#scott frerichs

[yourockthebeatofmyheart]

[saiyef]

Video Tribute to Akira Toriyama by KaiserNeko AKA Scott Frerichs, co-creator, editor and co-writer of Team Four Star’s Dragon Ball Z Abridged Series (video is of Gohan’s walking cycle in Dragon Ball Z Ending 2’s We Were Angels in a black background to the music of the Lo-Fi version of We Were Angels from Team Four Star’s Dragonbeatz album)

[jacquelinemerritt]

Dragon Ball Z: Abridged Episode 37 Review

Originally posted January 24th, 2016

Without Goku, Team Four Star focuses on their interesting characters.

Last week I spent a paragraph (justifiably) complaining about Toriyama’s decision to take Goku out of the fight with a bullshit plot contrivance, yet I praised Team Four Star for doing their best to tie the contrivance to character driven humor. I still stand by what I said, of course, but “Catch Me If You Can-droid” has shown me that my complaints may only need to be applied to the plot of the source material, as even without Goku, Team Four Star1 is more comfortable telling their story than ever.

Now, perhaps you could chalk this up to “Can-droid” finally providing the payoff for the androids being ridiculously underpowered, and while that’s certainly a part of it, as all of the tension in the episode comes from whether or not Gero can get away from our protagonists or not, with it immediately fizzling when he is discovered by Gohan, I’d argue that it’s also the result of Team Four Star being relieved at not having to deal with their most uninteresting character and all his associated plot contrivances.

That’s an odd thing to say in an episode that intentionally destroys all of its tension for its other characters, but that lack of tension is earned, as it’s been slowly established over the past few episodes that the androids they’ve been fighting haven’t been nearly the threat Trunks made them out to be.

Goku’s presence, on the other hand, automatically removes any semblance of tension, as the show has now proven twice that he’s guaranteed victory, even in circumstances where by all account he should be dead (see: Muffin Button).2 Not having Goku around means that they’re free to focus on the characters who have to work to achieve the power they do; they’re free to focus on humans instead of a demigod.

And since they’re focusing on humans, Trunks’ arrival and declaration that they’ve been fighting the wrong androids is a gut punch, as the last two episodes have let our protagonists (and us by extension) feel deservedly overpowered only to discover that they didn’t “over train for this,” as they’ve yet to encounter the enemies that are an actual threat. The stakes are immediately reestablished, and it’s at this perfect moment that Gero shows his power is due to his cleverness, as he takes this perfect opportunity to escape and potentially kill Bulma, Yajirobe, and Baby Trunks. Now that Goku is out of the way, shit can finally get real.

Rating: 4.5/5

If you enjoyed this review, consider supporting me on Patreon.

Stray Observations

1It’s feels odd to call Team Four Star a singular entity, especially as we get further into the series, as I know that Scott “KaiserNeko” Frerichs is responsible for more of the writing, recording, and editing workload than anyone else (I feel decently comfortable saying he’s their equivalent to a showrunner from season 3 onward), but there aren’t any particular credits listed on the episodes, so I can’t really give credit where it’s specifically due.

2Again, not criticizing Team Four Star here, especially since as I mentioned before, they managed to actually imbue tension in Goku’s fight with Freeza. I’m criticizing Toriyama for writing a completely unbeatable character whose victories come by ancient prophecy and plot contrivance, rather than actual developed effort. I am also aware of the end of the Cell Saga, and yes, Toriyama deserves credit for ending it the way he did.

Vegeta: “When a goddamn Super Saiyan asks you for a Senzu you say ‘How many?’”

Vegeta: “Energy sensing is bullshit.”

Vegeta: “Get out here and fight me blindly like a man!”

Piccolo: “Call me the can opener, because I’m about to bust open your metal ass.” Vegeta: “Yeah, how about we leave the one liners to me?”

Domo Arigato is the song playing over the radio in Bulma’s car. I am pleased.

Bulma: “Did you know I never even saw Freeza? Not even once?” Yajirobe: “I’m pretty sure no one ever complained about not meeting Hitler.”

Yajirobe: “Have you ever seen what an all Senzu bean diet does to a man?” Bulma: “What?” Yajirobe: “Korin likes it.”

Piccolo: “That’s the android.” Trunks: “No, it’s not.” Gero: “Yes, I am.”

[chicagochinesenews]

駐芝加哥臺北經文處舉辦雙十國慶酒會,各界嘉賓雲集向中華民國送上誠摯祝賀

(芝加哥時報訊）為了歡慶中華民國112年國慶,駐芝加哥臺北經文處舉辦雙十國慶酒會,各界嘉賓雲集向中華民國送上誠摯祝賀於10月6日晚假芝加哥市中心合眾俱樂部(Union League Club of Chicago)舉辦了盛大的酒會,本地的主流政要包括伊利諾州財務長方仲華（Michael Frerichs）、伊州議會友台連線共同主席William Davis眾議員、愛荷華州州議會友台連線共同主席Eddie Andrews、美國海關暨邊境保護局(CBP)中西部總長LaFonda D. Sutton-Burke、芝加哥市議會友台連線共同主席Scott Waguespack及華埠所在第11區芝加哥市議員李惠華（Nicole…

[dragonsballsz]

in honor of kaiserneko posting this on his twitter

[sanjapan]

