#proof by vibes

[endlessly-ranting-antheia]

Controversial opinion: I think that My Stubborn is actually well written, especially for a relatively low budget bl/ql.

There have been plenty of cheap and smutty bls and expensive and smutty bls but, as I’ve seen other people say too, My Stubborn just hits different and better than anything else. I think it’s because the writing is, for the most part, good. I mean the plot is solid and engaging, the characters are well defined, and the pacing keeps your attention without getting too convoluted or boring. We understand the characters and their motivations and we’re excited about where the plot is going. The actors and director are doing a great job and their nc scenes are insane, but I don’t think that it would be hitting nearly as hard as it is if the writing wasn’t solid too

[rascak]

Cleaned up the sketch a little

[nighthuntingclato]

Katniss: Would you punch your best friend in the face for a thousand bucks?

Clove: I would punch Cato in the face for free.

Cato, tearing up: I’m your best friend??

[wolfythewitch]

For the genuinely curious non religious folks in your audience, what are nazarene and nazirite, and how do they relate to jesus's hair length?

A Nazirite is someone who took this vow and with it comes a set of rules

Someone who's canonically Nazirite is John the Baptist, which is why I designed him with long hair

Jesus is Nazarene, as in from Nazareth. Some people say that he's Nazirite but he does things that are against the vow, like drinking wine and coming in contact with the dead

[hyakunana]

Riders in arms

[cowardlykrow]

"Hah, dude doesn't even know he's in my tamagotchi."

[bambiiaangel]

[sillyandstupididk]

Derek Forbort on Quinn Hughes (Canucks Insider)

Q: What is it like having Quinn as a captain?

Oh he’s great. He’s such a good dude. Yknow, I think you see him on the bench and he’s not the most talkative, but in the room he’s a fiery guy. He’s competitive, and he gets the boys ready to go. He’s got that swagger to him, like he goes out there and he knows he’s the best player and I think it kinda rubs off on the guys, the way he competes. Yeah, he’s awesome. He’s a special player and a special guy.

Q: What’s it like for you guys on the bench when you’re watching him, some of these things he does at the blue line? When you guys and the defensemen are sitting together, like what is it like? How are you talking about the stuff he’s doing out there? 

It’s annoying! All you Canucks fans think it’s that easy to do, it’s like… But no, I mean, it makes no sense; he’s like a point guard up there. I mean, maybe like him and Makar are the only ones in the league who can do that. Just how easy he makes it look, he’s got some special hips. 

[littlecrittereli]

enjoy this compilation I made of Chris succumbing to the instincts of the creature power suit

[buggachat]

To be clear, I goddamn hated the finale on first watch. I was withering in my seat. My heart had dropped to my stomach. I had no fucking idea what I was watching in that final scene lmao

and then Adrien said "when Ladybug gave me the rings—" and I was like— wait. LADYBUG? LADYBUG STILL EXISTS?

I THOUGHT THE ENTIRE TIMELINE HAD BEEN REWRITTEN 😭😭😭😭 I THOUGHT LADYBUG AND CHATN OIR DIDNT UFCKING EXIST uNTIL ADRIEN SAID THAT I WAS SO SO SO SCARED

and then I realized, oh wait. This isn't a complete utopian timeline rewrite. This is just a timeskip of a few months and Mme Bustier is just a kickass mayor. In fact, she's only mayor BECAUSE it's still the same timeline. And then I realized, hey, wait, if they didn't rewrite the timeline, then how tf is Emilie casually there with no questions?

And then I realized she was wearing black. And Félix was there. And I remembered Amelie exists.

