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trash-gobby · 3 years

Note

Hiiiii, could I request some Nelson wright x female reader (or gn reader) in which they meet at like a house party and reader is on a totally different career path (like something creative) and nelson is justo head over heels immediately?

A Night To Remember

Pairings: Nelson Wright X AFAB!Reader

Characters: Nelson Wright, Reader, David Labraccio, Rachel Mannus, Randy Steckle, Joe Hurley, Readers Best Friend, Reader's BFF's Boyfriend, Original Characters

A/N: Sorry this took so long (I feel like I'm apologizing a lot for my long periods between posting). I got a serious case of writer's block, so I had to take breaks and keep coming back over time to look at this haha. Got it done though! Hopefully you enjoy, and thanks again for sending in this request Anon! Also as a side-note, I am the king of not proofreading because I get anxiety reading back my own writing for some reason. Don't ask me it's totally stupid, but if there are any errors please let me know.

Reader Pronouns = She/They

RATING: PG

⚠️Warning!: None.

Word Count: 4.9K

Multi-POV

You almost considered not going to the party. It wouldn’t have been the first time you skipped an event like this. You were much to interested in building your portfolio of work then socializing, especially when the new year was imminent and your graduation not long after. The long nights of mulling over your work, setting up dates for shoots, and writing papers revolving around your piece’s significance to the photographic world.

However, your friend had begged that you attend this little get-together, stating you had barely been out of the house for most of the semester, not even for any holiday celebrations. They promised it would just be a small group of final year students from the university your attending and some of their boyfriend’s fellow doctoral students from the nearby medical science college. After declining multiple times until they begged you to come because it wouldn’t be fun without you, something you sincerely thought was untrue, you accepted.

Now you were getting of the dinky old bus, and preparing to walk the two blocks to your friends apartment. You shuddered as a shiver ran up your spine from the cold December chill. Wrapping your jacket tighter around your body, you picked up the pace, avoiding the slush which had coagulated in the potholes and dips in the sidewalk. Chicago winter was killer, sometimes you couldn’t believe you’d survived it in the shitty apartment you had. The air conditioner barely worked and the heater had crapped out, and your landlord was to lazy to come and actually fix it.

Your musing eventually lead you to the brightly lit red-brick brick house which your friend rented out, with its shabby window frames and partially broken eavestrough. They probably couldn’t afford to get their shit fixed either, you chuckled to yourself under your breath as you made your way up the stone steps to knock on the front door.

Before you could even wrap your knuckles on the wood, the door swung open and a man with short brown hair in a black coat stumbled onto the front step nearly knocking you over. He noticed you last minute and was able to pivot out of the way.

“Heh, sorry I didn’t see you there.”

“It’s alright, you just surprised me that’s all.”

“Your Y/N right?” The man said giving you a sheepish grin, which was both very charming and attractive. He clearly quite practiced at giving these looks, as his clean-cut and handsome nature gave to you.

“I’m Joe, Joe Hurley,” he extended his hand to you, “Y/F’s boyfriend mentioned you were a close friend of theirs, both in the photography course.”

“Yeah, that’s me,” You responded, taking his hand in yours and shaking.

“Who’s letting in the draft?” Y/F appeared at the door sporting a very festive looking sweater. Once they saw you standing in the doorway, they pushed past Joe, embracing you in a hug.

“I am so glad you came! I almost thought you weren’t going to make it,” They said, leading you into the house.

“Glad to know you have so much confidence in me,” You replied, earning a playful punch to the shoulder.

“I’m gonna go pick up the extra wine you asked for, since we both know Ruth and Stanley are gonna drink everyone under the table,” Joe closed the door behind him as he left, shutting out the frost and the lightly falling snow that had just begun.

“They haven’t arrived yet, but the med students are here. They showed up pretty early. Guess that’s what you expect from people who get in deeper shit then we do for being late. It’s a pretty prestigious place.” Y/F leads you into the kitchen where you can see a pretty large whole chicken baking in the oven, and an assortment of pots and pans cooking on the stove. The counters are littered with a variety of spices and veggies in various stages of being chopped up. It’s a complete mess, but you know your friends always been prone to these episodes of controlled chaos, that’s how they created their best art. That meant the food was most likely going to be divine.

