#structural steel sections

[atticcreationz]

Aaaarregghhhh I know some people who would absolutely gobble up WBN (esp given the last few episodes) but podcasts ain't their preferred medium and god damn I wanna compile the transcripts and print them off in book format and ship it to them

I can't stop rotating this story in my head and I can't stop thinking about all the clever thoughts and theories those friends would have

I'm dying out here, thank you WBN Tumblr girlies for screaming into the void with me, I know I'm not alone in my turmoil lol

[civilengineeringlatest]

The Geometry of Strength – Joint Detailing in Steel Hollow Sections

Steel hollow sections are used in many buildings. You see them in bridges, stadiums, and warehouses. These sections look clean and modern. They are also strong and reliable. But strength depends on more than just the steel. It also depends on how the parts connect.

Let’s talk about joint detailing. It plays a big role in keeping steel structures safe and stable. A weak joint can make the whole system fail. Also Read : Advantages of Steel TMT Bars

How Do Steel Hollow Section Joints Affect the Strength of a Structure?

Think of a tent. You can use the best poles. But if the connectors are weak, the tent will collapse. Steel hollow sections work the same way. Joints hold everything together.

These sections are closed and smooth. That makes them hard to connect. Engineers need to think carefully when designing the joints.

Here are some common types of joints:

Welded joints: Neat and strong. But hard to inspect and fix later.

Bolted joints: Easier to install. Need extra plates or supports.

Mixed joints: Use both welding and bolts.

Each type has its pros and cons. The choice depends on the job. Some joints are easier to build. Some are stronger under pressure. Also Read : Basics of Structural Steel Construction

Why Joint Detailing Matters in Steel Structures

You might ask why joint detailing is such a big deal. Isn’t steel strong enough on its own? Not always.

Joints affect many things:

Strength: A poor joint creates weak points. These can crack under pressure.

Cost: Complicated joints take more time and money.

Speed: Simple joints help the work move faster.

Safety: Well-planned joints help prevent accidents.

Here’s an example. A team used square hollow sections in a warehouse. They used full welds for every joint. It took a long time and needed special tools. Later, they changed the design. They used bolts instead of full welds. Work got faster. Costs went down. The structure stayed strong.

This shows why joint detailing is so important. Good design saves time, money, and effort.

How to Pick the Right Type of Joint for Hollow Sections

There is no one best joint for every job. You have to ask some questions first.

What kind of load will the joint carry?

Is the area easy to reach?

How much will it cost to build and maintain?

Here are some joint types used with hollow sections:

T-joint: A branch meets a main part at a right angle.

K-joint: Two braces connect to a main member.

N-joint: Similar to K-joint but with different angles.

Sleeve joint: Uses a sleeve to connect two members.

Each type works in different ways. Some spread the load better. Some are faster to install. Engineers pick the type based on the needs of the building.

Final Thoughts

Steel hollow sections are strong and clean. But joints hold the structure together. A bad joint puts everything at risk.

Joint detailing is not just a small part. It affects safety, cost, and speed. It shapes how the whole structure performs.Next time you see a steel building, look closer. Behind the clean lines are joints doing the hard work.

Learn how to make strong and reliable joints in steel hollow sections. A helpful guide for better design and construction.

[apolloblogsblog]

Apollo D-section steel tubes are made of high-quality steel. ERW hollow steel tubes are corrosion and rust resistant and are used in steel building structures, railings for balconies, and roofs.

[aparnarollform]

Ladder cable tray cover

Ladder cable tray covers from Aparna Rollform are vital for safeguarding cables in industrial and commercial settings.

These covers, made from durable materials like galvanized steel, aluminum, or stainless steel, shield cables from dust, moisture, and mechanical damage, ensuring longevity and safety.

Their robust design supports heavy cable loads while allowing excellent ventilation to prevent overheating. Available in vented, perforated, or solid styles, they balance protection and airflow. Customizable to fit specific sizes and finishes, Aparna Rollform’s covers enhance cable management, simplify maintenance, and improve aesthetics.

Easy to install and corrosion-resistant, they’re ideal for harsh environments. Choose Aparna Rollform for high-quality, reliable ladder cable tray covers tailored to your needs. Visit aparnarollform.com for more.

