#only friends meta

[heretherebedork]

I, for one, will forever be grateful to Only Friends for giving us Boston.

Because to take a character the narrative has condemned and make him not only the most loved but also the most sympathetic character while also being the messier and having his own deep struggles is a thing of beauty and talent.

But I especially want to highlight a few things about Boston. Because these are all the ways I came to love him.

He's a born this way gay man who is never shown to question or doubt his sexuality.

2. He is openly promiscuous and not only enjoys sex but enjoys having sex with multiple people. (He's an asshole and his moral code is his own but he sticks to it.)

3. He owns his own filth within said moral code.

4. He is the first person to say you can't turn someone gay.

5. He thinks he knows how to throw a punch but really doesn't tend to despite his own words.

6. Openly distinguishes between sex and romantic love

7. Is the only one of his friends capable of a sincere apology when he was wrong and wronged them and will go out of his way to make a sincere one with them even if they don't deserve it and would never admit to owing him one at all.

In fact, he does it twice.

8. He knows when not to apologize.

And, most importantly of all... he can be a petty bitch.

We stan him and we apologize for him and we love him for all of it.

Boston, the king of the sluts, the character who was condemned by the narrative for his ways but that the fanbase will forever love because he was something so unusual in BL that it made him beautiful.

[thatgirl4815]

Mew treats Ray's alcohol and drug addiction like a scolding parent, which I find fascinating given that he literally held Ray in his arms while he sobbed about how worthless he was and even tried to end his life. Like, Ray clearly has a different relationship with drugs than Top, but Mew seems to equate them.

I keep saying I don't want to rip on Mew, but I feel like Mew is the one character who can say he has seen Ray at rock bottom, and yet I just get this general sense of apathy from him. Which, fair--he doesn't return Ray's feelings. But Ray is one breakdown away from doing something he won't ever come back from--as evidenced this episode--and yet it is Sand who chases Ray into the parking lot. It's Sand who saves him not only from killing others, but potentially killing himself.

[bird-inacage]

Only Friends: Sand's crushing reality 'It's never about me'

I've noticed a lot of comments wishing Sand could be open about his feelings for Ray. Though that's a fair assessment and would save us a tonne of agony, I've attempted to delve into why this isn't so simple.

The Weight of Dignity & Mutual Respect

Sand comes across as someone who highly values dignity. Everyone deserves to be treated with due respect, and this is seen through how he interacts with others. Sand gets upset when someone questions his integrity, such as when Ray insinuates him to be a thief or questions him for bootlegging alcohol. He gets angry when someone tries to hurt Ray whilst his back is turned. Sand lives his life by an honourable and respectful philosophy, and the least he expects is for others to treat him the same way.

Therefore it's understandable that he hates being treated like a fool (whether that's being taken advantage of, humiliated or subjected to unwarranted judgement).

Ray has consistently maintained that he doesn't see Sand as a boyfriend. Said so himself, repeatedly. (Despite his actions indicating otherwise but that's another post in itself). So if Sand were to reveal his feelings, when he has no definitive confirmation that Ray is taking any of this seriously, he's going to risk feeling incredibly exposed and ridiculous. One of the reasons why rejection is so painful is due to the shame that comes with it. A hit of crippling inadequacy and embarrassment. Being confronted with: 'You're not good enough for me. You don't meet my standards. You're not what I want'.

Sand has probably had to experience a fair amount of falling short. To be lesser than, but largely due to means outside his control. He's been able to rise above those things. However, with Ray, he's not comfortable being in a position where he may be stripped of his dignity.

Boston being the one who dropped the bombshell is what made Sand feel incredibly stupid. For not knowing. For not being told. Which was arguably 100% times worse than hearing it from Ray himself. To be treated with respect is hoping someone will see you as an equal. Regardless of whether they are more than friends - even just between friends, Ray has never alluded to this. (To be fair, he may have been close, but now we'll never know). In that moment, it dawns on Sand how little he knows of Ray.

My belief is that if he were aware of Ray still being in love with Mew, he wouldn't make a move. Because that wouldn't be the honourable or respectful thing to do. So he’s been led to indulge in a fantasy that was never going to materialise. He wasn't in the loop. No one clued him in. He's not been treated equal. He feels like the butt of a bad joke. How could he possibly open up to Ray after that?

The 'Brave Face' of a Caretaker

Sand is a man defined by responsibility. Due to having only one parent in his life, he's learnt to be his mother's rock; resilient and steadfast. The sacrifice of having a caretaker mentality is that your own wellbeing is often an afterthought. How frequently do these types of people in our lives get asked how they feel. How are they doing? They're so busy taking care of everyone else or taking care of 'business', that no one ever thinks to ask. Their cries for help are much quieter, much less obvious and go undetected.

Though Sand is not the best at hiding it, he'll quickly distract others from his own disappointment, upset and hurt for the sake of greater harmony or in consideration of someone else's feelings. 'It's not about me', he seems to remind himself. 'I've got to keep it together. I've got be strong. There's a lot resting on me'.

Caretakers need others to take notice of them. To see past their seemingly infallible façade. They need others to initiate care and concern because they won’t put themselves first. Though Sand's mother evidently adores him, he’s clearly established a dynamic where he takes care of her. So who takes care of Sand? No one. He's on his own. He has no choice but to suck it up when things get tough and move forward as best he can. Life isn't going to stop for him.

Though hugely rattled, Sand immediately diffuses the fight. No questions, no demands that Ray explain himself. He’s still protective of Ray. No matter what happens, he comes second.

The Fault is Yours

Sand really desires someone to see him as 'special', as extraordinary. His life often revolves around others, so if he’s someone else’s priority, that will be a sign. This is why Sand was so affected by Ray passing him up for someone else - he felt expendable.

The gut-wrenching thing about Sand is he doesn't target blame onto others. He doesn't resent his father (who has no idea of his existence). He doesn't resent his mother (who wasn't able to give him a good start in life). He doesn't even resent Ray when he finds out about Mew (because Ray knew Mew first). Instead Sand internalises hardship as a reflection on himself. The reason why Ray can't see him as a boyfriend must be a product of his own shortcomings. Perhaps he's unworthy of someone like Ray to begin with. Boston makes a passing comment that men with Ray's looks and wealth are hard to come by. Sand doesn't need to be reminded that Ray has options. Access to more options besides him.

Things were never handed to Sand on a silver platter, and so he isn't one to assume anything. Don't assume Ray's feelings even if you have a hunch. Don't assume that Ray will fight for you. Don't assume that when push comes to shove, Ray will choose you. Because who are you to assume those things?

It's one thing to be told you can't have something. But it's another to feel like you don't deserve something. As if you never had the right. Never had a chance.

The fault is yours for thinking you did.

Because you're simply not that special.

(Note: So I'm going to need to see a situation where Ray takes care of Sand please. The boy needs it. He needs someone to fight for him for a change. Bear in mind this is just an analysis of what Sand may be feeling. A lot of these assumptions are untrue as Ray does care. But Sand doesn't know what to think anymore.)

[autumnsxxangel]

SandRay are an homage to Wong Kar-Wai's Happy Together and in this essay I will..

...actually explain it because I see people catching his homage's to Western queer media, but not really his shout outs to Eastern queer media.

I assumed there would be allusions to Happy Together when I first saw the trailer, but this last episode centered around Ray really cemented it for me. After all, why would P'Jojo reference all these Western queer shows and not talk about what is probably the most iconic piece of Eastern queer media ever?

Wong Kar-Wai & Happy Together

For some background information, Wong Kar-Wai is a famous and insanely influential Hong Kong filmmaker. If you're a film nerd, you probably know who he is and recognize his style. If you like film and metas, I would recommend watching some of his stuff because afterwards, you'll realize just how much influence he still has on modern media, especially in Asia. Stylistically, he's known for rich color grading; thematic usage of music; an unending sense of nostalgia, heartbreak, and missed opportunities; and dialogue that mean nothing on the surface because everything meaningful is boiling just under, left unsaid (If you've watched Everything Everywhere, All At Once, the entire actress universe sequence was an homage to Wong Kar-Wai). His actors always do a phenomenal job because so much of what they need to portray can't be communicated through words. It makes sense why SandRay, aka FirstKhao, were chosen to represent Happy Together as they are the strongest actors out of the group.