“Smells good in here.”

“Thanks, I try. We’ll just have to see if it smells as good as it tastes.”

Y/F starts in on cutting some broccoli into smaller more manageable chunks with a comically large knife.

"You should head into the living room, get to know the rest of the gang here tonight," Before you could protest that you'd prefer to help out in the kitchen then mingle with a bunch of strangers, Y/F pushes a large bottle of red wine into your hands.

"Can you also bring this into the living room for the others, thank you!" once again you couldn't even get a word in edgewise. Not unusual for Y/F, who was always the more forceful of the two of you.

As you exit the kitchen, bottle in hand, you call out "By the way that sweater is ridiculous, it's not even December yet."

Taking slow steps down the narrow hallway was your way of prolonging the inevitable awkward introductions you’d have to make to a room full of strangers. You stopped in front of a framed picture sitting slightly tilted on its hinge. The photo itself made you smile, an old picture of you, Y/F, their boyfriend, and two of your high school friends. You’d all decided to go backpacking through Europe as one last adventure before heading to university, college or trades school. The memories of that trip washed over you, reminding you of the ease you used to feel around complete strangers, something you had lost with the years of relentless work keeping you away from company. Now the very idea of leaving your dorm room or the familiar confines of the photo lab made you severely anxious. You had to but that behind you, because you had decided to come and there was no going back now.

Straightening the picture frame on it’s nail, you headed to the open double doors to the living-room, pouring its orange light and jovial conversation from inside, and prepared to be an open social member of the party, for however long that lasted.

As you took your first steps into the doorway, you set your eyes upon the scene before you. Two couches sitting opposite each other in the small but cozy room, a squad wooden coffee table which was one of Y/F’s scores from when you and them would go dumpster diving, a lit fireplace, antique bookcase lining one side of the walls, an occupied worse-for-ware easy chair, and a vintage lamp which Y/F had brought back from Budapest with them.

Even more intriguing than the familiar living-room setting was the unfamiliar group of people occupying it. Four strangers, all chatting over nearly empty glasses of wine about what you assumed from what you could hear, were the recent exams they had to taken. The first of the four to notice your appearance was the only other woman present. She had her hair tied back into a ponytail, keeping the brown curls away so you could see her face when she offered you a polite smile. As soon as the woman looked up the others also noticed you standing there quietly, you figured saying something might make it a little less awkward then standing around staring.

“Hey, I’m Y/N, Y/F’s friend, I brought some more wine,” you supplied, taking a few steps into the room and placing the bottle on the coffee table.

“Nice to meet you I’m Rachel, Randy would you move over and make room so she can sit down?” The man name Randy, moved from his seat in the center of the couch, over to one side to make room for you introducing himself as he did.

“Randy Steckle,” He held out his hand, and you shook it whilst placing yourself at a polite distance from him on the couch. Out of all the people here, he was the most smartly dressed in a tweed vest, matching trousers, and dress shirt. He made you feel very underdressed by comparison.

The man on the couch beside Rachel also took this time to introduce himself as David, who was thankfully dressed as casually as you were, making you feel like you were at least not the only one who decided a pair of work jeans and a t-shirt. If you’d known that this had been a more formal or well-dressed occasion you might have invested in something more fancy to wear, not that you owned anything fancy as a broke student. All your money had already gone to either rent, food, or back into university to cover tuition.

“Your Y/F’s friend from school right?” David added as he offered to pour the wine for everyone. An empty glass had already been supplied for you on the table, a mismatched one, but to be fair none of Y/F’s cutlery ever matched. It all came second-hand from thrift stores and antique junk stores.

“Yeah we’re in the same major, Photographic Arts & Media,” you supplied.

“Oh, that’s super cool. What’s work like in that field?”

“Lucrative depending on what kind of work you get into. You guys are all medical students right?”

“Yep, all working towards becoming surgeons,” David took a healthy sip from his glass.

“That must be pretty intense, can’t imagine rooting around in someone’s body, blood freaks me out,” you chuckled, earning a few chuckles from the others.

