"Laura (15) and I (17) pose for an amateur photo shoot in my basement. She traveled from Rochester, NY to spend the day with me. We had a crush on each other, a type of long distance flirty love." 1995 ★
Those critics who read Frankenstein as an incest tale see the monster as a psychoanalytic symbol, as a living psychic projection whose importance lies in what he means to Frankenstein rather than in what the monster himself feels and suffers. Those critics who read the monster as a daughter focus on the monster's anger and pain, but tend to skirt the importance of the incest theme to the monster's anguish. When Frankenstein is read through the lens of Mathilda, the tale of father-daughter incest that Shelley wrote immediately after Frankenstein, one can propose a fuller interpretation: Frankenstein tells the story of a father and daughter locked in bitter conflict; more specifically, Mary Shelley portrays Victor Frankenstein as a paternal figure who projects his own incestuous guilt upon his creature and, having made it monstrous, rejects it.
‘My Hideous Progeny': Mary Shelley, William Godwin, and the Father-Daughter Relationship by Katherine C. Hill-Miller
"Sisällä Taidepappilassa maskikavalkadi jatkuu. Myös vierailevien taiteilijoiden kesänäyttely on avoinna 31.8.2023 saakka. Kymmenen taiteilijan värikkäät teokset täyttävät seinät. Sieltä joukosta löytyy myös Katariina Sourin tekemä maalaus Käärijästä, joka pääsi esille valtakunnan mediassa Eurovision laulukilpailujen kohinassa."
Inside the Art Chapel, the masked cavalcade continues. The summer exhibition of visiting artists is also open until August 31, 2023. The colorful works of ten artists fill the walls. There is also a painting of Käärijä by Katariina Souri, which was featured in the national media amid the noise of the Eurovision song contests.
"My life started the day we found you in the woods" destroys the efficacy of these memories (both the shed and the swing set) as Will's light and protection against Henry and I'll never shut up about it: