#strimpl

[mote-historie]

Edwardian fashion illustration by Louis STRIMPL for (Georges DOEUILLET). 

Giboulée. Robes d'après-midi de Doeuillet (La Gazette du Bon ton, 1912-1913 n°6). 

For sale: Edition Originale

[girlwhodoeskratom]

Jan Strimple @ Givenchy Fall/Winter, 1984 Haute Couture

[dozydawn]

Jan Strimple photographed by David Woo.

[no-side-us]

Various Illustrations for French Editions of The Invisible Man (L'Homme Invisible)

Originally Drawn by Ludvík "Louis" Strimpl

Source

[saddlebums]

Ride to the New Ace Cafe in New Hope 50 - 60 bikes made it to the first Vintage Moto Meet at the new Ace Cafe in New Hope, PA. From the NY/NJ metro area you can get there by simply finding and following US Route 202 and arrive at the Ace's doorstep. Or, via backroads (from NJCR 519), as I detail in this video. Take my backroads -- please! Lots of Triumphs at the Moto Meet, including an X-75 Hurricane, and some sweet Honda CB750s, the bike that put Triumph in a waiting grave. But all is forgiven, yes? Depends on your age. The video features a short interview with Jimmy Lam, the proud owner of the Ace. Music: Hillsboro Rain by The Surf Guitar Villains

[pangur-and-grim]

I think I may have found Pangur's historical look-alike. Le Vase Brisé by Ludwig Strimpl

usually I'm like 'hmmm', but this one is spot on

[afwfan]

My formative experience with pro-wrestling is from the 80's (dating myself…) In that era holds and moves like sleepers, Boston crabs, figure four leg locks, suplexes, powerslams, neckbreakers, and so on… Well every one of those was often a match ender, frequently with the adjective "dreaded" applied before them.

At the same time, women's wrestling was already turning into… Well outside of Japan it was kind of become a joke. An exercise in titillation and a laugh. As for any suspension of disbelief that you were watching a genuine contest? Well forget it…

Part of me wishes I'd been able to see more of the women's wrestling from the 50's and 60's. Like this.

Inspiration taken.

This is a workout. There's no ref but there is a Ladies' agreement (as opposed to Gentleman's) that the goal is not to mess anyone up. Tap outs are recognised and our various slams and throws are all holding back - just a little bit. Teah's high flying style doesn't lend itself well to 90% effort (gravity doesn't know how to back off), so this one is staying well within the four corners and top rope or lower.

Unfortunately for Teah, that means her one potential advantage against Hinako is lost, and it's been showing. Hinako is quite open that she's got something she wants to try out and work on today. After being forced to tap out the third time Teah has a pretty good idea what it is. Looking out for it now, Teah is aware of and on high alert for Hianko's (dreaded) cobra clutch attempts.

Alas, alertness and preparedness doesn't seem to be making much of a difference. Sometimes she even sees it when it's coming…

Does not seem to be making much of a difference alas…

Teah has lost count. The number of times she's be caught like this now is easily up in the double digits. She can't figure out how to see it coming reliably. Whether she sees it coming or not she can't figure out how to block it. And once she's caught?

Teah knows that Hinako isn't cranking down 100%. She tried to fight it twice and went to sleep. The other times she tapped out. The frustration is getting pretty real, and she's really asking herself if she's willing to tap again.

When Teah wakes up Hianko thanks her for the workout, but reckons that's enough for both of them today.

[mainefemwresfan]

Rose Roman & Lorraine Johnson vs. Shirley Strimple & Ramona TeSelle (10/...

[beautifulcentury]

STRIMPL, Ludwik. La fumée noire, Robe du soir de Redfern, 1914

"Black Smoke, Evening Dress by Redfern"

[mote-historie]

1913 Edwardian fashion illustration by Louis STRIMPL, Le Bel Eté. Robe de lingerie pour la campagne, (La Gazette du Bon ton, 1913 n°9).

For sale: Edition Originale

[girlwhodoeskratom]

Jan Strimple @ Thierry Mugler Fall/Winter, 1986 Ready-to-Wear

[dankusner]

[wortzentriert]

AD 70 AS A POINTER TO THE SECOND ADVENT

By Ken Gentry

AD 70 prefigures the Second Advent; it is theologically linked to it. But this does not imply any concept of double-fulfillment. There is a fundamental difference between prolepsis and double-fulfillment. Let me explain.

In the OT we have several “Day of the Lord” events: against Babylon (Isa 13:9), Jerusalem (Joel 2:1), and others. Each of these is a pointer to the final Day of the Lord (2 Pet 3:10), though each OT version is spoken of as THE (singular) Day of the Lord. This is much like our spiritual resurrection in salvation (John 5:24-25; 1 John 3:14) pointing to our final resurrection at the end of history. Or like the Christian’s being a “new creation” (2 Cor 5:17; Gal 6:15), which is a picture of the consummate new creation (2 Pet 3:10).

