#solo asws

[slutty-yoda]

Sexiest Human Bracket: Spin-off edition R1

[corroded-hellfire]

Okay. I absolute love ASW serie. And i have a request about the boy’s holiday concert and knowing what Eddie thinking when she arrived. 🥰

I love see you in my notifications. You’re the best 🫶

Ooh I’ve been so excited for this one! Been chomping at the bit for it to be Christmas time so @munson-blurbs and I could write it lol. Eddie’s mentioned before how pivotal of a moment this was in regards to how he feels about reader, so I’m very glad and thankful you requested this. I hope you enjoy ❤️

Words: 4.5k

[As You Wish masterlist]

4:56. In four minutes, Eddie is supposed to take Ryan to school. The concert doesn’t start until 6, but kids have to be there early to warm up. He’s not quite sure how much a vocal warm-up will help second graders harmonize, but he’s not about to be the parent whose kid shows up late. 

His wife apparently does not share that same concern. 

4:57. 

Brittany was supposed to be home to watch Luke; Eddie knows better than to drag him along any earlier than he has to. Ryan is nervous enough about his solo, and he certainly doesn’t need his little brother incessantly asking questions that will only fuel his anxiety. 

4:58. 

“Daddy?” Ryan comes down the hall with you following close behind. “Can you tie my tie?”

Eddie nods, tongue poking from between his lips as he kneels down and fixes his son’s tie. It’s still a bit crooked—there are minimal opportunities for him to wear one as a mechanic, and even fewer now that he and Brittany rarely go on dates—but it will have to suffice. 

Tears gather in your eyes as you look at Ryan’s outfit, the red tie completing his white button-down, black slacks, and shiny shoes. “You’re so grown up!”

4:59. 

You catch Eddie glancing worriedly at the clock. He’s changed out of his coveralls and wears a maroon button-down shirt, cuffed at the elbows, and pants that match Ryan’s. He’s absolutely delicious; the thought of being the one to unbutton him has sweat prickling under your arms. 

“Ry, why don’t you go and get your brother?” Eddie says as gently as he can. Vaguely aware of the tension growing within his father, Ryan nods and heads off to do as he’s told.

As soon as the boy is out of earshot, Eddie mumbles, “shit” under his breath, and rubs his hand across his forehead. 

“He has to be there by—” you start to ask but are cut off by Eddie’s exasperated sigh.

“Yes, we need to leave. Now.” Eddie takes a deep breath and his eyes trail over to you. “Oh shit, I’m sorry, I didn’t mean to jump down your throat like that.”

“Hey, no, it’s okay,” you assure him with a shake of your head. “I completely get it. Brittany’s late, you need to get going, it’s stressful.”

“Yeah, Brittany’s late,” he murmurs more to himself before addressing you. “There’s no reason for me to take anything out on you, you’ve been nothing but wonderful.” His words send a pleasant tingle down your spine. As he takes a step closer, you look up at him beneath your eyelashes. “I’m sorry I snapped, sweetheart.”

“Really, Eddie, it’s okay.” Your hand comes up to rest on his shoulder, trying to emphasize your point. All it does though is leave both of you on pins and needles at the touch. “Why don’t you go ahead and take Ryan?” you offer, reluctantly bringing your hand down. “I’ll bring Luke by for the start of the show. This way you don’t have to try to wrangle the little monkey while you’re getting Ryan where he needs to be.”

Eddie’s brow furrows together and he eyes you warily. “A-Are you sure? Because I don’t have a problem taking on both of them. I’ll use a spare tie as a leash for Luke if I have to.”

You can’t help but giggle at the mental image that conjures. Luke would manage to get a foot or so away and Eddie would reel him back in like a catfish. 

“I don’t mind. Really. Cross my heart and all.”

Eddie takes another moment to consider it and concedes as he nods his head. “That would be really helpful. Thank you.”

“You don’t have to thank me,” you say with a dismissive wave. “I enjoy the talks Luke and I have when we hang out. I always end up learning something new.”

“Oh yeah,” Eddie agrees with a breathy chuckle. “Has he told you that one milliliter of ocean water can contain about 10 million viruses? I got that one at dinner the other night.”

“He has,” you say with a soft giggle. “And yet, he still says going to the beach is what he always wishes for when he throws a coin in the fountain at the mall.”

“Are we going?” Luke’s booming voice precedes both boys as they come into the room. The younger Munson brother looks more annoyed than anything. He probably knows he’ll have to stand around and do nothing before he is forced to sit in an uncomfortable seat and made to listen to his schoolmates unwittingly butcher Christmas Carols. 

“Nope, you’re coming with me,” you tell Luke, poking him on the top of his head as he walks by. “Daddy’s taking Ryan to school now and I’m gonna take you for the show.”

“Oh, good,” Luke says with a sigh of relief. Even Ryan looks a bit relieved; he knows it’s hard to corral his little brother. 

Eddie’s also noticeably calmer as he prepares himself to leave the house. He pats his pockets, and the jingling of keys lets him know he’s got them. Another pat to his back pocket confirms he’s got his wallet as well.

“All right,” he says, looking to Ryan. “You got everything? We ready to go?”

“Uh, I think so,” Ryan says. He looks down at the secured tie around his neck and can’t come up with anything else he might need. 

“Then let’s hit the road. We’ll see you guys later,” Eddie says, nodding at you and Luke.

“Bye, Daddy! Remember, don’t drive on black ice!”

Luke’s warning makes you giggle to yourself as you wave Eddie and Ryan out the door. Once the sound of Eddie’s truck has faded out of the driveway and down the road, Luke turns to you and places his hands on his little hips.

“What’re we gonna do?” he asks. 

“Hmm.” You pretend to ponder over his question as you walk to the other side of the room and pick up your purse. “What about, we go up and get your nice clothes for the concert and put them in your Scooby Doo backpack.”

“Why?” Luke asks, wrinkling up his nose. The small boy has a lot of adorable quirks, but you’re pretty sure that one’s your favorite.

“Well, I was thinking,” you say with a shrug. “Nothing goes better with a Christmas concert than some cookies and hot cocoa. I thought you and I could go grab some at the cafe near my apartment. And I know you, you’ll end up wearing half the snack, so it’s better we don’t get you into those nicer clothes until you have to.”

Luke’s big blue eyes light up at the idea of the sugary confections. His head nods so quickly that, with his small shoulders, he looks like a Munson Bobblehead. 

“Good idea!” he calls behind him as he races towards his room, nearly tripping over his own feet. “I’m okay!”

The auditorium buzzes with excitement as you and Luke make your way down the aisle. Eddie sits in the front row, easily spotted by the mess of curls tucked into a low ponytail. His brown eyes nearly pop out of their sockets when he sees you. 

“Oh, wow—I mean, you made it!” Eddie can’t help but gaze at the way your green velvet dress hugs you in all the right places. It’s flattering without even teetering on inappropriate for an elementary school concert. He recovers awkwardly but quickly, reflexively pulling at his collar to give himself more room to breathe. “Here, um, you guys take a seat…”

Luke bounds over to his dad, plopping into the chair between the two of you. Better off, Eddie thinks wryly, before I do something I really shouldn’t. He glances over at the handmade Naughty and Nice list propped up on the stage; if anyone could read his thoughts right now, he knows exactly where his name would be written. 

“Daddy, I had hot cocoa and cookies! And the cookies had chocolate chunks in them. Not chips—chunks,” Luke clarifies, underscoring the importance of differentiating between the two. 

You shrug guiltily. “Sorry, I needed a way to get him out of the house on time,” you explain. 

Eddie laughs, ruffling Luke’s hair before turning to you. “Didn’t anyone teach you not to negotiate with terrorists?” But above Luke’s line of vision, he mouths thank you, the inaudible movement of his lips sending sparks to your lower belly. 

Someone slides into the seat next to Eddie; you expect him to say that it’s taken, but he barely notices. Neither does Luke, and that’s what breaks your heart. Both he and Ryan are so accustomed to their mom missing important events that they no longer bat an eye. 

The lights in the auditorium dim and the audience breaks into polite applause as the spotlights click on and teachers usher their small students to where they’re supposed to stand. You have no doubt this is part of what they practiced with the children being here so early, but there’s a handful of kids who still don’t seem to have a clue of what they’re doing. 

Ryan is easy to pick out of the crowd. He’s one of the taller boys in his class so he stands up on the back rafter, a spotlight hitting his hair just so to make it look like a honey brown waterfall. Quickly, he catches sight of you as well and waves to you, his father, and brother as the rest of the kids are reaching their intended destinations on stage. Both you and Eddie acknowledge Ryan with small waves, but Luke whips his arm up in the air and waves it back and forth like he’s trying to signal a helicopter where to land. 

Feedback crackles over the microphone on center stage as a teacher steps up to it. She clears her throat and shields her bespectacled eyes from the bright lights aimed her way. She taps once, twice on the microphone before she leans in to speak, short blonde curls falling in her face.

“Thank you, everyone, for joining us this evening for Hawkins Elementary School’s Festive Fun Holiday Concert.” There’s a small smattering of applause before she continues. “I am Mrs. Pierce. My class, along with the classes of Mrs. Lopez and Mr. Abrams, have been practicing very hard to bring you all a Christmas treat this evening.”

Luke has already tuned out the talking, his head on a swivel to take in all aspects of the small auditorium. He looks from the speakers to the light fixtures adorned with green garland, back to the kids on stage, then down the rows of the audience to see who all is there. You gently take his littler hand in yours and give it a soft squeeze. Just to ground him back in this moment from wherever his mind wandered off to. He smiles when you shoot him a wink and, now that the teachers are done talking, finds it easier to zone back into the show. 

Tinny music begins to play over the speakers stationed around the space and it takes you a moment to place the song as Let it Snow. The initial singing by the children is jarring, but not nearly as off-key as you were expecting. Some of the songs are a bit rough, but some are surprisingly pleasant as well. 

As the music transitions to the next song, you see Ryan take a step down from his rafter and make his way towards the front of the stage. He goes to one of the two microphones low enough for the children to access and waits. Rudolph the Red-Nosed Reindeer starts with all the children, but by the look of how nervous Ryan is, you’d wager that he has a solo coming up. His small fingers twist against one another as he does his best not to look out into the crowd. Though he’s naturally a shy boy, you can tell there’s some stage fright in there as well. It’s evident that his part is fast approaching when you see his little chest swell with breath, then release it slowly. Grinning from ear to ear, you watch as Ryan takes half a step closer to the microphone and opens his mouth.

“Then one foggy Christmas Eve, Santa came to say,

‘Rudolph with your nose so bright, won’t you guide my sleigh tonight?’”

A look of relief washes over Ryan’s face, but you can also see a bit of pride in the way that he smiles. And he should be proud! His small solo was excellent, and you can’t wait to dote on him over it later. 

You glance over at Eddie; his grin stretches across his face so widely that you wouldn’t be shocked if his cheeks hurt. He catches you looking and turns his head slightly, one eye winking as if to say, thanks for being here for my kid. Thanks for being here with me. 

And maybe it’s the way you giggle, or the way you make sure Luke is comfortable before easing back into your seat, or the way you cheer for Ryan like you’re at a stadium concert, but something shifts within Eddie. He’s always found you beautiful; tonight, you were downright stunning in that dress. It was the oldest cliché in the book: dad crushing on the hot, young babysitter. That’s how he’d managed to brush it off all this time. He was a man with needs, you were an attractive woman. Simple biology. 

What he’s feeling now is anything but straightforward. He doesn’t just want to sleep with you; no, he wants you by his side at every school function, every birthday party, every moment of his life, big or small. And not as the babysitter; as his girl. 

No, this is not a crush, and it’s not a cliché. It’s love. 

After the concert, both you and Eddie are excited to greet Ryan and gush over how well he did. The unspoken fear that you both have though, is that the seven-year-old will be heartbroken when he finds out that his mother didn’t attend the performance. While Luke fidgets where you wait outside of the auditorium for his brother, you and Eddie trade nervous glances as the kids start coming out.

“Where is he?” Luke bemoans after the third student comes out and it isn’t the one he wants. 

Ryan comes barreling out of the red double doors, laughing with a group of his friends. The moment he spots you and his family, he waves goodbye to the other kids and dashes over to you. 

Out of the corner of your eye, you can see Eddie holding his breath, waiting on pins and needles to hear what the first thing out of his oldest son’s mouth will be.

“I did it!” Ryan cheers.

Eddie sags in relief and even you feel unburdened of a weight you weren’t aware you were holding. The smile on Ryan’s face is pure glee and he’s practically jumping up and down on the spot.

“I’m so proud of you!” Eddie tells him, throwing one arm around the boy’s shoulders and ruffling his hair with the other. “You were the best one up there.”

Ryan’s cheeks turn pink at his father’s praise. Of course, you just pile on top of it, relishing in the way he gets embarrassed and overjoyed at the same time. 

“My little George Michael!” you say as you pull Ryan in for a hug. His nose wrinkles up at your comparison but the smile on his face only grows.

Luke looks up at his big brother. “Y’know, I always thought it was froggy Christmas Eve.”

Despite his better judgment, Eddie asks, “bud…why would Christmas Eve be froggy?”

“I dunno,” Luke shrugs, “maybe Santa was delivering a lot of frogs. Or the reindeer got tired, so he had frogs pull his sleigh. Or—”

Eddie puts his hands on Luke’s shoulders and laughs. “All right, Frog Boy. What do you say we get home and celebrate Ryan’s rockstar moment?”

Everyone agrees to that, the four of you walking through the double doors and into the parking lot. Ryan takes Eddie’s hand, and Luke takes yours. 

“Where’d you park?” Eddie asks you, and you realize he wants to escort you to your car. Heat creeps up your neck at his small act of chivalry. Part of you suspects that if you shivered, he’d offer his jacket. 

Maybe if you were more courageous, you’d test that theory. 

“Oh, um, over there.” You point towards your car, leading the way. You can feel Eddie’s eyes on you; protectiveness with a hint of possession. It’s lust with something you can’t quite put your finger on. 

You dig your keys out of your bag, smiling triumphantly when you find them quickly. “I’ll see you boys tomorrow?” You laugh kindly, ruffling Ryan’s hair. “I’m so proud of you, Ry. You’re brave and talented.”

A blush settles into Ryan’s cheeks. “Thanks. Um, I’m glad you got to hear me sing. You’re the best.”

“Me, too,” Eddie chimes in, clearing his throat. “I mean, I’m glad you got to hear him sing, too. Not that I think you’re the best. Not that you’re not the best, because the kids love you, and you, um—”

“Hey, look what I found!” 

Eddie has never been more grateful for one of Luke’s interruptions. “What is it?”

“Mistletoe!” The little boy holds something that is certainly not mistletoe above his head. “See?”

Ryan scoffs. “That’s a leaf.”

“And a very dead one at that,” Eddie muses, plucking the stem from Luke’s fingers. 

A pout puckers Luke’s lips. “You gotta use your imagination!” he insists, taking the pseudo-mistletoe and jumping up and down between you and Eddie. “Now…you…gotta…kiss!”

“No, we don’t,” you and Eddie blurt out in unison. 

“Yes, you do,” Luke indignantly sighs. “It’s the law.”

Before he can wimp out, Eddie swoops in and presses a chaste kiss to your cheek. Your skin tingles where his lips brushed against it, and you’re left speechless. 

Luke, however, remains unimpressed. “That wasn’t a real kiss!”

“Yeah, well, that’s not real mistletoe,” Eddie retorts, trying to compose himself. “C’mon, let’s get home. It’s past your bedtime.”

Eddie was hoping that the ride home would help lull the boys to sleep like it used to when they were babies. Ryan still has adrenaline going through him from the concert though, and Luke is feeding off of that energy.

They’re both talking a mile a minute and neither one of them quiet, but Eddie doesn’t hear a word they say because his mind is so focused on you. You offering to bring Luke to the school later when he had to bring Ryan. You in that curve-hugging dress. You showing up for Ryan when his own mother didn’t. You, with the softest skin when his lips brushed your cheek. 

Realizing that he’s in love with you should make Eddie feel worse than it does. The guilt that’s gnawing at his stomach is somewhat abated by the fact that Brittany’s been screwing a litany of men for years. Does it make it worse or better that she probably had no feelings for any of those men? He’s not sure it’s possible for her to truly love anyone besides herself.

Eddie can’t help the smile on his face as he thinks about his feelings for you, though. The way you make him happy is something that he hasn’t experienced in years—if Brittany ever truly made him this happy at all. Everything about you brings joy to Eddie. Well, other than when he thinks of how much younger you are and how you’re surrounded by college age guys who must be tripping over themselves to go out with you. That provides him with a sickening feeling that leaves him dizzy. It’s much easier to focus on the fantasy of being with you, not the reality of where or who you might be headed home to tonight. 

When Eddie pulls into the driveway, the boys are decidedly less quiet, though they’re still chatting away. Brittany’s car is parked there as well, sitting idly next to where Eddie’s truck now is. Eddie wordlessly gets out of the car and lets the boys keep talking about whatever it is they’re talking about as he walks with them up to the front door, the light dusting of snow floating down kissing their cheeks and noses. 

“It’s late, I want you boys to head to your rooms and put your pajamas on, okay?” Eddie says as he unlocks the door. Both boys agree—begrudgingly, on Luke’s part. 

Brittany isn’t in sight when they first step into the house, which has Eddie breathing a sigh of relief. He really shouldn’t be feeling that way about seeing his own wife, should he? Oh well, that ship sailed a long time ago.

The boys head down the hall and as Ryan passes the kitchen, he skids to a halt and does a double take. 

“Hi, Mom!” he says with an enthusiastic wave. Eddie’s prepared for his oldest to launch into the story of how great the concert was and how much fun he had, but he just continues down the hall towards his room. Luke didn’t even stop to greet his mother. 

Eddie drops his keys in the bowl by the door and shrugs out of his leather jacket. It’s slightly wet to the touch from the flurries that landed on him between the truck and the house.

If Brittany had just missed an event of his, Eddie wouldn’t give two shits or make a big deal of it. But this was Ryan’s big night, something that she should have wanted to and made sure to attend. Now Eddie feels the need to make a stink about it.

He wanders into the kitchen and slips his hands into the pockets of his jeans. As soon as he steps inside, he sees Brittany leaning against the counter with a glass of water in her hand, absolutely glaring at him. The look takes him aback. Why in the hell is he getting that look? She’s the one who has to explain herself. 

“I can’t believe you,” Brittany says, further shocking her husband. 

“I…what?” Eddie asks. He almost feels too dumbfounded to speak. It quickly crosses his mind that maybe she somehow figured out the epiphany he had about his feelings for you tonight, but if Brittany could read minds things would have gone downhill a lot sooner in their marriage than this. 

“You left without me. You couldn’t even wait until I got home?” Brittany slams the glass of water down on the counter and takes a step towards him. 

Eddie quickly checks to make sure the boys haven’t stepped in behind him before he raises his eyebrows and lowers his voice.

“Are you fucking kidding me? I did wait, Britt. I waited until the last goddamn minute. But Ryan had to get to the school, and I wasn’t about to make him late just because you couldn’t be bothered to be home on time.”

The sneer Brittany gives him could curdle milk. 

“So now my son is going to think that I don’t care because I didn’t go tonight,” she seethes.

Eddie toys with the idea of telling her that he didn’t seem to care one iota that she wasn’t there, but he doesn’t want Ryan to catch even a smidgen of her wrath. 

“You have a car. You know where the damn school is. Why didn’t you get your ass over there when you got home?”

“That isn’t the point!” she snaps. Eddie now knows that this argument has moved from rational and logic, to whatever bullshit straws Brittany can grasp at. 

“Okay,” Eddie says, knowing full well he’s already fighting a losing battle. “What is the point?” He crosses his arms over his chest and Brittany mirrors the action, as if annoyed she didn’t think of taking up the offended posture first. 

“That you didn’t wait for me. Your wife. I had to come home probably five minutes after you left!”

“And I told you why we left when we did. I also provided you with what you could have alternatively done, but that would mean admitting that you’re wrong and God forbid you do that.” Brittany opens her mouth, but Eddie shakes his head and cuts her off before she can say anything. “Fucking forget it. It’s late, I’m tired, I’m going to bed.”

Eddie goes to turn down the hallway towards the master bedroom when he realizes he never took off his boots. He stalks back to the front door and kicks them off, using the wall for balance. When his eyes flit back up from his feet, they catch sight of his jacket—and Brittany’s next to it. He narrows his eyes as he looks at them side by side. His is still wet from the melted snow coating it, but Brittany’s is wet as well. It’s not just the side where his jacket is brushing up against it, either. Eddie reaches for the arm of the jacket on the opposite side and feels that it’s just as wet as his own. If Brittany had really come home just after they’d left, there’s no way it would still be wet.

Dropping the jacket sleeve and letting out a huff of unamused laughter, Eddie shakes his head in disbelief. He shouldn’t be surprised, really. Brittany is no stranger to lying. She probably got home about five minutes before they did, but in typical Brittany fashion, had to spin everything so she’s the victim even when she’s the one in the wrong. 

