#princess bithiah

[ladymarys-blog]

Princess Bithiah and baby Moses. The Daughter of Pharaoh found the baby in the Nile, she saved his life and become the adopitive mother of Moses.

Game by: Doll Divine and Azalea Dolls.

[freebiblestudyhub]

Who Was Moses’ Adopted Mother?

Moses is one of the most significant figures in the Bible. His life story is filled with extraordinary events that have inspired countless people. One of the most intriguing aspects of Moses’ early life is his adoption by an Egyptian princess. This story, while often overshadowed by his later achievements, is a critical part of understanding his background and the role of God’s providence in his life. In this article, we will explore who Moses’ adopted mother was, the context of her role, and the significance of this part of Moses’ life.

The Historical Context

To understand who Moses’ adopted mother was, we need to look at the historical and cultural context of ancient Egypt. During the time of Moses’ birth, the Israelites were enslaved in Egypt. Pharaoh, the king of Egypt, had ordered the killing of all male Hebrew infants to control the growing population of the Israelites. This decree was aimed at preventing the Israelites from becoming too powerful and potentially threatening Egyptian rule.

In this grim setting, Moses’ mother, Jochebed, took a courageous step to save her son. She placed him in a basket made of bulrushes and set it afloat on the Nile River, hoping that someone would find and care for him. This act of faith and desperation was the beginning of a remarkable turn in Moses’ life.

The Egyptian Princess

Moses’ adopted mother was a princess of Egypt, traditionally known as Bithiah in Jewish tradition. Her exact name is not explicitly mentioned in the Bible, but Jewish and Islamic traditions identify her as Bithiah, which means “daughter of God” in Hebrew. According to these traditions, Bithiah was a daughter of Pharaoh who discovered the infant Moses.

The story is described in the Book of Exodus in the Old Testament. As the basket floated on the Nile, it was discovered by Pharaoh’s daughter while she was bathing in the river. The princess had compassion for the crying baby and decided to adopt him, despite knowing he was one of the Hebrew infants her father had decreed to be killed.

Adoption and Upbringing

Pharaoh’s daughter took Moses into her palace and raised him as her own. This adoption was not merely an act of charity; it had significant implications for Moses’ life. Being raised in the Egyptian royal family, Moses received an education and privileges that were not available to other Israelites. He was educated in the ways of the Egyptians, learning their language, customs, and governance.

This upbringing in the palace allowed Moses to become familiar with the highest levels of Egyptian society and culture. It also provided him with the skills and knowledge that would later prove useful in his leadership role. Moses’ position in the royal household, however, did not sever his connection to his Hebrew roots.

The Role of Jochebed

Moses’ biological mother, Jochebed, played a crucial role in his life despite being separated from him early on. After Moses was adopted, his sister Miriam watched over him from a distance. She approached Pharaoh’s daughter and offered to find a Hebrew woman to nurse the baby. Miriam arranged for Jochebed to be the nurse for her own son, which allowed Jochebed to continue caring for Moses during his early years.

Jochebed’s influence during these formative years was significant. She instilled in Moses a sense of his Hebrew identity and faith. Even though he was raised as an Egyptian prince, the values and beliefs of his biological family remained an essential part of his upbringing.

The Significance of the Adoption

The adoption of Moses by Pharaoh’s daughter had profound implications for the history of the Israelites and for Moses’ role as a leader. Here are a few key points to consider:

Preservation of Life: Moses’ adoption saved him from the decree that sought to kill all Hebrew male infants. This act of divine intervention set the stage for Moses to become a central figure in the liberation of the Israelites from Egyptian bondage.

Education and Influence: Growing up in the Egyptian palace provided Moses with unique insights into Egyptian society and governance. This knowledge was instrumental in his later leadership role when he confronted Pharaoh and led the Israelites out of Egypt.

Connection to Both Worlds: Moses’ position as both an Egyptian prince and a Hebrew allowed him to bridge two worlds. His life embodied the intersection of Egyptian and Hebrew cultures, which played a crucial role in his ability to negotiate and lead effectively.

Divine Plan: The adoption of Moses by Pharaoh’s daughter was part of a larger divine plan. It ensured that Moses would be well-educated and prepared for his future role as a leader and prophet. It also highlighted God’s providence in preserving the life of the future liberator of the Israelites.

