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Autoenshittification
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Forget F1: the only car race that matters now is the race to turn your car into a digital extraction machine, a high-speed inkjet printer on wheels, stealing your private data as it picks your pocket. Your car’s digital infrastructure is a costly, dangerous nightmare — but for automakers in pursuit of postcapitalist utopia, it’s a dream they can’t give up on.
Your car is stuffed full of microchips, a fact the world came to appreciate after the pandemic struck and auto production ground to a halt due to chip shortages. Of course, that wasn’t the whole story: when the pandemic started, the automakers panicked and canceled their chip orders, only to immediately regret that decision and place new orders.
But it was too late: semiconductor production had taken a serious body-blow, and when Big Car placed its new chip orders, it went to the back of a long, slow-moving line. It was a catastrophic bungle: microchips are so integral to car production that a car is basically a computer network on wheels that you stick your fragile human body into and pray.
The car manufacturers got so desperate for chips that they started buying up washing machines for the microchips in them, extracting the chips and discarding the washing machines like some absurdo-dystopian cyberpunk walnut-shelling machine:
https://www.autoevolution.com/news/desperate-times-companies-buy-washing-machines-just-to-rip-out-the-chips-187033.html
These digital systems are a huge problem for the car companies. They are the underlying cause of a precipitous decline in car quality. From touch-based digital door-locks to networked sensors and cameras, every digital system in your car is a source of endless repair nightmares, costly recalls and cybersecurity vulnerabilities:
https://www.reuters.com/business/autos-transportation/quality-new-vehicles-us-declining-more-tech-use-study-shows-2023-06-22/
What’s more, drivers hate all the digital bullshit, from the janky touchscreens to the shitty, wildly insecure apps. Digital systems are drivers’ most significant point of dissatisfaction with the automakers’ products:
https://www.theverge.com/23801545/car-infotainment-customer-satisifaction-survey-jd-power
Even the automakers sorta-kinda admit that this is a problem. Back in 2020 when Massachusetts was having a Right-to-Repair ballot initiative, Big Car ran these unfuckingbelievable scare ads that basically said, “Your car spies on you so comprehensively that giving anyone else access to its systems will let murderers stalk you to your home and kill you:
https://pluralistic.net/2020/09/03/rip-david-graeber/#rolling-surveillance-platforms
But even amid all the complaining about cars getting stuck in the Internet of Shit, there’s still not much discussion of why the car-makers are making their products less attractive, less reliable, less safe, and less resilient by stuffing them full of microchips. Are car execs just the latest generation of rubes who’ve been suckered by Silicon Valley bullshit and convinced that apps are a magic path to profitability?
Nope. Car execs are sophisticated businesspeople, and they’re surfing capitalism’s latest — and last — hot trend: dismantling capitalism itself.
Now, leftists have been predicting the death of capitalism since The Communist Manifesto, but even Marx and Engels warned us not to get too frisky: capitalism, they wrote, is endlessly creative, constantly reinventing itself, re-emerging from each crisis in a new form that is perfectly adapted to the post-crisis reality:
https://www.nytimes.com/2022/10/31/books/review/a-spectre-haunting-china-mieville.html
But capitalism has finally run out of gas. In his forthcoming book, Techno Feudalism: What Killed Capitalism, Yanis Varoufakis proposes that capitalism has died — but it wasn’t replaced by socialism. Rather, capitalism has given way to feudalism:
https://www.penguin.co.uk/books/451795/technofeudalism-by-varoufakis-yanis/9781847927279
Under capitalism, capital is the prime mover. The people who own and mobilize capital — the capitalists — organize the economy and take the lion’s share of its returns. But it wasn’t always this way: for hundreds of years, European civilization was dominated by rents, not markets.
A “rent” is income that you get from owning something that other people need to produce value. Think of renting out a house you own: not only do you get paid when someone pays you to live there, you also get the benefit of rising property values, which are the result of the work that all the other homeowners, business owners, and residents do to make the neighborhood more valuable.
The first capitalists hated rent. They wanted to replace the “passive income” that landowners got from taxing their serfs’ harvest with active income from enclosing those lands and grazing sheep in order to get wool to feed to the new textile mills. They wanted active income — and lots of it.
Capitalist philosophers railed against rent. The “free market” of Adam Smith wasn’t a market that was free from regulation — it was a market free from rents. The reason Smith railed against monopolists is because he (correctly) understood that once a monopoly emerged, it would become a chokepoint through which a rentier could cream off the profits he considered the capitalist’s due:
https://locusmag.com/2021/03/cory-doctorow-free-markets/
Today, we live in a rentier’s paradise. People don’t aspire to create value — they aspire to capture it. In Survival of the Richest, Doug Rushkoff calls this “going meta”: don’t provide a service, just figure out a way to interpose yourself between the provider and the customer:
https://pluralistic.net/2022/09/13/collapse-porn/#collapse-porn
Don’t drive a cab, create Uber and extract value from every driver and rider. Better still: don’t found Uber, invest in Uber options and extract value from the people who invest in Uber. Even better, invest in derivatives of Uber options and extract value from people extracting value from people investing in Uber, who extract value from drivers and riders. Go meta.
This is your brain on the four-hour-work-week, passive income mind-virus. In Techno Feudalism, Varoufakis deftly describes how the new “Cloud Capital” has created a new generation of rentiers, and how they have become the richest, most powerful people in human history.
