#relationship to take the lead in this plotline. his sister is literally right there. it wouldnt have been hard to swap her in either because

[the-judicial-assistants-notebook]

why didn't they just use franziska for literally all of this.

[saffronique]

I Read Leopardstar's Honor So You Don't Have To: A Review (Not Spoiler Free)

Oh Leopardstar. A cat who has long divided the fanbase as a leader beloved by some and despised by others. After years of waiting (for some) she was finally given her own super edition. In a word it was... underwhelming.

Introduction:

The book opens during Leopardstar's kithood days. The first scene is adorably heartwarming- readers are treated to Leopardkit and her denmates playing the warriors version of hide and seek, and there are some absolutely adorable moments here, such as Crookedjaw helping Leopardkit escape the seeker by whisking her away on his back, and Mudfur doting on his daughter. The scene takes a sharp turn when Skykit, one of Leopardkit's denmates, lures her away from the group to shove her head underwater and berate her for giving away Skykit's hiding place in the last round of hide and seek. Skykit's actions are startlingly cruel here, as she tells Leopardkit that she's a rotten kit that killed her own mother and that she is doomed to the dark forest like all the other murderers. This understandably disturbs and traumatizes Leopardkit, and when she speaks to her father about it, Mudfur reassures her that she is good, and that Brightsky came to him in a dream to say that Leopardkit will one day save RiverClan. Leopardkit latches on to this dream, and the book follows her through relatively disjointed moments in her life as she tries to live up to her destiny.

Pacing:

The pacing of the book is an absolute nightmare. We don't spend long enough in any one part of Leopardstar's life to see her have any meaningful interactions with other cats, and thus the majority of the relationships she has seem surface level at best, forced at worse, with Whiteclaw being a notable exception. She spends maybe 3 chapters as a kit, 3 as an apprentice, 3 as a warrior, 2 as a mentor, and so on. As a result, we don't actually get the opportunity to see Leopardstar learning or struggling in a meaningful way at any point. We're TOLD she's a hard worker, that she's dedicated and loyal, but the book gives you little chance to actually see it. The book slows down long enough to force an almost love story with Frogtail, which Leopardstar ultimately gives up on to focus on her work, but then a few chapters later Frogtail is dead and it's back to jumping around through her life.

The book really suffers from a lack of side characters and relationships to help things feel connected. The only real through line is this silly dream from Mudfur-not even an official prophecy- that Leopardstar focuses on to the exclusion of all else. Compare this to Crookedstar's Promise and Bluestar's Prophecy- while both books feature a greater destiny that the characters focus on throughout the book, they are given the chance to develop meaningful relationships that last for large chunks of the book. Bluestar has her relationship with her sister and her rivalry with Thistleclaw, and even her friendship with Thrushpelt, all of which allow her story to feel genuine and naturally lend themselves to interesting subplots. Crookedstar has his relationship with Mapleshade, his romance with Willowbreeze, his desire to prove himself to his mother- again, all things that make him feel like a well rounded, multifaceted character. Leopardstar has her dream, and ONLY her dream. None of her friendships last more than a few chapters before the other character is killed off. Her most meaningful relationship, with her apprentice and adopted son Whiteclaw, has the potential to round out Leopardstar's character, but Whiteclaw's fate has been predetermined. We all know he's going to die in the gorge because we see it happen in Fire and Ice. After Whiteclaw's death, Leopardstar briefly has a compelling relationship with Silverstream after she discovers her relationship with Graystripe. Silverstream and Leopardstar have opposing priorities of love and duty, and the interactions between them are an interesting insight into both characters. Silverstream actively rebukes Leopardstar's mindset and challenges her priorities, something that would have been invaluable in making Leopardstar's choice to join Tigerstar seem more consequential. But Silverstream too is doomed to die, and by the time the book reaches its climax, Mudfur is the only cat left to challenge Leopardstar's choices. Instead of letting the rift between father and daughter build, Leopardstar has no problem simply banishing her father and medicine cat for disagreeing with her. No one that she cares about is left to challenge her for her decisions, and thus there are no real stakes to the choices she makes. Sure, Stonefur dies and its awful, but the book doesn't bother to develop any real friendship or camaraderie between the two, so it doesn't feel as impactful as it should. The book concludes with Leopardstar understanding that she's wrong and Mudfur convincing her that she's going to save the Clan from the disaster she helped create. At the very least, Leopardstar seems to understand the problems with this and points out that it's not really her saving the Clans, its Firestar. This is completely true, as she has no role in Tigerstar's downfall and no role in stopping Scourge. The best that can be said for Leopardstar is that she doesn't get in the way of Firestar here.

She faces no real struggles aside from her father's doubt as to her ability to lead, a dynamic already witnessed between Brambleberry and Crookedstar and done much better.

Awful editing:

This book suffers from an almost unbelievable lack of care on the part of the editors, with big chunks of text very obviously cut and pasted to different parts of the story without any effort to edit out nonsequitors. The most painful instance of this revolves around Stormpaw and Featherpaw's apprenticeship. In one scene, Leopardstar comments on the fact that Primrosekit and Pikekit will be made apprentices any day (Reedkit is inexplicably absent here, and Perchkit seems to have died offscreen though it is never mentioned) and notes that Stormkit and Featherkit still have their kit fluff and look tiny next to their older denmates. A couple paragraphs later, we see Featherkit and Stormkit being apprenticed to Mistyfoot and Stonefur, in a paragraph that EXPLICITLY STATES that it's the very next day. The other kits have mysteriously been apprenticed already. Boulder and Jaggedtooth of ShadowClan are inexplicably present at the ceremony, despite there being no mention of their arrival at any point and Leopardstar refusing Tigerstar's offer to join their two Clans together the day before. A few pages later (yes, literally just pages later, that's how atrocious the pacing is) we cut to a battle between RiverClan and ThunderClan at the Sunningrocks, where Stonefur and Mistyfoot's parentage is revealed. Leopardstar doesn't actually hear this, but she does overhear them discussing it in the most painfully forced way possible moments later. Leopardstar finds herself absolutely HORRIFIED that she's apprenticed two half-Clan cats to half-Clan mentors.... and then a few chapters later, after forming TigerClan, Tigerstar asks her if she still intends to make Mistyfoot and Stonefur mentors to Featherkit and Stormkit despite their parentage, to which Leopardstar responds that they are still loyal RiverClan warriors. Yes, I'm serious.

Leopardstar's character:

This super edition is nothing but a showcase of the absolute worst aspects of Leopardstar as a character. Throughout the book she is shown as racist, battle hungry, self-centered, foolish, and utterly lacking in compassion or even pity for any Clan other than her own. She is constantly making racist generalizations about cats from other Clans, actively wishes for WindClan's downfall, sides with Tigerstar simply because Fireheart is a kittypet, and, perhaps most disturbingly, tries to murder Fireheart in cold blood because of his kittypet background. This book literally does nothing to endear the reader to Leopardstar, it makes her out to be the most despicable, honorless cat imaginable. And honestly, if you're not a Leopardstar fan, I think that's one of the most compelling things about this book. The desire to see what atrocities Leopardstar would commit next was what kept me interested in the story, honestly it was the only reason I finished it. There was something morbidly fascinating about watching a character so self absorbed and lacking in compassion interact with the world around her. It was enjoyable in a way to see a character so deeply set in the beliefs that the series has repeatedly established as wrong time and time again. Pacing and editing aside, this difference in philosophy is a breath of fresh air after the same recycled plotlines and moral messages that the series has been using for years. This book isn't going to make you like Leopardstar, but it is going to make you love to hate her.

What the book did right:

While there were very few positives to the book, it wasn't completely lacking in value. The book succeeded in developing a deeply meaningful relationship between Whiteclaw and Leopardstar that, thankfully, wasn't a romance. Their mother/son and mentor/apprentice relationship does a good job at setting up Leopardstar's grudge against ThunderClan over Whiteclaw's death as we see it play out in the first arc. Honestly, Leopardstar as a character would have been served far better if this had just been a novella detailing the relationship between these two. That was probably the only real thing of value in the book, honestly. Aside from that, Frogtail and Leopardstar's relationship, while I personally found it completely unnecessary, addressed a topic I've been hoping to see in warriors for a while now-- two characters who love each other but decide that the things they want out of life are mutually incompatible, and part ways amicably. Leafpool x Crowfeather and Bluestar x Oakheart both almost did this, but fell short because it was only ever really one character who decided to end the relationship. Unfortunately, the value in this message is somewhat diminished by the fact that Leopardstar later laments multiple times that she should've given up on her goals and just had kits with Frogtail instead, an absolutely disgusting conclusion that plays into the recurring problem of misogyny in warriors where women aren't allowed to be both mothers and hold a position of power, they have to choose between the two.

All in all, this Super Edition is easily the worst so far in terms of plot, pacing, and writing, but I still found some enjoyment in reading the perspective of such a selfish, cruel protagonist.

[kerakitty]

Hugo Lives AU Headcanons

Just wanted to share some headcanons from my Hugo Lives/Best Music Teacher Scarlemagne AU. Some of these might become fics at some point (a la A Gentler Night), but most are just fun little ideas. This post is pretty long, so headcanons are under the break.

Hugo spends season 3 in a more humane cell. The cell used in the actual show is nothing short of a literal torture chamber. No bed, no toilet, no privacy, no enrichment, no access to water. US solitary confinement cells still provide access to bedding and hygiene facilities, and even those are deemed inhumane by human rights groups like Amnesty International. In my HC, he instead is housed in a converted studio apartment style dwelling in Timbercat Village. The windows are covered with the same (presumably plexiglass) material that the cell in the show was made of. There’s a bathroom, a bed, and access to fresh water. There’s a sort of visiting area at the front of the cell with more plexiglass providing a barrier between the visitor side and the interior of the cell. There’s seating on each side of the barrier and a table on the visitor side. The barrier has a slot like the one in the show, but instead of being used solely for food, visitors are allowed to also transfer small items (e.g. books, puzzles, clothing, a certain star blanket). Items too big for the slot require approval from at least 2 out of 3 of the following individuals: Kipo, Lio, and Yumyan (Molly inherits Yumyan’s vote after he’s cured). The first large item to be approved is the electric keyboard Song gave him in It’s a Trap. In my HC he gets it a lot earlier. Kipo points out that he was more open to communicating when they played the piano together, so it’s given in the hopes that it’ll help with rehabilitation. He also has sound cancelling headphones to plug into the keyboard because having to listen to banjo makes him extra irritable and harder to deal with.

The Oak family spends way more time together. The family dynamics shown in the first 2 seasons are mostly put aside in season 3 in favor of the cure plotline, and I think this was a real loss. We got a little bit in Song ReMix and Wolf in Wolf’s Clothing, but I wanted a lot more. Inspired by @editoress , Hugo and Kipo jam regularly. She brings a guitar and they play and compose together. For Hugo, it’s the one bright spot in his incarceration. For Kipo it’s fun, but also how she tries to reach him. He’s more willing to talk when there’s music involved, though he still shuts down at certain topics. They also play board games with Kipo moving his pieces for him. Kipo has suggested he play with others as well, but he doesn’t trust anyone else not to cheat. Song listens in all the time. Both when Hugo and Kipo are jamming, or when one of them is playing on their own. She and the rest of the Oak family slowly build up an informal sign language for her to use. Some of it is based on ASL, but much of it is unique to them given their rather unique situation and Song’s extra limbs. The first thing she signs is ‘I love you’. Lio visits Hugo in the hopes of patching things up. I won’t go into too much detail on this one as I’m already writing the fic, but Lio goes to visit and they start to hash things out. The process long and difficult, but they make progress. Lio and Song both take an active roll in reining Kipo in when she tries to take on more responsibility than she can handle. Kipo is all too eager to play savior, even when doing so puts her health and safety at risk. Lio runs interference when the mutes are asking too much of her and Song has been known to pick her up and place her in front of her room then sign ‘sleep’ when she’s been awake too long.

Hugo is injured the crash. I already wrote a fic about this, so again: not going into detail. He survives with a few busted ribs then spends his recovery with the rest of the Oak family. He initially stays in the hospital, but eventually moves with the rest of the family into a restored house.

The Oak family finally gets to live together. After the series’ end, the humans (and any displaced mutes) pick out houses on the surface. These houses are then fixed up by the Timbercats. Song and Kipo choose the family’s house together. Wolf really only cares about having reliable shelter and Lio is just happy to have the whole family together. There’s 3 bedrooms, so initially Wolf and Kipo share out of necessity while Hugo’s using the third room. He moves out a couple months after recovering and into a Victorian-style mansion in what used to be one of the wealthier neighborhoods of Las Vistas. As much as he enjoyed spending time with the family their tastes just aren’t as refined as his and he needs room for his baby grand and a proper art studio. After Hugo moves out, Kipo and Wolf still share a room. Lio and Song make it clear that they can have their own rooms if they want, but they both express that they’d rather stay together. Until they decide otherwise, the 3rd bedroom is used as guest room/informal music studio.

The family has weekly game nights. Friends can come too (Benson and Dave are regulars), but the core group is the Oak family. When they have too many players, they’ll pair up in teams. Wolf and Hugo are not allowed to be on a team together. They did that once while playing RISK and not only utterly destroyed everyone else, they started acting like supervillains. They took it way too far.

Lio and Hugo reconcile… eventually. Even after the progress they made during season 3, things are still rough between them for a while. Hugo remains somewhat antagonistic towards Lio for much of his recovery. He does try to be better, but his default reaction to emotional discomfort is to verbally lash out at others and, given their history, Lio makes for a tempting target. Over time, and with a lot of work, the antagonism fades into good-natured ribbing. Hugo still crosses the line at times, but isn’t as slow to admit to fault and apologize. Every now and then an argument will break out. While Hugo isn’t as obstinate as he used to be, there are still times when he gets defensive and escalates rather than accept that he may have gone too far. The relationship is still pretty strained by the time Hugo moves out, but having his own space allows him and Lio to find a sort of balance. They can see each other whenever they want, but also have distance whenever they need it.

Hugo becomes a music teacher. The idea was Kipo’s. Given his love of music and how good he was with the mute kids, it just made sense to her. In a rare moment of agreement, Lio and Hugo both point out that most parents in Las Vistas would probably object to a former dictator (who may have mind controlled them) teaching their children. Song eventually comes up with the suggestion to start out giving private piano lessons. The parents of the mute kids he played with back at Timbercat village have formed a grudging trust for him, so they might be willing. Hugo exclusively gives private lessons for about a year. His students love the lessons (even when he gets a little manic) and their parents come to see him in a new light. Over that year, word of mouth reaches most of Las Vistas, and the idea of him teaching at the school becomes less and less objectionable. The school initially hires him on a part-time basis to test the waters, and he’s okay with that as it leaves him plenty of time for his private lesson students. Music and band rapidly become the most popular classes among students, and the school offers Hugo full-time hours. He accepts, but only at the start of the new school year. He adores his private lesson students and doesn’t want to just drop them. He gives extra private lessons in the months leading up to the new year, making sure each kid is confident in their abilities before they ‘graduate’ from his tutelage. At each kid’s final lesson, he lets them know that they can come by every now and then if they have questions or just want to jam. Every single one of them takes him up on the offer. The whole Oak family is immensely proud of Hugo, but none more so than Lio. Lio was the one who taught Hugo to play, and it was their favorite way to bond back in the old burrow. Seeing Hugo pass along the gift of music and get so much joy out of doing so makes Lio happy and proud in a way that makes his heart feel so full it might burst.

Wolf and Hugo bond. Neither one of them is initially thrilled to have the other as an adoptive sibling, but during Hugo’s recovery they begin to realize they have a lot in common. Mostly a pink-haired sister and taste for violence, but every relationship starts somewhere. After the RISK incident, they’re thick as thieves. They both still prefer Kipo over each other, but they’re partners in crime now. They continue to bring out the worst in each other.

That’s it for now! I have more, but I’ll save them for another post. This one is already super long.

[skullsandwineglasses]

You Are My Hero (2021) Review

Overall impression: The drama started off really cute and promising in the first half, but was weak and underwhelming in the second half. In-depth review below (with spoilers).

A cute and fluffy romance premise

Right off the bat, the love story between the leads is tropey as hell, but manages to not be tacky and is actually really endearing. The ML, a SWAT officer, rescues the FL, an aspiring neurosurgery medical resident, from a bank robbery 2 years ago. They leave a lasting impression on each other, but don't keep in touch afterwards. The FL never sees his face because he's wearing a mask, but the ML remembers her name. 

Fate brings them together again 2 years later when the FL enrolls in an emergency rescue training camp that’s supervised by the ML. He recognizes her and falls for her immediately, but she doesn’t know he’s the one who rescued her years ago. 

