#reigen arataka is bad at expressing his affection verbally

[physical-manifestation-of-spite]

The Picture Pinned on the Wall - Mp100 Fanfiction

Also read on Ao3

Beware the read-more. It’s long.

“It started with a picture, and then it got worse from there.

Reigen wasn’t supposed to get so attached.”

Reigen meets the boy when he’s ten years old, and he’s pretty sure he feels nothing. Actually, the first feeling associated towards this kid is hostility, as this juvenile swaggers to his door and bemoans the destruction of his own powers. The prank is not elaborate, nor funny, but it wastes Reigen’s time, which is always the goal for these kids. He almost slams the door in the kid’s face — he never thought of himself as  good  with children, having neither the patience nor tolerance for these sorts of stunts — but then the child continues. His eyes are wide and bloodshot and full of terror, and it makes Reigen pause. Kids aren’t normally such good actors. The boy holds a white knuckled-grip on the straps of his backpack, his small body swallowed up by the expanse of the doorframe, and it takes another minute for Reigen to decide that he’s not lying. Then, there’s this twist in his gut that he knows won’t go away until he hears this bowl-haired kid out. He bites at the flesh inside his cheek and invites the boy inside. 

It wasn’t supposed to go further than a cup of tea and a bid farewell. The kid shares his troubles with such vivid imagination that leaves Reigen impressed. A child conjuring the idea of spirits gnawing at the safety barriers in a neighbor’s home, with the boy able to exorcise all of them with a wave of his hand and, in a horrifying realization, harm the neighbors as well — perhaps there’s some psychological trauma Reigen has no business handling. But when Reigen presses for clues, the boy speaks of his parents fondly, without a hint of distress, and his life seems otherwise normal. It’s not much to go off on, but then Reigen remembers that this kid isn’t his problem, and he’s taking up time that could otherwise be used to be speaking with clients, so he chews on a quick speech to help soothe the child’s nerves enough to send him home, a reformed man. 

“Be a good person.” That was fine enough. He couldn’t go wrong with that. Nothing to twist the child’s worldview into some killer. Whatever his complex — and confidence for this child to kill another human being was something new — if he was taught that his powers were not inherently evil, but rather a tool for him to use, then he would be alright. Especially after he broke out of his fantasy. 

And then the child  stares  at him. It unnerves him, the open expression of awe on the child’s face, like a flower turning towards the sun. He looks as though Reigen’s led him to fresh waters and he’s been dying in the desert, and Reigen takes to flexing his fingers on his tea mug. The child asks if he can come again. This, Reigen did not sign up for. He runs his fingers around the back of his neck, concocting some excuse that the kid couldn’t possibly take as an insult. Then, Reigen burns his tongue on his tea.

The cup falls out of his hand. His stomach shoots up to his throat as he grabs vainly at the cup, but it’s already begun its descent towards the kid. He shouts for the kid to get out of the way, and then the cup, the bubbles of tea — they’re all floating. They bob in the air like they’re suspended in water, five feet over the ground, and Reigen’s mind goes completely, white-hot blank as the tea politely bubbles back into the cup and drops neatly into the kid’s outstretched hand. Reigen stares.

And stares. 

He asks when the kid is available each week to meet.

—

Shigeo Kageyama is his name. Reigen calls him Mob. The boy is simple. It’s evident in his appearance; bowl cut hair that hides the top of his eyes, unexpressive in regards to anything, and he always wears his grade school uniform. Mob fits, and the boy doesn’t seem to mind the nickname. 

Maybe it’s dangerous, Reigen giving him a nickname. He shouldn’t get attached. But on the other hand, the boy  needs to feel attached to Reigen, otherwise this won’t work and he won’t visit clients with him. But it isn’t hard, with Mob returning to Reigen’s office each day, staring expectantly at the self-proclaimed psychic as though he’s going to perform a miracle. Reigen obliges when he can, and the boy is quite easy to trick. With a wag of his finger and a few choice words, he enrages the spirits before looking expectantly to Mob to “clean them up” for him. After their screams dissipate into a puff of smoke, he concocts a speech about self-restraint, and they leave, Mob satisfied with his brilliant master, and Reigen is satisfied with a thicker wallet. They return to the office and share the news with the client, an elderly woman whose judgment relies more on superstition than wisdom. She is his favorite kind. She signs the necessary paperwork, which Reigen slides neatly into a pile and wishes her well. Before the woman goes, she glances briefly at Mob, who is seated at a makeshift desk Reigen had clawed out of his closet to create, made out of two stacks of cardboard and a long wooden slab that’s covered by a tablecloth. Reigen doesn’t even remember where he got a tablecloth. 

Her smile is fond. “Does your son come here often after school?” 

Reigen chokes, which is unfortunate because he wasn’t even eating anything. Reigen disguises it as a cough and pounds a fist into his chest. Mob looks at him in alarm. Reigen is waving his hand in the air to belay any concern.

“No,” he chokes again, and there’s a disgusting amount of phlegm in his throat. “No, he’s not my son. He’s more of a, uh…” He almost says “employee.” He’s definitely not. 

Realization dawns on the woman’s face. “Ah, he’s your apprentice. Excuse me for assuming. He’s just so young.” 

Reigen is about to wave off her apology, but he notes the change of tone at the last sentence, and he closes his mouth. The woman is staring at him intently.

“Is he compensated well?”

Maybe her judgment is not so slanted toward superstition after all. Reigen likes her a lot less. 

“He’s compensated just fine.” His tone is not necessarily snappish, but there’s a warning hidden there, at the back of his throat. The woman smiles, but it’s all thin lips and tight cheeks. 

“That’s always good. A boy should learn early how to make a living for his family.”

Reigen matches her tight smile. “He’s a hard worker. He’ll be ahead of his peers in no time.”

“I’m sure he already is.” The woman shoulders her purse, smooths her blouse, and pats the base of her curls. She turns and winks at Mob. 

“Perhaps I’ll see you boys in the future.”

“Oh,” says Mob, who enlaces his fingers together nervously. “I hope not. That means you’ll have more spirits. That’s... bad.” 

The woman’s smile doesn’t waver, but it softens under Mob’s genuine concern. “Yes,” she says, “that’s bad.” She steers her gaze back to Reigen. “But who knows? After all, 98% reduction rate… well, it’s not 100%.”

Reigen bites his tongue. His smile is plastered on his face. “Well,” he says, voice smooth as silk, “you know who to call if it ever comes to that. Have a good day, ma’am.”

Her smile is more of a sneer, but she bows to them both and ushers herself out the door. The moment it closes, Mob looks to Reigen.

“What does ‘compensated’ mean?”

Reigen really doesn’t like that woman.

———

Weeks later, they arrive back at the office late. It’s nearly dark. Reigen had hoped to get back to the office earlier and close up in time to catch dinner before rush hour, but his call volume has gone up. Word was getting out that self-proclaimed psychic Reigen Arataka could exorcise spirits  legitimately. It’s certainly not a back-to-back call operation, but it is more than he has ever gotten in the past. He has calls to return.

The office is stale and hot when Reigen swings open the door; he had shut off the air conditioner before they had left. It leaves the place feeling sticky, but Reigen merely adjusts his tie and flicks the lights on. The office is bathed in a tired yellow glow.

Mob ambles to his cardboard-wood desk and pulls his backpack from under it. The balanced cardboard sways precariously. “Shishou,” Mob begins, and it makes Reigen’s hand still over his laptop. Mob started calling him that the day after their client thumbed Kageyama as his apprentice. Sure, Reigen considered the term loosely the day Mob left his office for the first time with the assurance that he would be under Reigen’s tutelage, but the use of “shishou” left Reigen’s head spinning. It meant he couldn’t get out of this easily, if he ever wanted to. Pursue his next career goal of becoming a private investigator, for example. That was stuffed further in the wastebin the more Mob used that word. 

Reigen still isn’t willing to throw the wastebin out just yet, though. He blinks and forces himself to take the name in stride. He begins typing idly against the keys of his laptop.

“Hm?”

“Um,” Mob says, playing with the zipper of his backpack. “Um, I’m going home now.”

“Hm.”

“Um,” he says again. The kid is clearly waiting for Reigen to acknowledge him further, so Reigen peels his eyes away from his laptop screen to stare at Mob. 

“Right. Get home safe.”

It isn’t really his responsibility to walk the kid home anyway. If Shigeo’s parents are letting their ten-year-old son walk to and from school, with pockets of no communication between then and now, Reigen isn’t going to butt in. In a way, Reigen is grateful that Mob has such laid-back parents. The wary, clingy types always complicated things.