Shopping at Amazon is like visiting a bustling city center full of stores — but each of those stores’ owners has to pay the majority of every sale to a feudal landlord, Emperor Jeff Bezos, who also decides which goods they can sell and where they must appear on the shelves. Amazon is full of capitalists, but it is not a capitalist enterprise. It’s a feudal one:
https://pluralistic.net/2022/11/28/enshittification/#relentless-payola
This is the reason that automakers are willing to enshittify their products so comprehensively: they were one of the first industries to decouple rents from profits. Recall that the reason that Big Car needed billions in bailouts in 2008 is that they’d reinvented themselves as loan-sharks who incidentally made cars, lending money to car-buyers and then “securitizing” the loans so they could be traded in the capital markets.
Even though this strategy brought the car companies to the brink of ruin, it paid off in the long run. The car makers got billions in public money, paid their execs massive bonuses, gave billions to shareholders in buybacks and dividends, smashed their unions, fucked their pensioned workers, and shipped jobs anywhere they could pollute and murder their workforce with impunity.
Car companies are on the forefront of postcapitalism, and they understand that digital is the key to rent-extraction. Remember when BMW announced that it was going to rent you the seatwarmer in your own fucking car?
https://pluralistic.net/2020/07/02/big-river/#beemers
Not to be outdone, Mercedes announced that they were going to rent you your car’s accelerator pedal, charging an extra $1200/year to unlock a fully functional acceleration curve:
https://www.theverge.com/2022/11/23/23474969/mercedes-car-subscription-faster-acceleration-feature-price
This is the urinary tract infection business model: without digitization, all your car’s value flowed in a healthy stream. But once the car-makers add semiconductors, each one of those features comes out in a painful, burning dribble, with every button on that fakakta touchscreen wired directly into your credit-card.
But it’s just for starters. Computers are malleable. The only computer we know how to make is the Turing Complete Von Neumann Machine, which can run every program we know how to write. Once they add networked computers to your car, the Car Lords can endlessly twiddle the knobs on the back end, finding new ways to extract value from you:
https://doctorow.medium.com/twiddler-1b5c9690cce6
That means that your car can track your every movement, and sell your location data to anyone and everyone, from marketers to bounty-hunters looking to collect fees for tracking down people who travel out of state for abortions to cops to foreign spies:
https://www.vice.com/en/article/n7enex/tool-shows-if-car-selling-data-privacy4cars-vehicle-privacy-report
Digitization supercharges financialization. It lets car-makers offer subprime auto-loans to desperate, poor people and then killswitch their cars if they miss a payment:
https://www.youtube.com/watch?v=4U2eDJnwz_s
Subprime lending for cars would be a terrible business without computers, but digitization makes it a great source of feudal rents. Car dealers can originate loans to people with teaser rates that quickly blow up into payments the dealer knows their customer can’t afford. Then they repo the car and sell it to another desperate person, and another, and another:
https://pluralistic.net/2022/07/27/boricua/#looking-for-the-joke-with-a-microscope
Digitization also opens up more exotic options. Some subprime cars have secondary control systems wired into their entertainment system: miss a payment and your car radio flips to full volume and bellows an unstoppable, unmutable stream of threats. Tesla does one better: your car will lock and immobilize itself, then blare its horn and back out of its parking spot when the repo man arrives:
https://tiremeetsroad.com/2021/03/18/tesla-allegedly-remotely-unlocks-model-3-owners-car-uses-smart-summon-to-help-repo-agent/
Digital feudalism hasn’t stopped innovating — it’s just stopped innovating good things. The digital device is an endless source of sadistic novelties, like the cellphones that disable your most-used app the first day you’re late on a payment, then work their way down the other apps you rely on for every day you’re late:
https://restofworld.org/2021/loans-that-hijack-your-phone-are-coming-to-india/
Usurers have always relied on this kind of imaginative intimidation. The loan-shark’s arm-breaker knows you’re never going to get off the hook; his goal is in intimidating you into paying his boss first, liquidating your house and your kid’s college fund and your wedding ring before you default and he throws you off a building.
Thanks to the malleability of computerized systems, digital arm-breakers have an endless array of options they can deploy to motivate you into paying them first, no matter what it costs you:
https://pluralistic.net/2021/04/02/innovation-unlocks-markets/#digital-arm-breakers
Car-makers are trailblazers in imaginative rent-extraction. Take VIN-locking: this is the practice of adding cheap microchips to engine components that communicate with the car’s overall network. After a new part is installed in your car, your car’s computer does a complex cryptographic handshake with the part that requires an unlock code provided by an authorized technician. If the code isn’t entered, the car refuses to use that part.
VIN-locking has exploded in popularity. It’s in your iPhone, preventing you from using refurb or third-party replacement parts:
https://doctorow.medium.com/apples-cement-overshoes-329856288d13
It’s in fuckin’ ventilators, which was a nightmare during lockdown as hospital techs nursed their precious ventilators along by swapping parts from dead systems into serviceable ones:
https://www.vice.com/en/article/3azv9b/why-repair-techs-are-hacking-ventilators-with-diy-dongles-from-poland
And of course, it’s in tractors, along with other forms of remote killswitch. Remember that feelgood story about John Deere bricking the looted Ukrainian tractors whose snitch-chips showed they’d been relocated to Russia?
https://doctorow.medium.com/about-those-kill-switched-ukrainian-tractors-bc93f471b9c8
That wasn’t a happy story — it was a cautionary tale. After all, John Deere now controls the majority of the world’s agricultural future, and they’ve boobytrapped those ubiquitous tractors with killswitches that can be activated by anyone who hacks, takes over, or suborns Deere or its dealerships.
