#quentin bates

[manyfandomocs]

PRIDE 2025 ; day nineteen - Non Canon Ships

Quentin Bates x Jughead Jones ; Riverdale

Tag list: @rose-of-oz

[lukolathoughts]

McGuffin or Chekhov's smokin' gun?

During my old university days, I studied Media as part of my Drama degree. I was interested in film at the time, until they made us all sit through 2001 Space Odyssey. Absolute torture. Anyway, we studied a whole lot of Hitchcock also. I learned a great deal about the auteur, the male gaze and the 'McGuffin'. Stick with me reader, I am going somewhere I promise. In fiction, a MacGuffin (sometimes McGuffin) is an object, device, or event that is necessary to the plot and the motivation of the characters, but insignificant, unimportant, or irrelevant in itself. (Wikipedia) For example, in Pyscho the lead female character Marion Crane turns up to Bates Motel with a suitcase full of stolen cash. It ends up being irrelevant because that is not the main plot. Marion (spoiler) is stabbed to death by Norman Bates and the suitcase of money ends up in the lake with her car. That is her story over. A modern day McGuffin in my mind would be Dennis Nedry stealing dino DNA in Jurassic Park using a can of aftershave cream. The plot point is irrelevant, even though it causes the fences to shut down and chaos to ensue, the can is lost as Dennis is eaten by a Dilophosaurus and that is the end of that. The main narrative is elsewhere.

In university, I was fascinated with Quentin Tarantino's Kill Bill. As a Buffy fan, I was almost ecstatic with joy to see another badass female lead slice her way to revenge and justice wearing a yellow, leather jump suit. It is an incredibly gory film, but I see it as a masterpiece of cinema. This is where I was made aware of the term - Chekhov's gun. "is a narrative principle emphasizing that every element in a story be necessary, while irrelevant elements should be removed. For example, if a gun features in a story, there must be a reason for it, such as being fired at some later point." Usually in film, the director will make a point of showing the object/device and it will come up repeatedly or later. In Kill Bill, there is The Bride's sword which is made and then shown later with her lopping off a hundred or so heads. In Kill Bill part 2, in a flashback to years earlier, Bill tells the young Bride of the legendary martial arts master Pai Mei and his Five Point Palm Exploding Heart Technique, a death blow that Pai refuses to teach his students; properly used, the attack is reputed to leave an opponent able to take only five steps before dying. This is how (major spoiler) The Bride defeats Bill in the end. She was shown by Pai Mei. I could go on and on about how these devices are used in cinema and television, but you will be aware of them. In Bridgerton, we can see that Penelope's feather quills are Chevhov's gun, because they are representative of a secret that she is keeping that has indirectly and directly affected so many people. Lady Whistledown has massive plot implications.

So, ZG where are you going with this blog post? I have struggled with keeping my mouth shut these last few months and running things through in my mind. It is easier to just chat in my discord and much less hassle, but it also grinds my gears that us Lukola's feel the need to be underground. I want to be a voice of reason for the fandom and not be stifled. A few days ago, I was made aware of a picture. This picture had my eyes widening and my heart thudding, because it was confirmation to me that what I had suspected and read in my cards, was absolutely right. I have struggled in the past with even writing this down, because people get so mad. I am a mother of four. I have actually had six pregnancies. I have dealt with early miscarriage, gestational diabetes, premature labour the lot. I am an experienced mother now of many years and I recognise another mother when I see one. I do not take pregnancy and childbirth lightly. I know what I saw last year from Nicola and I stand by that. This has NOTHING to do with fat shaming or commenting on Nicola's body, which I NEVER have.

It is now up to the story narrative to play out and for us as an audience to find out whether the buggy/stroller in the picture that Nicola is pushing, is a McGuffin - irrelevant. I saw someone say it might be a doggy stroller. Sigh, sure Jan. Or she could be pushing her sister's baby around Dublin. It is possible, but why are all her friends there that particular weekend? Where is her sister? Why is Aimee there? Why was Louisa tagged in the photo? What was so special about that weekend? We have worked out from Louisa's clothes that the weekend was most likely the 5th April. Jake shared a photo with Louisa in a pub that Saturday and the clothes match. I will come back to Jake in a moment.

Or is the stroller Chekhov's gun? A massive plot point and integral to this whole damn narrative and why my friends, we have been dragged along on this bumpy ship navigating an endless storm, that has included missiles, hurricanes, a great white shark, shelves, anchovies, tiramisu etc. My question from a few blogs ago was, what are Nicola and Luke hiding in the attic? In my opinion, it is the stroller. As I said on X yesterday, if you see the picture but refuse to acknowledge at least the possibility of what that stroller means, then that's on you if a harsh truth is ever revealed.

The Jakeholes have been quiet about this. It almost makes me giggle. Nicola liked that post, so she is absolutely aware of it. It has been sitting on Instagram for two weeks literally like a smoking gun undetected until the Lukola FBI finally dug it up. Lets face facts here. Jakey boy was filming from April - June last year in Wales and Nottingham for What it feels like for a girl (I loved it by the way! It weas excellent). Nicola was on a massive six month press tour with her co-star Luke Newton. We all saw the way they looked at each other in Brazil. We are not blind or stupid. We don't have amnesia either. I can look at the live footage at a touch of a button. Us Lukola's do not have to manipulate footage of Jake from WIFLFAG, where he plays a male prostitute and pimp, with footage of Nicola from Big Mood, where she plays a woman with mental health problems, and mash it together to make it look romantic. Those edits are sickening. They are also pathetic because whereas we have actual footage from Bridgerton and in real life, the Jakolas have nothing. Even Tiff couldn't make the Cannes footage look romantic. He looked like Nicola's assistant and we caught Jake making horny eyes at a man in the pre-Bafta party. My point is, Jake was not around when Nicola likely became pregnant and I will quote someone in my discord, Jake hasn't seen a vagina since he came out of one.

I believe the person in Nicola's recent post is Luke. My very dear friend @pikanchidouble-blog has done excellent analysis on this over the weekend of the ear and thumb and I absolutely think it's Luke. If it was Jake, why not tag him? She's not been shy about tagging him before. The sweet treat is also Luke coded and the fact he loves Italian food. Jake is also at the moment busy shooting a film. Nicola has better things to do than sit alone in a hotel all day in Australia alone, waiting for him.

We are yet again back to waiting game. If that was Luke in the selfie, Nicola has made a massive step forward in showing an aspect of him. She has made strides in showing the stroller also. I love Nicola for this. There must be a reason that she has decided to show us this. It has to be part of the larger story.

So do we have a McGuffin on our hands, or Chekhov's gun? You decide. We wait.

PS. Love you all xx

[pupsmailbox]

HORROR ID PACK

NAMES︰ abyss. adelaide. alex. allure. alluria. amnesia. amnesty. annabelle. archer. ash. asher. ashton. athena. axe. axette. bates. beal. belial. belladonna. bellatrix. bellow. billy. blade. blair. bleedesse. bloodiesse. bones. bow. briar. brute. bubba. buffy. butcher. cain. caliburn. calyspo. carcass. carna. carrie. carrion. casey. casper. chainette. chains. charley. charlie. chase. chi. chris. chucky. claire. claymore. clear. colt. connor. corpse. craven. cross. crypt. cybre. cynthia. damien. danger. derry. desdemona. dove. dracula. drow. elisabeta. elm. elmira. elvria. em. enigma. erin. eros. ethan. evelien. eventide. falchion. finale. finalis. finn. fleur. freddy. galatine. ghost. ghostesse. gladius. graves. grim. guts. harker. haunt. hound. howl. hunter. hush. ikino. jace. jane. jason. javelin. jekyll. jesse. john. julie. kateline. kille. killer. killesse. killette. killire. killyr. knifesse. knifette. krueger. lamb. laurie. lavender. lenz. lillith. loomis. lorraine. lucien. lucy. machete. mal. malice. massacresse. massacrette. max. maxine. megan. mia. michael. mike. mikey. molar. mors. morticia. mortis. myer. myers. necro. nephi. night. noir. norman. nyx. nægling. obsidian. onyx. ophelia. pandora. pearce. pike. pin. pointe. pointette. pridwen. pyper. quentin. raven. reaper. renfield. retro. revenant. river. roadkill. rosemary. rot. ryker. sabel. sabre. sacrifesse. salem. samara. sawyer. scum. scythe. seraph. serene. sharpette. sharppe. shaun. shelley. sidney. slash. slasher. slashesse. slashette. slashine. slashire. slashyr. specter. spite. survivesse. survivette. sybil. syd. talia. thomas. vein. verity. vesper. visage. viscera. vivo. warden. weaponesse. weaponette. weaponne. wendy. whisp. william. wraith.

