So this ficlet-ish thing was inspired by @hydrachea, nsfw super genius extraordinaire, but also by the fact that in addition to Boothill's left eye being cybernetic, I like to hc even the parts of him that look human aren't fully natural. I mean the dude eats bullets, after all. I think he should also have vents in his mouth so he can literally blow smoke/steam, it would look super cool. Think Father Gascoigne or Studio BONES' Todoroki. We as a fandom deserve that!!
So anyway, of course, sometimes these vents get blocked up and need to be cleaned manually. Thankfully, Dan Heng is super helpful ☆
Like there's one day where Boothill is lazing around in the archives, fresh off a bounty and happily soaking up the luxury of the Astral Express after however long he's spent tracking his prey through all the dust and dirt with almost no rest.
Boothill likes it in the archives. It's not silent, but it's quiet. There's no music and only muffled voices from outside, but there's the hum of all the computer systems. It makes for a nice place to hide away and recharge when he's just finished exhausting himself.
And besides, Dan Heng is there.
Sometimes the two of them talk back and forth, but today it's mostly quiet...except for-
"I didn't know it was possible for you to get sick."
...Except for Boothill having to constantly clear his throat. That's the thing about your mark trying to flee into the desert. You either go after them and get sand everywhere (and even worse, sticky sand once it gets all bloody) or you wuss out and lose out on the bounty. Personally, Boothill likes being able to afford to eat.
"Grit's stuck in a vent somewhere, 'n' the usual maintenance ain't gettin' it. I'll prob'ly have ta manually dig it out." But later, when he's not laid out half asleep on Dan Heng's extra futon. Usually after a chase as long as this one took, he can shut down for almost a full day. He doesn't want to get up yet.
Something shadows over him, and reflex demands Boothill's eye open. Dan Heng steps around him on his way to some drawer built in the wall on the other side of the room or something. Boothill closes his eye again.
From under his hat he hears the sounds of rummaging, drawers sliding open and shut, the swish of a long coat. The shadow returns.
"Sit up, just momentarily. I have something to help." And Boothill groans a tired don't wanna, but he does it anyway, he hauls himself upright into a kneel. And then he sits up a little straighter because he realizes Dan Heng is standing right over him.
Dan Heng tells him "open your mouth," and Boothill's jaw pops open without his permission, without even a second thought, and hey, what protocol in there ok'd THAT?!?!
Before he can really unpack whatever the heck that just was, though, Dan Heng murmurs for him to say so if he needs them to stop, and then he's sliding a long, hard rod down Boothill's throat, tipped with some soft little brush he probably uses for all his fancy archival equipment.
Dan Heng tells him the handle of the brush is straight and can't be bent, he needs to move his head to be able to reach the vent in his throat. Boothill hums affirmatively; he can't do anything else with his mouth occupied.
Dan Heng's free hand holds him by his jaw, tilts it up slowly but firmly so he has to look straight up at him.
Boothill feels dizzy.
The cycle of blue blood through his artificial heart whirrs just a bit faster, his temperature sensor pings an internal alarm to warn for imminent overheating. Boothill curls his fingers into the guard over his knee as Dan Heng carefully brushes at the dust irritating him. All other sounds- the hum of running equipment, the occasional beep from the computers, the noise of the crew outside of this room- seem to pull away, until all Boothill can focus on is the steady and measured breathing from the man above him.
"Almost done."
Thank the aeons, maybe one of them likes him after all.
"Your tongue is in the way... I'm going to hold it down, ok?"
Nevermind.
The fingers holding his jaw curl around his chin, thumb slipping past open lips to dip into his mouth and pin down his tongue. One of his teeth catch on the digit, breaking skin just enough to bleed a drop where he can taste it. Dan Heng doesn't even flinch. Another temperature alarm pings off in his brain, then another, then another.
Boothill has never been shy about eye contact but oh, god, it nearly kills him when dull green irises flick away from their task and look down right at him as his mouth is held open. He quickly squeezes his own eye shut for some relief.
With his vision cut off, the rest of his senses automatically recalibrate to compensate. He can hear every breath even more distinctly now, every soft inhale and exhale, feel the strain in his neck, the softness of the brush, the hard floor beneath his knees, the hand holding his jaw and the fingerprints that feel like they should leave burns in his skin, the taste of Dan Heng heavy on his tongue-
Forget it, eye open, eye open!!