[tsa25nomad-hostel]

SECTION PERSPECTIVE

_ik

[unisoninteriors]

How to Safeguard Your Home Interiors During Flood Situations?

Floods can wreak havoc on homes, especially when it comes to interiors. Furniture, cabinets, and fixtures are often the first casualties, leading to significant damage and costly repairs. However, with thoughtful planning and the right materials, you can design interiors that are resilient to water damage. Here are expert recommendations to protect and rescue your home interiors in flood-prone areas.

1. Use 0.8 Density Boards for Inner Cabinet Sections

The inner portions of cabinets are often the most susceptible to water damage due to their porous nature. Opting for boards with a density of 0.8 ensures better resistance against swelling and warping. These boards are less likely to absorb water, maintaining their structural integrity even during prolonged exposure to moisture.

2. Protect Doors and Exposed Sides with 3-Layer WPC Color Boards

Doors and exposed cabinet sides are frequently in contact with water during floods. Using 3-layer WPC (Wood Plastic Composite) color boards offers excellent water resistance. These boards are not only durable but also aesthetically pleasing, ensuring that your interiors remain stylish and functional even in challenging conditions.

3. Opt for Stainless Steel 304-Grade Hardware and Accessories

Floodwater can cause regular metal fittings and accessories to corrode or rust. Investing in stainless steel hardware of 304-grade ensures long-term durability and resistance to rust, even in high-moisture environments. This type of hardware is ideal for hinges, handles, and drawer slides, offering reliability and longevity.

4. Fully Factory-Built Interiors for Precision and Sealing

Factory-built interiors are crafted under controlled conditions, ensuring precision and tight seals that can withstand water exposure. Unlike on-site installations, factory-made products are less prone to gaps and inconsistencies, providing better protection against water ingress.

5. Focus on Resilience Over Cosmetic Flaws

In flood-prone areas, it’s important to prioritize resilience over minor cosmetic imperfections like scratches or external strokes. By choosing materials and finishes designed to endure harsh conditions, you can safeguard up to 80% of your home interiors, minimizing losses during floods.

6. Use Elevated Furniture Designs

Opt for furniture with elevated designs that keep the base off the floor. Raised legs made of waterproof materials like metal or treated wood can protect your furniture from direct contact with water during floods.

7. Seal Wall and Floor Joints

Water often seeps through joints between walls and floors. Properly sealing these joints with waterproof sealants can reduce the risk of water ingress and damage to interiors.

8. Choose Water-Resistant Flooring Materials

Opt for flooring materials such as vitrified tiles, natural stone, or treated hardwood, which are more resistant to water damage. Avoid carpets or untreated wooden floors in flood-prone areas as they can absorb moisture and deteriorate quickly.

9. Install Water-Resistant Wall Cladding

Using water-resistant cladding materials like PVC panels or treated wood can protect your walls from moisture damage. These materials are easy to clean and maintain, even after exposure to floodwaters.

10. Incorporate Modular Furniture

Modular furniture, crafted with water-resistant materials, can be easily moved or lifted during flooding. These designs are not only practical but also add flexibility to your interior layout.

11. Use Waterproof Paints and Finishes

Applying waterproof paints and finishes to walls and furniture can create an additional layer of protection against water damage. These coatings can help prevent swelling, peeling, and discoloration caused by prolonged exposure to moisture.

12. Invest in Floating Shelves and Wall-Mounted Units

Floating shelves and wall-mounted cabinets keep valuables and essentials above potential flood levels. These features ensure that important items remain safe and accessible during flood situations.

13. Reinforce Baseboards and Skirting with Waterproof Materials

Floodwater often damages baseboards and skirting, leading to costly repairs. Reinforcing these areas with waterproof materials like PVC or treated wood can significantly reduce the impact of water exposure.

14. Choose Compact and Minimalist Designs

Compact and minimalist furniture designs are easier to move and protect during floods. This approach also reduces the number of items susceptible to damage, making cleanup and recovery quicker and more efficient.

15. Install Built-In Storage with Raised Bases

Built-in storage solutions, such as wardrobes and cabinets with raised bases, keep contents above flood levels. Elevated designs provide added security for stored items, minimizing damage to valuables.