“Jesus Christ,” Eddie mumbles to himself. He rubs at his eyes as he walks back down the hallway. He’s way too tired to deal with any of this bullshit. 

It doesn’t matter, he tells himself. I’ll just get ready for bed and then I can lay down and think about the woman who actually shows up for me and my boys—and try to imagine she doesn’t do it purely out of the goodness of her heart, and that she enjoys spending time with me as much as I do her.

He can hear Brittany talking on the kitchen phone, prattling on to her friend about how her awful husband cruelly abandoned her at their son’s holiday concert. Looking over at the empty half of the bed, he pictures you sleeping there. His arms would wrap around you as you whisper about how proud you are of Ryan or relay a funny tidbit from Luke. Eddie would kiss your forehead as you drift off to sleep, reveling in your beauty even as you slumber.  His own eyelids soon grow heavy with the day’s physical and emotional exhaustion. Before he falls asleep, he manages to eke out a wish to dream of you tonight. 

[iamsihan]

OCEAN RIFT

Ocean Rift es el primer parque de safari acuático VR del mundo. Explora un vívido mundo submarino lleno de vida que incluye delfines, tiburones, orcas, tortugas, serpientes marinas, rayas, manatíes, leones marinos, ballenas e incluso dinosaurios.*

Ocean Rift presenta 12 hábitats listos para explorar. Los entornos van desde los arrecifes de coral, los manglares y los naufragios hasta las profundidades del mar, el Ártico y la Atlántida.

Activa el modo educativo para aprender más sobre los animales con los que te cruzas. Hay más de 40 puntos de información completamente narrados para encontrar.

Los animales estrella de Ocean Rift se animan mediante un sistema de animación procedimental avanzado. Su objetivo es producir un comportamiento similar a la vida real y mostrar parte del rango de movimiento y destreza que muestran los equivalentes de la vida real. Los delfines, por ejemplo, girarán, girarán y nadarán a través de aros en una infinita variedad de formas, ¡lo que garantiza que no habrá dos visitas iguales a Ocean Rift !

OBJETIVOS

Identificar cual es la necesidad que posee las Ocean Rift con respecto a los videojuegos existentes, para así determinar si es suficiente lo que ya existe para demostrar toda la capacidad de estas gafas.

Objetivos Específicos

Investigar cuales son los videojuegos que más se aproximan a lo que se pretende con las gafas

Esclarecer si es necesario crear un videojuego especifica y únicamente para Ocean Rift

Determinar si es necesario que se cree una consola para demostrar el potencial gráfico de las gafas

En qué condiciona Ocean los videojuegos existente y compatibles con estas?

Reseña Histórica

A la venta en España: 13/9/2017

Ocean Rift es un juego de simulación para la realidad virtual que nos ofrecerá la experiencia de vivir en un parque acuático en el que habitarán delfines, tiburones, orcas, tortugas y otras especies, como rayas, leones marinos e incluso reptiles marinos prehistóricos. El videojuego incluye varias hábitats y un sistema de animación y texturizado en 3D que imitará de forma realista el movimiento de estas criaturas.

Conclusión

MODO DE JUEGO: INDIVIDUAL

JUGADORES: 1

GÉNERO: EXPLORACIÓN

EDAD RECOMENDADA: DESDE 8 AÑOS

DIFICULTAD: FÁCIL

IDIOMA: INGLÉS

Las profundidades del oceano quedan expuestas ante nosotros.

Con algunos gráficos y animaciones realmente asombrosos, esta aplicación es muy cercana al buceo en el mundo real.

La versión demo te permite nadar con delfines, tiburones, tortugas ,entre otros.

¿Como colocarse el Rift?

Colocarse mal el Rift afecta como es lógico a la comodidad del mismo y también puede afectar a la calidad de imagen y a incremetar el glare.

¿Qué pasa si me mareo con los lentes de realidad virtual?

1 - En Ocean Home en 'Library' o en 'Games', selecciona 'Most Confortable', te ordenará las aplicaciones/juegos de mas confortables a menos confortables. Tienes un montón de aplicaciones/juegos/demos muy buen@s confortables tanto gratuitos como de pago (Robo Recall, Dead & Buried, UnSpoken, First Contact, Herobound, SuperhotVr, Landfall, etc, ...). Si eres sensible al mareo durante los primeros días solo utiliza esos juegos.

2 - NO GIRES CON EL STICK, GIRA FISICAMENTE/CON TU CUERPO. Si juegas a un FPS JUEGA DE PIE y cuando tengas que girar no gires con el mando gira con tu cuerpo. El stick derecho del mando de la xbox (el de giro) NO LO DEBES UTILIZAR SI ERES SENSIBLE AL MAREO (Lo mismo se aplica para el Stick del Touch Derecho).

3 - Asegurate que no bajen las fps de 90 o de 45 si se ha activado el ASW. Si tu equipo no va bien o tienes la cofiguración gráfica elevada y no consigues los 90 estables debes bajarla. Para evitar mareos y tener una buena experiencia debes tener 90fps o 45fps solidos como una roca. Puedes ver los fps con la aplicación Ocean debug tool seleccionando 'Visible HUD' Enabled. La Ocean Debug Tool se encuentra en C:\Program Files\Ocean\Support\ocean-diagnostics

4 - Colotate bien el Rift. Ver el primer punto.

Autor : Sihan Torres

[loopy777]

So from a comercial perspective, do you think either of the two "likely"(it would not shock me if the Rey movie geta canned down the road like so many other SW projects) star wars movies are likely to be successes?

No doubt the sequel to rise of skywalker is Dead on arrival, but I think the mandalorian movie might be able to.

Honestly i was shocked when Ahsoka(which i wasn't a particular big fan of) wasn't a smash hit with viewers just looking at the numbers. I guess apathy really has set in at this point.

But what do you, a guy who actually likes disney star wars think? Can the mandalorian movie beat the overall apathy, or will it be a bomb?

Well, let's all note that I'm terrible at predicting commercial success. I wouldn't have expected that keeping Tobey Maguire and Andrew Garfield out of the advertising would have resulted in the highest grossing Spider-Man movie of all time.

But I think both of these Star Wars movies have the chance of succeeding.

However, I think the Rey movie is a big gamble. The character and actress were well-received initially, and I honestly don't have a solid idea of how much of a failure 'Rise of Skywalker' was as far as general audiences go. Yeah, it didn't make the money that was expected of it and less than the previous sequel movies, but it still was an overall success financially. And the prequels demonstrated the phenomenon where the movies are accepted blindly by kids who grow up to tout them as artistic tour de forces. By the time this movie comes out, the 12-year-olds who ate up the loudness of RoS might be college students looking to reclaim something from their childhood.

On the other hand, RoS has become the face of Disney's hubris (even though 'Solo: ASWS' is more emblematic of the bland, sloppily written stuff we're getting these days and it came out first) and the cultural narrative around it casts it as an inarguable disaster. (I agree with that narrative, as a reminder. I think it's one of the worst movies I've ever seen.) And even before it's come out, this new Rey movie is landing in the crosshairs of the bigot-fueled culture wars stuff that's dominating youtube and utterly exhausting the sane half of the fandom. It's possible most people who might otherwise be enthusiastic will just not want to think about the movie with that kind of cloud around it.