PRONOUNS︰ aby/abyss. alien/alien. amnesia/amnesia. axe/axe. bat/bat. bite/bite. bla/blade. blade/blade. blood/blood. bone/bone. brain/brain. brutal/brutal. bull/bullet. bullet/bullet. camp/camp. carna/carnage. chain/chain. chain/chainsaw. chainsaw/chainsaw. chase/chase. choke/choke. claw/claw. co/corpse. content/content. copy/copy. cor/corpse. corpse/corpse. cry/cry. cryp/cryptid. crypt/crypt. cut/cut. dae/daem. dae/daer. dark/dark. de/demo. dea/death. death/death. dec/decay. decay/decay. die/die. eldritch/eldritch. elm/elm. evil/evil. fear/fear. fie/fire. fien/fiend. final/final. flesh/flesh. fog/fog. freak/freak. fury/furious. gau/gauze. gauze/gauze. gho/ghost. ghost/ghost. gloom/gloom. gnaw/gnaw. go/gore. gor/gore. gore/gore. gra/grave. grave/grave. gun/gun. gut/gut. hallow/hallow. haun/haunt. haunt/haunt. horr/horror. horror/horror. house/house. hunt/hunt. hush/hush. k9/k9. ki/kill. kill/kill. kni/knife. knife/knife. lash/lash. lethal/lethal. live/live. machete/machete. maim/maim. mallet/mallet. mask/mask. massacre/massacre. med/medical. medi/medical. monster/monster. murder/murder. night/night. no/none. pin/pin. point/point. point/pointy. pois/poison. prey/prey. pyr/pyramid. red/red. reveil/reveil. revive/revive. rib/rib. rip/rip. rodent/rodent. rot/rot. run/run. sacrifice/sacrifice. saw/saw. scream/scream. scythe/scythe. shadow/shadow. sharp/sharp. sharp/sharpen. sharpen/sharpen. sin/sin. slash/slash. slash/slashe. slash/slashed. slash/slasher. slasher/slasher. slice/slice. sly/sly. sni/snipe. sound/sound. stab/stab. stalk/stalk. steel/steel. step/step. survive/survive. survivor/survivor. tear/tear. thon/thon. tomb/tomb. trope/trope. vamp/vamp. victim/victim. voi/void. weapon/weapon. weep/weep. whisp/whisper. wound/wound. wra/wrath. ☠️. ⚰. ⚰️. ⚱. ⛧. ⛨. 🏥. 🏹. 🐀. 💀. 💉. 💣. 📿. 🔪. 🔫. 🕳️. 🛡️. 🥀. 🦴. 🧛‍♂️. 🧟‍♂️. 🧨. 🩸. 🩹.

[astra-galaxie]

CC Characters' Headcanons - Suspects/Killers (Q-T)

(Excluding main and recurring characters)

Queen Mary III

Quentin Montague

Rachel Priest

Rags

Rahul Shah

Ralph McKenzie

Ramon Cortez

Ramona Stewart

Randolph

Raoul Colletti

Raphael Soza

Ravi Jabari

Ray Parker

Ray Westman

Rebecca Moire

Reggie Bates

Reggie Perez

Reggie Pratt

Regulus

Rehema Tamun

Rémi Roy

Renée Daucourt

Renee Leland

Richard Dobbs

Richard Harding

Richie Lacroix

Rick Lewis

Rick Murray

Ricky Hillingdon

Rico Damascus

Riley Davies

Rivke Gelber

Robert Hicks

Roberto Vasquez

Robyn Ash

Rockley Rochester

Roger Dence

Roger Strout

Roland Nanty

Roman Harris

Ron Riggs

Ronin Ozawa

Ronnie Hawk

Rosamund Wilcox

Rosa Sanchez

Rose Cassidy

Rose Field

Rose Sweet

Rosie Summers

Ross Barthe

Roxanne Vega

Roxie Sparks

Roy Loukas

Rozalina Davidov

Rubarae

Ruben Lindstrom

Ruby Armstrong

Rupert Snow

Ruth

Ruth Matuszak

Ruth Wu

Ruthie Samson

Sbrina Kingston

Sadie Kek

Sadie Smith

Safiya Hanif

Sally Hooper

Sally Perkins

Sally Stone

Salvador Cordero

Sam Ellis

Samantha Warner

Samson Drake

Samuel Waldorf-Ridgewood

Sandeep Sadhra

Sandra Hwang

Sandy Lemko

Santa Claus

Santiago Sanchez

Sarah Bennett

Sarah Brown

Sarah Cardwell

Sarah Mills

Savannah Austin

Savannah Blake

Scorpius

Scott Buckley

Scott Greene

Scott Ridley

Sean Rubio

Sebastian Morales

Serap

Serena Johnson

Serena Kwame

Sergei Yablokov

Seth Daemon

Shabaka

Shanaya Peota

Shane Redfern

Sharon Jeung

Sharon Kimmel

Sharon White

Shaun Crosby

Shawn Bailey

Shawna Knox

Sheikh Faisal

Sheila Black

Sheila MacCarthy

Shelly Dulard

Shi Miyuan

Shweta Noorani

Sid Montrose

Sidney Hirsch

SILVERee

Simone Lemaitre

Simone Severine

Sirius Atwood

Sister Beppa

Sister Dolly

Skylar Sage

Sofia of Girona

Solon

Solstice Spirit

Somerset Osborne

Sorhon

Spencer Dickson

Stan Jensen

Stanley Bullock

Stanley Spark

Stanley Turnscrew

Steve Bundy

Steve Roy

Steve Srebnik

Steven Crowe

Steven Hwang

Stewart Benedict

Stuart O'Neil

Subutai

Sue-Ellen Lovely

Sue Xiong

Suleiman the Magnificent

Sultan Mahmoud

Sunny

Susan Blair

Susan Etter

Susan Huckabee

Susan Peck

Susanna Towers

Susie Nottingham

Suzuki Sakura

Sven Blattner

Sveta Rasputina

Sylvain Sauternes

Sylvia May

Tallulah Shropshire

Talmadge Baldwin

Tamat Loren

Tammy Baker

Tamra Johnson

Tamu Wanjiku

Tank

Taylor Kirby

Tao Wei

Tashi

Teacher Yang

Ted Esquire

Teddy Brooks

Teresa Martínez

Teresa Turing

Terrance Williams

Tess Goodwin

Tex Houlihan

Thaddeus Mulroney

The Hanoi Sisters

Thembisile Ndlovu

Theo Zane

Theodosia Hayhurst

Theophilos

Theresa Cole

Theresa Rosenthal

Thomas Benson

Thomas Boedeker

Thomas Cox

Thomas Moulin

Thunder Dave

Tiffany

Tiffany Dunn

Tiffany Neng

Tim Cooper

Timmy Tanner

Timothy Chubbles

Tobias Frankenberger

Tobias Randall

Tobias Sharp

Toby Hansen

Toduun

Tokiko Gojo

Tom Hunt

Tom Norris

Tom Zhang

Tomas Marin

Tony "The Scorpion"

Topher Hatton

Travis Quaid

Trevor Finn

Trevor Neuman

Trickster Tim

Trish Colletti

Trishna Joshi

Tristan Collins

Troy Cassidy

Trudy Lively

Tsetseg

Tsukada Chieko

Tucker Smalls

Twinkles the Clown

Tyler Griffin

Tyler McAlister

Tyler Schultz

[sunskate]