Their relationship starts off rocky, similar to how a CEO romance would start: the ML first appears cold and distanced, strict and brooding, but actually has a huge soft spot for the FL. The FL is put off by his coldness, but is sometimes surprised as random moments of tenderness. When the training camp is complete, the ML becomes a cute and awkward lovesick puppy who tries to figure out how to woo the FL because this is his first time (and hers) falling in love. It’s fun seeing him become so flustered around her when he’s usually so calm, collected, and in control as the leader of a SWAT team. 

On other hand, the FL slow falls for the ML when he reveals a more real and vulnerable side of himself. They banter a lot, but she slowly warms up to him. 

And as a no-nonsense drama, the two leads acknowledge their feelings for each other quickly (although they haven't directly admitted it to each other yet). They're in the awkward phase of attraction and going on semi-dates, but they haven't defined the relationship yet. *Sigh* First love. 

Things I enjoyed

I appreciate that although the FL is a Mary Sue, she does make mistakes. She's smart, but she isn't the top of her class. She’s kind and selfless, but she also isn’t overly tolerant of people. When people overstep their boundaries and are unjust to her, she’ll confront them. Ma Sichun is such a natural actress. She can do cute and flirty, she can be clueless and lost, she can be confident and in control, she can be angry and indignant. I especially loved her character’s adorable interactions with her best friend Xiao Xia. 

The acting in this drama was all around great. It’s probably the best part of the drama. It was so comfortable and fun to watch. I think AvenueX described it best: the acting in the drama was so natural that sometimes it felt like the actors broke character but the director kept the take. Some of the laughing, giggling, and gestures felt so genuine that you wonder if it was improvised, scripted, or a blooper scene that became canon.

I like how the FL and ML are each experts in their respective fields. They have very separate careers that occasionally intersect. I'm tired of CEO dramas where the FL is working for the ML, or there are class differences between them. Instead in this drama, the FL faces problems everyday at work that the ML doesn't know about. Her problems do not relate to him at all. She has problems that he can't understand or help with. Likewise, he also goes on missions that she isn't aware of. They work in completely different fields with different skill sets. They even talk about how their philosophies differ. Her job is to save lives but not make moral judgments of character, while his job is to enforce the law, which is all about assessing character. Where their careers do intersect, is the goal of saving others and putting others first before themselves. 

Another dynamic of the relationship that I really like is that the FL and ML are always occupied and on the move because of their professions, and yet, their loyalty and devotion to each other never change. They are each other's rock. Despite encountering so many different situations and people, despite all of the chaos and noise from their careers, nothing can really outweigh how important they are to each other. Despite being out in the field, far away from home, their hearts are anchored to each other. I just like this trope a lot, i.e., the trope of being away from home, but remaining true and loyal and unwavering. Despite having bigger and more important things in the world to deal with, their ultimate dream is wanting to just spend some time together. It's analogous to how in ancient period dramas, there are generals who command armies and and maintain a strictly professional demeanor and don't mention a word about their family to their soldiers, but when the general retires to his tent at night, he's writing a long and thoughtful letter home, because his loved one was on his mind all day. 

The supporting characters are great, but I do like the older and mature supporting couple (Xing Ke Yao and Shao Yu Han) more than the younger supporting couple (Xiao Xia and Shu When Bo), despite the actors playing the younger couple being literally my age. I also appreciate how the FL has multiple close friends who are quite separate from each other, instead of just the single token sidekick best friend (although the second half of the drama does just focus on one of her main friends). It's relatable because we all have different groups of friends. We have friends from high school, we have friends from college, and we have friends from work. Most of these friends are kept separate, and sometimes they interact. But I like how this drama shows that the FL has a small network of friends from different walks of life. 

Things I didn’t enjoy as much

The plot derailed and lost its charm after episode 30. There were fewer hospital cases, and the ML had to complete a mission that I had no interest in following. There was no other point to the superfluous mission besides to show that the ML has a busy and demanding job that prevents him from being at the FL’s side when she needs him the most. 

I also really, really disliked the introduction of the random love rival in episode 31 just to try to stir some angst. The plot device was pointless because in the end, there was no angst because the leads have a strong and healthy relationship, and so the love rival’s attempt at sabotaging the relationship was just laughable and completely random. It just disrupted the mood and pacing of the drama because that plotline just came out of the blue. It was just so annoying seeing the love rival and her sister cause trouble and wreak havoc in the FL’s workplace. 

The drama did a good job at showing how the leads put their careers first, which caused strain and tension in their relationship that they tend to ignore. But, the drama never explores this further, even though it’s a very real problem that many career-driven and ambitious couples face. The drama presents a very idealized vision of a relationship between a police officer and a doctor. Like when the FL leaves for a special research and training program in the States, the drama shows that the leads breezed through the two-year long distance relationship in a quick montage. They had no issue in communication. Yes, they miss each other, but they’re blissful. But what kind of long distance relationship has no bumps in it? The drama also implies that they never saw each other in person during two years (in the final episode, Xing Ke Lei squeezed her arms and said that since they haven’t seen each other in 2 years, he had to check if she was missing anything), which is highly unrealistic. Was she never able to go back home for the holidays? Did Xing Ke Lei, whose parents live and work overseas, never bother to visit his girlfriend? Overall, it seemed a little off to me that despite the budding tension and issues they’ve been having between them, they were able to overcome a long distance relationship so easily. You could argue that they’re used to long separations because of their work, and the drama has shown that they’re used to communicating over video calls, but I was just a little disappointed that they rushed this final plotline when so much more could have been done with it. 

Speaking of parents, we never actually got to see their parents. I understand that the parents are not relevant to the focus of the story, but the parents are rarely even mentioned, which further makes the romance in the story seem too idealistic. Whether it’s a near-death situation, getting engaged, or studying abroad for 2 years, the FL never mentions talking to her parents about these decisions and life changes. The drama handwaves the parents’ absence and lack of influence by having the FL mention early in the drama that her parents are busy with their business back home, so they don’t have time to worry about her. She also no longer bothers to update them about her work because she’s afraid they’ll be worried about her. And then from there, we never hear the FL mention her parents again. It’s just so weird to see that the most important person in her life is the ML and she only ever talks about major life choices with her friends. I mean, if the plot had said that she didn’t have a family, it wouldn’t have mattered. But the fact that she does mention her parents, but they’re completely absent and non-existent just felt a little off, like something was missing. But in the grand scheme of things, this is not really an issue. I’m just nit-picking. 

Lastly, I just want to comment on Bai Jingting as Xing Ke Lei. I admit that he sells the part well. At first I was skeptical about Bai Jingting as a SWAT officer because of how skinny and baby-faced he is, but he actually pulls it off surprisingly well and has some unexpectedly good chemistry with Ma Sichun too. Although during moments when he isn't talking and we're just left with his resting face, I'm suddenly hit by how young he looks, but then he speaks or is back in uniform and again, the gestalt shift goes back to Xing Ke Lei, the handsome SWAT officer. They made a point of showing how muscled his arms are, which was a little jarring to see in comparison to his youthful face, not gonna lie. So, while I liked him as Xing Ke Lei, it was a little distracting switching back and forth between seeing him as a really young, adolescent-looking actor, and him as the broad-chested character. 

Should you watch?

All in all, a really cute and easy-to-watch drama with some thoughtful and sentimental moments. Very fluffy. Minimal to no misunderstandings. Charming characters. There are the storylines of three couples with medical/police subplots interweaved between the romance. On bilibili, some people even edited clips of the drama with theme songs from TVB medical and police dramas like The Hippocractic Crush and Tiger Cubs. So, as someone who grew up with TVB dramas, it was nostalgic to see those thematic parallels. 

But, the drama does lose steam in the last 10 or so episodes, and has a lot of filler to stretch it out to 40 episodes. That’s the issue I have with modern dramas. The plot in modern dramas is usually quite basic, and I would argue that the modern romance is easier and less angsty. You either love each other or you don’t. You either are willing to commit or you’re not. There aren’t many external excuses for angst or misunderstandings. (Of course, I’m trivializing things; real life isn’t as easy). 

Still, I would recommend this drama for anyone who’s between dramas. I watched this drama to help me get over the rut I was in because I was going through withdrawal after finishing The Rebel Princess, so I needed a light-hearted drama whose genre was completely different from TRP. And this drama was perfect for breaking that rut. 

Rating: 8/10. Simple, fluffy, and not too much to complain about. I also forgot to talk about the great humour in the drama, but there were many moments when I laughed out loud or couldn’t stop grinning. This is also a drama you can take your time with because there aren’t constant cliff hangers to peg you on. It doesn’t consume your life, and you can pause (although, the first 18 or so episodes are definitely binge-worthy because the development of the leads’ relationship is just too cute, and so they suck you right in). However, while it is one of the better modern romance dramas I’ve watched (and the characters are very consistent), it’s not a very memorable drama. It doesn’t make me linger. I guess it’s because I’m more of a historical and xianxia drama kind of person. So take from that what you will. 

[supercharmed-forever-mine]

On the rating of 10, how do you rate the writing of each legacies characters, why and who deserves better? What aspects should be improved?

I updated some of the opinion for clarity and also added Finch because I forgot her originally

I'll just make a list and go down it and I'm sorry in advance I love responding but I'm horrible at grammar/punctuation and also I might tend to ramble but I'll try to be as concise as possible. It should also be noted anything I state that might possibly relate to ships is a personal opinion and I have nothing against any ships/characters gay or straight/Good or Evil. However would it be said that I definitely mean more towards the gay/Badass with a Golden heart side of shipping with any fandom.

Hope Mikaelson- As of now I would rate her writing at about a 6. And I only say that because as we know a majority of her characters personality slightly has always but this season especially related to her relationship with Landon. And I wish we would see the Badass Tribrid Hope we've been promised since season 1 I mean sure there are no lack of examples of her bravery and martyrdom. But I am tired of her always feeling down on herself and like she's a cosmic mistake when it has literally been proven by Lizzie's wish in season 1 that their life would be infinitely shittier without her. What they can do to improve it is have her focus on friendship and herself instead of trying to always focus on Landon. She deserves more than just to be a boy obsessed character I mean she's the daughter of Klaus F****** Mikaelson for Pete sakes she literally descends from the most powerful supernatural family ever to exist and is rightfully the most powerful being on the f****** planet.

Note: I found Handon's relationship cutesy in season 1 but now not so much especially since they use him dying as a plot line way too often it just doesn't have the same effect that used to***

Josie Saltzman-As of now I would rate her writing at about an 8. I like how her character at least for a while had her own storyline going off the mystic falls High School plotline and how she lived with delena because it was a good call back for us TVD fans but I think it could have definitely lasted longer than a few episodes. We all know it was just used as a lot device to introduce Ethan as a series regular and as an introduction for her to Finch's character. But overall I feel throughout the seasons she has experienced at least some personal growth as exhibited even in 3x15 where she admitted she has to stop saying sorry especially to Lizzie for not always jumping to do what she needs / she wants all the time. Whereas before Android AU version aside because she literally had to do what she was programmed to do. She has an exhibited that she's starting to do what she needs to do for Josie before others most of the time or she's trying to. And as far as her relationship to Finch well I don't see them being endgame I have no problem with them and I do see Finch being one of her major loves of the series that teaches her whatever lesson she needs that leads her to whoever her endgame love is. With her relationships I will always miss Posie and I wish they could get Lulu back at least just for one episode. Also I feel these last two episodes of the girls being a trio they have a really Been serving Hosie with the looks but also I feel like in general Josie and Hope have been really in f****** tune. In conclusion I just don't know because Kaylee's acting skills and just turning general I would rate a billion she could choke me and I would literally thank her.

Lizzie Saltzman-as of now I would rate her at about a 7. I feel as if she has had great personal growth over the series and hell even this season. I also like hell despite everything in her life especially her eternal struggle with her mental illness she is always trying to do better and not just for herself but mainly for others and some people would say that's not good but I like it because it truly shows what she stated in 1x03 during the gargoyle incident that she never wants to be the bad or evil one. She has all this s*** thrown at her being called broken, being seen as the lesser than sister, and not to mention the absentee parents. Yet through all this she manages to only get stronger especially once she builds a genuine friendship with hope. However what I will say is that I don't like the regression of her friendship with Hope in correlation to her progress of especially her mental illness. And what I mean by that is it's almost been shown that once she had even the seeds of a true friendship with Hope that Hope would never give up on her hell not but like even an episode or two into their newly formed friendship in S1 Hope went to Josie when she Lizzie was on the verge of a bad episode and "sweet" Josie was basically like fuck her she needs to fall on her ass for once and Hope ass was appalled y'all she was like Lizzie can't control her brain chemistry and was so defensive/protective it's like once they got over that hurdle that mainly Josie gave them everything clicked into place and they were almost instant bff's. So for them to do so good in season 2 and then it seems like it showed especially in these last several episodes black magic incident to bring Landon back aside that Lizzie's old issues of resentment and jealousy towards hope are starting to come back and I don't like that because the more Lizzie had A Friend in Hope it seems like the better she got at coping and doing better mentally.(sorry if this has been a confusing several sentences). And no by that I do not mean that Lizzie is mental progress has solely relied on Hope but I do think it has helped significantly for her to have a true friend. Also let it be noted now out of every ship though I should Hosie too HIZZIE is my #1 ship on Legacies two phenomenally beautiful woman also the enemies to friends to lovers trope *chef's kiss*which might be plausible as I always wondered what they meant in the Hosie crush confession scene of season 1 when Josie said that she always went after everybody josie liked hinting that Lizzie might be at least bisexual or maybe that was just what Josie perceived at like 12/13 years old. Also on the note of relationships Mizzie was a cute concept at the beginning but I do love the fact that MG is finally finding himself and standing up for himself but he did also do it and I kind of a******-ish way towards Lizzie. And that's all I can say for her. Actually I could probably write a novel on this women and also Hizzie but I won't lol.

Alaric Saltzman- As of now I would give him a rating of like a 4 . In the last several episodes I think he's been trying to make progress at being a better person but that's about all I can say I'm not an anti. But he definitely will not be winning the father of the year award anytime soon and like many people have pointed out he was a great guardian to Elena and Jeremy so he has the potential in parenting he obviously just ain't using it or lost it over the decades. I don't hate him but I do believe they're doing a discredit towards the better man he was in The vampire Diaries especially at the beginning.

Landon Kirby-His writing is like a 3. He is just there to be arm candy for hope. Until the last couple episodes where he became this for once realistic not optimistic hardened badass he literally brought nothing to The season other than someone for Hope to obsess over. And to be someone that they repeatedly kill for shock value even though it literally shocks no one anymore. I don't hate his character but he doesn't tickle My Fancy as much anymore. His character has a lot of potentialy especially if they ever bring back in his Phoenix side and truly explore it beyond his almost endless ability to revive and being a "Bird Boy" lol. I mean truthfully they're doing him a disservice Aria is a phenomenal actor who could take his character places if they just let him be more than a basic ass plot device. Also can we talk about how gorgeous of a man Aria is especially in these last few episodes looking love it and fine as f***.

As it has become apparent to me I ramble too much and I just don't have the capacity as it is now almost 1:00 in the morning my time to do anymore characters in depth so I will be doing a simple excerpt for the rest now that I have done the main 5 people.

Kaleb Hawkins- His writing is a 8. I do like how he's coming to himself over the years and is a a right hand man to Alaric now instead of being just a uncontrollable vampire(the only hate on this part not towards Kaleb but Alaric is that it shows he will virtually mentor/uplift almost any teen that ain't his own daughters). Though in my opinion he always kind of had a point on some things especially about the hypocrisy of Alaric in season 1 especially on the bmood drinking thing. Him and Mg's relationship is awesome I'm glad they made up in the last episode and our brothers again. Also I was rooting for him and Cleo I think they would be a cute little couple. Also I need his backstory immediately especially after saying to Cleo the last time he was vulnerable he died I need to know how he turned.

Milton Greasley(MG)- His writing is a 9 the season. I say that because he is really came into his own and stopped being the punching bag. Though I think the idea or used to think at least that him and Lizzie would be cute together I am proud of him for standing up to Lizzie finally even though I liked him always being there for her I was tired of him being a fallback for her when it didn't work with whoever however I do think he could have went about the rejection a little bit gentler especially with how he knows of Lizzie's emotional problems. And don't even get me started on Alyssa that was just a disaster that should have never even been brought to fruition her cheating with Jed was probably the best thing that could have happened. I liked his little side adventure with Ethan though I do think they could have wrote it a little better I was sad when he had to compel the memories away like they still could have been friends he just couldn't have known about the supernatural stuff also I'm still not convinced Ethan won't become supernatural later in the series if he stays on. And that's all I have to say on that one love my baby.

Jed Tien-His writing I can't really give a writing I don't think it's horrible but I do think overall they could give him a better plot line as a series regular other than just being used for the comical relief eye candy/mentioning how he's the alpha. Though it was funny the whole pool tournament to decide who was alpha will Finch was just exactly that so bad it was laughable. However I do respect the fact that he even admitted to her that he knew she threw the game and that he is a genuine man of his word and has become better over the series from like this dumb jock stereotype to this genuine dude the Alyssa incident aside. He is a cinnamon roll and I will protect him at all cost.