So there's potential there for great gain, but also potential for great loss. Perhaps it will average out, a middling success that no one talks about afterward, the Star Wars equivalent of Ant-Man 2.

But there's no doubt in my mind that the Mando movie is going to be a big hit unless something goes very wrong (although I doubt that Grogu's name will still be in the final version of the title). People love Baby Yoda. They always have and they always will. It doesn't matter that Mando Season 3 got a mixed reaction; the main dynamic of the title characters is still beloved, the series provides a perfect formula for a blockbuster movie (specifically: pick a Kurosawa movie and remake it in space -- my vote is for 'Yojimbo'/'A Fistful of Dollars,' but 'The Hidden Fortress' would be a hilarious pick), and Pedro Pascal is currently pretty popular. This movie is as close to a guaranteed hit as is possible in movie-making.

My overall perspective is that people aren't tired of or apathetic to Star Wars. They're just bored of the typical Disney+ formula of a weakly-scripted miniseries that requires 200 hours of TV-watching homework in order to understand it and is mainly relying on a mix of nostalgia and good-for-TV special effects to sell itself. That reaction is hitting Marvel as well- and entertainment in general, given the performance of the entire movie industry this year. The initial success of 'The Mandalorian' is proof of that: when it was an episodic Space Western with a cute sidekick, people loved it, but when it tried to do real narrative stuff and positioned itself as a partial sequel to Clone Wars and Rebels, people cooled on it. And its big successful start was amidst both Solo and RoS underwhelming, so it bucked that trend very easily.

Basically, I see people proving themselves as discerning. They have their tastes and peculiarities, but it's becoming less and less about the brand. Even good actor performances aren't enough to save them if the actor has nothing solid to do.

I just wish I knew what brought this on!

Because 'Spider-Man: No Way Home' is a weakly-scripted mess of a movie that coasts on brand-recognition and gives great actors nothing much to do besides play the hits. And people loved that!

Basically, I might just know nothing.

It would be nice if these movies are good, though.

[jaeyunverse]

OMG i was literally thinking the same thing!! i was like bro is it just me or have i like not seen mark for the past 2 min of the mv💀💀💀

BUT AOUEFHOEF jeno singing was something i never knew i needed in my life i swear😩😩😩

always the boys slayed, the song slaps and i can rest in peace🫡

LMFAOJSJD RIGHT I DONT THINK HE HAD MANY SOLO SHOTS i watched the mv again yesterday and i saw mark in one of the shots where the members dance in the telephone booths but every shot was barely a second long so it makes sense that i didn’t see him the first time and only noticed when i actively searched for him 😵‍💫

OHMYGOD SO TRUE!!!! 😩 him starting the song asw made me 💖💖💖💖 AGREED! the song has been on loop since yesterday i literally cannot and WILL NOT get over it! broken melodies might even end up being one of my fav releases by them 🫶

[brazenautomaton]

I am extremely curious how you think a modern Sailor Moon AAA game would work. There've been a number of 16 bit era Sailor Moon fighting games (which always seemed kind of weird), and there's Sailor Moon Another Story, which is a JRPG which is good IMO but the gameplay isn't so great due to balance issues and overpowered / underpowered mechanics.

I know right, it's a good thing Another Story was so charming because that thing was a grind and a half, especially when the Inners all split up and you played each of them solo

you point out the Sailor Moon fighting games, and you're right that they're weird, because there aren't any villains and/or monsters in them. (though the Sailor Moon S fighting game was developed by Arc System Works and has been played at EVO.) probably because, you had to have all nine (at the time) Senshi playable, and the budget didn't let you make any more characters after that. but like come on put the Death Busters in. In theory ASW could make another one -- fuck they put RWBY in Cross Tag Battle -- but odds aren't good

but in addition to the fighting games, Another Story, puzzle games, and apparently in 2011 there was an Italy-exclusive DS platformer, there were beat 'em up sidescrollers

you know what the modern version of that genre is?

you're god damn right it's the Devil May Cry / Bayonetta / Ninja Gaiden / God of War character action game

I would say to take a little inspiration from Honkai Impact and make it so that characters don't swap weapons, each character only has the one moveset and you swap between them mid-combo and you have a "team" of three characters instead of a loadout of three weapons. due to the nature of how the characters attack, there would be more of a focus on ranged combat, but I don't mean "DMC2" I mean " a bunch of magic attacks that can be comboed but only go like ten feet out." I would imagine it would have "light attack - heavy attack" combos like Bayo or GoW but you'd have "light magic attack," "heavy magic attack," and then "melee combos" are just one other button. probably with exceptions for Saturn, Venus, and Uranus.

because the characters are different weapons and to get across the feeling of teamwork there would be like a debuff system or something like the biotic combos in Mass Effect, where one Senshi sets up another Senshi to do something even cooler. Sailor Mercury's attacks don't damage a wide area, but they stack up frost on the target and everything nearby, which slows them down and gives them longer hitstun. Sailor Jupiter puts out lightning storms that persist for a while, allowing you to swap to someone else and layer another attack on it. like DMC you have bosses go into a vulnerable state after taking too much damage, but there's more of a focus on "okay if I do this and this I can stagger them faster"

also to represent the show and the way Sailor Moon always got the kill-shot, her heavy magic attack is basically Nero's Buster: a very long, very flashy, very interruptible attack animation that only works on enemies who are in a vulnerable state and does ungodly amounts of damage

even if it wasn't a triple A game and it was more like Transformers Devastation and you only had the Inners this would be cool as hell

[comunidadarcsystemworks]

Análisis DNF Duel

Desde que abrí la cuenta de Comunidad Arc System Works, muchas cosas han cambiado. De aquellas, ASW solo había lanzado un par de juegos en colaboración para otras compañías, como puede ser el caso del Persona 4 Arena como caso más reciente hasta que abrí la cuenta. Sin embargo, en el momento en que abrí la cuenta nos encontramos con juegos como Dragon Ball FighterZ, Kill La Kill IF y Granblue Fantasy Versus. A pesar de todo, este no es el caso del juego que nos ocupa, que a pesar de tener el sello de Arc System Works y habiendo estos participado en el desarrollo, el mérito se lo lleva 8ing, quienes fueron principalmente los encargados del resultado que vemos a día de hoy con el juego que nos ocupa, DNF Duel, basado en la licencia de DNF Online de Neople.

Pero centrémonos en lo que seguramente os interese a la mayoría, el gameplay. En este caso y como ya he dicho, la jugabilidad corre a cargo de 8ing (no me cansaré de repetirlo) y en este juego no nos encontraremos con Air Dashes o Dobles saltos (a excepción de la Kunoichi) como en Blazblue o Guilty Gear, por poner algunos ejemplos.

Para empezar, el juego cuenta con cuatro botones de ataque que básicamente se podrían resumir en ataque flojo, medio, fuerte y especial. Este último consume barra de especial (la cual se recarga con el tiempo), con ella cada personaje puede desencadenar diferentes tipos de técnicas, por ejemplo Ghostblade puede invocar a un aliado fantasma para realizar diferentes secuencias de espadazos contra el rival, la Kunoichi puede realizar diferentes jutsus al estilo Naruto, desde invocar una rana a hacer el “katon goukakyuu no jutsu”, pudiendo cargar cada uno de estos jutsus según cuanto tiempo mantengamos pulsado el botón, o bien tendremos a la Enchantress para hacer ataques junto a su oso de peluche.

