#story affects characters so unfortunately if the story is bad so are the characters woof

[ghirahims-trophyhusband]

I really am sitting here to reinstall AOC bc I miss the gameplay koie tecmo makes huh

[soysaucecas]

oooh for the ask game 24, 30, and 44!

MAGPIE MY BELOVED HELLO

24. What are your favorite episodes?

The only episodes I've really watched are TMWWBK (which is my favorite episode and I'm certain would still be my favorite if I watched every single one because it has the only SPN character and the only SPN line), The French Mistake (which was funny enough but honestly in the Just Okay category for me, which makes me pretty sure I wouldn't enjoy actually watching SPN if this is one of the funniest/highest-rated eps), and Reading Is Fundamental (my best friend was watching it and asked me if I wanted to hop on Discord, I thought it might be fun to see Kevin's first introduction but instead this ep found the two of us taking like 90 minutes to get through it bc we kept pausing and screaming (derogatory) as the model minority stereotype jokes piled up and up and up... Unfortunately not a favorite even if we got Meg AND the "pull my finger" joke AND the "Sorry" shot). Other than TMWWBK, from clipping and transcript-reading, I like Wayward Sisters (who doesn't?), The Things We Left Behind (Claire!!!! Cas trying to be a dad! The diner scene aka my favorite destiel scene of all time bc being in love just looks so good on Cas! Also the parallels between Claire and Randy and teen Dean and the adults at that club in his story... woof.), Golden Time (Eileen gets to be HERE and be sad and loved and fight people with ghost powers and Cas gets to do a cool speech and a stabbing and do the Asian community a favor), and Lucifer Rising (just immensely sexy on all counts for Ruby, Sam, Cas, and myself). Also I am SO fond of Steve!Cas so I'll add Heaven Can't Wait even if I barely know anything about it.

30. What is an unpopular opinion or headcanon you have about the show?

Ooh okay hm I think. So I adore confession scene, but I don't think the "I cared about the whole world because of you" is like. The Objective Truth the way that most bloggers seem to take it. Cas was lobotomized tons of times before he met Dean, he was described as coming off the line with a crack in his chassis, he's always been the weird little angel who likes humanity too much! I don't think Dean came first, and although gay love was part of what helped Cas invent free will, he *Ruby voice* didn't need the feather to fly, Dumbo! I do think Cas believes what he says in the moment, but I also think he sorta... made himself believe it? This is probably just me deciding that cas-coding should go both ways, but like. I very much crush as a coping mechanism and I very much overascribe my actions to love because it simply seems more noble/poetic to do so. Being miserable because school is hard is cringefail but being miserable because of unrequited love is Good Shit. And I have been in unrequited love with my best friend for at least 7 years (probably 9 but I didn't realize it earlier) and if you asked I would 100% say that she taught me love and defined love for me and that she will be my first and last, but I also know that that is not entirely true; it's just the narrative that I like for myself. And I think that being in an Empty deal contingent on whether or not he LETS himself feel happy would lead Cas to do plenty of mental maneuvering, which I think involved intentional self-poor-little-meow-meow-ification via overascribing his choices and happiness to Dean (and I also think he'd already been doing that for a while just because of personal self-worth issues and because it's a nice narrative). I know as Cas's last Moment on the show it was probably written to be The Objective Truth, but I am perceiving him and I say no.

44. If you could write an episode of Supernatural, what would happen?

Oh scream okay! This is a fun one! I am going to start out with two ideas from other people:

1. Months ago Nate from the pocnatural discord had the idea of an episode from the "monster"'s perspective where the Winchesters are just clearly the antagonists while not doing anything different than they usually do. I think the idea was that all these supernatural beings live in a self-regulating community together and we have one Very Likable pov character who's a member of this community, but one of the newer members messes up one day and kills someone and the Winchesters come on a case and wreak havoc on this Very Much Functioning (there was going to be a whole rehab and reparations thing for the new member who messed up!) system and kill pov character and in the end you just HATE Sam and Dean for it.

