#so that it can play around with the character dynamics

[inkoutsidethelines]

Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.

The first thing I’d do is make the characters actually be adults.  Still young, but adults, in the mid to late 20s range.  Mystery Inc. is a private detective type business that they run together.  In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost.  The stakes can be higher; sometimes a bad guy is legitimately trying to kill them.  Sometimes the mystery they’re trying to solve is a murder.  Sometimes they actually get hurt on their cases.

Fred: the core of Fred’s character should be that he’s incredibly kind.  Like, give a stranger the shirt off his back kind.  The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind.  He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too.  While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.

Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money.  Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing.  She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her.  Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.

Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe.  Dating, engaged, married, I don’t care.  They are stupidly in love, ride or die for each other.  There’s no will they, won’t they, no worries about cheating.  They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.

Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma!  His wife is standing right there!” “Oh.  Sorry.”).  She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes.  She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws.  Is breaking and entering really so bad?  Not if it gets them answers.

Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense.  He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option.  He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).

Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him.  Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices.  The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it.  Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.

[shannonsketches]

Why is the anime so weird, it's not even the same series dude?? It's like,

Anime:

GOKU: I have a great idea to bring peace to the universe, and my leadership and compassion alone will unite us all. I have No Flaws and am A True Relatable Everyman :)

VEGETA: NO! I AM THE BEST AND I WILL CAUSE PROBLEMS UNTIL I AM RECOGNIZED AS SUCH!!!!

Manga:

GOKU: Vegeta what's cornmeal made of? I know it's what the corn eats, but what's it made of? VEGETA: Hey Kakarot let's play the quiet game until one of us dies.

[giantchasm]

"It turns out that sometimes the future actually belongs to someone else."

Happy Taransusie Tuesday, everyone! Here's...

Content that only ostensibly focuses on Taransusie and is more than anything character analysis of a third party?

How romantic! 🎉🥳

Okay, but no, seriously. Joshing aside, the other day I posted a meme about Sectonia and how she might feel about the idea of Taranza eventually moving on from her. And it was funny. We all laughed. But things can't always be goof-goof "If everyone started saying 'she sent her for you' I would start haunting literally everyone here because no I didn't." I'm a serious guy. I like exploring concepts that make me go "OUCHIE!" and so let's look at that sort of idea through a more somber lens for a moment.

...How would Sectonia feel if Taranza eventually moved on?

Now, I don't know if she's out there... somewhere in Hades or haunting his ass, but either way I think about her a lot. How she might feel in death, especially if she was returned to her right mind.

I think... Sectonia would have a lot of complicated feelings. Like, before we even get to the relationship nonsense. Let's toss all that aside for a second. I think Sectonia would be simultaneously be crushed by the state she left Taranza in and still... upset to eventually see him heal from it. She'd be glad, of course, to watch the scars she left on him fade, but all the same... seeing him make new friends— leave her behind...

That would have to hurt a little bit, wouldn't it? After all, it's not like she'd be afforded the same opportunity. She died young. Via circumstances that were hardly her fault. Of course she'd be a little bit jealous. Of course she'd be a little bit depressed. Maybe even a little bit angry. And she'd feel bad about it, but she would.

So when you factor in the idea of Taranza entering another relationship... oh my gosh, those complex feelings would only intensify. Taranza deserves to be happy. Taranza deserves to move on. She would know that rationally, but at the same time, the heart isn't always rational.

I do think ultimately she'd support him. In whatever he chose to do. Even if it hurt her a little. The least she can do is give him her blessing after everything that happened.

But that's something that applies to just about any Taranza ship. Let's talk about Susie for a moment.

I... think Susie and Sectonia are people who have some similar issues. At least in my interpretations, they're both people who have warped and maimed themselves in an endless search of perfection hoping it will grant them acceptance from others. But this hasn't granted them peace of mind, and in fact all it's done is pull them further from 'themselves.'

I don't know. I just think they'd have a lot to talk about, even in contexts that don't flagrantly disregard the Bechdel test like this one. They're both girlies who would, like, really vibe to both "Oh No!" by Marina and the Diamonds and "Body" by Mother Mother if that's a sentence that makes even a lick of sense. Their mental illnesses aren't the same, but they're like cousins. Their mental illnesses went to school together.

I think this sort of... self-recognition through the other would both make things easier and harder on Sectonia. Because on one hand, I think it would further be a reminder of all the things she'll never have no matter how badly she wants them, but I also think it would help her... have more empathy for this person she's initially inclined to see as her enemy, and maybe even help her eventually want good things for her.

It's kind of a complex scenario. More serpentine than I could possibly portray in a single comic or Tumblr post. Eventually, I'd like to write a fic from a deceased Sectonia's perspective exploring these sorts of ideas. But for now, I'll leave you with one last preposterous observation:

Perhaps this, too, is yuri. 🤖🐝

[moeblob]

Right's right. She does want to see it (but they refuse to tell her what it is because Right thinks it's best left a surprise).