IAM Montreal teams 2024-25

Australia 🇦🇺: Holly Harris/Jason Chan

Canada 🇨🇦: Marjorie Lajoie/Zachary Lagha Marie-Jade Lauriault/Romain Le Gac Alicia Fabbri/Paul Ayer Jamie Fournier/Everest Zhu Sandrine Gauthier/Quentin Thieren jr? Audra Gans/Gabriel Liu jr +1

China 🇨🇳: Xiao Zixi/He Linghao jr

Estonia 🇪🇪: Solène Mazingue/Marco Jevgeni Gaidajenko

France 🇫🇷: Evgenia Lopareva/Geoffrey Brissaud

Georgia 🇬🇪: Diana Davis/Gleb Smolkin

Great Britain 🇬🇧: Lilah Fear/Lewis Gibson

Japan 🇯🇵: Azusa Tanaka/Shingo Nishiyama Sara Kishimoto/Atsuhiko Tamura jr

Lithuania 🇱🇹: Allison Reed/Saulius Ambrulevicius

South Korea 🇰🇷: Hannah LIm/Ye Quan

Spain 🇪🇸: Olivia Smart/Tim Dieck

Switzerland🇨🇭: Kayleigh Macsymek/Félix Desmarais

USA 🇺🇸: Madison Chock/Evan Bates Oona Brown/Gage Brown Vanessa Pham/Anton Spirodinov

Solo skaters: Emmy Bronsard Madeline Gans Chloé Mentha

[lightofraye]

Careers Take Off At Any Age

This came up in a group chat. One person asked if it were possible for a career to take off later in age. I said yes, yes it could.

In Hollywood, age doesn't matter as much as talent. I got curious and decided to go off googling!

Stan Lee, 39

Even though Stan Lee started working with comic books since he was just 17 years old, it took him over twenty years to achieve success. He began working for a company called Timely Publications as an assistant and slowly rose up the ranks until he published his first comic book in 1961 – Lee was 39 at the time.

Alan Rickman, 42

Alan Rickman, the famous actor who played Professor Snape in the Harry Potter series, used to be a graphic designer and even had his own studio. But at the age of 26, he started attending the Royal Academy of Dramatic Art with hopes of becoming an actor. However, he only achieved his first major role in 1988, when he got the role of Hans Gruber in the movie Die Hard – Rickman was 42 at the time. After the movie, Rickman’s acting career quickly took off and he landed the role of Severus Snape in 2001, at the age of 55.

Kathy Bates, 42

Kathy Bates worked steadily both on stage and on screen early in her life, but it was only when she was cast in the thriller “Misery” at age 42 did she gained prominence as one of the most impressive actors in her generation. Winning the Academy Award for Best Actress, Bates’ career took off, landing her the role of Molly Brown in “Titanic,” Libby Holden in “Primary Colors,” and Miss Hannigan in Disney’s remake of “Annie,” as well as remarkable turns on television series “Six Feet Under,” “Two and a Half Men,” and “Harry’s Law.” Bates was also cast as one of the co-stars of the third season of “American Horror Story.”

Martha Stewart, 41

Before the beginning of her career as an entrepreneur and media personality, Martha Stewart was working as a stockbroker in Wall Street. However, she quit to start a catering business and eventually published her first cookbook in 1982 at the age of 41.

Morgan Freeman, 50

Even though Morgan Freeman loved acting since he was young, instead of becoming an actor, he joined the Air Force after finishing school. However, the actor never gave up on his dream and got his first major role in the movie "Street Smart" at age 50.

Jane Lynch, 49

After many small roles in various different films, Jane Lynch got her first major role in the TV series "Glee" when she was 49.

Samuel L. Jackson, 46

Samuel L. Jackson was interested in drama since his early 20’s but only achieved worldwide success at age 46, for his role of Jules Winnfield in Quentin Tarantino’s 1994 hit "Pulp Fiction".

Christoph Waltz, 53

This Austrian-German actor only achieved international success at the age of 53 for his role of Col. Hans Landa in the 2009 movie "Inglorious Basterds".

Viola Davis, 43

Even though Viola Davis had many small roles in different movies before, her first big break only happened in 2008, when she got a role in the movie "Doubt" at the age of 43.

Julia Childs, 50

Julia Child, known by many for her TV show and cookbooks, wasn’t initially even that good at cooking. She attended the Cordon Bleu cooking school in 1948 and wrote her first book in 1961 at the age of 50.

Kathryn Joosten, 60

Kathryn Joosten joined her community theater when she was 42. Before that, she used to work as a psychiatric nurse. The actress eventually landed the role in “The West Wing” at the age of 60.

Ray Kroc, 52

Raymond Albert Kroc was an American businessman. He purchased the fast food company McDonald's in 1961 from the McDonald brothers and was its CEO from 1967 to 1973. Kroc is credited with the global expansion of McDonald's, turning it into the most successful fast food corporation in the world by revenue.

Billy Bob Thornton, 41

Even though Billy Bob Thornton struggled with his acting career in the 1980s, it all changed when the actor wrote, directed and starred in the movie "Sling Blade" in 1996 – he was 41 at the time.

Steve Carell, 43

Believe it or not, The Office was Steve Carell’s first big break – the actor was 43 years old at the time.

Regis Philbin, 57

Regis Philbin started out as an NBC page and worked on "The Joey Bishop Show," but he was never widely known.

That changed in 1988 when the morning show Philbin was working on became the nationally syndicated "Live with Regis and Kathie Lee." After almost 20 years of working on TV, Philbin's chemistry with Kathie Lee made the show a success and gave him national exposure.

At 57, it was the first time the name Regis was in the nation's lexicon. He's been a part of pop culture ever since, most notably for hosting the game show "Who Wants To Be A Millionaire?"

Lucille Ball, 40

Lucille Ball was a pioneer for both female leads and for comedy after creating one of the most beloved sitcoms of all time, "I Love Lucy" in 1951.

However, she didn't become Lucy Ricardo until she was 40.

Before "I Love Lucy," Ball went from role to role in films. However, once television became a prominent medium she (along with her husband and co-star Desi Arnaz) tried to sell her vaudeville act to networks. That act became the prototype for "I Love Lucy."

Bea Arthur, 47

It wasn’t until Bea Arthur was in her forties that she landed on the map. Her portrayal of the acerbic Vera Charles opposite Angela Lansbury in the original Broadway production of “Mame” won her a Tony Award. She became more successful as she aged, gaining acclaim for her portrayal of Maude Findlay on “All in the Family,” and later, “Maude.” In addition, Arthur went on to score many Emmy Award nominations for her work on “The Golden Girls.”

Colonel Sanders, 62

Throughout his career, Colonel Sanders tried many professions: he was a fireman, a steam engine stoker, an insurance salesman and even tried practicing law. He eventually opened his own roadside restaurant in the 1930s and opened the first franchise restaurant in 1952 – he was 62 at the time.

Michael Emerson, 46

Before Michael Emerson became an Emmy Award-winning star, he took retail jobs and worked as a freelance illustrator in New York City. Discouraged, Emerson and his wife moved to Florida, where he appeared in local productions around the state. Emerson landed on the map with his electrifying performance as a serial killer on “The Practice,” which earned him his first Emmy Award. Emerson has taken home more Emmy Awards for his work on the popular thriller “Lost.”

--

There are so many more. Anyone's career can take off suddenly, not just in Hollywood, but elsewhere too.

Don't let age be the limitation of your life.

[fictionfromafar]

Murder Under the Midnight Sun By Stella Blómkvist

Murder Under the Midnight Sun

Stella Blómkvist

Translated by Quentin Bates

Corylus Books

Publication Date: 3 May 2024

Corylus Books have shown their commitment to bringing to an English audience the work of the mysterious author of Icelandic lawyer Stella Blómkvist with the publication last year of Murder At The Residence. Following quickly afterwards Murder Under the Midnight Son offers another compelling and multidimensional story. Whether you have read the earlier novel or not will in no way impact your enjoyment of this story and I must admit I have not investigated if these were originally consecutive stories in their original language.