Final Thoughts

Flood-resistant interiors are not just about damage control; they’re about peace of mind. By incorporating these strategies and materials into your home design, you can significantly reduce the impact of floods on your living space. Preparing for the unexpected is the key to ensuring your home remains a sanctuary, no matter the weather.

For more expert advice and solutions tailored to your needs, reach out to professional interior designers who specialize in resilient home designs

[tatadigeca]

Hot Rolled Steel Sheets & Coils | Tata Astrum by Tata Steel

Discover high-quality Hot Rolled Sheets and Coils from DigECA by Tata Astrum, ideal for fabrication, agriculture, automotive, PEB, and more sectors.

[shreejisteelprivatelimited]

Why are MS Beams used in Structural Steel Construction?

Why are MS Beams Used in Structural Steel Construction? The MS beam is also known as the I beam or H-beam. It is broadly acknowledged for its great functionality. The construction industry mainly uses MS beams for strong functionality for buildings, malls, and architecture. MS beam comes in different sizes and shapes.

[tsa24city-hostel]

FACADE - SECTIONAL DRAWING TO EXPLORE LAYERS AND ATTACHMENTS

_ik

[starcurtain]

"The Lion Has Its Own Historian:" Parallels Between Gorgo and Aglaea

While re-reading Mydei's "As I've Written" stories recently, I was intrigued again by the (seemingly impossible) section in which Aglaea unknowingly echoed Gorgo's words to Mydei, and this led me down a rabbit hole of thought: The roles of Aglaea and Gorgo--not only in Mydei's life but also in the story overall--form some interesting parallels that are worth looking at in closer detail.

Seize the Means of Control

Gorgo's ascension to a position of authority was predicated on power--not only on her martial prowess, which was expected in her culture (i.e. slaying a lion with her bare hands), but through her courage to meet the existing symbol of authority, Eurypon, in single combat and not concede. In Kremnos, status is conferred and maintained through violence. Though on the surface Gorgo defies this belief, she ultimately remains an active participant in Kremnos's tradition of "might makes right" through the Kremnos Festival, reinforcing rather than rejecting her culture's military-centric social structure.

Although Gorgo originally took part in the Kremnos Festival with the intention of beating Eurypon and seizing the throne of Kremnos for herself (presumably because she thought she could rule better), she ultimately chooses to accept his continued leadership and become queen instead, even granting him an heir to cement his legacy. In this way, despite presumably wishing for a less wasteful (of life) philosophy for the Kremnoans, Gorgo becomes one of the foremost beneficiaries of the very mindset she opposes. She clearly wants to reduce the meaningless bloodshed in Kremnos--she strongly rejects the notion of patricide, for example--but she doesn't (at this point) reject the overall structures of the Kremnoan culture, including the belief that combat ability should determine who leads.

In short, her position of authority was achieved strictly through her ability to oppose her foes.

Despite coming from a wholly different culture, one which (ostensibly) values debate, diplomacy, and the rule of law as the primary tools for establishing status, Aglaea's rise to power was remarkably similar to Gorgo's. The game confirms that the prominence and influence of the Chrysos Heirs in Okhema is no lucky accident--instead, Aglaea has clawed her way to the top, fighting tooth and nail to establish herself as a figure of authority in the Holy City.

We're told she exerts her pressure both through economic means, amassing wealth via monopoly on resources such as Amphoreus's internet, and through literal bloodshed.

The story dances around it, but Star Rail's marketing embraces it: Aglaea represents not just the joy of love but also the "deadliness" of romance, the figure of power in Okhema "pulling the strings" and making others dance to the tune of her vision for the future. She basically rules the roost in the Holy City in large part because of her capacity for violence, because of the literal physical and political power she wields as a demigoddess and the leader of the strongest group of fighters on their entire planet.

This "silk concealing steel" behavior reflects not just how she approaches any who oppose her--the Trailblazer and Krateros, for example--but also how even the NPCs throughout Amphoreus view her:

It's particularly Krateros's view of Aglaea which intrigues me, because the very same things he accuses her of are the things Castrum Kremnos is famous for (being warmongers, usurpers of power, etc.). By all rights, he should admire a "queen" such as Aglaea who rules by force and who is leading her people into the greatest war Amphoreus as ever known. And yet he and the rest of the Kremnoans seem to revile Aglaea for the very same things they saw as virtues in Gorgo.