Control over repair isn’t limited to gouging customers on parts and service. When a company gets to decide whether your device can be fixed, it can fuck you over in all kinds of ways. Back in 2019, Tim Apple told his shareholders to expect lower revenues because people were opting to fix their phones rather than replace them:
https://www.apple.com/newsroom/2019/01/letter-from-tim-cook-to-apple-investors/
By usurping your right to decide who fixes your phone, Apple gets to decide whether you can fix it, or whether you must replace it. Problem solved — and not just for Apple, but for car makers, tractor makers, ventilator makers and more. Apple leads on this, even ahead of Big Car, pioneering a “recycling” program that sees trade-in phones shredded so they can’t possibly be diverted from an e-waste dump and mined for parts:
https://www.vice.com/en/article/yp73jw/apple-recycling-iphones-macbooks
John Deere isn’t sleeping on this. They’ve come up with a valuable treasure they extract when they win the Right-to-Repair: Deere singles out farmers who complain about its policies and refuses to repair their tractors, stranding them with six-figure, two-ton paperweight:
https://pluralistic.net/2022/05/31/dealers-choice/#be-a-shame-if-something-were-to-happen-to-it
The repair wars are just a skirmish in a vast, invisible fight that’s been waged for decades: the War On General-Purpose Computing, where tech companies use the law to make it illegal for you to reconfigure your devices so they serve you, rather than their shareholders:
https://memex.craphound.com/2012/01/10/lockdown-the-coming-war-on-general-purpose-computing/
The force behind this army is vast and grows larger every day. General purpose computers are antithetical to technofeudalism — all the rents extracted by technofeudalists would go away if others (tinkereres, co-ops, even capitalists!) were allowed to reconfigure our devices so they serve us.
You’ve probably noticed the skirmishes with inkjet printer makers, who can only force you to buy their ink at 20,000% markups if they can stop you from deciding how your printer is configured:
https://pluralistic.net/2022/08/07/inky-wretches/#epson-salty But we’re also fighting against insulin pump makers, who want to turn people with diabetes into walking inkjet printers:
https://pluralistic.net/2022/06/10/loopers/#hp-ification
And companies that make powered wheelchairs:
https://pluralistic.net/2022/06/08/chair-ish/#r2r
These companies start with people who have the least agency and social power and wreck their lives, then work their way up the privilege gradient, coming for everyone else. It’s called the “shitty technology adoption curve”:
https://pluralistic.net/2022/08/21/great-taylors-ghost/#solidarity-or-bust
Technofeudalism is the public-private-partnership from hell, emerging from a combination of state and private action. On the one hand, bailing out bankers and big business (rather than workers) after the 2008 crash and the covid lockdown decoupled income from profits. Companies spent billions more than they earned were still wildly profitable, thanks to those public funds.
But there’s also a policy dimension here. Some of those rentiers’ billions were mobilized to both deconstruct antitrust law (allowing bigger and bigger companies and cartels) and to expand “IP” law, turning “IP” into a toolsuite for controlling the conduct of a firm’s competitors, critics and customers:
https://locusmag.com/2020/09/cory-doctorow-ip/
IP is key to understanding the rise of technofeudalism. The same malleability that allows companies to “twiddle” the knobs on their services and keep us on the hook as they reel us in would hypothetically allow us to countertwiddle, seizing the means of computation:
https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men
The thing that stands between you and an alternative app store, an interoperable social media network that you can escape to while continuing to message the friends you left behind, or a car that anyone can fix or unlock features for is IP, not technology. Under capitalism, that technology would already exist, because capitalists have no loyalty to one another and view each other’s margins as their own opportunities.
But under technofeudalism, control comes from rents (owning things), not profits (selling things). The capitalist who wants to participate in your iPhone’s “ecosystem” has to make apps and submit them to Apple, along with 30% of their lifetime revenues — they don’t get to sell you jailbreaking kit that lets you choose their app store.
Rent-seeking technology has a holy grail: control over “ring zero” — the ability to compel you to configure your computer to a feudalist’s specifications, and to verify that you haven’t altered your computer after it came into your possession:
https://pluralistic.net/2022/01/30/ring-minus-one/#drm-political-economy
For more than two decades, various would-be feudal lords and their court sorcerers have been pitching ways of doing this, of varying degrees of outlandishness.
At core, here’s what they envision: inside your computer, they will nest another computer, one that is designed to run a very simple set of programs, none of which can be altered once it leaves the factory. This computer — either a whole separate chip called a “Trusted Platform Module” or a region of your main processor called a secure enclave — can tally observations about your computer: which operating system, modules and programs it’s running.
Then it can cryptographically “sign” these observations, proving that they were made by a secure chip and not by something you could have modified. Then you can send this signed “attestation” to someone else, who can use it to determine how your computer is configured and thus whether to trust it. This is called “remote attestation.”
