#richard dryden

[basicallyanotherwitchesthing]

Richard M. Jones - The New Psychology of Dreaming - Pelican - 1978 (cover painting by Patricia Dryden)

[uwmspeccoll]

A Classic Tale of Tragic Romance

The play All for Love or the World Well Lost was penned in blank verse by English poet and playwright John Dryden (1631-1700) in 1677, a significant work for Dryden and a notable contribution to the genre of heroic tragedy, with many scholars considering it one of Dryden's finest works. Our copy is from an edition printed in London for Jacob and Richard Tonson in 1740 (although the handwritten information on the paper wrapper says 1750).

The play is an acknowledged reimagining of Shakespeare’s Antony and Cleopatra, which focuses on the last hours of the lives of its hero and heroine’s tumultuous relationship. Set in Alexandria, Egypt, the play follows the tragic love story of Marc Antony and Cleopatra, queen of Egypt, as they struggle to overcome political intrigue, jealousy, betrayal, and their own personal demons. The play explores themes of love, honor, duty, and the struggle between reason and passion. Ultimately, the play ends with the tragic deaths of Antony and Cleopatra, who choose to die together rather than live apart. 

John Dryden was an accomplished English poet, literary critic, translator, and playwright, and in 1668 became the first Poet Laureate of England. He stated that writing this play was his attempt to reinvigorate serious drama. Dryden's play, with its exploration of complex themes and its reimagining of a classic work, was a bold and innovative contribution to the theatrical landscape.

The Tonson publishing firm was a powerhouse of London publishing for nearly a century. It was founded in 1677 by Jacob Tonson the Elder (1655-1736), who formed a close association with Dryden, publishing much of his work in the final decade of Dryden's life. In 1709, Tonson secured the publication rights to Shakespeare's works, and a year later, in partnership with his nephew Jacob Tonson II (1682-1735), he moved his shop to Shakespeare's Head in the Strand. The Tonsons' signature emblem was a small woodcut image of the Bard, commonly found on their title pages as seen here. The Tonsons listed as the publishers of this booklet are the elder Tonson's great-nephews, Jacob Tonson III (1714–1767) and Richard Tonson (1717-1772), the last of the Tonson publishing clan.

View other Classics posts.

-Melissa, Special Collections Classics Intern

[thingsmk1120sayz]

[jesuisgourde]

A list of all the books mentioned in Peter Doherty's journals (and in some interviews/lyrics, too)

Because I just made this list in answer to someone's question on a facebook group, I thought I may as well post it here.

-The Picture of Dorian Gray/The Ballad Of Reading Gaol/Salome/The Happy Prince/The Duchess of Padua, all by Oscar Wilde -The Thief's Journal/Our Lady Of The Flowers/Miracle Of The Rose, all by Jean Genet -A Diamond Guitar by Truman Capote -Mixed Essays by Matthew Arnold -Venus In Furs by Leopold Sacher-Masoch -The Ministry Of Fear by Graham Greene -Brighton Rock by Graham Green -A Season in Hell by Arthur Rimbaud -The Street Of Crocodiles (aka Cinnamon Shops) by Bruno Schulz -Opium: The Diary Of His Cure by Jean Cocteau -The Lost Weekend by Charles Jackson -Howl by Allen Ginsberg -Women In Love by DH Lawrence -The Tempest by William Shakespeare -Trilby by George du Maurier -The Vision Of Jean Genet by Richard Coe -"Literature And The Crisis" by Isaiah Berlin -Le Cid by Pierre Corneille -The Paris Peasant by Louis Aragon -Junky by William S Burroughs -Absolute Beginners by Colin MacInnes -Futz by Rochelle Owens -They Shoot Horses Don't They? by Horace McCoy -"An Inquiry On Love" by La revolution surrealiste magazine -Idea by Michael Drayton -"The Nymph's Reply to The Shepherd" by Sir Walter Raleigh -Hamlet by William Shakespeare -The Silver Shilling/The Old Church Bell/The Snail And The Rose Tree all by Hans Christian Andersen -120 Days Of Sodom by Marquis de Sade -Letters To A Young Poet by Rainer Maria Rilke -Poetics Of Space by Gaston Bachelard -In Favor Of The Sensitive Man and Other Essays by Anais Nin -La Batarde by Violette LeDuc -Lolita by Vladimir Nabokov -Intimate Journals by Charles Baudelaire -Juno And The Paycock by Sean O'Casey -England Is Mine by Michael Bracewell -"The Prelude" by William Wordsworth -Noise: The Political Economy of Music by Jacques Atalli -"Elm" by Sylvia Plath -"I am pleased with my sight..." by Rumi -She Stoops To Conquer by Oliver Goldsmith -Amphitryon by John Dryden -Oscar Wilde by Richard Ellman -The Song Of The South by James Rennell Rodd -In Her Praise by Robert Graves -"For That He Looked Not Upon Her" by George Gascoigne -"Order And Disorder" by Lucy Hutchinson -Man Crazy by Joyce Carol Oates -A Pictorial History Of Sex In The Movies by Jeremy Pascall and Clyde Jeavons -Anarchy State & Utopia by Robert Nozick -"Limbo" by Samuel Taylor Coleridge -Men In Love: Masculinity and Sexuality in the Eighteenth Century by George Haggerty

[arbitrary line break because tumble hates lists apparently]

-Crime And Punishment by Fyodor Dostoevsky -Innocent When You Dream: the Tom Waits Reader -"Identity Card" by Mahmoud Darwish -Ulysses by James Joyce -The Four Quartets poems by TS Eliot -Julius Caesar by William Shakespeare -A'Rebours/Against The Grain by Joris-Karl Huysmans -Prisoner Of Love by Jean Genet -Down And Out In Paris And London by George Orwell -The Man With The Golden Arm by Nelson Algren -Revolutionary Road by Richard Yates -"Epitaph To A Dog" by Lord Byron -Cocaine Nights by JG Ballard -"Not By Bread Alone" by James Terry White -Anecdotes Of The Late Samuel Johnson by Hester Thrale -"The Owl And The Pussycat" by Edward Lear -"Chevaux de bois" by Paul Verlaine -A Strong Song Tows Us: The Life of Basil Bunting by Richard Burton -Don Quixote by Miguel de Cervantes -The Divine Comedy by Dante Alighieri -The Jungle Book by Rudyard Kipling -The Man Who Would Be King by Rudyard Kipling -Ask The Dust by John Frante -On The Trans-Siberian Railways by Blaise Cendrars -The 39 Steps by John Buchan -The Overcoat by Nikolai Gogol -The Government Inspector by Nikolai Gogol -The Iliad by Homer -Heart Of Darkness by Joseph Conrad -The Volunteer by Shane O'Doherty -Twenty Love Poems and A Song Of Despair by Pablo Neruda -"May Banners" by Arthur Rimbaud -Literary Outlaw: The life and times of William S Burroughs by Ted Morgan -The Penguin Dorothy Parker -Smoke by William Faulkner -Hero And Leander by Christopher Marlowe -My Lady Nicotine by JM Barrie -All I Ever Wrote by Ronnie Barker -The Libertine by Stephen Jeffreys -On Murder Considered As One Of The Fine Arts by Thomas de Quincey -The Void Ratio by Shane Levene and Karolina Urbaniak -The Remains Of The Day by Kazuo Ishiguro -Dead Fingers Talk by William S Burroughs -The England's Dreaming Tapes by Jon Savage -London Underworld by Henry Mayhew