Mob nods. Reigen waits expectantly for a moment longer, eyebrows raised as the sun dips faster below the cityscape and his laptop begins to cast a blue hue over his face. Mob flushes the more he’s under Reigen’s steady gaze, and finally he stares back at his zippers, nodding again. 

“Okay. See you tomorrow, Shishou.”

Reigen starts typing at his keys again, but the black text keeps fizzing in and out of his vision as he listens to the rattle of Mob’s zippers as he slips into his backpack straps, the loose pencils in his bag rattling their muffled tune. Reigen is gnawing at the inside of his cheek, a pitted twist forming at the base of his gut, and it grows with each clack of Mob’s shoes against the hardwood flooring. He sighs just before the office door squeals open.

“Oi. Mob.”

Mob turns, his hands still wrapped around the handle of the door. Reigen is getting up from his desk. He fishes out his wallet and begins to count. The twist in his gut loosens a little bit. 

“Here,” Reigen says, holding a fist towards Mob. He waits for the boy to open his palm, and then he lets the coins fall with a faint metal ring, into the center of his palm. 

Mob stares at the coins. “What’s this?”

“That’s compensation.” 

Mob counts. “This is three hundred yen.”

Reigen raises an eyebrow. He almost takes it back. “And you’re ten years old.”

Mob counts the coins again. He rolls them around in his palm, then pinches each one between his fingers, staring at their thickness. “It’s three hundred yen,” Mob remarks again, but it’s not accusatory. He stares at the coins in wide-eyed wonder, as if he’s never seen three hundred yen in his life. 

Reigen is starting to feel uncomfortable. He clears his throat. “ Well  , as I said, you’re being compensated for working under me as my apprentice. Normally, I don’t fork out this sort of money, since you’re my  apprentice, not my employee, but—” Reigen waves his hand upward, gesturing vaguely above him, as if the situation that he threw himself in with this kid is somehow resting in the middle space above him, watching with impish glee, “—I ought to compensate you for your, ah, training during my job.”

Mob looks at him, enraptured. His fingers close around the coins, and they don’t make a sound when Mob bows. 

“Thank you, Master Reigen.” Reigen can only see the top of the boy’s head as he bows.

Reigen’s palm feels sticky when he rests it against his neck. He really needs to turn on the air conditioning. “Right. See you tomorrow.”

When Mob straightens, he’s smiling. It’s faint, and it could be a trick of the light, the way that the shadows curve over the boy’s face. Reigen doesn’t have time to check, because the boy twists the handle of the door and leaves Spirits and Such Consultation office without another sound.  

The conman stares at the empty space, palm still pressed against the back of his neck. The air conditioner is ghostly quiet, dead against the window. When he removes his hand, it takes a moment to unstick from his skin. He sits there, the glow of his laptop beginning to dull his senses.

He’s just covering his ass. He gave him a threadbare amount — pocket change — to keep the elderly clients’ mouths shut. Hell, he doesn’t even have to  pay the kid. He’s ten years old. They signed no documents. He’s doing Mob a favor, letting him come with him to his jobs. Now he’s paying Mob a modest wage that no other ten-year-old is making. Reigen’s neck is starting to feel moist. 

He doesn’t turn on his air conditioning that night. 

—

He’s trying not to care. But it’s hard — it’s so damn hard — when Mob looks at him with such open and baring trust, as though he’s placed his heart in Reigen’s hands and knows that he’ll squeeze it to keep it beating. He does it every day, nestling his backpack between the two cardboard stands of his makeshift desk, and watches Reigen with rapt attention, analyzing every move he makes.

“How do you do it, Shishou?” 

Reigen glances up from his desk, seconds after he had bit into his burger, the paper crinkling noisily in his hand. “Do what?” he says eloquently around his wad of burger.

“How do you keep it inside instead of it going out?”

Reigen’s mouth feels like paste, and he swallows the burger with difficulty. He stares at the corner of his office, searching for something to say. (A small voice tells him that he’s way over his head — another argues that he’s just a kid, really; how bad can it be?) The bun of the burger had formed a thin layer of mush behind his teeth, and he buys time by cleaning it out with his tongue. 

“Well,” Reigen says, and clears his throat when his voice cracks at the end syllable. “I’m doing it just like you are now. I stay calm. Remember the knife.” He forms his hand into a fist, wiggling around an invisible knife. “I’m in control. So are you. It’s not something to fear.” He offers a small smile. “I learn to trust myself, Mob. In time, you will, too.”

