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anemonet · 11 months
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Happy halloween!!! Aimed and fired mainly towards >> @choliosus for the @mcyt-halloween gift exchange, but happy to everyone else too :DD
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genericpuff · 9 months
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Happy Chrysler! The brushes and fonts are here!
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After months of promising I've finally put together the ULTIMATE LO DEBAUCHERY brush and font pack! This was something I've been wanting to put together and release for a while but between technical difficulties, moving PC's, and wanting to ensure the brush pack was as refined as possible, it led to some delays. That said, it's finally finished!
VERSION 3 HERE! Helpful anon struck back not once, but twice! This will be the FINAL RELEASE of this brush pack (unless anything else is discovered but at this point it's feeling pretty complete! Any new additions will be collected and released in a new version at a later date <3)
WHAT'S INCLUDED:
All the brushes I consistently use in my panel edits of LO and Rekindled panels, among a metric FUCKTON of others provided by the community since releasing the first build! All the brush files are .abr meaning they can be used cross-platform between Clip Studio, Photoshop, Procreate, and other compatible drawing software!
A small selection of fonts from the Jason Brubaker 26 Fonts set.
A raw .clip and .psd file of Persephone from Episode 38 containing all the layer information for you to pull apart and play with! Also comes with an instruction layer to explain what brushes were used and where. Please use responsibly ( ´ ∀ `)ノ~ ♡
An .mp4 time lapse of an Eros panel recreation from S1 using the newest set of brushes!
WHAT'S NOT INCLUDED:
Clip Studio brushes that I also use due to exporting limitations. This includes the standard Gouache brush (which I've replaced with some Photoshop-compatible brushes that are close enough) and the Design Pencil brush, both of which come pre-packaged as default brushes with Clip Studio Paint. So if you use CSP, you should be able to find these missing brushes in your default brush kits!
The remaining 23 fonts from the Jason Brubaker set as they're not typically used in LO and I don't want to go releasing an entire font pack. Note that you should NOT use the provided fonts commercially unless you've legally paid for them. If you want all of his comic fonts to use royalty-free then you can buy them on Gumroad!
The canvas texture overlay that I apply to all my pages, the one I use can be found in Clip Studio's default texture overlays but you can undoubtedly also find overlays for free online or simply use the "Add Canvas" brush that's included in the brush pack! (the overlay is just faster and more uniform haha)
Commercial ownership - these brushes are all being provided to use for free, but you are NOT allowed to use these commercially, says the law. If you try to use these in a professional commercial product and get caught, it's your own funeral! Use at your own risk!
A lot of research and trial and error went into putting this together, so I'm thrilled to finally bring it to y'all for your panel editing, text editing, and style-studying needs ~ Consider this my grand gesture of appreciation and gratitude for accepting me into this community with open arms and showing so much support for what I've added to the table <3 Enjoy! ( ´ ∀ `)ノ~ ♡
And if anyone asks you where or how you got these, no you didn't-
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c00kietin · 1 day
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an incredible break though I discovered between two awesome people I follow...... @rogdona and @jeonseoguu..../silly
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that-wizard-oki · 7 months
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KingsIsle Store Launch!!!!!!
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Hello my friends!!! We have finally & officially launched our online merch store with a TON of NEW Wizard101 & Pirate101 apparel and accessories :D
A few of us at the office were able to purchase some items early access, and I can confirm they're great quality!! I know marketing worked very hard on this, and I'm just super excited for it's launch!
Here's the link to the shop!!
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cali-kabi · 6 months
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~ done this awesome art challenge by @mageta :D🌟💫I saw this going around and decided to give it a try I hope I’m doing this right akshdk ;w;🌟💫💖I love Kirby right back at ya so much <3🌟💫
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re-colligere · 2 months
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oukay well. here ya go *hands you these playlists*
ship stuff that I've been tinkering with over the past few days :] Both of these are arranged in a particular order, but that's just me going silly with it - listen to them however you like :3c I may add more songs if you guys have any recs as well! Hope y'all enjoy :D
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ferahntics · 1 year
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Oki brainworms tonight 🐺
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numberonekoalawitch · 8 months
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Waiting until the sun sets...
[Improved version from my previous one]
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muxas-world · 3 months
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David is really marc son the pose? Giving major girlypop vides
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thebekashow · 3 months
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Someone: omg Peppinio, my beloved 😔
Me: haha pepperoni man go nyeeoom.
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malk-with-tea · 5 months
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Commission for my friend Dame :)
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Found out what classes I’m in! I also accidentally stared at a kid for a minute thinking, “They’re so gender goals,” and then realized I was staring and then went to throw myself off of a cliff✨✨✨✨
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nim-lock · 2 years
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late night doodling bodies from imagination to see if I’ve retained the info :>
[black and white sketches of fat bodies dancing around; some are interacting. Some look like they’re from a different perspective entirely and are just standing there.]
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torgawl · 4 months
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everytime i think about the new chapter the more and more i like it, it really consolidated yuuta and gojo's characters. the revelation of how the higher-ups were taken down and the set-up for the scene with gojo and yuuta's conversation about what their plan was for gojo's body, in case he lost, might just be the part i find most interesting. all in all, the chapter really highlights the underlying difference between the violence of oppression and the violence of resistence and revolution.
