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lyranova · 9 months

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Hii! I love your fics!! May I please request a oneshot where yami's squad member (y/n) turns into a baby / child (whichever is better), and brings her to the captains ' meeting as he has no other choice? (y/n) calls everyone dad / mom and it makes them all super soft for her? like yami is first annoyed then softens up, nozel is straight up rude as usual but everyone glares at him for that (cause they're so protective of her already uwu) and he ends up being soft for her too. idk, this was a 2 am thought im sorry!! thank you for taking requests 😭💞

Hiya anon! No worries 2am thoughts are always fine and fun, tbh I tend to get them a lot myself 😆! Aw thank you so much I’m so glad you like my fics, and you’re welcome, I enjoy taking requests! It gives me something fun and different to do 🥰! Of course you may and I hope you all enjoy~!

Word Count: 1,325

Warnings: None

———

Yami didn’t know how this happened, she was fine when she left on a mission with Asta and Noelle, but when they all came back she was a baby! When he asked them what the hell happened Asta and Noelle explained that it was the bad guys magic; he could make people really old, or really young!

Yami had ordered them to take her back to the mage and force him to change her back but Noelle explained that they tried, but the mage said his spell would only wear off in 24 hours. So for now…they were stuck with her being a toddler!

She was still able to walk at least, talking on the other hand…well she was only able to say a handful of words, mainly ‘mommy’ and ‘daddy’. Which kind of bothered Yami since he didn’t want to be called ‘daddy’ by a member of his squad, but she wasn't really eager to learn ‘Yami’ at the moment he would have to deal with it for now.

Yami fully intended to leave her at the squad as he went to a Captain’s meeting, but when Yami began to ask who wanted to be in charge of their toddler squadmate every single Black Bull scattered like leaves in a gust of wind.

Which was how he ended up in his current situation; in the Captain’s meeting room, with his toddler squadmate sitting in his lap, as the other Captain’s ‘oohed’ and ‘awwed’ over her.

“ Aw look how adorable she is! I didn’t know you had a baby Yami!” Dorothy said as she began to use her Glamour World magic to create small toys to keep her entertained. Charlotte crossed her arms as she looked at the child.

‘Yami had a child?! Why didn’t he say anything? Does that mean he’s married or has a committed partner? Or is the child a product of a one night stand? Yami doesn’t seem to be the type to do that though, so he must have someone! Why didn’t he say anything, I’m so jealous of her, why didn’t I confess to him sooner?!’ Charlotte’s mind raced as she stared at the little girl, she didn’t look like Yami, but that could easily be explained away. The girl looked at Charlotte with wide eyes before she smiled brightly and reached her arms out towards the Briar mage.

“ Mommy?” She asked cutely before her smile widened. “ Mommy!”

Charlotte and Dorothy’s hearts quickly melted and they both couldn’t help but say ‘How Cute~!’. Yami sighed and shook his head.

“ The Prickly Princess ain’t your mom, and I’m not her dad. She’s a member of my squad who got turned into a toddler on a mission earlier. The other brats took off running when I asked them to baby sit her.” Yami explained as he held the small girl still. She looked up at him with a pout but did stop moving.

“ I see, so how long will she be like this?” Fuegoleon asked as he placed a thoughtful hand under his chin, the girl looked at him for a moment before her bright smile returned.

“ Daddy!” She shouted brightly and with a giggle, Fuegoleon’s brows raised in surprise and a small smile appeared on his face.

“ I’m sorry to say that I’m not your father little one.” Fuegoloen told her gently as he patted her on the head, the little girl pouted.

“ She seems to only be able to say ‘mommy’ and ‘daddy’, which makes sense since she’s only like 1 or 2.” Yami said in an unsure tone, Rill tilted his head.

“ I think she’s closer to a year and a half! Babies are generally able to walk by the time they’re one, and can talk in short sentences by the age of two, so logically she should be somewhere in between since she can walk but not really talk!” Rill said thoughtfully as he stared at the young girl.