[johaerys-writes]

Just saw someone shitting on TSOA yet again (no surprises there) about the fact that Achilles is "canonically" chestnut-haired, and that the fact that he's portrayed as a blonde must be TSOA's fault because, of course, every inaccuracy or misconception about the Iliad or Patrochilles in popular culture can be traced back to TSOA, right? And of course let's ignore the fact that many other popular adaptations like, oh, I don't know, TROY THE MOVIE which was filmed 7 years before TSOA portrays Achilles as a blonde, and that many, many artists several centuries before TSOA was written imagined him as a blonde, starting from the Romans and going aaaaaall the way to the 18th and 19th century to the present day, but let's ignore all of that for a minute, shall we?

The word used to describe Achilles in the Iliad is xanthos, which does not exactly translate as chestnut! It does not exactly translate to any colour word we have in the English language, or probably most modern languages in fact!! Greeks used certain words to describe groups of colours, so xanthos could mean anything from yellow to gold to brown, even ruddy, reddish brown or reddish gold. Translators over the years have used a number of different words to describe Achilles' hair, here are some examples from the translations I have on hand and a couple I searched for this purpose:

George Chapman (1611): yellow

John Dryden (1700): yellow

Alexander Pope (1743): golden

Samuel Butler (1898): yellow

Richard Lattimore (1951): fair

Kazantzakis-Kakridis (1955): blonde

Robert Fagles (1990): fiery

Stanley Lombardo (1997): sandy

Barry B. Powell (2013): light-coloured

Caroline Alexander (2016): tawny

Emily Wilson (2023): chestnut

So, as you can see, there have been many different variations over the years, and none of them are either 100% right or wrong! I don't know what each translator had in mind when they chose to translate xanthos the way they did, what their precise reasoning was, but what we do know is that the word has been used to describe a wealth of different shades so I'm guessing there's a degree of personal interpretation or preference at play here.

And that's all I have to say about that for the moment! Peace out ✌️

[dreaminginthedeepsouth]

Vogue ~ December 1 1914 ~ George Wolfe Plank

(1883–1965) was an American artist illustrator, chiefly remembered for his long-term association with Vogue Magazine, which resulted in years of covers in an Art Deco style related to that of Helen Dryden and influenced by, among others, Edmund Dulac.

[The Art Portal]

* * * *

“The smells of Christmas are the smells of childhood” ― Richard Paul Evans, The Christmas Box

[lonestarflight]

"This impressive scene was photographed when the NASA 747 carrier aircraft and five T-38 aircraft flew over the shuttle Orbiter 101 'Enterprise' while it was parked on the runway at Edwards Air Force Base in Southern California."

Astronauts Joe H. Engle (face down), commander, and Richard H. Truly (face partially obscured by Engle), pilot, are greeted by Rockwell technicians following egress from Enterprise.

"She had just completed a five-minute, 28-second unpowered mission during the second free flight of the Shuttle Approach and Landing Tests (ALT) conducted at the Dryden Flight Research Center."

Enterprise being towed back to the Mate-Demate Device.

"The astronauts reported that the use of ailerons after nosewheel touchdown was not as effective in steering the orbiter as predicted, but other than that, the vehicle had performed well in flight. The most serious problem to come along during the flight was not in either of the flight vehicles: the radar at Dryden failed 28 minutes into the captive portion of the flight, and almost caused an abort before it was brought back online."

Date: September 13, 1977

NASA ID: S77-28200, S77-28210, ECN-8604

SDASM Archives: 08_00883

source, source

[fionamccall]

Foundling names

At the Foundling Museum they have displays listing some of the new names given to the Foundlings when they arrived.

I was struck by how many of these were literary, historical or fanciful - a projection of the donors' fantasies on children - was this a kind thing to do or treating children a bit like naming a puppy? What did it mean to go through life saddled with the name Oliver Cromwell or William Shakespeare?

Names included:

Historical: Julius Caesar; Edward Plantagenet; Lambert Simnel; Edmund Ironside; Henry Agincourt; Emma Plantagenet

Tudor: Charles Brandon; Catherine Parr; Walter Raleigh; Francis Drake

Civil War: Oliver & Richard Cromwell; Edward Montagu; William Chillingworth

17thc/18th: Gilbert Sheldon; William Orange; Billy Culloden

Admirals: Admiral Benbow and Coram Benbow; Cloudesley Shovel

Literary: Robin Hood; Tom Jones and his love Sophia Western; Geoffrey Chaucer; Phillip Sydney; Alexander Pope; Nahum Tate; Samuel Johnson; William Shakespeare

Artists: Michael Angel; Inigo Jones; William Hogarth (possibly a bit confusing given his association with the hospital?); Anthony Vandyke; Peter Paul Reuben; Christopher Wren; Godfrey Kneller; Mary Addison; Richard Steel; John Dryden

Scientists: Francis Bacon; Edmund Halley

Virtues: Hopegood Helpless (a bit of puritanism coming in there perhaps?); Diana Thrifty; Prudence Friendly

Birds: Mary Dodo; Mary Swallow; Deborah Lark

Interesting to see one John Doe on the list as well - I thought this was a later, American thing.

[pers-books]

The 2024 Shortlist

The BBC’s 13th Annual Celebration of Audio Drama

2023 marked the centenary year for audio/radio drama at the BBC. For 100 years of this unique genre, audio drama and comedy have provided enjoyment, diversion, illumination, insight and escape for listeners, evolving in approach and style as audio practitioners have responded to new ideas and technology with ingenuity, imagination and inspiration. These awards celebrate the creativity of actors, writers, directors, producers, musicians, sound designers and all who work in this vibrant art-form.

The winners will be announced on Sunday 24 March 2024 in a ceremony in the Radio Theatre at BBC Broadcasting House London. The winners of the Imison and Tinniswood Awards (judged and administered by the Society of Authors and the Writers’ Guild of Great Britain) will also be announced at this ceremony.