“I’d definitely say it’s an acquired practice,” Randy added before starting to go in more detail about the surgical specialization in more detail, with both David and Rachel adding to his little speech here and there with some little anecdotes here and there.

Sitting back and listening you could feel the passion they had for their practice despite its morbidity. A lot of the medical jargon did go over your head, and as Randy got into more detail about the exams and scheduled classes they had, the more the whole group fell into what seemed like their typical ingroup banter. It was nice to sit back and watch in pleasant silence as a group of clearly close friends chatting, laughing, and telling each other inside jokes. It reminded you of all the times you’d missed out on with Y/F and your other friends. All the nights where they'd invited you to clubs and on bar crawls that you'd traded out for long nights pouring over art history texts and working in the photo lab under its harsh red light.

However, one person in this group had been completely silent, to the point where you hadn't really registered his gaze. He was leaning far back in the easy chair, dress shirt with it's top two buttons undone, one of his feet in expensive shoes crossed over his knee.

You caught his eyes and held his gaze for a moment. Bright blue eyes, filled with a slight spark to them, whether it was curiousity or something else you weren't sure. His hair short and dirty blonde in colour, clearly he'd gotten it done professionally. He gave you a slight smile and you looked away blushing, you'd been staring for to long.

He picked up his wine glass and brought it to his lips, taking a sip before starting to say something. He was interrupted by Y/F shouting from the kitchen.

"I need an extra set of hands in here to help with this bird!"

You automatically stood preparing to get yourself out of this awkward situation, before Rachel reached out and stopped you.

"You just got here, I’ll go,” she said, coaxing you back into sitting.

“You sure? You just got your glass refilled.”

“I’ll take it with me, don’t worry about it, just relax,” Rachel, got to her feet, taking her wine with her and exited the room calling to Y/F that she was coming to help.

“I think that’s my cue for a bathroom break,” You scooched out of the way, half standing up in order to make space for Randy to get past you.

“Jeez, this is the fourth time you’ve gotten up, you have the bladder the size of a peanut,” David added as he poured himself another glass of red.

Then it was just you, David and the blonde man. There was a long pause where everyone sat in awkward silence, David drinking his wine, you making yourself familiar with thread patterns of the living-room rug. Navy green was such an ugly colour for a carpet.

“So, whats art school like?” David asked, breaking the silence.

You look up and once again you can feel the very intense gaze of the silent blonde man in the easy chair. Deciding against making anymore intense eye contact, you instead settle for looking at the peeling plaster slightly up and to the right of where David is sitting.

"It's stressful, not nearly as stressful as having to perform all your exams on cadavers kind of stressful, but it keeps me busy."

"You mentioned majoring in photo correct?"

"Photographic Arts & Media is the official title, but yes. We mostly have a mixture of hands on photo assignments, art history and a focus on working with new media," You could feel yourself starting to relax as the conversation remained focused on something you could understand and talk about, and David's polite attention was making you feel welcome on some level.

"Hands on, like what kind of projects?" It was the first words you'd heard from the man sitting in the easy chair, and you were taken aback by the smooth and pleasant sound of his voice.

"W-well, I, we," you take a moment to clear your throat and your head before continuing. "We usually have a couple assignments which revolve around various things, what they are is usually quite open when it comes to guidelines. Usually we'll pitch an idea for a project to our professor and if we're given the greenlight, we have to construct a narrative through our images and their subjects."

"Sounds a lot more open ended then anything we do," The man said leaning forward, hands on his knees giving you his full attention.

"I mean it's not surgery, but it can be pretty intense. Especially when it comes to the critiquing period, we all sit outside the photo lab and have to present our either currently in works projects or finalized projects and then we get torn a new asshole by both our profs and the class."

“Doesn’t sound that different from the reaming we get during the rounds we have to do in the surgical ward. Except you have an audience of your whole class and not just those in the same practice. I know that Y/F does things that involve a merging of collage and paint with photo. What do you do? What’s your artistic thing?”

“My artistic thing?” You laughed at his phrasing, and received in return a small smile.

