#sharing old art since I haven't been able to work on my wips :']

[spaceratprodigy]

I miss NickyIris!! 🤖💐

from this doodle dump

"You're leaving me for this circuit board? You better bring her back in one piece, Nick."

"I can't promise there won't be any scuffs or dings" 🖤

Commission Info | Ko-Fi | My Links

[bluejaybytes]

like idk their personality what they look like their motives/views? I'm just curious lol

So, first things first. Shockingly, I've actually posted... basically all of my recent art! I normally RARELY post my art on Tumblr, but I've bene in a sharing mood as of late and have been posting things only a few hours after I finish them, so there's honestly... not much new I can post since the only thing that hasn't been posted is a WIP that I'm already planning on posting when it's done (And it is Not in a state I'm ready to post it lol). THAT SAID! I'm gonna talk about Scarlet because she's got art I haven't posted here before <3 Everything's below the cut, because I anticipate this being... very long and rambly. Whoops lol <3

(Note: I put this in a word counter after writing it. It's over 2.3k words. Apologies for being unable to write in anything shorter than an essay)

Normally I don't post anything that's not completely finished, and while the "main" drawing of her is finished in the sense I'm not going back to add to it further, it hasn't been properly colored or lined, it's just cleaned up sketches, so I haven't posted it before. It's a good few months old and it shows, but it's honestly fine lol. The icon is from earlier this week however, I just typically don't post the icons on their own, since I've made a ton of them and also showed them off in the relationship web I posted last week (Which honestly I will probably post again once a few more OCs have their icons made and added properly)

Scarlet's from the Octarian domes, specifically one that hosts a decently large amount of residential areas, and has two younger sisters, Crimson and Ruby. Scarlet's around ~24, Crimson's ~21, and Ruby's ~17, and they're all quite close growing up, with Scarlet very much embracing her role as the oldest of the bunch and always sticking by them. In fact, it's her desire to be close with her sisters that essentially ends what was a promising career as a weapons engineer for her early. Weapons engineering is a very prestigious role, and Scarlet's both incredibly interested in it and also genuinely very good at it, but due to how highly it's regarded, it also means she'd be unable to be around her sisters anymore, as she'd be too busy with training and working in other domes and with other engineers, so she ends up leaving weapons engineering behind, and instead just trains as a regular soldier.

Even with her staying in a more average position, she's still very talented, and she fairly quickly ascends through the ranks and ends up as an Elite and assigned her own squad to lead, stationed out in the outskirts of the dome she grew up in. Despite her rank as an Elite however, she keeps the traditional red coloration that's typically only for lower ranked soldiers, both as it's a shared family color, and her squad all respect her enough that she doesn't feel she needs to conform very strictly to the hierarchy for colors to have them recognize her as in charge.

Through her own request, Crimson, who's just a regular soldier, is part of her squad, and while their job is considered very important, as they guard the exits between the domes and the surface, it's still... very boring. There's really nothing around, and most of their days are just... patrolling, finding nothing, going back to camp. It's a very soulsucking job for her in all honesty, a lot of the glamor that draws people in to the military life is just... nonexistent. It's miserable and she's achieving nothing. She stays where she is, she wants to be there with Crimson, and she gets to stay, while not really... in contact with Ruby, as there's no cell service all the way out where they are, but close enough to Ruby that if there was some family emergency, she'd be able to get home quickly to be there with her. At this point, she's just counting the days until she's able to quit, or at the very least, take an extended break to go back home and feel like a person again.

It's on one of her patrols, however, that she ends up running into May. She'd gotten the command to stay alert for some teenage runaways that'd escaped police capture a few months prior, but, unbeknownst to her, May was one of them. While she'd never really known May specifically, she'd been the childhood best friend of Ruby, so Scarlet knew her from all the time that Ruby had spent with her, and all that she talked of her. She'd already been feeling miserable and disillusioned with her life as a soldier at this point, and the realization that this fugitive she'd been keeping an eye out for was a kid she personally knows, and knows wouldn't be a runaway for no reason, is just another moment of question for her.

May doesn't really recognize her at first, with it having been years since Scarlet had actually been home, but once Scarlet calls her by name, May remembers her, and pleads to not be taken back home. Scarlet, while not knowing her exact motives for running away, definitely empathizes in that moment, as someone who's tired of the miserable state they're living in, and she also just can't sit idly by watching a homeless teen beg to be given even the slightest mercy. She tells May she's not going to turn her in, and instead invites her to sit down and just talk with her. Neither have had any new company in months at this point, so she figures it'll benefit them both.