We're happy to welcome back... Scott and Nick from Team Four Star! Back in 2008, TeamFourStar hit the internet with the premiere of DragonBall Z Abridged! Ever since then, their team has grown, and so has their content! With TeamFourStar and TFS Gaming, and their fan favorites Abridged series in the past, Nick Landis and Scott Frerichs with the TFS Team have been entertaining millions! Scott “KaiserNeko” Frerichs is a Texas-based, California-native voice actor, graphics designer, and writer. Co-founder and CEO of TeamFourStar, he’s the director, editor, and co-writer for DragonBall Z Abridged, providing the voices for King Kai, Trunks, Burter, Korin, Yajirobe, Garlic Jr., Zarbon, and various side characters in the series. He’s also provided voices for several indie video game projects, professional MOBA-games Heroes of Newerth and Smite, Ernest in Gearbox’s competitive first-person shooter Battleborn, as well as anime titles including Hiroshi the Sword in Fairy Tail, Gundam Tanaka in Dangan Ronpa 3: Despair Arc, and various other anime titles! You can also create a character with his voice in Xenoverse 2 as Male Voice Option 13! Nick “Lanipator” Landis is a writer, actor, comedian, and other reasons he dropped of college and worries his parents! Lani is best known as the co-founder of Team Four Star, a troupe of online funny-bois that created Dragonball Z Abridged, Hellsing Ultimate Abridged, Attack On Titan Abridged, Final Fantasy 7 Machinabridged, among other gaming and anime programming! He’s also provided his voice for games such as: Smite, Paladins, Heroes of Newearth, Dreadout, The Letter, 5-Minute Dungeon, and Dragonball Xenoverse 2. As well as programs such as: RWBY, Death Battle, One Piece, Fairy Tale and others. posted on Instagram - https://instagr.am/p/CSaSI_aLfcM/

[gorillageek27]

A SHOW DOESNT ALWAYS NEED TO BE WHAT YOU WANT IT TO BE

-scott "kaiserneko" frerichs

[coolartist1110]

Happy birthday to DeForest Kelley (Bones Star Trek), Tom Baker (4th Doctor), KaiserNeko (Scott Frerichs, member of TFS), Opal from Animal Crossing, and @alwaysdramatizing (very epic tumblr user)

[duhragonball]

Review: Unabridged Episode 1

I can’t remember how long it’s been since I last wrote about Team Four Star, but the short version is that they officially ended Dragon Ball Z Abridged, a little over a year after the final episode was published.   At one time, they seemed to think they could tackle the Buu Saga, but eventually it became clear that creative burnout was just too big a hurdle to overcome.   More importantly, they’d have to end DBZA eventually whether they finished the Buu Saga or not.    Somewhere along the way, TFS decided to focus on their future, which lay in producing original content.     There have been earlier examples of this, but I think it’s safe to say Unabridged is their flagship for 2020.  

I’d like to compare Team Four Star to some other media entity, but I can’t think of anything that fits.    In a way, they’re kind of victims of their own success.   They got tons of fans thanks to DBZA, and they managed to make enough money to turn their fan production into an actual business, but they can’t monetize DBZA, since they don’t own the source material.    So the trick is to somehow convince that audience to stick around for their other acts.    And those acts really can’t have anything to do with DBZ.    What else does that audience want?    Well, hopefully, a pastiche of The Office, because that’s what we’re getting. 

Unabridged is a mockumentary set in the offices of Team Four Star.    Stephan Kosecz plays... Stephan Kosecz, their newest hire, who is immediately disturbed by the camera crew filming his experience.   He meets the other members of the team, and they’re all outrageous characters.   Scott Frerichs is drunk on the job, Nick Landis is mercurial and disconnected from reality, Chris Zito is some kind of deranged lunatic, and so on.   

It’s soon revealed that Nick hired a camera crew to film a docuseries about them, and he paid them in advance, so they’re stuck with it whether they like it or not.    Scott pleads for the team to make a good impression, which leads Grant Smith and Kirran Somerlade to brainstorm ways to be impressive.  They settle on taking a picture of themselves and then going around asking people if they like it.    Stephan considers quitting on his first day, but changes his mind after he sees how grateful Grant and Kirran are for his support.  

I think the idea here is that this is supposed to be the Office turned up to eleven.    Zito is way crazier than Dwight Schrute, Nick is far more self-absorbed than Michael Scott, and Stephan is more over this than Jim Halpert.    And it fits for the style of comedy that TFS is known for.   The gags work, and there’s plenty more that can be done with the characters in future episodes.    It’s a solid way to kill sixteen minutes while I eat a meal, and that’s basically all I ask from a YouTube channel.  

But the bigger question, I think, is whether this series accomplishes what TFS needs for their future.    It’s certainly a good start.    From what I understand, they plan to release subsequent episodes on a weekly schedule, which is a welcome change from the chaotic timetables of their past few years.   Since about 2017, the unofficial slogan of TFS seems to have been “We’re working on a lot of cool stuff for you guys, and we can’t wait to show it to you!”   There’s been a lot of overpromising and underdelivering with TFS.    I feel a little guilty saying that, but they’ve admitted it themselves, so I think it’s a fair statement.   “Hey, we’re working on this, whoops that’s taking longer than we thought it would, it’ll have to be postponed, hey, sorry gang it’s taking even longer than we thought aaaand now we’re not doing the thing at all, so we can focus on this other thing that starts the whole cycle over again.”    That’s pretty much been the TFS experience for the last few years.  

The main thrill of Unabridged is that they actually got it done.   I feel like they’ve been hyping this thing forever, and now it’s finally a real video that you can watch instead of wonder about.   From here on, they can proudly state that they’ve made a series that’s completely their own.    No anime footage, no video game footage, No DCMA takedown bullshit.   Just their own guys making their own show that they wrote and produced themselves.   

Having said that, I’m not convinced that this was the project they needed to be investing all this time and energy into.  Maybe there’s a huge crossover between DBZ fans and Office fans.  If so, then they’re smart to take advantage of it.   Otherwise, it looks a lot like they couldn’t figure out anything better and settled on making a show about themselves.   It’s a very recursive concept.   This isn’t Steve Carell playing Michael Scott, a regional manager for a fictional company.    This is Scott Frerichs playing himself in the actual TFS building that he’s really the CEO of.   The implication here is that he’s doing a character, but it’s probably an exaggeration of the real person, maybe?   I don’t think KaiserNeko is drunk all the time, but it’s not like I know the guy.  

I don’t mean to be a killjoy, but I find the whole concept kind of irritating.   TFS is a real-world business that's producing a show about a fictionalized version of itself... making... a documentary about... itself.   This is navel-gazing, right?   I’m pretty sure that’s what this is.  

