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#patrick alston
killyridols · 9 months
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the rose that concrete grew by patrick alston, 2021, acrylic + enamel + gouache + oil + paper pulp on canvas, 30 × 30 inches
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casualist-tendency · 1 year
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Patrick Alston (American, b. 1991), Native Sun, 2020, 127 x 127 cm
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caribeandthebooks · 4 months
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Caribe's YA Fantasy & Science Fiction TBR - Part 2
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polkadotmotmot · 1 year
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Patrick Alston - Double Consciousness #03, 2023
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goalhofer · 2 months
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2024 San Francisco Giants Roster
Pitchers
#7 Blake Snell (Shoreline, Washington)*
#12 Jordan Hicks (Houston, Texas)*
#23 Robbie Ray (Brentwood, Tennessee)*
#33 Taylor Rogers (Littleton, Colorado)
#38 Alex Cobb (Vero Beach, Florida)
#43 Tristan Beck (Corona, California)
#45 Kyle Harrison (Danville, California)
#57 Austin Warren (Fayetteville, North Carolina)*
#58 Nick Avila (Turlock, California)**
#62 Logan Webb (Rocklin, California)
#63 Ethan Small (Lexington, Tennessee)*
#64 Sean Hjelle (Mahtomedi, Minnesota)
#65 Landen Roupp (Rocky Mount, North Carolina)**
#67 Keaton Winn (Jefferson County, Iowa)
#68 Erik Miller (Creve Coeur, Missouri)**
#70 Kai-Wei Teng (Taichung Shi, Taiwan)**
#71 Tyler Rogers (Littleton, Colorado)
#74 Ryan Walker (Arlington, Washington)
#75 Camilo Doval (Yamasá, Dominican Republic)
#77 Luke Jackson (Ft. Lauderdale, Florida)
Catchers
#14 Patrick Bailey (High Point, North Carolina)
#19 Tom Murphy; Jr. (Hastings, New York)
Infielders
#16 Nick Ahmed (East Longmeadow, Massachusetts)*
#26 Matt Chapman (Lake Forest, California)*
#31 LaMonte Wade; Jr. (Baltimore County, Maryland)
#39 Thairo Estrada (Bejuma, Venezuela)
#41 Wilmer Flores (Valencia, Venezuela)
#49 Tyler Fitzgerald (Rochester Township, Illinois)
Outfielders
#2 Jorge Soler (Havana, Cuba)*
#5 Mike Yastrzemski (Danvers, Massachusetts)
#8 Michael Conforto (Redmond, Washington)
#13 Austin Slater (Jacksonville, Florida)
#51 Jung-Hoo Lee (Nagoya, Japan)**
Coaches
Manager Bob Melvin (Menlo Park, California)
Bench coach Ryan Christenson (Redlands, California)
Hitting coach Pat Burrell (Eureka Springs, Arkansas)
Assistant hitting coach Pedro Guerrero (San Pedro De Macorís, DR)
Assistant hitting coach Justin Viele (Anaheim, California)
Pitching coach Bryan Price (Mill Valley, California)
Assistant pitching coach J.P. Martínez (Baracoa, Cuba)
Bullpen coach Garvin Alston (Mt. Vernon, New York)
1B coach Mark Hallberg (Barron, Wisconsin)
3B coach Matt Williams (Carson City, Nevada)
Assistant coach Alyssa Nakken (Woodland, California)
Assistant coach Fernando Perez (West Windsor Township, NJ)
Assistant coach Uematsu Taira (Tateyama, Japan)
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fingertipsmp3 · 2 months
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🐱🦐
🐱: BOOOOOP
🦐: tell me about a character or story that is giving you shrimp emotions right now
Since I finished the Last Binding trilogy I’ve been absolutely obsessed with Jack Alston for just… so many reasons I think. He only has one scene in the first book but he absolutely stole the show for me, to the point that for some reason I had a dream where he was in a relationship with Patrick Bateman?? That was bizarre, but anyway, I like Jack as a character so much. How he wants to be left alone but also wants to help, how he’s scared to be too close to anyone because of what happened to his sister, the persona of the heartless rake he puts on and wears like a suit… I want to study him under a microscope
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newhavenrp · 1 year
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Grayson as Alston Lowfield
Fives as Patrick
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trascapades · 1 year
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🖤🎨#ArtIsAWeapon
Thank you @RichardBeaversGallery for compiling this list of Black-owned art galleries!