Best Original Single Drama

Benny and Hitch by Andrew McCaldon, producers Neil Varley and Tracey Neale, BBC Audio Drama London

Churchill versus Reith by Mike Harris, producer Gary Brown, BBC Audio Drama North

Dear Harry Kane by James Fritz, producer Sally Avens, BBC Audio Drama London

Eat and Run by Paolo Chianta, producer Lorna Newman, BBC Audio Drama North

Rare Earth by Richard Monks, producer Nicolas Jackson, Afonica

Voices From the End of the World by Lucy Catherine, producer Sasha Yevtushenko, BBC Audio Drama London

Best Adaptation

The Age of Anxiety by W.H.Auden, adapted by Robin Brooks, producer Fiona McAlpine, Allegra Productions

Beowulf Retold based on the version by Seamus Heaney, producer Pauline Harris, BBC Audio Drama London

Bess Loves Porgy by Edwin DuBose Heyward, adapted by Roy Williams, producer Gill Parry, feral inc

The Dark is Rising by Susan Cooper, adapted by Robert Macfarlane and Simon McBurney, producer Catherine Bailey, Catherine Bailey Productions and Complicite

If on a Winter’s Night a Traveller by Italo Calvino, adapted by Tim Crouch and Toby Jones, producer Nadia Molinari, BBC Audio Drama North

One Moonlit Night by Caradog Prichard, adapted by Rhiannon Boyle, producer Emma Harding, BBC Cymru Wales

Best Original Series or Serial

The 5000 by Sebastian Baczkiewicz, producers Gaynor Macfarlane, BBC Scotland

An Eye for a Killing by Colin Macdonald, producer Bruce Young, BBC Scotland

Flirties, written and produced by Jess Simpson, Audiocraft

There’s Something I Need to Tell You by John Scott Dryden and Misha Kawnel, producer Emma Hearn, Goldhawk Productions

The Tomb by Sebastian Baczkiewicz, producer Joby Waldman, Reduced Listening

Trust by Jonathan Hall, producer Gary Brown, BBC Audio Drama North

Best Actor

Hiran Abeysekera, Dear Harry Kane, director Sally Avens, BBC Audio Drama London

Max Irons, The Bronze Horseman, director Susan Roberts, BBC Audio Drama North

Toby Jones, If on a Winter’s Night a Traveller, director Nadia Molinari, BBC Audio Drama North

Lorn Macdonald, Confessions of a Justified Sinner, director Kirsty Williams, BBC Scotland

Tim McInerny, Benny & Hitch, director Tracey Neale, BBC Audio Drama London

Tom Walker, Call Jonathan Pie, Alison Vernon-Smith, Yada-Yada Audio

Best Actress

Gabrielle Brooks, Bess Loves Porgy, director Michael Buffong, feral inc

Dinita Gohil, Victory City, producer Alison Crawford, BBC Bristol

Maxine Peake, The Women of Troy, director Nadia Molinari, BBC Audio Drama North

Rosamund Pike, People Who Knew Me, director Daniella Isaacs, Merman

Lydia Wilson, Happy Birthday, Mr President, director Gaynor Macfarlane, BBC Scotland

Fenella Woolgar, Lines in the Sand: The Journeys of Gertrude Bell, director Jessica Mitic, BBC Audio Drama North

Best Supporting Performance

Sacha Dhawan, Anna Karenina, director Nadia Molinari, BBC Audio Drama North

Erin Doherty, The Seagull, director Toby Swift, BBC Audio Drama London

Mark Heap, Kafka’s Dick, director Dermot Daly, Naked Productions

Sophia Del Pizzo, There’s Something I Need to Tell You, director John Scott Dryden, Goldhawk Productions

The Marc Beeby Award for Best Debut Performance

Izzy Campbell, Of a Night, director Jessica Mitic, BBC Audio Drama North

Rosie Ekenna, Faith, Hope and Glory, director Anastasia Osei-Kuffour, BBC Audio Drama London

Rosalind Eleazar, Hindsight, director Gaynor Macfarlane, BBC Scotland

Jadie Rose Hobson, Exposure, director Anne Isger, BBC Audio Drama London

Dan Parr, The Test Batter Can’t Breathe, director Tracey Neale, BBC Audio Drama London

Olivia Triste, Rise, director Dermot Daly, Naked Productions

Best Sit Com or Comedy Drama

Call Jonathan Pie by Tom Walker, producer Alison Vernon-Smith, Yada-Yada Audio

Kat Sadler’s Screen Time by Kat Sadler and Cameron Loxdale, producer Gwyn Rhys Davies, BBC Studios Audio

Michael Spicer: Before Next Door by Michael Spicer, producer Matt Tiller, Starstruck Media

Mockery Manor by Lindsay Sharman, producer Laurence Owen, Long Cat Media

She Stoops to Conquer by Oliver Goldsmith, adapted by Barunka O’Shaughnessy, producer Emma Harding, BBC Cymru Wales

Where to, Mate? devised by Jo Enright, Peter Slater, Abdullah Afzal, Nina Gilligan, Andy Salthouse, Keith Carter, Jason Wingard, producer Carl Cooper, BBC Studios Audio

Best Stand Up Comedy

Daliso Chaponda: Citizen of Nowhere by Daliso Chaponda, additional material Meryl O’Rourke, producer Carl Cooper, BBC Studios Audio

Janey Godley: The C Bomb by Janey Godley, producers Julia Sutherland and Richard Melvin, Dabster Productions

Maisie Adam: The Beautiful Game by Maisie Adam, producer Georgia Keating, BBC Studios Audio

Olga Koch: OK Computer by Olga Koch and Charlie Dinkin, producer Benjamin Sutton, BBC Studios Audio

Rob Newman on Air by Rob Newman, producer Eloise Whitmore, Naked Productions

Sarah Keyworth: Are You a Boy or a Girl by by Sarah Keyworth, additional material Ruby Clyde, producer James Robinson, BBC Studios Audio

Best Use of Sound

The Adventurers, sound by Alisdair McGregor, producer Boz Temple-Morris, Holy Mountain

The Dark is Rising, sound by Gareth Fry, producer Catherine Bailey, Catherine Bailey Productions and Complicité

Hamlet Noir, sound by David Chilton, Lucinda Mason Brown, Weronika Andersen, producers Charlotte Melén, Carl Prekopp and Saskia Black, Almost Tangible

Slow Air, sound by Alisdair McGregor and Eloise Whitmore, producer Polly Thomas, Naked Productions

Voices From the End of the World, sound by Peter Ringrose, producer Sasha Yevtushenko, BBC Audio Drama London