Ethan- Again as he just became a series regular this season and barely showed up in his premiere season. I will not be rating him in any traditional sense. His writing is not totally horrible I liked his adventures with mg they could have been written better and they still could have let him be MG's friend without supernatural knowledge instead of compelling the friendship completely away. And I am still not convinced he will not become supernatural in some way depending on how long he stays in the series truthfully it's actually almost inevitable unless they go the whole route of making him the Matt/Token Human of the show which I really hope they don't I mean he can stay human but don't make him a supernatural hater.

Cleo-her writing is 10. I say that because she has been a phenomenal character and I've never seen the actress before but she is obviously phenomenal as well. I like her whole connection to Malivore and how it's a legitimate one that seems to be interwoven with the story that's already been presented and add something new. I also like how she tried and really wanted to genuinely be friends with all the characters especially hope but at the same time she was also very realistic and new probably and truthfully the only way for Malivore to be defeated was for Hope to Go full Tribrid and she wasn't above actually trying to murder hope to save herself and just get rid of Malivore which I can't blame her.

Malivore-after the end of season 3 / the first couple episodes of season 4 which were supposed to be the original ending to season 3 I better never hear the name again I am so tired of it this should have ended like at least a season ago at this point it's dragging on. This was supposed to be a monster of the week type of series which is okay me personally I have always appreciated having one big bad of the season and then a couple of minor baddies that get their characters arcs and take a few episodes to defeat or something as like a B or C plot. Point being is that this character and plot line has gotten stiff as can be. To be honest I think half of us aren't even here for plot line anymore we just want to see which of our ships get together.

Finch-I am loving her character and I do think she's cute with Josie. Also I stan anyone who is a sarcastic b**** Queen. I think it's nice how her will backstory was different than the traditional one but also I hated how sad it was like she literally didn't even know what she was doing. Though I will say calling Lizzie the "evil" twin that she can fight me because you don't talk about my blonde cinnamon roll like that is based on one impression from something that was only meant and done out of a good place and Lizzie's heart trying to find out her backstory. But other than that I have no real qualms with this character and it is too early to have a real in-depth analysis/opinion of her.

Thank you for reading this long rant hope I answered your question well enough if not PM me on anything specific.

[devertigozation]

My matryoshka theory

about this post - https://devertigozation.tumblr.com/post/189485408602/kuma-la-la-i-couldnt-decide-which-version-i and my tags under it.

So. I’ll start right from the top, so as not to miss anything, and will pull this theory forward by strings, so hold on with me, seeing as I don’t know how much of the knowledge on which this theory is based is considered to be common knowledge.

So, let’s start from the beginning. Grrm is fairly well-known for his kill-the-main-character kind of trope (yes, I’m going to take this from beginning-beginning, but this is important so bear with me). He’s been famously criticized for this choice, and to the critics, he has said that even though he kills the main characters, their lines/narratives/arcs don’t just randomly disappear with those murders (so, the deconstruction of the most well-known trope is deserved, grrm argues) - those lines are being inherited or being passed to another character who absorbs the narrative of his predecessor.

Let’s look at this through the narrative of the character who has been first victim of this trope, and who’s death (arguably) is one of the most important/purest in establishing the rules by which grrm deconstructs the trope. Ned Stark.

-I’ll hide the rest bc this is growing to be a monster -

Ahead I present you a matryoshka narrative theory.

So Ned’s line - he goes to the South in order to uncover the plot of Arryn’s murder. He uncovers that Robert’s children are not his legitimate heirs, but Jaime’s, which’s why Jon Arryn’s been murdered, and same happens to Ned Stark. So even though (famously) Ned Stark is the reason why the rebellion for Northern independency has begun, Ned himself never wished to set that particular line in motion, never had that goal in himself. But - his work undermined the power of the person who sits on the Iron Throne after Robert’s death. So Ned discovered that the “official” heir to Robert isn’t an actual heir.

This is also grrm and so there are actually some pretty cool moments in which the continuation is foreshadowed - Robert mentions that Ned should’ve sat on the throne, the rebellion against the crowd itself ended well for Baratheons who got the throne, but Starks got nothing (redistribution towards fairness is something that grrm surprisingly tries to do in his story).

Robb Stark who has begun his rebellion, first in the name of his father/demanding freedom to his father+sisters, after Ned’s death has inherited Ned’s line, and continued it - saying that Joffrey isn’t the King for the North. And now, comes the most important part of my matryoshka theory. Even though the real matryoshka dolls get smaller with their uncovering, it is grrm and so the narrative doesn’t get smaller, but each new doll as it opens up gets bigger. Robb Stark, quite naturally, grows that narrative out - and Northern Independence gets added to the line. (So if it isn’t Joffrey, who is the King for the North? Answer gets clear, Northerns can’t support neither Renly, nor Stannis, it must be a Stark).

Next, Robb’s clear heir is Jon, we know it - the books had Robb officially establishing Jon as his heir, and TV-series already hailed Jon as KITN.

How much can we trust the TV-show? Well, obviously lots of changes, but I think some big plotlines were given by grrm and had to be hit - Bran will be King, North will get independence and Sansa will be the Queen in the North. And Jon will be, for a time, a King in the North. (I don’t, by the way, believe how Battle for the Dawn was depicted - like I don’t necessarily believe that this is the way in which it will go, and Arya might not be Azor Ahai, though I’d really like that, I rather really like the idea that Bran is the Night King, y’kno, but that’s not for here…)

So, Jon is Robb’s heir, and he will inherit also Robb’s line, which at this moment is Northern Independence.

This kind of narrative line, which will get with every heir more complicated, and in which every heir will add something to the line, I think will continue with Jon, and subsequently with Sansa (considering the she ends being QITN, she is the natural heir to the Northern Independency narrative). My prediction is that Jon will add another thing to the ~Stark against the Throne/North line~ - he will add the wildings line. (TV-series definitely didn’t explore that, but I think grrm will explore something through wildings - Jon who’s lived with them, Jon who fell for one of them and could even become their king, those things aren’t some empty promises, they lead somewhere). Perhaps Jon will establish North as even greater region (esp. considering that the wall will fall) - it will be North all the way through the wild region.

And now - I consider Sansa to be the true/last heir to that narrative (established and cannoned in TV-series), so what will she add? In my opinion she will be a needed/healing link for North - she will be the person who will at long last establish good relationships with Six Kingdoms (basically established in TV-series), she will end the war between two regions through her connection to both of them. While her predecessors have ripped North away from 7K, she will heal the relationship between the torn regions - while recognizing the need for Independence, she will also recognize the need to stop the war, this is why she is the most ~Southern~ of Starks, her Southerness is important for the North. (Appearance wise, it is a bit interesting, too. In this line we have Ned, first, who looks Northern - and he begins by undermining Southern King in the South; second Robb, who looks Southern - who will start Northern Independence; and the two last ones will flip out the established routine, Jon, who looks most Northern, will add further North to the North line, and Sansa, who looks most Southern, will establish good relationship with the South).

But what is truly cool about this narrative, I write it as I realize it, is that it isn’t some thing that has only the big line in it - Northern Independence, but it has some consequences to the characters themselves and the way in which their lines will progress. And what I mean by that, is that Jon, for example, has struggled to identify himself - he feels a bastard, he tries to establish himself as a brother of the Night’s Watch, becomes a wildings, a lord, he has a chance to become a King of free folk, he declines the chance to be Lord Stark, he will become Targaryen and through it a Southerner, and heir to the Iron Throne, it is a big theme for Jon, the person, - the self-search. The fact that he will be an heir to this line, will either form another question which he will have to resolve for himself - is he the true Stark? Is he the King in the North, after all, or will this become yet another identity which he will try, but that won’t fit him either. I still don’t know what the show’s finale actually meant for Jon - he won’t be, after all, a King in the North, no more than he will be King of Six Kingdoms. Maybe it will be a modern way of grrm establishing that after all, we aren’t meant to be heirs to our identity, getting them from our parents or our guardians, but are meant to establish them ourselves, and this is why, after all searches, he will be a brother of night’s watch. So this self-search will end in realization that we can’t search for who we are, but we have to make choices as to who we will be. Jon’s first choice is the one most important in establishing him as a person. It of course, will require another choice for Jon - he will have to choose Night’s Watch again in the end. It will also be important because for Jon it was actually a very important dream of his - to be his father’s true son, to be Robb’s true brother, to be real protector of Sansa, because she, too, is his sister. For him to be in this line, will be healing for him, and maybe, even more important, is that he will also be able to leave that dream behind him, to have a chance at becoming a true Stark, but choosing to be Jon.

But what is also cool is that to the second most important question of the show (after - who is the best ruler? the answer’s Bran and everything he symbolizes), the - who is the true Stark? (and everything that symbolizes), the answer is - Sansa. And it means a lot to Sansa, the character - who, too, struggled with self-identity (Joffrey’s bride, little bird, Lannister, Alayne, that grey girl?). She will remember that she is a true Stark (ahh let’s imagine a Lion King moment - Remember who you are! will tell her Ned Stark reminding her to kill Littlefinger), but it is even more important to the readers, who fell for Starks above all else, and everything Starks are meant to be - the good family, good morals, perseverance, connection to the nature and culture (First People), inner strength in the face of hardships, survival, etc, for all of the readers who fell for Starks, the answer as to who is the grandest of Starks, who is the true Stark, the answer is - the little girl who dreams, who falls in love and cares for songs and chivalry.

So, not only this narrative explores the grand theme of the plot - North region, it also explores the identities of the characters, but also through that quest establishes some important answers for the readers - that we choose our identities, that there is a great source of strength in dreaming and being kind, through the fact that the heir to the harshest/strongest line is a kind, sensitive girl.

So this is what my tag has been about - “A pretty cool matryoshka-type of narrative in which literally Ned and Robb are literally pulled apart to give way to their heirs”. This is the narrative. And they are literally pulled apart and from it springs their heir.

What I meant by other tags is that similar narrative lines have concluded in some other surviving Starks. For example, the most important question of the show is - who is the best ruler?, explored through Ned Stark, Tyrion, Robert, Stannis, Daenerys, Robb, Jon, Renly, Tywin and the answer to it turned out to be Bran. (!)

I think that Caitlyn’s line is the another important theme for the show/book. It is well known for it’s cruelty, for it’s savageness, explored through (long before Caitlyn) Joffrey, Ramsay and his father, Cersei, Tywin, Mountain, Daenerys will fall here. Caitlyn’s line will establish her as another terror of war - that sometimes the most savage/terrible of the characters are not necessarily bad (like Joffrey and Ramsay). I do think that Caitlyn’s consequent murders will become so graphic and terrible that they will be comparable to Joffrey and Ramsay’s. Plus - a lot of crimes do get committed for the religion and Arya from her little (cult) trip will be an answer to that, too. Arya will inherit and be the last in the line of cruel people, the little girl who’s seen terrors of war, and we will be forced to question just where exactly does the line of good and bad people lie (tv were too cowardly to explore that). Plus - Arya is probably the younger, more beautiful queen from Cersei’s prophecy (Cersei will grow uglier bc of something, this how Arya will be more beautiful, or Arya will pull the face of Lyanna or some other face), she’s been near enough in the show, too, during Cersei’s death, so she is also the heir to Cersei’s line - the cruelty and madness, where it begins and what can we do with it? And I think (though this is one of the under-developed thoughts) that the answer to the theme of cruelty and madness and crimes of war will not only become an answer to that plot, but to Arya herself, and through her - an answer to the readers.

Anyhow, I think, that’s enough, it is already a monster, but please go on asking me about my theories, because this’s been f.u.n.! (ask me about Weasley twins if you’re hp fan)

[sometimesrosy]

(1) Thank you for the gif(t)s of Misters Elba & Morley. I could always use a little more of them in my life ;) Sorry for the last rant but I’m perplexed by those regarding Bellarke as a six season platonic friendship possibly to turn romantic in the last stretch or not at all. And “turn” is generous since some prefer to use “forced” instead. I suppose it can technically be true but only in the strictest, most surface-level sense. It’s been a long time since I’ve thought of Bellarke as NOT part

(2) of a romantic narrative. I look back and see Bellarke as a three-sided dynamic- partnership, friendship, and romance, with each side of the triangle pushing and influencing the others and each season deepening the dynamic. Even season 1 had elements of all three. I’d say progression is the most accurate term to describe their story. Strangers of different hierarchical classes to political rivals to co-leaders to friends to lovers separated by trauma, politics, death, time, other partners to

(3) future couple. Not a single step exists in a vacuum. Their relationship and individual character development are pieces fit to form a complete puzzle over time. Or as I’ve come to see, a seamless 100-episode tale with interconnected threads from start to finish. The only right way to decipher meaning is to look beyond a collection of scenes to the full picture of what we have so far. All stories are chronicles of progression from one point to the next and romance plots are no exception. JR

(4) didn’t invent some newfangled revolutionary storytelling protocol. His story just requires us to look beneath the surface and connect the dots across a seven season sequence. By 6x10, there are no layers needed to be looked under. The romance is smack dab in the middle of the room for all to witness, figuratively and literally. Even the nonshippers can see it, it’s not exclusive to the trained eye of the romance lover. I thought I signed up for a great story years ago. But I never would’ve

(5) known HOW great it was without the thought-provoking, deep-dive analyses by you, jeanie205 and the 3rd in the triumvirate of fandom heroes, travllingbunny, the kind of insights that bring an accompanying joy to the show itself and leave one stupefied in awe. Thank you all, truly. I don’t have sure plans to watch the prequel yet but if the 3 of you will, it may just tip the scales for me into the affirmative. It’d be fun to geek out with you guys on a new-ish adventure from the start.

+++

I got chills when you said, 

Not a single step exists in a vacuum. Their relationship and individual character development are pieces fit to form a complete puzzle over time. Or as I’ve come to see, a seamless 100-episode tale with interconnected threads from start to finish.

That was the most unexpected thing about this show. That it wasn’t just another fun show with hot people in the apocalypse with shocking twists dealing with complex questions-- which would be good enough, you know? Lots of fun. No, it was more. I did NOT figure out that it was a novelistic show until we got to season 3 and even then I didn’t understand how LONG TERM a novel was being told here. Not a novel, more like a series. A novel would be season long, but the narratives here have lasted for 7 seasons. 

It is seamless. Subplots weaving in and out of the 7 seasons. Character arcs taking the whole series to complete. That actually really confused me in season 3, because I expected both Clarke and Bellamy to finish their hero’s journeys in that season, and instead, there I was, feeling like it was unfinished because they HADN’T returned from their journeys wiser and stronger, ready to change their worlds. Nope. They were still struggling and learning. 

Just because I SAW the hero’s journeys in season 3 (a little late, mind you, since they started in s1 in the ‘hot people in the apocalypse’ phase,) doesn’t mean THAT was the entirety of the hero’s journey. It actually stands to reason that if they’re on a hero’s journey, that it’s a whole series long journey. Oooh. But then this hiatus, someone was like... are you sure Clarke isn’t on a HEROINE’S journey? And I, not really being an expert on the heroine’s journey and only seeing the hero’s part of it (which is like the first half of the heroine’s journey?) had to go research it and LO AND BEHOLD, her journey was the HEROINE’S journey, which TOTALLY fits with the dual protagonist, yin/yang, dark/light, head/heart, binary stars, feminist, mythic, epic love story of it all. NOW it all makes sense, why I couldn’t understand that her hero’s journey hadn’t finished yet (because it shifted into the more unexpected heroine’s journey.)

It always frustrates me when people say I can’t admit I’m wrong and am delusional about bellarke, because I have continually adjusted my theories as the story has gone on, changing them when something is off and doesn’t match canon and THAT’S why my theories are still holding up, which they are. Because I keep checking them back against canon. And when canon confirms the theories I have, I keep using them. When canon josses my theories and headcanons, I adjust. I ask myself, okay where did I go wrong? what is he really saying here? I’ve been struggling, particularly with Raven and Murphy’s roles in the show, and talked to various people about them, because I couldn’t grab ahold of them. With shipping, particularly, things can get confused. I’m wondering if Raven’s love story is not for another person at all, what if it’s self love? Because her most consistent relationships have actually been with familial relationships. Clarke as sister. Bellamy as big brother. Abby as mom. Sinclair as dad. While the romances have failed her. (whether they intended to start out this way or not idk, since all the actors who played her love interests asked to leave or were fired.) And I’m wondering if Murphy’s main love story is actually a spiritual love story. His romance with Emori is a good one, but here he is now wondering about immortality and morality, and he’s always been concerned with that just not secure enough to have answers. Maybe spirituality is his route to finding peace within his soul and coping with his mental illness and trauma? IDK. ANYWAY

I don’t think this show is flawless, and maybe they’ve had to franken-stitch some of their plotlines together to fit when things didn’t work out, and maybe some of their subplots ended in a way that didn’t satisfy us because we wanted something BETTER for those characters even though the tragic ending was part of the larger narrative, but I agree that it is seamless, one leading to the other to the next. When I look back at the storylines I didn’t understand or didn’t like as much, I can see how they fit with the larger narrative. How they lead to the ending the whole show is heading towards.