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UJAMAA
BLACK OWNED ART GALLERIES
Compiled by Richard Beavers Gallery, December 2022
Above Art Studios, NJ | @aboveartstudios
Addis Fine Art, LDN | @addisfineart
Anderson Brickler Gallery, FL | @andersonbricklergallery
Annie’s Art Gallery, MD | @anniesartgallery
Anthony Gallery, IL | @galleryanthony
Artlanta Gallery, GA | @artlantagallery
Akwaaba Gallery, NJ | @akwaabagallery
Arnika Dawkins, GA | @arnikadawkins
Art Lead Her, NY | @artleadher
Art for the Soul Gallery, MA | @artforthesoulgallery
Art of Noize, DC | @artofnoizedmv
Art Melanated, CA | @artmelanated
Astah’s Art Gallery, NJ | @astahsartgallery
Axiom Fine Art Gallery, LA | @axiomartgallery
Band of Vices, CA | @bandofvices
Baar Art, | @barartjourney
Bill Hodges Gallery, NY | @billhodgesgallery
Bisong Art Gallery, TX | @bisongart
Black Artists+Designers Guild | @badguild
Black Art In America, GA | @blackartinamerica_
Black Gotham, NY | @blackgotham
Black Wall Street Gallery, NY | @bws.gallery
BlkMrkt, NC | @blkmrktclt
Boom Concepts, PA | @boom_concepts
Bridge Art Gallery, DE | @bridgeartgallery
Calabar Gallery, NY | @calabargallery
Cane Roots Art Gallery, USVI | @canerootsartgallery
Carter Fine Art Services | @carterfineart
Chela Mitchell Gallery, DC | @chelamitchellgallery
Ciera Britton Gallery, NY | @cierrabrittongallery
Cindy Rucker Gallery, NY | @ruckergallery
Curtiss Jacobs Gallery, NY | @curtissjacobsgallery_harlem
Dada Art Gallery, LDN | @thedadagallery
Daisha Board Gallery, TX | @daishaboardgallery
Dominque Gallery, CA | @dominique.gallery
Dorsey’s Art Gallery, NY | @dorseysfineartgallery
Dupp & Swat, NC | @duppandswat
E&S Gallery, KY | @eandsgallery
Essie Green Gallery, NY | @essie.green.gall
11:Eleven Gallery, DC | @11eleven_gallery
5 Points Art Gallery & Studios, WI | @5ptsartgallery
Galerie Myrtis, MD | @galeriemyrtis
Gallery 90220, CA | @gallery90220
Gallery Chuma, SC
Gallery Guichard, IL | @gallery_guichard
Gallery Kendra Jayne Patrick, NY | @gallerykendrajaynepatrick
Ground Floor Gallery, NY | @groundfloorbk
Hausen, NY | @welcometohausen
Hannah Traore Gallery, NY | @hannahtraoregallery
Harper Galleries of Art, MI | @harpergoaai
Hearne Fine Art, AR | @hearnefineart
HMAAC, TX | @houstonmaac
Homme DC, DC | @homme_dc
Housing, NY | @housingny
Jac Forbes Gallery, CA | @jacforbes
Jenkins Johnson, NY | @jenkinsjohnsongallery
Johnathan Carver Moore, CA | @johnathancarvermoore
June Kelly Gallery, NY | @junekellygallery
KAWD Art Gallery, LA | @kawdartgallery
Kente Royal Gallery, NY | @kente_royal_gallery
Knowhere, MA | @knowhereart
Left of Center Art Gallery, NV | @leftofcentergallery
Legendary Art Gallery, IL | @legendaryartgallery
Long Gallery, NY | @longgallery
Mackey Twins Art Gallery, NY | @mackeytwinsart
Mahogany Gallery, WI | @mahoganygallery
Mariane Ibrahim Gallery, IL | @marianeibrahimgallery
Martyr Sauce, WA | @martysauce
Medium Tings, NY | @mediumtings
Mehari Sequar Gallery, DC | @meharisequargallery
Mitochondria Gallery, TX | mitochondria.gallery
Moody Jones Gallery, PA | @moodyjonesgallery
Muse GR, MI | @mymusegr
Nicola Vassell Gallery | @nicolavassellgallery
N’Namdi Center for Conetemporary Art, MI | @nnamdicenter
N’Namdi Contemporary, FL | @nnamdi_gallery
Neema Gallery, SC | @neemagallery
NoName Gallery, PA | @nonamegalleryphilly
Norwest Gallery of Art, MI | @norwestgallery
Overdue Recognition Gallery, MD | @overduerecognitionart
Peg Alston Fine Arts, NY | @pegalston
Pencil on Paper Gallery, TX | @pencilonpapergallery
