#p: isabelle adjani

[cloudshades]

isabelle adjani, lyon, 1975 via mubifrance

[ofgoldandfear]

Physical differences between Margot and P

Hi I'm back - a bit late, a sorta-flu has been kicking my ass since last week, the New Year happened, then I got back to work and my sorta-flu decided to get worse - ANYWAY, get yourself some tea and check out one of the new tracks from Margot's playlist while reading that post.

While I'm slowly starting to write my fic, I've decided to show some differences between Margot and other characters. If there's a thing I LOVE in this game, it's how varied the characters look, the devs didn't shy away from giving them specific traits that makes them very unique in a "would see them in the street" sort of way.

I've been picturing specific traits for Margot in that aspect, and found a fitting model for her as well last week - Olivia Hussey. Her parents also have models, I'll show them later. Let's just say Margot is a proper mix of the traits both of her parents present.

Anyway, here is the quick rundown of the facial differences between Margot and P.

If you can't read my handwriting, here are the explanations:

Jaw: Margot's jaw is v-shaped with a pointy chin, P's jaw is squarish with a wider chin;

Eyes: Margot's eyes are almond-shaped with a rounded inner corner, P's eyes are droopy and semi-hooded;

Lips: Margot's lips are downturned and her lower lip is notably fuller, P's lips have a more balanced fullness between the upper and lower lip.

Both of them have a dark lash line with long eyelashes though lol However P's hair is dark brown while Margot's hair is black, and P's eyebrows are more angled than Margot's. Margot's cheekbones are a bit more pronounced than P's, he has a bit more roundness at the cheeks. P has striking blue eyes while Margot's are dark brown. Margot has an even porcelain-like skin with a beauty mark under the left eye and particularly red lips, while P has freckles and two notable beauty marks above his upper lip and on his lower lip.

Overall, while both of them seem to physically be about the same age, there's some sharpness in Margot's face that contrasts with her rather delicate and youthful features, while P's face retains some dainty roundness (and some neotonous features like his freckles and rounded forehead) that contrasts with the otherwise typically boyish traits such as a square jaw and hooded eyes.

[bleeeeeepblooooop]

[isabelleadjani]

isabelle adjani x catholic guilt

[possession1981-moving]

btw. just a point i want to make.

[neirien-of-ennorath]

My partner showed me Saint-Just from movie Saint-Just. I was shocked how strikingly he resembles Isabelle Adjani from some angles. Hence the Saint-Just genderswap. Then I got a bit carried away so not that much like Adjani in the end. And then I had no choice but to genderswap Robespierre as well. Cuz else it wouldn’t be fair.

@anonsaintspierrist Thanks for the frev women fashion references and letting me gender swap your ship :p

[agrpress-blog]