Basically, I went into the finale chanting to myself "it's okay, it's okay... they probably wont bring Emilie back... they probably won't rewrite the entire timeline permanently.... right? please....", even though I didn't actually expect it to happen, but just because I was terrified that it could. And apparently that fear actually got to me so much that I misinterpreted the episode as being everything I didn't want it to be... when... it actually wasn't that at all

anyway, all of this is to say, everything in the episode happens so fast that it confused and terrified me at first. And when I realized what had happened, my opinion went from "my year is ruined" to "oh. well. okay. kind of disappointing, I guess". And then I kept thinking about it, and the ending, and all that is set up and rewatching the scenes and all the loose ends still in place and.... i realized I loved it?

like, every time I think about this finale, I love it more. every time i rewatch a scene, I get a little obsessed. this episode went from my nightmare to actually really really cool to me, and I'm still kind of reeling from it

Basically, this is why I've been kind of passionately defending the finale— not because I think people who don't like it are """dumb""" or anything, I don't blame people at all for that, and I totally get the confusion. I was confused too. And I know I'm not the only one who went in preparing themselves for the worst, or went in with very specific expectation on what will happen, because this finale has been long awaited for so long. I think everyone was shocked with how it ended. I think most people probably startled at Amelie's face (it's so easy to forget she exists....)

Anyways, I started this post basically as an apology for if I seem too aggressive or defensive about the finale. Because I get it! I get hating it! I get being disappointed or frustrated or confused! Part of why I'm so defensive is because I have all the arguments so ready on the tip of my tongue because I had the very same argument with myself already 😭 So I'm sorry if any of my posts came off as too aggressive and in advance for any future posts that might. I promise promise promise I'm not trying to make anyone feel bad for having bad opinions on the finale! I just think this episode is really cool and the fact I related to a lot of the nay-sayers makes it easy to feel so impassioned about it.

But this post is getting off the rails and I'm just gonna let it, because some of my regrets w my participation in fandom is that I find myself chickening out of actually talking about my thoughts on episodes a lot. I get kind of overwhelmed and overthink everything after I've posted it and I'm a shy person. But my inbox is closed and this is the season 5 finale and I want to ramble and ramble so I will allow myself this

Basically, I went in with some very specific expectations for this episode. We all know about the Hawkmoth defeat story. Many of us have read it in fics over and over again, it was teased in Chat Blanc, we all know what we expect, we all know our favorite beats from it.

And what actually happened....... met virtually none of those beats. (For me, at least).

Like, Adrien wasn't there for the final episode. At all. He was completely absent from the confrontation. He never found out his father was Hawkmoth. He got his rings, but he never found out he was a sentimonster. He is living in the dark.

Ladybug confronted Monarch... alone. Which is sad, when so much of the series is dedicated to the partnership of her and Chat Noir. Them against the world....... and Monarch was "defeated" with nary a Chat Noir in sight.

The whole entire "Gabriel is known as a hero" thing. I don't think anybody was expecting that. Absolutely shocking.

The fact Marinette would lie to Adrien like that. The fact she's keeping so much from him. The fact everyone is. SO MANY people in Adrien's life (Marinette, Plagg, Nathalie, Felix, Amelie, Kagami, probably Alya, maybe more I'm not thinking of....) are just... lying to him, now. He is so in the dark. He knows nothing.

But.........

I kind of like that I didn't predict nearly any of this. I like that it caught me off guard. I love how this show just completely baffles me at every turn, how it will present concepts and ideas to me that I've never read a fic about.

In retrospect, Chat Noir being absent from the final battle... makes sense. It actually makes a lot of sense, if I think about it, because... there is only one possible way that could've gone, right? Chat Noir would not be allowed to have the emotional implosion that he would have to have. This is devastating. This is SO devastating. This is the entire shattering of Adrien's entire world we're talking about, and Chat Blanc is the only real way for that to end. Adrien has an emotional implosion in front of Monarch, he gets akumatized, it turns into an emotion explosion, extinction event. The end. We've already seen it.

And........ even if it didn't end that way, even if he managed to avoid akumatization...... how could the finale satisfyingly end on that note? How could it end in any semblance of a "wrapped up" way, at the very start of Adrien's emotional breakdown? It couldn't. I wouldn't WANT it to. In retrospect, Adrien finding out his dad is Monarch and then.... what? The season ends on a close-up of him crying? The season ends with a time-skip to the new school year where they skipped his entire grieving period!? I would HATE that, actually. I would hate that. I thought I wanted it, but I would hate it. I would hate it so so so much.