Let me put it like this.    Stan Lee and Jack Kirby created the Fantastic Four.   It was a big hit, and they occasionally appeared in their own comics as sort of a side gag.    Now, imagine if, for whatever reason, Stan and Jack couldn’t do Marvel Superheroes anymore, and they had to make a comic about something else instead, so they decided to just make a comic book about themselves just sort of hanging out.   In the late 60′s, there might have been an audience loyal enough to their past work that they’d stick around for that.    Hell, Lee and Kirby could probably even find a way to make it successful, but they’d probably also be savvy enough to find a stronger idea. 

That’s kind of where TFS is these days, and I don’t know what the solution is, but I don’t think it lies in filming themselves bantering back and forth.   These days that’s all they make anymore.   There’s the TalkCast PodShow, where you can listen to them talk about whether they liked the Sonic the Hedgehog movie, or DBCember, where you can listen to them talk about whether the Fusion Technique is cooler than the Special Beam Cannon.   I’m just having trouble seeing the point of Unabridged.    Like, this is the one where Grant and Kirran goof around on camera, as opposed to the Pokemon Nuzlocke videos, where they goof around on camera and also a game of Pokemon is happening.

Personally, I think the future of TFS lies more in the direction of shows like Fist Master, which represents TFS’ first foray into original animation.    The first episode looks a little rough, like a NewGrounds video from 2006, but that’s not the point.    It’s a fantasy action story with super powers and larger-than-life characters, featuring a lot of the same voice actors from other TFS projects.    Sound familiar?    The problem with Fist Master is that the first episode came out like 18 months ago, and maybe we’ll get to see Episode 2 sometime in 2020.    That’s not exactly a winning formula.   

Nonetheless, I feel like that’s the sort of basket TFS needs to be putting more eggs into.    If Fist Master is too complex to produce on a monthly basis, then maybe get some artists to make some simpler assets and do something with a lot more talking, and all the action happens off-screen.    Kind of like Sealab 2021.    Or hell, just do some audio-only sketches.   I feel like the big disconnect here is that TFS’s biggest asset is its voice acting talent, and yet they keep killing themselves trying to make video.    Meanwhile I’m one of these guys who wishes the YouTube app would play while the screen is off, because I just want stuff to listen to while I’m at work.    If they did an audio-only show about TJ and the Wombat, I’d be lining up to hear it.  

All that said, Unabridged looks like it got about 110,000 views in the past 12 hours, and that sounds like a big enough number to justify the hype, so maybe it’s a better idea than I’m giving it credit for.    It doesn’t have to be all things to all people, just so long as it keeps TFS afloat long enough for them to find their footing for their next project, and the next one after that.  

[ericfruits]

Sources and acknowledgments

The author would like to thank the following for their help:

Erin Amico; Michael Amiridis; John Austin; Ed Bachrach; Carmelo Barbaro; Tom Barrett; Tim Bartik; Austin Berg; Scott Brave; Max Brickman; Sherrod Brown; Pete Buttigieg; Kendall Byram; Dan Caulkins; Hayley Child; Chris, in Assumption; Kathy Cramer; Kate Collignon; John Cranley; Rick Cruse; Art Cullen; Donald Dennis; Orphe Divounguy; Mike Duggan; Rahm Emanuel; Thea Ewing; Micah Ezekiel; Flash, in Decatur; Tony Flora; Charles Franklin; Tim Franklin; Laura Frerichs; Tim Frisbie; Jeremy Jacobs; Edward Glaeser; Anika Goss-Foster; Nathan Grawe; John Gurda; Beth Hansen; Dave Harrison; Brad Henderson; Tom Henry; Eric Herman; Walter Johnson; Aaron Jones; Robert Jones; Paul Judge; Bruce Katz; Ryan Kelly; Thomas Klier; Birgit Klohs; Paul Krugman; Bob Leonard; Lori Lightfoot; Richard Longworth; Jeffrey Lyttle; Jeremy Manier; Bert Matthews; Richard Mattoon; Sonya Mays; Kenny McDonald; Scot McLemore; Leslie McGranahan; Rick Melcher; Julie Moore; Aidan Mouat; Tom Murphy; David Oppedahl; Mark Patton; Tef Poe; Darrin Redus; Brian Reisinger; Aaron Renn; Jamala Rogers; Rafael Salmi; John Sampson; Jeff Sloan; Tom Sloan; Sloan Spalding; Ramesh Srinivasan; Diane Swonk; Lauren Underwood; John Urbanus; Mike Venerable; Jay Walder; Thomas Walstrum; Ray Waters; Ben Wikler; Bob Zemsky.

A list of books and reports used for this report follows.

Books:

“Bleeding Out; The devastating consequences of urban violence, and a bold new plan for peace in the streets”. By Thomas Abt.

“Dignity, Seeking Respect in Back Row America”. By Chris Arnade.

“The New Chicago Way; Lessons from other big cities”. By Ed Bachrach and Austin Berg.

“Shortest Way Home; One mayor’s challenge and a model for America’s future”. By Pete Buttigieg.

“The Politics of Resentment: Rural Consciousness in Wisconsin and the Rise of Scott Walker”. By Katherine Cramer.

“Nature’s Metropolis, Chicago and the Great West”. By William Cronon.

“Storm Lake; A chronicle of change, resilience, and hope from a Heartland Newspaper”. By Art Cullen.

“Evicted; Poverty and profit in the American city”. By Matthew Desmond.

“The Nation City; Why mayors are now running the world”. By Rahm Emanuel

“Our Towns; A 100,000 mile journey into the heart of America”. By James Fallows and Deborah Fallows.

“What’s the matter with Kansas? How conservatives won the Heart of America.” By Thomas Frank.

“Triumph of the City; How our greatest invention makes us richer, smarter, greener, healthier and happier”. By Edward Glaeser.

“The Making of Milwaukee”. By John Gurda.

“Janesville; An American Story”. By Amy Goldstein.

“The Fall of Wisconsin; the conservative conquest of a progressive bastion and the future of American politics”. By Dan Kaufman.

“American Summer; Love and death in Chicago”. By Alex Kotlowitz.

“The Heartland, An American History”. By Kristin L Hoganson.