2. It's hard to adapt anything from bad moon rising (aka my favorite spn fic) very well because the point of an Arab Winchesters season 1 rewrite is that it doesn't really work with the white characters we have now, but I think I could see a version of chapter 2 adapted as long as Haley (an Ojibwe hunter who lives in the area affected by what Sam and Dean are hunting) takes the lead. I'd especially like to see this section:

Dean laughs, a little disbelievingly. The question has never crossed his mind. “Do you like it?”

This gives Haley no pause at all. “Yeah,” she says. “I mean, it’s not really about killing monsters, though, for me. Or, it’s not always about killing monsters. It’s about community. Not violence. It’s a spiritual thing to build a home, you know?”

“Oh,” Dean says. He can’t think of anything else to say. It has never crossed his mind before that hunting could be compatible with a community.

I don't have any original episode ideas to add to the hunting discourse, so we're on to my ideas about character-driven eps. I think I would like to see a version of my sastiel possession fic (ty again for beta-ing that! you're a real one) as an ep around the time of 9.11 because Sam deserves to work through their trauma, but idk what the Dean plot should be for that. Another thing I would like very much is TFW drunk history storytime (so like. Tall Tales bass boosted), where for some reason they all need to go over what they were doing during Stanford era but each of them is telling someone else's story. It's gonna be either Sam->Dean->Cas->Sam or Dean->Sam->Cas->Dean. It starts out very funny (they all have terrible wigs and makeup in the flashbacks. Cas is Jimmy wearing a giant mask with googly eyes on it.) but as it goes on it gets increasingly sad how much these three don't really know each other.

In the Sam->Dean->Cas->Sam episode, Sam's telling of Dean's past veers wildly between "crushing pussy and killing things" and "feels like absolute shit all the time" and it's funny but Not Right and afterwards Dean goes "I didn't know you thought of me that way" and Sam says "... I am basically reading off the voicemails you left me back then" and Dean has to sit there and contend with the mythology he himself wrote for Sam to believe in. Dean->Cas provides the comedic beats for the episode as Dean awkwardly narrates Cas's Life As A Weird Little Guy who watches trees grow and heals babies and in the end Dean goes "so how did I do" and Cas is like "well actually I was either getting lobotomized or murdering people so like 3/10?" The moral of this plot line is that Dean is bi. Cas gives a fairly faithful retelling of Sam living her trans little life at Stanford and veering between trying to be Normal and being a total weirdgirl and feeling guilty and angry and happy and free. It becomes clear that Cas admires Sam a lot (but also feels like. guilt and some self-recrimination for not being that) for rebelling from their dad and exploring their queerness during a time Cas was still to his knowledge in total soldier mode, and Sam is having an a_good_soldier's Thesis 5 moment about how she failed the kid she used to be and how very sorry they are about all the things that happened to them, and Dean hates that this is the first he's hearing about so much of this but is also quite emo about the parts where Sam is struggling. The ep ends with them all in the same room not looking at each other and not knowing if they want to group hug or never talk again.

Dean->Sam->Cas episode is similar but the storytelling dissolves a lot faster as it becomes clearer way faster how much their own emotions are getting in the way. Dean is upset that Sam could leave their family so easily and probably swing a normal life, Sam keeps wondering what it would be like to live millennia just KNOWING that you were right and good and clean, and Cas is gay and veering between fitting Dean's life into a larger Righteous Man narrative and just being very tender (and sad and angry) about Dean's pain. Episode ends in a rather cathartic shouting match where they all end up apologizing to each other for many things.

Oh also I would like to see Cassie again but I don't have an episode in mind there. Also would love to see Kaia adjusting to life in Sioux Falls and befriending the others and dealing with Bad Place trauma.

tysm for the questions sorry for taking so long!

(ask game)

[tomorrowsdrama]

Hyena Ep. 16

I’m baaack!  Kind of.  I think I hit that point in my quarantine life where I kind of lost my mind so I went on an unexpected hiatus that lasted longer than intended.  I know it’s been over a month after the finale of Hyena but here are my ramblings.  This post is super long so I’ll save my thoughts on the series as a whole for another post.