Happy Together, simply summarized, is about two men, Ho Po-Wing and Lai Yiu-Fai, who are in a very tumultuous relationship. They end up in Argentina because they wanted to visit the waterfall that's on a lamp that they own. They get lost, end up using all their money, and have to figure out a way to get back to Hong Kong. While there, they break up, get back together, and break up again.

The movie was released in 1997 and is still ranked as one of the best queer movies of all time. The two main characters are played by Tony Leung and Leslie Cheung. You might recognize Tony Leung as Simu Liu's dad in Shang-Chi. Leslie Cheung was in Farewell, My Concubine, and was famously a bisexual man with a long term male partner. This is significant because it was virtually unheard of to be out and open at that time (he made his relationship public in 1997 though he had mentioned bisexuality in earlier years), especially in Hong Kong which was, and still is, very homophobic. Leslie received a lot of hate for his sexuality and androgyny. (If you're interested in learning more about Leslie as a queer Asian figure, this is a good video essay that goes over his work and his life).

Sand as Lai Yiu-Fai

Fai's, and in turn Sand's, character can be summed up by one line, "One thing I never told Ho Po-Wing was that I didn't want him to recover so fast. Those were our happiest days."

Both Fai and Sand are very static, straightforward characters. They stay above board for the most part and work a variety of jobs to survive. They have their morals about what is right and wrong, which unfortunately is both of their downfalls.

In Happy Together, Wing breaks up with Fai because he is bored with the relationship. He basically says, "I'm bored being with you. Let's break up. If we happen to meet again, we can try again." Then he leaves Fai stranded on the side of a highway.

Later, he reappears in Fai's life. The first encounter is a fight, much like Sand and Ray's first meeting in the bathroom. The second encounter is because Wing gets beaten up. He goes to Fai because he knows Fai will feel obligated to take care of him and he does. It becomes the beginning of their rekindled relationship.

Similarly, Sand has a strong sense of obligation. There are already metas out there about how Sand has a bit of a hero complex. He sees Ray too drunk to drive and he had to step in. He doesn't just take the keys and order a taxi. No, he takes the keys and drives Ray. Sand sees Ray being all sad and pathetic and he can't stop himself from helping. It makes him feel useful. It makes him feel needed.

Both of these men are caretakers. They show affection by providing care. Sand ends up cooking for Ray just as Fai cooks for Wing even when he's sick. As an added bonus, they both make fried rice.

Both Sand and Fai are characters that stand completely still. Ray and Wing always know where to find them. Sand can always be found at YOLO and Fai is at his apartment. Because of this, Ray and Wing come and go as they please. They know that Sand and Fai will take them back...until they finally don't.

Ray as Ho Po-Wing

Starting on a base level, both characters are bratty, needy, promiscuous, spoiled, and selfish. But most importantly, they both share a love of fluffy cardigans.

(I also have a theory they keep putting Ray in wife beaters as an homage to the 90's HK cinema style because otherwise...I just don't understand why, as a rich asshole, he's always in wife beaters. By Thai BL logic, he should be in shirts with too many buttons unbuttoned.)

Wing and Ray are both the ones controlling the pace and direction of the relationship. They come when they need someone to nurture their wounds, both physically and metaphorically. They leave when they're bored or have things they deem more important. They both initiate intimacy and won't take no for an answer.

Wing does this by first trying to join Fai on the couch and then chasing after him to the bed and begging him to let them sleep together.

Ray does it by continuously getting Sand to get in the car with him and then using his puppy dog eyes.

They are both also very, very pouty.

Wing's line is "We could start over". He says it every time he comes back after he's the one that ends the relationship. Fai always fights taking him back, but he always does it anyway.

Ray doesn't really have a line yet (unless you count his "na na naa~"s) but he bats his eyelashes and so far Sand has given into him every time. Sand keeps trying to set boundaries, but the moment Ray begs a little bit, Sand crumbles like a house of cards and lets Ray have whatever he wants.

Relationship Parallels

Wong Kar-Wai is known for making movies about star crossed lovers who are meant for each other, but aren't meant to be together.

Like Wing and Fai, Sand and Ray fill in each other's cracks in a way that complements each other. However, because of the nature of the cracks themselves, them complementing each other is exactly what makes the relationship so toxic. One stays and one goes. One takes and one gives. One is steady and one is flighty.

Most of what I wanted to say about the parallels between their relationships is in the character comparison. What I'm more interested in is the future of SandRay's relationship, especially if they continue to parallel Wing and Fai's in Happy Together.

Obviously, Wing and Fai don't end up together at the end. It wouldn't be a Wong Kar-Wai movie if they did. What is interesting is that Fai's relationship with Wing eventually pushes him into becoming something angry and spiteful. Once Wing heals, Fai knows that he'll become bored and want to leave. In an attempt to get him to stay, he steals and hides Wing's passport which is insane because they are both gay men stuck in a foreign country where they don't speak the language.

Wing, of course, leaves anyway.

There is also a third character, Chang, whom Fai ended up liking. These new feelings are what eventually pushes Fai to leave Argentina and move on from Wing and move on with his life.

The question is, if SandRay follows that same path as Happy Together, what will be the passport that Sand tries to hold over Ray and who will be Sand's Chang?

Stylistic Parallels

Smoking

Making Ray and Sand smoke is definitely an homage to Happy Together with the added bonus of being a metaphor. For the most part, we rarely see characters, especially main characters, smoke in Asian media because smoking is reserved for 'bad' characters.

Cigarettes in Happy Together represent boredom. Fai and Wing smoke at the beginning before they rekindle their relationship because they are just moving through life. Once Fai and Wing get back together, cigarettes stop making an appearance. It isn't until their relationship started deteriorating that we see the men smoking again.

This can also be said about Sand Ray's relationship. They started their 'involvement' with cigarettes. However, the last time we actually see them smoking is in ep 2 right before they hook-up. Since then, we have not seen either of them smoking. This probably means that we'll see one or both of them smoking again when their relationship starts to break down.

(In the preview for ep 5, there is an ashtray in the background on the balcony so let's see if Boston finding out about them is a catalyst for them to start breaking down.)

And of course, there is the added homoeroticism of asking for a light.

Ray's Opening and Closing Scenes

Ray's episode is really what made me go "I see you P'Jojo".

Ray's episode starts with a shot of him isolated and in emotional pain. The camera is claustrophobically close and it keeps moving around. He has a little voiceover opening. It's calm, it's contemplative, it's a little existential, and it is irrevocably sad. If that is not a Wong Kar-Wai staple, then idk what is. Even the song that starts playing gives me 80s, 90s Cantopop vibes.

Ray talks about how Mew being his emergency contact and the one he goes to. Fai talks about how Wing always comes back to him and says "Let's start over".

The movie and the episode ends with both of them once again isolated, alone. They've been through an emotional journey and they've technically moved on. But there's always the idea of not being able to fully let go in Wong Kar-Wai's movie. So just like how Fai has physically removed himself from Wing, but not emotionally, has Ray actually fully removed himself from Mew?

Cinematography

Then there's just a collection of scenes that reminded me very heavily of Happy Together and Wong Kar-Wai's style. I would have added pictures from his other movies for comparison, but Tumblr only lets me put 30 images in a post and I don't want to make a 2nd post.

This scene is specifically from the 1st trailer so I hope they keep it in the show.

This one I call the inevitability of falling. Both Sand and Fai realize they're fully committed to their decision to take care of Ray and Wing here.

The end title card

Actually, all of the end title cards give very Wong Kar-Wai vibes. Look at that saturated, neon color grading. Look at the elongated shots. The intense feeling of isolation.

I'm assuming we'll get all the characters at one point, but so far it looks like the end credit cards indicate who the narrator of each episode is.

Anyway, that's it for me! Sorry it was so long and rambling. I tried to organize my thoughts but as I was thinking, more thoughts would pop up and I'd get distracted. If you made it this far, thanks for reading!

