colour everywhere.

....why did they feel the need to include the rain bit? i know it's likely because it's in the mv and at the 2018 dream concert taemin does perform move in the rain, but with the standing still and the box walls with the words it just looks like a department store ad. which i...dont think is what they were intending?

lighting

nothing really to say here. it has a similar feel to the mayfly rap stage, which is fine because the lighting for that was good. i could tell what was going on all the time and that’s the most important part. notable standouts are the lips sequence, that's fun use of pop iconography and very effective, and the scanning lasers at the beginning.

the repeating sequence in the edm dance break is actually done pretty simply, it's just what happens when you point a camera that’s livestreaming to a monitor directly at that monitor. it's a very cool effect and it was neat to see it used intentionally, especially with the handheld leds.

actually i also really liked the lightbox tables, those were cool.

sound

the remix was fine for the most part, it was about what i expected it to sound like. i did however greatly dislike that unnecessary edm break in the middle. what was the point of that? it didn’t add anything to the overall sound or arc of the stage because it was SO out of place. there was no connective tissue around it.

oh i was also not a fan of the effect on zuho’s mic. no one else had a discernible vocal effect so it felt a little out of place. also for some reason his cadence and tone right at the end made me think of some of the voices that bo burnam uses for his vocal masque sketches/songs, especially repeat stuff, weirdly? took me right the fuck out of it. i listened to it again after i slept and i’m still getting it, so maybe i’m just going insane so best ignore this part.

staging

loved the mannequin tree, not a clue why it was there.

do actually think this is a successful cover because it does what i was hoping it would, which is take move completely out of the taemin context and put it into an entirely new one. however, i’m really struggling to figure out what exactly that new context is? and what theyre trying to say with it?

obviously they went for a ‘show your own colours/individuality’ vibe, like i said in the set section, where exactly is this supposed to be? from the start i get factory/mechanized environment, which is fine and grand because mannequins and making repetitive motions and products and all that, makes sense. but then there’s stacked shelving type units happening and curtains and that combined with the mannequins give me pretty big department store vibes, which is also fine, because that’s still a comment on commercialization and the mass production of product. but then we get to the movator and the repetitive movements of the dancers say pretty clearly factory, but the lighting and projections are very pop art referential, plus combining that with the white set, just makes me think of an art gallery. so now is this a comment on the commercialization and commidification of contemporary art? are they making a statement about being ‘real’ artists among the others who have lost the critical understanding of why pop art was even a thing in the first place? and then the rain bit at the end literally looks like a department store ad, so are they then making another statement that they still are that packaged product? maybe the episode has more clarity in it but i’m genuinely a bit baffled by what the underlying statement is here.

i suspect it is not as deep as i'm making it, but i did say that i was likely to be hyper critical of this stage AND i am a grad student, so here we are.

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tbz

costume

ok of all the ‘fourth gen’ style costumes we’ve seen, i actually like these ones more than most. i'm not entirely clear on the theme but i'm assuming it's meant to be post apocalyptic, and i'll take that.

backup dancers in black!!! we’re beyond this!!!

this will be a running theme with this stage, but i’m disappointed these don’t have more depth.

set

compared to every other stage, the set here seems especially plain. there’s so little set dec that it's disappointing. i do like the movement of the pieces themselves combined with the blocking; that first slide underneath the arches was slick and i would have liked to have seen more of that.

yea ok the big snake was cool and also a fairly complex build, but the transitions around it were a bit awkward for my tastes. especially the turn around, why did they even show that at all? you have control over what the audience sees, you can totally not show scenic transitions. skz were super smart about hiding theirs in last week’s episode.

also if you have a bigass puppet like that, i wanna see some more movement from it! it doesn’t have to be complex, we literally just saw a kraken balloon arm wave around aimlessly, but at least there was movement! that snake had a long ass body, why didn’t they at least take a pseudo dragon dance movement with it, that would have been such fun to watch with the iridescent scales. there was a lot of opportunity here!