After an initial meeting, the premise of Blómkvist's most next assignment is to solve the mystery of the fate of a young Scottish woman, who disappeared nearly a decade earlier. In a sparsely populated country like Iceland, the possible locations a body could be left are almost endless, yet the family seek closure.

Meanwhile a journalist friend of her's has excitedly told her about revelations that will not only create huge headlines in his newspaper but will also form the basis of a forthcoming expose book. However when his intent appears to be revealed, his predicament will also take some of Blómkvist's attention.

There are more components to the book. Intriguingly, there is a strong historical context to this story, particularly in respect of Iceland's role in the cold war, but also to the countries involvement following the more recent breakup of Yugoslavia. An additional layer of mystery is added when Blómkvist makes a gruesome discovery within a glacier which later appears to have a very distant origin. Given this book is just over two hundred pages long, a lot is packed into a relatively small number of pages.

There are several surprises ahead which I certainly did not guess. Personally I do feel that some elements of the story are more effective than others. Stella Blómkvist is shown to be self determined and headstrong in all aspects of her life and while this makes her a fascinating lead character for a crime novel, I did find that a particular personal relationship she developed appeared to me a little less plausible, particularly given the ethics the lawyers have to work to. Something supposedly spontaneous could also be viewed as exploitative. It will be interesting to see if this is a theme that endures in more of the author's novels and if our protagonist actually has some characteristics of the anti-hero.

These comments not withstanding, there is much more for the reader to get their teeth into with this book. While originally written 14 years ago, there is a timeliness which keeps the themes within the story very relevant. The distinctive touches featured in the narrative give the book quite a unique outlook which provided a welcome sidestep to some of the more downbeat viewpoints often featured in the Nordic subgenre. The story combines the isolation of the outdoors with the urban environment of Reykjavik, thus offering effective contrasts. The intertwined mysteries gradually unravel in a way which effectively keeps the readers' attention. If you've not yet picked up on Stella Stella Blómkvist, now is certainly the time to do so.

The blurb:

Murder Under the Midnight Sun by Stella Blómkvist What does a woman do when her husband's charged with the frenzied killing of her father and her best friend? She calls in Stella Blómkvist to investigate - however unwelcome the truth could turn out to be. Smart, ruthless and with a flexible moral code all of her own, razor-tongued lawyer Stella Blómkvist is also dealing with a desperate deathbed request to track down a young woman who vanished a decade ago. It looks like a dead end, but she agrees to pick up the stone-cold trail - and she never gives up, even if the police did a long time ago. Then there's the mystery behind the arm that emerges from an ice cap, with a mysterious ruby ring on one frozen finger? How does this connect to another unexplained disappearance, and why were the police at the time so keen to write it off as a tragic accident? Brutal present-day crimes have their roots in the past that some people would prefer to stay forgotten. As Stella pieces together the fragments, is she getting too close to the truth and making herself a target for ruthless men determined to conceal secret sins?

Stella Blómkvist has been a bestselling series in Iceland since the first book appeared in the 1990s and has attracted an international audience since the TV series starring Heiða Reed aired. The books have been published under a pseudonym that still hasn’t been cracked. The question of Stella Blómkvist’s identity is one that crops up regularly, but it looks like it’s going to remain a mystery…

Quentin Bates has personal and professional roots in Iceland that go very deep. He is an author of series of nine crime novels and novellas featuring the Reykjavik detective Gunnhildur (Gunna) Gísladóttir. In addition to his own fiction, he has translated many works of Iceland’s coolest writers into English, including books by Lilja Sigurðardóttir, Guðlaugur Arason, Einar Kárason, Óskar Guðmundsson, Sólveig Pálsdóttir, Jónína Leosdottir and Ragnar Jónasson. Quentin was instrumental in launching Iceland Noir in 2013, the crime fiction festival in Reykjavik.

Paperback and eBook publication date: 3rd May 2024ISBN: 978-1-7392989-4-4 Price 9.99 (3.59 Kindle edition)https://corylusbooks.com/ Twitter: @CorylusB @graskeggur https://www.facebook.com/CorylusBookshttps://www.facebook.com/graskeggur https://www.facebook.com/stella.blomkvist

Many thanks to Corylus Books for an advance copy of this book and to Ewa Sherman for inclusion in the blog tour. Please check out the other reviews of this book as shown on the above tour poster.

[goblinsofdiscord]

Goblins of Discord 👹 Enneagram Type Database 🤓

All typings have a corresponding youtube video (linked). Many more on their way. Please note, that some of these are likely to change a bit in the future.

I’ll probably update a handful of older ones soon, as my understanding of the Enneagram has evolved since some of them were made (and is still deepening). This obsession is all-consuming and I won’t stop until I can psychically intuit every single type + instinct combination on sight, within 10 seconds and am rebirthed into my next form as the 🧞‍♀️👁️ human pixie frequency diviner of the apocalypse. 😈 🔥

If you think you’ve found a weirdo type and might want to join a typing call, DM larissa on the goblinsofdiscord instagram, or post the type below in the comments.

🍄 👀 If you want to book a typing call or submit an introvert video (of you or someone you know) to be picked over, spitroasted, impression’ed on, click here.

Enneagram Type 1

John Waters 🗑️✝️ 1w2 7w6 4w3 so/sx 💖💧🧚‍♂️ The Pope of Trash

Jamie Lee Curtis 🎃 1w2 36 so/sx 👹 The Horny Karen

Nasim Aghdam 🐅 1w9 7w6 4w5 so/sp 💥 Triple Frustration Threat

Quentin Crisp 🎀 ✨ 1w9 4w3 7w6 so/sx 🦚 Trailblazing Peacock

Enneagram Type 2

Pamela Des Barres 🌼 2w3 7w6 9w1 so/sx ☀️ Flowerchild Supergroupie

Big Edie (Grey Gardens) ✝️🐈‍⬛ 2w1 6w7 8w9 sx/so 🍸 Mother Diva

Enneagram Type 3

Lucy Lawless ⚔️ 3w2 8w7 5w6 so/sx ⚔️ watch

Montel Williams 👄 3w2 6w7 8w7 so/sp ⚔️ watch

Jensen Ackles 👻 3w2 6w7 8w9 sp/so ⭐ watch

Corey Feldman 🎩 3w2 6w7 9w1 sp/sx ★Ascension Millennium

David Fincher 🎥 3w4 5w6 8w7 sp/so 📦 What's in his Box?

Bret Easton Ellis 😍🗡️ 3w4 5w6 8w9 so/sp 🖤🚬 American Psycho

Whitney Houston 🖤 3w4 6w7 9w1 sx/so 🥀 Queen of the Night

Gregg Araki 🚬 3w4 6w7 9w8 so/sx 👄 The Doomed Enneagram

Nicole Kidman 👠 3w4 6w7 1w9 👠 watch

Emma Roberts 🫖 3w4 6w7 1w2 so/sp 🍰 watch

Belinda Carlistle 🔥 3w4 1w9 7w8 🔥 sp/so watch

Caroline Calloway 💸 3w4 7w6 9w1 so/sx ✨ Happy Scammerversary

Enneagram 4

Vivien Leigh 🌹 4w3 6w7 9w1 so/sx 🥀 Making Fours Dramatic Again

Winona Ryder 🥀 Enneagram 4w3 6w7 9w1 sp/so 🥀 The OG Sadgirl

Jeff Buckley 🥀 4w5 6w7 9w1 sx/so 💔 watch

Enneagram Type 5

Anna Khachiyan 🧠🕳️ 5w4 9w8 4w3 so/sp 🚬 watch

Shirley Jackson 🥃 5w4 📓 livestream slop job

Sam Bankman-Fried 🤓 5w6 9w8 3w4 spso 💩 Gaslighting Nerd

Enneagram Type 6

Larry David 🍋 6w5 1w9 4w3 so/sp 😒 Miserable F*ck

Lauryn Hill 😇 6w5 8w9 2w1 so/sp 🎤 Gonna Find You..