[klausbens]

i think whatever happened to boston to make him the person he is today also made him gain this deep-seated belief that all he has to offer is his body. he believes sex is all people could ever want from him and probably all that he could give them anyway.

this is the moment that consolidated the notion in my head. he was genuinely confused–not disappointed, just confused–about nick wanting something from him that wasn't his body. "then what?", as in, "if you don't want to fuck me, then, what else is there?"

i don't think he is aware of it being a negative thing, though. like, i think he thinks he uses his body as a weapon, meanwhile he merely uses it as currency. trades it in for any scrap of attention he can get his hands on.

[lurkingteapot]

The subs here had "the drunkard", and that's fine and works and is correct, the GMMTV subtitling team knows their shit and I respect them so so so much. BUT. I still got caught on this. Because. The Thai says

สายทิ้งตัว sǎːj tʰíŋ tuːa

and idk how to best translate "สาย" but they're using it like "the one who …" here? which makes this

"the one who [abandoned/discarded/threw away/cast out] himself

and like, yes, that's close to 'the one who's wasted' or indeed 'the drunkard', but in conjunction with how he gets called a burden (ภาระ /pʰaː ráʔ/) over and over even just in this episode—by his friends and strangers alike, and probably his family too— ughhh my feelings.

(disclaimer as always: not fluent, still learning and happy to be corrected on stuff I got wrong)

[neuroticbookworm]

At first glance the show wants us to believe that Sand is already failing his own principle. And I was appalled that the show is positioning Sand as someone who is already falling for a drunk mess because of one (1) Dead Mom.

So I rewatched the scene.

And reconsidered everything that went down between Sand and Ray in this episode.

Ray basically stalks him to a strip club, buys Sand's company, and cockblocks him. All in a matter of days.

Which means this ^ apprehensive look Sand gives is NOT because he is falling/gonna fall for Ray. It's because he KNOWS Ray is gonna fall for him and can already see the drama that is gonna bring. And he wants no part of it.

[ohmthipakorn]

completely feral over the line "i don't usually take care of what i own" because it's boston admitting his faults but the wording of it still expresses this fucked up dynamic between them in which he "owns" nick. and nick wants to be owned. it's not so much a matter of boston or nick having to change themselves fundamentally for their relationship to work, but it's about seeing each other for who they are, and boston taking care of nick and his feelings.

[thewayuarent]

Clothes in Only Friends

And how it let us know everything we need about Ray’s choice

God, do I love costume department working on Only Friends. There is so, so many fun and interesting things to notice - “talking” t-shirts (especially Boston’s), and Sand with yellow, and how TopMew started as “striped” couple - but one is vertical and the other is horizontal (is it about them being misreading each other? or is it about them crossing each other’s lives? idk), how Boeing appeared and we immediately see TopMew vibes all over him. How we can easily indicate each character individual style.

But my favorite thing is how the series uses style shifting to show what’s going on with characters without telling it out loud.

We have Nick, who was so obsessed in his jealousy, that he started to copy man he knew Boston was interested in. We see him coming back in terms with Boston, but we also see him learning to accept himself again - the way his style got back to his usual one, with green and blue colors and more boyish vibes. He’s not the same, because his experience changed him, but he is who he is, not a shadow of someone else.

We have Mew, who adapted Ray’s style and behavior because he was hurt, and he chooses to numb his pain, and he gets to the only person he thinks can help him with that. He’s coming back to his senses by the end of episode nine, but he’s still very Ray-coded, because he still didn’t figure out who he is or what he wants and he’s in the middle of his journey (I’m so waiting to see how it will turn out).

And we have Ray, and his example is so fascinating. Because if you look at Ray’s choices of clothing in episodes 8 and 9, you can actually predict everything happens. (I will exclude scenes from university cause, well, uniform)

His style screams Sand most part of the time, but it’s absolutely not about him wanting to adapt Sand’s life or look. It’s about him choosing Sand since the very beginning of his and Mew situationship. Because while Ray needs his time to realize everything about him and Mew and him and Sand, we know he already subconsciously made his choice. As well as we know Ray and Mew will never work out way before they are ready to admit it.

The talk. There a lot of things were said out loud for the first time in this scene that are every important. But this is also about what was shown to us - that the first time we see Ray and Mew as a “couple” is also the first time Ray chooses to wear something Sand-coded. Specifically something very similar to what Sand picked for him.

And there is something about Ray saying “I’m so happy when I’m with you” (can he hear himself? no, but really, it’s been two weeks and I’m still like, bro, for real?) while he stays here, wearing this shirt that looks like the one he wears at the night they were happy, and the night their relationship was damaged hard.

The bookshop. Here we see Ray way closer to his usual style, but not exactly. Ray is always extravagant, and attention grabbing, and using patterns, and lip gloss, and he is just that kind of person. But here he’s quiet. And monochrome. No make up, not patterns, no usual brightness. Mew looks more like Ray than Ray himself.

And this is indicating why their relationship with Mew is wrong - Ray is not fully himself, he adapts in a way Mew never asked him, actually, but he knows makes his presence more tolerable. He seems like himself, sure, but he doesn’t feels like himself.

The party. I made a post about is already - it’s just great example of Mew and Ray thinking they are on the same page while they are actually not even from the same book.

It’s all about toxicity, and pain, and dragging each other down instead of helping each other to stand.

The fight. This is my absolute favorite one. Because this whole conversation - absolutely unhealthy and terrible it is - is actually both of them realizing they will never work out.

And they try so, so hard. And I believe it’s really frustrating for both of them to accept they failed. And of course instead of talking it out they blames each other, and hurt each other. And of course they will manage thing well later - but this is their breaking point, right here.

And of course Ray, who is attentive enough to recognize Mew’s feelings for Top has no fucking idea about him spending this whole time with Sand written all over him. While Yo knows, and Mew knows, and everyone including my grandma knows - he himself is just not ready to allow himself to admit it.

The river. So, this scene, as well as next one, Ray wears not just Sand-coded clothes, but actual Sand’s clothes. But there is a difference.

Because this is the scene where Ray finally admits his feelings - but he’s able to do it only after Sand admits his. Because Ray is incredibly insecure, and incredibly drowned in self-hatred, because Ray always reaches towards people who give him attention and love. Because he can’t allow himself to go for such risk without assurance.

And he’s sitting here with Sand, and Sand is in bright blue color, while Ray is in his t-shirt, but dark, and black, and with “You Only Live Once” and he’s admitting - to Sand and himself - his feelings, but he doesn’t admit to himself that he’s already made his choice until the very next scene.

The choice. And they are sitting again, and that’s only two of them again, and Ray wears Sand’s t-shirt again, and this is very different.

Because this is not just occasional t-shirt. This is the one we saw Sand wears. This is the one that was on him the very same day Ray made an attempt to move on from Mew. The very same day Ray said “I want to know you better”, the very same day he invited himself in Sand’s life. The day they were probably very happy, even if way far from well communicated, the day that could become an indication of something new for them.

And he wears this t-shirt when he says something cheesy about “I will handle everything while I have you” and “Let me be the part of your dream” - the very same dream Sand told him about the very same day.

And it��s just painfully obvious that there is nothing about Mew on the picture anymore. Sand told him “I won’t wait for you” and Ray was like “You don’t need to, I’m already here”. Oh they’ll fuck it up so hard, won’t they?

The comeback. And like that, Ray’s style is back. Because Ray’s clothes don’t tell us story about trying to be someone else, but a story about wanting someone else.

And when he and Mew have this beautiful adult healthy conversation that I love the most we know that Ray is already accepted his choice - the one that Yo knows, and Mew knows, and everyone in this world actually kind of knows. And this is how we know that this painful arc of Ray and Mew being toxic disaster is finally over even before they say anything out loud. Just because Ray wears his style again.

[bengiyo]

Apparently there's a read on Sand and Ray that they only had sex the one time because that's the only encounter that was shown?

Y'all... they are both horny queer men. Sand was gonna make out with another guy with a similar costume. Ray has been spending time on the regular with him. This is not a regency story or a bodice ripper.

They fuckin' on the regular.

Please be serious.

[heretherebedork]

Boeing flirting with Mew and then going back to Sand to ask if he still has a chance while also keeping up this facade of friendship with Top over being upset he was dumped is the most petty, trash thing ever and I love that for him. No notes.

