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#princesse de conti
roehenstart · 19 days
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Marie-Anne de Bourbon (1666-1739). Atelier de Hyacinthe Rigaud.
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dreamconsumer · 5 months
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Marie-Anne de Bourbon, Princesse de Conti.
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queenfredegund · 2 months
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Women in History Month (insp) | Week 4: Dynastic Daughters
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Pierre Gobert (French, 1662-1744) Marie Anne de Bourbon Princess of Conti  c.1720
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simdolviaroyals · 10 months
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Introducing The Saxe-Coburg
From left to right: HM King William of Simdolvia, HM Queen Helena of Simdolvia (née de Conti) , HRH Crown Princess Victoria of Simdolvia and HRH Princess Alexandra of Simdolvia.
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comtessezouboff · 1 year
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Max Emmanuel II's Gallery of Beauties
A retexture by La Comtesse Zouboff — Original Mesh by @thejim07
Elector Max Emanuel’s Great Gallery of Beauties shows five portraits of ladies at the court of Louis XIV, painted by Pierre Gobert around 1715, brought from the Palace of Versailles, these paintings displayed ladies and princesses of the french court at the dawn of Louis XIV's life.
This set contains 5 portraits, with the original frame swatches, fully recolourable. The portraits are of:
Marie-Anne de Clermont, Duchess of Joyeuse with a dog.
Marie Anne de Bourbon-Conti, Princess of Conti as Venus with Cupid
Marie Louise Élisabeth d'Orléans, Duchess of Berry
Louise Françoise de Crussol d'Úzès, Marquise of Gondrin as venus with cupid
Marie-Anne de Bourbon, Princess of Conti as Pomona, with Vertumnus at her side (replacing the portrait of Madame de Charolois, as no decent pictures of the portrait exists)
Found under decor > paintings for 2.090§
Retextured from the "Portrait of the Duchess of Angoulême" found here
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CC shown here:
Wall paneling and floor by @thejim07
Loveseat, armchairs and chairs by @aroundthesims
Doors by @joojconverts
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@joojconverts @ts3history @ts3historicalccfinds @deniisu-sims @katsujiiccfinds
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tiny-librarian · 1 year
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Royal Birthdays for today, April 30th:
Casimir III, King of Poland, 1310
Anne of Gloucester, Countess of Stafford, 1383
William III, Landgrave of Thuringia, 1425
Louise of Lorraine, Queen of France, 1553
Éléonore de Bourbon, Princess of Orange, 1587
Mary II, Queen of England, 1662
François Louis, Prince of Conti, 1664
Juliana, Queen of the Netherlands, 1909
Carl XVI Gustaf, King of Sweden, 1946
Miguel Urdangarín y de Borbón, Son of Infanta Cristina, 2002
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best-bourbon-monarch · 5 months
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Marie-Anne:
First one in the long tradition of Louis XIV to marry his legitimated kids off to minor branches of the royal family to disgrace them and prevent them from rising against him again. She's the heroine of a pair or more of child books.
Louis:
Legitimated son of Louis XIV and the duchess of La Vallière, he dies pretty young, but also he is one of the people suspected of being the Iron Mask (le masque de fer).
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ashleyvasquez05 · 2 months
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Virtual Sketchbook #3
Portrait of Madame de Bourbon-Conti as Venus
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Picture: Taken from iPhone by Ashley Vasquez on 03/28/2024 at the Ringling Museum
The painting Portrait of Madame de Bourbon-Conti as Venus, made byNoel-Nicolas Coypel, is an oil on canvas that is 54.3 by 42 inches big and currently featured at the Ringling Museum of Arts. Coypel’s painting is a portrait of Elisabeth de Bourbon, Princess of Conti, who was quite beautiful and a subject of much attraction, as clearly depicted. The painting has the allure of a bright dream-like outside scenery alongside flowers and flowing silks that quickly catch people’s attention. There is a trend of light pastel colors such as light pink and white garments, a baby blue sky, and pale colors that highlight the pampered life of French court. Baby cupids also adorn Princess Elisabeth with pretty flowers, which remind the audience of her youth and charismatic charm. Coypel and Elisabeth clearly worked on creating her public image to feature this delicacy and goddess of love illusion through the balance of colors, dimensions, and rococo fragility. Being a fan of the Rococo style drew me into this painting, and while deeply inspecting it, I was reminded of feelings of love, attraction, and even womanhood because of the delicacy and love illusion imbedded within the oils, which I believe is exactly what Elisabeth and Coypel intended the audience to feel.