The Women of Troy, sound by Sharon Hughes, producer Nadia Molinari, BBC Audio Drama North

Best Podcast Audio Drama

Badger and the Blitz by Richard Turley and Darren Francis, producer Richard Turley, Roxo Ltd

Below by Aaron Gray and Paul Skillen, producer John Wakefield, HTM Television

Flirties, written and produced by Jess Simpson, Audiocraft

The Haunter of the Dark – The Lovecraft Investigations by Julian Simpson, producer Sarah Tombling, Sweet Talk Productions

The Salvation by Justin Lockey, Jeffrey Aidoo, and AK Benedict, producers John Hamm and Boz Temple-Morris, Holy Mountain and Free Turn

Tagged by Brett Neichin and John Scott Dryden, producer Emma Hearn, Sony Music Entertainment and Goldhawk Productions

Best European Drama

Evicted by Karel Klostermann, adapted by Tomáš Loužný, producer Renata Venclová, CZR Czech Radio

Faust (I Never Read It) by Noam Brusilovsky, producer Andrea Oetzmann, SWR Südwestrundfunk with Deutschlandfunk

Irina’s Soul Is Like a Precious Piano by Rona Žulj, producer Katja Šimunić, Croatian Radiotelevision

The Sick Bag Song by Nick Cave, adapted by Kai Grehn, producer Lina Kokaly, Radio Bremen

The Supervisor by Nis-Momme Stockmann, producer Michael Becker, NDR Norddeutscher Rundfunk

This Word by Marta Rebzda, producer Waldemar Modestowicz, Polish Radio Theatre

-- WooHOO! The Haunter of the Dark, part 4 of The Lovecraft Investigations, is up for a BBC Audio Drama Award! I am made up!

[iliiuan]

Epic Fantasy through the Ages

A Chronology of Story

This is a work in progress, but here is my list as of 6 July 2023. Please feel free to send me additions or corrections. I have focused on epic (works that are long and took a long time to create) and fantasy (works that include an element of magic, the supernatural, or superpowers). Some of the list could be categorized as myth, some as Literature™️, some as science fiction, but beyond these categories are the two main criteria of epic and fantasy. I also don't fully know what all of the ancient to modern works encompass, but that's the fun of read and find out. I probably have added some things that don't properly meet my criteria, and that's fine with me. 🌺

Works by Mesopotamian Bards (3100 BC - 539 BC)

Enumah Elish (Epic of Creation)

Atrahasis (The Flood)

Epic of Gilgamesh

Descent of Ishtar

Epic of Erra

Etana

Adapa

Anzu

Nergel and Ereshkigal

Avesta by Zoroastrian Bards (1500 BC)

Ramayana by Valmiki (750+ BC)

Mahabharata by Vayasa (750+ BC)

The Illiad and the Odyssey by Homer (650+ BC)

Thoegeny; Works and Days by Hesiod (650+ BC)

Popol Vuh (4th century BC)

The Torah and other Jewish stories (4th century BC)

Argonautica by Apollonius of Rhodes (270 BC)

Bellum Punicam by Gnaeus Naevius (200 BC)

Annales by Ennius (170 BC)

De Rerum Natura by Lucretius (50 BC)

Poem 64 by Catullus (50 BC)

The Aenid by Virgil (19 BC)

Metamorphoses by Ovid (2 AD)

Punica by Silius Italicus (50 AD)

Satyrica by Petronius (60 AD)

Pharsalia or Bellum Civile by Lucan (62 AD)

Argonautica by Valerius Flaccus (70 AD)

Thebaid by Statius (90 AD)

The Irish Myth Cycles: Mythological, Ulster, Fenian, and Kings (3rd Century AD)

The Bible and other Christian stories (5th century AD)

Dionysiaca by Nonnus of Panopolis (500 AD)

The Quran and other Muslim stories (7th century AD)

Arabian Nights (7th century AD)

Hildebrandslied and other German heroic lays by Bards (830 AD)

Shahnameh by Ferdowsi (977 or 1010 AD)

Chanson de Roland (1125 AD)

Cantar de Mio Sid (1200 AD)

The Dietrich Cycle (1230 AD)

Poetic Edda and Prose Edda by Snorri Sturluson and others (1270 AD)

Beowulf by Old English Bards (11th century AD)

Nibelungenlied by Middle High German Bards (1200)

Amadís de Gaula (13th century AD)

The Divine Comedy by Dante Alghieri (1308)

Teseida by Bocaccio (1340 AD)

Sir Gawain and the Green Knight by Middle English Bards (14th century)

The Canterbury Tales by Geoffrey Chaucer (1392)

Morgante by Luigi Pulci (1483)

Le morte d'Arthur by Thomas Mallory (1485)

Orlando Innamorato by Boiardo (1495)

Orlando Furioso by Ariosto (1516)

Os Lusiadas by Camoes (1572)

Gerusalemme Liberata by Tasso (1581)

Plays and Poems by William Shakespeare (1589)

The Faerie Queen by Edmund Spencer (1590)

Discourses on the Heroic Poem by Tasso (1594)

Don Quixote by Miguel de Cervantes (1614)

L'Adone by Marino (1623)

Paradise Lost; Paradise Regained by Milton (1667)

Le Lutrin by Boileau (1674)

Order and Disorder by Lucy Hutchinson (1679)

Mac Flecknoe; Aenid English translation by Dryden (1682)

The Dispensary bu Samuel Garth (1699)

The Battle of the Books; A Tale of a Tub by Swift (1704)

The Rape of the Lock; Illiad and Odyssey English translations; Dunciad by Pope (1714)

The Vanity of Human Wishes by Samuel Johnson (1749)

Scribleriad by Richard Owen Cambridge (1751)

Faust by Goethe (1772)

The Triumphs of Temper; Essay on Epic Poetry by William Hayley (1782)

The Task by William Cowper (1785)

Joan of Arc; Thalaba the Destroyer; Madoc; The Curse of Kehama by Southey (1796)

The Prelude; The Execution by Wordsworth (1799)

Jerusalem by Blake (1804)

The Rime of the Ancient Mariner by Coleridge (1817)

Laon and Cythna; Peter Bell the Third; Prometheus Unbound by Shelley (1817)

Hyperion: A Fragment; The Fall of Hyperion by Keats (1818)

Don Juan by Byron (1819)

The Kalevala by Elias Lonnrot (1835)

Sohrah and Rustum by Matthew Arnold (1853)

Hiawatha by Longfellow (1855)

Leaves of Grass by Walt Whitman (1855)

Idylls of the King by Lord Alfred Tennyson (1859)