Prizm Art Fair, FL | @prizm
Residency Art Gallery, CA | @residencyart
RichesArt Gallery and Studio, TX | @richesartgallery
Richard Beavers Gallery, Brooklyn
Richard Beavers Gallery, Soho | @richardbeaversgallery
Rush Arts Philanthropic, PA | @rushartphilly
Sabree’s Gallery of the Arts, GA | @sabreesgallery
September Gray Fine Art, GA | @septembergrayart
SK ArtSpace, NY | @sk.ArtSpace
Skoto Gallery, NY | @skoto_gallery
Stella Jones Gallery, LA | @stellajonesgallery
Superposition, CA | @superpositiongallery
Terrance Osbourne Gallery, LA | @terranceosborne
The Bishop Gallery, NY | @thebishopgallery
The Compound Gallery, NY | @compoundgallery
The Heath Gallery, NY | @heathgallery
The Sold Firm, DE | @thesoldfirm
The Spite Haus, PA | @thespitehaus
Thelma Harris Gallery, CA | @thelmaharrisgallery
Tripoli Gallery, NY | @tripoligallery
Urban Art Gallery, PA | @urbanartgallery
Wa Na Wari, WA | @wanawariseattle
Waller Gallery, MD | @wallergallery
WaterKolours Fine Art Gallery, TN
Welancora, NY | @welancora
Worth Gallery, | @worth_gallery
Youth Concept Gallery, FL | @youthconceptgallery
Zimstone Gallery, DC | @jeffbrown_zimstonegallery
ZuCot Gallery, GA | @zucotgallery
#BlackOwnedArtGalleries
#BlackArtGalleries #BlackGallerists #BlackArt #BlackArtists #BlackGirlArtGeeks #BlackArtLovers #BlackArtCollectors
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jesserintoul · 2 years
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ZOO Magazine No.76 - UK artist Patrick Alston and his work with BODE projects
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aaagencyyy · 5 years
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Patrick Alston
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killyridols · 6 months
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proverbs by patrick alston, 2023, acrylic + enamel + gouache + spray paint + oil + oil stick on sewn fabric, 50 × 50 inches
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Cut & Run Series
Character:  Scott Alston
Facecast:  Patrick Wilson
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kate-likes-this · 4 years
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Pedro for Icon ElPaís (10-02/20)
By Juan Sanguino • Photographer: Danielle-Degrasse-Alston • Stylist: Warren Alfie Baker Related: photoshoot / list of articles / en Español
The first big opportunity in his career was presented in 2011, when he participated in a pilot episode of Wonder Woman for NBC, but the network discarded the series and Pedro Pascal returned to his main occupation: to play the criminal of the week in Law and Order. “That cancellation was a disappointment, of course, I wanted to work. I did not care if it was something good or bad, I just wanted to work," he recalls today from his Los Angeles home during a virtual conversation with ICON. Now Pascal plays the villain of Wonder Woman 1984, one of the blockbusters destined to return audiences to movie theaters. 
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How can you not believe in fate? The boy who broke his arm twice playing Indiana Jones has ended up becoming the favorite hero of kids, as the bounty hunter in The Mandalorian, his parents, as Agent Peña in Narcos, and, well, everyone's as Oberyn Martell, The Red Viper in Game of Thrones. When Pedro was little, the good guys were always white and the bad guys were Russian, Arab or Latino. The Wonder Woman 1984 villain, however, is a white billionaire played by a Chilean.