What's kind of amazing is that the finale ended with Monarch being defeated.... but Adrien still has those realizations to make. He still has those betrayals to come to terms with. There is time for him to make these realizations, for him to come to these conclusions, perhaps one at a time, perhaps in a more controlled environment.... and that gets me far, far more excited for the seasons to come than an episode that tried to wrap it all up in the last 5 minutes.

Also, the reason Adrien didn't go to the final battle was because he feared becoming Chat Blanc. He didn't know the truth to it, didn't understand that literally, yes, that's what would have happened if he was there, even if he hadn't been under a nightmare curse. But he still knew. He still expected it. He willingly chose to sit it out, no matter how much he hated it, because he knew. And there's something kind of powerful to that, I think, of Adrien making a choice that is so unequivocally the Correct choice, even more than he realized. And the strength it took for him to make that decision...... damn.

As for the lies and the Gabriel statue? I... it's upsetting, but it's supposed to be. And I believe it. I absolutely believe it. I 10000% believe Marinette would keep the secret of Monarch's identity to herself to try to save Adrien the pain. I 10000% believe that the population could easily be led to believe a famous billionaire is a hero. I 10000% believe that Adrien would WANT to believe it. I 10000% believe Tomoe would take advantage of it.

And I can't wait to see that illusion crumble.

Also.... this is the beginning of The Lila arc.

And the Lila arc begins on........ Marinette telling the biggest, boldest face lie she ever told. The Lila arc begins on the most extreme city-wide illusion we've ever seen. It begins on such a huge fabrication and....

..... it's Marinette's lie.

............ and Lila knows that it's a lie.

I'm

!!?!?!?!

This is so fucking cool???? The irony here??? the deceit???? All these loose ends, all the possible confrontations, all the ways this could GO. I don't know where the show is taking this, obviously, because nobody ever can predict where this show is going apparently (and I love it for that), but oh my god. I'm imagining all the fics I could read about this. all the fics I could write. all the thoughts and scenarios that this finale has provided me with to daydream about as I go to sleep.

Adrien, going through the motions of life. Looking up to his father as a hero, despite the fact the last time he saw him, Adrien was sobbing, in tears, and cursing his name. Adrien, after all the abuse he was subject to, having to look up at a statue of his father and...... be forced to think that maybe he was wrong about his father. But he's not wrong. He WASN'T wrong. He just THINKS that he is. His father is going to continue to loom over his life in ways I never expected post-hawkmoth. Adrien's relationship with Gabriel has not ended, a new and terrifying and horrible new chapter of it has simply begun, and Adrien is still as manipulated by his father's ghost as he was by his father himself.

THAT'S. WILD!!!

also, Adrien now believes that MONARCH MURDERED HIS FATHER. Chat Noir now believes that his greatest nemesis KILLED HIS FATHER. CHAT NOIR, resident self-sacrificer, believes that HIS FATHER was a HERO who DIED FIGHTING MONARCH. Adrien thinks that maybe he should be more like his father— more like his father who died in battle. This is. Not Good. For Adrien.

And it's Marinette that started this. Well intentioned Marinette, who doesn't really understand the extent of the horrors. Marinette, Adrien's girlfriend, the person he trusts most. She did this.

And, I mean.... god. I totally get how this sucks for a lot of people, because it's objectively upsetting.... but I LOVE lovesquare tension. Season 4 is probably my favorite season for that reason alone (still mulling over if season 5 beat it for me). I love the relationship drama, I love that it's in character drama, I love how it fits everything we know about them sososo well, I love that it's horrible and it's terrible and it's awful and it's all because Marinette loved Adrien too much to want to hurt him.

I was worried no reveal would mean that season 6 would just be... what? adrienette fluff? not that I don't love that, but where's the drama? well. there it is. that's the drama.

I need to stop typing this. I know this is abysmally long and ranty and if you read all of this then I'm sorry. But I wanted to get some of my thoughts out.

But basically, I was expecting a lot of things for the finale.