Objectively, it was a pretty good finale that was entertaining and wrapped up the important plot lines.  We even got some sweet otp moments (more on that later) and satisfying smackdown of the bad guy.  But subjectively?  Personally?  Purely based on my selfish expectations?  I wanted more romance!  More sexiness!  I wasn’t expecting a wedding or anything like that but, not even one kiss?  Or a long embrace?  Why????

I mean, how can you give me all this sexy chemistry in the promos:

And then not make use of it in the finale?  That’s just not fair I say!  I feel bamboozled!

Ep. 16

Anyway, let’s talk about the parts I enjoyed of the finale.  This is mainly (99%) going to be about the moments between Geum Ja and Hee Jae.  So on the morning of episode 16, way back when, I woke up so excited for the finale.  Since this was the last episode, surely there will be a kiss!  And surely it would be epic given the chemistry between JJH and KHS.  I mean did you see that kiss in episode 8?  So when we started off the episode with the scene of Hee Jae telling Geum Ja he didn’t want to see her hurt anymore, I was amped.  Yes, we’re starting off strong with the romantic scenes I thought.

How can you not fall for him?

Geum Ja, you are not a gangster, you do not need to show your story through the scars on your body.  Joking aside, it’s sad that she’s been through so much in life that she has the scars to prove it. 

I love that Hee Jae says this half-sarcastically but you can tell that he truly does not want Geum Ja to go through any more pain/suffering.  And it’s his sincerity that makes Geum Ja smile so softly.  And this is where they kiss right?

Nope, he gets a hearty bro punch in the shoulder.

Cut for lots of caps and ramblings.  It’s a bit of a mini novel, you’ve been warned!

Mmm I loved how many scenes of concerned Hee Jae we got in this episode.  

Geum Ja screams from a nightmare and Hee Jae immediately runs into the office to check on her.  The only way he could have reacted so quickly is if he was sitting outside the office guarding Geum Ja which...AHHH I think I’ve just died and gone to hurt/comfort heaven.  Just look at JJH’s face.

EEE!  I audibly squealed when Geum Ja said this.  Ok, now I’ve truly died.  Geum Ja?  Asking to be comforted?  By Hee Jae?  What?  This is major.  She’s finally letting down her walls a little bit around Hee Jae and allowing herself to be vulnerable.  Keep on leaning I say!  Lean all the way into bed.

Omg and then she showed concern over Hee Jae’s own emotional state despite her own trauma.  His dad totally betrayed him just a few hours ago so Hee Jae’s having a pretty shitty day too.  But of course, Hee Jae is only concerned about Geum Ja.  Ahh, how many times is he going to make me swoon in this episode?  

Feet piled on top of each other?!  Are they finally in bed together?

Of course not.  Unfortunately, this isn’t that type of drama.  SIGH.  But this is still very sweet and squeal-inducing.

Have I talked about how much I love JJH’s little sly smirks?

I love that these two fools can’t stop worrying about the other.  Geum Ja knows better than anyone how deep emotional scars caused by a parent can be.  On top of that, Hee Jae’s father was someone he respected and loved, so the blow is even bigger.  I just really like it when my otp show how much they care about each other, ok?

Look at that smile on Hee Jae’s face.  It’s like there’s no other place he would rather be than next to Geum Ja. 

No, please don’t.  Y’all are not 12.  Please get at least a queen size bed with plenty of room for two adults to move around in and do...adult things lol.

And then.  AND THEN!  Geum Ja takes the initiative and turns over towards Hee Jae.  She’s finally the one taking the first step towards him without any prodding.  And Hee Jae smiles to himself and follows her lead to turn over also.  And then the two fools smile lovingly at each other as they fall asleep.  Omg, excuse me, I need a moment.  I’ve temporarily passed on to the other side from sheer otp happiness.

This moment was just too good.  I literally raised both my arms up into the air and cheered when I first watched this episode.  I thought, wow the writers are feeding us so well.  They’re showering us with so many romantic scenes.  The otp caring for each other?  Being tender with each other?  Sharing a “bed?”  I don’t want to ever get off this love train, keep it coming!  This is only the first third of the episode so surely it can only go up from here.