“Eloquently put,” The man chuckled from behind his glass. He had nearly emptied it in the last minute you’d been having your little conversation. David just gave him a look, before shrugging and fishing around in one of the pockets in his sweater, fishing out a box of cigarettes, and a lighter.

“My 'thing' I guess, if you could call it that, is capturing real life stories of working class people. I like using old cameras, running on old film, sometimes even 16mm," You were about to continue when David flicked the lighter, sending up a small spark that died out quickly, reminding you of Todd (Y/F's boyfriend's) rigid rules about smoking in the house.

"I'm sorry you can't smoke in here, Todd's a real stickler about it. He says the smell really gets into the carpet," David examined the cigarette before thinking better of it and placing it back in the pack.

"You can smoke it outside on the front step," You added.

"I might have to do that. I've been dying to get a smoke in all day. Been to busy working. I don't want to interrupt you explanation though."

"It's no problem really, you can go smoke and I'll catch you up on everything when you come back."

"Okay, I'll be back in ten," David smiled sheepishly, looking slightly guilty about needing to take a smoke break from the conversation. He got up and waved to the man sitting in the chair before quickly walking out of the room.

It became very clear to you now that it was just you and this man who had yet to really introduce himself. For a moment there was just silence with a hint of some kind of tension in the room. You couldn't tell what this energy was, just that it made your palms sweat and you skin heat up.

The light of the fireplace gave off a warm glow that overpowered the lamp, bathing you both in a soft orange hue. It made the sharp edges of everything soft, including the man's intense stare, the quirk of his pink bow-shaped lips, the comforting sky blue of his eyes, what it would be like to brush your hands against the cleanly shaved skin on his cheeks.

God don't think about his lips! You don't even know this guy. He's attractive, sure, but you don't know who he is, what he is, or even his name. You can't possibly be thinking these thoughts right now about some strang-

"I'm Nelson by the way," the man, now with a name you could attach to his person.

"I feel rude not introducing myself properly earlier, there was just a lot of stuff going on. Although with that lot," he gestures to the doorway where everyone had exited at some point that night "it's hard to get a word in edgewise."

"It's alright, it's not like I really introduced myself to you either, I'm Y/N," you extend your hand to Nelson across the coffee table and he leans forward to take it. His hands are much softer than you expected them to be, your fingers brush over a scar on the back of one of his knuckles, the only blemish on his skin.

“Y/N, I like the sound of that name, feels like the name of someone who works in something cool like photography.”

“I mean, if you say so. I always thought it was kinda just a generic name, or at least not very artsy. Nelson sounds pretty sciencey though,” you added.

“More like the name of annoying snobby rich kid with to much time on his hands,” he chuckled before picking up his glass from the table, still leaning forward into the conversation the two of you were having.

“I wouldn’t be that cruel,” you said in response.

“I would. Have never really been a huge fan of the name Nelson, but it’s what I’m saddled with, so I make do. The work you mentioned doing, in photography. It sounds really interesting. I’ve never really heard anything like it before.”

You felt suddenly very self-conscious. The way he'd expressed such interest was not something you were used to. Constantly being surrounded in your academic life by other artists working on equally complex and sometimes even more nuanced ideas then you, made the fact that Nelson was so taken by your ideas quite charming.

"I mean it's nothing that special by comparison to what Y/F does visually with eye-capturing colours, but it feels real and visceral to get what's real on camera. I want people to really see the struggle and triumphs of everyday people. I don't want to sugar coat what happens or over-dramatize it. Everyone should see the reality of what the world is like for most working class people."

______________________________________________________________

The animated nature of them as they explained in a clearly passionate manner their inspiration for working in the photography program warmed something deep within Nelson. It reminded him of how he felt when he first entered the surgical field of study. He wished he'd still kept that passion alive like Y/N. It felt like over the years of study, he found the competition more important than the actual thrill of the learning.

The way her face lit up, and the glint in their eyes, made his heart flutter in a way that he hadn't felt since he met Rachel in the first year of their studies. He'd been taken by her passion too.

"Where is everybody?" Nelson and Y/N were startled from their conversation by Joe standing in the living-room doorway.

"I saw David smoking outside, but everyone else?"