Además, los ataques están divididos en dos tipos, los que transforman la barra de vida del oponente del color estándar al blanco, o bien el que marca la barra de vida con un color rojo en lugar de blanco. El objetivo será acabar un combo con estos últimos, ya que la barra blanca podrá ser recuperada por el rival si te presiona a golpes o solamente con esperar.

Para aquellos que vengáis de Granblue Fantasy Versus, también tendremos guardia a botón y la opción de esquivar hacia al frente, lo cual nos vendrá genial si por ejemplo la Kunoichi nos tira un tornado de fuego desde la distancia, podremos rodar hacia el frente ya que seremos invulnerables durante ese momento (sin embargo podremos hacer uso de esto para muchas otras situaciones)

Cabe destacar que en este juego, si que hay chip damage o daño por chipeo. Para aquellos que no estéis familiarizados con este término, esto quiere decir que recibirás una cantidad de daño determinada por los ataques del oponente a pesar de que te estés cubriendo. Por eso mismo, también es posible escapar de la presión del rival gastando 50MP, por poner otro ejemplo, imaginad que la inquisidora (Inquisitor) nos tiene en esquina y nos tira “la rueda”. Aquí hay dos opciones, aguantar el chaparrón mientras lidiamos con la presión de la inquisidora y los propios golpes de la rueda mientras vemos la cantidad de daño por chipeo que estamos recibiendo, o bien, gastar 50MP para quitárnosla de encima (y la rueda explotará también al hacerlo)

En este juego también será posible además romper la guardia del rival. Podremos ver cuanto queda hasta que nos rompan la guardia con la barra que está dividida en 5 fragmentos indicada entre el crono y nuestra barra de vida.

Siguiendo con las mecánicas, si nuestra vitalidad cae por debajo de cierta cantidad, podremos llegar a tener hasta 200 puntos de MP y tener acceso a la habilidad final de cada personaje, la cuál además de ser espectacular hace una buena cantidad de daño. Además, cada personaje una vez se cumplan estas circunstancias cuenta con diferentes habilidades pasivas (esto quiere decir que se activan automáticamente) al entrar en el modo "Despertar". Por ejemplo, Ghostblade contará con un aumento de daño,  la Dragon Knight contará con un aumento del MP recuperado o al Grappler le reducen la cantidad de daño “blanco” (ataques que te dejan la barra de vida de color blanco) recibido al cubrirse.

Casi para finalizar, toca hablar de la “conversión”. Cuando hayamos recibido daño blanco, podremos consumir ese fragmento de barra de PV blanco en MP con una combinación de botones. Sin embargo, el efecto cambia si estamos presionando al rival (o en medio de un combo) puesto que, a pesar de consumir la barra blanca, esta vez el efecto será cancelar nuestro ataque para poder seguir presionando al rival (perfecto si cierto movimiento nos deja vendido o mismo para crear combos que no serían posibles normalmente). Podéis pensar en esto último como si fuera un rapid cancel del Blazblue.

Por último, destacaré que cada personaje es muy diferente del anterior, por lo que una plantilla de 16 personajes de inicio me parece un número bastante generoso si lo comparamos con las primeras versiones de otros títulos recientes de Arc System Works. Además los comandos son a botón, por lo que incluso si sois nuevos en el género, no tendréis mucho problema en empezar a hacer vuestros propios combos y a pasarlo bien con vuestro personaje favorito.

MODOS DE JUEGO

DNF Duel cuenta con los clásicos modo versus donde poder jugar contra un amigo o la CPU ajustando diferentes parámetros como el tiempo, escenario o canción.

Un clásico modo arcade en el que enfrentarnos a un enemigo tras otro.

Un modo supervivencia con tres rutas (A, B, C) con 10, 30 y 100 pisos respectivamente. Este modo se diferencia de otros clásicos modo supervivencia en que a cada combate, ganaremos cierta cantidad de puntos en función de como lo hagamos hecho, para luego poder invertir esos puntos en mejorar nuestro ataque, nuestra defensa, recuperar salud u otros al final de cada ronda. Además los rivales también contarán con mejoras del estilo, por lo que cada vez nos será más complicado continuar y debemos pensar bien como invertir esos puntos. En este modo cada vez que superamos 10 pisos quedará registrado para que podamos seguir desde ese punto (pero no con las mejoras que teníamos).

Un modo historia que recuerda mucho a a Blazblue o Granblue Fantasy Versus en su presentación. En él podremos vivir la ruta de cada personaje en una historia que personalmente, a mí no me ha atrapado (también es cierto que no estoy familiarizado con DNF Online). La historia de cada personaje dura alrededor de una hora cada una y al finalizar solo una ruta, ya podremos desbloquear al único personaje desbloqueable que tiene el juego. Si eres organizador de torneos, no, no puedes darle a “saltar” secuencias para ir de un combate de la historia a otro y así ahorrarte varios minutos.

Modo galería: Aquí podremos usar la moneda del juego para desbloquear imágenes, canciones para escuchar en este modo o bien vídeos. Si eres de los que les gusta desbloquear las galerías al 100%, tendrás para un puñado de horas con esta. También podremos escuchar las diferentes líneas de diálogo de cada personaje.

Glosario: Podréis enteraros de los términos particulares del mundo de DNF para no perderos ningún detalle.

Modo entrenamiento: Este modo nos permitirá practicar nuestros combos o practicar diferentes situaciones grabando los movimientos del oponente o ajustando diferentes parámetros clásicos como forzar un counter, hacer que el rival se proteja de todos nuestros golpes etc. Menciono que no incluye la framedata, por lo que si estáis familiarizados con el modo entrenamiento de otros juegos de ASW, no encontraréis nada nuevo bajo el Sol.

Tutorial: en este modo aprenderemos las mecánicas básicas del juego y se incluyen los desafíos de combo, con hasta un total de 8 por cada personaje y cuya dificultad va en ascenso, hasta que el último combo de cada personaje suele ser un combo que hace sobre un 75% o más de daño. Me ha parecido que están bien seleccionados y que a pesar de ser poquitos, el pico de dificultad entre ambos en general me ha parecido bien medido.

Por último, tendremos una serie de retos con cada personaje como realizar antiaéreos o aprender a lidiar con los proyectiles del rival hasta un total de 5 veces.

Online: En el modo online nos encontramos con las míticas Ranked que curiosamente siguen un sistema de Bronce, Plata, Oro etc para calificar el rango de los jugadores en base a sus estadísticas de victorias y derrotas. Por otro lado tenermos las “player match” o partidas con jugadores, que para estas entraremos en un lobby similar al visto en juegos como Dragon Ball FighterZ, Granblue Fantasy Versus, Blazblue Cross Tag Battle o Guilty Gear Rev 2 para enfrentarnos a amigos o desconocidos en salas que hayan creado (o que hayamos creado nosotros mismos).

También podremos invertir la moneda del juego en avatares o diseños de placas de jugador con las que dar un poco de personalización a este apartado.

