#omnisphere 3

[tilt5951]

second arc main fight theme. Shiverz droids

[nightdreamscorp]

Minhas tentativas/My attempts

PT/BR: Sou um produtor autista e indie que gosta de experimentar. Atualmente, estou focado em três gêneros: Synthwave, Dreamscape e Vaporwave (Broken Transmission e uma tentativa de Late-Night Lo-Fi, que é um tipo de Vaporwave).

Todas as minhas produções serão gravadas em demos e talvez algumas delas se tornem lançamentos. Making Music in The Night é um página e uma série de postagens onde irei mostrar eu fazendo músicas com tentivas e erros até se tornar bem legal para se tornar um Album, EP ou um Single

Vamos lá. EN: I am an autistic indie producer who enjoys experimenting. Currently, I focus on three genres: Synthwave, Dreamscape, and Vaporwave (which includes Broken Transmission and some Late-Night Lo-Fi).

Making Music in The Night is a page and a series of posts where I will show myself making music with trials and errors until it becomes really cool to turn into an Album, EP, or Single.

Let's go.

Arranjos, plugins e presets/ Arrangement, plugins and presets

PT/BR: Primeiro, irei mostrar como ficou meu arranjo e depois mostro os synths que eu usei e o presets.

EN: First, I going to show you my arrengenment and after I show you synths and presets.

PT/BR: Eu usei um synth de instrumento de cordas, baixo estilo anos 80, sinos e arps.

Plugins e presets que foram usados:

Instrumentos de cordas: Adagio Expressivo - Omnisphere - Baixo: BASS Aviator - DIVA (Oblivion Sound Lab - Neon Circuits) - Sinos: BELL 106 Pluck - DIVA (Oblivion Sound Lab - Neon Circuits) - Arp: ARP Absently Bemused - DIVA (Luftrum - 9) - Melodia: LEAD Obie Saw - DIVA (Oblivion Sound Lab - Nen Circuits)

A maioria que eu usei foi o VST Diva, eu gosto dele porque ele tem uma liberdade para ter esses sons mais retro anos 80 e mais nostalgico.

EN: I used 3 instruments: Strings Ensemble, Bass, bells and arps. Plugins and presets are used: - Strings Ensemble (Adagio Expressivo - Omnisphere) - Bass: BASS Aviator - DIVA (Oblivion Sound Lab - Neon Circuits) - Bells: BELL 106 Pluck - DIVA (Oblivion Sound Lab - Neon Circuits) - Arps: ARP Absently Bemused - DIVA (Luftrum - 9) - Lead: LEAD Obie Saw - DIVA (Oblivion Sound Lab - Nen Circuits)

Most of what I used was the DIVA VST. I like it because it offers the freedom to create those more retro 80s sounds and a more nostalgic feel.

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Progresão de acordes e melodias/Chords Progressions and melodies

PT/BR: Eu usei esses acordes para fazer os instrumentos de corda (que eu vou chamar de Pad).

EN: I used this chord progressions for make Strings Pad.

PT/BR: Já no segundo momento do Pad 2 eu fiz uma melodia como se fosse tocando uma orquestra so de cordas, mas com os mesmos acordes. Como eu fiz isso? Você duplica uma pattern e depois bem no cantinho do pattern clica em "Make unique" - (Tornar único).

EN: In Pad 2, I used the same chords progression but adding new melodies.

How can I do this? Simple, duplicate same pattern and in the top left corner and select "Make unique".

PT/BR: Agora iremos mexer no baixo. Foi usado as linhas de baixo do Pad e cortei para ir mais rápido.

EN: I used same bass notes in the strings pattern and chop the bass notes.

PT/BR: Agora vamos ver os Arps, como o arp é automático quando você faz um acorde, eu gostei do som. Eu usei a mesma progressão de acordes do instrumentos de cordas.

EN: Let's check the Arps. I used automatic arps for this and I love the song

PT/BR: Vamos dar uma olhada nos sinos, para eu fazer a melodia deles eu fui seguindo as progressão de acordes e depois fui alterando algumas notas.

EN: Let's check the bells, for make the bells I following chord progression and change few notes.

PT/BR: Na segunda melodia que seria o solo, eu fiz de cabeça para combinar com a música. Como se fosse uma guitarra elétrica.

EN: In the Lead, which would be the solo, I improvised to match the song. As if it were an electric guitar.

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Mixagem, automações e canais/Mixing, automations and channels

PT/BR: Vamos brincar um pouco com a mixagem e também com os canais. Irei mostrar os plugins que eu usei e não irei falar muito, mas as sequências de fotos vão está em ordem para não se perderem.

OBS: Irei mostrar os os volumes de cada canal, separei em grupos para ficar mais legal de entender.

EN: Let's play around a bit with mixing and also with the channels. I'll show you the plugins I used, and I won't talk much, but the photo sequences will be in order so you don't get lost.

PS: I will show the volumes knobs of each channel, I separated them into groups to make it easier to understand.

PT/BR: Vamos falar das automações. Eu criei 3 clipes de automações: Um para o baixo, um para o kick e outro para o pad.

Para criar as automações você clica com botão esquerdo do mouse e clica em "Create an automation clip" (Criar um clipe de automação). Para os plugins nativos e mais rápido e mais fácil, mas para os plugins de terceiros tem que clicar com botão direito em cima de um icone de knob.

EN: Let's talk about automation clips. I create 3 automations clips: On for the bass, one for the kick and one for the pad.

To create automations, you left-click and select "Create an automation clip." For native plugins, it's faster and easier, but for third-party plugins, you have to right-click on a knob icon.

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Efeitos/FXs

PT/BR: Irei falar dos efeitos. Coloquei somente o básico para ser mais simples nas transições. Os efeitos de transições coloquei apenas nos momentos em que precisava para não ficar tão poluido. E sim foram somente um Crash e um Crash reverso. EN: Let's check these FXs. I adding some basics: One crash and one reverse crash.

I only applied transition effects at moments when they were needed to avoid making it too cluttered.

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Masterização/Mastering

PT/BR: Para finalizar, vamos falar da masterização. Usei apenas apenas 3 plugins nativos do FL Studio: Fruity Parametric EQ, Fruity Stereo Enhancer e o Fruity Balance.