[wen-kexing-apologist]

Fight Night

ALRIGHT! Life is wilder and crazier than normal and I have finally had a singular moment to breathe so it is time to do my first scene breakdown of Only Friends. Jojo and co have been feeding me so well, a literal feast of good sex choreo, hand placements, and puppy dog eyes that it has been impossible for me to figure out where I want to start.  But the end of episode five was just so expertly executed I couldn’t not talk about it, the build up, the explosion, the cool down?! Zero people in this production came to play, they showed up on set day one, gave some of their best performances, and just went about their goddamn day. [insert thirty more minutes of showered praise here]. 

So let’s get in to it: 

The Calm Before the Storm

We’re going to start with Sand and Ray before shit goes downhill, at a moment of genuine connection. This is not the first time we have seen them connect. The first of their peaceful, friendlier interactions are paid for by Ray but Sand quickly moves towards free hang outs with Ray after he gets to know Ray a bit better. I think we can all agree that 95% of the time that Sand and Ray are spending with each other, Ray is asking to be serviced (either seeking out sex, or being fed, clothed, or protected by Sand) [and I do think it is pretty telling that Ray’s idea of friendship is being taken care of in every way, and that Sand fully calls that out as being the role of a father]. But the 5% they do have of these moments of getting to know each other, primarily center around their own family dynamics, but in Episode 5, Ray does start dipping his toes in to getting to know more about Sand’s own hopes and dreams.

Where before Ray wasn’t really interested in Sand’s backstory as much as Sand was interested in Ray’s, now on the balcony of Sand’s dingy apartment, Ray finally starts to ask Sand about himself. And Ray is locked in, just absolutely attentive to Sand as he is talking, rarely looking away, asking follow up questions, and making statements based off of what Sand is saying. Things seem to be flowing smoothly, Ray seems slightly sad that Sand doesn’t know his father, he has an actual smile on his face with he tells Sand that he thinks his mother is really cool, and that he respects her. And of course he would respect the relationship that Sand and his mother have, the obvious love they have for one another, because he never got that from his own family. 

Sand has asked about Ray’s family before now (they talked about Ray’s mother in Ep. 2) but when they were first starting to get to know eachother, Ray brushed off any further conversation around his mother’s death. But that willingness to be honest with Sand is beginning to shift. Ray sits there listening to a birth story that runs parallel to his own, a mother with an unexpected pregnancy after a hookup, a father that wasn’t really intending on having a child, and Ray is faced with what his life could have possibly looked like if his mother was a different person. 

And they’ve been hanging out all day, Ray has seen much more of Sand’s personal life, his family life, it’s Sand’s birthday, they are cross faded, and Sand asks Ray once again what happened to his mother, and Ray takes the opportunity to be honest. He watches Sand refill his glass, and he says “she drank herself to death”. 

Now, personally, this is a very important moment to me in terms of both understanding Ray better as a character, and getting Sand and Ray to connect to each other more. A really important thing to remember about substance use disorders is that they are aware of the health consequences of long term substance use. Ray knows his mother drank herself to death, Ray knows that alcohol in the quantities that he is consuming are dangerous, and he cannot stop drinking. Ray does not have any good coping mechanisms for when his life gets hard, (and we will see a much stronger example of that near the end of this scene), but in the build up to the blow out, we are taking some time to re-establish that Ray has a drinking problem. And we are gaining a bit of further insight in to the genetic history of Ray’s own mental health problems. 

I’d have to go back and rewatch all the episodes to be completely certain, but I think so far the only person we haven’t see call Ray a burden is Mew, Mew who knows that Ray tried to kill himself two years ago, Mew who remembers that Ray said if he was gone he wouldn’t be a burden anymore on his goodbye phone call. I mention his mostly because, if that is true, then that is an indication to me that Ray’s other friends don’t really know that much about him. They don’t know how deeply the idea that he is a burden to everyone around him is rooted in to his psyche. They probably don’t know anything about Ray’s relationship to his mother, after all, she died when he was still in high school. 

We know from the end of Episode 4, that Ray has shifted his interests from Mew to Sand. That is not to say that he is not still in love with Mew, or that he wouldn’t drop Sand as soon as possible if presented the opportunity to date Mew, at least from my perception. But what it does indicate to me, is that Ray is beginning to at least consider Sand someone that care about him, that will listen to him, that will be an emergency contact, and as such Ray is more willing to be upfront and honest about who he is as a person. How his mind works, what his place in his own family is, what his own connection to family is. 

Ray senses he is bringing the mood down, and makes a comment to change the subject, shutting down any potential deeper conversation or exposure to pity that he could have with Sand. We know Sand has been down bad for Ray since like…Dick Down 1, but he is really just embarrassingly obvious with his interest in Ray. The way his face goes slack jawed when he looks at Ray’s face for a second too long? Your cool guy persona is in the fucking gutter. ANYWAY, the point of this is that Sand and Ray are vibing, having a good time, connecting, Ray is opening up more, and Sand is falling deeper in to this infatuation at the first sign of Sad Boi Hours when we cut to Nick and Boston. 

Boston, who has had a genuinely peaceful day thus far. He got some work done for school, he and Nick clarified their relationship to one another, he made out in the pool, and he’s looking to reward Nick for changing by asking if he can stay over. We know that Boston has been blackmailed by someone, we know that as a result of that Boston has decided to “settle down” a bit as it were, spend more time with people who he can talk with afterwards. (If you ask me, this isn’t really what Boston wants, it’s just how he is trying to justify laying low with Nick, someone he thinks he has control over and someone I don’t think Boston suspects is capable of blackmail). 

It is Boston who suggests staying over (I am not going to dig too much further in to his choice to ask Nick, but I will just look respectfully towards the thought that he doesn’t want to be found). 

Anyway, Boston asks if he can stay over, and Nick smiles like he’s won something, and leads Boston inside, where they both promptly interrupt Sand and Ray. Boston’s face lights up when he sees Ray there, but not in any way that indicates that Boston is actually excited to see his friend. More so, that he has gotten +1 Information in his notes on Ray’s comings and goings. 

Boston sees Sand and Ray, and he is scheming already. The very first fact we learn about Boston in Only Friends is that he is The Hunter, and while we have primarily seen this in the way that he hunts-for-that-d, Boston is a hunter through and through, he doesn’t just aim and fire, he plays with his prey. He toys with Top and Nick’s emotions to try to manipulate them in to what he wants, and he sees Ray and Sand together here, and the douchebag gears begin to turn. 

But, Boston needs to know what these two are to each other first, so he can figure out his best approach to fucking with the two of them, so he asks:

“What’s with you and Sand?” 

“What? We’re just friends,” Ray says with a smile and a small laugh, like he is trying to brush off any attempt for Boston to think of Sand and him as anything more. Sand is of course, devastated (and it is at this point I would like to make a tangential remark about the brilliance of the cinematography in this entire scene because it frequently moves between blurry and clear, like the camera is having as difficult of a time focusing on any of the characters as the characters themselves are, since they are under the influence). 

Nick, having already interrupted the SandRay foreplay once today, tries to pull Boston along quickly, to give everyone in the apartment some motherfucking privacy, but no no, when it comes to every other person in the world besides himself, Boston does not do privacy. So he cockblocks himself and SandRay and suggests they all party instead. 

The Build Up

There is this moment of awkward tension, that Nick tries to break by saying that Boston is bothering Sand and Ray, but Sand, having just been reminded that Ray does not think of him as anything more than friends, agrees to all hang out together, thus shifting the mood between himself and Ray from sexual to casual. 

And Boston? 

Oh Boston has already won. 

Now, before I get further in to breaking down this episode, I just need to take a minute and just give a huge MASSIVE shout out to Neo motherfucking Trai. He has absolutely been destroying this role, he is clearly having such a good fucking time. But I don’t care about that part (I do but it’s not the relevant aspect here), I care about how much of Boston’s character, Boston’s internal monologue Neo reveals through Boston’s eyes. 

Boston has been watching how Ray and Sand interact with one another, he saw them make out, he saw Ray grab a cookie from Sand’s mouth with his own, and now, he is sitting here, with Nick pressed up against his chest watching Ray flirt with and cling to Sand. That boy has mischief in his eyes, that boy is a hunter and he smells fresh meat. Boston is The Drama, and while he’s in the middle of his own blackmail saga, he’s found new toys to pass the time until the dust settles. 

This is the face of a man who will cause problems on purpose. This is the face of a man who does not give two shits about upsetting the people in front of him. Boston is a miserable, manipulative piece of shit, and he will drag everyone down to his level. 

I am showering praise in Neo’s general direction, anyway, Boston is studying Ray and Sand’s interactions, the way they talk with one another, all the little things that point towards there being some genuine feelings. 

“The cookie’s getting to me”

“I told you to hold back”

“Well, it’s a good thing I’m not driving” 

“Can I stay over?”

“More often than this I’m going to start making you pay rent”

“Go ahead”

They aren’t talking like this is a one time thing, they aren’t talking like they are just fuck buddies. The way that Ray and Sand are slightly bickering/scolding each other, the way that Ray just so absentmindedly reaches to put his arm around Sand, it reads a very particular way. Especially when you add on the fact that Nick interrupted them in the kitchen that morning. 

Now, something happens here that could have been good. If Boston was a good person, if Boston actually cared about his friends, if Boston wasn’t such a fucking Masshole. Because Sand has been very obviously dopey and doe eyed for Ray for ages and the lines between lust and love have been blurring heavily for him. But when they started fucking, Ray and Sand both discussed and established the nature of their relationship. Only friends. No love, only sex. Friendship can come from sex. Sand wouldn’t take someone like Ray as his boyfriend (liar). But things have changed since their first hook up, at least for Sand. Sand is catching feelings and Sand has not talked with Ray about how his feelings are shifting. 

And Nick actually opens up the potential for Sand and Ray to have that conversation when he asks “Are you and Ray going out?” 

See, Nick is definitely nasty4nasty when it comes to his desire to be with Boston, and Nick is by no means whatsoever a pure person, the man bugged Boston’s car and kept the recording for fuck’s sake, but he is also not an asshole the way that Boston is an asshole. Nick isn’t asking Sand if he and Ray are going out because he wants to fuck with them, he’s asking because he is genuinely curious, because this ain’t the first time that he’s walked in on them.

But don’t pay attention to Mark Pakin’s body language here, because Nick is obviously drunk, relaxed, content, and curious. Look at Neo. Look at Boston. Look at the way Boston is looking at Nick when Nick asks if they are going out:

And look at the way Boston turns his gaze upon Sand and Ray the second Nick finishes asking the question. Boston is picking apart every action, every expression, every movement between Sand and Ray. Boston is calculating. This is not a dude that is just turning to look at the next speaker in a conversation. He’s staring deep into their souls to figure out how they actually feel about each other so he can decide if one or both of them cares enough about each other to be hurt by him.

So naturally, the next shot we get is Ray drunkenly cozying up to Sand, resting his head on Sand’s shoulder, in a way that feels very couple-y, in a way that feels different to the casual arm Boston throws over Nick like he’s got his prize on a leash. 

“You two talk all lovey-dovey like you are a thing, you know?”

Consider the fact that the second that Nick starts saying “you two talk all lovey-dovey, you know?” Ray peels himself off Sand’s shoulder and stares at Nick. And he’s smiling casually, like he finds the question funny, though he doesn’t fully break physical contact with Sand, still resting his arm across Sand’s shoulders. 

Sand is taken aback for a second, like he’s been caught, but he knows that he is not supposed to be falling for Ray. He knows he isn’t supposed to be wanting a relationship with Ray. He knows that this is not the time or space for a “what are we?” conversation, so he puts on a smile and squeezes Ray’s cheeks and says: 

“Look at his face. Look how squishy he looks. He looks just like a dog my mother has.” (Which we can interpret as Sand saying look at him, we cuddle cause he’s cute, I think of him like a pet). Associating Ray with his mother’s dog for me, feels like a way for Sand to try to get Boston off his back, to put his feelings in alignment with how Boston typically views his hook ups, as pets, as toys, as prey. But Sand’s face betrays him more than Boston’s ever could the very second that Ray says “I’m not a dog and I’m not his boyfriend” 

Sand has a moment of quiet devastation hearing that, even though he SHOULD KNOW BETTER. He should not be so upset about an objectively true statement. Sand may think of Ray as special, and may want to date Ray, and may want Ray to be his boyfriend, but they have never revisited their initial conversation about the nature of their relationship. As far as Ray knows, Sand would never take someone like him to be his boyfriend. Sand is just getting caught up in his feelings and this brief reprieve from the hard and labrous and exhausting life he leads is clouding his judgment.   

And Boston goes in for the kill 

“Ray, I bet Sand likes you. I can tell.”

And here is the question of the hour, a question I personally do not believe we have the full answer to, why the fuck is Boston targeting Sand? (beyond the fact he finds it fun). Boston and Sand clearly know each other, Boston knows Sand well enough to know that the weed he is smoking is not his typical supply. Boston came in to Sand’s home, smoked Sand’s weed, and then went straight for Sand’s throat. 

And Sand is a little mad and more than a little anxious. The way First plays the emotions in this moment is brilliant, you can see all these little moments of Sand feeling put on the spot, the way his mouth moves like he is trying (and failing) to maintain his composure. Like he is looking for an escape route, but can’t find one. Especially because Boston will not let him escape, explicitly calling Sand in to the conversation:

The Blow Up

“So what is it, Sand? Do you like him? My buddy here has both the looks and the dough. His type is hard to come by, you know?”

Sand tries to dodge, by putting on his logical person hat for the first time in what is most likely weeks. “Now that you said that” he starts with Ray literally moving his hand to brush it gently against Sand’s shoulders. “My answer has to be yes now, doesn’t it? But if you really want to know the answer, ask me again when I am sober” 

Sand is willing to let Boston win this, to concede here, to admit to liking Ray as if forced to agree expressly because Boston is poking at him about it. But he will not engage in an important conversation like the one Boston is setting up for him and Ray about what they are to each other when they are under the influence and when they are in public. 

Nick is like “alright”, but that is not enough for Boston. (SERIOUSLY LOOK AT NEO, LOOK AT HOW MUCH FUCKING DISATISFACTION IS BEHIND THOSE GODDAMN EYES! Jojo and Ninew fucking thank you for giving me Neo in this role, he’s been craving complex roles since his time on The Eclipse and I’m glad he’s getting to have some). 

Boston is watching, waiting, wanting to see how Ray reacts to Boston speaking for Sand. Unfortunately for everyone, but Boston especially, Ray does not have the reaction I think Boston is expecting. Instead of Ray getting uncomfortable, instead of Ray pushing himself away from Sand, instead of Ray doubling down on him and Sand not being boyfriends, instead of Ray reacting negatively to the idea that this “not his type” poor boy might actually like him he leans in close, he smiles wide, he teases Sand a little in a way that does not feel cruel. 

So Boston has to escalate. Boston has been stalking his prey in the grass for as long as he has been in this apartment, and now it is time to strike. 

“Even if you really do like Ray, I doubt it will work out between the two of you. Ray’s whole ass is owned by Mew” 

BOOM. Instant kill. Boston just made this entire encounter go from 0 to 100. Especially because (as far as we know), he has no goddamn idea about the dent in Ray’s relationship to Mew, and his realization about how Ray and Mew’s feelings are never going to align. 

Ray did not spend all that time sitting in the bathtub staring at a keychain and a Poor Boy shirt for nothing. Personally, I am uncertain where Ray stands with Sand, I think Ray is probably chasing the endorphins of a good and easy lay. I think he is drawn to Sand’s inherent need to act as a caretaker. But as I’ve said before, Ray uses Sand far more as a service provider than he does a person he wants to make genuine connections with, only recently has he started to open up more and seem more interested in Sand as a person.

But Boston is poking at an extremely sore spot. A spot I don’t think Boston considers as a nuclear option, because I don’t know that Boston is aware that Ray tried to kill himself. I don’t think Boston knows that Mew came and saved his life. I don’t think Boston is truly aware of just how deeply important to Ray Mew is because he seems to be one of the first people to make Ray feel less alone. 

Immediate anger. Boston has struck a nerve, gotten a bullseye. If he actually cared at all for his “friends” and their feelings he could have stopped there. Boston is a voyeur, a photographer, all he does all the time is watch, record, manipulate bodies. He can read people well, but he is cocky and overconfident about his own understanding of the situations that have occurred between people in his social circle. If Boston cared, he would see that Ray just turned on a dime, that the loose, casual, fuzzy, flirty person that was just wrapped around Sand has turned in to a tense, focused ball of rage. ““What the hell are you saying, Ton?” 

“What? Sand doesn’t know you’ve been in love with your best friend for years? But Mew is with Top now. Someone beat you to it, man.” 

So…my Dad has this habit of saying shitty things, and over the years we have made safewords with him to tell him when he is approaching saying something out of pocket and he should change the subject (“pothole”), and for when he has said something out of pocket and should probably stop talking immediately (“sinkhole”). My father consistently blows right through “sinkhole” and continues to dig his hole deeper. Boston reminds me of my father. 

Pothole: “Ray’s whole ass is owned by Mew” 

Pothole: “Mew is with Top now. Someone beat you to it, man”  

I honestly don’t feel like I need to use too much space here on Sand’s reaction, because I read a really good post by @bird-inacage about how this revelation hits Sand hard because he may feel stripped of his dignity and see himself as a fool. 

“What a shame for my pal” 

Shout out to Jojo and co for this shot of Nick. Nick who looks horrified. Nick, who I don’t think has seen this behavior of Boston’s up close. I mean, he knows that Boston has something on Ray and Mew, he didn’t really seem to care at that point. But Nick doesn’t really know Mew, Nick only cares about Top insofar as he is competition for Boston’s attention, he’s not really friends with Ray. But he is friends with Sand. And the implications from the beginning of the episode that Ray has stayed over and hung out with Sand all day multiple times, feels like Nick is at least starting to develop some modicum of care/friendship with Ray. And Nick is sitting there, watching Boston be cruel. Cruel to people that Nick actually cares about. Cruel to people that Nick doesn’t think deserve it, and the wheels are turning, so there isn’t much more he can do about it. 

“Oh wait. My bad. I remember you and Mew making out. Did you take his virginity?” (Sinkhole. Boston should probably shut his goddamn little whore mouth at this point)

“Ton, what the shit are you going on about?” Ray asks, shooting up from the ground and in to a standing position [and lord almighty is Khaotung just a powerhouse actor between the way he is able to physically embody Ray’s anger, and just look and act drunk all the time). This has turned in to a fight, Boston has riled Ray up, Boston has already punished both Ray and Sand at this point. But he has to make everyone around him as miserable as humanly possible in as little time as he can, so: 

“Oh? I saw everything. I took some photos, actually.” (SINKHOLE. No seriously dude you need to shut the fuck up right now). 

“What the hell did you do that for, bastard?” Ray is shifting his weight, Khaotung’s breathing has changed. You can fucking tell Ray’s heart is racing, that a blind rage is seeping in to his bones. Ray is livid.

“What? I just want to keep track of my best friends’ romantic moments. Was I wrong?”

 

(Spoiler alert to those reading this post for the body language breakdown: Boston does not actually give a single flying fuck if he is wrong)

“Keep track?” 

And finally someone punches Boston straight in the mouth! And even still! EVEN STILL Boston cannot shut the fuck up. Boston is righteous in the worst possible way. Boston is hurting everyone around him for the sake of “honesty”, “clarity”, “visibility” in a way that Boston himself in his own life actively avoids. With Nick he keeps their relationship status unclear, with Nick he refuses to get photographed, with Nick he hides the fact that he hooked up with Top. But Boston will air everyone else’s dirty laundry, Boston will record and photograph everyone else’s private moments, Boston will give facts as best as he knows them when literally anyone else is involved:

“Sand has every right to know. Ray is in love with Mew. They even screwed! But good thing you came along, Sand. He needs to get over Mew”  

“What does it have to do with you?” Ray is still fucking pissed, and this is a really important and relevant question to ask. Boston has no place in Ray and Mew’s private business. Boston has no right to record them without their permission. Boston has no right to have this conversation about Ray’s feelings with Sand. And Boston does not answer this question. He will not answer this question, because for Boston everyone else’s business is his, and his business is no one’s. 

Now, do I think Boston is lying about Ray and Mew having sex? No. I think there are actually a number of layers to that statement. I think we are either a) setting up to have a killer conversation about people’s perceptions of sex/people’s perceptions of what counts as sex or b) that Boston fully thinks he saw Ray and Mew do something sexual when they actually didn’t [think Ray throwing up while doubling over Mew so it looks like he’s giving head]. And it is worth noting that Ray doesn’t deny the statement, although this doesn’t necessarily mean anything because there are lots of words and fists and vitriol being thrown around at this point, confirming or denying any sexual relationship with Mew is not really going to do anything to calm this situation. 

“If you’re not in love with him anymore, then why did you get so mad?” Boston asks, and I love that this is phrased as a gotcha! moment. Boston thinks asking why someone got mad enough to punch him in the face after he said he was keeping track of his friends' romantic lives by holding on to pictures he had taken of them in secret is definitive proof that he is correct. Ray got real mad about Boston’s doucheness, and that must mean that Ray is love with Mew. 

And he isn’t totally wrong. We know that Ray is in love with Mew, we know part of why Ray is in love with Mew. We know that Sand is now filling a similar role in Ray’s life as the only person who is willing to take care of him. But this question for me highlights a huge aspect of Boston’s character that I do not think we appreciate enough. 

Boston does not know everything, and he acts like he does. 

Ray is getting so mad at Boston because what Boston is saying is true AND Ray is getting so mad at Boston because Ray almost compromised his relationship with Mew by kissing him when he was sleeping. Ray is in a weird place right now in relation to how he sees Mew and how Mew sees him. At the moment, Mew is patient, kind, and forgiving, and willing to maintain their friendship and accept Ray’s apology as long as Ray can get it through his head that Mew is never going to see him as a potential romantic partner. If Ray cannot do that, Ray loses a very important person in his life. (And we see Mew punch Ray in the promo for next week, my hunch is that Nick tells Ray about Boston and Top and Ray tries to warn Mew about Top and Mew takes that as Ray lying to break them up, but that’s beside the point). 

Boston may be correct that Ray is in love with Mew, but Boston has no idea what the fuck he is talking about when it comes to Ray’s current relationship to Mew. Boston does not know that Mew and Ray are in a rocky relationship right now because of Ray’s feelings. Boston thinks that he is right that Ray is in love with Mew because Ray gets so mad so quick, because he does not understand that a huge part of what is riling Ray up is that Boston is poking at a deep injury he thinks is just a flesh wound. 

And still after Boston has gotten a fist to his face, and swung back; even after he has shoved Nick out of the way so hard Nick fell on to the couch; even after they had blown off some steam and were de-escalating to the point of screaming at each other rather than beating eachother up. Boston 

Still 

Can 

NOT 

Quit

“Oh, are you going to be two-timing?”

Boston is literally just…going in to a house that is not his and lobbing grenades all over the place cause he’s fucking bored. Cause he sets Ray off again, leaving Sand, screaming at Boston and Ray to stop fighting (IN HIS OWN FUCKING HOUSE, AFTER SHARING HIS OWN FUCKING WEED). 

Boston listens to Sand, Boston walks away, Boston goes to Nick’s room. But the look in his eye? 

He is not done with this. Boston is not surprised that Ray got mad, Boston was reveling in Ray’s reaction, but I think Ray’s rage went beyond what Boston had anticipated, and this feels to me like an act of war. 

The Cool Down

Boston and Nick remove themselves from the scene and Ray and all his infinitely perfected coping skills rushes to chug as much alcohol as he can. 

Again, thank you to Jojo and co for spending this amount of time highlighting Ray’s addiction, reminding us that Ray is not just a party boy, but is an alcoholic. Ray’s using alcohol to calm his nerves, possibly to forget what happened, and definitely because he has no idea what else to do but run to the most comforting item he can. 

We cut to the silence of Sand’s bedroom. Sand and Ray laying awkwardly side by side. Ray, to his credit, does try to comfort Sand 

“Hey, don’t listen to what Boston said. If there’s something you want to know, ask me” 

The problem is, while Boston does not have the full context for the depth at which he has just hurt Ray, he is still right. Ray loves Mew, and if Ray didn’t, he would not have gotten mad the way he did. Ray can say whatever he wants here, Ray can ask to be trusted by Sand to tell him what he wants to know. But Sand has seen enough of Ray’s behavior, been jerked around enough by Boston, heard too many times in too short a period that Ray does not consider them anything more than friends, and so Sand is back to boundaries and barriers. 

Sand lost sight of himself, and he fell too quickly for a deeply broken boy that he cannot fix, and who is not emotionally available enough to be a good fit for him right now. 

And God, for as much as Sand exists to be jerked around by the narrative and shit on and used by the wealthier characters, I see why First was picked to play this role (besides the fact that there is no one else but Khao that I think could have done Ray, and it’s hard to kick the GMMTV pair-ups.) We have not even gotten to the height of First Crying Over Problems That Are Partially His Character’s Fault in this show yet, but First is a master at microexpressions, and despite the fact that his face is pretty neutral, that Sand has put on this mask, there is just such a palpable disappointment radiating off of Sand. The shine in his eyes is dulled, I saw someone on tumblr say this really looks like the first time that Sand has seen Ray, looked at him without the rose-colored glasses. 

Sand’s mother loves him, I think he is special to her, but it is hard to feel special to someone you have to take care of. In the montage at the beginning of the episode, Sand is shown working, working, working, working and we don’t really see him interacting with other people who he isn’t providing a service to. He sings at the bar, he seems to enjoy that, he seems to have a good time with Yo and Atom, but he is only that close to them because they pay him to play there. He is providing them a service. The only classmates he is shown interacting with are clients he is selling plum wine to. It’s really possible that Sand’s only friend is Nick, and we don’t see them hanging out that much. 

And, I know there is always some contention about how any and all of these characters feel, how much or how little they are telling the truth, etc. But for me personally, I think about when Ray said that he does care about Sand’s feelings, and I at the time he said it, I don’t think he did, but I think by Episode 5 he is starting to genuinely care. 

Ray is getting better at reading Sand, Ray is trying to have a serious conversation, or at least to open the floor to one, and Sand is sad and so he isn’t saying anything, and Ray is able to tell that something is wrong. Ray wants Sand to talk to him, Ray says Sand’s name multiple times, trying to get him to answer verbally. 

And Sand can’t do it, not if he is looking at Ray, not if he has to actually face the reality of how much of a fool he has been, to fall this deep, to fall this fast, to get it in his head that he and Ray were becoming something more than friends. To actually believe for even a second that someone could think he was special. 

So he closes his eyes, and he takes a deep breath, and he says: 

“Forget it. I’m tired. One more thing…This has nothing to do with me.” 

Who is he talking to here, Ray or himself? 

Sand’s inhale in this moment is deep, it’s weary, unsteady, and sad. Sand is gathering the strength to let go of what he thought he had. He is rebuilding his walls, and placing Ray on the other side of them. He cuts Ray out completely the second he turns his back. And you can just see the guilt all over Ray’s face, you can see all these little bursts of realization moment after moment where Ray realizes that he’s losing Sand now too. Even though Sand is likely more of a consolation prize to him, an easy victim of his puppy dog eyes. 

Alone o’clock is not just for Sand, it’s for Ray too. Boston has won yet again because Boston is a miserable sack of shit lashing out because Mew and Top finally fucked and he has to make it everyone’s problem

Tagging the ephemerality squad: @lurkingshan, @waitmyturtles, @chickenstrangers, @ranchthoughts, @twig-tea, @clara-maybe-ontheroad, @distant-screaming

and my blessed mess crew: @so-much-yet-to-learn, @ginnymoonbeam, @bengiyo, @shortpplfedup, @neuroticbookworm, @emotionallychargedtowel because I want attention :)

[bird-inacage]

Only Friends: Sand's Reaction to Ray VS Boeing

I know some people will be annoyed that Sand wasn't more forceful in telling Boeing to leave him alone. In my opinion, this isn't really surprising. Sand's biggest strength and weakness is his kindness. He'll make concessions for people, even those who hurt him. Ray is a prime example. Why would his ex be any different?

Boeing's Dubious Intentions

It's glaringly obvious just how uncomfortable, stiff and exasperated Sand's body language is during their second exchange. This is someone he shared his ultimate dreams and passions with, which must have made the betrayal even more devastating. We still don't have the full context as to how this all went down, but I'm sure Sand hasn't forgotten that Boeing chose to leave him. Compared to their first re-encounter where Sand appears rattled and somewhat flustered, here he seems to display a more resolute lack of patience, possibly after reminding himself of Boeing's true colours.

This doesn't erase the fact that Sand had feelings for him once, cared about him once. Sand didn't choose to end the relationship, Boeing did. So there would have been unresolved feelings that Sand had to process alone in the aftermath. For Boeing to have the audacity to swan back in rightly warrants a less than lukewarm response.

Even so, Sand shows Boeing an incredible amount of grace when he certainly doesn't have to. He tries to calmly but firmly ward Boeing off. "State your business". "Just forget it. I don't think I'll go." "Just friendship. That I can give you." He makes it very clear that Boeing can find him at the bar but nowhere else. He's trying to establish a distinct boundary, which Boeing swiftly disregards.

Sand's Unease: Where Past & Present Collide

The way Sand is reacting says to me he desperately doesn't want Ray involved. He seems eager to keep him well away from Boeing. Sand could have chosen not to mention his ex's sudden reappearance, but decides to be upfront with Ray about it. I think Sand's turmoil is a sign of worry over what Boeing may do, rather than an indication of indecisiveness over his own feelings. The reason I say this is because Sand doesn't show any warmth, residual affection or happiness in seeing Boeing again. He looks mostly wary, unnerved even.

I can also see why Sand would try to refrain from openly displaying his feelings for Ray in Boeing's presence. If he exhibits just how much he cares about Ray, whose to say whether Boeing may pull another stunt like he did with Mew/Top and try to pursue Ray instead just to be messy. The way Sand looks at Boeing is laden with suspicion and uneasiness, particularly when Ray is around. This is really noticeable when Boeing first addresses Ray - Sand's whole demeanour gets much colder and standoffish.

We don't know precisely what Sand is afraid of - that Boeing may target any ill will at Ray? Or that Ray may be affected by his ex flaunting details about their history which could cause jealousy? Things are going really well between Ray and Sand right now but it's possible Boeing could try to stir up a misunderstanding or create conflict between them.

Ray's Protectiveness: "Deal with him or I'll do it."

Ray knows better than ever what Sand is like. He's all too aware of just how painfully kind and caring his boyfriend can be, often to his own detriment. Boeing is keen to exploit this very fact by trying to appear imploring towards Sand, "You never yell at me." Ray is also acutely familiar with how Sand struggles to say no to those he cares about.

Whilst Ray observes angrily, I like to think this comes from a place of being mad for Sand more than anything. If he's seen their entire interaction play out, he'll notice that Sand has not once initiated physical contact with Boeing. He doesn't shirk him off, but he certainly doesn't respond either. He keeps his arms firmly planted at his sides, and yet Boeing keeps trying his luck. Something about the way Boeing behaves with Sand feels like he treats him as a plaything - someone he used to have wrapped around his finger. Perhaps he thinks that the power he used to have over Sand still remains.

Sand's expressions also feel loaded with shame, as if he's repeatedly chiding himself for being foolish enough to love someone like Boeing, who so cruelly tossed him aside. That somehow he feels partly to blame. Maybe this is a Sand he doesn't want Ray to see. Yet here Ray is, on the side-lines, taking all this in.

From their very first interaction, Boeing is trying to undermine Ray. You can see Ray's growth as he doesn't confront or make a fuss, but chooses to respect Sand's wishes and instead stays quietly hidden to keep watch. He looks to Sand for confirmation he'll be okay on his own before leaving. Though he can detect something isn't right, he allows Sand the opportunity to handle this first.

As soon as he sees Boeing trying to cross a line, he steps in. He's not going to permit Boeing trying to drag Sand off somewhere alone, he'd rather keep the enemy directly under his nose.

What I'm hoping to see in Episode 12 is protective Ray to come out full force. I've said this before but the entire series has been Sand looking after Ray. Whereas this would be a great opportunity for Ray to look out for Sand, and to teach Boeing a lesson at the same time.

That eye contact in the last scene was so loaded. Ray's gaze is a silent threat- 'That's my man you're looking at, don't get used to it. If you're really stupid enough to try anything on my watch, I'll tear your neck out.' Don't ever underestimate Ray, he's small but feisty.

