#objective c

[realsatoshinbtc]

IYI

[ebizneed]

Objective C

[0lliethere]

what the hell happened in this episode

[hinamie]

i fear i can never date a man bc none of them will ever be makoto tachibana

[anghraine]

So one of the revelations from watching the entirety of TOS is that Kirk and Spock's relationship is not only every bit as homoerotic as rumored and then some—though it is—but that they are also incredibly fucking unhinged about it. So for this week's poll, I wanted to honor this discovery!

(The character limitations don't allow for much detail, and in context these are even more incredible, so I'll add the links/clips/summations beneath the cut!)

1— "The Empath" (Season 3)

Context: the girl of the week, Gem, is a member of a species of mute empaths able to absorb others' injuries through sympathy and generally drawn to positive emotion. Meanwhile, Kirk is tortured by other parties in the episode to test her willingness to take on others' suffering, and he falls into an exhausted unconscious heap on a bench.

Gem starts to head away towards McCoy, but is suddenly arrested by something she senses and turns to look at Spock, who is moving over to sit next to Kirk and watch him sleep. When Spock realizes he's being observed, he turns away and pretends to study data in his tricorder. Gem isn't fooled, however, and walks back over to him, touching Spock's shoulder and staring at him with wonder in her face over this simple feeling whatever his emotion is while delicate music plays in the background. See for yourself:

2— "Shore Leave" (Season 1)

Context: Kirk is fatigued and strained and in physical pain after ... uh, everything (this episode was aired immediately after "The Conscience of the King" and "Balance of Terror," so it's not hard to buy). He tries to stretch out his back and Spock, standing behind Kirk with his hands on the back of the captain's chair, pulls his hands back and asks him if something is wrong. Kirk explains it's just the kink in his back. A pretty female yeoman starts massaging his back (uh) and Kirk welcomes it under the mistaken belief that it's Spock doing it:

"That's it. A little higher, please. Push. Push hard. Dig it in there, Mr.—"

Spock lifts a brow and pointedly steps forward so Kirk can see it's not him, and Kirk immediately orders the yeoman to stop with a meaningful look at Spock.

(Bonus episode points: Spock's smug satisfaction at tricking Kirk into taking shore leave where McCoy failed, and them grasping at each other when they're in danger.)

3— "A Taste of Armageddon" (Season 1)

Context: After Kirk successfully uses a risky gambit to trick two neighboring peoples into making peace rather than continuing to murder millions of people via computers, he explains his thinking:

It was a calculated risk. Still, the Eminians keep a very orderly society, and actual war is a very messy business. A very, very messy business. I had a feeling that they would do anything to avoid it, even talk peace.

When Spock is dubious about acting based on "a feeling," Kirk adds:

Sometimes, Mr. Spock, a feeling is all we humans have to go on.

Spock replies:

Captain, you almost make me believe in luck.

And then Kirk dials it up to:

Why, Mr. Spock, you almost make me believe in miracles.

Then the camera just focuses on Spock visibly trying to process this and the episode ends.

4— "Requiem for Methuselah" (Season 3)

Context: this is one of relatively few episodes in which Kirk actually gets to pursue a woman because he likes her rather than desperate circumstances; as usual with people he cares about, she dies. He's so emotionally drained at this point in the show that, upon returning to the ship, he describes his immortal rival for her love and himself as "A very old and lonely man, and a young and lonely man," mutters that he wishes he could just forget it all, and falls asleep at a table.

Meanwhile, Spock (who has been visibly intense and uncomfortable throughout the whole episode) stays nearby as McCoy enters. Spock gestures at him to stay quiet and McCoy briefly exposits a plot point to Spock, then segues into an unexpectedly vicious, half-smiling monologue about what Kirk's gone through in the episode and how Spock could never understand it:

Considering his opponent's longevity, truly an eternal triangle. You wouldn't understand that, would you, Spock? You see, I feel sorrier for you than I do for him, because you'll never know the things that love can drive a man to. The ecstasies, the miseries, the broken rules, the desperate chances, the glorious failures, the glorious victories. All of these things you'll never know simply because the word love isn't written into your book. Goodnight, Spock.