Cantos by Ezra Pound (1917)

The Wasteland by T.S. Eliot (1922)

Ulysses by James Joyce (1922)

The Hobbit/The Lord of the Rings/The Silmarillion etc. by J.R.R. Tolkien (1937)

Gormenghast by Mervyn Peake (1946)

The White Goddess by Robert Graves (1948)

Hero with a Thousand Faces by Joseph Campbell (1949)

The Chronicles of Narnia by C.S. Lewis (1950)

Anathemata by David Jones (1952)

Dune by Frank Herbert (1965)

The Dark Is Rising Sequence by Susan Cooper (1965)

Briggflatts by Basil Bunting (1965)

Earthsea by Ursula K. LeGuin (1968)

Dragonriders of Pern by Anne McCaffrey (1968)

The Chronicles of Amber by Roger Zelazny (1970)

The Vampire Chronicles by Anne Rice (1976)

The Chronicles of Thomas Covenant by Stephen Donaldson (1977)

The Magic of Xanth by Piers Anthony (1977)

Book of the New Sun by Gene Wolf (1980)

The Dark Tower by Stephen King (1982)

Belgariad and Mellorean by David Eddings (1982)

The Mists of Avalon by Marion Zimmer Bradley (1982)

Shannara by Terry Brooks (1982)

The Riftwar Cycle by Raymond E. Feist (1982)

Discworld by Terry Pratchett (1983)

Mythago Wood by Robert Holdstock (1984)

Neuromancer by William Gibson (1984)

The Black Company (1984)

Redwall by Brian Jaques (1986)

Valdemar by Mercedes Lackey (1987)

Memory, Sorrow, Thorn by Tad Williams (1988)

Sandman by Neil Gaimon (1989)

The Wheel of Time by Robert Jordan (1990)

Queen of Angels by Greg Bear (1990)

Newford by Charles de Lint (1990)

Omeros by Derek Walcott (1990)

The Saga of Recluse by L.E. Modesitt, Jr. (1991)

The Witcher by Andrzej Sapkowski (1993)

Sword of Truth by Terry Goodkind (1994)

Realm of the Elderlings by Robin Hobb (1995)

His Dark Materials by Philip Pullman (1995)

Old Kingdom by Garth Nix (1995)

A Song of Ice and Fire/Game of Thrones by George R.R. Martin (1996)

Animorphs by H.A. Applegate (1996)

Crown of Stars by Kate Elliott (1997)

Harry Potter by J.K. Rowling (1997)

The Malazan Book of the Fallen by Steve Erickson (1999)

The Dresden Files by Jim Butcher (2000)

The Inheritance Cycle by Christopher Paolini (2002)

Prince of Nothing by R. Scott Bakker (2003)

Bartimaeus by Jonathan Stroud (2003)

The Gentlemen Bastard Sequence by Scott Lynch (2004)

Twilight by Stephanie Meyer (2005)

Percy Jackson and the Olympians by Rick Riordan (2005)

Temeraire by Naomi Novik (2006)

The First Law by Joe Abercrombie (2006)

Mistborn by Brandon Sanderson (2006)

The Kingkiller Chronicle by Patrick Rothfuss (2007)

Shadows of the Apt by Adrian Tchaikovsky (2008)

The Hunger Games by Suzanne Collins (2008)

Graceling by Kristin Cashore (2008)

Riyria Revelations by Michael J. Sullivan (2008)

Night Angel by Brent Weeks (2008)

The Demon Cycle by Peter V. Brett (2008)

Inheritance by N.K. Jemisin (2010)

The Lightbringer by Brent Weeks (2010)

The Stormlight Archive by Brandon Sanderson (2010)

The Expanse by James S.A. Corey (2011)

The Broken Empire by Mark Lawrence (2011)

The Lunar Chronicles by Marissa Meyer (2012)

Throne of Glass by Sarah J. Maas (2012)

Grishaverse by Leigh Bardugo (2012)

The Traitor Son Cycle by Miles Cameron (2012)

Worm by Wildbow (2013)

The Powder Mage by Brian McClellan (2013)

The Broken Earth by N.K. Jemisin (2015)

Shards of Heaven by Michael Livingston (2015)

The Green Bone Saga by Fonda Lee (2017)

The Band Series by Nicholas Eames (2017)

Winternight by Katherine Arden (2017)

The Folk of the Air by Holly Black (2018)

The Founders by Robert Jackson Bennett (2018)

The Locked Tomb by Tamsyn Muir (2019)

Grave of Empires by Sam Sykes (2019)

Djeliya by Juni Ba (2021)

[woodsteingirl]

on fate, tragedy, and hamartia

the picture of dorian gray, oscar wilde // romeo and juliet, shakespeare // stewart stafford // plutarch: life of brutus, translated by john dryden // the worm king’s lullaby, richard siken // have to explode, the mountain goats

[with-a-martyr-complex]

With A Martyr Complex: Reading List 2022

Adapted from the annual list from @balioc​, a list of books (primarily audiobooks) consumed this year. This list excludes several podcasts, but includes dramatizations and college lecture series from The Great Courses, which I consume like a disgusting fiend.

Introduction to the Qur'an by Martyn Oliver with Tahera Ahmad (for Quranic recitation)

Conquistadors by Michael Wood

ROAR: How to Match Your Food and Fitness to Your Unique Female Physiology for Optimum Performance, Great Health, and a Strong, Lean Body for Life by Stacy Sims and Selene Yeager

The Guns of August by Barbara W. Tuchman

War, Peace, and Power: Diplomatic History of Europe 1500-2000 by Vegas Gabriel Liulevicius

This Is How You Lose The Time War by Amal El-Mohtar and Max Gladstone

Coup de Grâce: A Novel by Marguerite Yourcenar (Translated by Grace Fick)

Sun and Steel by Yukio Mishima (Stanford Press Translation)

Classical Mythology by Elizabeth Vandiver

Metamorphoses by Ovid (Translated by Frank Justus Miller)

Existential Kink: Unmask Your Shadow and Embrace Your Power (A method for getting what you want by getting off on what you don't) by Carolyn Elliott

Fascism: A Warning by Madeline Albright

The Enlightenment Invention of the Modern Self by Leo Damrosch

Greek Tragedy by Elizabeth Vandiver

Leviathan or The Matter, Forme and Power of a Commonwealth Ecclesiaticall and Civil by Thomas Hobbes

War Is a Force That Gives Us Meaning by Chris Hedges

Natural Law and Human Nature by Father Joseph Koterski

Odysseus in America: Combat Trauma and the Trials of Homecoming by Jonathan Shay (Foreward by John McCain and Max Cleland)