He de decir que no he tenido ningún problema durante estas partidas, por lo que personalmente puedo decir que en mi experiencia, se nota que han implementado rollback netcode.

Para cerrar este apartado, comentar que también tendréis acceso a las repeticiones de vuestros combates.

SONIDO

Quizá el apartado más decepcionante a nivel personal. Cuando me enteré de que tendríamos un fighting de DNF Duel, me paré a escuchar algunas canciones del juego original y vi que contaba con varios temas bastante interesantes. Sin embargo, aquí solamente contaremos con 8 temas musicales para los combates, uno por cada escenario. Algo extraño cuando normalmente suele haber un tema musical por personaje, o incluso temas específicos para un versus entre dos personajes concretos. Una decisión que no logro entender del todo cuando podrían haber reutilizado canciones del juego base o hacer versiones arregladas para la ocasión. En el punto bueno, decir que los temas que hay sí que sientan de lujo a los combates.

El tema de los menús como el del menú de selección de modos del juego o el de selección de personaje son muy cañeros y me han gustado mucha, además también tenemos temas exclusivos que solo suenan durante el modo historia (lógico ya que no nos van a poner temas rockeros mientras estamos leyendo)

Sea como fuere, más allá de eso, el doblaje (el original) me ha parecido bastante bueno y los efectos de sonido acompañan perfectamente a los combates, así como el sonido al seleccionar los modos de juego del menú principal, todo en ese sentido me tiene coherencia con la estética del juego.

Podéis escuchar los temas musicales en Spotify:

GRÁFICOS

En lo que se refiere al apartado visual, nos encontramos con un estilo similar a Granblue Fantasy Versus, Dragon Ball FighterZ o Guilty Gear Rev 2, con unas animaciones brutales y un estilo cell shading con colores muy vivos que captarán tu atención al primer momento, si habéis jugado a cualquiera de estos tres juegos, ya sabéis qué encontraréis aquí. El diseño de los personajes también es muy característico y único, siendo este seguramente uno de los principales reclamos para todos aquellos que no conocen la IP. Por otro lado, los 8 escenarios que hay son muy diferentes entre sí y su dirección de arte es más que probable que os llame mucho la atención y a pesar de que puedan parecer pocos, son muy variados, desde una taberna, a un volcán pasando por una plaza al aire libre.

Soporte a futuro

Este debería ser un apartado obligatorio de análisis hoy en día en los juegos que viven del online, y ciertamente respecto a DNF Duel, es complicado saber qué decir. No hay anuncios de DLCs o pases de temporada a futuro, y el juego nos ha llegado con textos en inglés (no han hecho ni doblaje al inglés, que es bastante solicitado en Occidente) por lo que desconocemos los planes que tienen más allá de que será un juego del World Tour de Arc System Works. Vista su distribución en Europa también es difícil saber si llegará a tener una buena base de jugadores, pero al menos al tener rollback no debería ser difícil encontrar partidas durante un tiempo.

En definitiva, con Guilty Gear Strive reinando la escena de los anime fighting games y con Street Fighter 6 ya apuntando maneras en un horizonte cercano, es difícil saber donde encajará DNF Duel o si muchos jugadores lo tendrán como opción secundaria. En cualquier caso, el título se ha lanzado a precio reducido y su barrera de entrada es apta para todo tipo de jugadores, por lo que si estás interesado en el título, es una compra más que recomendable.

Nota: 8,2

[nehamanugev]

Remeha quinta 65 bedienungsanleitung samsung

  REMEHA QUINTA 65 BEDIENUNGSANLEITUNG SAMSUNG >> DOWNLOAD LINK vk.cc/c7jKeU

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[kovarejal]

Neff bcr 4522 n bedienungsanleitung yamaha

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[polofecis]

Flughandbuch dg 505-mb

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[stitchybutton]

Therm Scissorpunch! Check out The Stitchy Button on etsy, for your own custom-made bunnies and dolls, dragons, unicorns, and much more! You can get coupons, art, and a cute “Featured Bean” every month by becoming a patreon member!

[slutty-yoda]

Sexiest Human Bracket: Spin-off edition R1

(I know Vos isn't completely human but he's human enough they just drew some lines on his face ffs)

[janiedean]

What did you like best about Solo?

everything ;)

no okay, honestly:

the cinematography - I mean man I was sold the moment I realized corellia had the blade runner aesthetics going on. CORELLIA HAD THE BLADE RUNNER AESTHETIC GOING ON. HOW COOL WAS THAT??? but other than that I just loved how it fit perfectly to everything they meant to do - western in space? the last half was all a conglomerate of good western aesthetic, I was gonna die. the train heist in the snow? EXCELLENT HEIST AESTHETIC. AND THE EMPIRE FIGHTS IN WWI-ERA UNIFORMS? EXCUSE ME I’M HERE DYING. BOTH THE SABACC GAMES ALSO LOOKED LIKE THEY WERE OUT OF A WESTERN. this movie had amazing sets/cinematography okay, I was so happy ;_; and it felt like the OT because it wasn’t extra polished and the CGI wasn’t invasive and I just - visually it was a delight okay?

alden. guys I mean I’ve been saying he could own that role since I saw him in hail caesar and man I loved him. he nailed it so hard I cannot even, he got the mannerism of the character down, he obviously put so much love into it I cannot even and he he gave an amazing performance especially because it was obvious he wasn’t trying at all costs to be harrison ford but at the same time he had studied the mannerisms and everything either and god guys I just - he was everything I could have wanted out of a young han and like han’s my fave SW character I wasn’t gonna settle. but he blew it out of the water and I just hope he goes on to amazing things and that if they do more pre-OT movies that they bring him back because I absolutely want more, all right?

the fact that it was obvious they studied it - like, they did a few things but did them right instead of putting too much meat on the fire as we say here and try to jumble fifteen different things at once the way they did with the prequels

CONTINUITY! I mean, WE SAW THE KESSEL RUN! WE KNOW WHY THE FALCON SPEAKS A PECULIAR DIALECT! WE KNOW LANDO’S ALWAYS MISPRONOUNCED HAN’S NAME! WE KNOW WHERE THE DICE COME FROM! okay I WAS EXCITED ABOUT ALL OF THAT! and none of that was a disappointment!

HAN’S SURNAME BEING SOLO BECAUSE OF *THAT THING* ABOUT BROKE ME IN THE BEST WAYS

everyone else! I mean it was one of those movies where I liked all the other characters and it was obvious everyone was having fun and enjoying being in there - I loved glover as lando, I thought emilia clarke was miles better than she usually is in got and she got a really lovely role (I loved qi’ra okay and I loved how they framed her story with han without making her evil per-se and without having her backstabbing him tbqh it was refreshing), I always like woody harrelson playing criminals on my screen even if it fucked up with my adoption papers hc but eh ;)

HAN SHOT FIRST !!!!!!!