Spock just endures and politely replies "Goodnight, doctor," but after McCoy leaves, he allows himself to respond. Without so much as a scene break, Spock slowly walks over to the unconscious Kirk, touches his face, and mind-melds with him while he sleeps. And then he wipes Kirk's memory (!!!) of the tragic romance with his rival this girl, murmuring:

Forget.

5— "And the Children Shall Lead" (Season 3)

Context: a simple instance from a weak episode, but also ... damn, it's a lot. A bunch of children under the malign influence of an evil imperialist alien have managed to take over the Enterprise. This isn't the first time something roughly similar has happened, but at this point, Kirk has a full on panic attack as he and Spock leave the bridge and take the turbolift. Kirk clings to Spock as he melts down and Spock unsuccessfully tries to calm him with "Captain," but it only works when he murmurs, "Jim."

Kirk freezes and then immediately calms back down to his usual rational self. Spock is still concerned and Kirk assures him he'll be fine now (and is).

6— "Miri" (Season 1)

McCoy, Janice Rand, Kirk, and Spock are all gathered around trying to figure out the disease of the week, which has infected all of them (though Spock is asymptomatic). Kirk and Spock lock eyes and Spock points out that they can't go back to the ship, including him since he'd be a carrier, and then he adds:

Whatever happens, I can't go back to the ship ... and I do want to go back to the ship, captain.

Kirk smiles slowly and they just stare at each other as if Janice and McCoy had dropped off the face of the planet.

7— "The Tholian Web" (Season 3)

Context: Kirk is trapped in a different phase of space while a local anomaly is gradually driving the crew of the Enterprise to insane rage. At the same time, the hostile Tholians are threatening the Enterprise with the obvious intent of killing them all within short order, and Kirk's disappearance places Spock in command throughout this triple crisis. Spock refuses to order an escape, instead insisting on the Enterprise remaining in place to keep trying to rescue Kirk, homicidal insanity of the crew be damned, even as the Tholians began attacking.

McCoy urges Spock to prioritize the welfare of the Enterprise and its crew above Kirk, telling him they can't afford to stick around and keep trying. Spock refuses and things predictably get worse.

McCoy confronts him about his priorities:

You should've known what could've happened and done everything in your power to safeguard your crew. That is the mark of a starship captain, like Jim.

Plot events lead everyone, including Spock, to believe that Kirk is dead, and as acting commander, Spock also has to lead the memorial service:

as a result of the battle, we must accept the fact that Captain Kirk is no longer alive. [...] I shall not attempt to voice the quality of respect and admiration which Captain Kirk commanded. Each of you must evaluate the loss in the privacy of your own thoughts.

McCoy continues to lash out at him directly afterwards:

He was a hero in every sense of the word, yet his life was sacrificed for nothing. The one thing that would have given his death meaning is the safety of the Enterprise. Now you've made that impossible, Mr. Spock. [...] I really came here to find out why you stayed and fought. [...] You could have assured yourself of a captaincy by leaving the area. But you chose to stay. Why?

Spock coldly replies:

I need not explain my rationale to you or any other member of this crew.

They snap at each other until they find the recording left for both of them by Kirk in the case of his death. It (hilariously) begins:

Bones, Spock, since you are playing this tape, we will assume that I am dead, that the tactical situation is critical, and both of you are locked in mortal combat.

The message is honestly both wise and heartwarming about how they should respect each other and both have important qualities to offer in a crisis. McCoy immediately feels ashamed of how he's been behaving at such a moment, and tells Spock:

Spock, I, er, I'm sorry. It does hurt, doesn't it?

Spock bleakly replies:

What would you have me say, doctor?