È morto all’età di ottantadue anni il grande attore americano, interprete di film quali Love Story di Arthur Hiller, Uomini selvaggi di Blake Edwards, Paper Moon - Luna di carta e Vecchia America di Peter Bogdanovich, Barry Lyndon di Stanley Kubrick, Driver, l’imprendibile di Walter Hill, Quell’ultimo ponte di Richard Attenborough e molti altri. Nato a Los Angeles nell’aprile 1941, Charles Patrick Ryan O’Neal - meglio noto come Ryan O’ Neal -, figlio di un’attrice americana di origini irlandesi e per metà ebraiche ashkenazite e di uno scrittore e sceneggiatore di origini irlandesi ed inglesi, dopo alcune apparizioni - all’inizio degli anni Sessanta - in serie tv come Gli intoccabili, Il virginiano, Carovane verso il West, Perry Mason e La parola alla difesa, si fa conoscere dal grande pubblico recitando nella soap opera Peyton Place (1964-68) insieme ad una giovane Mia Farrow (la quale, di lì a breve, si sarebbe affermata con il celebre Rosemary’s Baby di Roman Polanski). La notorietà arriva con l’interpretazione di Oliver Barrett IV in Love Story (1970), con Ali MacGraw e Ray Milland, e con cui ottiene una Nomination all’Oscar come Miglior Attore Protagonista, una nomination al Golden Globe, e il David di Donatello come Miglior Attore Straniero. Tale ruolo, visto anche l’enorme successo del film, è uno fra quelli per cui O Neal è maggiormente noto presso il cosiddetto “grande pubblico”. Tuttavia, i suoi film più interessanti arriveranno negli otto/nove anni successivi: lo ricordiamo nel ruolo del giovane cowboy nel western Uomini selvaggi (1971) di Blake Edwards, con William Holden, in coppia con un’indiavolata Barbra Streisand nelle commedie Ma papà ti manda sola? (1972) di Peter Bogdanovich e Ma che sei tutta matta? (1979) di Howard Zieff, in Paper Moon – Luna di Carta (1973) di P. Bogdanovich, in cui recita con sua figlia – all’epoca bambina – Tatum O Neal, in Il ladro che venne a pranzo (1973) di Bud Yorkin, in Vecchia America (1976) di P. Bogdanovich, Quell’ultimo ponte (1977) di Richard Attenborough, Oliver’s Story (1978) di John Korty, e soprattutto in quelle che vengono considerate le due migliori performances della sua carriera: quella del cinico arrivista irlandese protagonista del celebre Barry Lyndon (1975) di Stanley Kubrick, tratto dal libro omonimo di William Makepeace Thackeray, e quella dell’abilissimo pilota automobilistico che viene ingaggiato dalle gang criminali per guidare le loro macchine e sfuggire agli inseguimenti della polizia in Driver, l’imprendibile (1978) di Walter Hill, con Isabelle Adjani e Bruce Dern. Negli anni Settanta viene anche preso in considerazione per il ruolo - poi andato al giovane Al Pacino - di Michael Corleone in Il Padrino (1972) di Francis Ford Coppola e per quello - poi affidato a Sylvester Stallone - di Rocky Balboa in Rocky (1976) di John G. Avildsen. Alla fine del decennio conosce Farrah Fawcett (1947-2009), all’epoca star del telefilm Charlie’s Angels (1975-79), che diventerà la sua compagna e con la quale lavorerà in vari film - fra cui Sacrificio d’amore (1989) di David Greene - e nella serie televisiva Good Sports (1991-92). A partire dagli anni Ottanta la sua carriera comincia un lungo declino e non tornerà più ai livelli precedenti. Fra gli altri film ricordiamo Il ranch della violenza (1962) di Arthur Hiller, con Charles Bronson e Richard Egan, I formidabili (1969) di Michael Winner, con Michael Crawford, Charles Aznavour e Stanley Baker, Jeans dagli occhi rosa (1981) di Andrew Bergman, con Mariangela Melato e Jack Warden, Vertenza inconciliabile (1984) di Charles Shyer, con Drew Barrymore, Sam Wanamaker ed una giovane Sharon Stone, Febbre di gioco (1985) di Richard Brooks, con Catherine Hicks, Giancarlo Giannini, Chad Everett e John Saxon, I duri non ballano (1987) di Norman Mailer, con Isabella Rossellini e Lawrence Tierney, Uno strano caso (1989) di Emile Ardolino, con Robert Downey Jr e Cybill Shepherd, Infedeli per sempre (1996) di Paul Mazursky,

Hollywood brucia (1997) di Alan Smithee, Zero Effect (1998) di Jake Kasdan, con Bill Pullman, The List (2000) di Sylvain Guy, con Ben Gazzara, People I Know (2002) di Daniel Argrant, con Al Pacino, Kim Basinger e Bill Nunn, Waste Land (2007) di Rebecca Chaney. In epoche più recenti è apparso in Knight of Cups (2015) di Terrence Malick. Attivo anche in televisione, fra il 2006 e il 2017 è apparso in oltre venti episodi della serie Bones (2005-2017), in cui interpreta il padre della protagonista, l’anatomo-patologa Temperance Brennan (interpretata da Emily Dechanel).

[beatriceportinari]

Tagged by @madablues to pick a song for every letter of my url yippee I love tunes

B : Bebin-Sevdaliza

E : Erhamni Ya Allah- Majida El-Roumi

A : A pox on you-Silver apples

T : The angry river- The Hat

R: Reniego-Rosalìa

I: I can be your angle, or yuor devil-Istasha

C: Cherubim-Serpentwithfeet

E: Tsar B-Escalate

P: Pull marine-Isabelle Adjani

O: Où va la jeune Indoue-Délibes

R: Rakuen-Buck-Tick

T: Told you so-Depeche mode

I: I who bend the tall grasses-Lingua Ignota

N: Nisi Dominus (Cum dederit)-Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer

A: Anywhere on this road-Lhasa de Sela

R: Red Lips- GTA ft. Sam Bruno, Skrillex Remix

I: Ibuki-Yoshida brothers

I did one of these not too long ago so i'm not tagging anyone but if you want to share your songs pls do I love songs

[karaoketracks]

Pull marine by Isabelle Adjani Custom Mix Backing Track

[filmografie]

Isabelle Adjani in Quartet (1981), dir. James Ivory

[letzternachtzug]

Isabelle Adjani photographed by Claude Azoulay, 1977

[cloudshades]

isabelle adjani by marianne rosenstiehl, 1986 via mubifrance

[helenvaughans]

i think about this video a lot

[possession1981-moving]

i hate it when people make fun of or drag isabelle adjani compared to certain other french actresses (it’s usually isabelle huppert) because they think she looks like vulgar and bad now and should be ashamed because she’s had so much plastic surgery and hasn’t “aged gracefully”. it’s so fucking disgusting and disregarding of the impact of misognistic and ageist sentiments on women, and especially aging women, everywhere but certainly actresses in particular to stay looking young and beautiful. and considering the HEAVY emphasis put on isabelle adjani’s extraordinary beauty when she was young and even into the 90’s, maybe have some fucking empathy and realize that she must have felt IMMENSE pressure to stay looking that way.