It’s actually very exciting. It’s not a new way to tell stories, it’s an old one, but it’s not one we see on tv very often, with its ratings and early cancellations and dependence on seasonal !POW! endings to keep people watching, and it’s impatience with slow story telling. They COMMITTED to a long term story despite the risk, and that must have been really hard with the pressures from hollywood and the money people and fandom and reviewers and even the cast. it’s remarkable and I can’t wait to see how it’s wrapped up. No matter what the endings are for our fave characters, I think it will be fascinating to see. And being able to watch the whole show, knowing how it ends, and that it was all crafted to be that way, is going to be really cool. It’s impressive, actually. I think the future will actually be much kinder to this show than the present is. Watching it week to week, you can’t see the development so much, but when we get the whole thing, everyone will be able to see it. I think this series is going to count as a future classic. 

It’s like the reverse of GOT. We expected GOT to be novelistic, based on the epic ASOIAF novels as it was, we expected it to have a grand structure that pulled everything together and gave it a bigger meaning, and in the end, it was trash shlock with no meaning past boobies, action, trauma porn, and dragons. HOWEVER, The 100 was thought to be some trash teen scifi soap with no meaning but hooking up, action, trauma porn and apocalypses, and it’s ending up being an epic novelistic series with a grand structure that pulls everything together and gives it meaning. Basically, if JR had been hired by HBO to do GOT, he would have done it right. But D&D were hollywood hacks and flim flam men who only know how to do surface and don’t understand story. (and are also racist and misogynistic bullies.)

ANYWAY, nonny. Do you have a blog? You should be writing this stuff down under your own name. If you send it to me on anon because you don’t have your own blog, you should think about it. I’m pretty sure that @jeanie205 and @travllingbunny would agree with me. I have limited what meta I reblog due to past experiences, but I think other people would like to follow you.

[incomprehensiblelentils]

I did not actually post about the SHIELD finale besides my bingo card yesterday because I was very tired lmao so here is my roundup of thoughts!

tl;dr 7.5/10, mostly pretty emotionally satisfying, the best My Little Pony/Care Bears episode I’ve ever seen, I will miss this dumb show, Skimmons forever <3

Someone appears to have sat the writers down and said “look, here are all the things you did wrong in season 2, a lot of them were super racist and make you look bad” and they went “ah fuck whoopsie, we can totally make up for that” and then...they kinda did????? like one of the things I hate most about this show is the Jiaying plotline, it’s very bad and racist and I’m not just saying that because it’s Dichen. But like...they gave them a whole emotionally resonant plotline where Daisy and Jiaying got to talk and like kinda make up??? and she died which sucked but I’ll take what I can get. SHIELD SAID JIAYING RIGHTS

KORA!!!!!! oh my god Kora is literally just Kara all over again and I don’t care, I LOVE this. I love that Daisy was like “ok you’re being super annoying but I still don’t want you to like die or whatever ‘cause you’re my sister, so I’m going to point out your shitty Nazi boyfriend is shitty in an attempt to get through to you.” AND THEN KORA LISTENED AND LEFT HIM. IT WAS MAGICAL. I was absolutely sure that Kora was on the express bus to Fridgetown and then she just didn’t die and she and Daisy get to be sisters now and it’s so beautiful!

Jemma just straight-up being in Dollstate was the funniest thing to me. I did Notice that Daisy was extremely acting like her handler, which was cute for the ten minutes this went on or whatever.

On that note, can’t believe that SHIELD continues to be a better Star Wars than Star Wars. See: Daisy floating in space Leia-style, Kora being turned from the Dark Side with love.

I cannot believe that the writers were like “how do we tie up the Chronicoms plot? We are going to CARE BEAR STARE them into being our friends!” It is so wildly stupid and charming and optimistic and I love it so much.

I also love that the entire thesis of the show is literally “the real Agents of SHIELD was the found family we made along the way.” ENDGAME WHOMST, SAID AGENTS OF SHIELD. WE ARE HERE TO BE A FAMILY NO FUCKING MATTER WHAT. FAMILY MEANS NO ONE GETS LEFT BEHIND. OR FORGOTTEN AT THE BOTTOM OF A CLIFF. (Daisy was not left at the bottom of a cliff, but still.)

Daisy gets to lead SWORD with her sister and her manfriend!!!!! That was lovely and a perfect ending for her. I’m so proud.

I also really warmed to Sousa over the course of this season, because when he first showed up and they were like TIME FOR ROOOOOMANCE I was like “ah shit here we go again” but actually, no, he’s totally fine. He’s just Victor from Dollhouse and his entire purpose is to be supportive and sweet to his ladyfriend. This is fine by me. I rescind my former statement that Robbie Reyes is the only man good enough for her, Daniel Sousa is also Lentils Approved™.

I have one (1) significant qualm and it is that Leo Fitz is a sentient piece of cowshit who was perfectly willing to hide out in a time pocket for YEARS and play house while the world was burning around him. He saw no problem with this and felt no guilt, unlike Jemma, who is a human being and felt guilt. I hate him so much and he should’ve gotten brain cancer and died. I am pretending that is what happened. Also, I’m fairly convinced the baby was his idea, not Jemma’s. We stan a relationship with mind control and reproductive coercion!!!!

The baby was REALLY cute though. Much like Morgan, it’s not her fault that her daddy’s a shithead.

I also feel cheated because I wanted to see Mack and Elena have kids!!! Like that’s obviously going to happen or at least they will adopt Flint and I got none of these things and I am annoyed about it.

I think Melinda’s ending is a little dumb, but mostly because if anyone deserves to retire, it’s her. I hope Andrew is still alive in this timeline.

I want a spinoff about the adventures of Mack and Elena, SHIELD Power Couple. I just think that would be cute and she, Piper and roboDavis seem like they’re having a great time.

VICTORIA HAND CAME BACK we literally cheered we were SO HYPED

Oh also Daisy spent the entire two episodes dragging the shit out of Deke and then he stayed behind in the past just like I wanted him to and we never saw him again and he never got anywhere near kissing Daisy HA HA HA HA HA.

IMPORTANT EDIT: Daisy and Jemma are two of the last to log off the call at the end of the episode and they promise to contact each other about a particular thing and then Daisy winks at her. SKIMMONS LIVES BITCHES

anyway! this show was weird and made me mad and sad a lot but unfortunately I love it and have built quite a lot of my fandom life around it, so uh. So long, you weird little superhero show. <3

[mobius-prime]

266. Sonic Universe #1

The Shadow Saga (Part 1 of 4): Living Weapons

Writer: Ian Flynn Pencils: Tracy Yardley! Colors: Jason Jensen

We've finally arrived at the comic's most long-standing sister series, Sonic Universe! Like its predecessor KtE, SU ran in arcs of several issues, though the arcs were made up of four issues at a time instead of three, and largely focused on side stories that ran at the same time as the main plotline, usually following the adventures of characters other than Sonic. This allows us to get a greater insight into what the expanded cast of the comics is up to without taking the focus of the main comic's plot away from its titular hero. If we're being honest, some of my favorite stories from this era were contained within SU, as I'm very attached to a lot of the secondary characters of this universe and only following Sonic tends to get boring after a while (one of the reasons I actually liked KtE). As the name implies, this first arc focuses mostly on Shadow. I will note before we get started that since the issues of SU were released alongside those of StH, one per month, the stories of SU often end up intersecting with the main plot. Most of SU's arcs can be read in full four-issue chunks without interruption, but I've deliberately split this one into a couple parts based on context clues about how exactly it intersects with StH's next four issues. Thus, we'll be covering the first issue of the Shadow Saga, followed by two issues of the main comic, and then the other three issues of the Shadow Saga before we finally make our way back into the main comic for the 200-issue milestone special.

This issue picks up right where we left off last time, with Shadow teleporting himself and Metal Sonic away from Moebius to a new zone, though there's a bit of a twist. See, the other sister series I haven't been covering (but might in the future, depending on a couple different factors) is the comic's continuation of the Sonic X anime, which ran for forty issues, with the final one being released just before this one. I haven't covered it because technically it's an entirely separate canon from the preboot, with the only point of intersection being its final issue, when Shadow initially ends up teleporting himself and Metal Sonic to… you guessed it, the Sonic X zone. That issue ends with them teleporting away once again, which lands them here, in the Sol Dimension, hovering above the waters of a vast ocean. Shadow tries to get Metal to stop fighting for a second, reasoning that he's a living weapon that can think for itself and therefore should reject working for Eggman, but Metal doesn't listen, instead calculating that Shadow's rocket shoes are all that's allowing him to hover and that he likely has very little swimming ability. So naturally, it shoves him down into the water and zooms off in search of this zone's equivalent of Eggman.

I have no idea if the implication here really was meant to be that Shadow is bad at swimming, or if Metal was just mistaken and Shadow deliberately only surfaced after it had left, but either way, Shadow is taken aboard Marine's boat, where he explains why he's here to Blaze. Blaze, recognizing him as being from Sonic's world, explains that he's ended up in her own dimension, and all the while an excited Marine, her Australian accent out in full force, continually tries to interrupt and do some explaining of her own. Shadow irritably suggests she captain the boat back toward the nearest port, which she promptly does, wanting to show off her captaining skills, while Shadow and Blaze continue to talk. This gives Blaze the opportunity to explain to Shadow - and therefore, us - exactly what happened in the offscreen "adaptions" of Sonic Rush and Sonic Rush Adventure that Ian never showed the full picture of. Interestingly enough, it seems that the entirety of the former basically didn't take place at all, with Sonic's relationship with Blaze being entirely centered around the events of the latter. Apparently, Blaze's problems began when the Sol Emeralds she was sworn to protect went mysterious missing, and she began having dreams about Sonic and Eggman. She ended up finding her way to the Cosmic Interstate and into Mobius, where she had her first, very hostile encounter with Sonic. From there, she evidently went immediately back to her own dimension, and not long after Sonic and Tails somehow ended up there after a freak storm (which is interesting in itself, considering the equivalent events of the games are implied to have taken place at least several months apart). Marine found them, as well as the green Chaos Emerald, and when the robot pirate Johnny stole it they enlisted Blaze's help to chase him from island to island, hoping to get the gem back.

Thanks for your entirely-factually-sound addition to that story, Marine! I love that she includes the detail of Blaze apparently having a giant friend crush on her. Soon enough, the boat pulls into the nearest harbor, while Shadow muses that if they still have the Chaos Emerald, his mission - to breach the Special Zone and retrieve one - may not be a total bust after all. However, it becomes apparent as they dock that the island they've arrived at is cloaked in a layer of ominous smoke. They quickly disembark to find that Metal has already reached the island, setting several buildings ablaze and grabbing random terrified citizens to question them on their version of Eggman's whereabouts.

Blaze in the preboot is actually significantly more prone to outbursts of anger and violence compared to her relatively more composed and calm counterpart within the games, something which I actually appreciate. She's knocked aside by Metal, and Shadow joins the fray, trying to once again teleport the two away to help protect Blaze's world, but is thrown aside before he can complete a Chaos Control. Marine jumps in next, grabbing onto Metal's head and whooping and throwing some very Australian insults at it while it tries to shake her off, and Shadow can't get a proper shot in for fear of hitting her. Finally Metal manages to throw her off, and Blaze runs over to check on her while Shadow once again confronts Metal about its purpose in life.

I like this. It makes total sense that Shadow would see a part of himself in someone like Metal, given their somewhat-comparable backstories. I suppose it makes more sense in this context as well, given that the events of Heroes never really happened here and thus no recent instance of Metal Sonic has ever rebelled against its creator. Metal processes Shadow's words for a second, and then replies that as Shadow currently considers protecting Mobius and its inhabitants his own purpose, they're still both just living weapons, weapons with conflicting purposes. Shadow regretfully calls on Blaze to attack with her fire, then he spindashes Metal into the air, where Marine, having rushed back to her ship, deals the killing blow with a shot from her cannons. The three then get busy with helping put out the fires around the village, and when Marine won't shut up about how badass the fight was, Shadow irritably reminds her that Metal was the only hope he had of getting back to Mobius in the first place, and then makes a request that leads into one of the most hilariously famous series of panels in the entire preboot.

That grumpy frown. I adore it. Blaze steps in to vouch for Marine, considering she's like, literally six, and then offers Shadow the Chaos Emerald, saying that with its help she's found enough of the Sol Emeralds that she won't need it anymore to find the rest. Shadow thanks her, and they part on good terms, with Shadow performing one last Chaos Control to send himself back to his home dimension.

Hey, Hope, good to see you! I'm still a bit sad that she feels she can't go back to the Mobians, but at least she seems to be doing well for herself, working as an engineer for GUN. Shadow reports to Tower that his mission was technically successful, even though he didn’t manage to breach into the Special Zone like they'd planned. Hope is happy that even though her transporter didn't work as expected Shadow still succeeded in retrieving an emerald, and Tower informs Shadow to get ready, as he's already being assigned another mission which will begin that night. Of course, we won't be seeing it for a couple of days, since as mentioned before we're taking a quick detour back to the main comic for now.

[courage-a-word-of-justice]

HypMic 7 - 9 | Maou-jou 5 - 6 | Akudama Drive 6 - 8 | I7 s2 6 - 9 | Taiso Samurai 5 - 6

HypMic 7

I will never not laugh at the content advisory, haha.

I like Kazuha already. Too bad he’s probably evil…

Oh, is it the day of the DRB in the series already…? Or maybe, because it’s the qualifiers, BB and MTC’s match is on a different day to FP and MTR’s.

Oh? Does Tom know Jakurai well enough to call him “Jakurai-sensei”? (<- middle ground between “Jinguji-sensei/Sensei” and “Jakurai”) Also, Tom uses “ore”.

Ooh, Iris is a motorbike rider, eh? Interesting. I thought they (<- not sure if Iris is a “she” or “he” with a really weird name) were more of a Saburo-type and didn’t bother with things like that, based on their appearance. Update: Someone on Yahoo Answers said based on Iris’s watashi, she is a woman.

Typo fixed! Good job, anime staff! Update: I’m referring to “…darkest hour is just before the down” (sic).

…bukkorosu = “f***in’ slaughter ‘em”. It’s not wrong…it’s just the subbers really like to abuse the F word for MTC. But you knew that already if you got this far…right?

LOL, Ramuda wants to “scratch [Rex’s] back” (figuratively) to…get SNS views? Hahaha.

This Studio Alita is probably a reference to Shinjuku Alta.

Yotsutsuji!!! That was the one big spoiler I got before watching the episode today and I’m so happy I got to see him animated!

(One of) Irihatoma and Degarashi refer to Jakurai as “Jakurai-sensei” as well. Hmm, I never noticed. Update: That’s Degarashi, because Irihatoma speaks to Jakurai alone later this ep.

There’s 50% chance I’m getting this wrong, but I’m going to go out on a limb and say Kazuha is voiced by a veteran VA…one I already know about.

Doppo calls Kazuha by his first name…That upgrade means their relationship escalated quickly (or this is a quirk of HypMic in general, since I noticed most characters are on first name basis with each other). Also, it’s cute Doppo finally has someone in his corner. No other part of the franchise has one, to my memory. Update: It might actually be “Kazuha-kun”…but I’m still surprised though. Update 2: It’s both, actually.

I’ve listened to the phrase “some random guy” several times from Hifumi’s mouth and all I can figure out is the “yatsu” at the end. (Doesn’t help my ears blocked themselves up again, although it’s less than it used to be.)

Harumi Wharf.

R? On a helicopter landing pad?

…uh oh. I was right when I thought Kazuha was going to be evil. Also, Doppler shift/effect. Update: “Doppler” is clearly a pun on “Doppo”.

Hmm? “Hey, Doppo” from “yaa”…it doesn’t have a name referred in there. It’s a small but odd thing to do. (I remember a professional translator was complaining that people with intermediate Japanese were giving them flak for translating things “wrong”, but what I do here is analysis for my future and edificiation. I’m not here to knock down pro translators’ doors and demand a refund, because I’m trying to go pro to atone for my sins as a scanlator.)

The soundtrack’s slightly sinister tone, plus the fact I figured the culprit well before Doppo did, makes me slightly scared…for MTR.

I realised they skimped on the budget…this “hot off the car chase” line seems more like an MTC line, doesn’t it…?...Yeah, it’s almost word for word for MTC in DRB+. Maybe the subbers rushed and used this translation (this link I put here) rather than their actual lyrics…? I will have to get to the bottom of this. Update: Turns out the translation is slightly different, but…yes, there is reference to a car chase in the start of Shinjuku Style. (Sorry, I don’t know every lyrics of every song off the top of my head.)