There are some cool things you can do with remote attestation: for example, two strangers playing a networked video game together can use attestations to make sure neither is running any cheat modules. Or you could require your cloud computing provider to use attestations that they aren’t stealing your data from the server you’re renting. Or if you suspect that your computer has been infected with malware, you can connect to someone else and send them an attestation that they can use to figure out whether you should trust it.
Today, there’s a cool remote attestation technology called “PrivacyPass” that replaces CAPTCHAs by having you prove to your own device that you are a human. When a server wants to make sure you’re a person, it sends a random number to your device, which signs that number along with its promise that it is acting on behalf of a human being, and sends it back. CAPTCHAs are all kinds of bad — bad for accessibility and privacy — and this is really great.
But the billions that have been thrown at remote attestation over the decades is only incidentally about solving CAPTCHAs or verifying your cloud server. The holy grail here is being able to make sure that you’re not running an ad-blocker. It’s being able to remotely verify that you haven’t disabled the bossware your employer requires. It’s the power to block someone from opening an Office365 doc with LibreOffice. It’s your boss’s ability to ensure that you haven’t modified your messaging client to disable disappearing messages before he sends you an auto-destructing memo ordering you to break the law.
And there’s a new remote attestation technology making the rounds: Google’s Web Environment Integrity, which will leverage Google’s dominance over browsers to allow websites to block users who run ad-blockers:
https://github.com/RupertBenWiser/Web-Environment-Integrity
There’s plenty else WEI can do (it would make detecting ad-fraud much easier), but for every legitimate use, there are a hundred ways this could be abused. It’s a technology purpose-built to allow rent extraction by stripping us of our right to technological self-determination.
Releasing a technology like this into a world where companies are willing to make their products less reliable, less attractive, less safe and less resilient in pursuit of rents is incredibly reckless and shortsighted. You want unauthorized bread? This is how you get Unauthorized Bread:
https://arstechnica.com/gaming/2020/01/unauthorized-bread-a-near-future-tale-of-refugees-and-sinister-iot-appliances/amp/
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If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon
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[Image ID: The interior of a luxury car. There is a dagger protruding from the steering wheel. The entertainment console has been replaced by the text 'You wouldn't download a car,' in MPAA scare-ad font. Outside of the windscreen looms the Matrix waterfall effect. Visible in the rear- and side-view mirror is the driver: the figure from Munch's 'Scream.' The screen behind the steering-wheel has been replaced by the menacing red eye of HAL9000 from Stanley Kubrick's '2001: A Space Odyssey.']
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Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg
CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en
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Today, Jesus is holding:
Sleep Token II from Sleep Token (band)
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vesselsscarlet · 2 months
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Hey my loves of my besties.
This post is a bit personal now. It is a story about Sleep Token, to be exact it is my story with them.
Because it still feels surreal to me.
So... it all started on January 7 in Dusseldorf, Germany, Mitsubishi Electric Hall.
I was there with one of my friends from uni, and also with my male best friend, we decided to see Architects and Northlane. We couldnt care less about the boys (I am very sorry for that now), they weren't relevant to us.
But after opening up with Chokehold and playing Alkaline, dude holy shit, they got me.
I started digging into their music, listened to every song ever since. And then I realized, they once were in my Spotify suggestions with "Hypnosis". But hell, that was back in 2022, and I had no idea.
But when Vore was released and they announced their Wembley ritual I tried to find someone who wanted to go with me. This is how I met a friend who now is coming with me to Birmingham and Cardiff. My friend from uni also wanted to join us.
My old blog went through so many changes, from James McAvoy to Pedro Pascal to Sleep Token. And then it got deleted. It didn't stop me. Tumblr couldn't stop my obsession.
So... I created an account again, ...
This baby, vesselsscarlet.
I didn't know it would end up as a blog with at least 200 followers, and people actually liking my stuff and ... Most importantly..
Me. Lia. That person that runs this account.
My darlings.. oh my darlings..
@moonchild-in-blue @ittwuh (I miss you darling) @autumns-veil @a-s-levynn and @con-clavi-con-jae were the first people that decided to be my besties. And then it was followed by lovie herself @fivewholeminutes and also dearest @thejawsoffate ...
Like ... how did this happen? I barely knew any people and now... I've got these people here. Wanted to be friends with me.
My account blew up... I didn't know what to do..
But @takemetoasgard @sleeby-vessel @polteergeistt @aquareegia @sleep-token @sleepanonymous @alexghost07 @the-devoured @nullcode @ccsven and even the ones I barely/never really talked to (I am sorry, I suck at interactions but ily) but are also worth mentioning... as for: @loveinthemindpalace @houseofache @ghxstly-death @crying-neptune @eepymonstrr @thevenomousseprent .. and so many more..
I cannot express anything that is showing my gratitude towards you all.
You all... made it special. You are the reason why I am still up here.
And when it comes to the UK Tour this year...
I cannot believe it but I am gonna do it with so many amazing people (either for the entire four rituals or a few or just meeting up for one particular ritual):
@fivewholeminutes @a-s-levynn @thejawsoffate @moonchild-in-blue @sleeby-vessel @alexghost07 Alina (my very first sleep token friend who got me the Wembley tickets) and Philipp (my uni friend)...
If you made it this far...
Thank you for being here. Thank you for being my friend/mutual.
And if you are specifically tagged..
I hope you don't mind it. But ....
Thank you so much to you as well for being my bestie. You are the best.