In my best case scenario, it would somehow, miraculously tie up and address all the loose ends with Adrien's angst and character arc in two episodes.... and then end with me totally satisfied, ready to only half-heartedly watch season 6 like it was just a small dessert after the main course.

And I already described my worst case scenario (my first impression of the episode lmao)

But it wasn't that. I was expecting a series finale, but I got a season finale. And I love season finales. I love how they keep me wanting more. I love how excited I am for season 6, because in both my best and worst case scenarios, I honestly didn't expect to be. I love all the new ideas and thoughts and scenarios swirling around in my brain. And even if season 6 doesn't address some of the things I want addressed, I'm so excited to see the creative content in this fandom that DOES

[genericpuff]

say sike right now, she's actually going back to The Doctor Pepper Show-

Like, this is just "What if The Doctor Pepper Show and LO had a baby?" Because at this point it's very clear Rachel only knows how to write from inside her own head, which is full of unresolved salt towards her childhood and medical fetish shit. The imagery in the first panel is very LO, and the imagery in the second is literally The Doctor Foxglove Show-

Evidently she's been reskinning the same shit for years-

Listen, I've been, for the most part, keeping my lips sealed on a lot of Rachel's old projects and what I've dug up on her previous works, for a few reasons:

1.) We were all cringe on the Internet at some point in time and a lot of these older works, such as Freak Scene Surgery and The Doctor Pepper Show, would have been from when she was in her late teens / early 20's. I'm not here to judge Rachel's personal preferences or whatever kind of fetishes she's into. It's totally normal, expected even, for a lot of creators to have older works they're trying to bury or disconnect themselves from because it's simply not them anymore.

2.) Ultimately I've been focused on discussion around Lore Olympus and Rachel as she currently operates as a creator, so I don't want to go digging up her old skeletons as any sort of "gotcha" towards LO today. Ultimately a lot of these works don't have anything to really 'do' with LO as it exists today.

That said, the reason I'm bringing it up now is because these new series... are bridging that gap that I've been avoiding for ages now. The gap that's filled with skeletons of Rachel's past that she's trying to both disconnect herself from but now fall back on with LO come and gone. It almost goes to show that her being a one-note pony goes back since far before LO - these are literally the only ideas she's able to come up with at this point, and it's painfully obvious in how both these new "graphic novel pitches" are pretty much the exact same and could apply to the same character, and that character may as well just be Persephone, i.e. Rachel, all over again.

Like, I'm calling it now, Patients in the Dark is just gonna be more "moms are bad" rhetoric, and Eleanor's Deathbed is gonna be Hades and Persephone, but replace Hades with some death god and Persephone with a training mortician, which is basically also still just Foxglove training to be a doctor, and Icy Shaw bragging about fondling corpses.

If anything, now that Webtoons is no longer carrying her around on their shoulders, this is gonna be Rachel's moment of "put up or shut up". She can either actually put in an active effort to write something that's decent, or she can flounder under the weight of her own tired mediocrity that's been knocking at her door for years now. As much as she's using her labels that were bought for her to sell these books which aren't even in real development yet-

-Webtoons isn't gonna be there to buy her Eisners forever. This is entirely on her and the imprint that Webtoons shoved her into. Her process is still the same, she's learned nothing from the experience of making LO, she's just got the money and awards now and is trying to run with it, but all she has are the same tired pitch lines that she's been using for decades now and just so happened to work with LO because LO had both Webtoons and the appeal of it being a Greek myth "retelling" to carry it into fame.

