#romantic tutu

[the-bees-cheese]

ok non-dancer folk, i’m curious, which of the four standard ballet tutu types is your favorite?

the pancake tutu

as seen in sleeping beauty (pink) and swan lake (white)

also known as a platter tutu, the pancake is probably what you think of when you hear the word ”tutu”. it’s made of 8-16 tulle layers increasing in length from bottom to top, kept stiff with starch, stitching, and sometimes a thin wire hoop sewn in between the layers.

the romantic tutu

as seen in giselle (light blue) and chopiniana (white)

the romantic tutu is the oldest tutu style, worn as early as the late 1700s, and popularized by marie taglioni (1804-84) in 1829. it’s made of lighter tulle layers reaching to as high as just below the knee, and as low as to the ankle.

the bell tutu

as seen in the awakening of flora (four dancers) and paquita (blue)

the bell tutu is a less common variation of the pancake tutu. it uses dozens of layers of tulle without a hoop to get a fuller, lighter look when in movement. it’s more expensive and difficult to make, but completely worth the effort.

the powder-puff tutu

as seen in jewels (white), and stars and stripes (red)

the powder-puff tutu, also known as the american style tutu, was favored by american choreographer george balanchine (1904-83). it’s made of short layers of tulle that aren’t sewn together or hooped, to achieve a less structured look.

thanks for coming to my ted talk :) i’m curious which y’all prefer

[thecryptidmae]

R E A C H I N G

[beautifulrelaxingplace]

[nickysfacts]

The Tutu is basically a beautiful works of art that you wear while you create more beautiful art with pointe work!⚜️

🩰

[lesbianfakir]

Thinking about this post and can we talk about how important it is that fakir was okay with Duck not loving him back?

I think it’s fair to say it’s pretty heavily implied that he’s in love with her, and it’s explicitly confirmed in the guidebook.

While Duck’s feelings for him are more nebulous and hard to pin down, from his perspective she’s in love with Mytho. We as the audience know she doesn’t actually feel that way about Mytho but from Fakir’s perspective everything she’s done so far has been for Mytho. She admitted to him in episode 12 that she had feelings for mytho and there has been nothing to dissuade him from this line of thinking. In fact, he finds her crying because mytho chose rue.

There’s this little moment I like. When Duck tells him mytho has chosen rue as his princess his eyes narrow ever so slightly.

[ID: two screenshots of Fakir from episode 25. In the first he is looking at Duck (off camera) with a serious expression. In the second he narrows his eyes slightly. End ID]

He REACTS to this news, even if it’s subtle. And he doesnt look happy about it. Fakir is upset that Mytho rejected Duck. And this seems so antithetical from what we come to expect from a romantic subplot.

So the girl he loves loves someone else… and he’s okay with that. He never tries to pressure or guilt Duck into being with him. Hell he never even mentions his feelings. She likes someone else so what’s the point. But this never dissuades him from his devotion to her. He doesn’t give her an ultimatum or make her choose. He doesn’t even seem get upset that she loves someone else. Even when she goes back to being a duck destroying his last hope of being with her romantically, even then he never wavers. He wants to spend the rest of his life with her. Whether that’s as friends or as partners or as just a simple boy and a duck, he wants to be with her. How she feels for him doesn’t matter so much as getting to share his life with her.

And I find this such a refreshing spin on tired romance tropes. “Just friends” looms large in our media so it’s lovely to see a boy in the so called “friendzone” who’s okay with it. Beyond okay he treasures the time he spends with Duck. His affection for her doesn’t hinge on reciprocation.

It’s so common for characters in fakir’s archetype to grow angry or sad that they’re not “the one,” often lashing out at the girl who doesn’t return their feelings. But instead we have Fakir who’s perfectly content to stay Duck’s friend. After all, being her friend is a gift in itself.

I just love to see a platonic relationship not treated as a lesser stepping stone to a romantic relationship. Sure, Fakir has feelings for Duck. But that in no way undermines the friendship they already have. It’s treated with all the gravity usually reserved for romantic relationships. They’re going to spend their lives together and whether that’s as friends or as lovers—that part isn’t important.