"Rachel is helping Y/F in the kitchen, and Randy is taking an obnoxious amount of time in the washroom," Nelson didn't intend for his voice to come out as rankled as it sounded, but he really wanted to have this moment with Y/N to himself. Something about them made him feel oddly intrigued by and greedy for their attention.

"Has he been bragging about his GPA again?" Joe asked with a playful smirk on his face that made Nelson want to smack him upside the head. "He does that a lot. No seriously, I'm not kidding. A loooo-"

"She gets the point, and the answer is no," Nelson sniped back, now being purposefully rather short, but keep at least some edge of playfulness in his demeanor to cover his aggravation.

"And you'd probably also have a higher GPA if your spent more time studying and actually attending lectures than spending quality time with Susan from engineering, or was it Catherine from accounting? I can't seem to remember."

Joe mocked as if Nelson had shot him through the chest with that jab before saying; "Ouch, you really went in on that one."

Nelson was momentarily distracted along with Joe by the soft pleasant laughter from Y/N, who looked bemusedly at both of them.

"Aren't you two supposed to be friends or something?"

"Jury's out on that one," The voice of Randy called out from the hall before appearing next to Joe.

"Just so you know, we were having a really nice conversation about Y/N's future career in photography before you interrupted."

"Photography, cool. Like what kind of photography? Tasteful nude modelling?" It was said playfully, but had an edge of Joe's usual perverse humor and attitude behind it.

"Are naked women all you think about?" Randy asked, with a mixture of purturbedness and exasperation.

"Naked people, I don't discriminate."

"Jesus christ."

Before Joe could answer with a quip or witty retort the sound of Y/F yelling from the kitchen cut through the somewhat awkward and embarrassing conversation. It made Nelson feel slightly self-conscious in a way that he hadn't in a long time. His pride, ego, and ambition usually made sure he kept his cool, but not with Y/N. For some reason this person, who he'd just met, had snagged on something deep and insecure within in him.

"Dinner will be ready soon! Y/N! Please come to the kitchen, I just need a hand with table settings. Also Stanley and Ruth can't make it unfortunately,"

"So much for the wine, guess we'll have to drink it all ourselves," Joe shrugged as he said this, Y/N quickly getting up and excusing herself from the room. Nelson felt almost like getting up and following her, but remained seated. It would be creepy to just follow them around like some kind of lost puppy asking questions and needling them about her life.

"So, she's cute," Joe said leaning back into the hallway to watch her leave before fixing Nelson with a cheeky grin and wiggling his eyebrows.

"Joe," Nelson said levelly.

"Yeah."

"Please stop talking."

______________________________________________________________

The smell was mouthwatering. Y/F had really outdone themselves with the spread they'd made. Everyone had greedily gobbled down the chunky and perfectly seasoned potatoes, glistening juice chicken, the assortments of green beans, brussel sprouts and all manner of vegetables which there were clearly to much of, along with Y/F's legendary stuffing. No one was exactly sure what the full recipe was for it, just that it tasted like heaven in the form of nutty, ginger, fluffy goodness.

The conversation was just as good. Everyone laughing and carrying on. You'd fallen into the conversation quite comfortably and thought at this point that maybe going out tonight was not the worst decision you could have made after all. The good food and even better company definitely helped. Several times throughout the dinner you caught the eyes of Nelson on you, and he'd shoot you a smile that made you'd return, feeling a warmth grow in your chest.

After what seemed like endless hours of eating, talking and drinking, the plates were empty and everyone was quite full.

Y/F rose from her seat and began clearing the table methodically.

"I can help you with those," You said taking the plates from Y/F's hands and continuing around the table clearing the dishes.

"Thank you! I might also need a hand in the kitchen from you and someone else, I hate asking but.."

"I'll help," Nelson raised his hand, getting up from his seat smoothly as not to seem like he was rushing to help.

Y/F ushered him into the kitchen to start on washing the pots and pans while you worked on clearing the table, and they prepared desert.

Once you'd precariously balanced all the dishes on your arms, you slowly made your way to the kitchen entryway. A part of you was strangely excited to have this new person to yourself. Nelson had only really gotten to speak to you alone briefly, but those few minutes were still circling around in your mind, replaying all evening.