 The Portrait of Madame de Bourbon-Conti is associated with the Rococo art style and was painted during the Enlightenment (18th century). Although the Enlightenments focused on scientific learning and philosophical ideas of life, liberty, and separation of church and power, there was a popular appeal with elite members communicating their wealth through rococo- styled art, interior design, architecture, and more (2.1 Shifting Sensibilities: The Enlightenment and Rococo, ART 188). Princess Elisabeth, being an enlightenment follower herself, illustrated this dramatic shift from the previous baroque style into the lively rococo style when depicting herself. She and Coypel worked on illustrating her image far away from the remote, aloof, and formal style into this delicacy, lighthearted elegance conveyed through light and pastel colors (portrait of Madame de Bourbon-Conti). Understanding the imagery and alluring beauty of this painting tells the audience that Coypel enjoyed painting natural beauty and depicting love and its allure through lightness and asymmetrical pose. Ringling described it as “This Rococo pose reminds us of the change and fragility that love encounters” (portrait of Madame de Bourbon-Conti). The message of great shift and nature beauty found with youth and bright accent is illustrated throughout the painting for the audience to see, as is the image of Elisabeth as a playful and charming goddess. There are also references to how the elite's pampered life and wealth through luscious silks and pearls. There are many references and illustrations to convey the message clearly.
Overall, I think the importance of this art is to bring a different perspective to a changing society. I think it creates this idealized perspective of wealth, love, and beauty. There is something about its specific naturalistic complexity, such as the princesses’ beauty compared to previous works of art, that makes it attractive; however, there’s also referenced to love with baby cupids and imaginary figures. I believe this painting was made to catch the audience’s attention to this dream-like scenery and entice us with beauty while reminding us of love. As a woman, I particularly felt drawn to its beauty.
Sources used:
2.1 Shifting Sensibilities: The Enlightenment and Rococo – ART 188. art188.lib.miamioh.edu/18th-and-19th-century-art/1-enlightenment-and-rococo.
PORTRAIT OF MADAME DE BOURBON-CONTI. ringlingdocents.org/pages/bourbon-conti.htm.
Ringling Photos:
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percehaies · 1 year
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Louise-Marguerite de Lorraine (1577-1631), Mademoiselle de Guise, princesse de Conti en 1604
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roehenstart · 2 years
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Louise Henriette de Bourbon (1726–1759), depicted as the goddess Hebe by Nattier.
She was the only daughter of Louis Armand de Bourbon, Prince of Conti and Louise Élisabeth de Bourbon. Her mother was the oldest and favourite daughter of Louise-Françoise de Bourbon, herself the oldest of the surviving legitimised daughters of Louis XIV and Madame de Montespan. As a member of the reigning House of Bourbon, Louise Henriette was a Princess of the Blood (princesse du sang). In her youth she was known at court as Mademoiselle de Conti.
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Is it just me or are you a big Ghiaccio simp?📸🧐🧐 Hmmm?? 👀👀 (I'm too btw)
How dare you say something so controversial and yet so true?!
I don't know what you're talking about anon, just like Melone, I don't play favourites.
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Illuso:" E allora facciamo che mi spieghi perché Ghiaccio è quello che ha sempre più battute in tutto quello che scrivi."
(Care to explain to us why Ghiaccio always has the highest number of lines in everything you write?)
Melone:"Boia deh bimba, un po' dahe de grullo a me. Ghiaccio ti garba"
(Girl, who do you think you're fooling? You have a soft spot for him.)
"STATE DICENDO DELLE GRAN CIOZZE!! VI BUSSO SE NON LA PIANTATE-"
(YOU'RE LYING!!LIES, LIES AND LIES! SHUT UP OR ELSE-)
Formaggio:"Aò! io c'ho na crifra de battute. Vor dire che t'arisurto?Te attizzo, Bolognina?!"
(Hey! I have a lot of lines, This means you like me? Do I excite you, Bolognina?)