“The Broken Heart of America; St Louis and the Violent History of the United States”. By Walter Johnson.

“The New Localism, How Cities can Thrive in the age of Populism”. By Bruce Katz and Jeremy Nowak.

“The Promised Land; the great black migration and how it changed America”. By Nicholas Lemann.

“Sundown Towns, A Hidden Dimension of American Racism”. By James W Loewen.

“Caught in the Middle; America’s heartland in the age of Globalism”. By Richard Longworth.

“The South Side; A portrait of Chicago and American Segregation”. By Natalie Y. Moore.

“Cahokia; Ancient America’s Great City on the Mississippi”. By Timothy Pauketat.

“Great American City; Chicago and the enduring neighbourhood effect”. By Robert Sampson.

“North America”. By Anthony Trollope.

“The Warmth of Other Suns; the epic story of America’s great migration”. By Isabel Wilkerson.

Reports:

“A Vital Midwest; the path to a new prosperity”. By John Austin and Alexander Hitch; The Chicago Council on Global Affairs. 2020.

“Between the Great Migration and Growing Exodus: the future of black Chicago?” By William Scarborough, Iván Arenas, and Amanda E. Lewis. Institute for Research on Race and Public Policy, University of Illinois at Chicago. 2020.

“How stagnating cities can prepare for the future”. Aaron Renn. Manhattan Institute. 2019.

“Jobs for the Heartland: Place-based policies in 21 st century America”. By Benjamin Austin, Edward Glaeser, Lawrence Summers. Brookings Papers on Economic Activity. 2018.

“Midwest success stories, these 10 cities are blooming not rusting”. Aaron Renn. Manhattan Institute. 2019.

“The State of the Heartland”. Mark Muro, Jacob Whiton, Robert Maxim, Ross De Vol. Metropolitan Policy Program at Brookings. 2018

“Why the Garden Club couldn’t save Youngstown; Civic infrastructure and mobilization in economic crises”. Sean Safford. 2004

The Midwest an outsized punch

This article appeared in the Special report section of the print edition under the headline "Sources and acknowledgments"

https://ift.tt/3g8lJ4S

[sir-adamus]

who is the other DBZA and RWBY VA?

Yuma and that one racist bartender in volume 5 were voiced by Nick Landis/Lanipator, Scott Frerichs/KaiserNeko voiced a few minor characters in volume 4, as did Amber Lee Connors/Shudo Ranmaru, who also voiced Vernal (she also founded Sound Cadence Studios, who RT work with for their outsourced actors, which is why so many TFS-associated voices have been involved)

Howard Wang/TehExorcist, who is married to Connors and is another friend of TFS (he provided the voice of Young Walter in Hellsing Abridged, and the one Namekian who claimed he was gonna fuck Freezas face) is the voice of Whitley (and is also the Talent Director for the show)

[loreweaver-universe]

oh my god I was right IMDB lists him as scott frerichs that’s awesome

[charlezarrd]

personal thoughts on writing with diversity

Ok, so this is bit weird of a post, sort of unsolicited, and maybe kinda off-brand for me, but it’s something I wanted to talk about.

Writing with diversity in my character base has always been a bit weird for me, even though i have a lot of characters, over a hundred of them.

I do my best of course, but there is a startling lack of african americans and trans characters. I simply haven’t had much reason to add them in and make that a specific detail of a character.

And I think that the reason why is my environment. I’ve been to a bunch of places, and i’ve been travelling around the world but among my social group (which includes my internet social life), there are certain kinds of people who i simply don’t... know very well.

And over the past 10 years, i’ve actually seen my casts grow and diversify, to include asian-ish people, hispanic-ish people, gay-ish people, and people with mental illness.

So what is it that drives diversity in my writing? Simply put, i think it’s the reality I find myself in, and the people I see in the world, who I find myself close to.

For example, until recently, I wasn’t entirely comfortable writing a gay male character. At the time, I had plenty of gay and bi female characters, so i think the reason for this wasn’t simply homophobia, but that I just... Didn’t know any gay men. I didn’t have an example to work with.

It wasn’t until after I discovered that Scott “KaiserNeko” Frerichs, one of the creators of Dragonball Z Abridged’s TeamFourStar, was gay, that I actually had not just an idea for, but the desire to create a gay male character.

Said character, by the way, quickly grew into one of my favorite characters to write, and has an entire sub-arc planned about finding his way into a wholesome relationship with another man.

But anyway, my point is that before that time, I was only aware of gay women in my life, and didn’t know any gay men at all.

Ultimately, i think, the saying that art mimics reality is true but only within the concept that perception is reality.

That is to say, that my view of the world and the people around me influence what i write about, what i want to write about, and what i choose to write about.

The fact that I actively choose to shy away from making a character trans or african american is one that’s ultimately, not going to change unless more of those people enter my personal life. Not out of some kind of predjudice, but more that... I don’t want to create a part of a character’s story that I know nothing about.

Perhaps that boils down to a fear of being insensitive and insulting, but I’ve never really felt that in regards to anything else, so I think it’s more of the fact that I’m simply uninspired to create characters in that particular group.

Anyway, sorry for the long post, it’s just something that’s been on my mind lately, and Tumblr seemed like a good outlet to post it.