And there it is again, that look of raw hope. Reigen doesn’t have the heart to discourage it, so he smiles wider, encouragingly, before retreating to his laptop, burger forgotten beside him. 

An hour later, with no show of new clients, he tells Mob to go home. But even after the door closes, Reigen can’t escape that wide-eyed stare, that desperate gaze, where the ten-year-old boy places his trust in a stranger, fastening a rope between them both and never letting go.

That old pit is forming again at the base of his gut. He disregards it at hunger, and he eats the rest of his burger.

———

It’s been three months since that day they met at the consultation office. Roughly. Reigen hasn’t kept count, with the volume of clients growing and his schedule growing in tandem each week. He’s noticed that the seasons have changed, though, because Reigen doesn’t have to turn his air conditioner on nearly as often, and that cuts back on costs, which Reigen  always remembers. Mob comes in later in the afternoon, bundled in a scarf but otherwise as plain as the day Reigen met him. He says hello. Reigen replies with a wave of his hand, preoccupied with the emails left in his inbox. Regardless of the internet traffic, he’s made no new clients today, and he’s sporting a migraine. He barely notices Mob staring at him expectantly at his desk. 

“Nothing today, Mob,” Reigen grunts. “Feel free to… do your homework or something. Or leave.”  Without pay , Reigen adds. This migraine is making him particularly moody. 

Minutes pass, he thinks, as Reigen is staring blearily at his computer screen, an ache settling at the back of his eyes, scrolling up and down his read and replied files. He might have spaced out, or completely forgotten where he was, because he jumps slightly at the sound of paper sliding across his desk. He looks past his computer screen to see Mob’s eyes peek over the desk, through his mop of black hair, as a tiny hand pushes a sheet filled with scribbles toward him. Reigen picks it up and squints at it.

It’s a drawing. There’s lots of swirls — greens and blues and pinks — and shapes and a form that, after a bit of deliberation, looks like a man in a black-grey shirt with a thin wispy line of pink on his chest, with bright orange hair that’s fringed at every turn and a crooked smile in thick black crayon. Reigen looks to Mob for answers.

Mob looks embarrassed. “For you. We drew it in class.”  

And then there’s a light above his head. It’s an old, dusty light stolen from a hardware store, but it flickers to life over his head as Reigen stares at the page. The squiggly man is him, smiling in front of a crooked building with too many windows but with the sign — his sign — drawn squarely at the center of the building:  Spirts n Such Consoltashun. 

Something gets warm in his chest — something that replaces the black stewing pit — that makes him stare at the page for a moment longer. The warmth is not explosive — just a little ember, sitting at the center of his ribcage — but it’s enough for Reigen to know.

His do-not-care policy is quickly coming to an end.

--

He thanks Mob, of course, and tells him it looks great, even though, objectively, it doesn’t. Most ten-year-olds grow to draw more recognizable images, so if there was an art contest, Mob would most definitively be in last place. But he keeps it. He doesn’t know why, but when Mob leaves, Reigen searches for an empty manilla folder, digging through old cardboard boxes packed in the massage room, discarding less important paperwork — taxes, mostly — to find a somewhat fresh folder. Shaking off layers of dust from himself and his papers, he presses the drawing gently into the folder, repositioning the edges so it fits perfectly inside. It’s bright and colorful and so unlike the papers he’s read for years on end.

He stares at it for a long time.

—

It is not a one-time occurrence.

It happens infrequently, but Reigen knows when he’s about to get them. Mob walks into the office in a rush, both too slow and fast at the same time, shoulders hunched but eyes wide and clear, nibbling the bottom of his lip with nervous energy. He slips his backpack down, almost toppling his desk over, and then he opens it, the sound of paper crinkling as Mob ruins his homework but oh-so-carefully withdraws a new piece of art, this time with different colors, this time with different scenery. But the characters are always the same — him and Mob, sometimes lounging in the office, sometimes exorcising a spirit in a warehouse (he shouldn’t be concerned, but he hopes Mob’s teachers don’t talk amongst themselves about Mob’s new master and his continued encouragement of these macabre fantasies of spirits and demons). 