Fruity Balance foi usado para criar um clipe de automação para aumentar e diminuir o volume, para não mexer no volume do canal.

EN: For final step. I used 3 native plugins only: Fruity EQ, Fruity Stereo Enhacer and Fruity Balance.

Fruity Balance is used for create a automation volume.

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PT/BR: Obrigado por verem meu tutorial de como eu fiz essa demo/ID, ele está disponível no meu Soundcloud. Me seguem para mais tutoriais desses tipos, caso não agradarem esse tipo de formato, posso gravar em video.

EN: Thank you for watching my tutorial on how I made this demo/ID. It’s available on my SoundCloud. Follow me for more tutorials like this. If you don’t like this type of format, I can make a video.

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Agradecimentos/ Thanks to PT/BR: Obrigado ao Tumblr Brasil, por eu está començando a escrever por aqui e sempre atualizar do que estou fazendo de novidades nas minhas produções, investir em dominio para ser sempre o meu blog de atualizações aqui no Tumblr e a Geminicodes por ter feito um tema pra mim que eu adorei.

EN: Thank you to Tumblr Brazil for allowing me to start writing here and always keeping updates on what I’m doing with my new projects, investing in a domain so this can always be my update blog here on Tumblr, and to Geminicodes for creating a theme for me that I loved. PS: My english is rust, I am studying by myself, feel free to correct me.

Tumblr Brasil: @equipebrasil Geminicodes: @geminicodes

Apoia-me/Support-me:

Soundcloud YouTube Ko-Fi Instagram Buy Me a Coffee

[spatialmanufactureltd]

hello!

this is my sample pack. it includes all the one-shots, loops, and mixer presets i have used for all of my releases from 2019-2024. this includes:

Ｒ​ｅ​ｌ​ａ​ｔ​ｉ​ｏ​ｎ Ｅ​ｍ​ｕ​ｌ​ａ​ｔ​ｉ​ｏ​ｎ (2019)

█​▓​▒​░​❛​❛​Ｓ​ｕ​ｉ Ｇ​ｅ​ｎ​ｅ​ｒ​ｉ​ｓ​？​❜​❜​░​▒​▓​█ (2019)

Ｈ​ｉ​ｎ​ｄ​ｍ​ｏ​ｓ​ｔ Ｒ​ｅ​ｓ​ｉ​ｄ​ｕ​ｕ​ｍ Ｏｆ Ｔ​ｈ​ｅ Ｍ​ｏ​ｎ​ｏ​ｃ​ｈ​ｒ​ｏ​ｍ​ａ​ｔ​ｉ​ｃ Ｉ​ｎ​ａ​ｍ​ｏ​ｒ​ａ​ｔ​ａ (2020)

MAGICORE w/ STATICCA (2020)

•​⧉​•​Ａ​ｒ​ｔ​ｉ​ｆ​ａ​ｃ​ｔ​ｕ​ａ​ｌ​•​Ｃ​ｏ​ｎ​ｓ​ｔ​ｒ​ｕ​ｃ​ｔ​ｉ​ｏ​ｎ​•​⧈​• (2020)

Ｏ​ｂ​ｊ​ｅ​ｃ​ｔ Ｌ​ｉ​ｍ​ｎ​ｅ​ｒ​（​ ​✎​）(2022)

Ｌ​ｏ​ｃ​ｕ​ｓ Ｆ​ａ​ｃ​ｉ​ｅ​ｎ​ｄ​ｉ Ｍ​ａ​ｎ​ｕ​ｓ​​​（​ ​¿​）(2024)

it is sourced, specialized, and customized from various sample packs (Satan's Drum Stuff, SOPHIE, Com Truise, COSMIC, PRXZ, gin$eng, John Mello, Jungle 1989-1999, etc. & more) and includes some of my own custom samples, all organized with a focus on decisive sound design for music production.

below you can find a list of all of the virtual instruments and presets i have used on tracks:

DAW - FL Studio

Instruments > Bass > Ibanez

Instruments > Guitar > Strat Pos A, Strat Pos B, Strat Mute

FM8 - VST

Telepath

Crystal

Bigdiz Bass

Massive - VST

Blue In Grey

Big Lead

kutsustrings

Pluck - Square

Dank Lead 2

A Love Lead

Kodosyn

Amazing Lead

ATM NASTY WEATHER

Sytrus - VST

Orbital

Cerbera Saw

Deformed

Deep

Fry

Detuned Saw

Choir

Choir 2

Choir 3

Arrakeen tabla

Harmor - VST

Rhodes by nucleon

Aural Psynapse

Moonlight EP (intransigence)

Rotochip

Pad Atmosferico

Toxic BioHazard - VST

LED KutThroat ToTc

Musical ToTc

Dune - VST

FM Beauty BT

Frozen Bottle ARK

Amiga Organ KS

Brute Sine RL

Intelligence KS

Rimshots KS

Magenta KS

CS-80 V4 - VST

Big Move

CS-80 V3 - VST

Ach Steel*

Morphine - VST

LED LoFi Techno Chord MC

Vox TakeMe2TheTop MC

FabFilter Twin 2 - VST

Fudge Chunk -O

Omnisphere - VST

Epic Proportions

In Memorium 2

Boys Choir Oos

Spire - VST

GT Old Trance V

BA Beatitude

PD Beatitude

LD Dimension 8000 SK

LD Sawer IPM

BA Rave SK

LEAD - Infinite

SQ JP Order

BA Up And Down AS

LD Juicy V

LD Crispy V

LD NEON

LD Eclipse

BA ONE V

LD Unlinked

LD Virus V

BA 304 Square FL

BA Grungier Dub

PD Formanta DP

PL The Trance Pluck A

PL Stopper DRK

BA Benassi

LD Matrix 12

LD Eighty's MLM

BA Oxygene

DR Animal Kick 5

LD Exhale AS

LD Zero76 AL&RS

LD Angry Reso

LD Eurotrancer

PD Unicorn DP

LD Digital Egyptian BJP

LD Your Typical Superlead

LD Chromium V

LD Combo A DP

LD Fusion AS

LD Bright Future DRK

DR Tape Kick

DR Animal Kick 6

LD Underground

LD MODSynth HFM

PD East Coast DP

LD InstaWhore SK

LD Virus V

LD Glider DP

LD Heavy Duty DP

LD X-Lead

BA Synth Bass VS

BSQ Outbreak V

BA Analog Square

PL Nord Pole 3 DP

BA Snappy AS

LD Sprut

PL Anjuna Pluck

PL PlayHouse

PD Hid Lights

LD Aquamarine

LD Disarm MLM

ZETA+ 2 - VST

"DruggedEraBass"