Julia Ducournau 🚗 6w5 9w1 4w3 💋 Baby, I Like it Raw

Caroline Ellison 🧠 6w7 1w2 3w2 sp/so 🖖 Polycule Pick-Me

Robert Crumb 🤡 6w7 4w5 1w2 💦 The Sex Weasel

David Icke 🦎 6w7 9w1 3w2 so/sp 👁️👽 The Passion of 6

Daniel Clowes 👻 6w7 9w1 4w3 so/sp ✒️ Like a Velvet Glove

Phil Ochs 🎸 6w7 9w1 4w5 so/sp 💧 The Misunderstood Folk Hero

Dylan Moran ☘️ 6w7 9w1 4w3 sp/so 🤴 watch

Mia Goth 🍯 6w7 9w1 2w3 sp/sx 😇 Strange Angel

Sean Baker 🍊 6w7 9w1 3w2 so/sp ☀️ Red’s Rocket

Enneagram Type 7

Josephine Baker 💃🏽 7w6 28 so/sx 🎶 Shine on, Queen

Little Edie (Grey Gardens) 🧚‍♀️ 7w6 9w1 4w3 so/sx ⭐ 🩸 Fallen Star

Florence Welch ✨ 7w6 4w3 9w1 sp/so 🧚‍♀️ Chaotic Pixie Queen

Theo Von 🍆 7w6 9w8 4w5 sp/so 🐀 The Rat King

Danny Elfman 💀 7w6 9w1 4w5 so/sp 🎃 Dead Man’s Party

Johnette Napolitano 🩸 7w6 8w9 4w5 sp/sx 🐍 Concrete Blonde

Vincent Gallo 👹 7w6 4w5 8w9 sp/sx 😈 Horny Goblin

Heidi Fleiss 🐍🦜 7w8 1w9 3w4 spsx 🍑🚬 Hollywood Madam

Eartha Kitt 😻🐈‍⬛ 7w8 4w3 1w2 sx/so 🐈‍⬛😿 Cat Woman

Enneagram Type 8

Robin Quivers 😈😇 8w7 6w7 2w1 so/sp 💋 Glorious Narcissist

Ma Anand Sheela 😎 8w9 2w1 6w5 so/sp 💧 I Love B*tches

Glenn Danzig 🦇 8w9 6w7 4w5 sx/so ☠️ Prince of Darkness

Sylvia Brown 🔮 8w9 7w8 4w5 sp/so 🧿 watch

Enneagram Type 9

Rachel Dolezal 🐑 9w8 62 sp/so🌹 Mother Issues

Kathy Bates 🍯 9w8 62 sp/so 🩸 Sweet Misery

Shelley Duvall 🍯 9w1 6w7 2w3 sp/so 🐑 The Saccharine Sacrificial Lamb

Keith Moon 💥 9w8 7w6 3w4 sp/so 🌙 Wild Man

Sophie Thatcher 🩸 9w8 7w6 4w5 sx/sp🧚‍♀️ Grime Fairy

Dash Nekrasova 🕯 9w8 4w3 7w6 sx/so 🚬 watch

Nathan Fielder 🕳️ 9w8 5w6 3w2 sp/so 🤡 watch

Cazzie David 🦝 9w8 6w7 4w5 sp/so 🦝 Sad Sack

Charles Burns 🕳️ 9w1 5w6 3w4 so/sp 🕳️ watch

David Cronenberg 📺 9w1 5w4 3w4 so/sx 👄 Dream Daddy

Jessica Lange 🦢 9w1 63 so/sp 🦢 watch

John Galliano 🧵 9w1 4w3 7w6 sx/sp 🪡 Objet D'Art

Tyler Gaca 👻 9w1 7w6 4w3 so/sx 🍯 Ghosthoney

Chuck Palahniuk 🧞‍♂️ 9w1 7w6 4w3 so/sp 😈 All Hail the God

Corey Haim 🍍 9w1 7w6 3w2 sx/so 💔 Heartbreaker

Anna Biller ☠️🔮 9w1 4w3 7w6 so/sx 💖⚗️ The Love Witch

Frank James 💅 9w1 3w4 6w7 so/sp 🔪 watch

��✨ Twins ✨👯

Lori & George (formerly Reba) 🤠 🤩

Lori: 6w7 9w1 3w2 sp/so

George (Reba): 9w1 3w4 6w7 so/sp

Carmen & Lupita 🦋🧙🏽

Carmen 6w7 9w1 3w2 sp/so

Lupita 9w8 7w6 3w4 sp/so

[tlatlandblog]

Ontología Orientada a Objetos: Cambio de Escala, Giro Mineral.

Por Juan J. Mendoza Revista Ñ, 15/04/2025 ¿Qué tal si todo lo que hemos pensado desde Kant está equivocado? ¿Qué tal si todo lo que hemos instituido alrededor de nociones como sujeto, representación o modernidad es un error? Aquella pregunta, que con tanto ímpetu lanzó Quentin Meillassoux en 2006 –dando origen con ello al periplo del Realismo Especulativo– retorna renovada a dos décadas de su primera formulación para interpelar al presente. Desde los 2000, una serie de teorías se embarcaron en la tarea de repensarlo todo. El Realismo Especulativo está entre las escuelas de pensamiento más disruptivas de los últimos años. Mientras que el Giro Ontológico se propuso superar las diferencias entre naturaleza y cultura, el Realismo Especulativo, en cambio, postula el fin de lo humano como proyecto. Dada la evidencia de que una parte de la realidad es ontológicamente independiente de nuestra mente, eso nos coloca también a nosotros como un objeto más de ella. Nuestro acceso al mundo es siempre parcial –conjetural, especulativo–. No se trató nunca de una escuela homogénea, sino de un pensamiento múltiple. Contra lo establecido, sus ideas se propusieron impugnar el valor de lo humano como vector organizador de todo lo existente. 

Para Viveiros de Castro, uno de los autores más emblemáticos del Giro Ontológico de los años 90, era lícito asumir que los animales contemplaran a los humanos como animales. Esto superaba no sólo la idea del pluralismo de las miradas. También esfumaba la línea divisoria entre sujeto y objeto. Autores actuales como Meillassoux o Eugene Thacker van un paso más allá. Para ellos “la humanidad es contingente, no es necesaria”.

La biblioteca del Realismo Especulativo –o de la Ontología Orientada a Objetos (OOO)– está poblada por diversos autores. Entre ellos podemos nombrar a Ray Brassier, Graham Harman, Hamilton Grant, Jane Bennett y sus precursores: Bruno Latour, Françoise Laruelle, Wilfrid S. Sellars o Alfred N. Whitehead –la lista es extensa–. 

Para Meillassoux –uno de los fundadores del movimiento–, la filosofía ha estado dando, desde los tiempos de Kant, un “paso de baile correlacional” entre el sujeto y el objeto. Y como tal, la filosofía se encuentra atrapada, desde hace siglos, en lo que denomina el “correlacionismo”. Salir de esa camisa de fuerzas es la piedra de toque de todo el proyecto. Pero allí donde Meillassoux dice “filosofía”, nosotros podemos leer “TODO”. Después de Meillassoux, todo pasa a quedar atrapado en el correlacionismo. Una suerte de sociocentrismo hipertrófico atrapa (a casi) toda la historia de la literatura, del arte, la poesía. Esto, si se comprende, posee consecuencias catastróficas también para la política. El desafío de construir un pensamiento que no sea antropocéntrico reduce las diferencias entre izquierda y derecha al problema de una “interna humanista”. Y es también la propia idea de “representación” la que queda invalidada detrás de esta gran apertura a la contingencia. Porque ya no es posible pensar en términos de orgánica, clase social o sujetos históricos. Ya no es posible articular políticamente, porque el torbellino de los intereses y las diferencias licúa a las instituciones y bate, como una coctelera, todas las subjetividades. No se trata de diferencias de interpretación sino que son mundos distintos, irreductibles y autónomos, los que se sacuden en el presente. De allí las guerras o las batallas culturales. Hiper-Caos es otra de las nociones que Meillassoux utiliza para introducir detalles de un nuevo orden que escapa tanto al devenir como a lo inmutable, introduciendo la idea de un tiempo especulativo, que puede ser tanto programado como incierto. 

