#season 4 please

[birdwen]

love comes back around!! 

[leoktzchen]

I think I’ve seen some similar takes on this already but the whole lila and five get stuck in the time line subway subplot had a lot of potential actually but they just BUTCHERED it with the whole romance thing

imo the could have just done this:

- show them bickering and arguing, fighting over wich station/line to chose next in a sibling like manner

- show lila falling asleep on fives shoulder as she keeps mumbling about some stupid thing Diego has done while five tops that story with an even more stupid anecdote from their childhood

- show five trying to shave himself without a mirror and failing miserably until lila rolls her eyes and goes “give it here you absolute imbecile” and then helping him out BUT STAYING AT A REASONABLE DISTANCE AND NOT BREATHING ALL OVER HIS FACE

- show them freezing on the subway floor, five mentioning how they could save body heat by staying close to each other, visibly uncomfortable, and lila pulls a face but they end up falling asleep shoulder to shoulder NOT CUDDLING

- show them at the greenhouse timeline, covering the walls with self-drawn maps and complicated calculations, brooding night after day after night, trying to figure this out with lila drawing little hearts on the paper with her kids initials in it

- show five finding the map on the subway, immediately rushing to tell lila whose face lights up like a supernova and as she exclaims “fuck, we’re going home!” she tries to high five him (it doesn’t really work, because five does NOT do high fives) and then pulls him in for a hug. five just about lets that happen, but he smiles a tiny smile and they arrive just in time for Christmas

basically instead of the romance that gave everyone the ick, they could have just gone for the whole sibling like dynamic between the two of them that I adored a lot in the previous season(s)!!!!

[columboscreens]

[cupidsatdawn]

I think the saddest and craziest part about season 4 is how they were able to work with a boy since he was 13 YEARS OLD and give him and a love interest who is 15 YEARS OLDER THAN HIM?! When he just turned legal age, it was as if they were waiting for him to turn legal age so that they could do this weird pedophilic home-wrecking relationship, but genuinely, there’s a need to be more protection for child actors, because what is this, and I’m sincerely sorry for Aidan and other child actors who had to go through this kind of stuff.

[laurrelise]

rewatching s4 umbrella academy cast interviews again to feel something and i can’t get over the fact that the entire video of them reading fan theories was them just saying “wow that’s a great idea!!” “woah we should hire you to write next time!!” “hey we should’ve reached out to the fans to write the show!!”

dear tua cast: i love you so much and im so sorry season 4 had to be written so terribly that even YOU guys are saying the fans could’ve done a better job 💀

[hannibalruinedme]

How do I sleep knowing this? ^^^^^

For God's sake :)

[mustbebunnys]

STATION 19: 4x14 // 7x09

[technicolourtelevision]

JEREMY STRONG as KENDALL ROY || Succession 4x04

[hadeswearsprada]

Moments in Star Trek I find very funny for some reason

[transgeoffrickly]

the best thing about wwdits is that everyone is bisexual except for guillermo who is gay. as things should be. more shows should have this going on

[birdy-reblog]

Hey maybe watch scavengers reign it’s got evil woman, she’s like a rat bastard and faces little to no consequences for her actions and honestly she’s kinda great, maybe if that doesn’t strike your fancy we’ve got pathetic meow meow man that fucks up repeatedly and often, we’ve got an old fat dilf that is just so tired and every single alien yearns for his body, we’ve got yuri in two different flavors; human on human and human on robot. It’s the same human both times btw. Or my personal favorite one: she’s just there for the ride and adores the beauty of it all. I love you Ursula scavengers reign<3

There’s also the creatures and horror of nature I fucking love this show hands and knees begging you to watch this show.

[frozenfrogz]

I don’t think you understand how much I love him…

[heph]

04 x 16 | Just stay with me 🧣

[captainbucky-yt]

"I will be there, hiding out behind a mask."

LUKE THOMPSON as Benedict Bridgerton and CLAUDIA JESSIE as Eloise Bridgerton | S03E08 ‘Into the Light’

[neo--queen--serenity]

The Black Butler revival will, of course, in this day and age, be the complete embodiment of pro-ship vs. anti-ship discourse, given the subject matter.