The context is the key: Gorgo seizing power for herself is viewed as honorable and good because it happened in the context of Kremnos, while Aglaea's power struggle and military dominance occur within the so-claimed peaceful structure of Okhema's democratic society, casting her in the role of a "power-hungry tyrant" for the people living in Okhema, even those who should most appreciate her mindset.

Comparing Gorgo and Aglaea in this way highlights a key double standard in the way the Amphoreans react to women who rise to power, and makes it clear how thin the veneer of Okhema's "peace" really is. Stepping to the top rung of the social ladder through the threat of martial retaliation, Aglaea's battle against the Council and the Flame Chase's foes is no different from Gorgo tearing a lion apart with her bare hands, challenging a king, and taking her place at the top of Kremnos's hierarchy by seizing her weapon and making her stand. All that differs is how violence is received in their contrasting cultures, resulting in two diametrically opposed reactions from the "mere mortals" around them.

With Violence as Your Tool

I think it's important to emphasize that Aglaea and Gorgo also parallel each other not just in their rise to authority through physical power itself, but also in their stances on the necessity of that power: Both Aglaea and Gorgo (at least at first) view bloodshed as a necessary evil, an unpleasant facet of life that one must accept in order to achieve a goal. Violence, for both Gorgo and Aglaea, is a tool.

We see this clearly with Gorgo throughout her flashbacks, both in her initial fight with Eurypon (where she claims she would embrace the notion of death only so long as it is not "unnecessary") and in her other confrontations with Eurypon: Gorgo insists that the tradition of regicide must be broken and makes Eurypon promise not to lead Mydei to that path--yet later, she goes so far as to scold Eurypon when he shies away from his fate, essentially calling him a coward for fearing the prophecy that Mydei would one day kill him. "What prince of Kremnos hasn't killed his father?" she taunts, implying that, even as Gorgo fought to change the violent history of Kremnos, she still believed--at least at that moment--that refusing to face violence when it was foreordained made Eurypon a weak and unfit ruler.

However, we ultimately see this stance change. In Mydei's dream of training with his mother, Gorgo reveals that nearly losing Mydei completely changed her perspective on Kremnos's beliefs, finally killing any faith she had in their system of rule and their constant pursuit of Strife for strife's sake. She rejects the notion of combat being the ultimate test of a person's worth, explicitly casts aside her title and role as queen of Kremnos, and embraces a kinder identity as strictly "Mydei's mother." This is a crisis of faith brought on by experiencing the impacts of Kremnos's faith firsthand--by being forced to experience grievous loss, Gorgo is implied to have grown as a person, from one who is willing to accept violence as a tool to get ahead, into one who solely values peace.

These views, too, mirror Aglaea's pursuit of the Flame Chase Journey and her "hidden" feelings toward its necessary loss. We know already that Aglaea views the threat of violence as her go-to "means to an end" when it comes to achieving the Chrysos Heirs' goals.

She is not at all above putting people into harm's way to pursue the prophecy, such as letting Phainon take the Strife trial even knowing that he would fail, and she tells us players over and over again that her own humanity has nearly vanished, claiming that she now no longer has sufficient empathy for humankind to be swayed away from the path of Era Nova.

This is clearly not true (given how deeply she cares for Tribbie, how kind she is to Castorice, and how unwilling she is to actually bring any harm to Anaxa), but Aglaea insists on this emotionless illusion likely because it makes it easier to tolerate the cruelty required to continue pursuing her goal--she needs it to be true that the last of her humanity has already waned, because this is what makes it easier to accept that the Flame Chase Journey is a journey of "loss," one that is fueled by bloodshed.

It is an unfortunate truth of the prophecy that people will die in pursuit of the dream, that capturing all the coreflames and pushing the world forcibly into its next cycle will cost lives and require cold, rational decisions that will crush people's happiness and freedom. Aglaea cannot hesitate, cannot waver, cannot choose kindness over action.