[cinemalerta]

91st ACADEMY AWARDS NOMINEES

BEST PICTURE

Black Panther

BlackKklansman

Bohemian Rhapsody

The Favourite

Green Book

Roma

A Star Is Born

Vice

BEST DIRECTOR

Spike Lee – BlackKklansman

Pawel Pawlikowski – Cold War

Yorgos Lanthimos – The Favourite

Alfonso Cuarón – Roma

Adam McKay – Vice

BEST ACTOR

Christian Bale – Vice as Dick Cheney

Bradley Cooper – A Star Is Born as Jackson “Jack” Maine

Willem Dafoe – At Eternity’s Gate as Vincent Van Gogh

Rami Malek – Bohemian Rhapsody as Freddie Mercury

Viggo Mortensen – Green Book as Frank "Tony Lip" Vallelonga

BEST ACTRESS

Yalitza Aparicio – Roma as Cleodegaria "Cleo" Gutiérrez

Glenn Close – The Wife as Joan Castleman

Olivia Colman – The Favourite as Anne, Queen of Great Britain

Lady Gaga – A Star Is Born as Ally Maine

Melissa McCarthy – Can You Ever Forgive Me? as Lee Israel

BEST SUPPORTING ACTOR

Mahershala Ali – Green Book as Don Shirley

Adam Driver – BlacKkKlansman as Philip "Flip" Zimmerman

Sam Elliott – A Star Is Born as Bobby Maine

Richard E. Grant – Can You Ever Forgive Me? as Jack Hock

Sam Rockwell – Vice as George W. Bush

BEST SUPPORTING ACTRESS

Amy Adams – Vice as Lynne Cheney

Marina de Tavira – Roma as Sofía

Regina King – If Beale Street Could Talk as Sharon Rivers

Emma Stone – The Favourite as Abigail Masham

Rachel Weisz – The Favourite as Sarah Churchill

BEST ORIGINAL SCREENPLAY

The Favourite – Written by Deborah Davis and Tony McNamara

First Reformed – Written by Paul Schrader

Green Book – Written by Nick Vallelonga & Brian Currie & Peter Farrelly

Roma – Written by Alfonso Cuarón

Vice – Written by Adam McKay

BEST ADAPTED SCREENPLAY

The Ballad of Buster Scruggs – Screenplay by Joel Coen & Ethan Coen; based on the short stories All Gold Canyon by Jack London, The Gal Who Got Rattled by Stewart Edward White, and short stories by Joel Coen & Ethan Coen

BlacKkKlansman – Screenplay by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee; based on the book by Ron Stallworth

Can You Ever Forgive Me? – Screenplay by Nicole Holofcener and Jeff Whitty; based on the book by Lee Israel

If Beale Street Could Talk – Screenplay by Barry Jenkins; based on the book by James Baldwin

A Star Is Born – Screenplay by Eric Roth, Bradley Cooper & Will Fetters; based on the 1954 screenplay by Moss Hart and the 1976 screenplay by Joan Didion, John Gregory Dunne & Frank Pierson; based on a story by Robert Carson & William A. Wellman

BEST FOREIGN LANGUAGE FILM

Capernaum – Nadine Labaki – Lebanon

Cold War – Paweł Pawlikowski – Poland

Never Look Away –Florian Henckel von Donnersmarck – Germany

Roma – Alfonso Cuarón – Mexico

Shoplifters – Hirokazu Kore-eda - Japan

BEST ANIMATED FEATURE FILM

Incredibles 2 – Brad Bird, John Walker and Nicole Paradis Grindle

Isle of Dogs – Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson

Mirai – Mamoru Hosoda and Yūichirō Saitō

Ralph Breaks the Internet – Rich Moore, Phil Johnston and Clark Spencer

Spider-Man: Into the Spider-Verse – Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller

BEST DOCUMENTARY FEATURE

Free Solo – Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill

Hale County This Morning, This Evening – RaMell Ross, Joslyn Barnes and Su Kim

Minding the Gap – Bing Liu and Diane Quon

Of Fathers and Sons – Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert

RBG – Betsy West and Julie Cohen

BEST CINEMATOGRAPHY

Cold War – Łukasz Żal

The Favourite – Robbie Ryan

Never Look Away – Caleb Deschanel

Roma – Alfonso Cuarón

A Star Is Born – Matthew Libatique

BEST EDITING

Cold War – Łukasz Żal

The Favourite – Robbie Ryan

Never Look Away – Caleb Deschanel

Roma – Alfonso Cuarón

A Star Is Born – Matthew Libatique

BEST PRODUCTION DESIGN

Black Panther – Production Design: Hannah Beachler; Set Decoration: Jay Hart

The Favourite – Production Design: Fiona Crombie; Set Decoration: Alice Felton

First Man – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Mary Poppins Returns – Production Design: John Myhre; Set Decoration: Gordon Sim

Roma – Production Design: Eugenio Caballero; Set Decoration: Bárbara Enríquez

BEST COSTUME DESIGN

The Ballad of Buster Scruggs – Mary Zophres

Black Panther – Ruth E. Carter

The Favourite – Sandy Powell

Mary Poppins Returns – Sandy Powell

Mary Queen of Scots – Alexandra Byrne

BEST MAKEUP AND HAIRSTYLING

Border – Göran Lundström and Pamela Goldammer

Mary Queen of Scots – Jenny Shircore, Marc Pilcher and Jessica Brooks

Vice – Greg Cannom, Kate Biscoe and Patricia Dehaney

BEST VISUAL EFFECTS

Avengers: Infinity War – Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick

Christopher Robin – Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould

First Man – Paul Lambert, Ian Hunter, Tristan Myles and J. D. Schwalm

Ready Player One – Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk

Solo: A Star Wars Story – Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy

BEST ORIGINAL SCORE

Black Panther – Ludwig Göransson

BlacKkKlansman – Terence Blanchard

If Beale Street Could Talk – Nicholas Britell

Isle of Dogs – Alexandre Desplat

Mary Poppins Returns – Marc Shaiman

BEST ORIGINAL SONG

"All the Stars" from Black Panther – Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; Lyrics by Kendrick Lamar Duckworth, Anthony Tiffith and Solána Rowe

"I'll Fight" from RBG – Music and Lyrics by Diane Warren

"The Place Where Lost Things Go" from Mary Poppins Returns – Music by Marc Shaiman; Lyrics by Marc Shaiman and Scott Wittman

"Shallow" from A Star Is Born – Music and Lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt

"When a Cowboy Trades His Spurs for Wings" from The Ballad of Buster Scruggs – Music and Lyrics by David Rawlings and Gillian Welch