…wow, this got really Doppo-centric. I’ve never seen the leader relinquish their position when it comes to “leading into battle” before. It just goes to show the staff really do pay attention to how popular Doppo is.

Note “Doppo” means “walk alone”, roughly speaking, hence the “solitary” line.

This song is very, very faithful to its original lyrics, because I was trying to look at Hifumi’s “mixing paint” line and it pretty much matches.

Hifumi’s “my men”, LOL.

Kazuha = “one leaf”, hence the “leaves” in one of Jakurai’s lines.

I cringe every time I hear screaming coming from this episode, y’know…?

…oh dear. MTC’s plot actually bled into MTR’s.

I already knew from browsing Twitter earlier today that Kizuna was going to become FP’s today, but hearing it is another matter entirely.

Kosuke Miyoshi is Kazuha. Apparently, this guy also voiced Mashirao Ojiro (the tail guy) from BnHA, but that’s his only major role…so I was right in that I knew him, but wrong in that he was, again, a relative rookie in comparison to most.

Apparently FP’s sign is a peace sign sideways to represent an F, but…it’s just a sideways peace sign to me…

…how is Dice’s bead ornament attached to him? Is it on his hair, on his ear, on the skin behind his ear…? I was trying to replicate his outfit and got stuck on how to represent it, so I ended up opting for trying (and failing) to do a small braid on the right side.

IWGP shows up this season…it’s the song with the “hoo!” noise BB perform in this episode.

LOL, “Dead men tell no tales” is a perfect saying for MTC.

Akudama 6

Is there a movie called “Brother”…? There’s apparently one that’s the plural of that, but not that itself.

If HypMic likes the F bomb, then Akudama like the S word.

I-Is it just me or is the choreography sped up at some points in this episode…? It’s a bit disorienting to come back to.

I thought the kid was a robot…but close enough.

Oh no! Why does the teacher always have to die for the student to become stronger???

Kairaku/shugi -> pleasure/doctrine (if I didn’t somehow misunderstand the shark’s kanji combo),

The part after the ED looks a little too long…keep watching.

The Japanese says “Lost Children”, but the English says “The City of Lost Children”, probably referring to this French sci-fi film.

I7 s2 6

I like how Gaku is taking special offence to Yamato’s comments about him being a playboy.

Re:vale-san. I never noticed until now.

“I’m already looking forward to it.” That’s how I would translate Tsumugi’s “I’m already excited”.

“…who could possibly complain?” – I think Mitsuki might.

The pun in the MEZZO show is that tai (group/squad) sounds the same as tai (want to ~). Rabbinsta is obviously Instagram + Rabbit (Chat?).

Oh my gosh! It’s the Yotsuba sister!

Mitsuki’s shopping trip OST is nice, man. This piano.

This episode has a really great sense of danger and foreboding for the future.

I7 s2 7

Perfection Gimmick. Never heard it in the anime before.

Even the ramen house’s name is a play on “Idolish7”.

LOL, Yamato sure turned that comment around.

The sign talking about beer says something about coupons below it. (It went by too fast and my CR app’s kinda fiddly, so I can’t really go back…)

Kimi to Ai na Night (pun on Idolish7, aka “AiNana”, again).

Mitsuki, no one hates you! You’re just imagining it all!

I7 s2 8

Momo hugely resembles Sasara, right down to the highlights on the hair…

“…you’re so handsome…” – I’m dying on the inside here, people! *laps up the BL pandering with a derpy smile on my face*

Banri and Tsumugi haven’t been focussed on lately…they’re clearly doing something regarding Banri’s ties with Re:vale, but I can’t quite figure out what that “something” is.

Why is there a basketball and a football in the back of the Takanashi office…?

Please don’t run in heels, Tsumugi…

“I love Idolish7!” - Ah, despite my quibbles, Tsumugi is good after all.

“making one’s best exertions” – Why do those words on the cup worry me a bit…?

Isn’t “I’m watching you” a creepy statement…?

Apparently Tamaki’s symbol is mp (mezzo pianissimo), hence Sougo’s words.

…my gosh! Aya’s foster father is Kujou?!

I7 s2 9

If I heard it right, Tenn’s line was “I can be your idol”, not “your prince”.

“Older Izumi” - …ah, poor Mitsuki.

“Damn you, sexy beast…” – LOL!

…aw, I think this is the first time my heart has been lightened by Tsunashi’s laugh. He’s a good boy.

The chibis…I’m still trying to get used to them…

As a song once said, “You can’t please everyone so you just gotta please yourself.” (Blah blah blah, something about garden parties…)

Takao what now???...okay, Takao Dayuu.

…You’re lucky that wasn’t Tenn doing Takao Dayuu. It would’ve been very “Gentaro does his courtesan voice” if it was.

Nagi doesn’t overpronounce things as much in this season. It’s…pleasant, actually. Give me more of that.

Nagi’s “Oh my god!” was hilarious.

Taiso 5

Ra (ら) and ro (ろ) look kinda similar in hiragana.

Even without the audio, I can guess the words were “yarubeki koto” (things you should do) -> shachihoko.

The texts are written in gyaru-moji. Gyaru-moji is basically indecipherable to anyone who doesn’t know how it works – kind of like the common teen vernacular, to be honest (LOL…?) – and so the subs actually kind of ruin the confusingness of it all, but they did slightly better when they went “UR”.

Movie shiritori! But…has it really been half a year since Leo started? I feel slightly robbed about that plotline with the Men in Black right now…(then again, HypMic is just as bad about important plotlines, if not worse, so…I’m going to be patient and not complain.)

July 5th…Rei is a Cancer…?

They’re…finally moving on this Men in Black plotline! I only complained two points ago! Thank you, staff, for listening to my complaints (…?).

Moon Land finished recently, so I wonder if I’ll lose interest in this anime from here on out…? There was a Pommel Horse Prince in that.

Moon Land taught me that gymnastics has a lot of skills named after their creators, much like the Aragaki previously. The score is out of 10 for both D (difficulty) and E (execution), meaning a 20 is the best you can do, but the judges can get really picky...

The word for “vault” literally means “leaping/jumping horse”…makes sense.

Some of these names are names I’m familiar with from Moon Land already…but I never remember what the skills look like.

…welp, Leo just proved he really is a ninja after all.

Dr Stone’s s2 had its ED announced to be “Koe?” by Hatena and “Yume?” here really makes a theme…does Hatena give all their song titles question marks on the end?

Taiso 6

Colour gangs? Like in IWGP?

It’s nice to see they’re (Jotaro and Rei) communicating properly for the first time in possibly this entire anime.

On the wall, that thing is an evacuation map…of some sort.

…I’ve always wondered: if a bird eats chicken, does that count as cannibalism?

This is like thw Makkachin incident all over again (in YoI).

“…there’s no reason for you to grin and bear it.”

…Leo and Jotaro, both are so dense! Boys *shakes head*.

BB? More like ET (LOL)!

Maou-jou 5

…I didn’t even notice the cast was all dudes bar the princess at this point.

Tatakau Onnatachi. It could mean “fighting women” or “female warriors”.

I’m still vaguely pissed that Kirito is here under my nose…darn Demon King!!!

One of the harpy’s recent worries was that she wanted to become friends with the princess…That’s kinda cute…

Didn’t Syalis already get the coffin that one time? Or did it get confiscated?

*eyes sparkle* Cloud…I’d like to sleep on a cloud…*dreamy look on face* Cloud.

This is basically Princess, ‘Tis Time for Torture in reverse.

Is it “make do” or “make due”…?

I don’t think I need to explain the joke where the harpy is happy.

Gendo pose!

I wonder if the bed or the sheets will talk to her (Syalis) someday?

Maou-jou 6

The New Gearbolt’s quote is “guruguru dokkan”, which is just a bunch of sound effects. It would translate to something like “whir-whir-thud”.

Underwear episodes are some of the worst episodes ever…they’re so juvenile…I dropped at least one series based on the underwear episode alone.

Ah! The seal on the ice monster’s shoulder! Too cute!

How can a mechanical princess mecha (…thing?) have worries?

LOL, never underestimate the hilarity of the teddy demons ganging up on the Demon King.

I like how the Japanese pointed out the demons only moved the princess.

HypMic 8

I thought the robberies were Kazuha’s doing…? Or is this a separate case?

Samatoki answering his phone with his feet up…LOL, there’s just something funny about it. It shows he’s just so badass, he can get away with it.

Riou’s hacking (?) skills come to the fore again. (Or is that listening to enemy intel?)

Ooh, Iris is sassy. I love her already.

…er, Samatoki? Blowing cigarette smoke into Jyuto’s face is just rude…

“…don’t hang up your gloves.” – Considering Jyuto has his red gloves…LOL.

What the heck is that backing track when the 2nd car moved out? That’s a cool track.

Ah! Iris is a Saburo-type…LOL, Saburo’s fake identity.

“a cop who’s in with the yakuza” - Wow, way to diss your own teammate, Samatoki.

For a guy who was only just in the water, Riou doesn’t even look wet.

“2 DIE 4” – Hmm? So did the anime staff know what Riou’s 2nd round song title was at the time…? Update: Judging by the name “Requiem” dropped in the next episode, I would say yes.

“…f*** the police…” - Wow, way to diss your own teammate, Samatoki. X2

Hmm? In Riou’s rap bit near the end, he goes “mad warrior” and that rhymes (in a very loose way of speaking) with “Mad Trigger”. The English didn’t keep that.

I remember seeing a spoiler which said that line (the one about slaves)…but seriously, Jyuto is such a “sexy revenge cop” (as someone once said – I think it might be Slug, or an anon to Slug) that literally nothing else seems to matter about him.

Why do they subtitle the laughing??? I still have no idea.

“Sgt. Iruma”? The guy just says “Iruma-san”. Is he a sergant or some other rank? Update: Yes. (As in, he is a sergant.)

I’ve never actually seen Ramuda sleep in a bed before, come to think of it. Does he not have a bed?

I would assume Gentaro is going…but he said he won’t be going, then negated that and then negated it again. Unless the 2nd time was him admitting it was a lie the first time…is he going or not???

“shinsetsu no human” – (Spoilers for later on/manga)…Yes, that’s actually what Ramuda says. It’s as if Ramuda subtly admits, right there, he isn’t human.

Nodo = throat…If this were translated more literally, it would sound pretty clunky.

“…rappa no inochi…paa!” – Yep, the subbers got the gist of the joke there.

Dice is basically a worm at this point…He’s squirming like one, anyway.

That “number of pips facing up” thing has got to be foreshadowing for something, y’know? Nothing in a story ever goes to waste. Also, it’s likely the dice are weighted or something…

…yep, there you go.

That voice Gentaro used for “I despise lies” was amusing…because it’s so different to his normal voice, and because Gentaro is a serial liar.

The 2nd song…which I already know is called “JACKPOT” from browsing Twitter earlier today…was a bunch of fun.

Udagawacho.

Hmm…emphasis on the candy. I wonder what that means? (<- already knows, I just want to keep it a secret from you, dear reader, if you don’t know it too)

ANIME SHOP is so clearly a pun on Animate, including the colours, that I can’t even…LOL.

FP’s Kizuna sounds distinctly different to the others…probably because of Ramuda. It’s mostly Ramuda carrying the tune there.

“Life is what you make it.” – Hmm, an interesting quote for sure.

HypMic 9

…welp, they don’t call it Fling Posse for nothin’.

I didn’t believe my ears, so I went and listened to it again. Sure enough, Ichiro calls Jakurai -san, not -sensei.

Ramuda’s normal voice! Things are getting serious~!

“Hifuming”? Is that a deliberate choice on the translators’ part? Or is it a mishearing?

…I’m laughing at how Samatoki called Ichiro a “hypocritical piece of s***”. I know the “s***” part is correct at minimum from the audio.

I believe Samatoki said -san, not -sama when he asked for an honorific. Hmm, interesting.

I knew this would get animated, but…I still can’t believe I’m watching it! Amazing…absolutely amazing.

If you’re wondering…yes, that long thing is her entire title and name. It’s said the name “Kadenokouji” is the longest Japanese surname in existence.

I remember reading a tweet earlier today that said somebody wanted “Altercation! Altercation! Altercation!” as a song title…and now I LOL, because the subbers made Gentaro say the exact same word.

Hmm…I only just noticed BB are the only ones with bags. They probably came last, but who took the others’ bags into Chuoku…? Update: Some of the others did have bags, I just never spotted them. For instance, Riou is carrying a large black rectangular bag, but Samatoki and Jyuto don’t have any. Jakurai has the bag from his TDD days.

The 2nd DRB brackets got announced today. BB vs DH, MTR vs BAT, FP vs MTC, rolling out across Japan (and Japan only due to COVID) in 2021.

“What happened between you and him?” - I was going “who?” in Cantonese (as I sometimes do), but turns out they’re just referring to Samatoki.

This is exactly as it played out in the drama tracks and manga…exactly what I was waiting for all this time! So good, dangit!

LOL, in the future, we will have camera drones working our concerts like they do in the DRBs…I think (?)

I wonder what Dice is thinking right now, seeing Otome on the screen…hmm…

…gah! Airhorn! Airhorn to the ears! *tilts to side due to sound*

I still kind of remember Slug’s take on the final battle…”The popo? More like the poopoo!” (or something like that). *sniggers*

The little barking bit after Jiro’s verse was…kinda cute, actually.

…ow, these are some burn-ass words. See? This is the power of the DRB!

…eh? Riou’s mic has his MC name on it. Don’t think I’ve seen that in any other part of the series.

Hoh, Riou even made references to Saburo’s character songs.

You can see “Hc” on Samatoki’s mic too…probably another case of his MC name, but partially obscured by his hand.

Aw, “Samatoki no sabaku toki” is a good lyric. Why couldn’t you try to keep that, instead of translating it literally to “judgement day for Samatoki”?

You can hear a thumping beat in the background when Samatoki prepares himself. That seems to be a similar way to how ARB treats this stuff.

“I’m THE Samatoki” – “Samatoki-sama da”.

I think it was really cool to show Samatoki handing the song over to Riou, but it also indicates there’s a disjunct in the lyrics that would cause such a thing. From this, maybe Riou is MTC’s weak link…?

Skeletons with katanas! Is that not cool?!?

…hey, that joined words thing Ichiro does…I would assume that’s what Rhyme Strike looks like in the HypMic universe?

Notice Samatoki took the word “signal” from Ichiro’s part and put it into his own one.

“Today is a good day to die.” – *eyes bulge* Oh…gosh. What a quote. Update: Someone theorised Ichijiku wrote these titles (the last 2), but someone else – like me – theorised this quote was what FP and M fans thought for this battle.

Akudama 7

…that’s one twisted kid.

Never threaten to kill a kid who can regenerate far better than you, Hoodlum.

Brawler is still in the OP…it’s kind of saddening to see him now.

I noticed a certain character appears on the Executioners’ hands if you pause at the right moment in the OP. It’s the first character in shori (management).

Bunny: set meal/Shark: roasted meat (yakiniku)

…This sounds a heck of a lot like the genbaku dome (Hiroshima Peace Park).

Bunny and Shark’s shirts together: Idiot -> Shark: Bone

Actually, this also reminds me of the Osaka Expo held in 1970. I loved writing about that event – it was just so fun to write about.

This anime is like Appare-Ranman’s sequel, except without the racing and crazy racial stereotypes (although there are still crazy stereotypes).

…whoa! This scene is going on the end of year list for sure. Just…have to remember this scene, where all the children disappeared, exists.

…”The City of Lost Children” is an apt title for this episode.

(HypMic spoilers!) I wonder if they’ll reveal that Ramuda is a clone in what’s left of the HypMic anime?

…oof, Doctor’s a filthy traitor!

Rule number 1 of fighting: never yell out “Smokescreen!” when the smokescreen is meant to cover you.

…LOL, dark censorship bar. Please wait for the Blu-Rays to see this scene uncensored.

What the heck?! The countdown went from 7 to 0 so fast!

Akudama 8

Black Rain, huh? *checks* It’s a movie about a pair of New York policemen who have to save a Japanese gangster from his death.

…don’t jinx it, Swindler!

Your brother isn’t on the moon, Sister. It’s just your dreams on there.

Notice “Neo Lake Biwa” actually has “Reiku” in its name, as opposed to, say, “mizuumi” or “ike” (the Japanese equivalent).

You can still see where Doctor stitched herself up.

What did Doctor “hold on to”?

Way to monologue through the whole morality thing… (<- not as satisfied as they would like from this scene)

I wonder if the seal is electronically tracked…

Tsubo = pot, vase…*thinks about drugs* (Not that pot.)

“…I’ll make you into a real man.” – More like a eunuch, LOL. (partially sarcastic)

I recall from Sarazanmai that “pair look” is the term for “twinsies” in Japanese.

Oh! Swindler kind of looks like the Executioner Boss now.

…I find it ironic that Swindler had long hair up until not too long ago.

Can to the eye! Ouch! That’s gotta be worse than a lightsaber…er, jitte to the eye!