[stormyoceans]

“You asked me to meet you here, why?” TIME FOR A DATE SON

Love how they can’t tell if those people are a couple, shows you just how close friendship and romantic love are

At least Puen also got growth in terms of paying for his goddamn order

Tfw when you spend your day spying on a possible not-couple with your future bf

–oh wait are these two also cameos btw?

Thankfully that guy kissed the girl so T&P can focus on their own date now

Hey Talay can you stop saying “I’m not into love” because as an ace person I feel that but we all know you’re gonna turn around on it

Theater employees are like “hey can you two flirt literally anywhere else, we need to clean up here”

Puen using any excuse to get closer to Talay (stealing his food)

Wait… Why is that notebook made of regular paper?

Puen wanting Talay to help with the project while Talay just wants to sleep, mood tbh

OKAY SO I ASSUMED THIS WHOLE BATH SCENE WAS A DREAM SINCE IT CAME OUT OF FUCKING NOWHERE BUT APPARENTLY IT REALLY HAPPENED???

“Why are you cleaning my face?” Idk because the purpose of a bath is to clean yourself???

Also YOU’RE the one who came on so strong you might as well have been sitting on his di–

Asldjfklds the “your heart must be dusty” thing, TOO ROMANTIC

Just having a super-romantic bath with my bestie

WHY DID THEY NOT FIX THE LOOPHOLES

I guess Puen was too busy fixing someone else’s hol–

As an autistic person I legitimately love that Up’s movements tend to be so extra

Well, glueing someone’s helmet is one way to enforce traffic safety, I guess that’s another step forward for Mr Drunk Driver

“I’ll live Tun’s life to the fullest. With you” Talay: *d-doki*

The way they’re smiling at each other <3

Also looove the music that’s playing rn btw

THE HELMET MINI-TWIST, ABSOLUTELY BRILLIANT

AND THEY BOTH WENT FOR A COMPLIMENT

WOULD LOVE TO WRITE ANYTHING COHERENT IN REPLY TO YOUR COMMENTS BUT UNFORTUNATELY

i still cannot believe the bathtub scene was real like it’s genuinely truly insane to me that that was a real scene i got to witness with my own two eyes. the sheer intimacy on display here….. the adoration……. and they’ve known each other for like.. idk a month???? and puen already wants to spend as much time as he can with talay!!!! and then the pinky promise at the end!!!! and the helmets!!!! im sorry i know i sound like a broken record but they honestly LIKE each other as people SO MUCH!!!!! they are friends first and foremost and you aren’t left wondering why they fell in love because every moment they share actually SHOWS you why!!!!! GONNA STOP TALKING NOW BECAUSE IF I THINK ABOUT IT FOR A MOMENT LONGER IM GONNA START EXHIBIT ISABELLE ADJANI IN THE TUNNEL SCENE FROM POSSESSION LEVELS OF INSANITY AND NO ONE WANTS TO SEE THAT HAPPEN

actually wait..

WHY DID THEY NOT FIX THE LOOPHOLES

I guess Puen was too busy fixing someone else’s hol–

VERA IM FORCIBLY REMOVING YOU FROM YOUR KEYBOARD SKFDSGHFGDJKSFGSDKFGDSKJ (you're not wrong though, he sure as hell was at least dreaming of doing that sfjskdgfjs)

[foudart]

🇩🇿 Voici l’affiche de SŒURS, le nouveau film de Yamina Benguigui avec Isabelle Adjani, Maïwenn, Rachida Brakni et Hafsia Herzi. 👉 Le 30 juin au cinéma. 👉 Sélection officielle au Festival du Film Francophone d'Angoulême 2020. Synopsis : Depuis trente ans, trois sœurs franco-algériennes, Zorah, Nohra et Djamila vivent dans l’espoir de retrouver leur frère Rheda, enlevé par leur père et caché en Algérie. Alors qu’elles apprennent que ce père est mourant elles décident de partir toutes trois le retrouver en Algérie dans l’espoir qu’il leur révèle où est leur frère. Commence alors pour Zorah et ses sœurs une course contre la montre dans une Algérie où se lève le vent de la révolution. @isabelleadjaniofficiel @maiwennofficial @rachidabrakni @jour2fete_distribution #soeur · #cinema #cinematography #film #movie #movies #cinemas #art #cinemania #films #cine #actor #cinéma https://www.instagram.com/p/CO0dbslLr1d/?igshid=1tpf6zb9lxuom