We by Yevgeny Zamyatin (Translated by Clarence Brown)

Treason by Orson Scott Card (Originally published as A Planet Called Treason)

The Modern Political Tradition: Hobbes to Habermas by Lawrence Cahoon

Gideon The Ninth by Tamsyn Muir

Discipline and Punish by Michel Foucault (Translated by Alan Sheridan)

Harrow The Ninth by Tamsyn Muir

History of Sexuality: Volume I by Michel Foucault (Unidentified Translator)

Madness and Civilization by Michel Foucault (Translated by Richard Howard)

Lent: A Novel of Many Returns by Jo Walton

Living the French Revolution and the Age of Napoleon by Suzanne M. Desan

The Stranger by Albert Camus (Translated by Matthew Ward)

10 Women Who Ruled The Renaissance by Joyce Salisbury

A Brief History of the Samurai by Jonathan Clements

Because Internet: Understanding The New Rules of Language by Gretchen McCulloch

The Sailor Who Fell From Grace With The Sea by Yukio Mishima

The Republic by Plato (Translated by Benjamin Jowett)

Nona The Ninth by Tamsyn Muir

Davos Man: How The Billionaires Devoured The World by Peter S. Goodman

The Birth of The Modern Mind: The Intellectual History of the 17th and 18th Centuries by Alan Charles Kors

(Spooky) Litigation: The Practice of Supernatural Law (Volume 1) by Jeffrey A. Rapkin

Emperors of Rome by Garrett G. Fagan

The Exorcist by William Peter Blatty

Francis of Assisi by Ronald B. Herzman and William R. Cook

Impact Winter by Travis Beacham

Popes and The Papacy: A History by Thomas X. Noble

Misery by Stephen King

The Benedict Option by Rod Dreher

The Aeneid by Virgil (Translated by John Dryden)

The Aeneid of Virgil by Elizabeth Vandiver

The Industrial Revolution by Patrick N. Allitt

[Redacted] by [Redacted]

The Count of Monte Cristo by Alexandre Dumas (Translated by Duke Classics)

America and the World: A Diplomatic History by Mark A. Stoler

The Stars My Destination by Alfred Bester

Hagakure by Yamamoto Tsunetomo (Translated by William Scott Wilson)

A Memory Called Empire by Arkady Martine

Voltaire and The Triumph of The Enlightenment by Alan Charles Kors

Crime and Punishment by Fyodor Dostoevsky (Translated by Constance Garnett)

Incomplete books: Jacques the Fatalist, The Just City, On Killing

---

Great Courses consumed: 17

Non-Great Courses Nonfiction consumed: 16

---

Works consumed by women: 17

Works consumed by men: 37

Works consumed by men and women: 2

Works that can plausibly be considered of real relevance to foreign policy (including appropriate histories): 10

---

With A Martyr Complex’s Choice Award, fiction division: It’s a tie between Lent and Coup de Grace, I just couldn’t decide between the two. Feel free to mock me for my indecision.

>>>> Honorable mention: The Stars My Destination, Misery

With A Martyr Complex’s Choice Award, nonfiction division: The Guns of August

>>>> Honorable mention: Living the French Revolution and The Age of Napoleon, Greek Tragedy, Conquistadors, The Aeneid of Virgil

>>>> Great Courses Division: The Birth of the Modern Mind: The Intellectual History of the 17th and 18th Centuries

The Annual “An Essential Work of Surpassing Beauty that Isn’t Fair to Compare To Everything Else” Award: We

>>>> Honorable mention: Crime and Punishment (This may have suffered from me reading while quarantining, I could easily have swapped it with We under other circumstances)

>>>> Nonfiction Division: Leviathan

>>>>>>>>Honorable Mention: Discipline and Punish

The “Reading This Book Will Give You Great Insight Into The Way I See The World” Award: War is a Force That Gives Us Meaning

>>>> Honorable mention: The Sailor Who Fell From Grace With The Sea, Leviathan

The “This is Kooky Made Up Nonsense But Still Worth Checking Out” Award: Existential Kink

The “Reading This has Allowed Me To Stop Caring About Its Author Too Much” Award: The Benedict Option

---

This marks the first year where I’ve reached my goal of at least 1 book per week for the year, and I’m reasonably proud of that. I’m especially proud that I didn’t overload the list with short works to reach that goal and was able to tackle some difficult or long works while maintaining a solid pace. I did find myself reading fewer literary works than I tend to prefer, and my nonfiction that wasn’t lectures was lower than I’d generally like (however much I do love lectures). 

Goals for next year: more foreign policy reading, more literary fiction, write something of my own.

[quoteoftheweekblog]

22/7/24 - ROSE TREMAIN (AND ERNEST HEMINGWAY)

'I am boiling with lust, immoderate in my consumption of wine … ' (Tremain, 2010, p.61).

REFERENCE

Tremain, R. (2010 [1989] ) 'Restoration'. London: Vintage.

*****

ONE OF THE MOST BEAUTIFUL BOOKS I HAVE EVER READ SO IGNORE THESE QUOTES

'I have cut down my consumption of wine and sack. I have restrained my farts.' (Tremain, 2010, p.117).

HOWEVER

'I was about to order a second flagon (having now remembered that solitary drinking can be an oddly enjoyable pastime) … ' (Tremain, 2010, p.333).

BUT

' ... I have been living very frugally and do not think that I can consume an entire hen.' (Tremain, 2010, p.366).

*****

MY LIFE

*****

ONE DAY AT A TIME

XXXX

*****

CONGRATULATIONS 2024

…

YESTERDAY WAS THE 125TH ANNIVERSARY OF THE BIRTH OF ERNEST HEMINGWAY - 21/7/1899

NEWS REPORT

…

CONGRATULATIONS

*****

FOR BOOK GROUP JULY 2024 

20 (90) GLORIOUS YEARS

…

‘ “ My wife is most busy with her music and her attempts to comprehend the works of Dryden.” ‘ (Tremain, 2010, p.144).

THIS MONTH I ALSO READ

…

HOW TO KILL YOUR FAMILY

COMING SOON …

📚📚📚📚📚

THIS MONTH OUR MEMBERS ALSO READ OR ARE STILL READING …

TOP MEMBER

…

THE DEVIL’S NOVICE

… finished …

&

…

YOU’D LOOK BETTER AS A GHOST

… rather silly but amusing …

&

…

BROTHER AND SISTER

… a good read though not one of her best. Got a bit confusing at times.

📚📚📚📚📚

AN ABSENT MEMBER

…

THE SWEET DOVE DIED

&

…

THE MARLOW MURDER CLUB

I enjoyed both.

Warm wishes to all …

📚📚📚📚📚

…

THE DISPOSSESSED

… not reading it avidly!