This makes me wonder…was Courier a rich kid once…?

[stonerbughead]

maria watches friday night lights (#4)

season 2, pt 2!! (2x08-2x15)

ugh Matt is really having his Being A Stupid Teenage Boy season huh?

-lol love a good naked dude being chased scene — in this case, Smash on his recruiting trip being chased around by a potential future teammate. Classic.

(it’s kinda cute that Matt came to pick him up tho)

- the latest in season 2 being off the fucking rails: really? Riggins’ new digs include a meth lab on wheels??

-Landry confessing to murdering someone and then having his sheriff dad drag him out of the station to go home is the whitest shit EVER. Like, Landry is literally *trying* to be punished and they just won’t punish his white, cop-kid ass. ‘Murica. (I mean don’t get me wrong: it WAS self defense against someone literally stalking and trying to rape Tyra, but the point still stands that if Landry was a black kid he’d have been tried as an adult and convicted no doubt)

-YESSSSS a MySpace shoutout! we love to see it

“I hate you” - Santiago (and also me) @ Buddy Garrity

-omg Coach Taylor noticing that things aren’t good at home for Riggins and taking him in, my heart!

-Wow in just one scene Riggins charmed baby Grace, warned Tami’s sister not to shame women for eating a lot (“it can lead to anorexia, especially in girls”) and then offered to go out to the store to get baby formula in the pouring rain. What a man.

-and yes, Shelly, you fully grown woman, it IS a bad idea to lust after a TEENAGE BOY

-wow Riggins protecting Julie from the SUPER DRAMATIC TORNADO that made me laugh. Do we get to have a Riggins-Julie friendship??? bc I’d be down. We need more friendships.

-Thank you, Tami, saying “EW” to her sister watching Riggins work out! Someone has sense to know a fully grown woman shouldn’t be lusting after a teenager! Julie can lust if she wants tho, that’s age appropriate.

-DYING at Landry being aghast that Tyra’s never heard of West Side Story.

-oh god, Lyla — it is totally fair to assume your mom would tell your dad she’s getting remarried, especially if she knew you’d be seeing him — so I’m sorry you’re the one who accidentally set off whatever nonsense Buddy is gonna pull now that he knows his ex wife is “marrying that treehugger.”

“Who’s that?” “Some douchebag named Chip. who names their kid Chip anyway?” Same, Tyra, same.

-Landry, one of my biggest pet peeves is asking someone out while they’re on the clock. Like, come on! let Tyra work, boy.

-Jesus Christ it’s like everywhere Julie looks, she has to see Matt making out with someone. That’s rough.

-and oop Matt you busted bc Julie actually knows who Carlotta is!

-once a cheater, always a cheater, Buddy. And yes to Pam for being like “nah bye I’m happy now, it is over.” You treated her like garbage so here we are, sir!

-hilarious that Landry is the one who ends up throwing the first punch that gets the post-tornado, school-crossover tensions to finally boil over

-I like that they show both the fall formal and the party where everyone who didn’t go to the formal is. Nice.

-Aw poor Julie got drunk af to deal with all her feelings. This really is the season where they have Julie and Matt being sixteen year olds in the most painful ways. So maybe it’s good they’re not together during this tho I’m still looking forward to when the tide turns their way again.

-anyway, Tim is a good friend for getting the creep who thought he was “one beer away from getting laid” off of Julie.

-And....in true Texas dad fashion, Eric Taylor misinterprets everything! Noooo. We can’t have nice things.

-This Noelle-Smash partnership is definitely an interesting pairing. Two very ambitious football people courting all these recruiters while Smash’s mom side eyes them in the corner? Hilarious.

-omg not this Oklahoma tech recruiter harassing smash’s mom in the grocery store! GTFO here! Give her some fucking personal space. They really do such a good job of showing as much of the toxic shit about football culture as the inspiring, big moments.

-Aw and I love that Tami tried to help Mama Smash get the guy to go away. It’s such a familiar scene, women helping each other get a dude harassing them away. And then they have a heart to heart in the parking lot? Love that.

-omg what a throwback that Shelly TAPED OVER Eric’s football game to tape a NEW EPISODE of The Office! Love it. “Y’all should get a TiVo.”

-omg watching Tami and Eric work out arguments is so beautiful, they communicate very well! We stan a good marriage.

-wow seeing the other coach from tornado school lose his shit publicly after he knocked down Riggins was uh....wild???? This is the second time he put his hands on Riggins!

-awww Eric actually coming to apologize to riggins for overreacting about Julie when he hears the real story??? Love it.

-Weevil from Veronica Mars shows up as a friend of Santiago’s? Of course.

-WOW and Logan from Gilmore girls as a Christian radio host...tracks.

“Is that your way of telling her you like her?” Jason making a surprisingly astute observation about Tim. (And Lyla.)

-yo why would you invite your daughter’s boyfriend’s family over for dinner just to say they shouldn’t date? (And bc it’s an interracial relationship.) Southern culture is wild to me lol

-wow the racist coach from last season is now off spouting his mouth about how “no wife of mine would be working with a kid at home.” I love that Eric calls him out as sounding stupid and ignorant — you better!

-hearing that Lyla burned her cheerleading uniform is one of the most badass things she’s done so far tbh along with that dealership destruction

-off the rails update: 2x12 was toooo much!! Like, Jesus between Smash’s sister getting harassed at the movie theater by the racists who hate on smash and Noelle...and this plotline with Santiago and his old friends trashing Buddy’s place...it’s like, can we breathe.

-I could not be more excited for Carlotta to leave and another teenage boy with adult woman relationship to end.

-wow can’t believe the plotline where Riggins stole $3000 from a drug dealer isn’t ending well for him. And now Smash is getting arrested bc of those racist guys from the movie theater episode? One recap I read said that too many of this season’s plots feel contrived and I think that sums it up.

-is there any character who HASN’T worked at Buddy Garrity’s dealership at this point?!

-and yikes at all the other salespeople being mad that a salesperson in a wheelchair was hired...y’all mad ugly and ableist for that

-Tyra and Landry are....confusing

-Wait Logan from GG is an actual preacher and not just a Christian radio host? CREEPY. And he kissed Lyla? A lot to unpack there.

-lol Tim trying to woo Lyla is kinda funny to watch simply bc Tim is clearly so confounded by rejection

-I love how much space they give for Smash’s sister’s pain in the Noelle-Smash theater incident. A lesser show wouldn’t have centered her as much.

-is it mean of me to say Jason is boring AF most of the time

-yeah this dreads girl is seemingly way more compatible with Landry than Tyra yikes! Like she made him a power metal mix cd???

-wow this Smash storyline where mouthing off to the press is what gets him suspended....really checks out bc teenage boys are dumb

-I love Tami as a volleyball coach and getting to see another sport! Also as someone who’s been on a losing team I know that feeling of finally winning a game!!! Go Dillon volleyball!!! (Am I maybe currently writing a Bughead fic based on my underdog field hockey experiences? ;) yes yes I am)

-Oh shit now Saracen’s at the nihilistic Nothing Matters phase of teenage angst. Right on schedule!

-lol these two short haired blondes (white dreads Jean and Tyra) being in a love triangle with Landry is wild

-Omg jean just said, “are you a friend or are you competition?” She is not playing!

-I love Riggins dragging Saracen to practice

“I don’t want you to become at an at-risk youth” -Landry teasing Saracen while also sincerely caring about him is some of the best friendship banter on this show. The accuracy 😂

-It seems like Julie gets a lot of hate? But I think I have such a soft spot for Julie bc I was a bitchy teenager with undiagnosed mental health disorders and I just wish so much #growth for her! Also I really do miss her and Saracen’s relationship, I’m so excited I’m almost at S3 where it seems like it’s happening again?

-LOL this guy at the dmv is the first person in Dillon to be like, “no I hate football.” That tracks.

-wow Saracen is getting driven to the hospital to make sure his grandma is okay by the sex worker who was just giving him a lap dance. Amazing.

-also I hope grandma is okay!

-okay Tyra throwing her hat in the ring for Landry at the last minute? Idk I think Jean deserves the win but there’s no way it’ll happen bc she’s a guest actor?!

-awww Saracen’s abandonment issues coming out whiles he in the tub after being sobered up by Eric Taylor. “There’s nothing wrong with you.” 😭 and “your daughter left me for a better guy” - will take that crumb — first mention of Julie out of Saracen’s mouth in a minute

-hey, Landry, my friend: flirting with a girl (Jean) to get her outside then dumping her immediately is kind of a wild bait and switch. But I get it, he’s been in love with Tyra for a long time and Tyra IS right — they had a very fucked up start to their relationship so it makes sense she needed a minute to process her ~feelings~. however I definitely identified closer to a jean in my high school experience L O L (minus the unacceptable white dreads)

-these Julie and Tami driving scenes are painfully accurate, btw. Love them.

-wow the scene of Smash hyping everyone up, the adrenaline/energy of the team cheering with helmets and a classic “clear eyes, full hearts, can’t lose” - then the whole team running out onto the field and leaving an empty locker room with just Smash breaking down into tears....#art

-alright y’all I’m gearing up for the last episode of S2! Thanks to @lockitin for reminding me this is the writers’ strike season — I was in eighth grade then and remember being pissedddd about the shortened fourth season of “the office” — so I’m fully prepared for the abruptness to come.

-I love when they parallel showing the white church and the black church

-and Tim going to church just to see Lyla makes me laugh

-ooooof Jason you cannot put on this waitress you had a one night stand with the fact that this could be your only chance to have a baby!!! Omg this poor woman who just pointed out she, too, is NINETEEN.

-wait so is Riggins doing a sports show on a Christian radio station? What?

“I think you’re really hot. Your long hair reminds me of Jesus” -Christian girls being horny for Riggins LOL

-awww Saracen being like “okay Landry you’re gonna impress Tyra right now” before that football play was a cute friendship moment for those two

-aww I love how this Smash storyline is turning out with Coach Deeks whose had his eye on him for six years my heart 😭

-also unclear to me whether Logan Huntzberger the Preacher is a fully grown adult dating a high school senior?? Biggest teen drama pet peeve once again! Stop this!

-Tami is my heroine for just leaving Eric at the restaurant fighting with her ex. “see you at home, honey!”

-I’m sorry, is Jason gonna like actually convince this girl to have a baby with her one night stand at 19??? Oh lol wait THAT ended up being the cliffhanger of the whole season? Fucking hilarious.

well I made it through season 2!!! Super psyched for Season 3, Jay has been hyping me up for it. See y’all next time! (I’ll try to post more for season 3 bc this accidentally got long af.)

[beatriceeagle]

I think my TV meta ask reported an error so I'm going to repeat my questions, feel free to ignore any of them! 1) I love Looking for Alaska the book, and whilst I'm not worried about the TV show as an adaptation, I am worried about it being good... should I watch it? 2) Are you excited for Bojack Season 6? 3) How do you feel about Agents of Shield as a TV show that's constantly changing? I'll never forget their pivot in season 1! 4) SPORTS NIGHT! Why do I love Dan Rydell so much?

I don’t think I could love a meta ask more unless it included Farscape. This is phenomenal.

1

The highlight is that the Looking for Alaska adaptation is good and you should watch it. To get deeper, without getting spoilery, I’ve heard a lot of people say that it improves upon the book, which I don’t exactly agree with. What Looking for Alaska is is a very smart adaptation.

Basically, Looking for Alaska, the book, pulls off a thematic trick using its limited point of view. Miles spends the first two-thirds of the book wildly idealizing Alaska, and often very much in the dark about the exact specifics of her relationship with Jake, but also with Takumi and even the Colonel. Then when the turn comes, that becomes the point: Miles might have loved Alaska, but the Alaska in his head was never the real Alaska, and that means that he can never really understand what happened.

We spend a lot of time hearing Miles’ very precocious, pretentious narration, and also Alaska’s precocious, pretentious dialogue, and a lot of that has seeped into the culture as being the book, as if there’s no deconstruction happening. But there is! Miles is a little bit self-deluding, and Alaska is almost always putting on a front, and neither of their words can ever be fully trusted. This is a book about a guy who never really knew a girl.

The writers of the series, I think, wisely realized that that dynamic was going to be incredibly difficult to replicate on-screen. No matter what they did, viewers were going to get an objective look at Alaska, and the time constraints of television (ironically, the fact that they had to fill out more time) meant that they would have to go outside of Miles’ perspective. So they ditched that idea entirely, and instead dedicated themselves to expanding wherever they possibly could. We get so much more Alaska than the book gives us. She is more real than she possibly could have been in the pages, because we get to see her, not Miles’ view of her. But we also get much, much more of the Colonel, more of Sara, more of Takumi and Lara, more of the Eagle and the Old Man. And it’s wonderful! Some of the show’s most incredible scenes are between characters who are neither Miles nor Alaska.

But it does undercut the theme, somewhat. (Especially when combined with some other adaptation decisions that I won’t get into, because they are spoilery.) Looking for Alaska, the series, gives up some thematic impact in favor of a great deal of character richness, and it’s absolutely the right call for the series, given its format, and given the context in which it was released. But it was a trade, and I think it should be acknowledged.

(The other thing the show does that I think is necessary from an adaptation standpoint, but makes for a kind of weird viewing experience, is that it adds a whole plotline to the middle of the series that doesn’t exist in the book. I do think that this was necessary, because there’s not a lot of structure to the middle of Looking for Alaska, and while that’s fine for a book, a series needs a plot with some kind of forward momentum to hang itself on. But the problem is that the inevitable arc of the book means that this new plotline has nowhere to go, and it ends up just sort of fizzling out, once the book plot takes over.)

Anyway: Looking for Alaska. Very good show, very good music, exceptional performance from Denny Love. Definitely check it out if you loved the book.

2

I am very excited for BoJack season 6! I’m just waiting to watch it with my sister. I have hope that, since this is a planned final season, it’ll give the writers space to move the characters forward, and actually give people like Diane some measure of peace, and people like BoJack some measure of atonement.

3

I think that being the kind of show that was a different show every season was the smartest choice that Agents of SHIELD ever made. (The least smartest choice that Agents of SHIELD ever made was “Fitz and Simmons can never be together for more than six episodes at a time,” even if it has led to several individually successful story arcs.) It makes the show infinitely adaptable, so for instance, if they kill off their lead character thinking that the show is ending, and then suddenly get renewed for two (!!!) more seasons, it’s very easy for them to bring the actor back without walking back the story they’ve told; the show is capable of going to almost any place or time, and pulling on almost any trope of sci-fi or fantasy.

It also makes the show really interesting. One of the problems with season one of Agents of SHIELD was that the MCU is this giant world, full of lots of different settings and genres, and in comparison, AoS felt bland. The genre it was taking on (sci-fi procedural) isn’t inherently boring, but it wasn’t a particularly fresh take on the idea, and the visual trappings of the setting were incredibly sterile. But post-Hydra reveal—and especially post-season four—AoS is like the MCU in a microcosm. It can be anything! It can do a season in the future, a season in space, a season in a computer simulation. It can do pulpy action and messy comedy and gorgeous, lyrical sci-fi.

And also, it manages to do something that’s incredibly difficult (even The Good Place didn’t quite manage to get the hang of it until literally just this last episode) which is to rewrite the characters’ realities over and over without losing track of their character progressions. So, for instance, Fitz has been regular Fitz, and then he’s had his entire reality rewritten by the Framework and become the Doctor, and then he married Jemma and died, and then we reset to cryo!Fitz. And throughout all of that, the show has always been very clear about where the current Fitz is emotionally, and how all of the past and alternate versions of him affect his mental state—but also how he is distinct from any past or alternate versions of himself. And they do this while carrying on actual physical trauma from season 2; if you pay attention, Fitz still briefly loses words when he gets stressed. (As someone who takes a medication that makes me forget words easily, this is my ACTUAL FAVORITE THING on television.) The end result is that you actually know more about Fitz from seeing his reality rewritten so many times—and he still has a coherent character arc.

Of course the downside of this constant shifting is that sometimes AoS will find something that really works for it, and then leave it behind. Like, over the course of seasons three to six, they built up a lot of texture and a deep bench of characters to the space setting, and I would probably say, at this point, that Space AoS is my favorite version of AoS. But the latter half of season six ditched that setting almost entirely, and it’s not clear to what extent we’ll be going back there at all for season seven. Similarly, Fitz’s character arc remains coherent, but I’m not sure the current version of it is my favorite version of it.

But at the end of the day, I think that’s a fair trade for a show that’ll change Daisy’s name halfway through and stick with it, you know?

4

Well, I don’t know why you love Dan Rydell, but after putting a great deal of thought into this over many years, I can tell you why I love Dan Rydell: He is, setting aside some baseline Sorkin patronization, a legitimately great guy, going through a legitimately tough time.