And then it ended on a comedic note.  I guess I should have seen that coming.  This is SBS, not TVN (or JTBC from the looks of The World of the Married).  Hah, well I suppose they both had a pretty tiring day so it’s understandable that they would not have much energy to do anything else.

It’s the little everyday things like asking if she’s ok that get me.

(JJH I thirst for you.)

Suuuuure you are.

Lol, he wouldn’t be Hee Jae if he didn’t pull something childish/petty.  At least Geum Ja is amused by it and finds it cute now.  Get you a man who can be both your emotional support and amusing bratty boyfriend.

Geum Ja does end up meeting Hee Jae for dinner and he can’t help but smile a little.  Gosh, it takes so little from Geum Ja to make him happy.

(damn, look at that profile!)

So some time during this episode, Geum Ja’s adoptive father died off-screen from the stab wound he sustained while stopping her assailant.  At first, I went “Huh, that’s it?”  But then the more I thought about it, the more I liked how matter-of-factly it was treated.  It’s certainly consistent with how Geum Ja deals with things.  Also, she faced her demons/him in a previous episode so you could say that she already resolved that chapter of her life.  

Still, you could tell that she’s not completely unaffected by it.  KHS’s acting in this scene is so good. You can tell there’s more to it than what she’s saying just by the little subtle changes in her expression.  I can only imagine the many complicated feelings she must be experiencing.  

On the one hand, he’s the worst part of her past life and surely deserved to die.  But on the other hand, unintentional or not, he died saving her.  Geum Ja does not state this with any affection or sentimentality in her voice.  It is merely something that happened.  Thank goodness the writers did not try to redeem him in the last minute.  One good deed does not make up for all the violence and abuse inflicted on her and her mother.  

Anyway, all that muddled history and emotions would make anybody conflicted.  They really handled it the best way they could - simply state what happened and move on.  No hate, no praise, no sadness.  He was a terrible man who paid the ultimate price and died.  I like that Hee Jae understands not to push the matter any further and changes the subject.

Bro, you’re delusional if you think you still have a chance with her.  

And then we get to the ubiquitous Big Shareholder Meeting that we see so often in dramas.  I love how Geum Ja is so ballsy in everything she does and she does it all in her comfy tracksuits. Of course the Big Shareholder Meeting does not go as planned and Song Pil Jung gets arrested.

God I love the look on Geum Ja’s face.  It screams “is this guy still talking to me?”

Can I just say, I love how utterly brutal Geum Ja is in her rejection of Kevin Jung.  Woof, ouch.  If I ever heard that from someone I liked, I would be so devastated and embarrassed, I’d find a dark hole to bury myself in and lick my wounds.  But of course, Kevin, like all the other men who fall for Geum Ja, seems to be into it.  It takes a certain type of man to go for Geum Ja and apparently that type is a total masochist who likes getting rejected and their heart ripped out.  I mean, to each their own.

I like whenever they do their power couple strut.

A bro fist bump?  Really?  Hm, I never really fist bumped the guys I dated but that’s cool I guess.  They’re going in to destroy Song Pil Jung so I guess a fist bump is appropriate.

Hm, I don’t know.  It seems like you’re the one who got arrested.

Bro.  Mister.  Are you for real?  Did you forget all the shitty things you did to her?

Yeah, that’s kind of a big deal I think.

SO. SATISFYING.  Whew honey, this exchange gave me life.  My skin has cleared, my bank account is full, and I’ve lost 5 pounds.

Yessss I am all for this nerdy JJH in glasses and turtleneck sipping on expensive instant coffee aesthetic. 

The couple that taunts together, stays together?

Hahahahaha, Hee Jae talking about being professional at work? Hahahahha.