[thatgirl4815]

Maybe it's an unintentional parallel, but it's so interesting to me that we see Ray embracing (imaginary) Sand straight-on in Ep10, whereas we have Mew embracing Ray from the back in Ep4. Could it be a reference to Ray's progression in confronting his trauma and mistakes head-on?

Ray is also notably closed off in the scene from Ep4, hugging himself. Even with Mew there, the posture suggests a sense of loneliness and isolation, of drowning in one's own despair. Whereas in Ep10, even though he's imaginary, Ray open his arms to Sand. He wants to embrace hope.

[klausbens]

the way boston looks at top when top tells him “once is enough for you and me” really gets me because he looks so... sad. disappointed doesn't feel like enough to describe him here, he's not angry, he's not affronted or annoyed, he's plain sad.

and after, when he tells top he's a narcissist, that's him blatantly trying to dodge more than attack. he never once denies he wants top and he makes it clear he does, but he still feels the need to protect himself somewhat by diverting the attention to top's ego.

except he fails, because look at the way he swallows and the subtle eyebrow raise—he is so insecure in this scene and it's fascinating to me considering it's boston we're talking about. top makes boston insecure and it gets me, it just gets me.

then of course we have top and his little smirk, that eyeroll. he doesn't need to speak because he knows boston wants him, and he finds him genuinely pathetic for it. top may be a narcissist, but boston makes it so easy for him to justify being one. he's like, well, maybe, but you're the one who's begging me to fuck him because you just can't get enough of me, so really am i wrong in thinking i'm all that and more? and i think boston craves an absolutely counterintuitive mix of deprecation and praise, like he enjoys being the object of worship and might turn to nick for that because nick makes him feel good and wanted and therefore real, but he gets hooked on top because he can't manage to make him do what he wants him to do, and so he gets a bit addicted to his rejection as a result because it becomes a challenge to him.

like this is the face he makes when top leaves the bathroom are you kidding me. he is going through it in a monumental fashion and i bet he's so confused by it too because i don't think he's used to any of this.

i need to consume him i truly love him so much he's such an interesting character already

[syrena-del-mar]

Very Rarely Do Men Know How to Be Altogether Good or Altogether Wicked

The last five minutes of today's episode left my mouth gaping, it really felt like I was watching a catastrophic accident happen in front of me and I just couldn't look away.

I wasn't completely sure on how Sand was going to learn about Ray and Mew's history, but I sure wasn't expecting that Ray's feelings would be exposed in such a volatile way. Maybe I’m in the minority here, I’m not exactly sure because I’m seeing a mixed bag of reactions, but I don’t necessarily agree that Sand ever needed to find out about Ray’s feelings for Mew. Much less from Boston.

This is partially going to be a bit of a continuation of my thoughts that Boston has a Machiavellian personality, followed up with SandRay's relationship becoming the unsuspecting 'victim'. Again, I'll be using pulling from Machiavelli's The Prince, but I'm also using his work Discourses on Livy. [Title credit to ch. 27 of Discourses]

Boston, still the Machiavellian 'Prince'

“Another difficulty to be added to the one mentioned above is that a state that becomes free creates for itself enemies rather than friends.”

― Niccolò Machiavelli, Discourses on Livy

Let me be upfront, I don't hate Boston, I actually enjoy the chaos he brings, but he's a fascinating character to break down and really analyze his actions. The last five minutes was, in my opinion, the most chaos that he has caused out in the open. This was never a situation of Boston 'saying what needed to be said.' This was Boston seeing an opportunity to take control of someone and doing so by unfairly outing Ray's feelings. I, again, stand by the idea that Boston is not a narcissist, but rather a Machiavellian personality type. This doesn't make him a 'villain'; Only Friends does a good job at showing that there are no villains in real life, just incredibly shitty people. Boston is simply a dick, who chooses to play with his friends to feel a sense of control when he doesn't have it. Has he ever cared for his friends? Does he keep them around simply for convenience? Hard to say. That doesn't make him evil, it just makes him a first-class jackass.

In my post where I had stated that he was more of a Machiavellian rather than narcissist, I came to the conclusion that, 'In his viewpoint, he is the kingpin, even in his group of friends, because he believes that he's the one that controls how his friends move since he knows how Mew is developing feelings for Top and is aware of Ray's feelings for Mew.' This time around, he practically admits it right after purposefully revealing Ray's feelings for Mew, "I just want to keep track of my best friends' romantic moments.' Boston hoards information so that he can throw it in people's faces when it fits him the best, there's no 'good intentions' on his keeping tabs on his friends.

Boston knows that TopMew are going to sleep together, they're serious and he's out of the running. Is it simply ego or is it because of self-interest? Whatever the catalyst is, he essentially has nothing holding him back anymore. He's seeing his "friends" getting "serious", while he's out there dealing with known (and unknown) filming of one-night stands he had being used as revenge porn. That'd hurt and anger anyone, but from what has been shown, Boston thrives off of control and so having his sex life used against him would feel like an even bigger blow. They're minor events that are snowballing and Boston likely needs to feel that control again. It's why he pushes Nick down without a second thought when Nick is trying to pull him away (opposed to how Ray lets Sand pull him back). So he claims that control back, he deliberately reveals what he knows, purposefully taking Ray down with him. While he may be feeling like shit, at least he'll be better off than Ray, who's left to pick up the pieces.

Sand and Ray, the intentional destruction of the 'kingdom'

“In general you must either pamper people or destroy them; harm them just a little and they’ll hit back; harm them seriously and they won’t be able to. So if you’re going to do people harm, make sure you needn’t worry about their reaction.” ― Niccolò Machiavelli, The Prince

Yes, Sand and Ray are in a “situationship.” Yes, they’re constantly getting both physically and emotionally closer. Yes, Sand is developing feelings for Ray (arguably vice versa too). But that’s it. They started off as friends with benefits and while they’ve been shifting around, neither one has fully crossed that line. There was no defined area in the relationship, at least not before the implosion. They’re barely getting to know each other, Sand even calls Ray out because he knew that Ray had never noticed him before, not in a way other than just the Bar Performer.

Ray is working through who he is without Mew, without his crush on Mew. He's come to the realization that while he put Mew as his #1 for many years, he's knows he's not that for Mew, and is slowly coming to the realization that he may have never been. These are his feelings to work out and his alone. Sand and Ray are first and foremost friends, as they had agreed upon and they happen to hook up often. This was what they agreed upon. Even if one or both of them are catching feelings, it does not mean that Ray has an automatic obligation to come clean to Sand.

Arguably, Boston was unaware of this set up, but honestly he didn't need to know. This was not his business, Boston didn't suddenly spill the fact that Ray has had feelings for Mew for years to look out for Sand. No, this was an intentional hit on Ray, where he was positive that it would hurt. Boston has repeatedly used Ray's feelings for Mew for his own convenience (Exhibit A: Meddling at the pool party), whether it be to get Ray to react in a certain way or to have a punching bag. He knew how defensive and reactive Ray would get when he brought up RayMew's kiss and supposed sex (was this ever confirmed?) that they had.

Boston speaks in definite presumptions when he talks about others, he does this to Top and he did it to Ray. He spins realities to how he sees fit and with the confidence that he speaks in, he makes others believe him. It's why Mew never questioned that Top is accustomed to sleeping around and didn't think that Top really wanted anything more than sex, because that's what Boston specifically told him that Top was like. It's why now Sand believes that he has no hour in Ray's life, even when Ray gives him the opening to ask more, because Boston purposefully spoke in definite terms. Even the most secure person would be left feeling unsure and unbalanced.

So when Sand, who knows that their relationship is based on being friends with benefits, is confronted with words from Ray's supposed friend who explicitly states that Ray is in love with Mew and that he's being used as a rebound, what else can he do but believe that?

What little trust and rapport that they had started to build up has come crumbling down. They're frantically gathering the pieces of a 'kingdom' that has been turn into dust, the aftermath of the Prince's wrath. It's why Ray scrambles for the bottle and it's why Sand shuts down. How can they react to what Boston did, when they're struggling to salvage the little remnants left behind of what was supposed to be a blossoming relationship?