I’m tired of media treating friendships like they’ve suddenly become worthless when one party develops feelings and the other doesn’t return them. With fakiru, the lovely part is that their relationship is built on such a strong foundation it can stand on its own. We the audience are free to interpret it as romantic, platonic, or something in between, but with any reading their close friendship forms the centerpiece.

[moonrosegirl]

I’m kind of amazed by just how well Princess Tutu’s male lead swap works. I think it’s in part because the relationship between Duck and Fakir is built up and important within the first arc. Fakir never existed as an extension of Mytho but as a character central to the emotional conflict of the series, so it never feels like Fakir comes out of nowhere in the second arc

[fluffomatic]

I'm taking a break from Bakugan to post a tickle piece from another show from my childhood, Princess Tutu! It's such a weird show, but I love it. And of COURSE I drew Fakir getting tickles! You kidding? He's absolutely ticklish and Duck 100% takes advantage of that!

(My art don't repost but please reblog)

[marinsawakening]

also queerplatonic fakiru >>>>> romantic fakiru

[wazzuppy]

thinking about how fakir becoming a tree and duck becoming a marionette are exact mirrors of each other. how they hear one another calling out from beyond where theyre trapped. how they save them by doing something only they can do. how they hold the other in their arms so tenderly after they return to them. thinking about fakir and duck.

[hckat]

[pastelalleycat]

tbh i think fakir and ahiru/duck give off strong queerplatonic vibes

[arabesquette]

[crossovershipsandedits]

Characters: Peter Pan x Ahiru/Princess Tutu

Fandoms: Disney's Peter Pan | Princess Tutu

Relationship: Romantic

Submitted by @specialcolorfulshabon

Again, haven't seen either, but she is so cute and I want the best for her 🥺

[lesbianfakir]

Seeing posts about aroace mytho and I’d like to raise you my personal cherished headcanon that I hold near and dear to my heart: aromantic Duck.

So obviously people love shipping Duck so this headcanon won't catch on but hear me out. Duck's strongest relationships are (arguably) platonic ones.

Duck explicitly says she loves Mytho, yes, but as the show progresses that love becomes more evidently platonic. She admires Mytho but she doesn't want him, especially when compared with Rue. Her feelings for Mytho markedly change over the course of the first season. She stops blushing around him, stops imagining herself in a relationship with him. That initial attraction is replaced by a deep admiration and a desire to save him.

Her crush on Mytho could be read in a variety of ways--it could be physical attraction, comphet, or a simple desire to be close to him that has been misinterpreted as romantic feelings.

Beyond Mytho, she regards Rue as a beloved friend, and any indication that she may have feelings for Fakir may just easily be read as platonic. In fact, it's very telling that her closest relationship is with the person who becomes her best friend, rather than her star-crossed fairytale prince.

The part that hammers in the aromantic narrative for me is how, according to the story, Tutu's whole life is supposed to revolve around romantic love. She gives everything for her love until there is nothing left of her. Duck is simply fulfilling a role.

In the scene that struck me as the most aromantically coded Drosselmeyer tells Duck she "should" be in love with Mytho and want to marry him. She seems uncomfortable at this and looks away without responding. This leaves her feelings for Mytho up to interpretation, but personally I always read it as Duck is uncomfortable because she hasn't been thinking about marrying Mytho. She is unsure how to respond because she knows she is failing to perform her role as a Princess.

Drosselmeyer forces amatonormativity upon Duck and tries to reduce her whole role to her feelings for Mytho, expecting her to drop everything for him in a way that completely disregards her other important relationships. This is contrasted by how Duck's feelings for Mytho are so deeply tied to the fact that she became human for him. She is more upset at the prospect of returning to a duck and losing her friends and ability to dance than she is at losing Mytho's love.

I like taking the amatonormative narrative and twisting it to be an aromantic one. The story of Princess Tutu is about a girl who cannot confess her love in the "normal" way without completely losing herself. Duck works around this by finding unconventional ways to express love. She cannot confess a type of love she does not feel. And when Duck does find love it's an unconditional, no-pressure love that doesn't demand romance or reciprocation of her. She has stopped trying to perform relationships and is allowed to exist as herself. As a shoujo protagonist she is breaking the conventions of the genre by not "ending up" with anyone, but i find it a much more resonant ending than if she had ended up with her "Prince."

[rozecrest]