Like, in the grand scheme of things, there are a lot of people who have it a lot worse than Dan Rydell, but one of the cool things about Sports Night is that the narrative is genuinely engaged with that fact: It’s aware of Dan’s privilege, and it makes Dan aware of his privilege, in a way that future Sorkin properties never really manage to do. Think of “The Apology”: “No rich white guy ever got anywhere with me comparing himself to Rosa Parks.” Think of Bobbi Bernstein, a woman who Dan calls crazy until she proves that she was right. Think of “The Quality of Mercy at 29K,” an episode that’s basically all about turning Dan’s privilege inside out.

What makes Dan likeable is that the show is aware of his privilege, it points his privilege out to him, and he learns. When Isaac calls him out, he’s immediately contrite. When he sees someone in need in his office, he overcomes his immediate reaction and tries to help. And when he realizes his error with Bobbi, he grants her an immediate, complete, and sincere apology.

The thing is, Dan wants so desperately to be a good guy, and it’s just really hard not to like someone who is trying so hard. He’s incredibly good to his friends, and honestly, I think the turning point is “Mary Pat Shelby.” You give Dan and Natalie’s scene in “Mary Pat Shelby” to a halfway decent actor, and how do you not come out of that scene loving Dan? This incredibly unselfish, incredibly well-pitched moment where, while everyone else is freaking out and trying to get something out of Natalie, Dan just says, “No, I’m not going to tell you what to do, I’m just going to tell you that I am behind you a million percent.” How do you not love that person?

But the other thing is that Josh Charles is not a halfway decent actor, Josh Charles is a phenomenal actor, so actually the turning point isn’t “Mary Pat Shelby.” It’s the speech in “The Apology.” The speech in “The Apology” isn’t  Sorkin’s best writing—“high as a paper kite” is a choice—and honestly, that scene is a lot to ask any actor to take on. Performed competently, it would be kind of embarrassing.

Charles fucking impales himself on that monologue. He leaves blood and guts on the anchor desk. And he somehow does it without overacting? It is a very subtle, precisely-balanced act of self-dismemberment.

What I’m saying is that right from the very beginning, Dan opens himself up to the viewer, and we see all his vulnerabilities, all the ugly, painful pieces of him that make him. And because Charles is a really, really good actor, it’s all very believable, and it’s all very magnetic—you’re drawn to it. And he does it all while being so likeable, and so good.

So of course people love Dan Rydell. He’s generous, he learns and apologizes, he tries incredibly hard, he’s got level 25 charisma, and he’s an open book of emotion—not to the people in his life, but to the viewer.

(Hey, while you’re here, have a link to an amazing Dan Rydell vid!)

Send me meta prompts to distract me from my migraine! (Yes, I still have a migraine.)

[han100894]

Some of My Frustration with NNT

So this is probably going to be a controversial take, but as much as I like NNT, there are things about it that have been bothering me.

One big one is, despite attempting at least lip service, the girls often vastly get overshadowed by the guys.

(Note, this is me airing my frustrations, I still like NNT, I like all of theses ships to some extent, I don’t mean to rain on anyone’s parade. It would be awesome to know if anyone else agrees, but mostly I’m just trying to make myself feel better and honestly it may not be the best written and I’m probably forgetting points that made me feel this way and I’m sure I’ve forgotten things in the Manga itself.)

Just look at the three biggest ships: Kaine, Banlaine, and Melizabeth.

I like Kaine, it was my first favorite ship but… it’s ultimately King’s story. The majority of the focus is on King’s POV and feelings. Even Daine’s memory loss is played more about how he feels than her—she doesn’t even get a chance to get mad at Gowther for it, or for that matter angry at King—no instead King gets mad on her behaft. She gets pulled around by the plot, and the memory loss in particular to give King extra angst. Even her confused feeling for Meliodas are mostly played as comic relief, drama fodder early on with Elizabeth, and to King more angst. We get very little from her POV.

And whenever Diane tries to protect King (In my memory at least) it always backfires on her, leading to King to Angst and “power up” and come to the rescue.

She has no real major victories to her name. Generally in any fight from the second half of arc 1 and moving forward she’s either coached by King (The Vytle festival, he saves Diane and defeats his enemy alone, but Diane needs couching), or King takes the spotlight (fighting Helbram, fighting Mael)

The only plot point she gets on her own is the brief time with Matrona after she loses her memory once again. Otherwise her plotlines are heavily tangled with King’s and again we usually see things from King’s point of view. Even when they both went back to the past Diane ends up goofing off but King notices something is wrong. We just—we never get into her head like we do King. We don’t see anywhere near the kind of character development he has.

And King gets several plots unconnected to Diane, Helbram, the fairy forest, Ban and his sister, his inferiority complex…

I just wish she’s get some focus that didn’t revolve around King (or Mel)—and also that she got a chance to protect King without it instantly backfiring on her or making King feel bad about himself again…

(Also, there is no reason for Diane to be “equivalent of 15” none at all. Made even worse once King gets to go through “fairy puberty” in an instant and grow up something she can’t do (Also why the heck would 700=15 when giants only live to like 2000?)

And then Banlaine:

Let’s be honest, Elaine exists almost completely as a prop for Ban’s story, up to and including dying on him (aka being fridged) and causing his manangst and driving his story). She spend half the story dead and the other half deathly ill. She has little to no interaction with anyone else—even her conversations with her own brother is all about Ban.

She doesn’t even really get much of a say about the whole thing, Ban’s quest to save her, it just is.

I do think the Raven’s arc was the best arc, but it was so entirely because of Jericho and her character development and drive, not because of Elaine. She had one moment of cute interactions with Elizabeth as they fought off two people who had no build up and were pretty much fodder, and then she had one moment where she saved Ban and managed to “grow up” something that’s downplayed slightly by being part of the reason Ban gets into his huge angst, and her losing her upgrade literally the next time we really see her just in time for Ban to save her (And turning her back into a child look alike) something that was truly not necessary. Gloxina didn’t lose his wings when he died, and wings are literally something fairies are killed for to sell—she could have stilled died and not lose her upgrade.

Honestly what I want from her is her to get to talk with her god damn brother, and maybe actually work things out on screen how he hurt her, and her understanding how he did so almost entirely unintentionally without Ban being their or brought up would be nice. Off screen does not count at all either. other than that let her be a person and not a prop!

And finally Melizabeth

Technically, or at least some people believe so, Meliodas and Elizabeth are the two main, main characters of the story. Honestly I kinda feel that Meliodas, Ban and King are the one who have gotten the most development and focus throughout the whole story, or at least until recently.

Elizabeth has tried, but in a lot of situation she’s been a plot point (Getting kidnapped, the seed not being in the cup for her test, ect) or had a lot of her agency taken from her to push the story along. Ever since she got her memories back she’s been trying to change that yes, but so far has instead been nearly instantly kidnapped and put into a situation where she could only be saved by others. (And yes, in story context she as in a bad situation for her powerset, but Nakaba still decided to have this happened to her and decided that she could do nothing to help just after she decided she would do something about all of this. It’s not like he didn’t have a choice.)

Meanwhile Meliodas has mostly treated Elizabeth like a child—which is fair considering she is one, she’s only 16 (Seriously, why couldn’t she have been at least 18, what would that have changed other than a tiny bit of the creepy factor)—but even after she regains her memories, he decides what he’s going to do with no input from her (Take the Commandment, break the curse, kidnap her, ect) and yes he has no emotions at the time but it’s still really shitty and only a step more than earlier when he refused to allow her to join the Sins again at the start of arc 2, without even explaining why, and even insulting and hurting her instead.

And it’s not that I want her to be a badass fighter. I’m fine with her being a realistic pacifist and mostly a healer and leader—that’s great. I just want her to have more agency instead of being shoved around to force the plot to do what Nakaba wants and get a chance to actually help Meliodas like she wants.

Bonus: Monspeet and Derieri

Their relationship is interesting, as on its outside it’s actually reverses some of the tropes this story has. Derieri is the one who get most of the focus and character development, while Monspeet is somewhat behind her. And in a twist, instead of the girl being fridged for the guy’s character development, the guy is fridged for the girls. Something rare enough that I actually thought that Monspeet’s death was somewhat okay (Up until Derieri’s story faltered right after).

Derieri has the same somewhat realization as Elizabeth—she was always the one being protected by Monspeet, being taken cared of by him, and how she wanted to be the one who did it back.

But then just as she was getting a big moment, finally a chance to somewhat redeem herself and try and help stop this war and save Mael, she is killed just as she’s about to do it, stopping her story cold turkey.

And now with Mael doing the weird reincarnation thing I have to ask why. If she’s almost certainly going to come back at some point (probably in the sequel—Arthur’s story I’d assumed if it actually happens) why couldn’t she have succeeded when she was so close. Why did she have to be worfed to show off Mael and eventually being the catalyst to power up King.

It’s just… frustrating.

I just wish she’s been allowed to succeeded after everything. I wish she’d gotten at least one moment where she protected Monspeet.

Last complaint

And one thing that has bothered me over all is, most notably while Ban and Meliodas were in Purgatory, how “We are going to get out of here and save our girls” which is great I guess, but, both them, and King in his “I have to protect you” say it so often that it almost feels…infantizing. The guys are so obsessed with taking care of and protecting the girls who don’t get the same chance to do it for them, or try and get punished for it, or realize to late and it’s just…

Ban and Mel really do it, King has his huge “I have to save everyone” complex, even Monspeet goes overboard with Derieri a bit (hitting away the rocks anyone). Escanor is similar, though he respects and believes in Merlin as much as he wants to jump to her defense making him a bit of an exception but I have no idea if Escalin is supposed to be a thing or not at this point. Margret got to be political prisoner for ages, and when she went out to find Gil she gets manipulated into becoming Ludo’s host. Veronica gets a whole side plot only for it to suddenly stop with no conclusion.

I just want the girls to get to do cool things, sometimes completely unconnected to the boys, and not have it backfire on them or get overshadowed. I want the relationships to have more equal screen time between each partner, Is that so much?

[dimples-of-discontent]

Love, Necromancy, Cocks, and the Reanimated Corpse of Compulsory Heterosexuality: Watching Notes for 14x06

Oh my goodness this episode was pure fucking delight!! Is there a member of the NextGen writers’ room who isn’t binging wall-to-wall fanfic as inspiration? I mean, this even began as a library AU for crying out loud! I love these people and I love what they’re doing and they managed to do something I thought was impossible...not mind that this is our third episode in a row without Cas. We even got a nice lil’ shoutout to meta writers as Sam illustrated for Charlie why she was like the flyman and she gently insisted that, although Sam did have a point, she was not, to be clear, actually the same as flyman. (This will not stop me from proceeding with my flyman-type readings though. But thanks, Yockey!)

So obviously this was an episode about love and....love as we could tell from the tagline, “the things we do for love” and the title, “Optimism.” I’m sorry to say, though, that I ended up feeling that both those things were a setup for some very dark times indeed that are a-comin’! *rocks chair* *sips moonshine* We just learned from the PR that 14x08 will be an episode in which Cas makes an “enormous sacrifice.” And, well, there are only a few options for that at this point. I’ll talk more about it in a sec, but I think “the things we do for love” is pretty clear foreshadowing of not precisely what he’ll do but why he’ll do it. 

So anyway, here are some bullet-point-type rambles about things I noticed immediately post-episode. If I have time I might get to expand on them but, the way my time has been lately, it’s a lot more likely that they’ll stay rambly and informal. Still, feel free to pick up and toss around/expand on whatever appeals!

Necromancers - it’s not real love if it’s dead: I reblogged the lovely @mittensmorgul already being smart as usual about the connection between this and last season’s Yockey treat “Various and Sundry Villains” but I thought of it the moment I saw Harper because she looked so very much like the Plum sisters--you remember, the codependent ladies who put a love spell on Dean to steal a book and then tried to raise their mom from the dead only to have it lead to their demise at each other’s hands. Harper mentions that she’s from a long line of necromancers and, well, seems pretty plausible to me. Where the Plum sisters brought back their mom, though, Harper is looking to bring back her man (or men, if Jack is her next target) to stay with her forever. 

Just as the Plum sisters showed an unhealthy model of parent-child and sibling-sibling relationships that was allegorically appropriate to the Winchesters, Harper shows an unhealthy model of what a relationship is or could be. The Plums were unwilling to let their dead mother (or each other) go, clinging with slavish devotion to the idea of getting her, and their normal life, back. Instead of having real relationships, they cast love spells and sacrificed men (read: any possibility of a non-familial partner) to sustain it. Harper may have had a good enough relationship with Vance to start, who knows?, but she was unwilling to let him go in much the same way the Plums couldn’t let their mother die. He wanted to leave the town that she was tied to because of her family and her family business (necromancy). And instead of adhering to the idea that if you love something you should let it go she killed him and brought him back to participate in a kind of love that literally fed on other people to keep it going. Harper kept him against his will, forcing him to fit into her life in a way that required sacrificing innocent lives and kept her from being able to move on.

In both cases? It’s not love if it’s dead. Let it go.

My boyfriend’s back and you’re gonna be in trouble: Anyone else remember that uber-terrible 90s movie where a girl’s boyfriend came back as a zombie? No? I didn’t see it, but I recall seeing the preview in a theater and that it had a scene where they were making out and his ear fell off and it HORRIFIED me since I’d barely even heard of making out at that point. Anyway, I bet you anything Steve Yockey saw that movie which was called “my boyfriend’s back.” Harper has too many interested men, actually, which is the source of her “terrible luck” and being “perpetually single.” So, just to be clear, someone who says she’s “perpetually single” (and ready to mingle?) and has “terrible luck” with relationships is actually in a secret long-term relationship with her first love who she killed (all relationships have their issues!) and brought back from the dead as a supernatural creature who is terribly possessive of her. She wasn’t just single with terrible luck she actually had her boyfriend back!

Now, it’s not a 1-to-1 Destiel parallel and I’m not saying it is. This isn’t a flyman situation. But it’s suggestive of it anyway because all Harper’s “bad luck” with romance actually has a pretty simple explanation. She’s already in a relationship. So, uh, Dean you having some trouble there? Not finding any relationships that will stick? People you show affection for maybe keep dying? Try this explanation on for size. 

Like a romance novel: Again, I’m not suggesting this is all 1-to-1. But following up on these other two points I’d like to point out how Harper and Vance are stereotypical of a certain kind of “first love”. They met in high school. He was a football player she was the prom queen everything was going great. Then he wanted to leave and expand their lives and she wanted to keep everything the same. So she killed him. To keep everything the same. To combat change and the unfamiliar. So that instead what she got was the familiar, reanimated and always consuming everyone around her, living when it manifestly shouldn’t. They’re a romance novel gone wrong. A heterosexual romance novel gone wrong. Because Vance, “Archie,” is a certain kind of all-American guy. 

And if you think there wasn’t some kind of symbolic resonance to the reanimated corpse of All-American masculinity beating Dean up after he got clobbered with a shelf full or romance novels, well, think again. And then Vance just...decided Dean wasn’t a threat. He just walks off and leaves him and we’re left going ??? until we learn that he’s after Jack and that, because he sees Jack as a more viable romantic threat than Dean, he needs to pursue him. Dean was judged by the specter of toxic masculinity (or compulsory heterosexuality) and found wanting. That’s kind of big, guys.

Dick’s diner (love them, uh, Roosters): You guys, the monster knew that even sweet lil’ cinnamon roll Jack is more heterosexual than Dean is right now. Jack’s the one asking (repeatedly) about sex and Dean’s the one (repeatedly) not talking about it. He’s all business with the waitress, even when she tells Jack that “sometimes you just have the sex,” and even though he’s spouting a lot of wisdom about love (as someone who has obviously read one billion romance novels for “research purposes”) he’s not saying anything about what women want in the bedroom (or wherever else they want it). Even the diner, canonically the site of all Dean’s hookups with a no-bullshit waitress who explicitly mentions sex is filled with cocks. Just...cocks everywhere. And, yeah, Dean’s going to touch some of those cocks. He can’t really help it when they’re just everywhere. And he’s NOT going to make any time for a classic diner hookup. He’s just...gonna keep staring at those cocks. (I know they are about Richard Speight directing--and certainly the diner name is a reference to that--but there is no way it’s not also about cocks. And also I make no apologies for my sense of humor here. Cocks are funny and they’ll always be funny. The end.)

Let’s give ‘em something to talk about....how about love? Whew! You know who wants to talk about love? Dean Winchester. Kudos to Jensen because I felt that any conversation that had the L-word going on was heavy with Things Unsaid. Dean distracting Zombie Archie by trying to talk to him about what love really is but stopping short just after saying “that’s not what love is...c’mon, think about it” but before saying what it was instead? Dean saying that people do a lot crazier things for love (see my long crack rant about just what those kind of things might be DEAN)? I was legitimately kind of prepared for Jack to ask Dean a question about love and Dean to give a revealing answer that allowed Jack to serve as a GA proxy and go “Holy shit! You love Castiel!”. 