“ How the hell do you know that kid?” Jack asked with a frown and Rill suddenly laughed sheepishly.

“ Me and my squad sometimes volunteer at the orphanages in the city and the sisters explained it to me when I tried to have a group of kids tell me about their paintings.” Rill explained and the others nodded.

The little girls eyes moved to Nozel, who was sitting in his seat with his eyes closed and arms crossed, ignoring her effectively.

“ Daddy…?” She asked hesitantly and Nozel’s eyes shot open and he glared coldly at her.

“ I’m not your father, and I wish you would refrain from calling me that.” He told the girl, his tone as cold as ice, the little girl jumped for a moment before her eyes welled up with tears.

The girl began to cry and wail at the top of her lungs, everyone glared openly at Nozel.

“ What the hell did you do that for braid boy?!” Yami asked as he and the others tried to console the toddler and Nozel’s eyes widened a bit.

“ Geez Nozel she’s just a baby, can’t you be just a little nicer with her?” Dorothy asked as she put her hands on her hips and had a angry look on her face. Nozel’s cheeks turned a shade of pink and he looked away.

“ Don’t listen to him brat,” Yami said to the toddler as he gently patted her head. “ You can call of us ‘mom’ and ‘dad’ as much as you like. And ignore him.” Yami instructed them as his hand moved away from her head and began to wipe away her tears.

“ Yeah! Nozel’s just jealous because he doesn’t have a cool baby of his own!” Rill said as he crossed his arms, and Jack looked over at the Silver Eagles Captain.

“ Even I’m not that big of a jerk to kids bird boy.” He muttered with a shake of his head, Nozel sighed loudly before turning to look at them all.

“ I’m not jealous and I’m not angry at the child!” Nozel shouted accidentally, causing everyones eyes to widen. “ It’s just…” He glanced over at Dorothy, and she suddenly realized why he was acting the way he was.

Seeing that little girl was bringing up a lot of painful memories for him, so all he knew to do was lash out in order to hide his true emotions.

“ It’s just that a Captain’s meeting is no place for a child as young as her. Here, we talk about and see so many terrible things that it could easily traumatize someone as young as her for life. Don’t you think it would be better for her to remain innocent to the horrors of the world just a little longer?” Nozel asked with a sigh.

“ Uh, she’s already seen the horrors of the world remember? She’s actually a Magic Knight?” Yami pointed out in confusion, causing Nozel’s face to turn a brighter red.

“ Nozel does have a point. A Captain’s meeting is no place for a young child,” Fuegoloen agreed before he reached out to take her from Yami. “ So I suggest that she stay with Marx for the time being, and once the meetings over Yami can take her back. Alright?” He watched as all the others nodded and he carefully carried the child through the doors and to Marx.

The meeting ended fairly quickly and now Yami was heading back to the Black Bulls Hideout. After being full of energy all day she had finally wore herself out and was sound asleep in Yami’s arms. He chuckled a bit as he looked down at her, as much as he didn’t want to babysit her at first, he had to admit it was a nice change of pace and he was actually going to miss her being this small.

At least until she woke up and began to torment everyone again, then he wouldn’t be able to wait until she transformed back into her normal self again.

———

Thank you all so much for reading and I hope you all have a good day~!

#asks #anon🌟#black clover #black clover fanfic #black clover fanfiction #black clover oneshot #black clover x reader #black clover x y/n #black clover x you #sukehiro yami #yami sukehiro #nozel silva #dorothy unsworth #charlotte roselei #rill boismortier #jack the ripper #fuegoleon vermillion

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arkus-rhapsode · 13 days

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When you see yourself in trash (Gachiakuta Discussion)

So with the positive reception of my recent thinkpiece, I wanted to make good on my promise that I’d post more. And this has kinda been one I’ve been wanting to do for a while. But due to the deeply personal nature of it, I wanted to really give it the time it deserved to come together.