Their conversation goes well, and while May isn't willing to talk about the circumstances that've lead to her being on the run, they both are very clearly able to recognize themselves in each other. In the end, Scarlet knows she can't just let a homeless teen go hungry, and tells May to meet her out there the next day at the same time, and that she'll give her some of her rations for that day to hopefully help out a bit. May's still a little unsure, especially since she doesn't like to stay in one place for too long, as well as the fact she's still trying to find her way to the surface, but she's not really in a position where she feels she can deny a safe, reliable food source, so she agrees.

It's, of course, at their next meeting that Scarlet notices May barely picking at the food she's brought. It's at this point Scarlet realizes that May's not just one of the runaways she'd heard about, but that she's the one who's known to be traveling with a kid. May hadn't wanted to actually talk about it before, as her little sister, June, stays behind at their temporary camp for her own safety while May goes out scavenging for food and looking for a way out, but this only further pushes Scarlet into wanting to help her. She already felt like she had a moral obligation to help May before, but now knowing she's also got a kid with her means Scarlet absolutely can not and will not let them go without her help, at least as much as she can offer.

Scarlet ends up going from giving half of her own days food rations, to stealing from the food supply, as well as grabbing some spare clothes, to make sure May and June have enough to eat and take care of themselves a bit better than they were before. Ultimately, her squad can always request more supplies, but May and June aren't in a position to help themselves like she can. This, however, does not go unnoticed. Her squad notices the lessened rations, and ask her what she thinks is happening. She insists it must be a sea slug, or at least some kind of animal that got into their food supplies, it's happened before, it's fine, they can just go ask for backup, don't worry about it. For the most part, her squad accepts her dismissal of the topic. They do find it weird, but ultimately, Scarlet has never been one to do anything like this before, and the long time away from home has been weighing on everyone, so it's most likely just stress getting to her.

Crimson notices, though. She also notices Scarlet's retreat from their usual nightly chats, instead opting to go on "destress walks", or "extra patrols", excuses varying from night to night. Scarlet's dismissal of the issue, her increasing time spent away from camp, and her lessened time spent with her all eventually push Crimson into stalking her on one of her times out of camp, and watches from a distance as Scarlet actively betrays her squad and her duties as a soldier to hide, feed, and protect a fugitive runaway. Crimson absolutely loses it, jumping out from her hiding place and revealing herself to have seen everything, and tells Scarlet she needs to hand May over now. Scarlet just can't do it. She hesitates before telling Crimson she won't, not because she's hesitating in her decision, but because she's scared of admitting it. She doesn't want to live this life, where a scared, homeless teenager and her little sister are expected to instantly be arrested and turned in, where they guard the exit to somewhere they're constantly told is hostile to them, yet have spent all of this time and never seen a proper enemy soldier. She's not going to turn May in for the crime of wanting to leave. And then Crimson attacks her

Scarlet wasn't sure how Crimson was going to react, but it certainly wasn't what she was expecting, as Crimson ends up pulling out a pocket knife she'd been carrying, and fully intends to seriously harm her. Scarlet's caught entirely off guard, and the fight goes very poorly for her, especially considering Scarlet's only weapon was an Octo Shot she didn't have ready, and even if she did, she doesn't want to attack her little sister. Eventually she's able to muster the strength to attack back enough that she gets Crimson off of her, and down long enough for her to take off running. May had bolted the moment the fight broke out, and Scarlet has no idea where she ran off to, but she knows her way out of the domes, having been patrolling the outskirts for this long

It's still over a days walk to the exit before Scarlet is far enough out from her camp that she feels safe enough that she can stop, and really assess the damage Crimson did to her. She's lucky in the sense she'd been carrying some basic first aid supplies on her when everything happened, she always liked having it on her just in case one of her squadmates needed it, but it ends up being enough to prevent her from getting any of her wounds infected. However, the damage is still fairly bad, even if she's able to stop it from getting worse, with Crimson having nearly fully blinded her in one eye, as well as giving her some nasty wounds that eventually scar over. Ultimately, she's lucky she didn't lose the eye entirely, but it's still an absolutely miserable experience regardless.