"NO. Sono solo più informata sul tuo dialetto.Non avete idea di quanto sia difficile sto lavoro. E BRISA CHIAMARMI BOLOGNINA."
(NO YOU DON'T. I'm just more informed about your dialect. This job is really hard...AND STOP CALLING ME BOLOGNINA.)
Formaggio:"Mi perdoni...Principessa HAHAHAHAHAHAHAHA...E chi te lo fa fà?"
(Oh Excuse me, Princess..HAHAHAHAHAHA....And who's forcing you to do it?)
"Formi. Io vengo pagata dal boss per fare rapporto sulle vostre vicende."
(Formi, that's my job. The boss is asking me to do it. My reports are not free.)
Pesci:" Agg' capit, uagliona. Più scenni, più c'hai difficoltà."
(I got it girl, it's harder to write down the dialects they speak far from your own region.)
"Tombola. È molto difficile trascrivere sia il Siciliano che il Napoletano"
(Bingo. It's really hard. Especially with Neapolitan and Sicilian.)
Risotto:" Eccu picchè jò non dicu mai na minchia. Maravigghia."
(That's why I talk less? Good.)
Prosciutto:"Picciriddazza, toglimi una curiosità. Quanto ti paga u boss per scrivere sti strunzati?."
(You got my attention but now you have my curiousity, picciriddazza. How much does the boss pay you for your 'services'?)
Illuso:"Sì esatto. Dicci quanto fatturi."
( I'm curious too. How much are you making?)
"Troppo poco. Prendo circa 40.000.000 lire."
(Not enough. My average wage is 40.000.000 lires.)
Illuso:"Lordi e in nero?"
(No taxes, all fraud?)
"Lordi e in nero."
(No taxes, all fraud.)
Formi:"All'anno?"
(In a year?)
"Al mese."
(In a month.)
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Ghiaccio:" COME AL MESE, DIO SCHIFOSO CÀN?!"
(FUCKING WHAT?! WHAT YA MEAN 'IN A MONTH?!')
Prosciutto:" Bedda Matriii...per scrivere due minchiate?!'
( You getting all the money for writing a fucking report?!)
Pesci:" Uahh..."
(Wow...)
Risotto:" Immaginavo. Da comu ti visti."
( I already knew.Just by looking at your clothes.)
Formaggio:"NUN CE CREDO. Stai a dì na calla."
(I DON'T BELIEVE YOU. You're lying.)
Ghiaccio:" DIOPORCO PERCHÉ LA TOSA GUADAGNA PIÙ DI NOI?!"
(WHY THE FUCK IS SHE MAKING MORE MONEY THAN US?!)
"Perché siete così sorpresi?.Risotto ha detto bene.Bastava osservarmi. Addosso ho un abito chanel, guanti e pochette sono di Gucci. La coroncina che porto è di Tiffany. Le mie scarpe sono di Prada. Il foulard è Balenciaga..."
(Why are you so surprised? Risotto is right by the way. Just look at me. My dress's Chanel. My gloves and pochette are Gucci. My tiara's from Tiffany. The shoes are Prada. The Foulard is from Balenciaga..."
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Melone:"...Oggi c'hai pure ir profumo di Gucci chi me lo fa venì barzotto...Deh. Si faccio un po' de conti, risurtano circa 480.000.000 lire all'anno."
(...Don't you forget your Gucci fragrance, I can get hard just by smelling it on your skin. What was I saying?Right. If we do the math, you're currently earning 480.000.000 lires per year.)
"Sorvolerò sul fatto che tu sappia che profumo indosso e ti dirò che i tuoi conti sono esatti."
(I'm gonna pretend I didn't hear you talking about my perfume. Your calculations are right.)
Ghiaccio:"Dio poselàxo càn, maledetto il doppio dio, madonna quadrata diocane ignorante, dio turbo mongoplettico lebbroso schifoso del Gesù Alpino e canaglia, Padre Pio losco e..."
Melone:" Gliè partito...Maremma Troiah prestame du lilleri pe' la benzina!"
(And now he'll be cussing for an hour...Maremma Troiah! Can I borrow some cash? I need to get gas for my bike)
Formaggio:" Aò principessa! Du spicci per il caffè ar tu amichetto der core Formi?!"
(Aò princess! Care to buy a coffe to your best friend Formi?!)