I'm gonna go into a bit of a tangent here, but it's been weighing on my mind since I found out this news and have been discussing it with pals within the ULO circle. Rachel once said in an interview that she wanted to use her platform to raise awareness of issues regarding sexual assault, mental health, and "the patriarchy":

"Who do you know that hasn’t been sexually assaulted? The number is depressingly low, right? Why is that? There is no short answer or an easy fix. I have a platform. I can tell a story that will hopefully educate and help others feel acknowledged and vindicated." - Rachel Smythe, Interview with Gossamer Rainbow

"...obviously I'm very feminist, and that sort of stuff really matters to me, um, the best way to approach this question is… I began, the pilot was written in sort of mid-2017, and I think what I wanted, what I wanted to achieve, and I don't even know… probably in 5 years time I don't know how I'm going to feel about this but I'm taking the risk, I really wanted to write a story where, uh…this female character goes through these things and I think what I wanted to do, what I wanted to achieve, was like a really common, I can't speak for like, men, but I can definitely speak for like, you know, if you're sitting in a group of your female friends and you're like "Hey! Who's been sexually assaulted?" … The response is going to be really depressing… Most female people that you know have probably experienced sexual assault to, on one level or another, and I'm like, for me I'm like "Why is that? Why?" And is it because there is a lack of information, lack of education, like what is it? And I'm lucky enough to have a platform and I'm like, if I could just provide some information in story format, would that help? Is this what I can contribute? So I feel like, especially, when writing sexual assault in media often it's… it's a way for the main male character to be, like, uplifted to hero-ness by, usually like, violence is the way to fix the problem, and that's not the approach that I want to take… um, I think [sighs], oh god, sorry I've lost my train of thought, [sighs], yeah, I think a lot of the time in movies when they, like, show rapists or something it's generally someone who's jumped out from behind the tree at a lady in a park and it's not really how it is like 90% of the time [laughs], so I just wanted to make something realistic where people could at it and be, like, "hey, nagging someone into sex isn't cool" or like removing all of their opportunities to say no isn't cool, or for someone to look at it, and just like feel validation, this is me trying, trying my best to make a difference with the platform that I have, and yeah, this is my roundabout answer for it" - Rachel Smythe, Interview with The Comic Source

And yet not once has Rachel actually used her platform for good outside of herself. She just asks the question, "Sexual assault?" and then writes off the answer "yes, it's bad!" and it especially shows in LO where the resolution to the one plotline she kept around to draw in readers was "assaulters are sent to the timeout corner!" Sure, it works for the readers who are simply seeking validation that their experiences aren't unique to themselves, but is it actually doing any real work to talk about the systems in place that leads to people like Apollo being created? Is it doing anything to address purity culture as it exists and the double standards that exist for women who are navigating sexual relationships? Is it doing anything to take the discussion outside of the narrative and put it into action through support of women's shelters, charities, mental health support for men, etc.? Not really. Like many of Rachel's ideas throughout LO, she simply goes, "Men, amirite?" and the answer is "yeah men suck!" and nothing more. The answer to the entire SA plotline is "rape is bad, don't do it" when anyone who could even relate to that conclusion in the first place already knows that.

Ultimately the activism she claims she's trying to do doesn't actually service the issue at hand - it just services herself and her own insecurities, her own unresolved trauma, her own need for validation through Eisners and merch sales. She asks the question, "Who hasn't been assaulted?" so that when she responds to the women who come forward and relate to Persephone, it's with the intent of getting them to read LO and buy her merchandise. She winds up making herself the center of other people's experiences, even ones that she cannot relate to. At BEST her attempts to "use her platform" as a means of starting discussion around ongoing societal issues like the patriarchy and sexual assault towards women is about as effective as Bell #LetsTalk, it's purely performative, self-profiting, and offers nothing of real tangibility.

If she just wants to write her own self-empowering personal works, that would be fine. Plenty of creators do it. Art is, at its core, self-expression. But it's extremely telling that she's built a platform off her self-expression, and twisted it into what she believes to be "activism" and "feminism", so that she can continue to profit off it in her future works such as this, which, again, are just reskins of her previous projects which were largely centered around the fetishizing of abuse towards women.

I don't want to claim that this is what it is, but... how much of the "feminism" in LO is done purely through the lens of victimizing women? Why is there more effort put into torturing female characters like Hera, and Demeter, and Minthe, and even Persephone to a certain degree, than there is into actually addressing the larger issue that she's claiming she wants to shed light on and resolving her questions with actionable answers?