And thank you to Sleep Token for gifting me these incredible people.
With that being said...
Lets keep this up, and I am glad to be here.🥺
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ancientbygone · 8 months
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'cause i am a fire,
and you are
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lethal-raindrop · 1 year
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CW // suggestive
Gaahhh almost had it!
(This is NOT how my art actually looks btw; I’m just. not a digital artist. 😅)
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foundationsofdecay · 26 days
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Okay, I've finally made a list of most of my Sleep Token lore and analysis posts! Divided by categories under the cut, with improvised titles and brief descriptions for each.
Posts are listed in reverse-chronological order per category, except for crossovers.
The catch-all hashtag for these is #aqua's offerings, in case you prefer to look through them that way.
Longer Form Posts:
Duck Into Deep Blue Safety - Comparing the composition of Drag Me Under, Atlantic, and Fall For Me as to how solos are used to describe physical isolation, separation, and the spectrum bridging spiritual wholeness and estrangement.
Show Me What Wounds You've Got - On begging, emotional vulnerability, and our agency as audience and character.
If a Man Falls, and Nobody's There to Hear Him... - An addition-by-reblog to this post by @melit0n about Fall For Me, continuing the exploration of silence and vocals and the implications of Vessel's isolation and actions in the song.
So He Gets To Die A Saint - Martyrdom and the desire to save and be saved, but the uncertainty of who is saving who, and to what end.
Something Was Between You and I My Dear - Musings on the theory posited by @a-s-levynn that separates Vessel as his masked self and as his unmasked self into two separate characters, and what that means for a potential reading of the events of the trilogy, particularly its ending.
I Would Turn Into A Stranger In An Instant if I Could - A deep dive into DYWTYLM with themes of identity loss and the effects of a long-term yet one-sided relationship.
Flood Me Like Atlantic - An examination of the metaphor of being dragged into and under someone's love throughout the course of the discography, and how it reflects in the shifting characterization of both Vessel and the character being sung about.
Would You Invite Me In Again? - A look at cycles of union and disconnect, of love as a melding of body and soul in addition to a rending of body and soul, and the cyclical nature of this dichotomy, primarily through the lens of Drag Me Under and Blood Sport.
So Let's Play - A look into how the language of games and winners and losers is used and evolves throughout their discography.
With My Love as Your Garden - Exploring the lyrics regarding flowers and gardens, of upkeep and of fire, and how it relates to the relationship between Vessel and his lover, described here as Sleep.
Welcome Me In, Deep Into You - Side-by-side examination of Vore and Drag Me Under and their language as it pertains to consumption and consummation, and the respective tones those carry.
Drag Me Under AGAAAAAIN - An addendum to my second Sleep Token x TDH crossover post (linked further below) that brings Drag Me Under into the fold of Atlantic and Telomeres, as requested by @moonchild-in-blue. Elaborates further on the entwining of Vessel and Sleep, of their love and the idea of inevitability.
Duet - Proposing and elaborating on the concept of the song Give being a duet between Vessel and Sleep with alternating POVs.
Other Other Eye - A look at Ascensionism, particularly the lines regarding eyes and attention and conflicting desire. [note: written very early into my posting theory/analysis, somewhat outdated]
Catching a Falling Knife - Using the metaphor of "catching a falling knife" and the general stock market as lens to examine the power dynamics between Vessel and Sleep.
Mini Musings:
Rain Can't Wash Away the Tar on the Inside - Consideration of the lyrics implying Vessel has been trapped by tar and subsumed in it both from the outside and from within.
Keep an Eye on the Road - A quick talk about visuals of crashing cars and mentions of various roadways, and being trapped in untenable situations.
The Vicious Cycle - Cycles and the breaking thereof within the discography.
My Puppet Queen - The dehumanizing language used towards Vessel, specifically as a toy or object.
Glitches in the Code - Considers Vessel as a literal algorithm, and how that reflects in his vocals and degeneration throughout the narrative and what it would say about his relationship with Sleep.
Mirror Talk - Notes on mirrors and both outer and inner reflections.
Are You Watching Me? - Different ways eyes are described as it relates to prey and predation, and Vessel struggling with human nature and humanity.
A Different Harbor - Musing on the peculiar use and otherwise of language regarding boats, harbors, and anchors.
You Want Someone To Be - Concept post about a more literal take on lovers entwined, to both want to become the other, and the loss of understanding of what it means to be yourself without them.
Crossovers:
TDH x Sleep Token #1 - Love as a crashing wave, questions of fate, choosing love despite the clear doomed nature, using The Dear Hunter's Waves as a frame of reference.
TDH x Sleep Token #2 - Uses The Dear Hunter's Vital Vessels Vindicate as a lens to provide a different perspective through which to examine Vessel, death, and what it means to choke and suffocate underwater.
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bubacorn · 7 months
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hc: Vessel is bad at receiving compliments and being told that he is loved (hug inspired by this one, @ghxstly-death put it into words perfectly. thank you, Eden!🫂)
Thinking about Vessel who can't accept compliments, not because he doesn't believe them (that too), but because he'd heard them so many times in the past related to small, unimpressive things. Not 'I'm proud of you', just 'You did good', an automatic response to any and all achievements. He did good. He didn't know what 'good' meant, but apparently, he did that. He has no idea what was good about what he did, so he continues to push himself, to not be a disappointment. If he does good, then that should be enough, right?