“The film is set in the United States in the eighties, which were marked by capitalism and greed. It was a tainted concept of evil. Stripped of humanity, but still absolutely attractive and alluring. People who dreamed of being rich and successful had to be salivated. It is true that at that time villains in the cinema projected a xenophobic image. Now, the white man finally can be the  bad guy.”
Some already compare his character, Maxwell Lord, to Donald Trump because of that muck in this mud: Reagan's glorification of rogue moguls in America turned guys like Trump into aspirational “role models” and “glamorous stars”. 
“Trump was not the core of inspiration for my character. Our costume designer's vision based on Gordon Gekko from Wall Street, American Psycho's Patrick Bateman and other suckers in expensive eighties suits. All those millionaires who hid despair, unbridled ambition and terrifying masculinity.”
If Pedro Pascal sounds like a socialist infiltrated in Hollywood it is because that is exactly what he is.
“When Reagan was elected, many people around me were frustrated that the worst forms of capitalism was winning. In my home, with refugee and socialist parents, conservatism was not demonized, but it did go against what was important to my family.” 
Pascal's father, José Balmaceda, was an Allende supporter doctor who saved the life of a priest wounded by Pinochet's militia. The priest was later tortured and ended up confessing the name of his savior. When the police went to look for Balmaceda at the hospital where he worked, he took his wife and the newborn Pedro, jumped over the wall of the Venezuelan embassy in Santiago de Chile to request political asylum. Pedro ended up growing up in San Antonio, Texas, in a socialist home, but in Reagan's land. A Chilean with no memories of Chile who was called Peter in high school.
Pascal has never left the immigrant mentality behind. Even his father, who opened his practice in California, always lived in terror that at any moment everything could vanish. 
“It doesn't matter who you are, how much you are working or how much you get paid. Deep down you always think that each job is the last one.“
Maybe that's why he didn't dare to move from his Red Hook, Brooklyn, hovel to a home more suitable for a Hollywood star until filming for Kingsman 2 and Narcos was over. Nor that he had spent more than a full week at his house since Game of Thrones made him the guy most people want to party with. 
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Pascal knew right away that Oberyn Martell, the “Westeros’ rockstar” who always seemed ready to fight or fornicate with the same bravado, was going to change his life. 
“I had done a lot of castings for friends' plays, for copy factory ads or for very serious independent films that no one was going to see, while I watched how many characters that I had been about to play changed the lives of other actors. And thanks to my experience and maturity, I recognized the potential of Oberyn. I understood who he was and who he could be.”
The actor found out about the audition when one of his acting students told him that he had auditioned but had been discarded because of his youth. Pedro snapped up and must have thought, "What would Oberyn do?" So he recorded a video on his phone and sent it to his good friend, actress Sarah Paulson, who passed it on to her good friend actress Amanda Peet, who then showed it to her husband, David Benioff, one of the creators of Game of Thrones. The rest is history of television and headaches: when he was informed by the Narcos producer he was chosen to play Pablo Escobar's pursuing policeman, he accused him of making a spoiler for Game of Thrones: if Pascal had a free agenda, it is because Oberyn was going to lose his fight against The Mountain. Of course, he couldn't imagine how.
Part of that electric, lively and hedonistic energy of Oberyn comes from Pascal’s summer of 1996 he spent in Madrid, where in addition to studying, he also worked as a go-go dancer in a disco. That stay was transformative, because the actor realized: throughout his life he had had to adapt his identity with each new move, but in Madrid he felt effortlessly at home. 
“I was 20 years old and I liked it so much that I almost moved. My main language is English, I have an American accent and I can pass for white. But in my house there were many cultural differences with respect to the outside world and I remember that when I was 20 years old, and arrived in Madrid, I felt very comfortable in my own skin in a way, that I had never felt anywhere else. I guess, I was not aware that I had spent my childhood and adolescence learning new ways of adapting, connecting, and learning. On the contrary, living in Madrid was organic and easy for me. I made friends right away and I felt supported.”
By the time he was 40, Pascal was already resigned to being an actor with enough odd jobs to pay the rent. According to him, his aquiline nose was a bad feature by Hollywood standards. Far from being offended or frustrated by this typecasting, he was always looking forward to it, if it translated into a new check. 