But, like Gorgo, we know that accepting violence as a tool does not mean that the person wielding the tool is always happy to do so. As Gorgo loses her genuine faith in Kremnos's beliefs and begins to view training Mydei for war as nothing more than a rote requirement, devoid of meaning, Aglaea too struggles to uphold her emotionless facade, a protective cocoon whose cracks reveal the enormous weight she is bearing and how deeply the inhumanity of her own decisions wounds her.

We see this clearly in her character stories, where the actions and then later loss of her maid completely reshape her definition of "beauty":

And we also see it very clearly in her behavior toward Anaxa, where she hesitates at the crucial moment, unable to commit to the course of action that she herself set in motion:

Like Gorgo who longs for a softer world where she can simply be Mydei's mother, Aglaea too (no matter how much she claims) has not lost the part of herself that cares not only for the people closest to her but even for the innocents of the world, the boy who wants to bring his sister something beautiful, the girl who shares her bracelet...

Her nature, no matter how much of it has worn away, is at its core humble and kind--reviling the pain of others.

It's this fundamental conflict between love and what must be done that lends both Gorgo and Aglaea their depth as characters, that grants them both an air of nobility, in the way that everyone good who suffers is noble. Being forced to cause harm without a desire to do so creates quintessentially contradictory characters, making the audience privy to both their external mettle and their internal hesitation, easily humanizing both of them. Aglaea and Gorgo are virtuous women whose cruelty is justified for the greater good. Yet in watching both of them struggle under the immense pressure of that cruelty, we recognize the inherent evil of a world that forces kind-hearted people into positions where bloodshed is their only path forward.

Both Aglaea and Gorgo are not women who normally hesitate to seize the tools available to them, or the kind of women who will shy away from wielding their strongest weapon--the threat of death--with impunity. The reaction to female characters who are willing to exert this kind of power over others (including over the men in their lives) both in-game and in the fandom (where Aglaea in particular is treated poorly for her "coldness") demonstrates how unique this particular type of female character still is, and suggests interesting overall power dynamics in Amphoreus that privilege women willing to utilize violence even above men who choose the same route, despite the strong patriarchal bent one might expect of a story with ancient Greece as its primary influence.

Mydei is not the son of Eurypon, but explicitly and always "the son of Gorgo" even in flashbacks where Eurypon is still alive; in Okhema, both the Chrysos Heirs and the Council appear to be primarily directed by women (Caenis occupies the more visible role of Aglaea's opponent than Lygus does), with all of Okhema's demigods (including Cipher) being female. Gorgo's violence is regarded as honorable; Aglaea is met with disapproval from her peace-loving society but no one ever actually dares to stop her. Perhaps Krateros comes closest, by defying Aglaea's will and entering the Strife trial without her permission, but even he ultimately has to be rescued from Aglaea's clutches by Mydei, who explicitly invokes his mother's name to ensure Krateros's safety. Say it with me: The male character with the highest social status in all of Amphoreus has to rely on the power and reputation of his mother to rescue another man from a powerful woman. Amphoreus really said "Ladies first." 💯

Anaxa's reactions to Aglaea are humorous but are also a perfect example of this overall social structure in Amphoreus which assumes strong women in power have an automatic degree of legitimacy because they are willing to seize violence as their means, despite violence being, in real-world cultures at least, stereotypically the domain of men. In 3.1, Anaxa simply accepts it as a given that he will become Aglaea's prisoner and that she will be able to do whatever she wants to him, because nothing in Okhema's social, political, or military structures would enable him to genuinely oppose her (if he even wanted to).

Even in his (sort of) fake-out "siding with the Council" phase, all Anaxa does is move himself from the grasp of one powerful woman to the next, shifting from being Aglaea's prisoner to Caenis's ace. Cerces even has an entire voiceline where she points out word-for-word that Anaxa is functionally just moving from one woman's cage to the next. Caenis in particular seems to view Anaxa as an object, a biting dog she can keep on a leash until she sics him on her enemy. Anaxa obviously is not so easily manipulated, but Caenis's threat about karma eventually comes true, and he nevertheless suffers the final wrath of the Holy City's society, being judged more harshly than anyone else for his seeming unwillingness to submit to the power of either woman in control of Okhema.

Both literally and thematically, the game tells us players that Aglaea and Gorgo are courageous and effective leaders because they live by the blade, because they are willing to harden their hearts and do whatever it takes, whether that means taking another's life--or their own.