Crisis de la representaciónA la crisis de la representación [el lenguaje no representa lo real; ya no hay un único sujeto ante el cual representar el mundo; etc.], se añade el fin de lo binario: entre sujeto y objeto, bióticos y abióticos, naturaleza y cultura. Meillassoux se pregunta cómo pudo ser que, luego de la revolución copernicana, la filosofía haya hecho una vuelta de campana, una contra-revolución, empecinada en jugar el juego del como-si, para continuar pensando con la idea de lo humano en el centro. El antropocentrismo terminó transformando a la naturaleza en un stock: una reserva de bienes materiales disponibles para ser explotados. Una hipótesis podría ser (y aquí habría un nuevo sentido para lo político): una gran parte de la humanidad se está negando a elaborar el duelo. Por la pérdida de sentido que, narrativas como la del progreso, insuflaron en nuestras sociedades. 

Giro Mineral Desde la perspectiva que el Realismo Especulativo introduce en la agenda del arte y la literatura, cosas como un objeto inerte, una roca ubicada a millones de años luz o un paramecio, también pueden, en efecto, pasar a decir “Yo”. Algunos documentales de vida en la naturaleza, de hecho, realizan filmaciones en primera persona desde la perspectiva de un antílope o un cetáceo. Victoria Coccaro, en su libro ¿Qué está vivo? (2023), va un paso más allá. En su planteo, el giro mineral implica una superación de la dicotomía entre seres vivos y minerales. Los minerales de hoy pueden ser seres vivos de ayer. Y a la inversa: minerales actuales pueden estar dando forma a nueva vida. En línea con trabajos como Materia vibrante de Jane Bennett, ese continuum mineral-vida pone en entredicho divisiones como vivo vs. muerto. Y pone en duda la validez de lo binario para organizar lo real. Giro Mineral nombra un nuevo enfoque en Humanidades en el que las ideas de tiempo y entes existentes son alteradas por la introducción de una nueva temporalidad: una nueva concepción del ser (el no-ser y lo especulativo pasan a formar parte del ser). Los nuevos materialismos también implican una intromisión en la agenda ambiental. Lejos de ser sólo incumbencias de la biología o de la geología, un nuevo campo –una ecofilosofía– interviene en el debate en torno al futuro de la vida. Obras como Hiperobjetos de Timothy Morton (2018) o Frente a lo planetario de William Connolly (2023) dan cuenta de una teoría de las Humanidades Ambientales.

Cambio de escala Pero la transformación más importante de los postulados del Realismo Especulativo también se dan en lo que podríamos llamar: un Cambio de Escala. Desde la misantropía de Eugene Thacker, la humanidad debe extinguirse. Ya no se trata de hacer apología de lo ambiental. Sino de, sencillamente, reemplazar lo ecológico –ya es tarde para salvar al planeta– por un escepticismo radical –la humanidad no lo supo hacer–. Hundiendo sus raíces en el siglo XIX –en Schopenhauer–, Thacker da vueltas el campo semántico de la luz como conocimiento o la idea de razón como progreso. Y postula el estudio de la oscuridad, el miedo, el terror y lo monstruoso como formas de acceso a lo existente. La reedición hace poco en España de Políticas de la naturaleza de Bruno Latour (2024) o la traducción en Argentina de Resignación infinita (2024) de Thacker, marcan la relevancia del Realismo Especulativo para repensar el presente. 

Donna Haraway hablaba de pensamiento tentacular (no-humano). Victoria Cóccaro señala los pormenores de un Giro Mineral. Timothy Morton, de una Eco-Filosofía. Ray Brassier, de la necesidad de rejerarquizar al nihilismo. François Laruelle –en sus Principios de No-Filosofía–, denuncia que la división del mundo en binarismos es un cebo. Y Eugene Thacker postula la salida hacia un pesimismo cósmico sin atenuantes, con canciones de la nada, canciones de la muerte, canciones del fastidio y canciones del terror. Canciones del fin que no pueden ser utilizadas como cortina de fondo para ningún reel de Instagram. Porque la suya es una prédica contra toda banalización de la fama: la “trascendencia” ya no resuelve el problema del ser. Todas las narrativas tecnofílicas del progreso son sospechosas. Y las redes sociales ya son viejas: porque son antropocéntricas y están atrapadas en el correlacionismo. Son una trampa. Un desvío del verdadero tema sobre el que, quizá, tendríamos que comenzar a conversar. 

Resignación infinita Eugene Thacker Prólogo de Tomás Borovinsky y traducción de Alejo Ponce de León Interferencias / Adriana Hidalgo 368 págs.

Frente a lo planetario. Humanismo entrelazado y política del enjambre. William E. Connolly Traducción de Lucas Mertehikian y Santiago Armando Interferencias / Adriana Hidalgo 366 págs.

¿Qué está vivo?Victoria Cóccaro Miño & Dávila 256 págs. 

Políticas de la naturaleza. El fin de la dicotomía entre naturaleza y cultura Bruno Latour Traducción de Enric Puig ARPA 484 págs.

[gomoryscamel]

Thanksgiving (Eli Roth) (2007 y 2023)

Hace dos años fui al cine a ver Thanksgiving con mi hermana en Guadalajara y me la pasé BOMBA. Eli Roth se ha ganado un séquito de haters por sus controversiales posturas políticas, no estoy al tanto de sus declaraciones pero sí estoy al tanto de algunas de sus más interesantes creaciones.

En primer lugar recordemos que fue quien dirigió Hostal, Hostal II y The Green Inferno. Peliculonas de terror icónicas. También aparece como actor en Bastados sin gloria como el mamado con el bate de béisbol.

En 2007 Robert Rodriguez, Eli Roth y Quentin Tarantino dirigieron una película llamada Grindhouse en la que se expusieron diversos tráilers falsos de películas en un sentido oscuro y cómico. Uno de esos tráilers fue Thanksgiving, cortometraje que prometía un Holiday Slasher al rededor de la frase cringe "This year there will be no leftovers".

El corto está grabado con una calidad culerísima que le va muy bien al asunto. No define ni un poco la trama pero construye bien en muy poco tiempo los escenarios de los asesinatos más icónicos.

Los juegos de palabras y los paralelismos con los pavos sin cabeza son una delicia cómica. Si algo hay que reprocharle a este corto es la increíble cantidad de violencia sexual que posee, pero para este punto es innegable que es una característica inherente a los slashers clásicos. (Pearl cambió el asunto al ser la primera mujer slasher apenas en 2022).

En este corto podemos ver la pieza central de la película, una cena de acción de gracias en la que el pavo es literalmente una mujer rellena sin cabeza (hablando de misoginia en el slasher).

Posteriormente el asesino procede a violar una cabeza justo junto al asiento de unos infantes.

Estos detalles envejecieron mal y no fueron rescatados para el estreno de 2023. Sin embargo, no perdió la oportunidad de recrear la escena de asesinato más admirada por el público masculino.

La película del 2023 tiene mucha más gracia que el corto, no se elimina la violencia sexual pero sí se reduce. Deja de ser la esencia de las escenas, se nulifica el énfasis en las vulvas de las víctimas.

Al largometraje le dieron una historia muy sólida siguiendo la fórmula de Scream (Ocurre una tragedia y un misterioso asesino empieza a eliminar a los involucrados uno a uno, haciendo que la protagonista tenga que hacer un trabajo detectivesco para determinar quién podría ser el responsable).

Personalmente me tardé más de lo usual en inferir quién era el asesino y eso me gustó. Creo que el trabajo actoral de Patrick Dempsey fue demasiado bueno, pues proponía pistas sutiles a través de sus reacciones. Las escenas de tensión entregaron todo lo que debían.