Huge Chord Seq

Sad Arp

Equinox BT

Stella C2 2011

The Good Times 1

Phadt Raver

Funky Hi Fat Lo

Dancing Oscillators

Dynascraper

Textures - Trance anthem

Build That Track

Digital sound factory - Modern Digi Synth

24-osc xy hoover

Vjooprrrr Lead

crispy arp c1 (mw)

crispy arp c1 02 (mw)

Basic Trancer 1

FM Hall Practice

The Phatness FG

Noisy Beauty (Mw) BT

BitTek DMS

Creamy Poly XS

Super Eight Bars FI

Classic Content - Leads Hard - undecided

Old Lab FS

Brutal Legato FS

FM Lead Shapes FI

Commercial Trance

Ravers Arp 3

zt3r30 zinc

BroadBand Connection

Crisp Keyed FG

Chiptune Plucks XS

Reso Fat Lead

90s Revisited FS

technic

Broken Piano Amp BC

Phatman XS

Teccnoe Boeing

Ravers Slice 4

Ez Raver BC

Commodore64 Hits XS

Leading Tarnce FI

Toy Piano DMS

Electron Drum Circle 3 FI

Spezial Bell Swirl Laye

Hardcore Kick 1 XS

The Prophet FG

Zeta+ Crunk 2 FI

Milk Steak WRJ

Phased Noise Tines FI

Sp3ctrum S4w mw FI

Lofi Dream (Mw+Pb) BT

Electro FM FI (Synthwave-y + knitecap)

Alone in the Arena II

Sizzle Keys (Mw) BT

Thick Gate FI (umieram)

Angelic Vocoder (juncture)

FM Gliss FI

Digi Slapper (Mw+Vel) BT

Multipoint Brass FI

Metallic Vapors XS

Aqua Flange Pad BC

Hard Fanfare FS

FMed Duplets 1 FI

Big Bass Lead FS

Classic Rock Lead XS

Brass lead

Resonator Pluck

Blue Stars XS

Dream Arp 2

Psytrance Kick XS

Colors Crossfade FS

Sweet Dee WRJ

Serum - VST

Such Relaxation

Celestial Light

BASS - R4V3R

BASS - Make Some Jungle

MoBambaBell

PL Hot Chocolate

SuperAlba

Bass - Cold Night

Key JP09

PAD - Pancakes

LD Hypersaw

BASS - Deep and Clear

BASS - Hard Bass Pluck

SQ Automator 4 [GS]

FG Pop-Star

SY Euphonic

PL Little Harp - Mw-loop

BASS - Essential Subs

SY ModSync 1 [GS]

SY Morricone

PL Big Bells [AS]

PL Downpitcher [FN]

PL Crusty Pluck [LCV]

POLY FM242 Brass

LD Festival Beez [FP]

BA Modern Fapping [GI]

BA RBLz [7S] (ataraxia intro)

KY Static Crystal

SQ PianoStepper

SY Sqrs [GS]

KY Let's Get Nutz [FP]

SQ8L - VST

Voyager

Drumaxx - VST

Diseased FG

Sawer - VST

FG Burnt

FG Pro-52

FG Hum & Bass

FG Squarer

PD Memories

LD Pulse Lead

FG Fat Plastic

MC Chunkee

MC Waterphone

PD Sonic Juice

FG TypiTarnce

FG Fury of V

LD Chiptune 2

PD Sapphire

SY Metal Scrape

SY Sunkissed

SY Poly '86 (Shlohmo-like)

KB Accordion

FG Four Bits

LD Dance Lead 1

LD Sad Lead (ataraxia main)

BA Analog Bass

KB 80's Keys

LD Space Voice

FG Harpsichordal Injury

LD Stiff Pulse

SY Beijing

FG Soviet Stylee

Nexus - VST

Dirty Might 2

Amigo

Angel One

Bellevue

Broken Square

Butterfield

Good Chi

Tremolize

We Atlas

DnB Sine

Chinese Dominator

Phantompad

Dance Guitar

Crystalbells

Broad Pulse

Attack Lead 3

Attack Lead 2

Benny Dance Split

Pulse Noise Lead

Vocoder Talk

Vocoder Larry

Chainsmoker 4

Guitar Strummed 1

Dance Pattern 2

Detuned Bass 2

VZ Bells 2

Dutch Style 2

Culture

Piranha

Detuned Lead 6

Detuned Lead 3

Detuned Lead 10

Wild West Saloon

Big Bells

Hollywood Violins

Andro default Saw

AR Etheral

King of Buzz 1

King of Buzz 5

Distorted Piano Strings

Delayed Piano

Slapped Bass

Detuned Lead 11

Dance Saw 1 (Fuck Somebody Nice)

Arena Ambience

Dance Saw 2 (His)

PN Trancepiano

LD Detuned Lead 8

LD Trance Saws Wide

TG Vocal Slicer

Cheap Dance Organ

ST Dark Cellos

Xpand!2 - VST

29 Glassy Glockenspiel

Sylenth1 - VST

433 KEY Harpsichord

118 LD Tunnelvision

007 ARP ClassicVA

OB-XA V - VST

Cross-mod Suitcase

SEM V2 - VST

Age of Solo

Jup-8 V3 - VST

Muppet Mayhem

Nitzer Bass

India

GMS - VST

Boomerang Bass

TAL U-No-LX-V2 - VST

76 Space Sound 3 (Lifter)

Sakura - VST

BW Catgut Chorus

KBD Grand Harpsikord FG

SYNTH String Like DS

Poizone - VST

ARP Classic VA

KBD AmbientKeys ToTc

KBD JazzAmpedGuitar ToTc

SYN Funky HP

BAS Stereo Bass

BAS Simple But Peppy

---

check out the music that was made with this sample pack at all these places:

thanks!

