#senq ha

[cadere-art]

The Setsé Script is the writing system of the Setsé people, who arrived on Uanlikri as colonists and invaders for the powerful Senq Ha Empire overseas. In the centuries that followed, the power or the desire of the Senq Ha waned and the colonies were abandonned, leaving behind splintered nations of conquerors trying to make the best of the strange lands whose peoples they had murdered and displaced.

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When the Setsé landed on Uanlikri more than four centuries ago, they brought with them war, conquest and misery. They also brought the Setsé script, a unique script which is assembled, almost like a puzzle, to describe the phonetical qualities of an utterance.

The Setsé peoples have long ago been cut off from the imperial powers that fed their conquest of the Western Peninsula, Northern Kantishian Moutains, and Spice Islands. Since then, they have splintered. diversified and syncretized into a great many cultures. Despites this, the setsé script endures where litteracy survives. It remains the script of choice for setsé langages, whose tones are hard to transcribe the scripts of Uanlikri's mostly atonal native languages.

The setsé script divides a word into many parts: a central "thought line", read from top to bottom, tone bars traversing the thought line, and symbols indicating consonants on the left and vowels on the right.

Zàtzèpaqóí Glyph shapes are often modified to fit the available space. In this word, the horn of dz is detached to leave more space to the previous consonnant. A linked-style consonnant is always used with a vowel glyph which connects to the thought line. Modifications emphasize this connection: the e's new shape fully attaches to the dz glyph. Conversely, the use of an open-style glyph for q helps identify the associated vowel as a o rather than an e.

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Percuma Tiket Movie Jurassic World Dan Trip Untuk Merasai Jurassic Experience Yang Best Gila Dari senQ!

Filem Antarabangsa

Para peminat tegar Jurassic World (2015) mesti excited tengok tajuk tu! Sebab, filem-filem Jurassic World ni tak pernah mengecewakan! Sentiasa buat kita berdebar-debar bila tengok. Kalau dah tengok yang pertama, mesti nak tengok yang seterusnya pulak kan?

Bukan tiket wayang je yang percuma, korang juga berpeluang untuk ke lokasi pengambaran Jurassic World dalam post ni. Jadi pastikan baca sampai habis ok!

Ha, meh nak cerita sikit. Jurasic World: Fallen Kingdom ni mengisahkan empat tahun selepas kejadian di dalam movie sebelum ini, dimana Isla Nublar dan dinosaur-dinosour tu yang sebelum ini bebas, berdepan dengan ancaman daripada letusan gunung berapi.

Bekas pengurus theme park dan pengerusi Dinosour Protection Group Claire Dearing (Bryce Dallas Howard), berjaya memujuk bekas teman lelakinya dan bekas trainer dinosaur trainer di taman sebelum ini Owen Grady (Chris Pratt) untuk sama-sama pergi ke Isla Nublar dan menyelamatkan dinosour-dinosour tersebut!

Fuh, kalau dulu nak selamatkan orang dari dinosaur, sekarang ni nak selamatkan dinosour pulak! Mesti lagi berdebar-debar tengok! Jangan lupa tonton movie ni dekat wayang 7 Jun ni!

Ish mestilah lagi best! Korang berpeluang untuk memenangi sepasang tiket premiere Jurassic World: Fallen Kingdom ni! Peraduan ini bermula dari  8 – 27 Mei 2018 je tau! Senang pulak tu nak masuk. Korang hanya perlu

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Sertai peraduan via’Promosi’

senQ nak belanja korang rasai sendiri aura Jurassic World ni di tempat pengambaraan filem ni! Bukan satu tapi 10/pax tau senQ nak kasi! Kempen ni tamat 31 Mei ni tau so korang jangan fikir panjang, cepat join contest ni!! Korang hanya perlu;

Beli apa-apa produk (minimum RM1000 dalam satu resit) dari mana-mana outlet senQ dan korang berpeluang untuk terbang ke luar negara secara PERCUMA hujung tahun ni! All-inclusive pulak tu! 

Pada masa yang sama, korang juga boleh dapatkkan baucar wang tunai sebanyak RM110 bila korang bayar menggunakan Citibank Visa Credit Card!

Ada lagi, korang juga berpeluang untuk memenangi wang tunai sebanyak RM 2,000 bila korang membeli guna AEON Easy Payment!

Seramai 13 orang pemenang akan menerima wang tunai tersebut selama kempen ini berlangsung. Pemenang akan dipilih setiap bulan dan akan diumumkan pada minggu pertama pada setiap bulan di FB Senheng Official!

Maklumat lanjut korang boleh klik disini!