[stop-breaking-my-heart-dragonage]

So you know this party banter between Aveline and Carver?

Aveline: I don't like some of the people you've been associating with, Carver. Carver: Talk to my brother/sister. He/She's the one in charge.

If you're on the rivalry path with Aveline, she says:

Aveline: Who says I don't mean him/her too? This city's full of people who are dead set on ending badly. I don't want to see you end up the same way.

I just- Aveline, you- you're so- hhhhnnnngggggg

I always rival Aveline when I play a mage, and if you think Edgar Aristide Hawke, who practically raised Carver and Bethany after Malcolm died and Leandra became a distant mother in her grief, wouldn't stop dead in his tracks at Aveline heavily implying he's a bad influence on his brother and Carver shouldn't hang around him so much since apparently Ed's someone set on ending badly...? Absolutely not.

This is another case of me wishing Hawke had the option to jump in during party banter with different options, because Ed would've chewed Aveline out for that.

Oh, and then there's:

Carver: Would asking you to stop spying on me help in the least? Aveline: No.

Aveline...................stop it.

[traitorsinsalem]

bg3 is crazy for being a massive $70 larian + wotc collab game whose accessibility menu features subtitles that are present for less than half of all idle character dialogue and almost zero battle dialogue

[kingsbride-a]

New character I am maybe crushing on but the setting he's from is sooo bleak I feel a little weird about the idea of doing a ship with it 😭

[hgduo]

I'm still losing my mind over a qsmp digimon inspired au- it just feels so perfect- also please just look at this thing:

[korattata]

meta videogame bullshit my beloved

[nonuggetshere]

Ah yes. Hollow and their *checks list* 8 partners

LISTEN-

Ok, I only seriously ship them with like. 4. 6 if you consider the two AU-specific partners (Hector for Pure and Ichor for Hallow (sorry about the selfcest jumpscare)). 7 if you include queerplatonic partners. The rest are "oh this dynamic/scenario could be fun to explore but none of the already existing bastards fit it" and also the joke that was Hallow's absolutely MASSIVE polycule

...okay yeah no, I have a problem /j

[pandoratheprocrasticreator]

huntlow shippers who cherry-pick every single frame where these two stand next to each other and TJLC it into a secret metanarrative that they’ve actually been madly in love since the moment they met, but disney forced the crew to cut the token m/f couple during The Shortening bc somehow there was no way for these two to have any meaningful conversation in the many many times they were onscreen together

vs.

huntlow dislikers who cherry-pick those same screenshots and say that because other characters blush in non-romantic contexts sometimes, it definitely means every single interaction between these two were 100% platonic on both sides and all huntlow shippers are under a collective delusion, and that dana terrace is being held at gunpoint by disney/other members of the crew to add in a romantic subplot she hates against her will. despite it also not being romantic somehow

FIGHT

[pinkfey]

was going to say this yesterday but lord forgive me all of a sudden i think max and warren are cute ://

[butchez]

*two characters look at the camera And to the side* ohhhhhmy god guys tge paralells ???? the fuckign PARALLELS ??? ??

[daisyachain]

Another thing about Higuchi’s writing is that she knows the trick of pairing every character to make self-sustaining binary subplot systems. Doesn’t matter if you forget to give someone an arc; if you make each character reciprocally dependent on another, it generates story. The problem this creates is that if you want to explore one of the several interesting dynamics outside of the Assigned Pairs then the whole thing collapses in on itself

[thebibliosphere]

So, I'm playing the new map on Medieval Dynasty as a woman (because they finally decided to let you play as a woman), and I was curious how the pregnancy dynamic was going to work because historically, in the game, when your wife gets pregnant, she goes on an 18-year maternity leave until your kid is grown, and I was like, well I'm the main character, so what's going to happen?

Am I just not going to be able to work or complete quests while I run around after my kiddo? Surely not. That'd be ludicrous. I wonder how they'll handle this...

Well, they handled it. They handled it by making my husband pregnant.

My beloved lumberjack husband, Teodoryk, is with child and very happy about it.

This game went from "you can't play as a woman because it's historically inaccurate" to "we're not going to fix the ridiculous game dynamic of an 18-year maternity leave, but we will make it so you can get your husband pregnant instead."

Incredible. Fully headcanoning this as a t4t marriage in 11th century Poland. I can't wait to meet our beautiful child. I will, however, be hiring a new lumberjack because I am not cutting down trees for the next 18 years. Fuck that. I've got wolves to fist-fight in the woods.

[bmpmp3]

and you will listen to my halfway unmixed vocal synth covers. you will. my final message (dies in your arms)

all the virvox guys in voicevox humming! yume no tobira piano ver vsqx by leah ocarina and the instrumental is by 友紀!