📚📚📚📚📚

…

MEMOIRS OF A GEISHA

It was a good read but I've lots of queries about it …

📚📚📚📚📚

AND OUR READER LEADER

…

DEMON COPPERHEAD

I am halfway through Demon Copperhead by Barbara Kingsolver, but have put it aside until I have finished Restoration. It is the story of a boy from a very deprived background who goes into a couple of terrible foster care placements before things look up for him. I imagine it is loosely based on David Copperfield but it is so long that I read it that I can’t remember it very well.

&

…

A DEATH IN THE PARISH

I’m also reading A Death in the Parish by Richard Coles. I chose this because there is an interesting relationship between a high church vicar and an evangelical. It is quite good but a bit long winded in places.

📚📚📚📚📚

…

*****

BOOK GROUP

*****

QUOTE OF THE WEEK 2011 - 2024

…

12 EPIC YEARS

*****

FROM THE ARCHIVE

…

22/7/19

*****

[itsrattysworld]

Without Prejudice Mervelee Myers Consulted With Russell Dryden Tribute Book Theresa Salmon Bermondsey Resident Work At BIB Volunteer When I Transferred LEYF LSCN July 2014 After Death Of Mother Dementia LinkedIn Publication LEYF On My Doorsteps Hilda Miller Asked To Remove Petition For Inquiry In Early Years Sector 2017 Rejected Must Be Reinstated Based On Open Letters David Cameron 2015 Theresa May 2017 Contributions Of Arnold Ebenezer Tomlinson 1956-2024 Measured Neglected At Kings College Hospital Had First Nervous Breakdown Mapother House Day Nursery Richard Harty MIC Bloggers Jump Ship In EYFS I Was Offered £46-55,000.00 By Smart Teachers Endorse By Chris Pascal Tony Bertram Pushed Over Edge Label Criminal Need ERT Barrister Ryan Clement Owes £9,450.00 HMCTS CPS CJS Miscarriages Of Justice Facebook 18 Pages LinkedIn Twitters Google YouTube Instagram TikTok Harvest CPPDP Copyright Intellectual Property Images Build Brands Made Me Voiceless Victim Of Systems

Without Prejudice Mervelee Myers Windrush Oral History No Blacks No Dogs No Irish ITV News Page 1 South London Press 2004 Cancer Research LEYF Facebook 2009 Sky News Nursery World 2011 Dr. Maria Hudson Research Darvell School Community Playthings LinkedIn YouTube My Vision Website Google Ads 2012 6.01K 928K 700K View Husband In Kings College Hospital Byron Ward Neglected Nurse Betty Call Security…

[lboogie1906]

The Tuskegee Airmen were a group of African-American and Caribbean-born military pilots who fought in WWII. They formed the 332nd Fighter Group and the 477th Bombardment Group of the Army Air Forces. The name applies to the navigators, bombardiers, mechanics, instructors, crew chiefs, nurses, cooks, and other support personnel.

All African American military pilots who trained in the US trained at Moton Field, the Tuskegee Army Air Field, and were educated at Tuskegee University. The group included five Haitians from the Haitian Air Force and one pilot from Trinidad. It included a Hispanic or Latino airman born in the Dominican Republic.

March 22, 1942 - The first five cadets graduate from the Tuskegee Flying School: Captain Benjamin O. Davis, Jr. and Second Lieutenants Mac Ross,

Charles DeBow, L.R. Curtis, and George S. Roberts. They will become part of my the famous 99th Pursuit Squadron. List of Tuskegge Airmen.

Paul Adams (pilot)

Rutherford H. Adkins

Halbert Alexander

William Armstrong

Lee Archer

Robert Ashby

William Bartley

Howard Baugh

Henry Cabot Lodge Bohler

George L. Brown

Harold Brown

Roscoe Brown

Victor W. Butler

William Burden

William A. Campbell

Herbert Carter

Raymond Cassagnol

Eugene Calvin Cheatham Jr.

Herbert V. Clark

Granville C. Coggs

Thomas T.J. Collins

Milton Crenchaw

Woodrow Crockett

Lemuel R. Custis

Floyd J. Crawthon Jr

Doodie Head

Clarence Dart

Alfonza W. Davis

Benjamin O. Davis Jr. (C/O)

Charles DeBow

Wilfred DeFour

Gene Derricotte

Lawrence Dickson

Charles W. Dryden

John Ellis Edwards

Leslie Edwards Jr.

Thomas Ellis

Joseph Elsberry

Leavie Farro Jr

James Clayton Flowers

Julius Freeman

Robert Friend (pilot)

William J. Faulkner Jr.

Joseph Gomer

Alfred Gorham

Oliver Goodall

Garry Fuller

James H. Harvey

Donald A. Hawkins

Kenneth R. Hawkins

Raymond V. Haysbert

Percy Heath

Maycie Herrington

Mitchell Higginbotham

William Lee Hill

Esteban Hotesse

George Hudson Jr.

Lincoln Hudson

George J. Iles

Eugene B. Jackson

Daniel "Chappie" James Jr.

Alexander Jefferson

Buford A. Johnson

Herman A. Johnson

Theodore Johnson

Celestus King III

James Johnson Kelly

James B. Knighten

Erwin B. Lawrence Jr.

Clarence D. Lester

Theodore Lumpkin Jr

John Lyle

Hiram Mann

Walter Manning

Robert L. Martin

Armour G. McDaniel

Charles McGee

Faythe A. McGinnis

John "Mule" Miles

John Mosley

Fitzroy Newsum

Norman L Northcross

Noel F. Parrish

Alix Pasquet

Wendell O. Pruitt

Louis R. Purnell Sr.

Wallace P. Reed

William E. Rice

Eugene J. Richardson, Jr.

George S. Roberts

Lawrence E. Roberts

Isaiah Edward Robinson Jr.

Willie Rogers

Mac Ross

Robert Searcy

David Showell

Wilmeth Sidat-Singh

Eugene Smith

Calvin J. Spann

Vernon Sport

Lowell Steward

Harry Stewart, Jr.

Charles "Chuck" Stone Jr.

Percy Sutton

Alva Temple

Roger Terry

Lucius Theus

Edward L. Toppins

Robert B. Tresville

Andrew D. Turner

Herbert Thorpe

Richard Thorpe

Thomas Franklin Vaughns

Virgil Richardson

William Harold Walker

Spann Watson

Luke J. Weathers, Jr.

Sherman W. White

Malvin "Mal" Whitfield

James T. Wiley

Oscar Lawton Wilkerson

Henry Wise Jr.

Kenneth Wofford

Coleman Young

Perry H. Young Jr.