But for those of you who are watching this for the first time in 2024 (which includes myself!), there are certain things about the show you simply must understand, for the sake of media literacy.

The first is that Black Butler is supernatural gothic romanticism at its core. This genre alone should tell you that the relationships integral to the plot will be complex, messy, and toxic, by default. That is not only a huge part of this genre’s appeal, but very much the point of the story.

The themes are dark, the terrible things that happen to the main characters are dark, and therefore the relationships at the forefront (and in the background) will reflect that.

The gothic genre has been alluringly popular for over a century (longer, if you know your history) because audiences are entranced by the macabre, the tainted antiheroes, the monsters who live inside us all. It’s popular for a reason.

That being said, understand that whether you, the viewer, ship Sebastian and Ciel or not is irrelevant. Their bond doesn’t need to be understood as romantic or sexual, but it sure as hell isn’t normal. It isn’t healthy. And the audience knows that. That’s the draw. It’s what makes them compelling to watch.

Ciel and Sebastian’s relationship mirrors many gothic novels, poems, and penny dreadfuls written in the Victorian Era (the very same time period in which Kuroshitsuji takes place). The Victorian folks who read these tales for the first time ate that shit up, because it was tantalizing. It was shocking. It was inappropriate, and monstrous, and violent, and erotic, and went against societal norms. But that was the point.

A huge part of gothic romanticism is the blatant sexualization of the relationship between the “monstrous” characters and their human counterparts in the story. Sex itself doesn’t need to take place for their bond to be sexually charged. The forbidden nature of their relationship—which typically involves layers of social taboos, moral ambiguity, or simple infatuation—is what makes their interactions erotic. Sexual contact rarely ever actually happens in these stories. It’s the taboo nature of their bond that creates the tension.

One of the many reasons audiences love this genre is the constant question of morality in its themes. Who, between them, is the real monster? Could the human character have ever been saved? This genre is often associated with tragedy, because the bond forged between the characters in these stories are destined to end in death and destruction. The reader knows it can’t end any other way. How can it?

But an integral element of these gothic tales is the catharsis that comes with this tragedy. The corrupted human often gets what they want in the end, even if it’s at the cost of their own life. Whether they regret their choice to foster this monstrous relationship varies on the story, but it doesn’t change the trajectory of their descent.

Sebastian and Ciel’s relationship is the whole plot of Black Butler. Their closeness bears a grotesque ick factor, but it is deliberate. It is a constant reminder of how unnatrual their bond truly is. Rationalizing or watering down how abnormal they are about each other misses the point entirely. They will never have a normal, healthy relationship, and that’s what moves the plot forward.

That’s why you’re watching it.

[laurrelise]

okay all i want right now is an umbrella academy spinoff of just the deli fives working in the kitchen like in the bear

ok ok picture this:

deli owner five: i swear to fucking god five, if five has to wait any longer for the brisket, you’re fired.

brisket five: it’s not my fault! five still hasn’t finished the goddamn fries! (clearly at his breaking point)

fryer five: that’s because someone left his station dirty when he left after his morning shift. (also at his breaking point)

clocked-out fryer five: (sprinting out the back door) alright see you assholes tomorrow

server five: alright, i try not to get on you guys about ticket times… but five looks like he’s about ready to walk out.

deli owner five: fuck, give him a free dessert.

server five: okay, but can we hurry this shit up? i’d like a tip if that’s alright with you dickheads.

brisket five: get the hell out of my kitchen.

busser five: (bursting in with a full bin of dirty dishes) drunk five is demanding a fluffernutter and making a scene again.

deli owner five: (shuffling through countless tickets and slamming his fist on the counter) i have zero goddamn time for this five, we’re slammed with this lunch rush and im down two cooks today. help a guy out and get him to leave.

busser five: you pay me minimum wage and i could not give less of a shit. i’m not dealing with him again.

drunk five, bursting into the kitchen: i knew i smelled peanut butter in here (pointing at brisket five who’s currently on grill preparing a burger)

brisket five: this is literally a beef patty

deli owner five: alright man, we’ve tried to play nice, but you’re out of here. let’s go, don’t make a scene. (pulling drunk five out by his collar and dusting off his hands) fuckin’ hell, none of you make it easy, do you?

brisket five:

booth five watching from the dining room: jesus christ