To Usher in a New Era

Of course what really distinguishes both Gorgo and Aglaea's willingness to cause harm from malevolent forces in Amphoreus is their ultimate intent. Although both women are willing to do whatever it takes, they do so only in service to a greater purpose, one that they believe will better their world. In this way, Amphoreus's writers reinforce the underlying impression in Amphoreus's plot that women are more trustworthy and reliable leaders than their corresponding male counterparts. Slight side note on this, but it's kind of funny just how consistent this is--even "outside" of Amphoreus, Welt and Sunday had to turn to Herta to save the day, while inside Amphoreus, Trailblazer is still relying on Acheron's advice to get them through. (When you cater to the incels so hard you somehow loop back around into writing staunchly feminist plotlines...)

The message, repeated and unsubtle, is that there is a link between women's leadership and righteousness, with both Gorgo and Aglaea representing an idealistic desire for a better future for Kremnos and Amphoreus as a whole--one by opposing fate and the other by enforcing it.

Both Gorgo and Aglaea face prophecies that promise to reshape the world as they know it, prophecies which require them to make decisions that will ultimately cost them their lives in a desperate bid to influence history toward the best path. Gorgo rejects the prophecy she is given, determined to protect Mydei despite the destruction the omens claim he will bring to Castrum Kremnos.

Because of the players' predilections for Mydei, this choice to reject fate paints Gorgo as a heroine, an unselfish and moral person who will choose the life of an innocent child over she own safety. Her willingness to fight to the death to prevent Eurypon's atrocity against their son flies in the face of fate itself, attempting to stop an inevitable, self-fulfilling prophecy.

And, in fact, the game even teases us with the idea: What would Kremnos have been like if Gorgo succeeded? When Mydei returns to Kremnos, he either "envisions" or actually experiences (via timelines bleeding into each other), a seemingly parallel universe where Gorgo succeeded in saving him from the Sea of Souls, and where she clearly rallied the people of Kremnos to her cause. The Kremnos we see in that vision is entirely different from Eurypon's:

The people are happy, rejoicing and at ease, talking about pomegranates and writing and playing games with kids, while the sun paints the whole city in a soft and gleaming gold.

Contrast that with the Kremnos that Trailblazer and Castorice find when they travel back into the past where Eurypon betrayed his wife and left Mydei in the sea:

In the seemingly alternate timeline where Gorgo lives long enough to raise Mydei, the Kremnos we're presented with... looks a lot like Okhema. Looks a lot like the peaceful, idyllic Holy City where children frolic in the streets and the people are still full of light and life. By defying fate, we are shown (at least in some fragment of Amphoreus's timeline) that Gorgo achieves what she had longed for in Kremnos from the start, creating a better, gentler future for the people, prosperous and free of the cycle of Strife and meaningless violence that had plagued their kingdom for thousands of years. In this way, we can say that, for that lost timeline at least, Gorgo essentially achieved the Era Nova for Kremnos, ushering in a time of peace for her people. What Aglaea seeks, the game shows us that Gorgo was capable of achieving.

Conversely, Aglaea's path forward involves taking the complete opposite road: Rather than rejecting fate to create a better future, Aglaea seeks to embrace it. She has fully invested herself and her resources in the prophecy of the Flame Chase. She has to, because if there's no Era Nova to look forward to, then there's no hope at all for Amphoreus, and how can it be that something so beautiful is doomed to total destruction? If the Flame Chase Journey will end in a new start, if someone--anyone--will get to live to see the world born anew, then every sacrifice, every burden, every agony will have been worth it.

By embracing her prophesied fate instead of rejecting it, Aglaea is taking the same decisive stand as Gorgo, seizing the future of her world in her own hands and forcing Amphoreus along the path toward what she believes will definitely be a brighter future.

Not only does the description of Era Nova match the idyllic Castrum Kremnos we see under Gorgo's likely rule, but even the moments where both women truly make their stand and reckon with fate reflect each other as well: Gorgo demands her fellow Kremnoans stand with her, hoping they will see the wickedness of Eurypon's decision and reject blind faith in the prophecy they've been given. With her own strength, if even just Krateros alone had stood with her, she easily would have been able to push back against Eurypon's scheme. She lays out her vision for a different future, rejects the notions of the past, and is met with silence.