Conclusion

The story of Moses and his adoption by Pharaoh’s daughter is a testament to the intricate ways in which God orchestrates events in history. The princess who adopted Moses, traditionally known as Bithiah, played a pivotal role in his early life and in the broader narrative of the Israelites’ liberation. Her act of compassion and the subsequent care provided by Moses’ biological mother, Jochebed, set the stage for Moses to become one of the most influential leaders in biblical history.

Through this story, we see how individual actions, guided by divine providence, can have far-reaching impacts. The adoption of Moses was not just a rescue but a critical part of a divine plan that would lead to the liberation of an entire people. Understanding this aspect of Moses’ life enriches our appreciation of his story and the ways in which God works through human actions to achieve His purposes.

[thegenealogy]

1 Chronicles 4: 17-20. "The Help."

17 The sons of Ezrah "The Help."

The Gematria for Ezrah is:

"I am three times three, the Alpha and the Omega. I am not a prophet, I am Saint Michael the Archangel; I am the Hierarchy*, God in a Nutshell."

*the actual Gematria says "I am the Commander of the Space Fleet."

Jether, Mered, Epher and Jalon. One of Mered’s wives gave birth to Miriam, Shammai and Ishbah the father of Eshtemoa. 

Jether=excellence abundance

Mered=rebellion

Epher=dust, ore, mealleable young deer

Jalon=murmuring

18 (His wife from the tribe of Judah gave birth to Jered the father of Gedor, Heber the father of Soko, and Jekuthiel the father of Zanoah.) These were the children of Pharaoh’s daughter Bithiah, whom Mered had married.

Judah= Glory

Mered=to rebel

Bithia="Bat of Yah" Daughter of Yah, a Pharaoh Princess.

The Gematria for Bithia is "the American Demon. The Financial Bad Karma because of its fixation with heaven, the flesh, and LGBTQ."

Jered=the descendent

Gedor=a wall

Heber=united or associated

Soko=from sukkoth, a booth or pavilion, a safe place, a place of succor.

Jekuthiel=God will support

Zanoah=rejected

19 The sons of Hodiah’s wife, the sister of Naham: the father of Keilah the Garmite, and Eshtemoa the Maakathite.

Hodiah=splendor of Yah

Naham=consolation, comfort

Keilah + Garmite= Keimai "to roar", Garmite= bone breaker

Keilah the Garmite is mentioned in tandem with Eshtemoa the Maacathite, and Maacathite comes from a verb that means to press, squeeze or oppress. It seems that these two cousins are mentioned on account of their notoriety for being pernicious: Keilah the Bone Breaker and Eshtemoa the Ball Buster.

Eshtemoa=

Esh=fire

Tema=of the south

Maakathite=one who oppresses

20 The sons of Shimon:

Amnon, Rinnah, Ben-Hanan and Tilon.

Shimon=who hears

Ammon=people who live beside other people

Rinnah=ringing cry of cheer

Ben-Hanan=Son of the Gracious One

Tilon=to lodge

The descendants of Ishi:

Ishi=my husband

Zoheth and Ben-Zoheth.

These are derived from the word Zahah, which has Gematria meaning "My kinship with the God of Creation is Great, whose Name is a Christ."

The words themselves Zoheth and Ben Zoheth mean to crush out rebellion.

This section is dedicated to the Son of the Gracious One who is "your husband", the Supreme Commander of the Heavenly Host, the Archangel Michael.

In "Firestarter" we learn God is "ignited" through the study of the Torah. In "the Help" the scripture says we must "break the bones" of cultures whose frameworks demonize the flesh and try to dispossess persons of their comforts. Especially those those employ scads of young people to do it.

The Torah Tantra of Saint Michael the Archangel based on the above is:

"Glory to the rebellion that frees the malleable ore, the young deer from those who murmur. Glory to those who rebel against the Demon, America, which is at war against the flesh.

Those who are United to Protect, who use the Fire of the South* against those who oppress, God will support.

Who hears these ringing words spoken by Son of the Gracious One, shelters the vulnerable, and lives alongside others in good cheer will experience kinship with God."

*Recalcitrance from oppression is a sign of intelligence. Oppression is wrong, it is ignorant, and God wants it to stop.

