9/13 through 9/29/24 at the Gaithersburg Arts Barn in Maryland.
I had to cut the music because I don't know how Tumblr does with that stuff, but I'm the dame in the red wig and I also did the costumes. I'm so proud of this show and I'm so happy with how it turned out. Here's to an excellent run.
Is evolution a red herring? The constant upward course of an unique code, unidirectional, improved with each iteration?
No, of course.
Going up or down the stream is all but linear. It's like wandering though a time-maze, and infinity of trials and errors, ever intersecting and recrossing to spawn temporary solutions to a given situation.
/* Pencil doodle on A6 sketchbook - Porte-mine sur carnet A6 */
L'évolution serait-elle un fil rouge ? Une progression constante, unidirectionnelle, d'un code unique sans cesse amélioré à chaque itération ?
Non bien évidemment.
Remonter ou descendre le fil d'une évolution est tout sauf linéaire. C'est comme parcourir un labyrinthe temporel, une infinité d'essais et d'erreurs et de chemins qui se recroisent sans cesse pour une solution temporaire à un contexte donné.
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So I noticed something about the stories in Sweet Sorrows.
The first and the last are about the pirate and the girl, the ancient love story (Once, very long ago...Time fell in love with Fate). Then there’s the Acolyte. The Zachary, the son of the fortune-teller, and the main narrator when the book is in the present (and the only one for this section of it). Then the dollhouse (something someone else mentioned was a little like a constantly growing Harbor itself, and which comes back when the bees do.). Then the Guardian story, which includes Dorian. Then our introduction to Elenore, then the inhabitants of Harbors (people like and including Allegra), then the Keepers (Now there is only one), then Simon, the man lost in time.
Introducing us to the main players. So I wonder, what if the Acolyte who sang the full month was Rhyme?