From there, she makes it to the surface surprisingly easily. She knew the way out, and the exit she took wasn't too far from Inkopolis, so she's able to get there within the month. Her positioning right next to the surface meant she was already required to know some of the Inkling language, so while she's not at all fluent, she's able to get by enough that she's able to pawn off her armor, as well as practically anything that isn't directly necessary to her survival. Her armor specifically is important however, as she wants to get rid of anything that could potentially relate her to being an Octoling soldier, and while she doesn't realize that really no Inklings would think anything of it, she can't risk it. She uses the funds to get herself a place to stay for a while, and is finally able to just rest for a minute.

From there, she actually adjusts surprisingly well to everything on the surface. Her skill with weapon tech is actually in very high demand, as the need for weaponsmiths and repair workers is at an all time high, so she's able to get an apprenticeship at a repair shop in quick time, and not only does it pay well, but she loves the work. While it's not the same as what she was training to do in the military, weapons engineering, she just loves working with weaponry as a whole, and while she doesn't personally play, it's also a reassuring notion for her that she's able to pursue a lifelong passion of hers in a way that isn't actually tied to war and combat, it's all just a silly game everyones playing, there's no actual stakes

It's around two years before she ends up seeing May again, however. After the fight broke out, May ran back to her camp, grabbed June, and just... picked a direction and ran. It took another few months wandering lost before May was actually finally able to make it out, and given how big of a city Inkopolis is, she and Scarlet don't run into each other naturally for quite a long time. They both carry around a lot of guilt surrounding the situation though. Scarlet feels as if she basically just... abandoned May, who was in this desperate situation, and that she should've made more of an effort to look for her before she just left, and May feels like she's responsible for everything that happened to Scarlet. The two meet when May, going in for weapons adjustments to make sure everythings up to date for league regulations for June's first time trying out a game of Turf War, ends up at the shop Scarlet works at. The two are overjoyed to see that they've both settled remarkably well in on the surface, and that they both even made it out in the first place. It alleviates a lot of that guilt for both of them, as while they both end up feeling as though they should've handled the situation differently, this is at least proof neither party ended up worse off afterwards. They're also able to stay in touch after this, which helps them both feel a little less alone as one of only a few dozen Octolings in hiding on the surface.

Ultimately, this is where I stop being able to describe things solely from Scarlet's point of view, as when Crimson reenters the story, there's a lot of extra context that needs to be added as to why everything worked out the way it did, and somehow this has already ended up longer than the time I laid out literally the entire plot of all of my main OCs. Good lord above. I was not joking when I said this would take a long time to write and when I said I'd write a lot.

Sincerely, thank you so much for asking, I do apologize for letting this one... also get out of hand, since this is... a lot of text for anyone to read through, but I do so, so very much appreciate the chance to let myself just kinda shed the feeling of cringe for a moment and just let myself infodump about my OCs lol. Peace and love on planet earth <3

[project-revise]

Regarding the future of this blog

tl,dr; I don't feel like I'm in a place where I'm actually ready to share the stuff I'm working on yet, and the state of my mental health is making posting art and ideas online more anxiety-provoking than it's worth for me.

Also, AI art scraping(since Tumblr is getting in on that now...) and everything associated with it is a headache I don't want to deal with until I have observed the way it affects the online art world going forward.

I don't want to leave my old works online until I'm ready to decide whether I want to play the game going forward now that the rules have been fundamentally changed.

(This is why we can't have nice things.)

So, my mental health hasn't been in a great place since last year. It's been getting harder and harder to create art at all, and for a few months now I simply haven't created much of anything at all.

Just having this blog exist and knowing that I haven't been posting to it has been a source of stress for me.

The fact that Tumblr is now working on stuff related to AI art scraping isn't helping at all. Fun fact: AI related bullshit is why I didn't leave my deviantART gallery up when I left the platform! I came here to avoid that, and now that it's here too, I'm even less enthused about trying to do much on Tumblr.

It's not the only reason I'm reluctant to maintain much of an online presence right now, but it is one of many. I don't want my janky WIPs hanging over my head years from now for whatever reason, I don't want to keep having a stake in an online setting in which data scraping and personal privacy violations are gleefully the norm, I don't want my mental health to continue suffering... I want to step back and reevaluate how things have changed since I first started using the internet nearly 17 years ago and then decide what to do going forward.

I don't plan to stop creating altogether. I still want to write and illustrate a story when I'm feeling better. I'm just not in a place where I can handle posting my art or ideas online right now; even if I were, I'm coming more and more to the conclusion that whatever Revise and its characters could be in the future, it's not currently in a place where I'm comfortable sharing it.