This is going to be a post about Gachiakuta, which if my multiple posts on it haven’t been an indicator, I'm kinda a big fan. But what’s more, I really wanted to talk about why Gachiakuta speaks to me more in depth.

Background

So for those who don’t know, Gachiakuta is a weekly manga series by mangaka Kei Urana. Urana is a former assistant of the student of the Soul Eater and Fire Force creator, Atsushi Okubo. This series premiered shortly after Okubo’s Fire Force finished up, and stars a young boy named Rudo who lives in the slum area of a place called “The Sphere” (Or Heaven depending on the translation). Rudo has a habit of stealing from waste deposit sites and repairing broken items he finds. He lives with his adopted father Regeto after his biological father was sentenced to “The Abyss” for murder. The Abyss is a gaping chasm where all of the Sphere’s trash and prisoners are dumped.

Rudo is a somewhat surly child, and noticeably struggles with properly expressing his emotions despite the fact he is a highly emotional person. Smiling in particular is a struggle for him. Rudo one day comes to find Regto killed by a mysterious masked man, and blamed for this crime. Rudo is sentenced to the Abyss where he cries in anger he will return and kill everyone here. In the Abyss, Rudo is met by monsters made of trash and people devoted to fighting them, the Cleaners (Or Janitors depending on the translation). This fighting force of magic garbage men use the power of a “Giver” to empower items dear to them known as Jinki. With Rudo discovering that he can do the same with his gloves given to him by Regeto. Now he’ll work with the Cleaners killing trash monsters as he unravels the mystery of who killed his adoptive father and how he’ll escape the Abyss.

And it has been the newest manga series in the last four years that has not only made me feel hyped but await every chapter since its release.

Now if everything I said previously sounded like “well that sounds like a fairly straight forward if somewhat interestingly flavored revenge action manga. What makes it special?” Well then we’re going have to talk about Rudo.

Rudo

So Gachiakuta is a series with a lot of weirdos in it and some unconventional story structures to it (and we’ll touch on that later) but I think the character who embodies the core of this series is its MC, Rudo.

On the surface Rudo is a character that could feel at home with any number of shonen manga protags. Really expressive, yells a lot, spiky hair, and a power that’s kinda special amongst its power system. Basically, If Deku from MHA was a bit more angry and sleep deprived, you probably think he and Rudo were the same person on the surface. And for the most part, Rudo seemed to be that way, an angry kid out for revenge who treasured the last remaining gift he received from his foster father. Yet then we get to chapter 15 of Gachiakuta. A truly special chapter.

When Griss, Rudo’s teammate for this mission, was run through with claws by the villain, Jabber Wongar, Rudo seems to suffer some for of PTSD as the world goes hazy and he sees Griss as Regeto, stabbed and bleeding. We cut to Rudo as a child in Regto’s care and there, Rudo is banging his head against a wall to the point blood is coming out.

When Regto asks why Rudo would do this, the only thing Rudo can describe is how he has nothing. He has these feelings he doesn’t know how to describe yet he believes he’s nothing from the abuse he suffered at the hands of parents. All he has to really express it it this sort of frustration. While Rudo’s parents being murders may have been a lot for any child, Rudo carries literal scars given to him by his father. His hands peeled and scared and burnt black. The pain in his hands stops when he wears the gloves Regto gave him.

And when Regto wants Rudo to find something to focus his passion into, the thing that catches Rudo’s attention the most is a broken mannequin. Rudo cries letting out those feelings he said he couldn’t describe. Wanting to fix something and can’t believe it was tossed away because it was “a little broken.” At that moment, Regto realizes something about Rudo. He sees himself in those same objects that weren’t valued and tossed away.