8— "Turnabout Intruder" (Season 3)

Context: in the very peculiar series finale, Kirk's autocratic and vengeful ex-girlfriend uses some kind of machine to take control of his body, leaving him trapped in her body. Spock notices almost immediately that "Kirk" is acting out of character and that "Janice" clearly knows something, so he goes to talk to "her" and Kirk tells him everything. Spock thinks it's possible but there's no certain proof, and Kirk urges him to mind-meld with him:

You are closer to the captain than anyone in the universe. You know his thoughts. What does your telepathic mind tell you now?

Spock melds with him and is promptly convinced.

Bonus: Spock tries to help Kirk escape shortly thereafter and holds his wrist/hand for a good twenty seconds.

9— "The Paradise Syndrome" (Season 3)

Context: Kirk becomes a carefree amnesiac stranded on a planet of transplanted Indigenous people (it's as bad as it sounds), but there's a much more well-done subplot around Spock commanding the Enterprise in the meanwhile. He stubbornly risks the ship (again) to try and rescue Kirk, but the attempt disastrously fails, leaving the ship with only impulse power. McCoy says in some frustration:

Well, Spock, you took your calculated risk in your calculated Vulcan way, and you lost. You lost for us, you lost for that planet, and you lost for Jim.

Despite his exasperation, McCoy still tries to get Spock to rest. Spock simply ignores him and orders the ship to head towards the planet Kirk is stranded on, still stubbornly set on rescuing him, even though they have no warp capabilities and have to travel entirely by impulse power. When McCoy protests that it'll take months, Spock replies:

Exactly 59.223 days, doctor.

And there's no clever solution around it, either. They do take nearly two months getting to the planet and Spock spends 58 days of the journey fixated on figuring out the puzzle that will allow them to save Kirk. McCoy tries to get him to eat or sleep, since he's done little of either for over 50 days, but Spock refuses to do anything except prepare for rescuing Kirk:

I'm also aware when we arrive at the planet, we'll have barely four hours to effect rescue. I believe those symbols are the key. [...] I am not hungry, doctor. [...] My physical condition is not important, doctor. That obelisk is.

McCoy eventually threatens to call security to force him away from studying the puzzle and make him lie down, so Spock finally goes to bed. As soon as McCoy is gone and out of earshot, Spock just gets back up and returns to contemplating the puzzle until he has a breakthrough.

Then upon beaming down and finding an injured, still-amnesiac Kirk, Spock mind-melds with him to try and repair his memory.

I am Spock. You are James Kirk. Our minds are moving closer. Closer, closer, closer, James Kirk. Closer. [...] Our minds are one. [...] Spock!

Spock breaks the link and falls back, gasping. When McCoy asks what's wrong, Spock just says:

His mind. He is an extremely dynamic individual.

10— "The Enemy Within" (Season 1)

Context: Kirk has been split into two people, representing each half of his personality: one half is noble, intellectual, and restrained, but cautious and indecisive, while the other is strong and bold, but vicious, selfish, and violent. At this point in the episode, Spock et al don't know about the split, so good!Kirk is oblivious and evil!Kirk's bizarre behavior is being attributed to normal Kirk. McCoy sends Spock to the captain's quarters to find out what's wrong with him.

Spock dutifully goes to Kirk's quarters, where he finds good!Kirk relaxing without a shirt on and promptly realizes he's gay loses the ability to put normal sentences together. It's difficult to overstate or even describe the homoeroticism of this scene, so judge for yourself:

Bonus: after Spock realizes he's dealing with only half of Kirk and has taken up helping him present a good front, he has to keep correcting good!Kirk's weaknesses and tells him that acting like actual Kirk means "You can't afford the luxury of being anything less than perfect."

11— "Errand of Mercy" (Season 1)

Context: Kirk and Spock are trying to pass themselves off as members of a species of ostensibly docile, peaceful people being (ostensibly) colonized by the Klingon Empire. Kirk in particular struggles to keep his head down, and when a Klingon shoves and threatens Spock, Kirk loses his shit and nearly clobbers the Klingon. Spock manages to calm him down and as they walk away, Kirk mutters:

You didn't really think I was going to beat his head in, did you?