He tries for great, for excellent, for something more, but he always gets 'good', unrelated to the effort and time he put into something. He knows he shouldn't wish for more specific compliments, or anything else, really. He should be grateful to be regarded. Everyone around him is so busy, they can't possibly have time to listen to him talk about how in reality, he has no idea what he's doing. How things sometimes just click but he can't tell if what he did is actually worth anything or it was just pure luck. How he doubts himself at every step but learned to hide it, because he has to be good. And good means coping and dealing with things by himself and quietly, because then he will be told that he did good and who wouldn't want to be good?
Vessel who hears 'I love you' for the first time (said with actual love behind it for the very first time) in a really long time from II. He wouldn't tell the other that, but it's clear from the surprise and the hopeful longing in Vessel's eyes. His friend told him he loves him and he doesn't know what to do with that, so he hesitantly steps to him and begins to lift his arms in question. II's heart squeezes at his shyness, after all, the other has spent months alone in the manor, so it's understandable that he would have grown unaccustomed to touch. But then II has to pull Vessel against him, because the man sort of hovers his arms around his frame as if he doesn't know how to approach a hug. Like he isn't sure what is expected of him and what is too much.
Vessel is surprised when II squeezes around his torso, when he brings one arm around his shoulder and the other to his neck, trying to bring Vessel down towards him, like he wants to protect and shelter him. That's strange, but Vessel finds that his arms want to stay wrapped loosely around II a bit longer and just as he starts to pull away, II again says "I love you, Vessel", and Vessel's brain freezes. II squeezes him tighter and Vessel feels so warm and strangely loose (he's afraid he will unravel if he stays too close for too long) and small even though he towers over his friend. His friend who is now holding him and who apparently loves him.
The only thing in his mind stumbles from his tongue in the form of a quiet "Why?". He didn't do anything exceptional. He was showing II an arrangement and said he wasn't sure if it was any good, letting his fingers dance over the keys, feeling like he was stumbling through music. He felt like it captured that familiar insecurity, and he liked it and hoped II would like it, too. Even if it didn't make it into a song. Then II said he did like it, that it feels like Vessel is unsure but it gives the melody a unique flavor, and that Vessel was great for translating that feeling into music.
"'Why?' ?" II's answering question is filled with such disbelief that Vessel wants to hide. He said something inappropriate, something secret that had previously only been dwelling in his mind, in a dark corner, and now he feels exposed. Why did he even open his mouth? Not good. Definitely bad.
Vessel is slumping against II a bit, like he doesn't know how to hold himself upright anymore, like he needs support. II must feel it, because he's still holding him, and it's been minutes and Vessel tries to squirm away, to save any dignity he might still possess, and II lets him slip out of the embrace, but his arms linger like he doesn't want to let go of his friend. His friend who just blurted out the worst response to a confession of gentle affection. Vessel looks so worried when he catches II's gaze and he immediately averts his eyes and takes a few small steps back, unconsciously gravitating towards his piano for protection, a sense of safety.
"You're my friend, Vessel," II tries approaching the man with soft words, "You're kind and considerate and a damn good musician," Vessel stops backing away when the back of his legs hit the edge of his piano bench, but he's still looking at the floor, "You pour your heart into writing and playing and it's amazing to see. You're committed, but patient and you help me every time I need. Even when I'm too embarrassed to ask," II tilts his head and steps a bit closer to try and catch Vessel's gaze, "I know you don't see it and I'm sorry that you can't because it's true. I would never lie to you about this, Ves. I love you, you're my best friend," Vessel presses his lips together, so II adds, "Not just because we live in the middle of bumfuck nowhere. You're the best friend I've ever had. And I'm glad Sleep led me to you."
Vessel gives him a look that shows he tries really hard to believe him, and adds in such a low voice it's almost a whisper, "I love you, too," as if he's embarrassed to admit it. But it's not embarrassment, II realizes, it's disbelief, it's some sort of deep shame about needing someone else, of relying on anyone else but himself at all times. And it makes sense, considering Vessel's nature, but II could never put it all together, since large chunks of Vessel's past were unfamiliar to him. He could have guessed based on how the man acted, but he didn't want to assume anything. It felt disrespectful. Vessel would share if he wanted.
"And I'm really glad you found me," just a beat of silence, before he adds, in an even quieter tone, if that's possible, "And that you stayed," Vessel risks a bashful glance towards II, and sees him blink rapidly, shocked by the implication of the other's words, before he shakes himself and steps closer to Vessel. He searches his face for apprehension, but doesn't find any, so he gently puts his hands on Vessel's upper arms and sits him down on his bench. Before Vessel can react, II has his arms wrapped around him, one around his shoulder, and the other's hand cupping the back of his head and cradling it to his front.