lighting

i don’t hate it but also.... not a lot to say about it on the whole.

there were two really smart ideas here, the first being the front projection section, which i was SO glad to see! i explained in a previous review, but the projections in kingdom are not actually projections per se, because they’re actually massive led screens. there are two common types of projections in performance, rear projection and front projection. rear projection is when the projector is behind the screen, and front projection is ‘normal’ projection. rear projection can produce a crisper image because you have full control of the light values, because the projector is in a separate room from the performance space. but the downsides are that the projector has to be in a separate room from the performance space. so if you’re short on real estate, it's not ideal. front projection is much more common, because the tech is a lot cheaper and easier to access, especially now, and it requires less real estate because you can ceiling mount about the audience (you can move a projector wherever, this is just the most common spot in commercial theatres). but! in order to get an actually crisp image, you have to be really careful with your light bounce. it’s exactly the same principle as how you kinda can't see a projected screen when you have all the lights turned on, but when you turn them off it's a lot clearer. front projection works best in pitch dark, so when you use it in a theatre you gotta be smart about it. i use front projection a lot in my personal art practice as a singular light source, and that’s what tbz did here in that traveling/snake intro sequence. it’s a really fun technique that they used as a good gimmick because it’s not something we’ve seen before, and you get some great shadow effects because the projector is throwing light directionally at the performers (they have it set up close to the floor, it’s probably on a wheeled cart of some kind). however i did not like the snake intro. a bit too cheesy and out of place, especially because the asset quality didn’t match the rest of landscapes that we have been seeing.

the second smart idea, which is partially also a set and blocking thing but whatever, was that final image of the eclipse within the circle architecture with all the members standing in front of it. it was a great shot and a great ending pose, but it felt like a concept photo. like someone had that image as the idea that they then built the stage around, instead of a narrative first and then imagery after.

sound

this remix had SO much promise! those first two minutes were SO GOOD. i love that dirty discordant strings bit, it's gross and right up my alley. but it really fell off in the back half and i'm sad about that.

staging

i'm sorry tbz but.....what did you actually do differently than exo here? with the exception of the continual game of thrones references? nothing here felt transcendentally different from the original monster. and especially coming RIGHT after sf9’s move, which did go beyond its original context. this feels more like an awards show stage cover than a stage at the level of the others we’ve seen just this episode.

again like with the skz stage, there’s no conflict here. no tension. yes they do a great job covering the dance but it just isn’t enough! this is obviously personal preference and i'm sure lots of people liked the fact that it was uncomplicated, but even just a hint of narrative tension could have pushed this into more engaging territory. and if they didn’t want to do that, i would have loved to see them make up for that with extra visual spectacle. this is the no limits round! ikon is putting a full jungle on stage and these are grey cubes!

i think this is a perfect example of what i talked about at the end of my tbz section in my episode four review; this is a good performance, there are good elements at play and good ideas at their genesis, but the core of the issue is that nothing about this is transformative. all of the ideas here are just exaggerations of the original song. fuck, the snake was even IN the mv! and they didn’t even include the best part which is the lip chains! ive said before and i'll say it again; being a good artist has two steps, the first is understanding the material and its context, and the second is elevating the material from that context and synthesizing something new. tbz are really good at the first step, but terrible at the second.

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ranking

btob - the cleanest and the most fun of the round. everything i wanted.

sf9 - fun and a good cover, despite being conceptually baffling.

ateez - very extra dramatic nonsense with an unexpected dose of sincerity. and it’s rock opera, of course i love it.

skz - fun, with some good thematic devices but generally lacking in arc. also australian accents, that’s an automatic ding.

tbz - honestly the first two minutes of the remix and the costume are holding this above 6th. it just wasn’t fully formed.

ikon - aesthetically this is a great set design and although i do love the opening and closing moments, everything else scrapes me the wrong way. super personal preference here, i’m not expecting anyone else to agree with me.