As you entered the kitchen Y/F rushed to help you unload the some of the dishes from your arms while thanking you and Nelson profusely for helping with the undertaking.

Set up in the kitchen, you set to helping with the drying and placing of plates back into their designated drawers. Both of you fell into a gentle rhythm of cleaning for a couple minutes, silently working side by side. This close to him, you could smell the slight scent of whatever shampoo he used and a very faint undertone of antiseptic. He must have been working rounds before coming here. It made you wonder why he would want to help with dishes while probably having already have to be on his feet for hours during work.

"You look a little tired, you sure you don't want me to just do the rest on my own?" You suggested lightly.

"No, no it's fine. I don't mind doing dishes, it gives me something mundane to focus on for a while." Nelson handed you a plate at an awkward angle as he said this, causing you to accidentally place your hand over his while taking hold of the dish.

"Sorry, Sorry, my bad," just the touch of his hand sent a spark of something exciting through you. It was such as unexpected jolt of raw attraction that you tried to not drop the dish in your hands, making you smooth recovery look as natural as possible.

"You alright there?" he chuckled in response to your fumbling, something smug about the look on his face.

"Just fine, fine."

"We never did get to finish our conversation from earlier."

"The one where I was nerding out about my personal photographic art style or whatever? I was honestly just rambling." Nelson turns to look at you fully for a moment, his eye contact intense, capturing you off-guard and lighting a small fire inside you.

"I thought what you were talking about sounded really interesting, and something I would love to see when you have your own showing in a gallery one day," you look down to break the intense eye contact, hoping that your blushing would be less obvious.

"Hah, it's definitely a dream of mine to have a showing in a gallery, but I'm a long way from that."

"Not too long I'm guessing."

"That's very kind to say. The only thing close to a gallery that I'll be doing is a section in a gallery-style presentation we're putting on at the university to showcase our thesis projects once they've been completed." Together you had nearly made it to the bottom of the pile of dishes together.

"If your really interested it will be hosted in April. I'd love to see you there," Nelson looked over to you again, having passed the last dish, removing the dish gloves and leaning against the counter.

"I'd love to see that, you should give me more of the details over coffee sometime, where we can talk in a less chaotic setting." Now you absolutely knew for sure he was flirting. Though it hadn't been exactly subtle before, with his intense interested and eye contact.

So why not?

"I'd like that. I'd like that a lot."

The smile on his face was priceless, something between a smirk and a bashful smile. There had been a lot of little looks exchanged by the two of you throughout the night, and you hoped there would be even more to share in the future. Over coffee or maybe lunch.

As Y/F called you both back into the dining room, all you could think was how you were so glad you'd decided to come to dinner that night. It had been one of the best choices you could have made, and you had a feeling you wouldn't regret it.

#nelson wright #nelson wright x reader #flatliners 1990 #flatliners #david labraccio #rachel mannus #randy steckle #joe hurley #kiefer sutherland #kevin bacon #trash gobby requests #trash-gobby requests

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brokehorrorfan · 2 years

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4K Ultra HD Review: Flatliners

While the 2017 Flatliners reboot proved to be dead on arrival, the 1990 original still has life in it. Director Joel Schumacher (The Lost Boys, Batman Forever, Batman & Robin) brings the candy-colored visuals with which he was synonymous to a medical school’s gothic architecture. He and cinematographer Jan de Bont (Die Hard, The Hunt for Red October) use neon blue lighting as a bad omen, while warm colors are reserved for more uplifting emotions; a stark contrast to the reboot's glossy, modern science fiction aesthetic.

In the film, ambitious-to-a-fault medical student Nelson Wright (Kiefer Sutherland, The Lost Boys) convinces four of his brightest classmates - pragmatic atheist David Laccio (Kevin Bacon, Tremors), the brooding Rachel Mannus (Julia Roberts, Pretty Woman), womanizer Joe Hurley (William Baldwin, Backdraft), and the humorously bookish Randy Steckle (Oliver Platt, Lake Placid) - to assist him in a reckless experiment in the pursuit of scientific advancement and fame.