"You're important to me, Ves. You're special and precious and I love you," II's fingers caress the man's shoulder and card through his hair, "I want you to know that I'm here for you any time, okay?" Vessel is still stunned and he's sure he's going catch on fire if he gets any warmer. II twists a lock of hair around his finger, "Okay?" Words form and die in Vessel's throat so he just nods, rapidly, almost hurriedly, and II lets out a small chuckle. "You're amazing, you know that?" he nuzzles into Vessel's hair for a moment to murmur, "And adorable," II sways with the man in his arms a little and Vessel is sure he will combust. His face is flaming against II's shirt and he tries to suppress the half grimace-half grin on his face and feels unreal. "C'mon. Tea break?" II smiles down at him and offers a hand. Vessel can stand on his own, but doesn't reject the offer. He likes the warmth of II's hand and he can always use the stability and the reminder of the other's presence. II soon replaces his hand with a mug of tea, but it's considerably colder to Vessel. The contrast is especially palpable when II brushes his knuckles against Vessel's as he's handing him his tea. The mug is warm, but II's skin is burning against his. But it's not bad. It's a good burn. It makes Vessel feel alive. Seen. Loved?
Vessel learns that he doesn't have to prove himself to other people to receive love. Love is not something that has to be earned in their home. Love is not a reward, not something that Vessel has to work for, then be disappointed that in the end, it isn't actually given to him. He tried being good in the past, being silent and keeping his head down and being a good kid, but the warmth and the unconditional love didn't come. He still tried, though, he always tried his best, but apparently that wasn't enough. Or there wasn't actually love at the end of that tunnel. It was just a play of light. But that would have been cruel and Vessel would like to think that people in his past weren't intentionally unkind to him (he won't admit the truth to himself for a while).
II often tells Vessel that he's proud of him. For speaking up. For telling him when he's having a bad day. For asking for distance when he needs it and closeness when he feels like he will drift away. For admitting to messing up, when he falls back into bad habits of self-destruction and isolation. For doing a grocery run by himself even though he goes home almost shaking and has to spend the next hours under a blanket on the couch, because it was simply too much. For crying when he talks about memories that he tried his hardest to forget but he just can't. For asking for help and letting II help him, even though it's hard. It's really hard, and Vessel apologizes for it, for being fucked-up and broken and damaged goods. For wasting II's time and being a burden, a needy, greedy thing. Wretched. Minus human.
But II tells him he loves him and that he could never be a burden. That he will always be worth it, he always has been, and that he's sorry that people in Vessel's past couldn't see it. Couldn't see him for all that he is. For the friend who pays attention to little details so he can show his friend how much he values him. For the guy who bakes his friend a complicated cake for his birthday because he off-handedly told him he can't even remember what it tasted like, even though it used to be his favorite. For the amazing composer who can capture emotions one doesn't realize one has. For the hard-working, curious kid who thought that being obedient and not questioning authority was the way to earn praise and affection. For the little boy who thought something was wrong with him, that he did or didn't do something and that is why he couldn't feel loved. For the child who cried and cried, silent and under the cover of the night, hoping that no one would hear (and secretly hoping that somebody would and they would come and save him from the gaping emptiness that made its home in his chest, way too big and scary for a boy that little). For the boy and then the man who couldn't cry anymore but thought that that is more than alright, at least he can finally keep it all inside. For the partner who allowed himself to be vulnerable with someone he trusted. For the partner who made sure his other knew he was always welcome, even though his brain sometimes tried to tell him otherwise. For the partner who grew comfortable with expressing casual affection so much that terms like 'darling' became second nature to him (and for the way he blushed when II told him that). For the man who learned to accept that it's okay to admit to not being okay, to need someone, to want to not feel alone, to feel cherished, to have his feelings validated. For the man who can tell his partner anything and does, because he knows he can speak his mind and that there will be someone who listens.
II wanted to see Vessel. Vessel let him. Even before he showed the uglier and less than perfect parts of himself, II loved him all the same. It was never about being 'good' and silent and compliant. Vessel is good. Vessel is not good. He's amazing. He's perfect. He's wonderful. He's cherished. He's incredible. He's valued. He's seen. He's listened to. He's heard. He's finally, finally loved. Has been for longer than he dared to think. Will soon be by more people than he thought possible.
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Calling all Jarthur and Forgive and Forget fans to consider “The Summoning” by Sleep Token as John to his loves.
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Like come ON!! Come onnnnnnn!!
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aceredshirt13 · 4 days
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gang i have to share this P. G. Wodehouse quote with you all because ever since I found it I can't stop thinking about it. it's from a letter he wrote when he was 78 years old to his friend Guy Bolton (many thanks to P. G. Wodehouse: A Life in Letters)
I have been on the sick list myself, but am better now. Inflamed bladder or chill on the bladder or something, the symptoms being agony when I passed water, as the expression is. It brought back the brave old days when I used to get clap.