i feel like my rankings were probably pretty easy to guess if you’ve been around reading the reviews for long enough. i do have very specific tastes after all. i know sf9 ranked first in the episode but i have no idea what the other slots are. i’ll find out when i watch the episode in a couple of days, but i think yea a first for sf9 is fair. i do think its mostly because it’s a taemin song and you have to do something horrendous in order to fuck up a taemin song, but there is a lot of thought and work that went into that stage.

ok i'm done now, sorry this was later than usual, but i was busier and there were four stages that i had to review. also technical difficulties because tumblr is a garbage platform and nothing works properly. comments/questions/opinions always welcome, i know i didn't expand on a couple of points that i could have so hopefully y'all have some thoughts too!

* the type of hat that ~society~ has told you is a fedora is actually a trilby. what peniel is wearing is a real fedora, i felt the need to correct this unjust hat malignment.

** meaning ‘the appearance of being true or real.’ you do sometimes hear it used by normal people, but it’s more commonly used as a descriptor in film and theatre. it’s also one of the five rules of neoclassical theatre, which are: versimilitude, purity of form, five act structure, decorum, and purpose. the most prominent playwrights from that era are moliere and racine if youre interested in what those look like in an actual text.

[ssvgawara]

Haikyuu characters as things said in the hhcu

a/n: this is pure humor and just something fun, the hhcu is wild and says stupid shit more than once a day so i complied a ridiculously long list of quotes and put them together in this list to share with yall so please enjoy, read more because again this is so long also pt 2. some of these r pretty nsfw so uh yeah <3

Oikawa: When he gives up his torso 😍 

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Nishinoya: Fisherman daddy

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Bokuto: I trust no condiments

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Osamu: YELLOW BAD OIKAWA IS NOT ALLOWED IN MY KITCHEN

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Tendou: Give ass in shiratorizawa?

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Atsumu: Garlic air freshener

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Nishinoya talking about his sex life: ITS THE GOOD OL FASHIONED POW POW GRUNT GRUNT WINDOW WASHER ULTIMATE FRISBEE DICK CONNECTOR 

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Hinata: thank you!! also my oven melted??? and caught on fire 😰 

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Yaku probably thinking abt kuroo while saying this: not gonna front im terrified of the live action grinch and if i ever see him its on sight

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Kageyama: Except that one mustard faze I had

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Lev after yaku kicks him yet again: NO INCH ACTIVE INCH VERY ACTIVE

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Suga after Kiyoko holds his hands: premarital eye contact is already a sin

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Iwaizumi realizing Oikawa probably wouldn’t know the difference between hawaiian rolls and milk bread: when he says hit it till it breaks, he means the packaging of hawaiin rolls

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All of Seijoh to Oikawa: You know whats really sexy? Self care.

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Hoshihumi: like a three year old. still baby but also evil at times🤡 

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Oikawa right before his death: "MORNING HAJI!~" slaps tiddie

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 Anyone falling on love with haikyuu boys: hey a good reverse harem never hurt anyone

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Idk who says it but terushima would do this: places his hand to my heart but then hes like heh heh boob squishy

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Tendou: centrepical force saved my bag of chocolate!!

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Lev thinking it was a literary masterpiece: *reads about a fourth of the bee movie*

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Hinata making fun of Kageyama: milk is better than the feeling of the ball touching your fingertips during a perfect set

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Hinata and Kageyama failing tests: thats just the dumbass in me babey!!!

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Atsumu simply trying to annoy Osamu: Are y’all meaning to tell me you DON’T take your raw chicken on walks through the city?

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Yahaba: PUSSY ALWAYS LEAVES

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Mattsun just to annoy everyone: yall ever think about how in the 50s and 60s they just put raw hotdogs or shrimp into jello and ate that shit and enjoyed it???