[anantradingpvtltd]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] Judah Ben-Hur lives as a rich Jewish prince and merchant in Jerusalem at the beginning of the 1st century. Together with the new governor his old friend Messala arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messala knows they are not guilty, he sends Judah to the galleys and throws his mother and sister into prison. But Judah swears to come back and take revenge. To escape the edict of Egypt's Pharaoh, Rameses I, condemning all newborn Hebrew males, the infant Moses is set adrift on the Nile in a reed basket. Saved by the pharaoh's daughter Bithiah, he is adopted by her and brought up in the court of her brother, Pharaoh Seti. Moses gains Seti's favor and the love of the throne princess Nefertiri, as well as the hatred of Seti's son, Rameses. When his Hebrew heritage is revealed, Moses is cast out of Egypt, and makes his way across the desert where he marries, has a son and is commanded by God to return to Egypt to free the Hebrews from slavery. In Egypt, Moses' fiercest enemy proves to be not Rameses, but someone near to him who can 'harden his heart'. Is Discontinued By Manufacturer ‏ : ‎ No Language ‏ : ‎ English Package Dimensions ‏ : ‎ 19.1 x 13.4 x 1.9 cm; 450 Grams Item part number ‏ : ‎ PAR6D364-MIG Director ‏ : ‎ William Wyler, Cecil B. DeMille Run time ‏ : ‎ 7 hours and 5 minutes Actors ‏ : ‎ Charlton Heston, Jack Hawkins, Yul Brynner, Haya Harareet, Anne Baxter Subtitles: ‏ : ‎ English Producers ‏ : ‎ William Wyler, Cecil B. DeMille, Sam Zimbalist ASIN ‏ : ‎ B07DC2DSS5 Country of Origin ‏ : ‎ Poland Number of discs ‏ : ‎ 6 Importer ‏ : ‎ Excel Productions Audio Visuals Pvt Ltd Item Weight ‏ : ‎ 450 g Net Quantity ‏

: ‎ 1.00 count [ad_2]

[katybirdy95]

(WOMEN OF THE BIBLE) - BITHIAH

“ The daughter of Pharaoh came down to bathe at the Nile, with her maidens walking alongside the Nile; and she saw the basket among the reeds and sent her maid, and she brought it to her”

[ljones41]

"THE TEN COMMANDMENTS" (1956) Review

"THE TEN COMMANDMENTS" (1956) Review It has been a long time since I saw Cecil B. DeMille's 1956 movie, "THE TEN COMMANDMENTS". A long time. When I was young, my family and I used to watch the film on television, every Easter Sunday. By the time I reached my early to mid-twenties, I stopped watching the movie.

I spent the next decade or two deliberately ignoring "THE TEN COMMANDMENTS". One, I had pretty much burned out on the 1956 film by then. Two, I had very little interest in Biblical films. I still do to a certain extent. And three, my opinion of DeMille's movie had pretty much sunk over the years. By the time, I reached my thirties, I came to the conclusion that it was an overrated film. So . . . what led me to change my mind for a recent viewing of "THE TEN COMMANDMENTS"? To be honest, the recent release Ridley Scott's Biblical film, "EXODUS: GODS AND KINGS". Both the 1956 and 2014 movies pretty much told the same story - the exodus of Hebrews from Egypt, under the leadership of Moses. I eventually plan to watch "EXODUS: GODS AND KINGS". But out of curiosity, I decided to watch "THE TEN COMMANDMENTS" first. Anyone who has seen or heard about "THE TEN COMMANDMENTS" knows the story. Pharaoh Rameses I of Egypt orders the death of all firstborn Hebrew males upon hearing a prophecy in which a "Deliverer" will lead Egypt's Hebrew slaves to freedom. A Hebrew woman named Yochabel saves her infant son by setting him adrift in a basket on the Nile River. The Pharaoh's daughter Bithiah, who recently lost her husband, finds the child and adopts him as her own, despite the protests of her servant Memnet. Prince Moses grows up to be a part of Egypt's royal family. He becomes a successful general who wins a war against Ethopia and forms an alliance with the country. Moses falls in love with loves Nefretiri, who is the throne princess and must be betrothed to the next Pharaoh. He also becomes in charge of constructing a new city in honor of Pharoah Sethi's jubilee. But when his rival for the throne and Nefretiri's hand, Prince Rameses accuses him of being the Hebrew slaves' "Deliverer" after he institute reforms in regard to the slaves' treatment. Moses responses by showing the completed city and claiming that he wanted the slaves more productive in order to finish the project. Despite being on top of the world following his construction of the new city, Moses' privileged world is threatened when Nefretiri learns from a royal slave named Memnet that Moses is the son of a Hebrew slave. I now realized why I had stopped watching "THE TEN COMMANDMENTS" for so many years. I had simply burned out on the film. My refusal to watch the movie for so many years had nothing to do with its quality. I am not saying that "THE TEN COMMANDMENTS" is one of the best films ever made. Not by a long shot. "THE TEN COMMANDMENTS", quite deservedly, is known for its over-the-top melodrama, bombastic style and preachiness. But the one thing the movie is known for is the turgid dialogue that seemed to permeate the film. I cannot help but wonder if the screenwriters had disliked actress Anne Baxter or her character, Nefretiri. After hearing her spout lines like - "You will be king of Egypt and I will be your footstool!" - throughout the entire film, I am beginning to suspect that I may be right. Even the other performers - including Charlton Heston, Yul Brenner, Yvonne DeCarlo, Edward G. Robinson, Vincent Price, Debra Paget, John Derek, Judith Anderson, John Carradine, Martha Scott, Nina Foch and Sir Cedric Hardwicke - spoke their lines with a ponderous style that left me wondering if this movie had been shot at a slower speed. And to think, movie fans had to endure this ponderous style and turgid dialogue for slightly over three-and-a-half hours. Whew! However, my re-watch of "THE TEN COMMANDMENTS" made me appreciate it a lot more. I appreciated the epic feel of DeMille's movie, as he guided audiences into Moses' life - from Moses' birth to his glory years as an Egyptian prince, to his years as an outcast and shepherd and finally to his years as a prophet and conflicts with Rameses - all in great detail and glorious Technicolor. DeMille even took the time to delve into the romance of supporting characters like Joshua and Lilia. There are some epic films that can bore me senseless with a ponderous style and equally ponderous pacing. Yes, the dialogue for "THE TEN COMMANDMENTS" can be quite ponderous. But I cannot say the same for DeMille's pacing. I found his direction well-paced, despite the movie's 220 minutes running time. One of the aspects of "THE TEN COMMANDMENTS" that I found truly impressive was Loyal Griggs' cinematography for the film. Shot in glorious Technicolor, Griggs' Oscar nominated photography left me breathless, especially while viewing scenes such as those shown below:

I was also impressed by other technical aspects of the film. That last scene, which featured the parting of the Red Seas, led to an Academy Award for John P. Fulton, who had created the movie's special effects. That scene hold up pretty damn well after 62 years. "THE TEN COMMANDMENTS" earned Oscar nominations for Edith Head's colorful costume designs, Anne Bauchens' film editing, Sam Comer and Ray Noyer's set decorations; and for art directors Hal Pereira, Walter H. Tyler, and Albert Nozaki. What can I say about the movie's performances? Despite the ponderous dialogue, the performances seemed to hold up . . . okay. Charlton Heston earned a Golden Globe nomination for his portrayal of Moses. Granted, Heston projected a strong presence in his performance. But honestly . . . I would not regard Moses as one of his greatest performances. I merely found it solid. I was a little more impressed by Yul Brenner's portrayal of Ramses. He won the Best Actor National Board Review Award for his performance. Then again, Ramses proved to be a more complex and ambiguous character than Moses. As much as I liked Brenner's performance, it did not exactly blow my mind. Anne Baxter, who was already an Oscar winner by the time she did "THE TEN COMMANDMENTS", was saddled with some of the movie's worst dialogue. And there was nothing she could do to overcome the bad dialogue . . . well, except in two particular scenes. One of those scenes featured Nefretiri's discovery of Moses' origin as a Hebrew slave. And the other featured her character's angry goading of Ramses to take action against the Hebrews, following their son's death. I read that Paramount had submitted Yvonne De Carlo, John Derek, and Debra Paget as possible nominees for a supporting Academy Award. All gave pretty good performances; especially Yvonne De Carlo, who portrayed Moses' wife Sephora, and Debra Paget, who portrayed Lilia, the slave woman who seemed doomed to attract the attention from the wrong kind of men. But none of them received any acting nominations for their work. There were other solid performances from the likes of Judith Anderson, Sir Cedric Hardwicke, Nina Foch, John Carradine, Martha Scott, Henry Wilcoxon and Woody Strode. But two particular performances really caught my attention. Ironically, they were portrayed by Vincent Price and Edward G. Robinson, who portrayed characters that proved to be the bane of Lilia's life. Both gave interesting performances as two very oily men who use Lilia as their personal bed warmer - Price as the well-born Egyptian architect Baka and Robinson as the ambitious Hebrew overseer Dathan, who later proves to be a thorn in Moses' side. "THE TEN COMMANDMENTS" proved to be the last film directed by Cecil B. DeMille to be seen in movie theaters. The last in a career that by 1956, had spanned forty-two years. The director passed away over two years following the movie's release. Frankly, "THE TEN COMMANDMENTS" struck me as a nice high note for DeMille to end his career. Yes, one has to endure the extremely long running time, occasional bouts of over-the-top drama and ponderous dialogue. But the movie's visual style, first-rate story, excellent direction in the hands of a legend like DeMille and solid performances from a cast led by Charlton Heston; makes this Hollywood classic worth watching over and over again.

