In the universe of the film, there is ABSOLUTELY a contingent of fans that fervently ship Argylle/Wyatt and have the dominant ship on AO3 and trade elaborate fan theories about their hidden relationship and are convinced they’re meant to be endgame but the publishers won’t allow it. Of course, they go totally BALLISTIC when they learn they’re based on the author and her boyfriend.
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"vanessa is only there for needless exposition! all she does is explain the lore!"
and?
and??????
AND??????????
istg some people act like they dont even know what infodumping is. of course she does. its almost like its really important to her? if i was vanessa and some dumbass loser comes in knowing NOTHING you bet your ass that im going to tell them every goddamn detail i know about the place. have you EVER even lived. like. once. have you ever met anyone ever. "needless exposition" my ass
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After playing four huge new games in a row recently I wanted to jump back into a game I've already played, and I ended up on Assassin's Creed Valhalla. It kind of made me reflect a bit on how initially I was quite disappointed with this game but now it's really, really grown on me.
I'm a huge fan of the newer AC games but when Valhalla first came out it was a very distant third place in that trilogy. There are still some things that annoy me (being forced into open combat for so many encounters rather than being able to stealth) but I think what threw me off the most at first was coming into it after Odyssey which has SUCH different vibes.
Like, Origins to me is a really fun adventure/mystery story. It has some dark and serious elements but it also has Bayek who can be quick-witted and funny, it has the great Bayek/Aya romance, and it has the creation of the Hidden Ones which is SO cool. And then Odyssey is just pure joy imho. Alexios/Kassandra is a big old goober and they're so silly and I mean I guess it depends on the choices you make but it always makes me feel so fufilled and happy at the end when the family gets back together. It's heroic and light-hearted, has a lot of really goofy side missions, and even the world itself is bright and colourful and full of life.
Then you have Valhalla. Valhalla is DARK. It has this overarching sense of futility and inevitability, like your fate has been written and there's no escape. Eivor is stoic and brusque and violent and quite frankly a little unlikeable. A lot of the victories don't even feel like victories. They're tainted by loveable characters dying, friends betraying you, basically: winning but at what cost? Eivor often feels lost in their own story, being manipulated by people like Basim and Fulke and Alfred. They're also burdened with Odin's memories and end up having to leave everyone they know and love to deal with that.
But it also has these moments of searing beauty that make it into a wonderfully stirring experience, and I think it took me a while to realize that. I missed the joy of Odyssey so much I couldn't appreciate what Valhalla had to offer. I've been listening to the OST a lot and I think it captures that bittersweet vibe perfectly... the main theme alone is so haunting. Most of the England you explore is dirty and muddy and brown but every once in a while you are at the top of a hill and you see a beautiful sunrise light up the gold in the trees and it's breathtaking. That, to me, is what Valhalla excels at.
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ON DA PONY DOT TOWN 💪💪💪💪💪🦅🦅🦅🦅🦅🦅🦅🦅🦅🦅🔥🔥🔥🔥🔥🔥🔥💯💯💯💯💯💯💯💥💥💥💥
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