“It is very strange to develop a fantasy as a child, to have the opportunity to turn it into a hobby, then to study and finally transform all that into a career. That is the bet. But my dream of becoming the next Leonardo DiCaprio died.”
 He died dozens and dozens of times. So to move on, he had to accept that, at best, he was going to be an actor with a job. That was already a triumph. 
“In addition, I accepted I was not qualified for anything else, I had no more skills: I had to put all my time, my energy and my concentration in being an actor and the rest in living life and having fun."
That absence of vanity lives on today, even when he's been involved in large-scale projects for five years without stopping. After Game of Thrones, he has made eight films, of which seven are action blockbusters. The wave of fame came to him when he no longer expected it but when he was well prepared to ride it. Still, every workday is a surprise and he acknowledges that what amazes him most about Hollywood is the sheer physical stamina that people have. 
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“Sometimes a project can look like building a city: with all the hours, all the work and energy it requires. Some people have better stamina and can get by with little sleep. That is an interesting contradiction: all the people creatively involved in a film have a special sensitivity and at the same time they have developed a very tough skin and energy to go through the physical experience of shooting it.”
Then Pascal switches to Spanish (the language he uses to confess intimacies) and explains, in a nutshell, that he is old for this shit. 
“I thought I had all the energy in the world, and now, in my 40s, I see that ... wow! There are times when I don't know if I will be able to reach the goal, because my energy is not at the necessary level. But I always take it forward.” 
Maybe that's why people get so high in Hollywood. Pascal responds between laughter and again in Spanish.
“I already took all my drugs very early. It is something that is already too much in the past, and in middle age a hangover is not an option. No, no, no.” 
What if the other hangover, the wave of fame, runs over you? 
“I was a good waiter. Not at first, because they fired me many times, but I ended up getting the hang of it,” he jokes. If the Hollywood thing doesn't go well, you can always serve drinks again. But at the moment, Pedro Pascal is the personification that American dream, although sometimes it takes a little longer to materialize. Even Ronald Reagan would be proud.
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polkadotmotmot · 1 year
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Patrick Alston - Coco Cherry Mango, 2023
#up
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dornish-queen · 4 years
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Pedro Pascal: “I already took all my drugs very early. In middle age, a hangover is not an option ”
When he was approaching 40, he resigned himself to having sporadic papers that would allow him to pay the rent. But playing Oberyn Martell in 'Game of Thrones' changed his life and opened the doors of 'Narcos'. Since then it has not stopped. Now he's the villain from the blockbuster 'Wonder Woman 1984'
JUAN SANGUINO
THE ANGELS OCT 2, 2020 - 3:19 PM EDT
The first big opportunity of his career was presented in 2011, when he participated in the pilot episode of Wonder Woman for NBC, but the network discarded the series and Pedro Pascal returned to his main occupation: casting castings to play the criminal of the week in the Law and order of duty. “That cancellation was a disappointment, of course, I wanted to work. I did not care if it was something good or bad, I just wanted to work, "he recalls today from his home in Los Angeles during a virtual conversation with ICON. Now Pascal plays the villain of Wonder Woman 1984 , one of the blockbusters destined to return audiences to movie theaters .
How can you not believe in fate? The boy who broke his arm twice playing Indiana Jones has ended up becoming the favorite hero of the kids (the bounty hunter in The Mandalorian ), his parents (Agent Peña in Narcos ) and, well, everyone's. world (Oberyn Martell, The Red Viper, in Game of Thrones ). When Pedro was little, the good guys were always white and the bad guys were Russian, Arab or Latino. The Wonder Woman 1984 villain , however, is a white billionaire played by a Chilean.
“The film is set in the United States of the eighties, which were marked by capitalist greed. It was a tainted concept of evil. Stripped of humanity, but still absolutely attractive and alluring. People who dreamed of being rich and successful had to be salivated. It is true that at that time villains in the cinema projected a xenophobic image. Now the white man can finally be the bad guy, ”explains Pascal.
 Some already compare his character, Maxwell Lord, to Donald Trump because of that muck in this mud: Reagan's glorification of rogue moguls in America turned guys like Trump into aspirational role models and glamorous stars. “Trump was not the core of inspiration for my character, on our costume designer's board were Gordon Gekko [Michael Douglas on Wall Street ], American Psycho's Patrick Bateman and other suckers in expensive eighties suits. All those millionaires who hid despair, unbridled ambition and terrified masculinity ”, he clarifies. If Pedro Pascal sounds like a socialist infiltrated in Hollywood it is because that is exactly what he is.