[jewish-education]

this is a stupid thing but i'm thinking about converting but i have this huge hang up, i'm white and Jewish people ya know aren't, i was raised with a Jewish extended family and when i'm with them i don't feel that different but like i should, i should feel separate because i'm white and at a certain point(that i can identify yet) im intruding on a of-color space? does this make sense ??

You should talk to a rabbi about this; he or she can probably do more to alleviate your concern than I can, but I can say:

At least in the US, it’s contested whether white-passing Jews are white. (So you know who’s writing the rest of this, I’m Ashkenazi and white-passing but not WASP-passing.) Though I often feel uncomfortable checking demographic boxes as white, I personally wouldn’t describe Jews in the US who are both Ashkenazi and white passing as POC because we don’t share the same US-specific history. While Jewish spaces are the space of a minority group, race isn’t necessarily the best analogy for explaining the minority status of Jews in the US.

We all have some privilege. Regardless of whether we should be considered white, many ethnic Jews have some amount of white privilege. For example, I don’t face the problem of driving-while-black nor do I routinely get pulled over by airport security. (Another example of this phenomena would be Latinx folks who are white-passing.)Privilege isn’t just race/ethnicity; disability, socio-economic status, citizenship-status, and being LGBTQ all play into privilege among a host of other factors.

Going through the conversion process will mean giving up some of your privilege by becoming religiously Jewish even if you aren’t ethnically Jewish. If you look into other conversion blogs on here, or talk to converts/conversion-students off the net I’m sure they will have stories.

You can certainly talk to your rabbi and other converts/conversion-students about what privileges you do have. Privilege isn’t a crime you committed, it’s a (major) societal hiccup that you can use to help other people. We see this throughout Torah and modern Jewish history. For example, Joseph, or Princess Bithiah/Batya of Egypt, or the righteous gentiles of the Shoah. 

If you convert, it means you’ve been allowed in by the Jewish community and we welcome and accept you. You’re not intruding if you’ve followed the conversion process under a rabbi. We’ve made this path into the community because it’s okay for you to consider yourself one of us.

[veectorjay]

Boss baby and I she's my number fan, she and wifey followed mi for the photoshoot today, lolx don't be jealous God loves us so much he gave me the best of everything from my parents to my in-laws, my world most beautiful wife and now my little princess #bithiah . @nuefy meet Birthaih who was born the same day, date and time with your daughter lolx dis two came at the same moment. #l4l #abuja #l #lagos #fashion #baby #fatherhood #coremuscles #babygirl #babyface #babyshower #babymodel #babyphotography (at Abuja, Nigeria) https://www.instagram.com/p/B_2-HHLjxxU/?igshid=a88agmo1blec

[opmb]

MUTYA NG PILIPINAS 50TH EDITION By Noli A. Berioso Photos by Edmund Chua One of the most prestigious national beauty pageant in the country, Mutya Ng Pilipinas is celebrating it’s golden year. For their 50th edition, Mutya will pays tribute to queen makers and spectacles how they put their hearts and souls into molding these beauty queens. Mutya queens also get real on social media as they dared their authentic beauty that’s beyond skin deep. Pre-pageant activities jumstarted the glittering golden celebration. “One Fine Day” with Best Buddies Philippines was an awe-inspiring Charity Event held at the DLSU- CSB. To further promote “Beauty Tourism”, Talent Competition will be staged at one of the posh resorts in Pansol, Calamba, Laguna – Sol Y Viento Mountain Hot Springs and Resort. The Swimsuit and Long Gown Competition is scheduled on September 10 (Monday) at 7pm, followed by Terno Competition on the following day September 11 (Tuesday), 7pm in Ascott Bonifacio Global City Manila. The grand coronation will be on September 16 at the Mall of Asia Arena. The show will start at 7 in the evening with a delayed same day telecast on “Sunday’s Best” (ABS-CBN). According to MPI President Hemilyn Escudero-Tamayo, there will be four major titles at stake for its golden edition. Crown bearers of these major titles will be sent in the international beauty battle royal.