That is the only question I will leave you all with. I am absolutely 100% not planning on touching these works with a ten foot pole, even if they should come to fruition. With the recent realization that she was into artists like Trevor Brown, alongside the fact that we've known for a long time she's into Lolita and there are very clear parallels to draw between it and LO, I think it's safe to say at this point that Rachel's work is not something I want to continue to support even when it's "hate reading". Again, I'm not going to outright accuse her of anything, but I feel like the writing is clearly on the wall here and I'm taking that writing as my warning to steer clear.

I didn't want to discuss the elephant in the room - her older works as they exist in the distant past of the early 2000's - but she's now riding the elephant.

[piratefishmama]

Seaside town AU Eddie Munson who swears blind he saw a merman out by the pier, and Steve Harrington who really just likes going swimming with his monofin.

[sleepy-the-loz-enthusiast]

Seeing people talking about the tension between Wild and Warriors, and something just clicked.

In his journey, Wild was forced to work and explore alone. Like, yeah, he temporarily works with Riju, Sidon, Yunobo, and Teba to get to the Divine Beasts, but other than that? He only has himself to depend on, he's only responsible for his own safety and wellbeing. Whereas Warriors fought in a war surrounded by people. He was forced to be responsible for so many lives, but it taught him the importance of teamwork and that he could rely on others.

This shows in how they act in a team, and how they interact with others and the dungeon: Wild is ready to go off and explore everything by himself, leave everyone behind and throw caution to the wind. Because that's what worked for him on his journey, that's how he figured out the world around him and made it through his adventure. But Wars has no experience like this, he only knows teamwork and takes a slower approach. He thinks of plans, and asks questions to get a good idea of what exactly might happen so that he can reduce damage. Because that's probably how he operated in the War, and that's the point of reference he has.

So they're complete opposites in that regard.

Not to mention, Wars is still pissed at Wild for diregarding the plan and beating up Dink. That's the first indication of just how different their experiences were, and who knows? Maybe Warriors expected Wild to know better, considering his past life as a soldier. Maybe that's why he might hold Wild to a higher standard. He probably subconsciously sees Wild as a soldier under his command who's disobeying orders and putting lives at stake, and treating him as such because he knows the danger of when that happens. And part of Wild probably sees Wars as a commander, someone he must obey or fear, though he may not fully realise because of his amnesia. Or maybe he sees Wars as a threat to the freedom his second chance at life has granted him? Someone that could send him back to being that stone cold soldier boy who needs to be perfect?

I don't know, I can't say anything for certain. I'm just rambling vague ideas.

[pharawee]

Humans are complex, whether in life or in death.

—THE HIDDEN MOON · เดือนพราง · 7 September 2024

[monsterkissed]

i can tell i am becoming an old and irritable bastard bc increasingly my response to any kind of post about anything that is discussing a trend, increase/decrease in a thing, any kind of statement about anything material is "do you have a graph?"

"fan creators are getting less engagement than they used to!" do you have a graph?

"romance novels are leading to teens getting into more abusive relationships!" according to which study?

"neopronouns are causing Real trans people to be denied healthcare!" any actual stats on that or...?

"actually people in [group of any kind] all believe-" oh you must at least have survey results to back that one up, right?

"back in the day everyone was-" source?

and honestly it has made my life materially worse because once you notice that people can and will say and uncritically repeat and boost things with just absolutely no evidence whatsoever it makes you want to chew on the human race like a wad of fruit tape

[maxdibert]

I need to do a survey for all those Snaters who often say that "someone had to bully Snape," and it is: how many of you have ever been bullied? I mean, I need to know how many of you probably have people in your life who have made you go through terrible times and probably while doing it told themselves that "someone had to do that to you" because you clearly didn't fit into the social hegemony. And I need to confirm for myself that approximately those of you who have gone through that are 95% of the Snaters because I am a narcissistic egocentric who loves being right, and I have the theory that between 90 and 95% of the people who say that nonsense have been victims of people clearly more socially successful than you, screwing up your lives for being considered outcasts or weirdos, and you're just following the usual cycle of violence by projecting your frustrations onto fictional characters.

Pure ego here, but it's curiosity.