So this is where I get to one of the things about Gachiakuta and Rudo in particular that speaks to me. Rudo, to me, is an example of a neurodivergent child and the text actually bothers to focus on how this affects his life. Now I know the moment I’ve said that there will be a lot of people who want me to explain, and the first thing is, no the manga doesn’t come out and say that Rudo is on the spectrum. But rather it lays a pretty explicit analogy to someone who may not be typical in some regard mentally or emotionally. I know in the space of neurodivergent individuals representation is… difficult. Not just to find in the media, but also represented in a way that isn’t just “they’re a super genius.” Because there are many many forms of neurodivergence and how the manifest can be different for many individuals. Someone with ADHD may have their life affected in ways different than someone diagnosed with Autism. This is where I think it's very important for me to say, I’m just one guy on the spectrum. I’m speaking from my personal experience but you shouldn’t take my opinion as gospel. This is just me and my experiences. And my personal reading of this

So when I say, a “mentally different character” in the media can be a tricky tightrope to walk, I mean it. Wanting there to be a positive representation for a community that may not get representation, but also not wanting to be like some monolithic depiction of what living with one of these conditions may be like. And there are plenty of ways where this could go very wrong (Anyone remember the time Aquaman cured Autism?). So when the text can’t just say “I am X” it's not uncommon for the readers to begin to see or relate to how a character may act. Speaking of how they act, in the case of anime and manga another “complication” can occur in the fact that many of these characters can act… well whacky and that’s treated as most acceptable in the universe. Whereas in real life, its likely anywhere from Gon to Goku would get side eye with their behavior. And thus you have the basis for plenty of head canons, one prominently being a character’s place on the spectrum.

Let's take any character, say Rill Boismortier from the series Black Clover. He’s a relatively second character in the series with an aptitude for art magic, who had locked himself in his room isolating himself from others till his butler reached him and now he’s a very eccentric, excitable, outgoing character. From the fact that he has a fixation on art to things like making sounds that could be read as vocal stimming, Rill could be read as an autistic character.

Or how about we look at one of the more memetic takes of the internet and all the jokes that Fern and Frieren from Frieren: Beyond the Journey’s End are autistic. This joke mainly comes from how in this world everything has a cool, somewhat mellow vibe with many people acting very muted. With Frieren herself struggling with making a distinction in the passage of time thanks to her elven aging and trying to understand the human condition. And Fern also a relatively reserved and subdued individual only really expresses her feeling a sensation of frustration or annoyance through “Kawaii pouting” puffing out her cheeks.

There are plenty more examples, but I wanted to illustrate that there are characters in manga and anime that I believe-yes, someone with neurodivergence could identify with, however, would I go as far as to say that this was the writer's original intention? Well choosing to err on the side of caution, I'm going to guess not likely. Someone could easily say, “you’re reading too much into it. There is nothing in the canon that outright says that. Rill is just a joke character, Frieren is a completely different species so it can’t really be neuro-atypical from a human standpoint, Fern’s pouting is just a gap moe trope.” And to be honest, I don’t necessarily think people holding these beliefs would be wrong. Nor do I wish to imply that if someone sees themselves in one of these characters that means they’re on the spectrum.

I'm saying there’s nothing wrong with either option. If you are someone neurodivergent and you see yourself in someone like Rill, that’s great. If you are someone who isn’t neurodivergent but still sees themselves in someone like Rill, that’s also great. The point I’m trying to make is that it may be unintentional, but a neurodivergent person seeing a neurodivergent story inside a specific character can happen and in many ways offer insights into the character.

And for someone like me who has spent a long time coming to grips with how my atypicality has affected my identity, Rudo’s story hit me. Hit me in a way I don’t think many series have. Rudo is a character who shows a fixation on trash, particularly broken pieces of trash. His old wounds he covers and just the feelings on this specific piece of clothing is able to make the feelings of his wounds go away. And just the way he described having emotion inside, but not being able to properly express it to the point he was doing self harm, it tore me up inside.