I live for jealous Hee Jae because he’s extra ridiculous whenever he’s jealous.  In this scene he’s getting jealous over Ju-Ho calling Geuma Ja “noona” and it’s like come on, they’re foster siblings.  Let him call her noona.  Side note, Netflix translates “noona” into Eun-Young, Geum Ja’s real name, and it irks me.  Couldn’t they have just translated it into “sis” instead?

Now we’re around the 55 minute mark and I’m thinking, okay this is probably where it’s going to end.  This is when it’s going to happen.  They don’t have that much time left in the episode.  All right, give me us all that we’ve been waiting for.

(Good looking main stays looking good.)

You can’t ever accuse Hee Jae of not being committed to Geum Ja.

We finally get an explanation for why Geum Ja always stared at that huge building

Haha, can you expect anything less from her character?  At this point, I’m looking at the remaining time and thinking, ok then, when’s that kiss gonna happen?

SHRIEKS WHAT ARE THOSE HIDEOUS THINGS ON HIS FEET?!  On another note, I’m sure Kim Hye Soo must be so glad she doesn’t have to wear those gigantic heels anymore.

Omg, ok, this is it.  We’re getting shots of beautiful sexy people strutting and being playful with each other.  They’re setting up for a romantic ending kiss.  Ok, time to prepare myself.

Yes, put your arms around each other.  We’re getting closer now.

Oh, ok.  I guess this will be a far away in the distance kind of kiss.  That’s ok, too I guess.

Oh, wait.  Never mind.  Looks like we’re going to get a frontal view of the ending kiss after all.  Even better!

What?  That’s it?  What?  Did I miss something?  This can’t be.

Oh whew.  An epilogue.  Ok, this is when it’s going to happen.

Hahaha, they’re totally using the vloggers to advertise for their law firm.  I love how Hee Jae has loosened up on what he thinks a proper lawyer should act like and it’s reflected in his more flamboyant wardrobe choices.

These damn fist bumps again.  All the time spent fist bumping could have been spent hugging and kissing.  Priorities, people!

Hah, like hell Hee Jae would ever leave Geum Ja.

Haha knew it.  Boy is more whipped than whipped cream.

This pretty much sums up their dynamic.  SIGH I’m not going to get my kiss am I.

Oh no.  That caption can only mean one thing.

Yeeep.  That’s it.  This is the end.  Finito.  

Well.  All right then.  You know, the first time I watched this episode, I felt very disappointed that there was no final kiss.  I mean the last time we saw them kissing was in episode 8 at the midpoint of the drama.  This drama was clearly a rom com/screwball comedy so it only seemed fitting that there would be one last kiss scene.  That’s how you end a romantic drama!  But alas.

Actually, upon re-watching and re-capping this episode, I realized that even though we did not get any kiss scene, the writers still gave us plenty of sweet moments between Hee Jae and Geum Ja.  We got to see their lovely progression into becoming partners who supported and trusted each other so that was nice.  Even though they’re clearly together now, it’s nice to see that they still have their playful bickering dynamic.  So objectively, it was a nice ending.  I just personally wanted more smooches.

If you made it through this entire post, thank you for expending so much time reading my ramblings and congratultaions on having so much patience!

[terramythos]

TerraMythos' 2020 Reading Challenge - Book 22 of 26

Title: House of Leaves (2000) 

Author: Mark Z. Danielewski

Genre/Tags: Horror, Fiction, Metafiction, Weird, First-Person, Third-Person, Unreliable Narrator 

Rating: 6/10

Date Began: 7/28/2020

Date Finished: 8/09/2020

House of Leaves follows two narrative threads. One is the story of Johnny Truant, a burnout in his mid-twenties who finds a giant manuscript written by a deceased, blind hermit named Zampanò. The second is said manuscript -- The Navidson Record -- a pseudo-academic analysis of a found-footage horror film that doesn’t seem to exist. In it, Pulitzer Prize-winning photojournalist Will Navidson moves into a suburban home in Virginia with his partner Karen and their two children. Navidson soon makes the uncomfortable discovery that his new house is bigger on the inside than it is on the outside. Over time he discovers more oddities -- a closet that wasn’t there before, and eventually a door that leads into an impossibly vast, dark series of rooms and hallways. 