With the aid of his friends, Nelson is clinically dead for one minute “to see if there’s anything out there beyond death” before being resuscitated. It miraculously works, leading them to attempt to outdo one another by going longer and longer before being revived. Although they return in fine physical health, they begin to suffer from nightmarish visions in which physical manifestations of those they wronged in the past come back to haunt them - literally.

Flatliners never quite achieves the full potential of its ingeniously simple premise, although it's not difficult to understand why Peter Filardi’s (The Craft) well-researched spec script caused a bidding war before selling to Columbia Pictures for $450,000. It becomes a tad redundant, but like the characters in the film, a desire to glimpse at the afterlife sustains viewers' intrigue. The compelling story is bolstered by the star-studded cast, kinetic direction, and hyper-stylized visuals.

To make the film more dynamic, Schumacher and de Bont smartly opted to shoot it as if it was an action movie. Schumacher also moved the story from its original setting of Boston to Chicago. On-location filming lent the city's baroque architecture and gritty aesthetic, while Eugenio Zanetti (Last Action Hero, What Dreams May Come) adds salient production design.

Although more of a thriller than a horror movie, Flatliners' genre elements are strong in the visions that the characters experience once revived, occasionally bringing to mind the likes of A Nightmare on Elm Street. But at the core of the story is drama - exploring themes of karma, atonement, and redemption - with a rather life-affirming message. The emotionally resonant score, composed by James Newton Howard (The Hunger Games, The Sixth Sense), traverses between the film’s exploration of beauty and horror in the afterlife.

With all five actors electrifying the screen in the primes of their careers, the ensemble cast feels like an extension of the brat pack. (Sutherland jokingly referred to the film as The Breakfast Club Dies and St. Elmo's Funeral.) Sutherland is as perfectly arrogant as he was in his previous Schumacher collaboration, The Lost Boys. Roberts had already filmed her breakout role in Pretty Woman but it hadn't come out yet (it would release five months prior to Flatliners). Bacon credits the film with reviving his career, as he had a string of underperformers following the success of Footloose.

The supporting players include child actor Joshua Rudoy (Harry and the Hendersons) as the boy who haunts Nelson and Hope Davis (About Schmidt) in her film debut as Joe's fiance, along with Kimberly Scott (The Abyss), Patricia Belcher (Jeepers Creepers), and Beth Grant (Donnie Darko) in small roles. Although not on camera, screen icon Michael Douglas served as a producer on the project; the first effort from his Stonebridge Entertainment.

Flatliners has been newly resuscitated in 4K from the original negative, approved by de Bont, for Arrow Video's new 4K Ultra HD and Blu-ray editions. The 4K UHD disc features Dolby Vision and Lossless DTS-HD Master Audio 5.1 and 2.0 surround audio options. Schumacher and de Bont were already a perfect pairing, but Arrow's flawless restoration allows their bold visual palette to really shine.

Critics Bryan Reesman and Max Evry contribute a new audio commentary in which they dissect Schumacher's work and examine Flatliners in the context of its contemporaries (which made me eager to double-feature it with Jacob's Ladder). Schumacher passed away in 2020 and the cast members were not available for interviews, but Arrow tracked down a variety of crew members for new, in-depth interviews, offering several rare perspectives that are likely to give viewers a new appreciation for the production.

Filardi details the experience of selling his first movie, being on set during the production, and seeing the final product. De Bont and chief lighting technician Edward Ayer provide a fascinating breakdown of the visuals, with De Bont discussing his approach while Ayer explains how they pulled it off. Howard, orchestrator Chris Boardman, Zanetti, art director Larry Lundy, costume designer Susan Becker (True Romance, The Lost Boys), and first assistant director John Kretchmer each give their unique insight into how they added to the tapestry of the film as well.

The theatrical trailer and an image gallery are also included, alongside a 35-page booklet (exclusive to the first pressing) featuring new writing on the film by historians Amanda Reyes and Peter Tonguette. Reyes provides a historical overview of near-death experiences and how they compare to Flatliners, while Tonguette explores the film's surprising spirituality. The release carries new artwork by Gary Pullin, with the original poster on the reverse side.

Flatliners is available now on 4K UHD and Blu-ray via Arrow Video.

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