BEST SOUND EDITING

Black Panther – Benjamin A. Burtt and Steve Boeddeker

Bohemian Rhapsody – John Warhurst and Nina Hartstone

First Man – Ai-Ling Lee and Mildred Iatrou Morgan

A Quiet Place – Ethan Van der Ryn and Erik Aadahl

Roma – Sergio Díaz and Skip Lievsay

BEST SOUND MIXING

Black Panther – Steve Boeddeker, Brandon Proctor and Peter J. Devlin

Bohemian Rhapsody – Paul Massey, Tim Cavagin and John Casali

First Man – Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis

Roma – Skip Lievsay, Craig Henighan and José Antonio Garcia

A Star Is Born – Tom Ozanich, Dean Zupancic, Jason Ruder and Steve A. Morrow

BEST DOCUMENTARY – SHORT

Black Sheep – Ed Perkins and Jonathan Chinn

End Game – Rob Epstein and Jeffrey Friedman

Lifeboat – Skye Fitzgerald and Bryn Mooser

A Night at the Garden – Marshall Curry

Period. End of Sentence. – Rayka Zehtabchi and Melissa Berton

BEST LIVE ACTION SHORT FILM

Detainment – Vincent Lambe and Darren Mahon

Fauve – Jérémy Comte and Maria Gracia Turgeon

Marguerite – Marianne Farley and Marie-Hélène Panisset

Mother – Rodrigo Sorogoyen and María del Puy Alvarado

Skin – Guy Nattiv and Jaime Ray Newman

BEST ANIMATED SHORT FILM

Animal Behaviour – Alison Snowden and David Fine

Bao – Domee Shi and Becky Neiman-Cobb

Late Afternoon – Louise Bagnall and Nuria González Blanco

One Small Step – Andrew Chesworth and Bobby Pontillas

Weekends – Trevor Jimenez

[bongaboi]

2019 Academy Awards - The List.

Best Picture

Green Book – Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga

Black Panther – Kevin Feige

BlacKkKlansman – Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee

Bohemian Rhapsody – Graham King

The Favourite – Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos

Roma – Gabriela Rodríguez and Alfonso Cuarón

A Star Is Born – Bill Gerber, Bradley Cooper and Lynette Howell Taylor

Vice – Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin J. Messick

Best Director

Spike Lee – a

Spik

Paweł Pawlikowski – Cold War

Yorgos Lanthimos – The Favourite

Adam McKay – Vice

Best Actor

Rami Malek – Bohemian Rhapsody as Freddie Mercury

Christian Bale – Vice as Dick Cheney

Bradley Cooper – A Star Is Born as Jackson "Jack" Maine

Willem Dafoe – At Eternity's Gate as Vincent van Gogh

Viggo Mortensen – Green Book as Frank "Tony Lip" Vallelonga

Best Actress

Olivia Colman – The Favourite as Anne, Queen of Great Britain

Yalitza Aparicio – Roma as Cleodegaria "Cleo" Gutiérrez

Glenn Close – The Wife as Joan Castleman

Lady Gaga – A Star Is Born as Ally Maine

Melissa McCarthy – Can You Ever Forgive Me? as Lee Israel

Best Supporting Actor

Mahershala Ali – Green Book as Don Shirley

Adam Driver – BlacKkKlansman as Philip "Flip" Zimmerman

Sam Elliott – A Star Is Born as Bobby Maine

Richard E. Grant – Can You Ever Forgive Me? as Jack Hock

Sam Rockwell – Vice as George W. Bush

Best Supporting Actress

Regina King – If Beale Street Could Talk as Sharon Rivers

Amy Adams – Vice as Lynne Cheney

Marina de Tavira – Roma as Sofía

Emma Stone – The Favourite as Abigail Masham

Rachel Weisz – The Favourite as Sarah Churchill

Best Original Screenplay

Green Book – Written by Nick Vallelonga, Brian Currie & Peter Farrelly

The Favourite – Written by Deborah Davis and Tony McNamara

First Reformed – Written by Paul Schrader

Roma – Written by Alfonso Cuarón

Vice – Written by Adam McKay

Best Adapted Screenplay

BlacKkKlansman – Screenplay by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee; based on the book by Ron Stallworth

The Ballad of Buster Scruggs – Screenplay by Joel Coen & Ethan Coen; based on the short stories All Gold Canyon by Jack London, The Gal Who Got Rattled by Stewart Edward White, and short stories by Joel Coen & Ethan Coen

Can You Ever Forgive Me? – Screenplay by Nicole Holofcener and Jeff Whitty; based on the book by Lee Israel

If Beale Street Could Talk – Screenplay by Barry Jenkins; based on the book by James Baldwin

A Star Is Born – Screenplay by Eric Roth, Bradley Cooper & Will Fetters; based on the 1954 screenplay by Moss Hart and the 1976 screenplay by Joan Didion, John Gregory Dunne & Frank Pierson; based on a story by Robert Carson & William A. Wellman

Best Animated Feature Film

Spider-Man: Into the Spider-Verse – Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller

Incredibles 2 – Brad Bird, John Walker and Nicole Paradis Grindle

Isle of Dogs – Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson

Mirai – Mamoru Hosoda and Yūichirō Saitō

Ralph Breaks the Internet – Rich Moore, Phil Johnston and Clark Spencer

Best Foreign Language Film

Roma (Mexico) in Spanish and Mixtec – Directed by Alfonso Cuarón

Capernaum (Lebanon) in Arabic – Directed by Nadine Labaki

Cold War (Poland) in Polish and French – Directed by Paweł Pawlikowski

Never Look Away (Germany) in German – Directed by Florian Henckel von Donnersmarck