he really said "yeah the pain from my bladder issue reminds of the days when I used to have so much sex I repeatedly got venereal disease"
#red randomness#p. g. wodehouse#he was so known for not having sex with his beloved wife#that i truly didn't expect this at all#i feel like i see a lot of people saying with a great deal of confidence that he was sex-repulsed ace#especially due to the wife thing#but while he certainly may have been ace on some level#i feel like at the very least this casts some doubt on the sex-repulsed part lmao#i suppose it's possible he was lying but wouldn't this be such a specific and unnecessary lie in this context?#especially for a private letter to a friend he'd known and worked with for decades#because he really didn't even need to bring it up#of course i am open to evidence to the contrary#i just dislike seeing overconfident opinions broadly prevail#even when aspects of a real person's life suggest the possibility of otherwise#the study of history is meant to breed discussion!#and something that goes against the grain of past assumption is certainly worth discussing imo#also very grateful to the unpublished monograph by George Simmers about Honeysuckle Cottage#because that's how i found out about this letter in the first place!#great monograph mr. simmers please publish it someday#opened my third eye about the potential latent homosexuality in that story (among other things)#and at risk of having someone get mad at me or say i'm trying to like. diminish or slander the ace community by saying this#please don't assume that. that's why i've been afraid to share this before.#i'm not confidently stating wodehouse is anything. he's a real man who lived and i didn't know him#but by the same token neither does anyone else#i'm just as tired of people in history who have a fair amount of suggestion of being aroace being broadly assumed gay#despite evidence to the contrary#or people confidently assigning queerness to historical figures when evidence of them being queer in any way is ambiguous at best#everything in history is a maybe. we just collect facts and analyze them.#and my current analysis based on this line is that i'm not sure i think he was very sex-repulsed after all#(but like. i'm not going around insulting or fighting people about it in dms or something. and neither should you)
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aaron-is-comatose · 3 months
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Looking at any sleep token content is so dangerous because there's some freak out there just commenting the band members' real names ToT
I saw an interaction like this just now where someone was joking about how two musicians were secretly III and IV and some person started listing off the member's real names like UGGHHHHH i don't care that YOU know their names !! I dont wanna know !!
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myk-myk-myk · 2 months
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TW: mental health
I can't believe that I will see Sleep Token in 117 days. I will travel to Glasgow and stay there overnight with my friend. I have never been to Glasgow before.
Am I scared? Oh, yes. Am I excited? Heck yeah! Am I proud of myself? Too flipping right I am!
I have anxiety and depression. They are funny little things that make my brain work overtime and think things that are a bit too loud. For years and years I was "brave" and just dealt with it. Until I couldn't. I felt like I failed myself, because I asked for help. Because I got medication.
But when my meds started to work, I was like WOW, SO THAT'S HOW OTHER PEOPLE LIVE? I loved the feeling. I still love it.
I love that now I am really brave. That I buy tickets to see my favourite bands (we went to see Bad Omens in January!), that I don't sit sad and think "oh, it would be so nice to be there, but...".
I am very open and loud about my mental health. Because I think it's important that others hear that it's okay to ask for help.
When I heard Take Me Back To Eden for the first time, I cried.
"And I don't know what's got its teeth in me, but I am about to bite back in anger" - that's about me. That's about me biting back my illness. I never ever heard anything that explained it in such a beautiful way.
So yeah, I am doing much better, I am going to see Sleep Token, and I am going to cry so much.
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mariocki · 1 year
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John Levene pops up as Gene Bradley's co-pilot on his private jet, called Tony, (John Levene's character, not the jet) in The Adventurer: I'll Get There Sometime (1.15, ITC, 1973)
#fave spotting#john levene#sergeant benton#doctor who#classic doctor who#the adventurer#I'll get there sometime#1973#itc#classic tv#Gene's private jet crops up a couple of times in the series‚ yet another example of how he's the greatest everything that ever did anything#it had a copilot in the other eps but not played by John; this ep requires a few lines from the copilot so perhaps that other actor wasn't#considered good enough at reading dialogue? who knows. certainly not me (and Pixley don't write a bible about this stupid show‚ your work#is needed on better things!). little for John to do here except sit in a cockpit and trade worried glances with Gene about bad weather and#plane problems; this was a holiday episode for Gene Barry‚ with just these few token scenes to include him (presumably coming as a blessed#relief to the crew who‚ by most accounts‚ couldn't stand him). it also allowed Catherine Schell (who Barry had had fired) to quickly return#and shoot enough scenes for a couple more episodes; despite Gene B's meddlings‚ the American backers liked her and wanted more of the#character. so we get this episode in which Gene is waylaid in his plane for the whole ep and it's up to his helpers (Schell‚ Garrick Hagon#as the longest lasting Stuart Damon replacement‚ and Barry Morse's Mr Parminter) to do all the adventuring and save the day without Mr#Amazing. Parminter is a curious character; he starts the series as a sort of semi mysterious spy master who calls on Gene for favours and#often knows more than he's telling. abruptly his character shifts completely about half way thru the series and becomes a buffoonish#ministry type who stumbles through cases and fights and has to be shepherded by his long suffering subordinates Hagon and Schell#it's most dramatic here‚ where he's positively idiotic. you'd be tempted to think Morse was simply giving up or playing with the part now#the series was well underway (and Gene wasn't around to shout) but in interviews he actually complained about how the character was#lobotomised by the scripts‚ so this isn't coming from him. who knows? maybe the writers themselves were trying to tank the show#certainly nobody seems to have had a very good time making it (Gene B flatly refused to be interviewed by network for their dvd release..)
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nukebag · 1 year
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zillo beast from clone wars and korathos from creatures of sonaria kinda give off the same vibes imo
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vesselsscarlet · 4 months
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My birthday story on tmbte wasn't even 20 minutes up and III was a fucking nosy dude again.
Like, he saw it within 10-15mins or something!?
What is wrong with him!? (Affectionately.)
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moonchild-in-blue · 2 months
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Live Vessel proposing to you if he was not a coward
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I mean look at that. Blue light. That's for you queen
🤭 You forget we are already married (i am delusional)
No but I'm 1000% gonna be looking at this photo intently 🥹 A thousand times yes baby 🥺💙 I can be your puppet queen 👰‍♀️
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