These most sought-after crowns which are created by Hoseki are:

Mutya ng Pilipinas – Miss Asia Pacific International 2018 which will hold in Manila from September 14 to October 4, 2018;

Mutya ng Pilipinas - Miss Tourism International 2018 who will compete in Kuala Lumpur, Malaysia; December 4 -23, 2018

Mutya ng Pilipinas - Miss Global Beauty Queen 2018 will be held in Seoul, Korea in May 2019

Mutya ng Pilipinas - Miss Tourism Queen of the Year International 2018. Which will happen in China from November 1 -18, 2018

Philippine bets were the front runners to these international competitions. Leren Mae Bautista was the Tourism Queen of the Year International 2015 while Jannie Loudette Alipo-on is the current title holder of Miss Tourism International 2017 respectively. “In the past, our Mutya ng Pilipinas beauty queens became the country’s ambassadors of tourism and culture. Now, we want a pageant that promotes the Filipino women, a stage for them to be empowered, identified, and given credence,” points MPI Chairman Fred Yuson. “Through the Mutya ng Pilipinas pageant, I believe the Filipino women can shine bright in the world by showcasing our beauty, our heritage, our history, and our future”, he adds.

For its very significant 50th edition, there will be 50 official contenders vying for the crown – 10 from Metro Manila, 17 from Luzon, 8 from Visayas and Mindanao and 15 from Filipino overseas communities. As RP’s prestigious pageantry is celebrating five decades of women empowerment, one can expect no less than a vibrant fusion of global allure, attitude and style from among the countless stunning beauty queen hopefuls and queen makers as well.

The 50 official candidates are: 1 Jade Skye Roberts Australia 2 Souarthizae Aynouzscia Violon Cagayan de Oro 3 Ebony Victoria Bangit Melbourne 4 Rein Hillary Carrascal Legazpi City 5 Richelle Valerie Pailden General Santos 6 Gezza Avila Candelaria, Quezon 7 Harmony Matson Florida 8 Arianne Deseree Viardo Bahrain 9 Mae Kimberly De Luna Caloocan City 10 Marina Mercedes Mendoza San Fernando, Pampanga 11 Odessa Dela Cuesta Davao City 12 Joana Marie Martinez Valenzuela City 13 Anie Uson Pangasinan 14 Princess Mariel Palo Agoncillo, Batangas 15 Mina Kim Makati City 16 Shanon Jumaylh Tampon Quezon City 17 Lady Russel Panaguiton Denmark 18 Marseilaise Perkins East Coast Canada 19 Sharifa Areef Mohammad Omar Akeel Sultan Kudarat 20 Jessica Duhay Arizona 21 Nina Ancheta Los Angeles CA 22 Jeserey Sanchez Northern California 23 Agatha Lei Romero Manila 24 Pauline Amelinckx Bohol 25 Bettina Reloj Dingemans Netherlands 26 Katrina Mae Sese Tarlac City 27 Allison Lorenzo Southern California 28 Allhia Charmaine Estores Cavite 29 Anna Clarice Patrimonio Cainta, Rizal 30 Kheshapornam Ramachandran Iloilo 31 Alexandra Abdon Pasig City 32 Hannah Bithiah Meriño Laguna 33 Lishairra James Portugal Binangonan, Rizal 34 Geri Franchesca Camargo Meycauayan, Bulacan 35 Teemee Miguel San Ildefonso, Bulacan 36 Hulda Margaret Sigurdardottir Iceland 37 Alexandra Michaela Bobadilla Paranaque City 38 Eunice Abegail Banagudos Negros Oriental 39 Honey Grace Cartasano Antipolo City 40 Patricia Kimberly Robles Sto. Tomas, Batangas 41 Julie Ann Gil Lucena City 42 Kristine Micah Malicsi Navotas City 43 Anne Nathalie Ruth Longakit West Coast Canada 44 Nikka Marie Cristina Castro Marilao, Bulacan 45 Erginia Vera Bautista Cabanatuan City 46 Julieane Fernandez Taguig City 47 Maria Fe Loayon Cebu 48 Mary Justine Teng Muntinlupa City 49 Mayuko Hanawa Japan 50 Sabrina Binder Germany

Watch out for more exciting updates. Check out the official FB page and website of Mutya ng Pilipinas, Inc. #MutyaNgPilipinas2018 #MutyaGold#MNP50th