While Johnny grows more obsessed with the work, his life begins to take a turn for the worse, as told in the footnotes of The Navidson Record. At the same time, the mysteries of the impossible, sinister house on Ash Tree Lane continue to deepen. 

To get a better idea try this: focus on these words, and whatever you do don’t let your eyes wander past the perimeter of this page. Now imagine just beyond your peripheral vision, maybe behind you, maybe to the side of you, maybe even in front of you, but right where you can’t see it, something is quietly closing in on you, so quiet in fact you can only hear it as silence. Find those pockets without sound. That’s where it is. Right at this moment. But don’t look. Keep your eyes here. Now take a deep breath. Go ahead and take an even deeper one. Only this time as you start to exhale try to imagine how fast it will happen, how hard it’s gonna hit you, how many times it will stab your jugular with its teeth or are they nails? don’t worry, that particular detail doesn’t matter, because before you have time to even process that you should be moving, you should be running, you should at the very least be flinging up your arms--you sure as hell should be getting rid of this book-- you won’t have time to even scream. 

Don’t look. 

I didn’t. 

Of course I looked. 

Some story spoilers under the cut. 

Whoo boy do I feel torn on this one. House of Leaves contains some really intriguing ideas, and when it’s done right, it’s some of the best stuff out there. Unfortunately, there are also several questionable choices and narrative decisions that, for me, tarnish the overall experience. It’s certainly an interesting read, even if the whole is ultimately less than the sum of its parts. 

First of all, I can see why people don’t like this book, or give up on it early (for me this was attempt number three). Despite an interesting concept and framing device, the first third or so of the book is pretty boring. Johnny is just not an interesting character. He does a lot of drugs and has a lot of (pretty unpleasant) sex and... that’s pretty much it, at least at the beginning. There’s occasional horror sections that are more interesting, where Johnny’s convinced he’s being hunted by something, but they’re few and far between. Meanwhile, the story in The Navidson Record seems content to focus on the relationship issues between two affluent suburbanites rather than the much more interesting, physically impossible house they live in. The early “exploration” sections are a little bit better, but overall I feel the opening act neglects the interesting premise. 

However, unlike many, I love the gimmick. The academic presentation of the Navidson story is replete with extensive (fake) footnotes,and there’s tons of self-indulgent rambling in both stories. I personally find it hilarious; it’s an intentionally dense parody of modern academic writing. Readers will note early that the typographical format is nonstandard, with the multiple concurrent stories denoted by different typefaces, certain words in color, footnotes within footnotes, etc. House of Leaves eventually goes off the chain with this concept, gracing us with pages that look like (minor spoilers) this or this. This leads into the best part of this book, namely... 

Its visual presentation! House of Leaves excels in conveying story and feeling through formatting decisions. The first picture I linked is one of many like it in a chapter about labyrinths. And reading it feels like navigating a labyrinth! It features a key “story”, but also daunting, multi-page lists of irrelevant names, buildings, architectural terms, etc. There are footnotes that don’t exist, then footnote citations that don’t seem to exist until one finds them later in the chapter. All this while physically turning the book or even grabbing a mirror to read certain passages. In short, it feels like navigating the twists, turns, and dead ends of a labyrinth. And that’s just one example -- other chapters utilize placement of the text to show where a character is in relation to others, what kind of things are happening around them, and so on. One chapter near the end features a square of text that gets progressively smaller as one turns the pages, which mirrors the claustrophobic feel of the narrative events. This is the coolest shit to me; I adore when a work utilizes its format to convey certain story elements. I usually see this in poetry and video games, but this is the first time I’ve seen it done so well in long-form fiction. City of Saints and Madmen and Shriek: An Afterword by Jeff VanderMeer, both of which I reviewed earlier this year, do something similar, and are clearly inspired by House of Leaves in more ways than one. 

And yes, the story does get a little better, though it never wows me. The central horror story is not overtly scary, but eeriness suffices, and I have a soft spot for architectural horror. Even Johnny and the Navidsons become more interesting characters over time. For example, I find Karen pretty annoying and generic for most of the book, but her development in later chapters makes her much more interesting. While I question the practical need for Johnny’s frame story, it does become more engaging as he descends into paranoia and madness.