These observations represent standard proleptic theology, which is often called: Now-But-Not-Yet theology. This is held by most evangelical theologians.

In fact, many scholars see AD 70 as a microcosm of the final judgment. Consequently, we may expect the same imagery to apply to both AD 70 and the end.

For instance, of those first-century events, Bloesch states: “The catastrophe that befell the Jewish people in A.D. 70 is a sign of the final judgment.” (Donald G. Bloesch, The Last Things: Resurrection, Judgment, Glory [Downers Grove, Ill: InterVarsity, 2004], 84.)

Morris agrees: “a theological unity between the two judgments, and that some of what Jesus says [in the Olivet Discourse] could apply equally well to both.” (Leon Morris, The Gospel according to Matthew [Grand Rapids: Eerdmans, 1992], 593.)

Mounce concurs: “the coming destruction of Jerusalem was anticipation of the end of the age.” (Robert H. Mounce, Matthew [Peabody, Mass.: 1991], 222.)

Hagner writes: “The fall of Jerusalem is described in quasi-eschatological language and in the same discourse that describes the coming of the Son of Man. The two events are obviously linked in the minds of the disciples (as their question implied, 24.3) and very probably in the mind of the evangelist.” He continues: “There is a theological relationship between the fall of Jerusalem and the end of the age, since both involve judgment. . . . The former is the prefiguration of the latter.” (Thomas E. Schmidt and Moises Silva, To Tell the Mystery: Essays on New Testament Eschatology in Honor of Robert H. Gundry [Sheffield, Eng.: Continuum, 1994], 66.)

Reymond speaks of Christ’s “‘lesser (typical) coming in judgment’ in the destruction of Jerusalem in A.D. 70.” (Robert L. Reymond, A New Systematic Theology [Nashville: Nelson, 1998], 215.)

Alexander calls AD 70 a “prefiguring,”Robertson “a symbol” of the end. (Joseph Addison Alexander, The Gospel according to Matthew Explained [Lynchburg, Vir.: James Family, rep. n.d., (1861]), 345.)

Of AD 70, T. J. Geddert states: “the events were, as do so many events in the OT, to point toward the final judgment.” (in Michael B. Green, Scot McKnight, I. Howard Marshal, eds., Dictionary of Jesus and the Gospels: A Compendium of Contemporary Biblical Scholarship [Downers Grove, Ill: InterVarsity, 1992], 23.)

Bavinck sees AD 70 as “the announcement and preparation of the consummation of the world.” (Herman Bavinck, The Last Things: Hope for This World and the Next, trans. by John Vriend, ed. by John Bolt [Grand Rapids: Baker, 1996], 108.)

Strimple as “a proleptic, typological fulfillment of that final judgment of God.” (Robert B. Strimple in Darrell L. Bock, Three Views on the Millennium and Beyond [Grand Rapids: Zondervan, 1999], 64).

In fact, DBI observes that “Scripture portrays God’s judgments throughout history as proleptic pictures of the final judgment.” (Leland Ryken, James C. Wilhoit, Tremper Longman III, eds., Dictionary of Biblical Imagery [Downers Grove, Ill: InterVarsity, 1998], 472.)

Kenneth Gentry

[saddlebums]

Let's talk about Pratt Truss bridges. Still there? Good! My first stop and final destination on this New Jersey motorcycle adventure both featured Pratt Truss bridges built in the 19th century. I knew nothing about them until I was trying to connect (no pun) the two venues featured in this video. Now I know more than enough but will mercifully spare the details. The historic Strimples Saw Mill in Stockton, NJ, was a discovery right out the of deepest recesses of Appalachia. The road to it was as deserted as a theater featuring interpretive dance, yet less than four miles east of the Delaware River. Enjoy the video, and to see the mill in action go here: Strimples Saw Mill

To help restore the mill, point your wallet at this GoFundMe site: Help Rebuild the Historic Strimples Mill Music: West End Blues by Louis Armstrong & His All-Stars

[metricskilop]