Made even more dramatic by the fact that Rudo is having this flashback being triggered by Griss being stabbed. Griss is a guy Rudo has known for a day who is shown to be a cool guy, but most importantly, when Rudo spent his welcome party sulking in a corner all tied up in his shell, only for Griss to ask him about his future. Rudo truly was feeling like he was losing a fatherly figure again in front of him

This was one of the moments that in my mind showed me the sort of direction this series wanted to go in with Rudo. Edgy, dark, cool, and stylistic revenge series in manga have existed for years. In fact, they’ll exist long after Gachiakuta and myself have expired. Many of these series can vary on the portrayal of their MC, conflicted, ready to embrace destruction, righteous in their pursuit, yet Gachiakuta has been unique for me, seeing Rudo have all the hallmarks for a vengeful story yet people always come to speak with him on his behavior.

Not in a sort of guidance counselor way, but more in a natural way of trying to make this kid who has had a life where he hasn’t had to properly think about/experience certain things life can throw at you and they want him to improve. From telling him it's okay to not know what he wants to do in the future, to letting him know it's okay to make mistakes, to learning how to properly have a conversation and connect with others. I think a lot of these moments can feel like sweet nothings, but for me I saw it as a part of growing up. Or rather something I wanted growing up. I’ve experienced many moments of my life where I felt lost not in small part to the fact it felt like no one could meet me on my ground. And something about Gachiakuta is the attempt that almost every character has made trying to reach Rudo and show him a form of empathy. And as the series has gone on that empathy has really changed. He went from a kid not understanding what was wrong about saying “I'm only working with you till fulfill my goal!,” demanding cooperation from others, to actively trying to ask for help when hears of an opportunity to come closer to his goal.

This sort of vulnerability I think was present in his moment screaming his revenge. He’s visibly crying. Despite all the bluster and crassness, there’s clearly a frustrated and overwhelmed boy who has been condemned by a society that brands him “unclean.” This is also where I should mention Urana is an absolute master with art and expressions. Making everyone feel so alive. Rudo’s faces are an absolute highlight. Despite a person who seems set up to have a chip on his shoulder, he may be one of the wackiest in just how big he can let his emotions go. Which ties into our next part.

Zodyl and the Watchman Series

Now I'm sure you’re wondering, “Arkus, you said that this manga hasn’t hard confirmed Rudo is actually neurodivergent, yet you say the text makes the analogy so does someone finally say it?” Well to answer that, I’m gonna need to talk about the main villain of this series and the tools he’s after, The Watchman series.

Our seemingly main antagonist of the series is a man named Zodyl Typhon, leader of the organization The Raiders (Or the Vandals depending on the translation) a group of evil givers who seem to be devoted to the destruction of The Sphere. As they living in a world where the natural order is simply that they are a people who have garbage raining down upon them. Polluting them, crushing them, and people of the Abyss have gradually become accustomed to it all. Zodyl wants to shock the system and he wishes to get his hands on all the various powerful Jink known as the “Watchman series.” So far it's known that only Rudo’s gloves, Amo’s boots, and Zodyl’s coat are part of this set.

Zodyl is depicted as an amoral, somewhat sociopathic person, with intense eyes, viewing people as experiments to test his theories, and showing practically no emotion. He describes each piece of the Watchman series as containing extremely powerful emotions in them. A normal person couldn’t use these items with going mad due to these emotions. Yet people like Rudo and Zodyl haven't gone mad. Well that’s being they’re not like others.

In one of the most painful visual analogies, Zodyl describes that in this world there are people born missing pieces that every other human is born with. This leaves them as something sort of empty. WIth Rudo knowing exactly what he’s talking about. This was already hinted at by Amo who says wearing her Watchman boots feels as though she’s a toy that had a new battery inside. Zodyl doesn’t think that missing something fundamental is a bad thing though, in his opinion not being born with it has made him a vessel for this power.