when it comes to yuuta and the archetype of his character he is the pure embodiment of love in the series. if yuuji is able to reach sukuna because he was one with him (love as oneness), yuuta's entire exitence has sorrounded love and, specifically, love as a curse. sukuna's surprise at yuuta's antics come from a place of not understanding love and therefore being unable to conceptualise that yuuta would go so far as betray his own humanity for it. he can't conceive how love can drive a person like yuuta, who's sweet and kind-hearted, to a place as cursed as this - emphasised by the sheer horror and heinosity that is seeing the usage of gojo's dead body with yuuta's innocent expression. but we know that yuuta's journey has always been marked by this concept of love as a curse, starting all the way back in jjk 0 where yuuta's unwillingness to let go of a deceased rika caused her to linger in the world in the form of a cursed spirit. one that yuuta learns to let go of by the end of the story. a lot of what he learns in that moment is about consent and mutuality in love (hence his domain expansion name), and although rika's soul passes and gets freed she is able to manifest her will into her vessel that continues to protect yuuta until this day. yuuta asking gojo for consent to use his body not only consolidates this mutual exchange and respect that he has for those he cares for - which are his main driving force - but is also exactly what separates him from someone like kenjaku, who body hops with total disregard for who they were originally. so there's that layer of irony behind yuuta having rika consume kenjaku to copy his technique and make use of it in a equally disturbing but more compassionate way. which in itself can serve to both question if intent plays a role in absolution and introduce, once again, the idea that humans and curses are not so different, as explored between mahito and yuuji in shibuya with them mirroring each other.
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in regards to gojo i think his aknowledgement of his own inertia when it came to the revolution that he was leading was the cherry on top to consolidate who gojo really was as a person. gojo's greatest character flaw was arguably that he simply wasn't radical enough, allowing his students to be targets under the influence of the higher-ups. he had reasons not to kill them, as he explained before in the series, but he still failed to weight the consequences of his own actions and how no one is rewarded by working under a broken system. and i feel like having the youth he guided watching as he killed them is also quite significant as they're followers of this new revolutionary ideology.
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i think the shock or impact these violent or twisted acts by the hands of those forced to survive within the status quo (like maki slaughtering her clan, gojo killing the higher-ups, yuuta taking over gojo's body) as a reaction to the violence they're subjeted to by this same system serves some purpose. and i think this is the reason the higher-ups are these anonymous faceless figures, barely-there personalities who have such a big influence in the lives of so many people. even in the real world, and we can think of systems like capitalism and how it exploits people in such a casual way and it relies on that exploration to survive, we sort of take for granted that violence coming from those institutions, having our attention driven away from the minority that's upholding these systems to other things instead. that violence is more "acceptable" because we've been conditioned to it whereas the violence in response to those acts is always met with more scrutiny. and that kind of contextualises why shoko and nanami, for example, much like gojo, aren't really revolutionary with their ideals either - or rather, do not get that priviledge. the difference being gojo was someone these higher-ups were actively afraid of, because if he wanted to, he could have done more. and that's exactly why the instant he was sealed it was the perfect opportunity for them to do whatever they could to prevent him from coming back and place new-drawn targets on the backs of the people gojo was protecting. the gruesome nature of maki slaughtering her clan or the off-putting way people react to yuuta discarding his own humanity and going against what he believes is right to make sure gojo's legacy continues is almost forcing this question of what are people willing to stomach in the name of survival and change.
gojo remembering geto in that crucial moment ("i was falling behind" or "i have to catch up") and just having in mind how they were both so young and naive is so incredibly bittersweet. geto had radical ideals, no matter how misguided. he looked at the world and he had this unshakeable conviction that things couldn't continue to be the way they were. he reached incredibly misplaced conclusions, yes, which came from a place of great pain and alienation, but gojo finally stepping forward to follow that same path, to be more radical, also sort of confirms that things could have been so different if only gojo had the same level of consciousness back then; that they could have found a way better solution together instead of the tragedy that ensued. the parallels between them add an extra layer of wistfulness to their bond, too. their fates have and always will be so intertwined, in such a beautiful and tragic way. and i think geto's unwillingness to force gojo to take a certain path will always be one of the biggest proofs of his love towards him. at the end of the day, even knowing gojo was who he was, geto always seemed to want to protect gojo's path from being stained like his.
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at the core, jjk really is a story about revolution and humanity; a story about love and curses and how love is the most twisted curse of all (which has been reinforced over and over again). the fact some are rewarded and some are punished for taking certain paths under the same system is there to convey a very specific message. i really love the incorporation of eastern philosophies within the story and the role horror plays, too. the usage of the genre to deepen the impact of these themes and the way things are introduced with the intention to provoke almost visceral reactions in the readers (much like yuuta's own reaction) also makes the message much more impactful. i think this chapter was great!!!
#idk random rant because i really like 261 and my stsg heart is in shambles i adore them so much and they make me hurt so bad :')#btw people cancelling shoko and hating megumi is so silly#like idk characters aren't one dimensional and shoko much like gojo didn't seem to believe he would lose either#she can care about him and still place him in a pedestal one thing doesn't invalidate the other ashgdaj#she looked so freaking good in the chapter and people started hating her?! give her a break!!! she deals with death everyday since her#adolescence. it was also clearly not that serious?! i thought gojo's comment was lighthearted shdash#that hot woman is commiting medical malpractice and literally doing the impossible. that's so cool!!! feminism :3 let's focus on that#oky but seriously. people do care about gojo!!!#gojo himself doesn't really allow to think of himself as human not even posing the slight possibility of not getting out of it alive...#the power imbalance between him and everyone else except geto is the point#and it's why sukuna was able to have the most balanced fight with him in the first place because of the alienation power brings#can we talk about how yuuji casually asks gojo to put limitless down so he can touch him and yuuta loves gojo so much he is willing to let#go of everything to make sure he didn't die for nothing? he was not unloved. did you see everyone's proud faces cheering him on??#he's their pookie. a very annoying one but still a pookie#gojo satoru#okkotsu yuuta#jujutsu kaisen#jjk 💭
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mrskreideprinz · 4 months
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dying to show y’all my redesign of cecilia but you’re just gonna have to wait *sighs*
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