Each day Reigen thanks him for them and places them in his manilla folder, each pressed carefully over the other. He’s not sure what to do with them, so he keeps them there where they can’t be damaged by stray crumbs or toppled coffee. They stay in a cabinet next to his desk when they’re not lying on display on his desk, nestled between his lease paperwork and old client contacts. Sometimes, Reigen forgets about them completely.

Until, of course, the next drawing comes.

——

It’s sometime in winter when Reigen finally invites Mob to get ramen after work for the first time ever. It’s cold and dark and, even though there is no forecast for snow, the air smells just like the beginning of snowfall in Seasoning City, where the acrid smoke of the city clears into this sort of musky, oak-like smell. Reigen is tired and hungry and, when he looks at the clock on his phone, deliberates how exhausting it would be for him to stick a cup of noodles in the microwave and let it bake until his eyes start watering. He sighs and stares up at the night sky.

“Let’s get ramen.” 

Mob makes a noise beside him, something like cough or sneeze, and his eyebrows stretch skyward underneath his hair. “Really?” he asks. His tone reminds him of the first time Reigen gave him his pay. Reigen bites the inside of his cheek and finds it difficult to stare at Mob for longer than a second. 

“Yeah. I don’t want to cook anything in this weather. S’gonna be a long night, so might as well take a break while I can. Come on.”

He leads the kid to a ramen stall, where they greet the cook and settle in their seats. He orders for them both, with a decidedly smaller bowl for Mob. Mob continues thanking Reigen even when he tells him to stop, and by the fourth time, Reigen is getting annoyed.

“Oi, don’t expect me to make a habit of this. This is a one-time thing.  And this is coming out of your salary.”

Mob sobers after this and eats his ramen silently, but he still radiates this warmth that stays in Reigen’s chest for a long while, so faint and threadbare that he doesn’t even notice it until he opens the door to his apartment and is greeted by grey walls and papers strewn haphazardly over his couches, his year-old lights flickering their last sputters of light, and he realizes how good he felt in that ramen store, and how tired he feels in here.

Getting ramen does not stay a one-time thing.

——

It’s an off-day again. Reigen tells Mob to go home and then closes his office early, tucking old files below his armpit to take home with him. The weather is dark and gloomy that afternoon, which always raises people’s superstitions, which always lead to more clients, but apparently everyone is of clear mind today and hasn’t felt the need to call any psychics. Reigen can weather out the lax in calls, but he may be turning off his water for a while.

When he walks into his apartment, he scrubs the crust out of his eyes with the back of his palm, leaving his vision spotty, and he bumps into his kitchen counter. He stumbles and the files spill out from under his arm like a waterfall, and Reigen’s sigh echoes against the white tile. He bends down to pick up an unusually colorful paper.

He blinks. It’s a kid’s drawing, full of scribbles and squares, with a familiar man with orange hair and a pink tie grinning at him in thick black crayon. He looks to the rest of the spilled paperwork and sees those same familiar swirls of color. He must have accidentally added the manilla folder with his bills. 

He gently extracts each one from the ground, regards his kitchen counter with a frown, and scrubs a corner of it clean to rest the papers on. His bills he’s less gentle with, crinkling in his grip, and these he throws onto his couch to pool over after his shower. 

He doesn’t come up with his idea until after he’s out of the shower, towel over his shoulders, scrubbing at his still-wet hair and a toothbrush dangling in his mouth, and he walks back to the kitchen to stare at the blank surface of his refrigerator. The grey and orange and green is still bright at the corner of his eye. He huffs a breath of air out of his nose, a sort of “huh” noise that’s gargled by toothpaste, and realizes that he probably could have thought of this long ago. 

He tosses his towel to the side and starts rummaging through his kitchen drawers in search of magnets. 

The other papers lying on the couch are long forgotten.

--

“Shishou?”

Mob’s hand is still on the door handle when he stops in his tracks and stares at his master, who looks a little strange. He’s balancing at the top of his rolling chair, legs shakingly supporting the older man’s weight, as he’s pulling things from the wall and letting them fall onto the ground below. His suit jacket is discarded on his desk, and his tie is thrown over his shoulder. He looks especially sweaty up there. He also looks like he’s going to fall. 

Reigen glances over his shoulder, and the chair wobbles below him. “Oh! Mob. Good.” Reigen’s voice is strained, like he’s out of breath, and the mere act of swiveling his head around is using up too much energy. There are beads of sweat on his face. He motions Mob inside with a jerk of his head. “Help me out over here. Grab those posters on the floor and put them in the trash. Then grab my chair for me so I can get down.” 