And for the sake of clarity: my primary issue with AI art technology is the lack of artists' consent to having their images used in third-party data sets. It's how the tool is being used by some people that frustrates me; it's the same frustration of experiencing art theft turned up to a scale of 11 and right now it's hard to tell exactly how things will change going forward.

Right now, that extra stress is the straw that breaks the camel's back. It's gotten to the point where I'd frankly rather not share my art in public online spaces at all.

If sharing thoughts on my project while it's still a heavy work in progress means that it could get stolen or that the image of the end result will be negatively impacted, then I'd rather keep it private until I'm actually ready to share it in a more complete form.

Am I being needlessly paranoid? Probably.

But the fact remains that posting art online stresses me out and after giving it some thought, I've come to the conclusion that for me, it's just not worth it. Not right now.

Thank you to those of you who have actually expressed interest in my work; it means a lot. But for now, I need to step back. Maybe in another time in another place, I'll be able to share my works again - for now, it's goodbye.

[darthbloodorange]

Some news (I guess)

I went through my desk and drawers and went through all my art WIPS. Lots going years back, some nearly a decade old now, that I never got around to finishing. Some I'm not going to finish, that I'm just going to shred and put on the garden as the art has no interest to me now. But others I really want to finish. I'm going to have to redo them from scratch as my art style has improved a lot since when I began creating fanart. (I didn't believe I could draw people before then.) I also have a lot of fic WIPs I want to finish too. Some I've started posting, most that I haven't.

I'm also kind of wanting to get into writing some longer fics. I still love drabbles. But I've got some fic ideas too large for dabbles. I've re-organized my AO3 with this in mind. I had all my bingo and event content grouped together in different series (93 in all - with multiple rounds all saved in the one series). I moved these all into Collections (119 of them, wow) which works so much better for me. This means my AO3 series contains only series, which is great (It's nice to be able to fine my actual series now). I was surprised that I had only created three series. I have plans to create a few more 😉

I gained a few new fandoms. Not that I'm leaving the Marvel fandom. I'm not! I've stopped watching the newer MCU stuff though.

[below is some of the media that have taken my interest recently. A bit rambly, sorry.]

I got around to seeing the DnD film, Honour Among Thieves. Xenk Yendar is dear to me. The movie was so earnest with its storytelling. I could see the way it was going, the tropes were heavily signposted. But it deviled perfectly. You could see what was coming and weren't disappointed with its application. (i.e. Simon/Confidence, Edgin/Letting go etc). It was really well done.

💜.

Black Sails is a pit I've fallen into and can't crawl out of... The show - Flint, really - reignited something in me I hadn't realized had gone out. The belief that it's still possible to fight for a better world.

Gates was my favourite until his death. Flint had a lot of redeeming to do in my eyes after that, but he became my new favourite. I'm sorry to say I wasn't a fan of S!lver. He gave me anxiety from the get-go with all his plotting and antics (some of which, I admittedly found amusing). I was torn between laughing and wanting to throttle him until season 3. During which, my opinion of him started going downhill with few redeeming moments. (The final episode was the nail in the coffin for me.)

Do I think S!lver killed Flint?  I don't think it matters. Both endings are equally devastating. Death or the plantation (possibly allowed to be with Thomas if the owner is benevolent enough to let them have time together - unlikely - Oglethorpe speaks of people 'cease[ing] to be' in the same way S!lver talks of 'unmaking' people. **Cough Cough Conversion Vibes Cough**.)

Funny aside. When I first saw Mariana (coupled with how Flint responded to her - He looked really grief-stricken and a little shocked? and tried), I legitimately thought she might be a ghost of someone from his past. My friend, who I was sharing my watch-through with, laughed uncontrollably. I didn't understand why... Until she actually became a ghost that haunted him.

I adore FlintHamiltons. I would say the three are my OTP of the series... but... I also really like Flane. I didn't like Vane at first but he really grew on me. I jokingly started shipping it when Vane said he was going to save Flint. I started shipping it a little more earnestly as he did as he said he would. But when Vane saved Flint from Teach it was like falling down the stairs into the ship. I was hopelessly, irrevocably lost to Flane. FlintHamiltons and Flane are near equal in my heart. So FlaneHamiltons are my really OTP because why not both?