Finch rescue birds 80247

Finch rescue birds 80247 license#

Finches, Canaries, and their close cousins the Estrilids (Waxbills) aren't able to mimic human speech or household sounds as they lack the chords around the voice box the Parrots have that is so similar to our own. Zebra Finches are also very popular as they are beautiful, common and inexpensive. These birds have an unrivaled ability to control the syrinx muscles in the throat and produce elaborate and melodic songs. The Finches are members of the order Passeriformes, which contains the perching birds. Reptile & Amphibian Light Bulbs & Fixtures.A memorial service will be held at 1:30 p.m. Quebec Way, Denver CO 80231.Ĭlaire Martin: 30, or /byclairemartinĬatherine “Birdie” Hurlbutt, whose wild bird rescue work made her a Colorado institution, died Dec. Survivors suggest donations to the W.I.L.D. “She would say, ‘The only thing better than one bird is two birds,’ ” Eide said.Ī memorial service is planned for 1:30 p.m. Bird center rescued nearly 3,500 birds last year.ĭespite advanced dementia, she maintained her interest in birds till she died, calling “Tweedle-dup, tweedle-dup” as her caregiver and friend, Cindy Eide, pushed Hurlbutt’s wheelchair down the sidewalk. She handed over her rehabilitation work to Deborah Strimple, whose W.I.L.D. By then, she had reclaimed the bedroom where Edgar once lived. Hurlbutt remained in her home until she was 97. Daisy was calmer than the quail she took to a Bird Anatomy for Artists class, where students gawped as Hurlbutt chased the fleeing bird, yelling, “Look at how his legs move! Look at them go!” The duck, Daisy, liked to perch on Hurlbutt’s head and was popular among schoolchildren when Hurlbutt visited classrooms. At one point, she had a robin, a raven, a starling, a goose, a duck, a bobwhite, two golden pheasants, two ring-necked doves, four crows, five house finches, nine sparrows and 27 pigeons dispersed among cages in the house and yard. None of his friends’ aunts had 20 to 30 birds living with them. “After we visited her, we liked to see her every time we came to Colorado because she was so much fun,” Youll said. In her family, Hurlbutt “was considered the odd duck,” said her nephew, Brian Youll, who met Hurlbutt when he was 10. In 1988, she was mugged by two men after being called to help a pigeon but remained undaunted. She responded to every report of an injured bird, from Canada geese and baby robins to endangered species.

Finch rescue birds 80247 license#

Her white 1975 Checker, with “Bird Taxi” hand-lettered on one side and “Bird Ambulance” on the other, bore a prominent phone number, images of 49 state birds and the license plate “C BIRDS.” Yes, Edgar learned to croak “Nevermore,” as well as “You’re a bad boy, Edgar,” a phrase that was not deliberately taught but hinted at his moody personality and penchant for destruction. Nearly anyone who knew Hurlbutt also knew Edgar, the irascible raven she rescued as a hatchling and which imprinted on her so thoroughly that he could never be released.Įdgar lived in her home, in a bare, battered bedroom furnished with sturdy wood perches and platforms He lived to be more than 26 years old. It took more than six months to get him to say his name, fulfilling Hurlbutt’s ambition to realize a line from Shakespeare’s “Henry IV,” in which Hotspur says “I’ll have a starling taught to say ‘Mortimer.’ She also taught Mortimer to say, “I’ll be right back.” In retirement, she devoted herself to bird rehabilitation and to researching and recording her efforts to teach birds to speak.Īmong Hurlbutt’s successes were Mortimer, a long-lived starling that she rescued from a cat. Bureau of Reclamation, where she kept a bird feeder near her office until she retired in 1978 after 41 years. She worked as a stenographer for the U.S. She raised her first bird, a chicken named Penny Precious, there. She spent most of her childhood on a Shaffers Crossing homestead acquired and then lost during the Great Depression by her father, a music professor with more ambition than business acumen. Hurlbutt, who never married and shared her modest south Denver ranch house with dozens of recuperating birds, was licensed to care for wild birds by the federal and state divisions of wildlife. Tall and lanky, with outsized spectacles and a broad, toothy smile, she devoted her life to rescuing and rehabilitating wild birds. Digital Replica Edition Home Page Close Menuįor decades, Catherine “Birdie” Hurlbutt was a familiar sight, steering her converted Checker Cab as she drove through Denver to rescue injured birds.

[dathen]

Continuing on my book illustration per chapter collection for The Invisible Mail updates! I couldn't find anything for Chapter 2 and next to nothing for Chapter 3, so skipping to Chapter 4 it is.

First, we have Teddy Henley getting jump scared because this SUSPICIOUS CHARACTER was walking around town WITH HIS HAT OFF...the scandal...

by Nikolai Anatolyevich Travin

by Ludvík Strimpl

I think this one is of whenever Griffin goes outdoors and gets people whistling The Bogey Man song at him before running away, but there's quite a few scenes it could fit. Either way, I love the spooky coat. It's giving Charon Hadesgame.

(Pretty sure this is from the Great Illustrated Classics version)

EVERYTHING ABOUT THIS ONE SENDS ME. All the kids in the back just fucking delighted at this weird spooky magic trick while the ones in the front run screaming. I still think the kids should have teamed up with him to prank the villagers until the end of time. "I got your nose" would have been only the start...

AND SPEAKING OF WHICH!!!

by Ludvík Strimpl

THERE IT IS. MY FAVORITE SILLY SCENE IN THE WHOLE GODDAMN BOOK. If I were invisible and a little unhinged this is the kind of shit I would be pulling CONSTANTLY, Griffin is an icon for this

a thank you to @no-side-us for finding most of these illustrations!