#sadako kin

[spoon]

spooky themed sadako icons ♡

[spectralinvestigator]

As someone who kin Sadako Yamamura, because if you have seen Ringu 0 birthday or read the books. I must say I don't agree with shipping her with anyone else other than her canon relationship with her boyfriend from Ringu 0 birthday, and I wish they would bring him back because that was the only time she was actually happy and had someone who generally loved her and cared for her unconditionally. I say bring back Hiroshi Toyama and give Sadako Yamamura her happiness.

[softredribbon-kins]

The Onryō (Sadako Yamamura) with solitude/neon light themes for anon !

[dollarstore-kins]

Pokemon team for  Sadako Yamamura requested by @analogdetective​ !!

Hope you like it and if you want anything different, please let us know :3

-Mod ET

[cultmaiden]

🎀🪦 · ┈ · Dark Pink Themed Sadako Favicons

⠀⠀⠀⠀⠀⠀⠀⠀⠀♥︎⠀︶︶⠀F2U w ﹠ w / o credit

No Kin／iD／me Tags unless @anxiousmaid

[chid0rita]

No One Asked; Sadako Yamamura icons

Made for one of our fictives, don’t tag as me/kin/etc

Like and Reblog if Saved/Used

[expfcultragreen]

Going off what i said about freddy being less good than jason because he's a metaphysical baddie and not a (zombie) guy in a mask, im realizing i skew towards the real in my horror movie favourites? And i completely avoid purely metaphysical horror. It seems so boring to me.

Ive never seen poltergeist or any of the anglosphere ghost movies thatve come out since that import of ringu (which i liked i guess because we were all lowkey kinning sadako in the SAsphere). Ive never seen any of the hellraiser movies even tho i should because all the metal girls say its cool.

Ive watched nightmare on elm street movies and just not dug them.

But i LOVE movies like lake placid, frankenfish, jaws. Those are all like real, meat level things. So are guys in masks (scream movies are my fave).

I like the italian cannibal movies in as postcolonial a way as possible, and theyre very much about realworld figures if not realworld customs.

Love the zombie genre. Not metaphysical. They have bodies and are not disembodied souls or possessed by nonhuman entities. Usually. I give soft possession a pass, eg ravenous. Ravenous might be my favourite horror movie actually. (I rrrreally like scream.) The shining is another one where its like, well IS it ghosts because all i see is an alcoholic guy with alcohol induced psychosis and a psychotic kid and a mom experiencing stress induced psychosis. I feel like the villain here is "whiteness turned inward" and the whole burial ground motif is about how we functionally ran out of outward to do violence to in the west, so we retreat to our manufactured caves and get nutso.

Anyway folk horror is clearly based around the "guys in masks" realm of realistic threats

The ritual is cool because it has a metaphysical component more or less but its almost a blair witch meets wicker man moment and done with. I looooove the spooky manifestation's character design, and like, i appreciate that she's not formless. She's pretty much the opposite of formless.

Blair witch is another one thats like, less and less metaphysical seeming the more lore you know. As a baseline we never see anything happen to them that might be harder to explain than woodspeople running them out of town and getting carried away.

I never really noticed how formalized the conventions of what i deem to be fun horror are

I like aliens in horror...like the xenomorph is great, love the thing. But those are both really cool aliens. Aliens that possess you like in the astronauts wife or the black oil alien arc of xfiles give me the heebies so i guess thats effective horror but mostly i avoid the trope for that reason. For some reason this concept does not bore me like ghosts and demons which are functionally the same story, but i also kind of hate it. Ive never rewatched the exorcist (saw it as a bravo double feature with the shining when i was 11), it didnt fully suck but it didnt give me life.

I could chart like any horror on a gradient from ghost-problem to just-some-guy-problem, or maybe a compass. Hold that thought...

[hauntedbows]

Identity Kin shifts are so weird my identity could be cherri at one minute, Velvette the next, lady k,

sadako, and more like????

For I will feel them all strongly at once but I been feeling like cherri and sadako/lady k recently and I feel bad. . .