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Suga: i am now crying and my boyfriend is concerned and i can’t tell him that I’ve lost my husband and children

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Kenma; Smh my head

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Bokuto: Sorry not all of us can have double decker extra stuffed bottoms up extra large super sized t n a like me🥰🥰💅💅

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Everyone to bokuto: titty enthusiast ✨✨

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Me to kuroo: sorry babe youre a scorpio you dont have any rights anymore

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Tendou: i accidentally lit a  baby on fire

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Atsumu: This feels real human centipede

Bokuto: theyre not ass to mouth

Atsumu: Close enough

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Bokuto when a minor inconvience happens: Why are we still here? Just to suffer? Every day, I wake up....

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Sakusa: Remove your lips from my penis

Atsumu: I use a gluestick as chapstick i cant

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Goshiki: Arson or boot in my book, set fire to something live a little

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Tsukishima: I don’t like recieving pain. It hurts

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Kenma annoyed w kuroo: Put your dick in the fucking catfish’s pussy then

Kuroo being annoying: How deep is catfish pussy

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Makki to Mattsun: Ayo babe what if we fucked on the catfish tank

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Kiyoko tiredly, to Tanaka: I’m not putting salt and pepper on my pussy lips

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Saeko: I’ve got that Deep dish, super soaker, wet, succulent dripping honey suckle like sweet marinated mooseknuckle, extra thick, slip n slide, water park, waterbender, extra ribbed, the seven seas, gorilla grip, flex tape, primordial soup Dwayne the Rock Johnson, Cardi B, Megan Thee Stallion pussy

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Atsumu not really knowing what cooch means: I got the body builder cooch

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Oikawa after not sleeping to train, extremely sleep deprived: youre got unending

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Goshiki; Commit arson

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Akaashi: I leave for 10 minutes and Bokuto is 240v (mouth edition) fuckmaster pro 4000 with semen drip collection tray, automated self-lubricating 6 speed pulsating pussy and built in Polycrystalline floatable silicon

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Oikawa; I’m coming to murk your ass xoxo

Iwa: I will literally shiv you bitch

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Kindaichi: ✨ bob duncan exterminates you asmr✨

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Makki: I’ll try to find my favorite about Jacob sartorius vampire babies with Hillary Clinton

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Kenma after playing some obscure video game: also i can’t sleep😔 too busy thinking about human sized bats

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ME fuck yall im carpetting my bathroom: you already put rugs in the bathroom might as well carpet that bitch

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Kuroo talking abt something sciency idk: LIKE A BODY WIG

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Seijoh when iwa throws balls at oikawa: spousal abuse right in front of my salad

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Hinata making up some new stupid song: Ants on a log ants on a log

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Atsumu to piss off Osamu once more: world f amous allegra chicken

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Semi: Gay little Ushijima’s left hand

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Bokuto: Are you disagreeing with the fact that I am thicc as phuck

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Kiyoko: Guys is it uh... is it possible to sprain a titty cause.... Uh....

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Terushima: He laughed at the end of his own joke what a fuckin chad

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Bokuto: IS THAT THE DOG FROM ZOOTOOIA

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Kageyama: milk is kinda like organ paint huh

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Nishinoya: i don’t think socks taste good

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Tendou: out of your mummy, into my tummy

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Hinata; shout out to me who thought chickens had four legs until last summer

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Oikawa Hanger: I WANNA HANG MY CLOTHES ON HIM 

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Kenma: What a little pissbaby

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Yamaguchi: i am literally so curious about what it's like to kiss a boy that it's almost killing me

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Daichi about Suga: he may be cute, but istg there’s some kind of raging devil trapped in him

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Saeko: fuck society my titties are out

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Hinata after getting lecture by everyone for sneaking into the training camp: GOOD NEWS MY DAD IS NOT GOING TO PUT ME IN THE OVEN

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Just me thinking abt any first years: children. toddlers. Tikes.

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Me waiting for the fever: When is malaria?