“When Reagan was elected, many people around me were frustrated that the worst forms of capitalism were winning. In my home, with refugee and socialist parents, conservatism was not demonized but it did go against what was important to my family, ”he says. Pascal's father, José Balmaceda, was an Allende supporter doctor who saved the life of a priest wounded by Pinochet's militia .
The priest was later tortured and ended up confessing the name of his savior. When the police went to look for Balmaceda at the hospital where he worked, he took his wife and the newborn Pedro and jumped over the wall of the Venezuelan embassy in Santiago de Chile to request political asylum. That's why Pedro ended up growing up in San Antonio (Texas), in a socialist home but in Reagan's land. A Chilean with no memories of Chile who was called Peter in high school.
At the age of 20, Pascal was in Madrid working as a go-go and keeps good memories. Here she is wearing a Prada sweater. Photo: Danielle DeGrasse-Alston / Realization: Warren Alfie Baker
The Chilean-born but US-raised actor wears a Paul Smith sweater and suit. Photo: Danielle DeGrasse-Alston / Realization: Warren Alfie Baker
Pascal has never left the immigrant mentality behind. Even his father, who came to open a practice in California, always lived in terror that at any moment everything could vanish. “It doesn't matter who you are, how much you are working or how much you get paid. Deep down you always think that each job is the last one ”, confesses the actor. Maybe that's why he didn't dare move from his Red Hook, Brooklyn, hovel to a house more suitable for a Hollywood star until filming for Kingsman 2 and Narcos was over . Nor is it that he had spent more than an entire week at his house since, in 2014, Game of Thrones made him the guy most people would want to party with.
Pascal knew right away that Oberyn Martell, the Westerosi rockstar who always seemed willing to fight or fornicate with the same bravado, was going to change his life. “I had done a lot of castings for friends' plays, for copier factory ads or for very serious independent films that no one was going to see, while I watched how many characters that I had been about to play changed the lives of others. actors. And thanks to my experience and maturity, I recognized the potential of Oberyn. I understood who he was and who he could be ”, he presumes.
The actor found out about the audition when one of his acting students told him that he had taken the test but had been discarded because of his youth. Pedro snapped up and must have thought, “What would Oberyn do?” So he recorded a video on his phone and sent it to his good friend, actress Sarah Paulson . She passed it on to her good friend actress Amanda Peet and this one to her husband, David Benioff, one of the creators of Game of Thrones . The rest is the history of television and headaches: when he informed the Narcos producer that he was available to play Pablo Escobar's pursuing policeman, he accused him of making a spoiler for Game of Thrones: If Pascal had a free agenda, it is because Oberyn was going to lose his fight against La Montaña . He couldn't imagine, of course, in what way.
  Part of that electric, lively and hedonistic energy of Oberyn comes to Pascal from the summer (that of 1996) that he spent in Madrid, where in addition to studying he worked as a go-go in a disco. That stay was transformative because the actor realized that he had had to adapt his identity all his life with each new move, but in Madrid he felt effortlessly at home. “I was 20 years old and I liked it so much that I almost moved. My main language is English, I have an American accent and I can pass for white. But in my house there were many cultural differences with respect to the outside world and I remember that when I was 20 years old, when I came to Madrid, I felt very comfortable in my own skin in a way that I had never felt anywhere else. I guess I was not aware that I had spent my childhood and adolescence learning new ways of adapting, connecting, learning, and pulling. On the contrary, living in Madrid was organic and easy for me. I made friends right away and I felt supported, ”he recalls.
By the time he was 40 Pascal was resigned to being an actor with enough odd jobs to pay the rent. According to him, his aquiline nose was a bad nose by Hollywood standards. Far from being offended or frustrated by this typecasting, he was looking forward to it, if it translated into a new check. “It is very strange to develop a fantasy as a child, to have the opportunity to turn it into a hobby, then some studies and finally transform all that into a career. That is the bet. But my dream of becoming Leonardo DiCapriodied. He died dozens and dozens of times. So to move on he had to accept that, at best, he was going to be an actor with a job. That was already a triumph, "he says. "Also, I accepted that I was not qualified for anything else, I had no more skills: I had put all my time, my energy and my concentration in being an actor and the rest in living life and having fun."