Shoplifters (Japan) in Japanese – Directed by Hirokazu Kore-eda

Best Documentary – Feature

Free Solo – Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill

Hale County This Morning, This Evening – RaMell Ross, Joslyn Barnes and Su Kim

Minding the Gap – Bing Liu and Diane Quon

Of Fathers and Sons – Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert

RBG – Betsy West and Julie Cohen

Best Documentary – Short Subject

Period. End of Sentence. – Rayka Zehtabchi and Melissa Berton

Black Sheep – Ed Perkins and Jonathan Chinn

End Game – Rob Epstein and Jeffrey Friedman

Lifeboat – Skye Fitzgerald and Bryn Mooser

A Night at the Garden – Marshall Curry

Best Live Action Short Film

Skin – Guy Nattiv and Jaime Ray Newman

Detainment – Vincent Lambe and Darren Mahon

Fauve – Jérémy Comte and Maria Gracia Turgeon

Marguerite – Marianne Farley and Marie-Hélène Panisset

Mother – Rodrigo Sorogoyen and María del Puy Alvarado

Best Animated Short Film

Bao – Domee Shi and Becky Neiman-Cobb

Animal Behaviour – Alison Snowden and David Fine

Late Afternoon – Louise Bagnall and Nuria González Blanco

One Small Step – Andrew Chesworth and Bobby Pontillas

Weekends – Trevor Jimenez

Best Original Score

Black Panther – Ludwig Göransson

BlacKkKlansman – Terence Blanchard

If Beale Street Could Talk – Nicholas Britell

Isle of Dogs – Alexandre Desplat

Mary Poppins Returns – Marc Shaiman

Best Original Song

"Shallow" from A Star Is Born – Music and Lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt

"All the Stars" from Black Panther – Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; Lyrics by Kendrick Lamar Duckworth, Anthony Tiffith and Solána Rowe

"I'll Fight" from RBG – Music and Lyrics by Diane Warren

"The Place Where Lost Things Go" from Mary Poppins Returns – Music by Marc Shaiman; Lyrics by Marc Shaiman and Scott Wittman

"When a Cowboy Trades His Spurs for Wings" from The Ballad of Buster Scruggs – Music and Lyrics by David Rawlings and Gillian Welch

Best Sound Editing

Bohemian Rhapsody – John Warhurst and Nina Hartstone

Black Panther – Benjamin A. Burtt and Steve Boeddeker

First Man – Ai-Ling Lee and Mildred Iatrou Morgan

A Quiet Place – Ethan Van der Ryn and Erik Aadahl

Roma – Sergio Díaz and Skip Lievsay

Best Sound Mixing

Bohemian Rhapsody – Paul Massey, Tim Cavagin and John Casali

Black Panther – Steve Boeddeker, Brandon Proctor and Peter J. Devlin

First Man – Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis

Roma – Skip Lievsay, Craig Henighan and José Antonio Garcia

A Star Is Born – Tom Ozanich, Dean Zupancic, Jason Ruder and Steve A. Morrow

Best Production Design

Black Panther – Hannah Beachler (production design); Jay Hart (set decoration)

The Favourite – Fiona Crombie (production design); Alice Felton (set decoration)

First Man – Nathan Crowley (production design); Kathy Lucas (set decoration)

Mary Poppins Returns – John Myhre (production design); Gordon Sim (set decoration)

Roma – Eugenio Caballero (production design); Bárbara Enríquez (set decoration)

Best Cinematography

Roma – Alfonso Cuarón

Cold War – Łukasz Żal

The Favourite – Robbie Ryan

Never Look Away – Caleb Deschanel

A Star Is Born – Matthew Libatique

Best Makeup and Hairstyling

Vice – Greg Cannom, Kate Biscoe and Patricia Dehaney

Border – Göran Lundström and Pamela Goldammer

Mary Queen of Scots – Jenny Shircore, Marc Pilcher and Jessica Brooks

Best Costume Design

Black Panther – Ruth E. Carter

The Ballad of Buster Scruggs – Mary Zophres

The Favourite – Sandy Powell

Mary Poppins Returns – Sandy Powell

Mary Queen of Scots – Alexandra Byrne

Best Film Editing

Bohemian Rhapsody – John Ottman

BlacKkKlansman – Barry Alexander Brown

The Favourite – Yorgos Mavropsaridis

Green Book – Patrick J. Don Vito

Vice – Hank Corwin

Best Visual Effects

First Man – Paul Lambert, Ian Hunter, Tristan Myles and J. D. Schwalm

Avengers: Infinity War – Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick

Christopher Robin – Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould

Ready Player One – Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk

Solo: A Star Wars Story – Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy

[pdproblems]

Performance by an actress in a supporting role

Regina King in "If Beale Street Could Talk" (WINNER)

Amy Adams in "Vice"

Marina de Tavira in "Roma"

Emma Stone in "The Favourite"

Rachel Weisz in "The Favourite"

Best documentary feature

"Free Solo" Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill (WINNER)

"Hale County This Morning, This Evening" RaMell Ross, Joslyn Barnes and Su Kim

"Minding the Gap" Bing Liu and Diane Quon

"Of Fathers and Sons" Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert

"RBG" Betsy West and Julie Cohen

Achievement in makeup and hairstyling

"Vice" Greg Cannom, Kate Biscoe and Patricia DeHaney (WINNER)

"Border" Goran Lundstrom and Pamela Goldammer

"Mary Queen of Scots" Jenny Shircore, Marc Pilcher and Jessica Brooks

Achievement in costume design

"Black Panther" Ruth Carter (WINNER)

"The Ballad of Buster Scruggs" Mary Zophres

"The Favourite" Sandy Powell

"Mary Poppins Returns" Sandy Powell

"Mary Queen of Scots" Alexandra Byrne

Achievement in production design

"Black Panther" production design: Hannah Beachler; set decoration: Jay Hart (WINNER)

"The Favourite" production design: Fiona Crombie; set decoration: Alice Felton

"First Man" production design: Nathan Crowley; set decoration: Kathy Lucas

"Mary Poppins Returns" production design: John Myhre; set decoration: Gordon Sim

"Roma" production design: Eugenio Caballero; set decoration: Barbara Enriquez

Achievement in cinematography

"Roma" Alfonso Cuaron (WINNER)

"Cold War" Lukasz Zal

"The Favourite" Robbie Ryan

"Never Look Away" Caleb Deschanel

"A Star Is Born" Matthew Libatique

Achievement in sound editing

"Bohemian Rhapsody" John Warhurst and Nina Hartstone (WINNER)

"Black Panther" Benjamin A. Burtt and Steve Boeddeker

"First Man" Ai-Ling Lee and Mildred Iatrou Morgan

"A Quiet Place" Ethan Van der Ryn and Erik Aadahl

"Roma" Sergio Díaz and Skip Lievsay

Achievement in sound mixing

"Bohemian Rhapsody" Paul Massey, Tim Cavagin and John Casali (WINNER)