Mob obediently enters, setting his backpack down next to his new desk — wooden and portable, something Reigen had bought at an online auction for less than a thousand yen, and so much better than the amalgamation of cardboard and wood and scratchy tablecloth — and goes to pick up the scraps of paper lying on the floor. They all look like posters of a younger Reigen, with his smile of too-many-teeth and flashy colors behind him. One looks out of place, of a man with black hair and a vacant gaze, with a name starting with “Mo” behind him. That one is torn. 

“Shishou, don’t you need these--?”

“Bah.” Reigen waves a hand. The chair gets even shakier. “Outdated. Don’t need them. Now hurry up, Mob. I’m gonna fall.” 

Mob rushes to throw the posters in the waste bin, which is too small and the paper scraps pool out around it. Then he rushes over to Reigen, who is huffing and puffing as though he ran several kilos, even though all he did was stand on a chair. Mob holds it steady as Reigen slowly crawls down. He radiates sweat, and when he tries to wipe his face, more sweat from his hand replaces it. 

“Good job,” Reigen pants. Mob stares at the torn posters.

“Why didn’t you just use your powers to take them down, Shishou?”

Reigen coughs and then barks out a laugh. “Oh, Mob,” he tuts. “There’s no need to use my powers for such trivial things. I can’t be reliant solely on the one thing I’m good at. Sometimes it’s good to be dependent on your own physical strength. Plus,” he coughs, “I just took down a major spirit this morning. I have to, ah, save up my remaining energy for later.”

Mob stares at his wise master and nods sagely. “Okay.” They both elect to stare at the wall which, in this case, is still not empty. “What’s that?” 

An empty cork board sits on the wall before them. It must have held the rest of Reigen’s old posters and advertisements, and now it’s completely bare. It makes the room feel a lot bigger. 

Reigen clasps a sweaty hand on Mob’s shoulder. “A client-satisfaction board, my apprentice. Here, we’ll fill it with photos taken with clients after our jobs. It gives future clients a piece of mind. A bit of security, knowing we do our job well.”

“Oh,” says Mob. He looks to his shoes and thinks. “But we don’t have any client-satisfaction pictures.”

“Not yet, Mob.” Reigen rummages under his jacket, which still lies on the desk, and pulls out what even Mob can recognize as a cheap plastic camera. “But we soon will. Here.” He spins the camera around to point at them and leans over to Mob, who stares unblinkingly at the camera lens. The device clicks, and Reigen spins it around to see the finished picture. All they see is a brown blur. 

“Ah,” Reigen grunts. “One more time.” They take another photo. They spin it around. This time, Mob can see both him and Reigen staring at the camera, Reigen with his hair stuck to his forehead and grin crooked, and Mob in midway blink. 

“Perfect,” Reigen says. He sets the camera down. “And one more thing.” 

He produces a folder from under his desk. It’s plain and tan and it looks like all the rest in Reigen’s office, but when he opens it, Mob can see some familiar scribbles. He cranes his head over the desk to see what Reigen’s doing with them, as the man pulls one, two, three from the pile and then rummages in a small box of thumbtacks. Reigen crosses the office and sticks the drawings crookedly on the corkboard, in a pattern that suggests he expects to put more photos around them, with wide space between each. They gleam in the afternoon sun, his drawings from school, that feature him and Reigen eating burgers in the office and exorcising spirits in the park. 

“There,” Reigen says, arms folded over his chest, satisfied. He glances over to Mob. “Look good?” 

The sun strikes the pictures just right, forcing Mob to squint at them as they make the office feel brighter. The little esper looks to his master, then to the corkboard, then to the folder that sits silently at the desk. After a long moment (and Reigen is starting to sweat again), he nods. He doesn’t even realize he’s smiling.

“Yeah,” Mob says, soft and quiet in the tiny Spirits and Such Consultation Office. “Looks good.”

--

In Reigen’s apartment, there are still papers strewn across the couch,  the walls are grey, and the air is stale and smells like old ramen. There are dirty dishes in the sink and the counter could use a good wipe, and Reigen forgot to turn off the air conditioner when he left for work. 

And in the kitchen, hanging on the refrigerator by half-faded blue and pink magnets, rustling in the still-running air conditioner, are five of Mob’s drawings, shining proudly in the dying sunlight.