That absence of vanity lives on today, even when he's been involved in large-scale projects for five years without stopping. After Game of ThronesHe has made eight films, of which seven are action blockbusters. The wave of fame came to him when he was no longer expecting it but when he was well prepared to ride it. Still, every workday is a surprise and she acknowledges that what amazes her most about Hollywood is the sheer physical stamina that people have. “Sometimes a project can look like building a city, with all the hours, all the work and all the energy it requires. Some people have better stamina and can get by with little sleep. That is an interesting contradiction: all the people creatively involved in a film have a special sensitivity and at the same time have developed a very tough skin and energy to go through the physical experience of shooting it, ”he admires.
 Then Pascal switches to Spanish (the language he uses to confess intimacies) and explains, in a few words, that he is old for this shit. “I thought I had all the energy in the world and now, in my 40s, I see that ... wow! There are times when I don't know if I will be able to reach the goal, because my energy is not at the necessary level. But I always take it forward ”, he guarantees. Maybe that's why people get so high in Hollywood. Pascal responds between laughter and again in Spanish.
“I already took all my drugs very early. It is something that is already too much in the past, and in middle age a hangover is not an option. No, no, no ”, she assures. What if the other hangover, that of the wave of fame, runs over you? “I was a good waiter. Not at first, because they fired me many times, but I ended up getting the hang of it, ”he jokes. If the Hollywood thing doesn't go well, you can always put drinks again. But for now Pedro Pascal is the personification that the American dream , although sometimes it takes a little longer to materialize, really exists. Even Ronald Reagan would be proud.
source
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architectnews · 3 years
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Iona P&O Cruise Ship Interior
Iona P&O Cruise Ship Interior, Marine Architecture, Spa Interior Design, Commercial Boat Architecture
Iona P&O Cruise Ship Interior Design
25 May 2021
Iona P&O Cruise Ship
Architects: Jestico + Whiles
British cruise ship operator, P&O Cruises, has launched the latest addition to its fleet, Iona, with interiors designed by hospitality experts, Jestico + Whiles.
Britain’s largest and most environmentally friendly ship, powered by liquefied natural gas (LNG) will accommodate up to 5,200 guests.
Iona was named in a spectacular ceremony broadcast to a virtual audience on Sunday May 16 and the ship’s maiden voyage will be on August 7, sailing the UK coast and up to her namesake island.
The award-winning interior design and architecture studio has designed most of the food and beverage spaces throughout the ship and the most spectacular space of all, the soaring triple-height Grand Atrium which captures unprecedented panoramic views across the ever-changing seascape, as far as the horizon.
The Grand Atrium is the heart of Iona, a lively focal point that encapsulates the spirit of the ship, with spectacular views and natural light. This special space is designed to ‘draw the outside in’ and, accordingly, Jestico + Whiles has made the sea the hero of the space, allowing guests to connect with the seascape around them.The Grand Atrium will be, according to the occasion and time of day, either playground or sanctuary.
It a key entertainment space, designed meticulously to effortlessly accommodate a wide variety of experiences, from musical performance to thrilling aerialists.
At other times it will attract guests throughout the day for convivial repose, offering from morning coffee as the sun rises and sundowners at dusk.
An elegant, gravity defying, arcing staircase of Italian marble with a filigree, bright silver serpentine balustrade serves as the centre piece to the space, evoking the glamour of the iconic cruise ships of the early 20th century. Designed as a sculpture, its swooping form leads guests on a journey through the decks offering ever changing views.
The unifying experience of the atrium is always the view to the sea that provides an enchanting, captivating backdrop to the activity within.
Jestico + Whiles’ Associate Director, Jennifer de Vere-Hopkins said: “Despite the challenge of such a large space, we have worked closely with P&O Cruises to create a unique Grand Atrium that is harmonious with the separate venues, making the space both open and intimate. The refocusing of the guest experiences on the sea is the heart of an entirely new brief. The sea becomes the focus of the triple-height space; the sinuous curves are shaped around it, framing and complementing the views to the outside.”