[ameliedoree]

You've mentioned that you make music, what's your DAW of choice? And do you have any particular favorite plugins/instruments you like to use?

logic pro x is Da Goat for music production far as I'm concerned, but I used to be a huge Sekaiju fan when I did pure MIDI sequencing. I still sometimes use it for sketching

my favorite instrument of all time is the Korg Trinity Plus, I use it all the time in every production and I would never ever wanna be without it <3 second fav is Roland 88Pro cause it's how I got started making something more complex than bleep bloop and its SO easy to use. my fav soft synth tho is probably Omnisphere? really nice bit of software with tons n tons of sounds to use, it's great for when I need to fill a niche and all my hardware is in use

ig for context my full setup is Roland RD600, SC88Pro, SC55, Yamaha Motif, VL70m Turbo, MU90, Korg Trinity Plus for hardware. and software, Korg M1, Wavestation, Roland JV800, SRX Orchestra, Spectrasonics Omnisphere, Trillian, Stylus RMX, Keyscape

[sauceaud]

Best Pro VST Synth Plugins in 2025

Now, if you’re ready to invest in professional-grade tools, these best synth plugins are dominating the scene this year:

Airlift by Sauce Audio– One of the most anticipated releases of 2025, Airlift by Sauce Audio is a next-gen synth plugin designed for limitless creativity. Blending granular synthesis, spectral morphing, and traditional subtractive techniques, Airlift offers a unique approach to sound design. Its intuitive interface makes complex sound manipulation easy, while its deep modulation matrix allows you to create evolving textures and intricate sequences effortlessly.

Best for: All genres — a true sound designer’s dream

You he Diva- Still a heavyweight champion, Diva captures the spirit of vintage hardware synths like the Minimoog, Juno, and Jupiter-8. Its authentic analog emulation continues to be unmatched, making it a top pick for producers craving warmth and depth.

Best for: Deep House, Synthwave, Pop, Orchestral Scoring

Arturia Pigments 5– Pigments 5 fuses wavetable, granular, sample-based, and virtual analog engines into one stunning instrument. Its intuitive layout, colorful visual feedback, and mind-bending modulation capabilities keep it a favorite among professional producers.

Best for: Electronic, Trap, Soundtracks, Ambient

Spectrasonics Omnisphere 3– Omnisphere is still the holy grail of synths, and the 2025 version is even more powerful. It now includes AI-assisted sound generation tools, letting producers craft mind-blowing patches faster than ever.

Best for: Film Scoring, EDM, Chillout, Orchestral.

[shikioriori]

水城 瑞希について。

14からデザインへの道を歩む。

15でギターを手にし(手に入れ)、2018から作曲を始める。

2019からソロプロジェクトとしてEgoistic Electronicsを立ちあげる。

しかし病床に伏し制作活動は頓挫。

6年の空白を開け水城 瑞希として、「四季折々」として活動を再開する。

IDM、エレクトロニカ、ダブステップ、ガバ、ドラムンベース、ポストロック、グランジ、シューゲイザー等ジャンルを縦断した作曲を行う。

ギターはGretsch、Fender Mexico の白のテレキャスター(愛称白テレ)、ネックオーダーし、フルカスタムしたtalbo、ジャガー、ジャズマスター等。

メインストンプは

KarDiaN セロトニン/ビタミンC

Suhr Rufus

Virtues Signe/Stellar/monica

strymon big sky/TIMELINE/MOBIUS

S3N SUPPER FLUTTER v2

m.s.s.f raptio/SWANSONG

Petra Noa err

BOSS SL-20 Slicer

Pigtronix Mothership Analog Synthesizer

KEMPER Kemper

等多数。

シンセサイザーはultra nova bassstation Ⅱlを使用。

他メインソフトシンセは

NI komplete

SPECTRASONICS

Omnisphere 2/Trillian/Stylus

XFER RECORDS Serum 2

Reveal Sound. SPIRE

Lennar Digital Sylenth1

EAST WEST Stormdrum 3/hollywood strings/hollywood brass/QLpiano

Vienna

Re:fx Nexsus 5

Vengeance Averager 2

等。

関西文化芸術学院ヴィジュアルデザイン学科卒ESMOD昼間部転科スティリズムコース・土曜コース

東京モード学園ファッションデザインコース

HAL東京夜間グラフィックコース

[projectofnapskintprojectofnaps]

Brandon Chapaの「31 Ghosts Omnisphereバンドル」は、Trap、Hip-Hop、Drill、R&B、Reggaeton向けのダークで幽玄なサウンドを収録したプリセット集。

全5巻・250種類のカスタムパッチを搭載し、Omnisphere 2.8以上に対応。

ホラー映画のような雰囲気やLo-Fiのざらついた質感を表現できる多彩な音源が魅力。

[samplelogic4]

Download Triple Spiral Audio – Nova

Triple Spiral Audio's Nova is an exceptional Kontakt library designed to transport your compositions into the ethereal landscapes of the Arctic. With its immersive sound sources and preset collection, Nova is a must-have for ambient producers, cinematic composers, and sound designers looking to craft deeply atmospheric soundscapes. If you're ready to elevate your music with this unique library, follow this detailed guide to download, install, and start using Nova effectively.

Why Choose Triple Spiral Audio – Nova?

Before diving into the installation process, let’s highlight why Nova stands out as a top-tier sound library:

✅ 120 Unique Sound Sources – From icy drones to evolving pads, Nova offers an expansive range of textures.

✅ 145 Stunning Presets – Designed for instant usability, these presets help you create mesmerizing soundscapes effortlessly.

✅ Perfect for Cinematic and Ambient Compositions – Nova delivers cold, ambient tones and mysterious sound layers ideal for film scoring, ambient music, and experimental projects.

✅ Designed with the Zembla Library in Mind – Integrate seamlessly with Omnisphere 2 for even more sonic exploration.

Step 1: Download KONTAKT PRO (Required for Installation)

To use Nova, you need KONTAKT PRO, a premium sampler from Native Instruments. If you haven’t installed it yet, follow these steps:

Visit the KONTAKT PRO download page – Head over to our official website to get the latest version.

Purchase or activate your license – KONTAKT PRO is essential for running Nova effectively.

Install KONTAKT PRO – Follow the provided installation guide and ensure it's working correctly on your system.

Once KONTAKT PRO is installed, you are ready to move forward.

Step 2: Purchase & Download Triple Spiral Audio – Nova

Now that you have KONTAKT PRO, it’s time to acquire Nova:

Visit the Official Nova Product Page – Go to kalaplugins.com.

Add Nova to Your Cart – Click the purchase button and proceed with the secure checkout process.

Download the Nova Library – After purchase, you’ll receive a download link. Ensure you have sufficient storage space before proceeding.

Step 3: Install Nova into KONTAKT PRO

Once downloaded, follow these steps to install and use Nova in KONTAKT PRO:

Extract the downloaded files – Unzip the package to your preferred location.

Open KONTAKT PRO – Launch the software and navigate to the Libraries tab.

Add Nova to Your Library – Click Add Library, locate the extracted Nova folder, and confirm the selection.

Load Your First Preset – Explore the 145 presets and start integrating Nova into your compositions.

Final Thoughts: Embrace the Arctic Soundscape

With Nova, you unlock a world of ambient textures and cinematic depth. Whether you're composing for film, TV, or personal projects, this library offers a pristine, immersive sound experience like no other.

Don’t wait—download Nova today and elevate your music with the power of Arctic-inspired soundscapes! ❄️🎶

Download Now: Triple Spiral Audio – Nova

[learnhowtocreatemusic]

How to Create Ambient Pads and Atmospheres: Sound Design Techniques for Lush Soundscapes

Ambient pads and atmospheres are essential in creating expansive, lush soundscapes in music production. Whether you’re producing ambient, cinematic, or even electronic genres, these elements add depth, mood, and texture to your tracks. Crafting the perfect pad or atmospheric sound requires a blend of sound design techniques, creativity, and an understanding of the tools at your disposal. In this post, we'll dive into the key techniques to create immersive pads and atmospheres for your productions.

1. **Choosing the Right Synth or Sound Source**

The foundation of any great pad or atmospheric sound starts with the sound source. Most digital audio workstations (DAWs) come with built-in synths, but there are also many third-party synths designed for ambient sounds. Here are a few popular options:

- **Serum:** A versatile wavetable synthesizer that allows for rich, evolving sounds.

- **Omnisphere:** Known for its extensive library of atmospheric sounds and complex textures.

- **Massive X:** Great for designing deep, expansive pads with intuitive controls.

- **Absynth:** Excellent for creating evolving pads and otherworldly textures.

While these synths are ideal, you can also experiment with recorded samples of nature, instruments, or vocal pads, then manipulate them into atmospheric sounds using effects and processing.

2. **Oscillator Selection and Tuning**

Once you have a synth, your next step is selecting the oscillators that will form the basis of your pad or atmosphere. Pads typically use multiple oscillators layered together to create a rich, thick sound. Here’s how to get started:

- **Use Sine or Saw Waves:** For smooth, flowing pads, start with sine waves. For a richer, brighter sound, saw waves are a good choice.

- **Detune Oscillators:** Detuning one or more oscillators slightly from the fundamental pitch creates a subtle chorusing effect, adding depth and movement to the sound.

- **Layer Oscillators:** Combine different waveforms (e.g., sine, saw, or triangle) or even mix in different octaves to create more complex, lush textures.

3. **Applying Envelopes for Smooth Transitions**

To achieve the characteristic soft attack and long release of ambient pads, it’s essential to shape your sound using the amplitude envelope. This determines how the sound evolves over time.

- **Slow Attack:** Increase the attack time to let the sound fade in slowly, giving it a smooth, evolving quality.

- **Long Release:** Set a long release time so the pad fades out gradually after the note is released, creating a continuous and flowing soundscape.

- **Sustain and Decay:** Keep the sustain level high, as pads are typically designed to hold their intensity over time without decaying too quickly.

4. **Filter Movement and Modulation**

Filter modulation plays a crucial role in adding movement to your pad or atmosphere, preventing it from sounding static or monotonous. By using filter envelopes and LFOs (Low-Frequency Oscillators), you can create evolving sounds that change subtly over time.

- **Low-Pass Filter:** Apply a low-pass filter to remove high frequencies and create a warmer, more atmospheric sound. Automate the filter cutoff to slowly open and close over time, adding movement.

- **LFO Modulation:** Assign an LFO to modulate the filter cutoff, panning, or pitch. Slow LFO rates (e.g., 0.1 to 0.3 Hz) are ideal for gradual, evolving changes that make your pad feel alive.

5. **Using Reverb and Delay to Enhance Space**

Reverb and delay are your best friends when it comes to creating lush, spacious atmospheres. They help push sounds into the background, making them feel like they’re floating in space.

- **Reverb:** Use a large hall or plate reverb to create a sense of depth and space. Experiment with the decay time and wet/dry balance to achieve the desired atmosphere. Long decay times work well for creating expansive soundscapes.

- **Delay:** Add a subtle delay to give the pad a sense of echo and distance. Stereo delay can also help widen the sound, making it feel more immersive. You can sync the delay to the tempo of your track for rhythmic patterns or use unsynced delays for a more organic feel.

6. **Layering Sounds for Complexity**

One of the best ways to achieve complex, evolving soundscapes is through layering. By combining multiple pads, textures, or sound sources, you can create a richer and more dynamic sonic experience.

- **Blend Different Textures:** Combine smooth, tonal pads with noisier, more textured elements to create contrast. For example, layer a lush synth pad with a field recording of wind or distant noise.

- **Octave Layers:** Add another layer of the same pad sound but pitched up or down an octave to increase the harmonic complexity and give your sound more depth.

7. **Automation and Evolving Soundscapes**

To make your pads and atmospheres more engaging, consider automating various parameters over time. Automation allows your sound to evolve naturally and helps maintain listener interest.

- **Filter Automation:** Slowly automate the filter cutoff to open or close throughout the track, adding tension and release.

- **Reverb and Delay Automation:** Gradually increase the reverb size or delay feedback to give the sense that the pad is expanding or contracting over time.

- **Volume Automation:** Fade your pads in and out subtly to create swells that move with the dynamics of the song.