So why the relatively low rating? Well... as I alluded to earlier, there’s some questionable stuff in House of Leaves that leaves (...hah?) a bad taste in my mouth. The first is a heavy focus on sexual violence against women. I did some extensive thinking on this throughout my read, but I just cannot find a valid reason for it. The subject feels thrown in for pure shock value, and especially from a male author, it seems tacky and voyeuristic. If it came up once or twice I’d probably be able to stomach this more easily, but it’s persistent throughout the story, and doesn’t contribute anything to the plot or horror (not that that would really make it better). I’m not saying books can’t have that content, but it’s just not explored in any meaningful way, and it feels cheap and shitty to throw it in something that traumatizing just to shock the audience. It’s like a bad jump scare but worse on every level. There’s even a part near the end written in code, which I took the time to decode, only to discover it’s yet another example of this. Like, really, dude? 

Second, this book’s portrayal of mental illness is not great. (major spoilers for Johnny’s arc.) One of the main things about Johnny’s story is he’s an unreliable narrator. From the outset, Johnny has occasional passages that can either be interpreted as genuine horror, or delusional breaks from reality. Reality vs unreality is a core theme throughout both stories. Is The Navidson Record real despite all evidence to the contrary? Is it real as in “is the film an actual thing” or “the events of the film are an actual thing”? and so on and so forth. Johnny’s sections mirror this; he’ll describe certain events, then later state they didn’t happen, contradict himself, or even describe a traumatic event through a made-up story. Eventually, the reader figures out parts of Johnny’s actual backstory, namely that when he was a small child, his mother was institutionalized for violent schizophrenia. Perhaps you can see where this is going... 

Schizophrenia-as-horror is ridiculously overdone. But it also demonizes mental illness, and schizophrenia in particular, in a way that is actively harmful. Don’t misunderstand me, horror can be a great way to explore mental illness, but when it’s done wrong? Woof. Unfortunately House of Leaves doesn’t do it justice. While it avoids some cliches, it equates the horror elements of Johnny’s story to the emergence of his latent schizophrenia. This isn’t outwardly stated, and there are multiple interpretations of most of the story, but in lieu of solid and provable horror, it’s the most reasonable and consistent explanation. There’s also an emphasis on violent outbursts related to schizophrenia, which just isn’t an accurate portrayal of the condition. 

To Danielewski’s credit, it’s not entirely black and white. We do see how Johnny’s descent into paranoia negatively affects his life and interpersonal relationships. There’s a bonus section where we see all the letters Johnny’s mother wrote him while in the mental hospital, and we can see her love and compassion for him in parallel to the mental illness. But the experimental typographical style returns here to depict just how “scary” schizophrenia is, and that comes off as tacky to me. I think this is probably an example of a piece of media not aging well (after all, this book just turned 20), and there’s been a definite move away from this kind of thing in horror, but that doesn’t change the impression it leaves. For a book as supposedly original/groundbreaking as this, defaulting to standard bad horror tropes is disappointing. And using “it was schizophrenia all along” to explain the horror elements in Johnny’s story feels like a cop-out. I wish there was more mystery here, or alternate interpretations that actually make sense. 

Overall The Navidson Record part of the story feels more satisfying. I actually like that there isn’t a direct explanation for everything that happens. It feels like a more genuine horror story, regardless of whether you interpret it as a work of fiction within the story or not. There’s evidence for both. Part of me wishes the book had ended when this story ends (it doesn’t), or that the framing device with Johnny was absent, or something along those lines. Oh well-- this is the story we got, for better or worse. 

I don’t regret reading House of Leaves, and it’s certainly impressive for a debut novel. If you’re looking for a horror-flavored work of metafiction, it’s a valid place to start. I think the experimental style is a genuine treat to read, and perhaps the negative aspects won’t hit you as hard as they did to me. But I can definitely see why this book is controversial.