I really loved how Teach was handled? Normally when Blackbeard is in a show I've just been disappointed. Mostly he's just a two-dimensional villain who wants ultimate power. Very boring. The sigh of relief I gave in episode one when Blackbeard was just one of Noonan's girls. I was so relieved. Then he was introduced in season 3 and I was admittedly disappointed. I loved pirates as a kid. So I recognized the name Teach. I perked up when I heard his name, because I was like "Hey, I know that name! I know Teach!!!" only seconds later to go, oh crap, it's Teach. They brought in Blackbeard. Great. I was happily surprised with how they portrayed him. That my expectations were proven very wrong. I love him. That moment with Vane in Season 3 Episode 3 where Teach offers Vane a choice, not an ultimatum hit me in the heart. The way he asks Vane to be his son/legacy. Doesn't claim. Asks! Offers him the choice. I've never seen that in a show. And it got to me. I felt horrible for Teach when Vane sided with Flint on the beach. And sad that it was in part because Teach slipped up and created an ultimatum for Vane. Him or Flint. And Vane picked Flint.

(I shall stop talking about Black Sails... for now. That show has taken up residence in my soul, I swear.)

💜.

I've reignited my love of Star Wars (though I'm not a fan of the direction Disney has taken things.), though my ships have changed slightly (Obi-Wan is still my favourite). Ob!k!n is very much a NOPE! Anak!n too, kind of... sorry (I can't get past a lot of his choices. or political views, especially with how real-world stuff has gone). Still adore the Jedi, love my soft found family of space empath wizards.

💜.

I finally watched Bridgerton. I loved it. Lady Danbury is the BEST! Her godson is a close second. But nobody is as amazing as Lady Danbury.

And a few other bits of media... which I enjoyed but don't think I'll create content for. (I've been working my way through my "to watch list".)

I watched "Some Like It Hot" (Didn't like Sugar/Joseph's relationship. But ngl, Osgood/Daphne was kind of sweet? Especially when Daph started to really like him.) and the Clue movie from the 80s (I think what Mr Green said he was going to do when he gets home was a cover-up to hide the truth of his identity from his employers. I've read a fic where Boddy was also undercover and they are partners... and I'm not letting that go. The whole "Sit" moment is really funny now with that added fantext.)

[writingonesdreams]

Novel Prep tag Game 3 - New wip: Flickers in the dust

So a new wip, another Novel prep tag game. These questions are just perfect for testing and developing ideas so here we go.

Rules: Answer the questions and then tag as many writers as there are questions answered (or as many as you can) to spread the positivity! Even if these questions are not explicitly brought up in the novel, they are still good to keep in mind when writing.

1. Describe your novel in 1-2 sentences (elevator pitch)

The question: How can a bunch of people with "useless" skills survive an post-apocalyptic world?

Impassive procastrinator Alysa travels with her self-destructive childhood friend Kyle, and the energetic 8 yeal old neighbour Iris, with the delinquent but vigorous boxer Roman and his werewolf friend Wes through the desolated world left after the apocalypse, trying to reach a better life in a bigger city.

2. How long do you plan for your novel to be? (Is it a novella, single book, book series, etc.)

A novel for now.

3. What is your novel’s aesthetic?

Dusty wastelands. Long field road. Vacant ghost towns and abandoned cars. Dust storms. Constant dark cloudy sky.

4. What other stories inspire your novel?  

Megalo Box, Wolf’s rain, The promised Neverland, Ergo Proxy

5. Share 3+ images that give a feel for your novel

6. Who is your protagonist?

Alysa is a talented, thoughtful girl and former child prodigy, but she had trouble deciding what she wanted from life and started to fail her university exams. Her lack of self-discipline, motivation or healthy socilaization led her to believe she is quite unfit for the adult life or the world in general. After the apocalypse happenes she is forced to drastically change her priorities and negative thinking for the sake of survival.

7. Who is their closest ally?

Kyle is emotionally abused, burned-out genius with a self-destructive streak and fondness for dark humor. His will to live and emotional stability has steadily decreased over the years. Staying alive has been enough of a challange, so activelly fighting to survive seems like a pretty impossible feat to him.

8. Who is their enemy?

The desolated world after the apocalypse and it’s survival challanges, including insane mutated humans, ruthless gangs, isolated research centers, way too intelligent wolf packs and their struggle not to give up on their will to live.