8. **Using Granular Synthesis for Unique Textures**

Granular synthesis is a powerful technique for creating highly textured and evolving pads. It works by taking small "grains" of sound from a sample and manipulating them in various ways. This can lead to some truly otherworldly atmospheres.

- **Start with a Sample:** Load a vocal, instrument, or field recording into a granular synth, then experiment with grain size, pitch, and density to create new textures.

- **Stretch and Warp:** Granular synthesis excels at time-stretching, allowing you to take a short sound and stretch it out into a long, ambient pad.

Final Thoughts

Creating ambient pads and atmospheres is both an art and a science, requiring a balance between sound design techniques and creative expression. By layering sounds, applying modulation, and using effects like reverb and delay, you can build expansive soundscapes that transport listeners into another world. Whether you’re crafting music for film, ambient projects, or adding texture to electronic tracks, these techniques will help you design lush, immersive pads and atmospheres that elevate your music to the next level.

So, fire up your synths, experiment with these techniques, and let your imagination guide you in creating soundscapes that captivate and inspire.

[handkilop]

Omnisphere 3 reddit

#OMNISPHERE 3 REDDIT PATCH#

#OMNISPHERE 3 REDDIT FULL#

#OMNISPHERE 3 REDDIT PATCH#

I'm not experiencing slow patch loading (maybe 1/2 a second on complex patches) I also tend to use Mashcine as the host on my tracks rather than using Komplete kontrol because it doesn't show AU's on the mac side for some bizarre reason (COME ON NI - Get your act together) i found it gets me to where i want to be much faster than before. This lets you easily setup things the way you want. Also with NKS it exposes the common parameters you normally want to tweak in many of the presets. it really opened up my sound pallet and let me not spend all day hunting around for the right patches. 3rd party companies have started to make add-on xml preset files for popular plugins like serum and others that don't support the standard.įreelance sound labs is one company expanding the use of NKS. I quickly found out that while some plugin manufacturers DON"T support it. I started adding in the libraries building things up that use NKS as a standard. The answer for me was NKS Native Instruments answer to "finding ****". How can i get this type of layout all the time for most of my setup. the omnisphere tagging system really got me to thinking. Maybe i'm a bit odd in this situation but as the original poster said. It doesn't look that the system is to slow. Solid-state (SSD) or USB 3 drives recommended when installing Omnisphere’s Core Library on an external drive. USB 2 Port, Broadband internet connection.Ħ4 GB of free hard drive space (twice that for the download installation process). Win64Ĩ GB RAM minimum, 16 GB or more recommended. Native 64-bit on OS X and Windows-requires 64-bit hosts. These are the official system requirements: When everything else runs, it is supprising that UI works so slow. As someone mentioned above I can also use the keyboard to scroll through sounds at around 4 a second.On my other computer Win10/I5 it is running slow as well.

#OMNISPHERE 3 REDDIT FULL#

Preview is available instantly standalone and in cubase (and cubase is super inefficient on macs!), full load in maximum 2 seconds, Gui works fine at all times. Omnisphere data on external ssd, so not super fast storage. It sounds like an issue with your machine.

[guildtrust]

Omnisphere 3 reddit

OMNISPHERE 3 REDDIT SERIAL

OMNISPHERE 3 REDDIT SOFTWARE

In this method, solid match up alternatives quickly discover your preferred sounds in the collection. This electric motor additionally provides a variable sales channel and even more than 500 DSP wavetables. It provides you granular amaIgamation, consonant, inward room and numerous other effectiveness devices.

OMNISPHERE 3 REDDIT SOFTWARE

Omnisphere VST Split is definitely the main crucial wellspring of sonic incitement. Description: EZ CD Audio Converter is music converter software designed to deliver the highest quality audio file conversions. The system united a several synthesizers in a one expert sound device. It will be also the synthesizer óf spectra Sonics(á device of standard quality and adaptability). The modern version shows up with considerably even more than 12K clamors for a wide variety of tracks creation. Omnisphere Keygen 2020 provides us the range of the versatile and superb toolsets for the objective of expert soundtracks producing. I had the Maschine Mikro Mk3 Drum Controller in mind but i wanted to ask people who might know a bit more about this stuff before i go ahead and buy it. It is quickly overtaking all the stock synths in ableton, except for very niche parts, to the point where i would say that live 8 + plus omnisphere is a better choice for than live 8 suite. Omnisphere Response Code Reddit Keygen 2020 Provides The most i want to spend is 275, but still get a good quality product. For the record i have had omnisphere for about 3 weeks now and it is just amazing: I don't think i will ever consider another hardware rompler. Omnisphere Mac pc is most of the compeIling and ground-bréaking applications and also offers the advanced gadget software strength for windows simply as pc system. Omnisphere Response Code Reddit Mac Pc Is Moreover, this truly is a prime WordPress component that provides numerous various sorts of activity with one an extra. It can be also the terrific range-beating synthésizer of Spectrasonics. This component has received several honors for timing distinctive sound blends together as one.

OMNISPHERE 3 REDDIT SERIAL

Spectrasonics Omnisphere 3 Serial keygen awards as an extremely accommodating module for Florida Recording studio, GarageBand and a lot even more video and sound altering applications. Omnisphere Response Code Reddit Keygen Awards As Take note that this system works amazing on all renditions of Windows, starting from in any occasion Windows XP. Omnisphere Response Code Reddit Mac Pc Is.Omnisphere Response Code Reddit Keygen Awards As.Omnisphere Response Code Reddit Keygen 2020 Provides.

[sauceaud]

Best Pro VST Synth Plugins in 2025

Now, if you’re ready to invest in professional-grade tools, these best synth plugins are dominating the scene this year:

Airlift by Sauce Audio– One of the most anticipated releases of 2025, Airlift by Sauce Audio is a next-gen synth plugin designed for limitless creativity. Blending granular synthesis, spectral morphing, and traditional subtractive techniques, Airlift offers a unique approach to sound design. Its intuitive interface makes complex sound manipulation easy, while its deep modulation matrix allows you to create evolving textures and intricate sequences effortlessly.