"STATEMI LONTANI SANGUISUGHE. NIENTE BAJOCCHI PER VOI."
(STAY AWAY FROM ME, YOU PERVERTED LEECHES. I WON'T A GIVE A DAMN CENT.)
-La Principessa della Squadra
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venicepearl · 9 months
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Anne Marie Martinozzi, Princess of Conti (1637 – 4 February 1672) was a French aristocrat and court official. She was a niece of King Louis XIV of France's chief minister Cardinal Mazarin, and the wife of Armand de Bourbon, Prince of Conti. She became the mother of the libertine François Louis, Prince of Conti, le Grand Conti. Her marriage to the Prince of Conti made her a princesse du Sang. She served as Surintendante de la Maison de la Reine for the queen dowager, Anne of Austria, between 1657 and 1666.
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Pierre Gobert (French, 1662-1744) Marie Anne de Bourbon Princess of Conti c.1720
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simdolviaroyals · 9 months
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Introducing Her Royal Highness Princess Alexandra
Alexandra Maria Charlotte was born on 9 June 2002, as the second born child of Their Majesties King William IV, and his wife, Queen Helena. Her Royal Highness was named in honor of her maternal grandparents, Alessandro and Maria de Conti, as well as her paternal grandmother, Her Majesty Queen Charlotte. She is second in line to the throne, behind her older sister, Her Royal Highness The Crown Princess.
Like her older sister, Her Royal Highness has joined her parents to a variety of royal engagements and functions from a very early age, but has lived a relatively private childhood. She is currently cursing her junior year of High School. Also like The Crown Princess, Princess Alexandra is not expected to take on major royal responsibilities until after she is done with her academic formation.
The Princess has a passion for music, and is a talented pianist, as well as a lover of arts in general.
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comtessezouboff · 1 year
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Louis XIV's Gallery of Beauties
A retexture by La Comtesse Zouboff — Original Mesh by @thejim07
This set of 20 portraits was comissioned by the king himself in the 1650s to Charles and Henri Beaubrun (except for a portrait of Henrietta Anna of England, Comissioned to Nicolas Mignard) The portraits comprises the queen, royal princesses and ladies of the court. They hanged at the king's appartments at Versailles. In the 1670s the paintings were progressively relegated to the king's minor residences, but in 1837, Louis-Philippe, King of the French turned Versailles into a museum and rejoined the paintings, in the Louis XIV Rooms, where they remain.
The set includes 20 portraits, with the original frame swatches, fully recolorable. The portraits are of:
Anne Genèvieve de Bourbon, Duchess d'Estouteville and Longueville
Françoise-Athénaïs de Rochechouart (later, Marquise de Montespan)
Anna Martonozzi, Princess of Conti
Anne Louise Boyer, Duchess of Noailles
Anne Marie Gonzaga, Countess Palatine
Anne de Rohan-Chabot, Princess de Soubise
Catherine Henriette d'Harcourt, Duchess d'Arpajon
Catherine de Neuville, Countess d'Armagnac
Charlotte Catherine de Gramont, Proncess of Monaco
Charlotte Isabelle Angélique de Montmorency-Bouteville, Duchess of Mecklenburg-Schwerin
Elizabeth of Orléans, Duchess of Guise and Joÿeuse
Françoise Madeleine d'Orléans (née de Valois) Duchess of Savoy
Françoise Mignot, Mareschalle of l'Hospital
Françoise de Neufville, Duchess of Chaulnes
Gabrielle-Louise de Saint-Simon, Duchess of Brissac
Henrietta Anna of England, Duchess of Orléans
Madeleine-Charlotte d'Albert-d'Ailly, Duchess of Foix
Marguerite Louise d'Orléans, Grand Duchess of Tuscany
Marguerite-Louise-Suzanne de Béthune-Sully, Countess of Gyche
Marie Thérèse of Austria, Queen Consort of France and Navarre
Found under Decor > Paintings for 940 §
Retextured from the "portrait of Anne Marie Louise d'Orléans", found here
Table, torcheres and floor by @thejim07
Rest of the decor by @joojconverts
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Drive
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(Useful tags)
@joojconverts @ts3history @ts3historicalccfinds @deniisu-sims @katsujiiccfinds
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