9. What do they want more than anything?

The main characters want to be capable enough to survive and in addition to that live in a somehow meaningful way. To find out what's really important and what's the main difference between survival and living.

10. Why can’t they have it?

Alysa was pretty much a failing existence when it came to finding her place in the adult society and now she is supposed to survive in a world that's 100 times worse after the apocalypse. How can she do that when she had trouble surviving in the normal one?

Kyle struggled to find reasons to stay alive after his emotional abuse and depression. He has been saved by his friends and family from this, but now it's not just his survival at stake. Will a boy that had to be constantly saved from himself, be able to save someone else?

Roman was a boxer and convict before the apocalypse happened. His violent past marked him as unfit to decent people, but ironically made him exceptionally suitable for this destroyed world- he pretty much has better chances for a good life now then before. Does this make him a bad person? Does he deserve to win against the world or will he change to match it's cruel conditions?

11. What do they wrongly believe about themselves?

Alysa believes she is worthless and incapable as a person.

Kyle feels like he is living on borrowed time anyway and doesn't see any perspectives for himself.

Roman isn’t sure if his abilities to survive that are based on his violent past don’t make him a bad person.

12. Draw your protagonist! (Or share a description)

Alysa is tall and slender girl, has middle long wavy blond hair, light blue eyes and ivory skin. She has very delicate features and is rather pale.

Roman is muscular and tall with tanned olive skin, black curly hair and amber eyes. He is covered in scars, most notably on his chest, arms and neck.

Kyle is tall, lanky and not visibly muscular even though he is trained in martial arts. He has a bit longer black hair, with bangs falling in his eyes, very pale skin and grey eyes.

Wes in his human form has dirty blond curly hair and eyes that change from green-blue to black according to his mood. He has dusty grey fur in his wolf form.

Iris has short red hair and vibrant green eyes.

Plot Points

13. What is the internal conflict?

The characters struggle with their will to live in a destroyed world and with their feelings of worthlessness and inaptitude to fend for themselves or build happy lives.

14. What is the external conflict?

Surviving in the destroyed world, maturing and growing stronger, adapting to change and fighting for themsleves in a world that is aiming to make it as hard as possible for them.

15. What is the worst thing that could happen to your protagonist?

To die because they gave up on life instead of the world actually killing them. Losing to the harsh conditions of the world would be better then losing to themselves (albeit not much).

16. What secret will be revealed that changes the course of the story?  

How do you not give up when everything seems hopeless? Who is the worse enemy in this destroyed world - the mutated monsters or the humans left? Where does the will to carry on come from? Is it possible to hold on to humanity in a world of ruin? And what is it that makes us human?

17. Do you know how it ends?  

Nope. I’m happy I don’t, since it makes it seem like a very exciting story to work on!

18. What is the theme?  

Self-worth, aptitude for life, will to live, not giving up, true companions, bonds, drive, meaning

19. What is a reoccurring symbol?  

Dust, wind, dark sky, endless road, storms

20. Where is the story set? (Share a description!)  

A destroyed post-apocalyptic Earth, where the majority of the population died and the rest flocks together in desperation into cities for protection from the zombie-like humans affected by the radiation and mutated over-intelligent wolves.

21. Do you have any images or scenes in your mind already?  

Many scenes, dialogues, themes, flashes of setting and atmosphere.

22. What excited you about this story?

Something about the destroyed post-apocalyptic world fascinates me. It’s a plot around survival and hard conditions forcing the protagonists to face their inner demons and self-doubts if they want to survive and have the will and drive to fight, witch often makes the difference between life and death. Also the necessity for the characters to trust and rely on each other and their group dynamics development is very exciting.

23. Tell us about your usual writing method!  

I always start with characters that I stick in different scenarios or in my favourite movies and series or books and let them interact. From those I mostly get inspiring scenes that I try to connect through a plot. Afterwards I work on characterisation, world-building, research details and outline stuff a bit. I also write little snippets that sometimes turn long and can be used as chapters.

-

I'm tagging a few peeps I haven't seen doing this game if you are interested: @piratequeenofpixies @imaghostwriter @tenacious-scripturient @writingwhithotchocolate @cabaretofwords @nemowritesstuff @emmathenovelist  @bos-ingit @my-desk-is-full-of-used-pens @purpleshadows1989 @whiteblack-raindrops @surroundedbypearls & anyone who wants to!

Wip tag list:  @tenacious-scripturient @hyba @urbanteeth (tell me if you want to get on/off)