Es una película muy disfrutable si te gusta esa fórmula screamesca y si valoras la creatividad a la hora de los asesinatos. Subyace una crítica al pensamiento consumista y a las prioridades despolitizadas de la juventud, pero no se ahonda mucho en eso.

Ojo sobre esta forma mucho más digna de exponer a la mujer pavo, completamente vestida JAJAJA

Aquí no hay niños ni violación a cabezas cercenadas.

Los protagonistas (el asesino y la final girl) usan la frase cringe en la escena de batalla final. Esto fue muy criticado porque sí suena bien cheesy JAJAJA, pero me pareció lindo el homenaje al slogan del corto del 2007.

Me gusta la creatividad de Eli Roth en materia de horror, aunque todos le pidan que deje de hacer películas yo espero que siga con eso. Se supone que saldrá una secuela, seguramente será malísima, pero mantengo la fe.

[manyfandomocs]

OC HALLOWEEN CHALLENGE 2024 ; day fourteen - musical au

Quentin Bates and Toni Topaz as Orpheus and Eurydice from Hadestown

Taglist: @daughter-of-melpomene

[totoblgf]

Challenge Yourself with 50 Movie Trivia Quiz Questions: The Ultimate Test for Film Lovers

Are you a true film enthusiast? Do you consider yourself a movie buff who knows every iconic line, unforgettable scene, and behind-the-scenes trivia? If so, it’s time to put your cinematic knowledge to the ultimate test. This comprehensive list of 50 movie trivia quiz questions is designed to challenge even the most dedicated fans of the silver screen. Gather your friends, grab some popcorn, and see who emerges as the ultimate movie expert.

What is Movie Trivia, and Why Do We Love It?

Movie trivia quizzes are not just a fun pastime—they’re a celebration of cinema. They allow fans to explore the depths of their favorite films, directors, actors, and genres. From iconic blockbusters to cult classics, the joy of trivia lies in discovering obscure details and reliving cinematic magic. Whether you're a casual watcher or a film connoisseur, trivia quizzes are a fantastic way to test your memory and enjoy a shared passion for movies.

Easy Movie Trivia Questions for Beginners

If you're just dipping your toes into the world of movie trivia, these questions are a great place to start. They cover well-known films and basic facts that even casual moviegoers should recognize.

What year was the first "Harry Potter" film released?Answer: 2001

Who directed the epic film "Titanic"?Answer: James Cameron

What is the name of the kingdom in Disney’s "Frozen"?Answer: Arendelle

Which actor played the role of Iron Man in the Marvel Cinematic Universe?Answer: Robert Downey Jr.

In "The Lion King," what is Simba’s father’s name?Answer: Mufasa

Intermediate Movie Trivia: Test Your Knowledge

For those with a bit more experience, these questions delve into deeper cinematic lore and explore a wider range of films.

Which film won the first-ever Academy Award for Best Picture?Answer: "Wings" (1927)

What is the name of the hobbit played by Elijah Wood in "The Lord of the Rings" trilogy?Answer: Frodo Baggins

Who composed the iconic score for "Star Wars"?Answer: John Williams

Which movie features the quote, "Here's looking at you, kid"?Answer: "Casablanca"

What was the first animated film to be nominated for Best Picture at the Oscars?Answer: "Beauty and the Beast" (1991)

Expert Movie Trivia for True Film Buffs

Are you ready for the hardest questions? These are designed to stump even the most seasoned movie fans. Test your expertise with these challenging trivia questions.

In Alfred Hitchcock's "Psycho," what fake name does Marion Crane use when checking into the Bates Motel?Answer: Marie Samuels

Which director is known for the films "Pulp Fiction," "Kill Bill," and "Inglourious Basterds"?Answer: Quentin Tarantino

What was the first feature-length animated movie ever released?Answer: "Snow White and the Seven Dwarfs" (1937)

In "The Matrix," does Neo take the red pill or the blue pill?Answer: The red pill

What is the name of the fictional African country in "Black Panther"?Answer: Wakanda

Specialized Categories: Genre-Specific Trivia

Horror Movie Trivia

Which horror movie features a killer named Ghostface?Answer: "Scream"

Who directed "The Shining"?Answer: Stanley Kubrick

In "A Nightmare on Elm Street," what is the name of the villain who haunts dreams?Answer: Freddy Krueger

What’s the name of the demon in "The Exorcist"?Answer: Pazuzu

Which 2017 film revitalized the "It" franchise?Answer: "It" (2017)

Comedy Movie Trivia

Who starred as Ron Burgundy in "Anchorman"?Answer: Will Ferrell

Which movie features the line, "You can’t handle the truth!"?Answer: "A Few Good Men"

What is the name of the fictional band in "This Is Spinal Tap"?Answer: Spinal Tap

In "Mean Girls," what day do they wear pink?Answer: Wednesday

Who plays the role of Mrs. Doubtfire?Answer: Robin Williams

Why Movie Trivia Is the Perfect Activity for Film Lovers

Movie trivia is more than just a game—it’s a way to connect with fellow film fans, discover hidden gems, and revisit iconic moments from cinema history. It’s perfect for family game nights, parties, or simply testing your own knowledge. By diving into trivia, you gain a deeper appreciation for the artistry and effort that goes into making movies.

How to Create Your Own Movie Trivia Quiz

Creating a movie trivia quiz is easier than you think! Follow these steps to curate your own cinematic challenge:

Choose a Theme: Focus on a specific genre, decade, or director.

Research Questions: Include a mix of easy, medium, and hard questions to cater to all skill levels.

Incorporate Visuals: Use stills or posters to make your quiz more engaging.

Host the Quiz: Whether online or in person, make sure to have a scoring system and prizes for added fun.

If you think you’re ready to take on the ultimate challenge, use these trivia questions to test your mettle. Can you get all 50 right? Share the quiz with friends and crown the true movie trivia champion!

[marypicken]

Murder under the Midnight Sun by Stella Blómkvist trs Quentin Bates @CorylusB @StellaBlomkv @graskeggur @sh_ewa

Written with pace this is a fascinating story of an uncompromising woman who is both lawyer and private investigator and who refuses to be bested.

Source: Review copyPublication: 3 May 2024 from Corylus BooksPP: 285ISBN-13: 978-1739298944 My thanks to Corylus Books for an advance copy for review What does a woman do when her husband’s charged with the frenzied killing of her father and her best friend? She calls in Stella Blomkvist to to investigate – however unwelcome the truth could turn out to be. Smart, ruthless and with a flexible…

[cinemanz]

What Makes Classic Cinema Timeless and Enduring?

 Classic cinema, with its timeless appeal and enduring quality, continues to captivate audiences even decades after its release. There is something magical about watching a movie from the past and being transported to a different era, where storytelling was at its peak and cinematic techniques were groundbreaking. In this blog post, we will explore why classic cinema Christchurch holds such a special place in our hearts, and why it continues to be cherished by film lovers around the world.

The Power of Storytelling:

One of the key factors that make classic cinema Christchurch timeless is its ability to excel in storytelling. Classic movies have a unique way of engaging viewers through compelling narratives that touch upon universal themes and emotions. Whether it's a story of love, loss, or redemption, these films resonate with people across generations. Take, for example, "Gone with the Wind" (1939), a sweeping epic set during the American Civil War. The story of Scarlett O'Hara and her journey through war and love has captivated audiences for decades. The film's powerful storytelling, combined with its larger-than-life characters, has made it an enduring classic.

Memorable Characters:

Memorable characters play a crucial role in the longevity and appeal of classic movies. These characters have become cultural icons, etching themselves into the collective consciousness of film lovers. From the suave and charismatic James Bond to the enigmatic and haunting Norman Bates in Alfred Hitchcock's "Psycho" (1960), classic cinema has given us some of the most iconic characters in film history. It is the depth and development of these characters that make them so relatable and unforgettable. Their struggles, triumphs, and flaws are what resonate with audiences and make them stand the test of time.