Best for: All genres — a true sound designer’s dream

You he Diva- Still a heavyweight champion, Diva captures the spirit of vintage hardware synths like the Minimoog, Juno, and Jupiter-8. Its authentic analog emulation continues to be unmatched, making it a top pick for producers craving warmth and depth.

Best for: Deep House, Synthwave, Pop, Orchestral Scoring

Arturia Pigments 5– Pigments 5 fuses wavetable, granular, sample-based, and virtual analog engines into one stunning instrument. Its intuitive layout, colorful visual feedback, and mind-bending modulation capabilities keep it a favorite among professional producers.

Best for: Electronic, Trap, Soundtracks, Ambient

Spectrasonics Omnisphere 3– Omnisphere is still the holy grail of synths, and the 2025 version is even more powerful. It now includes AI-assisted sound generation tools, letting producers craft mind-blowing patches faster than ever.

Best for: Film Scoring, EDM, Chillout, Orchestral.

Special Mention: Best Vocal Synth VST

Sometimes you need a plugin that specializes in vocals, and 2025’s options are better than ever.

iZotope VocalSynth 3- VocalSynth 3 offers insane flexibility for vocal processing. You can transform your voice into a robotic entity, an ethereal choir, or even a percussive instrument. Its modular setup and creative effects make it a must-have vocal synth VST.

Best for: Pop, Hip-Hop, Experimental, EDM

Guitar Synth Plugin You Shouldn’t Miss

Guitarists are no longer limited to traditional amp sims. If you’re looking to blend guitar tones with synth sounds, check this out:

MOK Wave razor Guitar Edition- Built specifically with guitarists in mind, the Waverazor Guitar Edition allows players to morph their guitar signals into slicing, aggressive synth sounds. Think Nine Inch Nails meets Daft Punk. Best for: Rock, Industrial, Experimental

Exploring Granular Synth Plugins

Granular synthesis is no longer niche — it’s a must for modern sound design. Here’s a 2025 standout:

Granulizer 3 by Inertia Sound Systems

Granulizer 3 continues to push the boundaries of granular manipulation. It allows musicians to chop audio into tiny grains and rearrange them into haunting pads, glitchy textures, and shimmering atmospheres.

Best for: Ambient, Experimental, Film Scoring

Analog Synth VST That Feels Like Hardware

If you’re after the richness and organic quality of real analog synths but want the convenience of a plugin, here’s the best pick:

Softube Model 84

Softube’s latest, Model 84, captures the essence of a vintage Roland Juno-106, offering lush pads, iconic choruses, and fat basses that feel alive.

Best for: Retro Pop, Funk, House, Indie

Synth Plugins for Ableton Users

Ableton Live users will love these synth plugins, especially tuned for workflow synergy:

Wavetable (Built-in Ableton Instrument)

Don’t overlook Ableton’s own Wavetable synth! In 2025, it’s still one of the most versatile native plugins for complex sound design without needing third-party software.

Best for: Any genre inside Ableton Live

Pro Tip: Combine Airlift by Sauce Audio with Ableton’s native devices for mind-blowing sound layering and live performance setups!

Final Thoughts: How to Choose the Best Synth Plugin for You

Choosing the right synth plugin depends on a few factors:

Genre: EDM producers might love Vital and Pigments, while film scorers might lean toward Omnisphere and Airlift.

Budget: Start with free synth VSTs like Surge XT if you’re new, then invest in high-end plugins like Diva or Airlift when ready.

Workflow: Some synths are complex beasts (Omnisphere), while others (Vital, TAL-NoiseMaker) are simpler and faster to use.

The most important thing? Experiment. Most synth plugins offer demo versions, so you can try them out before committing.

Where to Explore the Best Synth Plugins

At Sauce Audio, we believe in empowering artists with premium tools that don’t just sound good—they inspire greatness. Whether you’re looking for the next big analog synth VST, a cutting-edge granular synth plugin, or a game-changing vocal synth VST, we’ve got your back.

Ready to take your sound to the next level? Explore Sauce Audio’s collection today and experience the future of music production. Visit Now: https://sauceaud.com/best-synth-plugins-in-2025-free-pro-vsts-for-all-music-styles/

[projectofnapskintprojectofnaps]

Sky Rise Bundleは、Omnisphere 2向けのシネマティックサウンドライブラリです。

6つのライブラリに、ヴィンテージサウンド、ダークなシンセパッド、80年代SF風のシンセなど319種類のプリセットを収録。

映画音楽やゲームBGM、アンビエント、シンセウェーブなど、幅広い音楽制作に最適。

ヴィンテージオルガン、幻想的なパッド、レトロなシンセサウンドを活用し、独自の世界観を演出できます。

Omnisphere 2ユーザー必携のバンドルです。

[pukicho]

hi, im looking into getting my first synth and my budget isnt too huge, so i figured i might as well ask someone that seems to have some knowledge - what do you reckon would be a good first (at least semi-)cheap synth to start with? which brands should i go for, which should i avoid? etc

Well if you're just starting out with music I suggest starting with a virtual synth until you're sure you know what you want. I'd suggest trying out Vital because it's outright free and super feature-rich and cheap if you want the pro version. Also try out pigments 3, the Arturia V collection, Phaseplant, U-he Diva and Omnisphere - all of these are amazing modern virtual synths/collections which I use regularly. If you want hardware, I suggest you DM me so I can better grasp what kinda music you're tryna make, since hardware synths are pretty particular.

[midnightohmnia]

“WHITE NOIZE” EP REVIEW

EP Review by Dawood Kroutz

Wine might be banned but the discussion through the grapevines is very much in demand. You may ask who is responsible for this intoxicating supply…

Coming at the world with an energy and frankness South African Hip-Hop has not experienced in recent memory, the EP ‘WHITE NOIZE’ is fast becoming one of the most acclaimed projects in the country.