[byneddiedingo]

Haruko Sugimura in Late Chrysanthemums (Mikio Naruse, 1954) Cast: Haruko Sugimura, Yuko Mochizuki, Chikako Hosokawa, Sadako Sawamura, Hiroshi Koizuma, Ineko Arima, Ken Uehara, Bontaro Miake. Screenplay: Sumie Tanaka, Toshiro Ide, based on stories by Fumiko Hayashi. Cinematography: Masao Tamai. Music: Ichiro Saito. In 1993, writer-director Nora Ephron satirized a prevailing male attitude toward "women's pictures" in Sleepless in Seattle. When the character played by Rita Wilson tears up while recounting the plot of An Affair to Remember (Leo McCarey 1957), Tom Hanks's character dismisses the film as "a chick's movie," and he and Victor Garber's character mock her by bursting into tears while recalling the thoroughly macho ending of The Dirty Dozen (Robert Aldrich, 1957). Although Ephron's film had the downside of reinvigorating the old put-down phrase "chick flick," it also sent video sales and rentals of An Affair to Remember through the roof. The male-female audience split, and the willingness of filmmakers to cash in on it, dates from the days when there were movie theaters within walking distance of almost every neighborhood, and women who worked at home could take a break to watch a movie while the kids were in school. So the "matinee weepie" became a standard product of Hollywood studios, usually focusing on the problems women had with their families and their husbands -- or their lack of families and husbands. In Japan, however, women's problems were compounded by history and rapid social change: The institutions women had learned to adapt to before and during the war were being revolutionized. The constitution drafted during the occupation of Japan in 1946 went perhaps even further to establish the political and social equality of women with men than was common in the United States. The Japanese version of a "woman's picture," Mikio Naruse's Late Chrysanthemums, demonstrates both how liberating and how traumatizing this newfound equality could be for older women by focusing on four former geisha, now in late middle age, past the time when the one skill they had been trained in, pleasing men, could support them. One of the women, Nobu (Sadako Sawamura), has found stability by running a small restaurant. Another, Kin (Haruko Sugimura), had socked away the money she had earned and, never married, now lends money and invests in real estate. But Tomi (Yuko Mochizuki) and Tamae (Chikako Hosokawa), each of whom now has a grown child but no husband, have had harder times. They share a house, but Tomi is addicted to gambling and Tamae is in poor health, which keeps her from earning what she could as a housekeeper in a hotel. Tomi is also upset that her daughter, Sachiko (Ineko Arima), who dresses in modern Western clothes, is marrying an older man, while Tamae frets first about the fact that her son, Kiyoshi (Hiroshi Koizuma), has a mistress and has decided to move to Hokkaido. There's no real plot to Late Chrysanthemums, but instead a concentrated focus on characters and their reactions to a changing world. Kin, for example, is drawn back into the wartime past by the return of two men: Seki ((Bontaro Miake),  with whom she was once so in love that they attempted a double suicide, and Tabe (Ken Uehara), an ex-soldier who was her patron. She spurns Seki, now a derelict ex-con, but eagerly receives the handsome Tabe, only to be disillusioned when it turns out that he only wants to borrow money and gets sloppily drunk. Haruko Sugimura, who was usually cast in rather vinegary roles, like a Japanese Agnes Moorehead, gives a performance of depth and understanding as Kin, but all of the film's performances are richly accomplished.

[mysticdragon3md3]

I'm not into The Ring, but i kin a Nendoroid Sadako.💕

[cappeyheel]

tlmbp doodles and ALSO.....new selfsona.

[toonlegion]

Monstra [x The Ring (Stuck)]

Poor Sadako got wedged in a computer monitor and needed some help. Cue a monster princess to the rescue.

[spacesuitsforemergency]

Sadako Matsumoto, Age 19, The Scorpion Tsugoku

Sadako grew up in a village that worshipped a scorpion-like demoness, who preferred eating men and would expect the women to follow her every command. Sadako was obedient and quiet until the demon killed her father and mother, then she killed the demon without a sword using sunlight. In her village, Sadako was rumored to have been the demons kin, since her beauty was so haunting and devious, but she was just built that way and isn’t related to any demons. I could see Tengen and Sanemi would’ve given her a hard time when she arrived, making her prove she wasn’t a demon but Obanai just told her to ignore them and now they silently judge everyone together and set up play dates for their pets, Kaburamaru and Ankoku, Sadako’s red scorpion

[dollarstore-kins]

If it's okay can I have pokemon team for Sadako Yamamura from Ringu franchise, image from Ringu 0 birthday. I normally don't kin people who are from live action sources, but watching the original Ringu, birthday being my favorite I always felt like I related to her

Here you go!

Let us know if you'd like anything different :3

-Mod ET

[pathologising]

noooo not the ring lmao I had long hair and a generally morbid aura in high school so I got Forcibly Assigned samara/sadako kin

OBSESSED TBH I think the reason I refuse to cut my hair is because I have this innate need to look like her

[siyanaamapan]

“U-uh, Sadako is indeed someone no one wants to mess with. I mean, I’m kin with her and she scares me. I worry about her.”