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“Life is too short to spend it with people who annoy you.” -Mr.Forman Instagram:@azyanshor

[cadere-art]

The Qot-Qítiō culture area encompasses the peoples descended from the Qot colony, founded around three centuries ago by the Senq Ha Empire, situated overseas. The Qot colony was one of several colonies founded on Uanlikri with the intention to conquer and settle the famed Land of the Moon. The Senq Ha's colonization efforts resulted in mass death and displacement on the western peninsula and beyond.

The Qot colony was the only colony to successfully rebel and secede while the Senq Ha Empire was still strong. Decades later, the Senq Ha, weakened by prolonged war on the homeland, would abandon all their colonies. This would put a stop to the colonies' expansion, as infighting inside and between the colonies diverted resources from conquest. The Qot, already independent, fared better than the others for a time.

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Qot was one of the colonies founded by the Senq Ha Empire in their effort to conquer Uanlikri. It was settled by voluntary colonists of the majority ethnicity of the Empire, the Setsé, and by forcibly resettled Qítiō, torn from their families on the mainland. Feeling disfavored by the Empire and inspired by the Gichan rebellions in the South, the Setsé allied themselves with the Qítiō and expelled Senq Ha rule. The secession was violent and resulted in loss of crops, livestock and people, loyalists and rebels alike.

In their efforts to rebuild and remain independent from the other colonies, the rebelling Setsé and the displaced Qítiō borrowed many practices and customs from eachother. The Setsé independentists took on the name of their colony and became the Qot. Some Qítiō remained with them, while others returned to the nomadic lifestyle that had been theirs on the mainland.

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The Gichan are the product of a long history of conquest, fueled by their much coveted mountain passes and watersheds. The culture of the Kingdom of Gichan is highly syncretic. It owes its mores and traditions in varying parts to the underlying cultural substrate, to the Ghøwout Empire's centuries of rule, to the practices of their neighbors and to those of the new Gichan regime. To defend its precious lands, Gichan has a well-developped military with a strong core of professional soldiers, Gichan's regime is indissociable from its military: all noble families have a strong military background and it is customary for nobles of all rank to serve as officers for years or even decades.

Gichan was originally the name of a small nation in the mountains up the Cianji River, which became legendary for their unabating resistance in the face of the early Ghøwout Empire. When Ghøwout's northernmost province rebelled and seceded, it took on the name Gichan as a symbol of their resistance against imperial rule.

Gichan society is strongly divided between its military and peasant classes, but its peasants are far from powerless. Peasantry in Gichan is much revered : it is said to carry the nation on its strong back. as it works the fields and crafts the goods that feed and clothe the nation's soldiers. This romanticized potrayal often impedes serious understanding between local leaders and military lords, but fosters an attitude of gratitude towards the peasant's hard toil. In the harsh Gichan lands, a satisfied peasantry is seen as a priority.

Gican society is organized as chains of villages, each with their own village leaders, trading spouses and ressources up and down the mountains. They are ruled in a roughly feudal fashion, paying taxes in labour and goods to local military lords which themselves defer to higher lords up to the Gican royal court. Like in Ghøwout, religious specialists are excluded from this hierarchy: known as chui-chuøn (t. wild men), they are traditional healers and spiritual leaders often living in relative hermitage. In a set of practices long considered uncivilized by the Ghøwout, chui-chuøn wear numerous pelts and animal bones as a symbol of their otherworldly connections and hermitage. Uniquely, chui-chuøn do not wear tail brooches, as a way to signal that they are apart from society and clanship.

The Gichan use a modified Ghøwout script and many ghøwoutish loanwords, but most Gichan do not speak the Ghøwout tongue. They speak a variety of dialects, the most common of which is Tchougougch. Much of the peasantry is multilingual, having learned the language of a neighboring community within Gichan or of the many foreign traders using Gichan's mountain passes.

Gichan's territory has often been coveted and contested, much to the suffering of its locals. The revolution that broke Gichan apart from Ghøwout was strongly backed by the people, who felt Ghøwout had abandoned them in the face of the invading Senq Ha Empire. The Senq Ha had come from overseas and taken the Peninsular lands like a wildfire, and were now at their door, but Ghøwout, weakened by illnesses brought by the conquerors and internal strife, failed to mount a defense for Gichan in time, allowing much of it to be conquered. After this betrayal, the people of the passes, under the rule of two different empires, united and rebelled under the legendary name Gichan. They became the first province to secede from Ghøwout, initiating the Empire's long decline, and one of the first major setbacks of the Senq Ha in their invasion of Uanlikri.