Track 1 - ‘WHITE NOIZE’

https://soundcloud.com/memlamli/white-noize?in=memlamli/sets/white-noize

We assume the sonic journey with track number one carrying the title of the EP, “WHITE NOIZE”, loosely defined as; “a constant background noise, especially one that drowns out other sounds”. A fitting title, encapsulating the grace and voracity these artists display their work. Throughout the duration of the opening track the term ”Siyaphambili’, “we are moving forward”  is constantly repeated and absorbed into the listeners subconscious like a mantra. It becomes apparent that the artists are making their intentions as clear as the crystal blue skies (see track 4 ‘CERULEAN’) that they are aiming for greater heights, forging ever forward and never looking back. They are hungry and have a point to prove (to themselves, I understood and not to the world). The cover art speaks volumes too - as if they are telling the listeners that they have arrived (cue the grand entrance) and that they are not here to make a mark, but rather, to leave a scar. With this, the in-your-face and fearless sound is present, combined with an abrasive masculine energy but still very much creative in energy.

Edging into an up-tempo sound I gather a Rockstar vibration elicited at 3:09 minutes into the song. The deep “omnispheric” sound effect of the bass, combined with the kick drums and snares, give a sort of rocking-chair feeling and with this, the new-school Hip-Hop sound emerges but with the elements of a classic Hip-Hop sound simultaneously present.

The rhyme scheme is professional, the delivery is far from monotonous and the flows chosen throughout the duration of the song are impeccable. I can deeply appreciate all the sonic variations present throughout the song, it takes me on a melodic experience when listening through. The lyrics and flow compliment the beat perfectly. The lyrics sort of crescendo with the tempo as the song progresses. The deep touches of distorted bass add to the Rockstar energy emitted from the track (at 2:44 minutes an example of this is showcased) which graciously assists in complementing the sound and lyrical aspects as a whole collective. Technical execution is upheld, the artist’s vocal performance coupled with the producer’s finely executed mix, make a cohesive and retail ready song. A quality of sound capable of competing amongst commercial cats of the industry. 

Track 2 - INTERLUDE 4 YOU

https://soundcloud.com/memlamli/interlude-4-you?in=memlamli/sets/white-noize

The energy from track one carries through to ‘INTERLUDE 4 YOU’. The drive and ambition is still very prevalent here but the artists showcase a softer side of their sound. They are writing for the mothers. A theme that becomes prevalent in this body of work is that, the artists are growing to realize that what they are doing is bigger than them, that their influence reaches beyond the bounds of their circle, and they have an impact larger than what they once thought. As much as I hear a ferocious flame in-your-face attitude within their voices, I attach a deep sense of gratitude to it as well. 

There is a definite sense of familiarity throughout track 1 and 2: the drumming patterns are consistent even though the overall sound is different between the two songs - the producer successfully blends the message, identical instruments, sounds and patterns to give a contrasting but cohesive catalog of songs in the EP. This highlights the fine technical ability possessed by the producer and the remarkable storytelling prowess of the artists throughout this production. The  switch up at 1:11 minutes into the song, coupled with the robotic/distortion effect on the vocals bring in the next artist perfectly. The drums and bass in this specific section compliment this effect really well too. The predominant use of the filtered and robotic effect on the background vocals with a touch of reverb serve as a key characteristic for each verse to really stand out (this is shared throughout the EP). The melodic vocals that are present have been carefully crafted and engineered to suit the levels of the instrumental. This song in its totality sets the tone for the Hip-Hop/R&B-infused section we experience in the latter half of the EP.

Track 3 - ‘TAKE FLIGHT’

https://soundcloud.com/memlamli/take-flight?in=memlamli/sets/white-noize

Floating into the third track, ‘TAKE FLIGHT’ opens up with atmospheric pads and hard hitting drums before the robust vocals and hook enter followed by a smooth verse with a melodic approach to his delivery. The song discusses a sense of belonging that can be achieved when accepting your circumstances. It appears the artists find belonging in elevation of all kinds, they are not afraid of aiming for unbelievable heights and take often take it “higher than a kite”, waking up and chasing the sun is the motto here, carpe diem, if you will. I also get the feeling that they do not follow the status quo and with this, they are able to dictate the pace of their dreams and chase it accordingly. The old adage of “what goes up, must come down” seems to be done away with in this song, the laws of gravity are bent here and I am reminded that what goes up does not necessarily have to come down if you have a skyrocket mentality.

When it comes to the production, a masterful transition occurs at 1:58 minutes into the song. The central deep/extraterrestrial sounding bass comes alive once again, especially during the transition, it sounds sonically pleasing and blended in the mix well. The outro makes the song even more memorable.

Track 4 - ‘CERULEAN’

https://soundcloud.com/memlamli/cerulean?in=memlamli/sets/white-noize

The title of each song carries much meaning and when it comes to a body of work, most times even more so. ‘CERULEAN’, that which is a shade of blue, a deep blue in color like the clear sky aligns and rounds up this body of work in a blissful way. 

The track transitions well from track 3. The song speaks to the struggles of addiction, the loss of a dear friend, love, self-discovery and finally, to prosperity. “Better days are coming” are the lyrics molding this song and I can hear the artists passion, as mentioned previously, I confidently am of the view they know that what they are doing is bigger than them, and they are still humble enough to realize that when those better days come and that they take their dreams to the heights that for now seem unimaginable, those deep blue skies the naked eye cannot comprehend, that they will still value and appreciate the help of those that got them to where they are.

The production, mixing, arrangement and mastering are incredibly hard to criticize here. The engineer brings a technique modern Hip-Hop has not seen much in the last decade and that is allowing the instrumental to run through without vocals accompanying it in sections this makes the experience much more memorable. This is prevalent throughout the project and in this song I hear it once again at 2:59. the vocal sample coupled with the bass, and reverse elements work well with the top drums, giving the song an oceanic feel. Another contrast is apparent in this song and I am left asking myself do I want to chase my dreams in the sky or fall victim to my addictions that are so easy to access in this ocean… either way, they took me on an introspective journey, questioning myself and reflecting, while vibing out to the instrumental, smooth vocal delivery and catchy hook. The bass seems to be a tad amplified at the end of the back end of the song at 4:54 and that takes me back to the feeling I experienced at 2:59.

My final comments on this body of work: ‘WHITE NOIZE’ inebriated me, ‘INTERLUDE 4 YOU’ calmed my spirit, ‘TAKE FLIGHT’ elevated me once again and ‘CERCULEAN’ reminded me to keep my head to the skies and my knees to the ground. I sum up this EP in two words - Gratitude and Hunger. Published and Edited by Midnight Ohmnia