I once again cannot say with a hundred percent certainty that Kei Urana was intentionally channeling the experiences of those who may be told “they’re not like others because they were born atypical” but it's so hard for me to not read it that way. Especially the part where Zodyl rejects the idea that there’s anything wrong with this. He’s not wrong for how he’s born, look at all the cool stuff he can do now. While Rudo stands there and thinks about how isolated he felt from everyone else. It's easy to see these as two very valid responses to someone with a mental health diagnosis, lamenting how this puts you at odds with others and how being different in this way makes it harder for you to connect. While the other rejects needing the validation of others, there isn’t a problem.

Once again, no one just flat out says it, but so much of the subtext is basically there in your face in regards to Watchman and Zodyl’s speech. But the fact this power is only wielded by something that is described as a missing piece. With the image of a heart in pieces. To me, the emphasis placed on the value of one’s emotional and mental capacity as something that can be filled, like its just so out there how can I not see something there?

Well maybe its because I want to?

Artistic Interpretation

Look, I'm not gonna to give you a dry lecture on the value of artistic interpretation. I think we’re all mature enough that multiple people can have multiple different interpretations of a single world. With art being something that lends itself to being read in a variety of ways. I'm not making this post to delegitimize any interpretation.

Rather I wanted to come all the way back to the pin I put in when mentioning the unconventional story structures. Now it should come to no one’s surprise that the woman who was an assistant and student of the guy who made Soul Eater makes some bizarre choices. Not the least of which being the characters and tone.

No, rather I wanna touch on something that I find Urana and Okubo do better than a lot of people which is visual interpretation. Both utilize the visual aspect of this visual medium to make some points. But rather, both of them allow these visuals to hang out there and allow you the reader to come to your own interpretation of this.

This type of storytelling in my opinion can force the audience to actually engage with the work in a deeper meaningful way. While some would argue that it leaves things open in a way that may never truly be satisfying. I think in the case of Gachiakuta it has less of that tha an Okubo work, but there are plenty of things I do believe Urana leaves out there for you to read as you will.

When I see her going out of her way to make a doll with their heart missing and a man describing a feeling of them missing, Uruana is not expressly saying anything, but allowing us the audience to decide how we read it. I'm certain she has her own way of viewing this story, but I do appreciate that she’s allowed Gachiakuta to be a series where we are allowed some creative liberties. Especially in the fact this is a weekly shonen manga. A demographic I feel often can suffer from needing to make everything somewhat obvious in its meaning or intent.

But Urana really knows how to capture this sort of vibe. Allow the art to speak for itself and I find myself having to put some of myself in the series when I read and interact with it. So while I’m sure there will be people who think I have basically convinced them of nothing and that this might all be reading to deep, I do at least want to point out that Urana herself has at least allowed for me to make these connections on my own and I think that is worth something at least on her part as a creative.

Conclusion

So yeah what was that all about? Welp like I said this was to be a more personal thinkpiece. One where I wanted to work through my own feelings on why this series had me captivated. Also it's possibly my attempt to broaden the discussion of Gachiakuta.

Despite the fact many have made the prediction its gonna be a “big deal” it really isn’t. At least by pure sales wise. Nothing bad, but nothing remarkable at the time of writing this. Honestly its doing much better than a series that’s not on the extremely accessible SJ app. It’s a good series but it may just always be underground.

Every influencer wants to be on the ground floor, whether it's this, Red Hood, Kagurabachi, Nue’s Exorcist, Astro Royale, Mama Yuyu, Centuria, etc. I get that hype and memes are a powerful thing in this internet consumer world. But I do want a series that may be big or important one day to touch on things that make it good beyond hype and anticipation.

And for me that is what I got with Gachiakuta. There’s an element to it that I haven’t really felt in manga in other media. And the fact it could make me feel that… that’s special to me. I know I’ve talked about some heavy topics and I do hope I was as respectful as I possibly could be. Opening up like this was hard for me.

As I do truly love this series and hoped I could illustrate why it resonated with me, perhaps it resonated with a lot of people who can see themselves in this one trashy boy.

I hope everyone reading can have that sort of character they see themselves in, and if you enjoyed please like or reblog as it tells me you'd be interested in reading more