"Alright. There's one last pebble stuck."
Boothill had been trained to endure torture, back on his homeworld. It was part of being in a gang, part of being a bounty hunter.
Somehow, keeping himself quiet and still as Dan Heng inches the brush even further down the back of his throat is a profoundly similar experience.
The seconds tick by, Dan Heng's brow furrowing, face growing ever more concentrated and Boothill struggles not to watch him too closely, fights down the noise that suddenly tries to escape him as the brush withdraws-
"Swallow."
Stars and aeons, Dan Heng is going to be the death of him.
Boothill swallows. He feels it when the movement finally dislodges the loosened pebble from his vent.
His face feels shockingly cold now bereft of touch, even though Dan Heng's hands are always cool. He asks to see, and Boothill's mouth is already open again to show him, even as he belatedly realizes he could have just told him it had worked.
"Good." There's the slightest smile on Dan Heng's lips as he finally, mercifully, leans back out of his personal space, goes to put away the brush. "That should feel better now." Boothill spends a moment dizzy and dazed, feeling the need to blink spots out of his eye even though his vision is clear. He still hasn't moved off his knees.
What the fudge.
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Before Project Mayhem, before fight club, before Marla, before Tyler — there is still one sad sack of shit.
.
.
The hard part about work trips isn't making the plane or seeing another family of five burnt into their leather seats. It's missing support groups.
See, if you're lucky, the company will send you out to a major city. Cities are great. A little advanced work to find a slightly below average church or library, you're set each night you're there.
It's a bit of novelty, getting to be a new face all at once. People assume you've just been diagnosed. It's never the failed treatments, the degradation of their life and everyone in it, the continuous experience of knowingly dying — none of those things are the worst thing that happens to you.
It's finding out they will.
So people cry. They crowd around, I sob like I've been told I've got stage four colon cancer and three weeks to live. We all cry. I sleep soundly on the plane back or in the nice, four star hotel my company provides me.
Flying out to a small town, though. I'll be awake enough to be hallucinating by the time I get back for Remaining Men Together. The only mercy is that the next time I show for all the groups I missed, I can see who thought I died. I get to be resurrected.
The other part about small towns, you have to take a second, shitter plane to a local airfield, or you have to take a rental car. One of the most popular rental cars available right now, it'll light itself on fire if you use the cruise control at the wrong time. I know this because I sat next to another guy with my job, who worked for a different company, and he said I'll show you mine if you show me yours. So I told him about the faulty airbags, and he told me about the overheating switch.
I prefer to avoid driving.
All the rental place at the airport has left for me, it's one of those flaming cars. I use cruise control. If I don't, one of my narcoleptic spells will send me into the Jersey barrier.
When you drive into these small towns, you have to try to pay attention, or you'll end up a county over talking about the wrong wreck. They're otherwise interchangeable, but the miles on your rental car won't line up and those are the type of records that might get pulled out when the company is finally sued for the big one ten years down the line.
As a result, I see the same decor on the way in every time. Meth lab. Abandoned homes. Garbage fire. Classic Americana. There is no four star hotel here; I sleep the same.
The only reason I've been brought out here is because the poor shithead who drove his truck into the ditch drunk was driving my company's flagship vehicle. It loses power steering if the car jostles the right way going above 55 miles per hour. I've been told to keep track of potential incidents and make sure the company can firmly claim it's not at fault.
We've had this problem for decades, and we will for many more. Sometimes, everything is falling apart.
The job is simple, and I only get tempted by the town's blatant opioid addiction for a day and night. Painkillers would probably make me sleep. The thing about being a recall campaign organizer, though, is like recognizes like. It's not only other Compliance and Liability guys who tell you company secrets while sharing the aisle in business class.
When I'm finally back in my own town, after my own support groups, after crying my eyes out into Bob's meaty middle — I pick up my mail. There's the newest IKEA magazine. Half of it looks like shit. The type of thing you'd only see in some curated art deco, modernist, post-modern traditionalist bohemian minimalist apartment.
I have to have it.
I go to sleep, hard, like God himself tucked me in. I sleep with my wallet net four hundred heavier, because even an IKEA spree tends not to outweigh a work trip. I sleep, with my called in IKEA goods only two short weeks away, my job well done, and I know, my life is complete.
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