"Black Panther" Steve Boeddeker, Brandon Proctor and Peter Devlin

"First Man" Jon Taylor, Frank A. Montano, Ai-Ling Lee and Mary H. Ellis

"Roma" Skip Lievsay, Craig Henighan and Jose Antonio Garcia

"A Star Is Born" Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow

Best foreign language film of the year

"Roma" Mexico (WINNER)

"Capernaum" Lebanon

"Cold War" Poland

"Never Look Away" Germany

"Shoplifters" Japan

Achievement in film editing

"Bohemian Rhapsody" John Ottman (WINNER)

"BlacKkKlansman" Barry Alexander Brown

"The Favourite" Yorgos Mavropsaridis

"Green Book" Patrick J. Don Vito

"Vice" Hank Corwin

Performance by an actor in a supporting role

Mahershala Ali in "Green Book" (WINNER)

Adam Driver in "BlacKkKlansman"

Sam Elliott in "A Star Is Born"

Richard E. Grant in "Can You Ever Forgive Me?"

Sam Rockwell in "Vice"

Best animated feature film of the year

"Spider-Man: Into the Spider-Verse" Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller (WINNER)

"Incredibles 2" Brad Bird, John Walker and Nicole Paradis Grindle

"Isle of Dogs" Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson

"Mirai" Mamoru Hosoda and Yuichiro Saito

"Ralph Breaks the Internet" Rich Moore, Phil Johnston and Clark Spencer

Best animated short film

"Bao" Domee Shi and Becky Neiman-Cobb (WINNER)

"Animal Behaviour" Alison Snowden and David Fine

"Late Afternoon" Louise Bagnall and Nuria Gonzalez Blanco

"One Small Step" Andrew Chesworth and Bobby Pontillas

"Weekends" Trevor Jimenez

Best documentary short subject

"Period. End of Sentence." Rayka Zehtabchi and Melissa Berton (WINNER)

"Black Sheep" Ed Perkins and Jonathan Chinn

"End Game" Rob Epstein and Jeffrey Friedman

"Lifeboat" Skye Fitzgerald and Bryn Mooser

"A Night at The Garden" Marshall Curry

Achievement in visual effects

"First Man" Paul Lambert, Ian Hunter, Tristan Myles and J.D. Schwalm (WINNER)

"Avengers: Infinity War" Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick

"Christopher Robin" Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould

"Ready Player One" Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk

"Solo: A Star Wars Story" Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy

Best live action short film

"Skin" Guy Nattiv and Jaime Ray Newman (WINNER)

"Detainment" Vincent Lambe and Darren Mahon

"Fauve" Jeremy Comte and Maria Gracia Turgeon

"Marguerite" Marianne Farley and Marie-Helene Panisset

"Mother" Rodrigo Sorogoyen and Maria del Puy Alvarado

Original screenplay

"Green Book" written by Nick Vallelonga, Brian Currie, Peter Farrelly (WINNER)

"The Favourite" written by Deborah Davis and Tony McNamara

"First Reformed" written by Paul Schrader

"Roma" written by Alfonso Cuaron

"Vice" written by Adam McKay

Adapted screenplay

"BlacKkKlansman" written by Charlie Wachtel and David Rabinowitz and Kevin Willmott and Spike Lee (WINNER)

"The Ballad of Buster Scruggs" written by Joel Coen and Ethan Coen

"Can You Ever Forgive Me?" screenplay by Nicole Holofcener and Jeff Whitty

"If Beale Street Could Talk" written for the screen by Barry Jenkins

"A Star Is Born" screenplay by Eric Roth and Bradley Cooper and Will Fetters

Achievement in music written for motion pictures (Original score)

"Black Panther" Ludwig Goransson (WINNER)

"BlacKkKlansman" Terence Blanchard

"If Beale Street Could Talk" Nicholas Britell

"Isle of Dogs" Alexandre Desplat

"Mary Poppins Returns" Marc Shaiman

Achievement in music written for motion pictures (Original song)

"Shallow" from "A Star Is Born" music and lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt (WINNER)

"All The Stars" from "Black Panther" music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; lyric by Kendrick Lamar Duckworth, Anthony Tiffith and Solana Rowe

"I'll Fight" from "RBG" music and lyrics by Diane Warren

"The Place Where Lost Things Go" from "Mary Poppins Returns" music by Marc Shaiman; lyrics by Scott Wittman and Marc Shaiman

"When A Cowboy Trades His Spurs For Wings" from "The Ballad of Buster Scruggs" music and lyrics by David Rawlings and Gillian Welch

Performance by an actor in a leading role

Rami Malek in "Bohemian Rhapsody" (WINNER)

Christian Bale in "Vice"

Bradley Cooper in "A Star Is Born"

Willem Dafoe in "At Eternity's Gate"

Viggo Mortensen in "Green Book"

Performance by an actress in a leading role

Olivia Colman in "The Favourite" (WINNER)

Yalitza Aparicio in "Roma"

Glenn Close in "The Wife"

Lady Gaga in "A Star Is Born"

Melissa McCarthy in "Can You Ever Forgive Me?"

Achievement in directing

"Roma" Alfonso Cuaron (WINNER)

"BlacKkKlansman" Spike Lee

"Cold War" Pawel Pawlikowski

"The Favourite" Yorgos Lanthimos

"Vice" Adam McKay

Best motion picture of the year

"Green Book" Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga, producers (WINNER)

"Black Panther" Kevin Feige, producer

"BlacKkKlansman" Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee, producers

"Bohemian Rhapsody" Graham King, producer

"The Favourite" Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos, producers

"Roma" Gabriela Rodriguez and Alfonso Cuaron, producers

"A Star Is Born" Bill Gerber, Bradley Cooper and Lynette Howell Taylor, producers

"Vice" Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin Messick, producers

I am terrible at keeping up with news /awards and I can’t get to them all, but I thought a list might be nice.