P&O Cruises senior vice president, Paul Ludlow said: “We’ve set out to make sure the sea is the star on Iona, and the design of the Grand Atrium tells you so much about how special she is going to be. Balancing intimate spaces with larger social areas, guests will be wowed by the three storey high glass walls and the ever-changing view they reveal. From the moment they step onto the staircase, I know guests will be swept away by the beautiful design.”
Jestico + Whiles has designed P&O Cruises first ever ‘gastro pub’ – The Keel and Cow – on Deck 8, with views over the Grand Atrium and the ocean. The Glass House on Deck 7 will include an impressive wine list and menu curated by award-winning wine expert Olly Smith, wines from around the world are served by the glass. Wine connoisseurs will be well taken care of with a new experience, Cellar Door at the Glass House will offer wine talks, tastings and wine-pairing dinners. Guests can relax with unbeatable views as they watch impromptu aerial and circus performances in the three-storey high space.
On Deck 6 at the Vistas Cafe Bar there is a unique offer from P&O Cruises Food Hero and master pâtissier Eric Lanlard. The nearby Emerald Bar will evoke the glamour of a 1920s cocktail bar.
Iona was constructed at the Meyer Werft shipyard in Papenburg, Germany. She holds 5,200 passengers and is the largest cruise ship for the British market.
About Jestico + Whiles Jestico + Whiles is an award-winning architecture and interior design practice working from London and Prague. The practice incorporates a specialist and highly respected hotel and hospitality design studio of experienced and accomplished designers including architects, interior designers and FFE specifiers.
Jestico + Whiles has earnt an international reputation for excellence in hospitality design and is currently working on the new five-star W Edinburgh, the Mandarin Oriental Lucerne and the Kempinski Palace Engelberg.
Their portfolio includes the Zuri Zanzibar eco hotel resort, Hard Rock Hotel Ibiza; W London, Andel’s Hotel Lodz (Poland) and the interior design of the extraordinary Yas Hotel, a 500-key contemporary ultraluxe hotel which straddles the Formula One Grand Prix racetrack in Abu Dhabi.
The practice has completed Alston Bar & Beef in Glasgow and, most recently a sister restaurant in Manchester, as well as the restaurant at The Lansdowne Club in Mayfair (in a space originally conceived by the designers of the famous Queen Mary, the famous ship from the golden age of cruising), Shilling Brewing Co. in Glasgow; and Aqua Shard in London.
The Jestico + Whiles team has earned a global reputation for excellence in this field, supported by a great number of international awards, including the European Hotel Design Award, BD Interior Designer of the Year Award and FX International Design Awards. Jestico + Whiles won the MIPIM Award ‘Special tribute to Country of Honour’ in consecutive years, a unique accomplishment, and both for hotel projects.
About P&O Cruises P&O Cruises is Britain’s favourite cruise line, welcoming guests to experience holidays with a blend of discovery, choice, relaxation and exceptional service catered towards British tastes. P&O Cruises fleet of premium ships combine genuine service, a sense of occasion and attention to detail.
In 2021, P&O Cruises will launch Iona its first Excel class ship. The new LNG-powered ship, with 5,200-guest capacity, will be the largest ship built to serve the UK market. Iona will feature enhancements to already successful brand signature venues from the existing fleet, as well as features newly developed for Iona. P&O Cruises second LNG-powered Excel class ship and sister ship to Iona is named Arvia, meaning from the seashore, and will join the fleet in December 2022. Arvia is an innovative and future-focused ship and will offer outstanding, varied and contemporary holidays. Arvia has been designed to travel to the sun all year-round and to maximise views of the ocean and the seashore from everywhere on board.
With over 200 destinations worldwide, P&O Cruises itineraries are carefully curated to inspire discovery, and are varied to suit newcomers and experienced guests alike. With a wide choice of holidays from two days to three months there is something for everyone. P&O Cruises sails to Australia & New Zealand, Baltic, the British Isles, Canada, the Spain, Portugal & the Canary Islands, the Caribbean, Central America, the Far East & Asia, the Indian Ocean, the Mediterranean, Scandinavia, South America, the South Pacific, the United States and Western Europe.
Iona P&O Cruise Ship Interior images / information received 250521
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