#africanhistory365 #africanexcellence

[spacenutspod]

On March 24, 1979, space shuttle Columbia arrived at NASA’s Kennedy Space Center (KSC) for the very first time. Following Presidential direction to build the space shuttle in 1972, Congress quickly approved and funded the program later that year. Construction of the first orbital vehicle, later named Columbia, began in 1975. Four years later, Columbia completed its first transcontinental flight, arriving at KSC to begin preparations for its first mission. The first shuttle flight in April 1981 ushered in an era of reusable space transportation. Left: NASA Administrator James C. Fletcher, left, presents a model of the space shuttle to President Richard M. Nixon in January 1972. Right: Apollo 16 astronauts John W. Young, left, and Charles M. Duke on the Moon in April 1972. On Jan. 5, 1972, President Richard M. Nixon directed NASA to build the space shuttle, formally called the Space Transportation System (STS), stating that “it would revolutionize transportation into near space.” NASA Administrator James C. Fletcher hailed the President’s decision as “an historic step in the nation’s space program,” adding that it would change what humans can accomplish in space. Apollo 16 astronauts John W. Young and Charles M. Duke learned of the space shuttle’s approval while exploring the Moon in April 1972. Mission Control informed them that Congress had authorized the development of the space shuttle. Young and Duke both enthusiastically responded to the positive news with “Beautiful! Wonderful! Beautiful!” Young added with some foresight, “The country needs that shuttle mighty bad. You’ll see.” He had no way of knowing that nine years later, he would command the first ship of the space shuttle fleet, Columbia, on its maiden voyage. Left: Columbia’s crew compartment during assembly in 1976. Middle: Columbia’s aft fuselage and wings during assembly in November 1977. Right: Columbia just prior to rollout from Rockwell’s plant in Palmdale in March 1979. Once Congress authorized the funds, on July 26, 1972, NASA awarded the contract to the North American Rockwell Corporation of Downey, California, to begin construction of the first orbital vehicle. Officially known as Orbital Vehicle-102 (OV-102), in January 1979 NASA named it Columbia after Captain Robert Gary’s sloop that explored the Pacific Northwest in the 1790s and took the honor as the first American ship to circumnavigate the globe, as well as after the Apollo 11 Command Module. Construction of Columbia’s first components at Rockwell’s Palmdale, California, plant began on March 25, 1975. Left: Workers roll Columbia out from its hangar at Rockwell’s Palmdale, California, plant. Middle: Workers transport Columbia from Rockwell’s Palmdale facility to NASA’s Dryden, now Armstrong, Flight Research Center. Right: Columbia atop the Shuttle Carrier Aircraft takes off from Dryden to begin the cross-country ferry flight.  Nearly four years later, on March 8, 1979, Columbia rolled out of the Palmdale facility to begin its multi-day transcontinental journey to KSC. For the first step of the journey, workers towed Columbia from Palmdale overland to NASA’s Dryden, now Armstrong, Flight Research Center at Edwards Air Force Base (AFB) 36 miles away. Two days later, workers there hoisted Columbia onto the Shuttle Carrier Aircraft (SCA), a Boeing 747 aircraft modified to transport space shuttle orbiters. During a test flight, thousands of the orbiter’s thermal protection system tiles fell off. Workers returned Columbia to a hangar where over 100 men and women worked for nine days reapplying the tiles. Weather then delayed Columbia’s departure until March 20, when the SCA/shuttle duo flew from Dryden to Biggs AFB in El Paso, Texas. Left: Space shuttle Columbia atop its Shuttle Carrier Aircraft (SCA) touches down at Kelly Air Force Base (AFB) in San Antonio for an overnight stop. Middle: Head on view of Columbia atop the SCA. Right: Tina Aguilar, age nine, an aspiring young reporter, interviews astronaut Donald K. “Deke” Slayton in front of Columbia and the SCA at Kelly AFB. Weather delayed Columbia’s departure for the planned refueling stop at Kelly AFB in San Antonio, until the next day. About 200,000 people went to view the shuttle during its overnight layover in San Antonio prior to its departure on March 23. Left: The past meets the future, as space shuttle Columbia atop its Shuttle Carrier Aircraft (SCA) flies over the Saturn V display at NASA’s Kennedy Space Center (KSC) in Florida. Middle: Columbia atop the SCA touches down at KSC’s Shuttle Landing Facility (SLF), with the Vehicle Assembly Building visible in the background. Right: At the SLF, NASA Administrator Robert A. Frosch addresses the crowd assembled to welcome Columbia to KSC, as other dignitaries listen. After another overnight stop at Eglin AFB in Florida, Columbia atop the SCA touched down at KSC’s Shuttle Landing Facility (SLF) on March 24, a crowd of about 3,000 cheering its arrival. Dignitaries in attendance at a brief welcoming ceremony at the SLF included NASA Administrator Robert A. Frosch, KSC Director Lee R. Scherer, SCA pilots Joseph S. Algranti and Fitzhugh L. Fulton, program manager for Shuttle Flight Test Operations NASA astronaut Donald K. “Deke” Slayton, and astronauts John W. Young and Robert L. Crippen, designated as the commander and pilot for STS-1, the first space shuttle mission. Also in attendance, U.S. Congressman C. William “Bill” Nelson whose district included KSC and now serves as NASA’s 14th administrator, and Florida Lieutenant Governor J. Wayne Mixson. Left: Columbia in the Orbiter Processing Facility at NASA’s Kennedy Space Center (KSC) in Florida. Middle: Workers hoist Columbia in KSC’s Vehicle Assembly Building (VAB) for mating with its external tank and solid rocket boosters. Right: Columbia rolls out of the VAB on its way to Launch Pad 39A. The next day, after removing Columbia from the back of the SCA, workers towed it into the Orbiter Processing Facility, where the orbiter spent the next 19 months preparing for its first flight. Rollover to the Vehicle Assembly Building (VAB) for mating with its External Tank and the two Solid Rocket Boosters took place Nov. 24, 1980. After a series of integrated tests, the shuttle stack rolled out of the VAB and made the 3.5-mile trip to Launch Pad 39A on Dec. 29, 1980. Young and Crippen flew Columbia’s historic first mission, STS-1, in April 1981, ushering in an era of reusable space transportation. Share Details Last Updated Mar 21, 2024 Related TermsNASA HistorySpace Shuttle Explore More 21 min read 55 Years Ago: Four Months Until the Moon Landing Article 1 day ago 11 min read 20 Years Ago: First Image of Earth from Mars and Other Postcards of Home Article 2 weeks ago 4 min read More Planets than Stars: Kepler’s Legacy Article 2 weeks ago