But hey, next week they’re apparently going to road trip to Vegas and Jack is going to drive the Impala (BEFORE CAS??? BLASPHEMY!!) so maybe there’s still going to be some time to callback to Sam’s Vegas wedding and how you know you want to marry someone. 

My apologies to Sam and Charlie, whose plotline I did very much enjoy, but I’ve tired myself out. This was pure joy and I feel happy and well fed and, well, optimistic...which can only mean dark times to come because nothing good ever happens on SPN. Take care, lovelies, and stay away from necromancy!

[fuckblizzardbearlover]

real talk: movie reviews

Your review/opinion of a movie is complete worthless shit if you dont base it off its intent and needlessly compare it to other things.

a comedy is suppose to be funny, a drama is suppose to be dramatic. If you were to talk about how Jaws wasnt funny enough and gave your kids nightmares cus it was to scary, as a criticism of a movie your review would be stupid, yes?

You have to go into a story, a movie or a series with sincerity. If you are going in thinking “i hope this isnt as bad as i think its going to be” or w/e then you are going in with prejudice. Its not the producers or actors or writers fault if you dont WANT to enjoy the movie, its YOUR fault.

“it had bad acting” ...well....no probably not. You probably mean the Acting was to campy, or the acting wasnt realistic enough, or the acting didnt convey what i think was meant to be conveyed. There are multiple forms of acting. If you want every great historically awesome groundbreaking movie that was filmed in the 20th century they ALL have horrible acting. Except they arent. Thats what acting was like back then. I am not a fan of older movies because they are heavily dialogue based. They focus on monologues and banter and i find the whole thing very boring. But i’m not an fucking idiot, and so i recognize that its a Different Style and dont go around bad mouthing it.

“its plot was obvious”...well was it suppose to be? I mean people say there are no orginal stories. it doesnt matter WHAT happens but Why. the devil is in the details. I mean if you told me that Dumbledor dies that ...wouldnt be a problem because I dont know WHY he dies, HOW he dies, WHO kills him , WHEn he dies and all the information surrounding that event. Like if the movie is a Jurassic film you know its going to go wrong...thats a given. you might as well insult a horror movie for being scary. Thats just....like...reality. Movies about a lack of conflict arent entertaining. You need conflict. So the movie is about when things go wrong. In order for this to be a valid criticism you’d have to explain why the simple plot is a bad thing

“the villains were obvious”...most villains are. Like we literally have one in the white house right now. If your point is that people would stop obviously villainous people right away you’d be wrong. if your point is people would have a problem working with villains you’d be wrong. We literally have businessmen in real life saying that poor people deserve to die, so how does a fictional villain saying that he’s going to sell a dinosaur to some mafia guys like any different?

“dexu ex machina” first of all i dont think that word means what you think it means. its a reference to the machine of the gods, meaning the moments in plays when the plot could not be resolved so they had the gods come in and fix everything.  It does NOT mean “the heroes got spared because an event out of their control changed the situation”. heck thats often how the conflict starts in the first place.

and again one has to consider the GENRE and intent of the movie.

Like i love all the Jurassic movies...because they are good and fun. Thats just how they are. They have philisophical debates, they have intercharacter conflict (romance or divorces) that leads to cute banter. They have things going horribly out of control. they have contrived coincedences that are fun or funny.

They have heroes barely escaping horrible situations through nothing but luck. Like thats whats fun about it! If you dont like it thats fine but to Insult something just cus you dont like it is idiotic and shows how unprofessional you are.

I HATE coffee but i dont insult it or people who like it

Like in preparation for the next movie i watched jurassic world again and was reminded of all the fun i had.

The horrific Irony of corporate scientiests saying things like “it ate its sister” and that look where you can see they are desperately trying to ignore that big warning sign cus they are trying to be optimistic.

the shot with the dinosaur foot thats actuallly a raven’s foot that plays with audiences expectations of a dramatic scene change of violence “oh  but its actually something harmless” that is common in these movies (they’ve had one for ever movie) while also lampshading the fact that birds are related to dinosaurs. Thats some top notch movieing

the silly divorce plotline that brought humanity to the cast, that kinda showed that the people who end up in horrible situations are people just trying to deal with their things. Not to mention how its almost always tied to the plot? Like how in Jurassic 3 them trying to save their child helped the mother and father heal their relationship, How the brothers attempts to overcome his shittyness because his brother is worried about the divorce leads him to do something dangerous that almost gets them killed

The silly situations and black comedy like in Jurassic 2 where the guy gets eaten in front of hte blockbuster and you hear his comedic “Ug, uuuggk” like the  slowly dying version of the Wilhelm scream. In jurassic world  you had the cute comedy of the frustrated Tourguide person “guys i just work here” and the pteredon stopping right before it would have impaled one of the heroes. The indominous being indignant at the weird things screaming at it so it screams at them back because she’s a petulant child.

And like people give it to much shit and it usually means the critic is being an idiot about it. Like it wasnt Clair it was Masrani who wanted  send in the soldiers with non lethals. Ppl want to talk about the light measures they took but the whole problem wasnt caused by the park but by a rogue scientist creating military grade upgrades without the company knowing about it. Ppl want to talk about how unrealistic the dinosaurs are but they arent dinosaurs? its even discussed within the movie that they are hybrid abominations made to look like what people think dinosaurs are.

and that moment where the nerd guy tries to like ...be all heroic “someone has to stay” to impress his girl coworker to only find out that she’s not that impressed, has a boyfriend and that he’s projecting this romance on their relationship where there is none and gets shot down, is like the single greatest moment in cinematic history, i loved it!

(though Claire utilizing her unique position as the person in charge to risk her   life to use the parks oldest and most iconic asset in order to kill the indominous is a close second).

Like...we get it. You are pretentious and mean and get off on telling other people how things are terrible..

but if you dont mind we are going to be over here having fun? and we are going to keep getting Fun quirky movies about unrealistic dinosaurs and contrived coincedences and campy villians and shitty love stories that take place in the background and these type of movies are going to exist forever because they are FUN

And if you dont like it, die mad about it

[tortellini-tankini]

Eve`s Lore, Part 1: Backstory, and Ari`s Main AU

Under the cut will be the long (and I mean LONG) story behind my Pastamonsters OC, Eve, including her backstory, her relationship with Ari as her host, her life in the UnderRealm, and some facts at the end. This is for the main lore, as I have also devised a second AU. This also includes some headcanons on how I view Zalgo and Zalga, and also some PM spoilers I have read from @comickit `s blog. Some information may or may not be applicable to the canon PM universe.

This post will have 3 parts, as there is a lot of info that cannot fit into one post, and as well as that, I have a second AU where Eve`s backstory stays the same, but Ari goes through a different plotline after being possessed by her.

Also note that I will leave number marks like (1)(2)(3) next to certain lines to indicate that there will be a fact at the end in regard to it.

Trigger warnings: Murder, death, gore, occult, religion, suicide, and mention of molestation.

Please keep in mind that Eve has no current ties to the cannon Pastamonsters world, and is simply a self insert. Anyways, enjoy!

The Creation

About several eons ago, after Zalgo had already made his first monster, the Boogeyman, he was trying to think of a more unique design of a monster than others he had made. He was reminded of the tale of Adam and Eve, and how it is said that Eve came from the rib of Adam. He was also reminded of the traits of his sister, and so, he began working on his next creation: Eve.

This Eve was clearly nothing like the biblical one. She was about half his height, but still towering at almost 8 ft. Her hair was short but thick, her flesh was gray to represent a medium between him and his sister, Zalga (which shall be explained soon). However, from her waist down, was almost a fur-like coat and talons for feet. Her eyes were a lighter shade of gray with red slit pupils, and her forearms faded into a darker shade of gray like her legs. Her general physique androgynous, with feminine features closer to her face, and masculine features in her body. (1)

And of course, he left room for the monstrous features. Her top canines curled outwards, and her bottom canines grew upwards. She had a thin tail with razor-like claws at the end, and it could whip to make a snapping sound, and perhaps even decapitate someone. She had a wingspan at a staggering 20 ft, and tall horns that measured at 3 ft upwards.

At first, Zalgo considered making her like that of the Boogeyman: just a monster with a higher title. But considering how much power, strength, and capability her had unintentionally given her, he decided to use her for a higher purpose: she would build, train, and lead his army, travel to distant parts of other Realms to bring information, and the most important role of all,

She was to be a messenger between him and his sister, Zalga.

Zalga

On Eve`s first mission to meet in the higher realm with Zalga, she was told to bring a personal message from Zalgo himself. Let`s just say he wanted to see how his “goody-two-shoes sissy” was doing. When Eve first came in contact with Zalga, she felt an impending force of something she never felt before. The presence of Eve`s kind, calm, and collected nature, was completely foreign to this lesser demon. She felt weird in her presence, and almost felt as if she wanted to reconsider what she was doing working for Zalgo.

As time went on and the messages she delivered to her from Zalgo were closer to that of declarences of war, Eve felt more and more in a gray area than she ever did before, and closer to light. Yes, she was falling in love with the light counterpart of her dark lord. Zalga knew of this right away, and she is quick to sense positive energy, as she herself radiates it. Because of this gradual shift towards a light side, Eve`s appearance changes as well. Her hair grew, her horns shrunk, and most noticeably, her slit eyes changed into a bright green. She learned to conceal this, though, as she knew Zalgo would be furious if he knew she were turning to light.

Betrayal and Exile

Eve and Zalga knew that they were on the brink of war, and that they may no longer be in neutral terms if this were to be. Eve confessed her love to Zalga, and Zalga reciprocated her feelings. But all that stood in their way was Lord Zalgo. As Eve was about to carry on with a plan to betray him and strengthen Zalga`s own army in secret, Zalgo soon found out, and incarcerated her in the chasm of eons.

Eve was able to escape using the strength she gathered from other loose souls in the chasm, but this escape was temporary, as she was caught again. This greatly terrified Zalgo, as he realized she was growing too powerful, and was even against him. Zalgo had come to terms with the fact that she could grow too powerful if kept in either the UnderRealm or Higher realm, so he came with the decision to exile her to the OverRealm, where she would roam the earth as a possessor demon, clinging onto human life forms and moving about like a parasite.

Power Exchange

So, as mentioned in Eve`s birth, what is a happy medium of dark and light, when one my be closer to dark? That would be sin. Sin and pleasures. Some may argue Eve carried the intentions of carrying out The Seven Deadly ones, which we all know by now.

And so, Eve first began her troublesome journey as a possessor demon in the ancient times of the Romans and Greeks.(2) She would most commonly possess young women from the ages of 17-25. Most of these women, however, consented to becoming hosts of Eve, as Eve was a contract possessor, meaning a pact had to be made with her in order to be her host. In the exchange, Eve would give the women strength, confidence, and an overall “better quality of life.” However, the last part isn`t usually true, as in exchange for these qualities, her hosts must give souls, mainly through the process of murder, and other pleasures and sins.

As more souls and sins are given to Eve by her hosts, she gains more power, and more of her lost attributes are given to the host. For example, the first kill may give the host Eve`s claws, and with enough souls and power, they may gain the ability of flight with her wings. However, that level has yet to be reached for years to come..

Unfortunately, with physical monstrous features becoming prominent in hosts, these women are often exorcised of Eve, if not killed, and Eve is stripped of her power and souls gained, and the cycle of finding a new host and gaining power begins again.

80`s

After being smuggled into America from a European host some time in the late 70s, and with American Occultism on the rise, it`s safe to say Eve was most active during the 80s, until coming across a host whom she stays with up until the 2000s. With having been enveloped in a new era of radical people, mannerisms, music, fashion, and culture, she was intrigued, and soon became one with the personality of this decade. She loved everything about it from the movies like E.T., Alien, and Back to the Future, to the big-haired popstairs like Madonna and Whitney Houston (especially the big hair part).

With her attachment to this decade, it was easiest for her to blend in with the personalities of the many hosts she took on. By the time the 80s was almost at its end, and the 90s was making way, she had taken shelter in a young woman who killed cops in her spare time. But by 2001, the woman she took host in had accidentally become pregnant with a girl, and so Eve was forced to be kept at bay inside her host until the woman`s daughter was in her preteens.

Beginning of a New Century

With the woman`s end of the deal being broken, and Eve was no longer receiving power from souls and sin, Eve grew restless and angry. She drove the poor woman insane, and almost ruined her life entirely, from ruining her relationships, and even almost making her kill her own daughter. The woman could no longer take the torment of the parasite she made her body a home to. She had to get rid of her, but with no friends, no close relationships, and no one to go to, her options for someone to pass the demon to was short, with the only option on the list being her preteen daughter.

On the night of her daughter`s 11th birthday, she set up an altar for a transfer ritual, and tricked her daughter into believing this was a new birthday tradition. The little girl was naive, and when Eve came to speak through her mother`s body with glowing green eyes, she thought it was no more than a magic trick or prank. By the end of the night, the poor girl was unwillingly possessed by Eve.

With the mother realizing what monstrosity she passed to her daughter, she shot herself in the basement, leaving her daughter to the custody of her ex boyfriend.

Ari

Fast forward about 5-6 years later. It is 2019, and the school year is in the beginning of the 4th semester. Ari (short for my full name) is going about her day when she teacher introduces a new student to the class. With sympathy towards the new girl, Ari offers the seat next to her. They grow close as friends, and as the end of the school year nears, they decide to meet for a “sleepover” at the girl`s house. But behind Ari`s parent`s backs, they were planning to make contact with a certain demon who has been named many times before.

The girl explained to Ari of the tragic story of her mother, and how she was misdiagnosed because of the constant demands from the monster she carried. Obviously, at first, Ari had serious doubts. But in empathy for the girl, she claimed to believe her, hoping it would ease her. But that night when they opened the altar for communication with Eve, Ari`s perspective on the occult had immediately shifted from wanting to see proof of demons, to literally talking to one.

To use one`s host to communicate with the new host she was about to make a pact with was supposed to be customary for Eve, but with many Occultists she had been in and out of in the past, they always wanted to skip the talking and go straight for being possessed. But not Ari. She had quite a few questions on Eve`s origins. When she asked Eve of her origin land, she expected her to answer with “Hell” but instead, with the answer being “The UnderRealm”, a light immediately went over Ari`s head.

She had some vague knowledge of the UnderRealm, as, not to be cliche, she was quite a fangirl. She never asked about the monsters there, though, but she did ask about Zalgo. This surprised Eve, and so Eve came clean of her full past. When they were nearing the end of the questioning time, Eve explained her common terms of strength in exchange for souls and sins (The Three S`s as she calls it). Ari thought back on her middle school bullies, and with having a triggering flashback of the boy who molested and humiliated her, she gave Eve a grin and agreed to the pact, with full intentions of getting revenge and giving Eve her souls. Soon that night, the possession process began, and a new Ari was about to be born.

New Host

The possession process was an uncomfortable one at that, but by the end of it, the poor girl who had been infected with this parasitic demon for all her childhood was freed. Or so she thought.

As Ari was heavily foaming at the mouth, her veins pumped, and her eyes began to glow faintly, the other girl was unaware of the situation. Before she could say “thank you”, she had Ari- no, Eve`s hands on her throat. Eve had the last word that night, leaving the girl as nothing more than a corpse with a broken neck. When the girl`s “father” called the cops, they ruled it out as abuse from the man, and he was taken into custody and questioned. Ari escaped home that night, and had plenty of catching up to with this new friend inside of her.

New Year, New Us

By 2020, the beginning of Ari`s senior year in high school, her and Eve had already formed a bond like no other host had with Eve before. Ari had a dark mind, and dark intentions since she was 12. All that pent up angst, anger, and rage could never be carried out before, not just because of a lack of confidence in her abilities, but also a lack of the abilities in the first place. Ari was, admittedly, a weak and lazy girl. Eve pushed her new host to change for the better. She`d make her run through the woods at midnight, climb and punch trees, and generally just push this weak body to the edge. It was hell at first, but it all paid off for Ari as a host, and for Eve to carry on her plans in a fit body.

After a year and a half after her high school graduation, the two as a pair had killed many that Ari resented, and carried on many other sins, which was more than enough to give Eve`s host some of her own attributes, starting with her claws, to her teeth, to her tail.

Last Souls

After having discovered the whereabouts of the three infamous boys who drove the girl to the brink of murder-suicide in middle school, the pair devised a plan like no other. Not only would they take their souls through their deaths, but they would make their deaths the most slow, and painful.

For the first two, it was simple torture in an abandoned shed, then leaving them to die to collect their souls several days later. With the collection of their two souls, Eve`s host had reached an achievement that no other host had reached before. She gained her wings.

Their attack on the last boy was the best experience Ari had ever had in her life. With her taking on the full form of Eve, she swooped in on the boy as he was walking home at night, and punted him back and forth in the air, before throwing him into the forest, chasing him like a beast, whipping and cutting him with her tail, before finally ripping him to shreds in the air and dropping his corpse from 60 ft above ground.

That is all the info I could fit into one post, I will work on part 2 and post it soon, and later I may post part 3 for the different AU.