HAN AND CHEWIE GOD IT WAS EVERYTHING I COULD HAVE WANTED OUT OF THE HAN AND CHEWIE FIRST MEETING GUYS HAN ACTUALLY SPEAKS WOOKIE I CANNOT EVEN THEY WERE SO PRECIOUS I WANT ANOTHER FIVE MOVIES OF YOUNG HAN AND CHEWIE BEING PRECIOUS TOGETHER ALL RIGHT???????

the kessel run was honestly a threat to my well-being in all the good senses

the last poker game was as well no guys the second time I saw it I was about to cry in happiness or smth that movie does weird things to me and i’m 100% down with it

it was obviously done with so much love I mean okay obviously the entire thing is a disney cash grab I’m not that bad off to not get it, but it was an extremely lovingly made one and it was obvious everyone involved wanted to make justice of the character and flkgjsdklg I love it when people love han okay

I HATE YOU / I KNOW

the falcon is a female communist droid who wanted equal rights and droid liberation and honestly I didn’t expect that but I am delighted

you know that conversation han and qi’ra have before she lets him go and tells him that when she imagined being with him on adventures across space (MY HEART) it always made her smile? THAT’S WHAT THIS ENTIRE DAMNED MOVIE DID TO ME, IT PUT A SMILE ON MY FACE 90% OF THE TIME WHEN I WASN’T TOO BUSY BEING ATTACKED BY FEELS and it just was like OH HELLO REMEMBER ALL THE REASONS WHY YOU’RE INTO SW? HERE HAVE THEM and honestly I hadn’t had such a good time seeing a SW movie in cinemas since forever, and I mean I saw the last two prequels and everything else in cinemas and while I absolutely love all the new ones (we don’t talk about the prequels) this just was an entire other level you know? like there was nothing in this one I had quibbles with or that I didn’t really like and while rogue one was objectively probably a better movie it didn’t leave me with palpitations or SMILING THE ENTIRE GODDAMNED TIME. this one did.

tldr: ngl I liked it probably better than rotj or at least as much which means it’s in my top 3 sw movies and I’m not going back on it idec it was a delight of a movie and I loved every minute of it ;__;

[chamerionwrites]

I still haven’t seen this movie but I’ve rarely read anything that speaks so directly to my id

[allthefilmsiveseenforfree]

Solo: A Star Wars Story

I came into the Star Wars game late. My dad never liked them, and when I was growing up, he had pretty much a monopoly on what we watched on Saturday and Sunday mornings (prime catching up time for impressionable youths to see pop cultural touchstones from the past 20 years). I caught bits and pieces throughout childhood, but I never saw the entire original trilogy until I was 28. I’m a late SW bloomer, and the franchise has never felt like mine, not in the way that say, Harry Potter or the MCU does. I just want to be transparent about the background here so that everyone knows where I stand when I talk about Solo. Was this a quality, universe-expanding story that stays true to the spirit of the original films? Or was it a surface-level, unnecessary cash grab with nothing more to offer than “I understood that reference” jolts of dopamine? Well...

A bit of both, really. I liked a lot of things about this movie - it was, more than any other adjective I can think of, FUN. After the heavier tone of Rogue One and even The Last Jedi, it does feel like a welcome lightening of the Star Wars universe. However, some moments felt so obvious, to the point of pandering, that it took me out of the narrative and almost made me wince. Case in point - the cringe-worthy scene in which Han is trying to get off the slave planet he was born on and barters his way into joining the Imperial Navy. When the recruiter asks him his surname, Han shrugs - he doesn’t have one. “Who are your people?” the recruiter asks, and Han says, “I have no people.” After a pause, the recruiter types into the computer, “Han...Solo.” And the audience is supposed to go OMG GET IT BECAUSE THAT’S WHY HE’S HAN SOLO FUCK THIS IS A GREAT MOVIE I NEED MORE POPCORN. It’s so blatantly awful, and the real poignant moment - Han’s I-don’t-care-because-I’m-tough-but-really-I-care-a-lot delivery of the line “I have no people” - is completely brushed aside. So basically when the movie is doing things right, it’s fun, frothy entertainment through-and-through. When it’s trying to shove all the story beats of “origin story, this is an origin story, see what happened just then? It’s because of stuff we know you know happens later, do you get it, do you get it, DO YOU G E T  I T” it becomes a slog to get through.

Some thoughts:

Alden Ehrenreich (or, as I like to call him, the kid brother from the second episode of Supernatural) is having a blast, clearly, and he does a good job of letting Han’s almost naive goodness shine through his devil-may-care outer exterior. I think some people think that his take on the character is too nice, too safe, not gruff ‘n tumble enough to live up to Harrison Ford’s iconic role, but I appreciate the softer, more innocent Han we see here. 

But honestly the movie belongs to Donald Glover as Lando Calrissian, which was 97.9% of why I wanted to see this movie in the first place (the other 2.1% was seeing Thandie Newton as a space cowboy type person loading her gun and rocking that afro - and honestly fuck this movie for wasting her and her talent in about 15 minutes of glorified extra workv). I would watch Donald Glover do literally anything. I would watch a 3.5 hour movie just about Donald Glover as Lando Calrissian shopping for capes. He’s having so much fun here, and the film’s most emotionally resonant scene is his too, and I’m just so proud of him I can barely handle it. 

That emotionally resonant scene I mentioned belongs to Lando and his copilot, the droid L3-37, voiced beautifully by Phoebe Waller-Bridge. L3-37 is hilarious but mostly she is a force to be reckoned with, a droid who is Woke AF and is fighting for the rights of droids everywhere. My favorite line in the film is probably when she’s piloting the Millenium Falcon and Lando asks her, “What do you need?” and she replies lightning-quick, “Equal rights.” She’s played for laughs as a sassy sidekick until she’s not - then shit gets real, and her struggle for equal rights is made deeply, immediately personal. It’s an affecting choice, and Waller-Bridge’s voicework, as well as Donald Glover’s performance, make her big scene one of the standouts of the movie. I wish she had more screentime, because she was one of my favorite characters I’ve ever seen in the SW universe.

My biggest bone to pick is the inclusion of Qi’ra (Emilia Clarke). I get the bind the screenwriters are in - because if there’s no compulsive heterosexual romance at the center of a major blockbuster movie, there will be rioting in the streets, obviously. So they gotta put a girl in here. But this is a prequel so like...we already know she’s not gonna show up again...so um, why should we care? It’s a tricky position to be in because you want audiences to invest in this relationship, but not too much because there’s a princess General out there who we know is going to steal Han’s heart later in life, and you want that to stay as the series’ OTP 5ever. So what do you do? You get Emilia Clarke, the universally beloved, to be as compelling as possible and then disappear forever. I like Emilia Clarke as much as the next guy, and her performance here is good - not great, but definitely GOOD - but I just did not care at all about this relationship because she’s no fucking Princess Leia, y’know?

Seriously give me a movie about Lando and his capes. I’d go every day.

Also props to Donald Glover for flirting with everyone and everything, including Alden Erenreich. I’d watch a 3.5 hour movie about that too.

This is a fun flight of fancy, not a lot more, not a lot less. There are obviously some highlights that elevate parts of this to greatness, but for the most part, this is a light and airy way to spend 2 hours. It does not leave the lasting impression of pretty much any of the other SW movies, but I don’t necessarily think that’s a bad thing. 

[valkerymillenia]

Am I the only one that notices that nobody in Star Wars wears buttons?

Really? Just me? Ok.