Tizeless Visuals and Cinematic Techniques:

Classic cinema is known for its visually stunning scenes and innovative techniques that continue to impress modern audiences. Directors, cinematographers, and production designers of the past have left an indelible mark on the world of filmmaking. Films like "Citizen Kane" (1941), directed by Orson Welles, showcased groundbreaking cinematography and visual storytelling techniques that were ahead of their time. The use of deep focus, unconventional camera angles, and innovative lighting created a visual feast for viewers. These techniques have influenced generations of filmmakers, shaping the way movies are made today.

Enduring Impact on Pop Culture:

Classic cinema has left a lasting impact on popular culture, influencing subsequent generations of filmmakers, artists, and musicians. Many contemporary works pay homage to these beloved films, either through subtle references or direct recreations of iconic scenes. Quentin Tarantino, known for his love of classic cinema, often pays tribute to his favourite films in his own work. In his movie "Pulp Fiction" (1994), he references and reimagines scenes from classic movies like "Psycho" and "The Graduate" (1967). This ongoing influence and reverence for classic cinema demonstrate the enduring relevance and impact these films have had on popular culture.

The Joy of Nostalgia:

Watching classic cinema evokes a sense of nostalgia, transporting viewers to another era and evoking memories tied to specific periods in their lives. For many, revisiting these films brings a sense of comfort and sentimental value. Whether it's a film from their childhood or a movie that reminds them of a particular time in their lives, classic cinema has a way of connecting with audiences on a deeply personal level. Personally, I have fond memories of watching movies like "The Sound of Music" (1965) with my family during the holiday season. Revisiting these films brings back those cherished moments and allows me to share them with future generations.

Conclusion

In conclusion, classic cinema continues to be timeless and enduring due to its powerful storytelling, memorable characters, timeless visuals, enduring impact on pop culture, and the joy of nostalgia it brings. The ability of these films to transcend time and resonate with audiences across generations is a testament to their enduring quality. 

So, grab some popcorn, dim the lights, and rediscover the magic of classic cinema Christchurch for yourself. Let us celebrate the timeless beauty of these films and continue to have lively discussions about their impact and legacy. 

Classic cinema, with its timeless appeal and enduring quality, continues to captivate audiences even decades after its release. There is something magical about watching a movie from the past and being transported to a different era, where storytelling was at its peak and cinematic techniques were groundbreaking. In this blog post, we will explore why classic cinema Christchurch holds such a special place in our hearts, and why it continues to be cherished by film lovers around the world.

The Power of Storytelling:

One of the key factors that make classic cinema Christchurch timeless is its ability to excel in storytelling. Classic movies have a unique way of engaging viewers through compelling narratives that touch upon universal themes and emotions. Whether it's a story of love, loss, or redemption, these films resonate with people across generations. Take, for example, "Gone with the Wind" (1939), a sweeping epic set during the American Civil War. The story of Scarlett O'Hara and her journey through war and love has captivated audiences for decades. The film's powerful storytelling, combined with its larger-than-life characters, has made it an enduring classic.

Memorable Characters:

Memorable characters play a crucial role in the longevity and appeal of classic movies. These characters have become cultural icons, etching themselves into the collective consciousness of film lovers. From the suave and charismatic James Bond to the enigmatic and haunting Norman Bates in Alfred Hitchcock's "Psycho" (1960), classic cinema has given us some of the most iconic characters in film history. It is the depth and development of these characters that make them so relatable and unforgettable. Their struggles, triumphs, and flaws are what resonate with audiences and make them stand the test of time.

Timeless Visuals and Cinematic Techniques:

Classic cinema is known for its visually stunning scenes and innovative techniques that continue to impress modern audiences. Directors, cinematographers, and production designers of the past have left an indelible mark on the world of filmmaking. Films like "Citizen Kane" (1941), directed by Orson Welles, showcased groundbreaking cinematography and visual storytelling techniques that were ahead of their time. The use of deep focus, unconventional camera angles, and innovative lighting created a visual feast for viewers. These techniques have influenced generations of filmmakers, shaping the way movies are made today.

Enduring Impact on Pop Culture:

Classic cinema has left a lasting impact on popular culture, influencing subsequent generations of filmmakers, artists, and musicians. Many contemporary works pay homage to these beloved films, either through subtle references or direct recreations of iconic scenes. Quentin Tarantino, known for his love of classic cinema, often pays tribute to his favourite films in his own work. In his movie "Pulp Fiction" (1994), he references and reimagines scenes from classic movies like "Psycho" and "The Graduate" (1967). This ongoing influence and reverence for classic cinema demonstrate the enduring relevance and impact these films have had on popular culture.

The Joy of Nostalgia:

Watching classic cinema evokes a sense of nostalgia, transporting viewers to another era and evoking memories tied to specific periods in their lives. For many, revisiting these films brings a sense of comfort and sentimental value. Whether it's a film from their childhood or a movie that reminds them of a particular time in their lives, classic cinema has a way of connecting with audiences on a deeply personal level. Personally, I have fond memories of watching movies like "The Sound of Music" (1965) with my family during the holiday season. Revisiting these films brings back those cherished moments and allows me to share them with future generations.

Conclusion

In conclusion, classic cinema continues to be timeless and enduring due to its powerful storytelling, memorable characters, timeless visuals, enduring impact on pop culture, and the joy of nostalgia it brings. The ability of these films to transcend time and resonate with audiences across generations is a testament to their enduring quality. 

So, grab some popcorn, dim the lights, and rediscover the magic of classic cinema Christchurch for yourself. Let us celebrate the timeless beauty of these films and continue to have lively discussions about their impact and legacy. 

[fictionophile]

"White as Snow" by Lilja Sigurðardóttir - Book Review @OrendaBooks #Orentober #WhiteAsSnow @lilja1972 @RandomTTours #BlogTour #BookReview #IcelandNoir

translated by Quentin Bates Áróra has returned to her birthplace, Iceland, to find her missing sister, Ísafold. Now, she has come to realize that she is probably looking for her sister’s body. Áróra, who lived in Edinburgh, is a financial investigator, though to make her life simpler she tells everyone she is an accountant. She has recently purchased a flat in Iceland to facilitate her search for…

[fictionfromafar]

Broken

By Jón Atli Jónasson

Translated by Quentin Bates

Corylus Books

Publication Date: 12 June 2025

Perhaps it’s the country’s vast remoteness that makes Iceland a nation of storytelling. Maybe also the contrasting darkness and light provides inspiration for stories of bad and good. Jón Atli Jónasson was a new name to me but in his home country he’s known as a playwright, screenwriter and author.

Broken is his first English language translation and it serves as a welcome introduction to his work. While some of his compatriots are keen to focus on the often foreboding climate and secluded settings, Jónasson’s approach seems more to focus on strong characters and a modern setting for a novel which just happens to be set in Iceland.

His principal characters are certainly memorable and not without their own issues. After suffering a serious injury which is revealed early in the novel, Dora has been confined to desk duties since her return to work after a long absence. When a teenager goes missing she is paired with another detective who’s presence on the force, at at times the country is not often welcomed. Rado is the son of refugees from the conflicts in the Balkans with members of his extended family of more interest to his colleagues than he is. Neither truly wants the talk of looking for the missing teen but both of them need it, if not for their redemption but at least for their own sanity. As you might expect it takes some time for them to form a solid partnership, particularly when not everyone is willing them to succeed.

Broken is a novel which reveals characters on the edge, damaged and conflicted. The theme of desperation runs deep. The missing teen has been long troubled with a barely functioning father. While disappearing in a potential suicide spot, there are indications that seedy parts of the city might have been a possible location. Reykjavik is far from the destination that tourists see. Equally gritty are some of those people that Dora and Rada encounter. Perseverance for both means far more than simply solving the case.

This is a highly promising debut by an author with a fresh perspective on Icelandic noir. Hopefully it’s the first of several by one of Iceland’s most successful writers.