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Uhhhhh probably tendou his vibes: Ill electrocute his cock

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Akaashi just go w it probably about bokuto: Why is he shoving cheese up the pussy

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Osamu tiredly: Ooey gooey cheesy chicken vagaina

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Nishinoya trying to catch a very large fish: Dom the Crab

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Bonus crabagraph: The crabs death reverberated and struck fear into the hearts of all crabs in existence because of this one 60+ year old mans volatile universe-crunching swing. Dude defied the laws of gravity by simply getting pinched by the crab. Man just reinvented the laws of physics and all of science due to the sheer force of will and untapped wellsprings if potential unleashed by the crab. If aliens show up it’s because the supersonic radio waves released by the banging of the crab against the cabinet are the first ever created in the universe. Man could cause a ripple in space-time with his crab launching abilities. Guy probably opened a gateway into another universe when he launched the crab. You see how the cabinet door opened and stayed open? It’s because this elder tore a hole through the fabric of reality to the Other Side simply because he experienced a minor bit of pain. The way he released a defeated roar of agony. The ancient gods awoke from their deep slumber and this old man single-handedly revived all his ancestors. New wars are about to start because of the way this man broke the barriers containing this reality into one fixed area. This universe is now expanding at such a rapid rate the the geosphere will now be reshaped. This man probably unknowingly blasted a hole in the other side of the planet because the shockwaves of the aggressive rippling effect of this poor crustacean slamming at lightning speed into a small wooden frame. The crabs insides were probably fused into the shell because this man’s angry, rage filled, pain filled battering ram of an arm throwing him through every known dimension and re-arriving in this one at the mere moment to experience the most pain a crab ever has or will in the rest of the existence of crabs. This elderly man probably has phased through and broken every human limiter known to man just because he got a minor pinch by a crab. He probably is bio-medically fused with crab DNA at this point. A legend.

[swordbreakerz]

✨ for all of them, 🎥 for treasure planet and guardians of gahoole, 🍀 for 9-1-1 and penumbra, 📃 for unicorn chronicles, 🏳️‍🌈 for howls, treasure planet and legend of zelda, and 💎 for any ones you have facts for lol

you spoil me uwu

🎥 - ok for treasure planet, gotta be the 12 years later scene in the beginning and the zoom in to the spaceport, the way it transitions from jim reading under the blankets to him flying on his solar surfer is so chefs kiss, and just like. everything about to the spaceport lmao, fr guardians definitely the scene where soren flies through the fire and then blows up the pulley system to get rid of the flecks energy, bro when hes flying above it all holding the lantern before he dives down to save them? chills

🍀 - you know im on that projection shit w/ juno steel, ive truly never like connected with a character like that before and he’s really really helped me thru my recovery and transition lol, fr 911 uhhh ig buck or eddie? i havent Thought About It or like consumed it enough times yet to rly settle on someone but fr now,,, they

🏳️‍🌈 - ok for howls, Everyone Is Bi/Pan, howl is trans and autistic and i will die on that hill, fr treasure planet jim and cpt amelia are both trans and both of them + doppler are autistic, fr loz link is trans, autistic and semi nonverbal and communicates primarily with asl, post twilight princess zelda says fuck it and finds a way back into the twilight realm and she midna and link hang out, most of these boil down to everyone i love is trans gay and autistic because i say so lmaooo

📃 - OK SO. without like, spoiling too many plot points, our main character is cara and she lives with her grandmother. her mom is dead and dad is out of the picture. one day theyre getting chased by these people that her grandma knows and cara gets thrown into an alternate realm full of fantasy creatures using her grandmothers amulet. she meets a unicorn named lightfoot and a bunch of other rad people and basically, starts a journey to save that world from the Hunters. the Hunters are an organisation who specifically hate unicorns and want them all dead, led by Beloved, and cara and her friends have to try and stop them from entering the world and wiping them out. its sooo so so good and i highly recommend it cause i have no one to talk to about it please god

