#speechless. i am speechless

[lookitsjess]

[paperglader]

they really put alicent in bridgerton blue on the reunion and genuinely expected me to think that she didn’t in fact march all the way to dragonstone to get wifed up? bfr

[hinamie]

giggling kicking my feet twirling my hair @ geto carving the necklace you've really done it now hina

have i ? :3c

jjk atla!au with @philosophiums

[mythalism]

genuinely cannot believe he is real. they actually did it. HES REAL??????? THEY DID IT!!!!!!!

[hualian]

Tian Guan Ci Fu 🦋 Chinese Physical Version Promotional Video

CN physical copies to include 3 volumes, with brand new extras! EXCLUSIVE release of newly 10K words of new content and postscript publication (source in post link)

[wanderlust-in-my-soul]

Getting to know each other...

[jkvjimin]

(90/∞) the perfect nose for butterflies to land on it ♡

[deathblossomm]

barry covered in blood hits different

[percys-lemons]

W H AT

[kittanthalos]

AVATRICE + TROPES

[doomsdayoption]

I am so not okay.

[crispywizardtale]

[nottsangel]

double penetration with theo and matty, standing up, your legs wrapped around theo’s waist and your arms gripping his shoulders, with his cock in your pussy and his hands on your waist, while mattheo holds you up by digging his hands and dick into your ass. bonus point if they start making out over your shoulder <3 double bonus point if you join them <333

[jekyll-hatepage]

Enfield said Hyde "carried on...like Satan" in the first chapter, and then the maid says he "carried on... like a madman" when he killed Carew. The way it changes connotation from "this guy isn't human" to "this guy is one of us gone wrong" at the exact time the boundaries between Jekyll and Hyde started to blur. The way that seemingly insignificant change of words completely changes the nature of what Hyde is-- from satanic spawn to regrettably human. I hate you robert louis stevenson you make being an author look easy.

[ygamiraito]

found this cute clip of harlan being absolutely speechless when his friend tom snyder gifted him a painting he desperately wanted! (the painting was named 'Ellison Wonderland' by Jacek Yerka, 1993)

(P.S. : the clip is from this interview; and you can find more of harlan's stories derived from jacek's paintings from the book Mind Fields: The Art of Jacek Yerka, the Fiction of Harlan Ellison)

[purgatorily]

something i love about the way saltburn is filmed is how fleeting so many of the most quietly sensual moments between oliver and felix are…many films would drag out those small touches, those throwaway glances, to emphasize how profoundly meaningful they are to one or all characters involved (like the pointed yearning we see in, oh i don't know, 2005 p&p's famous hand holding, for example). saltburn takes a much more realistic approach in that plenty of the subtle flirtation and boundary-testing going on between oliver/felix isn't really pointed out to you--you've got to look for it yourself. one example is when they're seated in the grass in the foreground of a shot, not even really the focus, and felix reaches over to brush something off of oliver's leg. it's nothing in its own right, but we know to oliver that must have been absolutely thrilling. and we're so attuned to oliver's lust (especially upon rewatch) that those tiny moments become immense to us. even the many moments of longing that are emphasized aren't given any more time than oliver realistically has to express them. all of his quick, desperate gazes in felix's direction, the way his eyes trace over felix's expressions, how and when he leans closer or pulls away. it's precisely how any of us would behave around a person we love but can't outrightly express our feelings for; as desperate to express as we are afraid of getting caught. it's such a particular and intelligent choice on every level of filmmaking (cinematography, editing, directing, and acting, at least) that just works breathtakingly well