Spock replies:

I thought you might.

Kirk says:

You're right.

12— "Amok Time" (Season 2)

We all know about this one, let's be real. It's difficult to even choose a moment—Spock confiding in Kirk about Vulcan mating practices (Kirk: O_O) and his loathing of the prospect, with Kirk protecting his confidentiality ("I haven't heard a word you've said"), Kirk defending his own choice to implode his career and defy Starfleet (without breaking Spock's confidence) to rush Spock to Vulcan ("I owe him my life a dozen times over. Isn't that worth a career? He's my friend"), Spock telling Kirk he'll undoubtedly find pon farr "distasteful" and Kirk responding "Will I?", Spock begging T'Pau not to let T'Pring choose Kirk as her champion ("I will do what I must [in combat], T'Pau, but not with him! ... In the name of my fathers, forbid. Forbid! T'Pau. I plead with thee! I beg!"), Spock's bleak response to T'Pau's "live long and prosper" after his victory ("I shall do neither. I have killed my captain and my friend"), Spock explaining that his pon farr vanished the moment he thought he'd killed Kirk ("When I thought I had killed the captain, I found I had lost all interest in T'Pring"), McCoy trying to get Spock to admit that his relief at Kirk's survival is illogical and Spock blatantly lying that he is just concerned with the loss of an effective captain, to which Kirk simply responds "Yes, Mr. Spock. I understand" while McCoy splutters ...

But honestly, my favorite is the brief moment of unrestrained emotion when Spock discovers Kirk is still alive and he cries "Jim!" as his whole face lights up and he grabs him. It's one of the only times in TOS that he's in his right mind and yet too overwhelmed to hide what he feels, and it's famous for a reason.

[gavonosc]

IM SORRYU I FORGOT TO TAG AS SPOILERS!!!//

Long awaited return.

Redraw,,

[alittlebitbaffled]

Love you Love you

[eterniravioli]

charles single-handedly going to war against carlando only to immediately turn around and post max on his instagram after the divorce rumors is the funniest thing he could’ve done in this situation i fear

[lazy30]

My c!dream design after Pandora Prison break out :]

[indy-500]

the atmosphere I keep it clear in my mother fuckin' prius

MFPR1US - sophie truax

[picknmixsims]

Sims2Tools Thumbnail Transparency

I've finally found out how to decode the alpha channel Maxis embeds into their JPEG thumbnails.

The following apps will now display thumbnails on a transparent background

BSOK Editor

Object Relocator

Outfit Organiser

Repository Wizard

(The background colour can be configured via the "ThumbnailBackground" property.)

Additionally, for Object Relocator and Outfit Organiser, when replacing a thumbnail with a .png image, the alpha channel will be correctly encoded.

[cringefail-clown]

striders relationship in turnabout in a nutshell

[star-cluster-nyx]

Unstoppable force vs Immovable object but it's cclingy duo

You would think that Tommy - unstoppable force due to him always leading/being the face of the conflict (wether that is good or bad is up to you to decide) and Tubbo - immovable object because he's always the one following,

WRONG

Tommy - immovable object

Tubbo - unstoppable force

Let me tell you why; Tommy's sole motivation (and also fatal flaw) is that he Can't move on, he doesn't like change. He wants to go back to the 'good old days' in L'manburg where everyone was friends and the conflict wasn't real. Before cWilbur's mania transformed him into a shell of the man he was, before cTechno, before cDream, before the discs, before everyone and everything it was cTommy and cTubbo against the world, and cTommy Cannot. Let. Go. He thinks this idealised version of his memories is both achievable and the thing that will make everything Right again. Will make him happy again.

On the other hand, cTubbo Does Not like to linger. cTubbo strives to be as logical and methodical in his actions as he can, meaning that, from early on he learned not to rely on his emotions. Which ultimately makes him reject the past as much as possible.

Who cares if cEret betrayed them, they have way too much power to make an enemy of. Who cares if cTechno was the one who took his second(?) life and caused 3rd degree burns all over his body, he is willing to help him find cMicheal and that's all that matters now.

Plus, with the weight of the L'manburg presidency on his shoulders from a young age, he has to make decisions that benefit the collective/the country as fairly as possible, and make them Quick. He has no time for emotions, or trauma. He bottles both very tightly.

There are decisions to be made, people to protect, things to do. He cannot afford to linger on the past, nevermind he Doesn't Want to. Because thinking about it leads to remembering, and... Thats not a path he's willing to follow. He doesn't let himself feel negative emotions, because he doesn't believe it will result in something meaningful. He doesn't understand how that hurts him more in the end, or better yet, he doesn't let himself acknowledge how that hurts him more in the end.

So... Yeah. This is not an in-depth analysis or anything. This is more me trying to put myself in the mind of the characters. Please feel free to share your thoughts!

[backmarkerr]

Kimi explaining why he picked #7 instead of #6 as his driver number

[anghraine]

I was thinking about "Journey to Babel" for whatever reason, and about how I find Sarek and Amanda super intriguing both as Spock's parents and as a couple.

Like, before watching, I had the vague fandom-osmosis impression that Sarek is Spock's shitty, judgmental father who actually does care about him deep (deep) down and will come through in a pinch, but not much more than that. I'd gathered that his emotional world mostly revolves around being crazy about his wife while refusing to admit he has feelings about anything (and everyone sees through this).

I also had a vague fandom-osmosis impression that Amanda is the normal, supportive, emotionally healthy parent to Sarek's distant, disapproving one and that it's not entirely clear why she even stays with this asshole except some vague "well, she loves him, I guess."

But upon watching the actual episode, I was quite surprised by Amanda—not at first, when she does seem more or less as reported, but later, as the stakes rise and we end up with Spock anxious about Kirk's health (because he got stabbed nearly to death) and insistently upholding his responsibility to take up Kirk's role, while Amanda is anxious about Sarek's health (because he's nearly dead of a congenital problem) and insistently trying to use whatever influence she can bring to bear to save him (the parallel signifying nothing, I'm sure). And the way these collide is kind of heartbreaking, because "Journey to Babel" is entirely clear that her reason for staying with Sarek is not that she's vaguely loving but that she's every bit as insane about him as he is about her.

When she hits Spock for not risking his own life and that of hundreds of other people on board to donate a ton of blood to Sarek in an experimental procedure that may or may not even work and tells him she'll hate him forever if he doesn't do it, I was like... I mean, I get that it's a tough moment for her, yes. But also, what the fuck. This is your son, ma'am.

I don't hate her for this, to be clear. I was just surprised that Spock is such an obviously secondary priority to both of his parents rather than Amanda being The Normal One. Amanda has never been normal about Sarek a day in her life!

And ... I mean, Spock himself has repeatedly jeopardized the lives of everyone on the Enterprise for slim chances of somehow saving Kirk, well past the point when even McCoy was telling him to stop. Oh, and Spock led a different outside chance of saving Kirk that failed and left the Enterprise with only impulse power, and Spock's response was to keep going towards Kirk's location on impulse power and spend the 58 days it took him to get there barely eating or sleeping.

So, like, yes, I don't get the feeling that Sarek or Amanda are particularly good parents, though they love Spock in their very different ways. But I do kind of respect them for being the only TOS couple who I genuinely feel are absolutely unhinged about each other in the same way as Spock and Kirk. As far as TOS is concerned, I'd love to be a fly on the wall at their family gatherings.

[avpdpossum]

chanting “i am allowed to do this” out loud over and over while ordering delivery from a place i’ve never ordered from before. because i’m mentally well and am a normal amount of scared of doing things. now if you’ll excuse me, i have to get back to stewing in anxiety for the next 30-40 minutes while they make my food. like any normal person would.