✨ - oh boy uh, well. im just gonna like list them out lmao

unicorn chronicles: i loved unicorns as a kid and read it when i was in elementary school, and over the years its remained just as compelling and well written as i remember and like. god the whole concept is so godamn cool and all the subplots that get introduced are fuckign fantastic and like all the different creatures are amazing i literally cant sing its praises enough

howls moving castle: must i have a logical reason? is it not to vicariously live my fantasy of running away to the countryside with a wizard boyfriend, his demon and his apprentice?? for real though, its such a fantastic story with beautiful visuals in the movie and wonderfully compelling prose in the book, and esp in the movie the whole time travel subplot with sophie seeing howl and calcifer in the past and then howl finding her in the future makes me go feral

penumbra: gays in space. need i say more? im a huge slut for gay found family and especially in futuristic space, and im a huge big fan of the lgbt utopia its created. like yeah capitalism sucks but at least im not gonne get misgendered in space starbucks, u kno? all the writing and dialogue is so incredible and the SOUND DESIGN GOD, alex i know u specifically can relate when i say i would kill a man for sophie and her incredible sound design skills, like dude the dance scene in man in glass p2 you can hear every single individual step they take and every swish of junos dress and i jusT !!!!!!!!!!!!!!! god its so good, plus the whole the characters help me work through my trauma and repressed anger haha

911: this one is entirely your fault. so obligatory horny on main everyone on that show is so hot i want oliver stark to cradle me gently in his beefy arms oh my god. other than Men, the way it drives home the whole ‘you can’t save everyone, and it will kill you to try, so just focus on what you can do and keep living’ makes me so emo. the way it tackles big bureaucratic issues as well as closer to home interpersonal ones is amazing and i love how it shows people going through and dealing realistically with trauma.

treasure planet: again, who doesnt want to live in Cool Steampunk Space Travel Future? i really really love jims story and his arc, the way he deals with his trauma is uhh very familiar lol and his relationship with silver is like the ideal. the story is just the coolest concept and i love all the wonderful character design and animation, plus the soundtrack SLAPS and everything is beautiful

legend of zelda: ive been associated with this series from a very young age due to my name and as soon as i gave into my fate and looked it up for real i just kinda fell into it lol. i cant really tell you exactly what draws me to it besides ‘wow fun game!’ and ‘god i wish that were me,’ but like the absurd amount of detail thats put into each installment and the creative ways they retell essentially the same/similar story over and over is incredible

guardians of gahoole: so i had the same experience with this and treasure planet which is i remembered ‘oh hey this is a movie that exists and i cant clearly remember watching it, ill look it up :)’ and then it consumed my life for a solid 3 months. firstly this movie is absolutely gorgeous, the animation and framing is fucking stunning and the way they handled owls talking like people as far as the movement of their very inflexible beaks was amazing. it sort of has the same draw for me as warrior cats? secret animal society ft incredibly traumatic experiences and the characters dealing with it. like, the whole concept is just so fuckign wild and it works so well, i rly enjoy this niche genre.

💎 - alright trivia time, so guardians of gahoole is based on a book series and the movie only covers part of the first arc i think idk, BUT theres another series set in the same universe called wolves of the beyond that i devoured when i was younger! i didnt know they were connected for the longest time and when i found out i was :000, i still rly love wolves of the beyond and wanna reread it, as well as read the actual gahoole books. in the howls books, sophie is a redhead! also, markl is named michael and like a fully functioning young adult who ends up marrying one of sophies sisters. treasure planet is, obviously, based off treasure island but its so much better than the book dont bother reading it lol i tried and it was boring. there was plans for a treasure planet sequel that was fully scripted and cast but it was cancelled cause disney sabotaged treasure planet from the start with the shitty release and advertising and tldr we were ROBBED, also amelias concept was much more octopus like and while that wldve been rad im p glad she was switched to a cat for. several reasons lol. uhh i dont have a lot of Fun Facts abt the unicorn chronicles but for the longest time i thought there were only 3 books and then last year i found the fourth book by chance in a kitsch store and nearly had a breakdown i was so happy, like full on i started shaking and crying cause there was so much joy in my body i cldnt contain it.

thats all i can think of tysm ily, to anyone who read all of this bless u please watch guardians of gahoole and read the unicorn chronicles i will love u forever