Meanwhile, Aglaea faces the Council of Elders in Okhema, where the decision about the Flame Chase Journey hangs in the balance, waiting on the final vote of a single person to join up with her cause. Just like Gorgo, the alignment of even one person to Aglaea's cause will make proof of her righteousness, prove the she's right. Aglaea lays down the gauntlet, demands the loyalty of her allies--and her leadership and vision are rewarded when Anaxa joins up with the cause, tipping the literal balance of the scales towards the new era Aglaea believes her efforts will bring to fruition.

(In essence, at the end of 3.2, we get to watch Anaxa do exactly what Krateros failed to--stand on the side of the woman who wields justice.)

Ultimately, through they do it through diametrically opposite paths--rejecting and embracing prophecy, respectively--both women are characterized by their drive to create change, their refusal to accept a quiet descent into cruelty and darkness. Both take a stand, outlining their vision for the right way to go on, for a better, softer, brighter world, seeking the loyalty of comrades to legitimize their causes, and--failing that--willing to make the ultimate sacrifice of themselves to further their truly noble causes.

The strength of both women lies not just in their martial prowess, but in their unwavering dedication to a just cause, no matter the cost to themselves.

Generational Influence

What actually started me off on this whole look at Gorgo and Aglaea as thematic parallels was Mydei's scenes with Aglaea, particularly how he clearly considers her a role model for ideal leadership. While I won't go so far as to say Aglaea perceives herself filling any sort of maternal role for Mydei, I think the connection is obvious on Mydei's end: Having never gotten the chance to truly meet his mother, Mydei is almost certainly projecting "the leader my mother would have been" onto Aglaea. (Or perhaps we should say the opposite: The empty spaces in Mydei's mind when he thinks of "Gorgo" are sutured closed with Aglaea's golden filigree.)

Does this sort of praise sound a bit familiar? It ought to, because this is how Krateros describes Gorgo:

Both women are characterized by their ability to move people's hearts, to inspire hope, and to model ideal strategy for others.

So how could Mydei do anything but link Aglaea's leadership with the life he imagines his mother would have led if she had had the chance to rule Kremnos?

Consider the entire situation from Mydei's perspective: His people have just been (forcibly) rescued from an insane king whose true downfall began with his betrayal of wife, their nation's one genuinely noble leader. If Gorgo had been their ruler, none of this suffering would ever have happened. Fleeing the madness and death Nikador is bringing to Kremnos, the entire surviving host of his people migrate to the "Holy City," the (supposed) last bastion of light and peace and happiness in Amphoreus--which is effectively ruled by a woman so powerful that she knows and sees all.

Seemingly effortlessly, she commands respect and fealty, marshaling her forces to do battle with the might of her own sword, while fighting to maintain the very same values Mydei's mother wanted to bring to her own nation. While being unafraid of bloodshed, she treasures life more than anything else. She's honest, direct, and unflinching, but still, despite everything, kind and dedicated to protecting the world she loves.

Mydei doesn't know his mother but there she is. There's the "queen" that his mother should have had the chance to be. There is the leader that Kremnos needed. There is the powerful woman whose dream for the future could have single-handedly changed the course of fate.

Clearly, for lack of personal experience, the Gorgo in Mydei's mind is less a real person and much more an idealized figure. His only direct knowledge of her comes from one "dream," where she tells him that he's more important than the world to her (undoubtedly leaving Mydei to grapple with the question of whether that is something she truly felt or something he just wishes to be true, by the way). Mydei's only other frame of reference for his mother is Krateros's blind veneration, with Krateros constantly holding Gorgo up as the standard Mydei should meet.

Gorgo is clearly on an achingly high pedestal for Mydei. He shaped his entire youth around the need to avenge her, and then he shaped his entire adult ideology around her vision for Kremnos. In "our" timeline, Gorgo may not have lived to create the change she hoped for, but her goal was ultimately achieved nonetheless, through the inter-generational influence her memory had over Mydei. It was Gorgo's hatred of wasteful bloodshed that helped Mydei to hate it too. It was Gorgo's desire to change Kremnos's traditions that led Mydei to consider tearing down its dynasty. It's his mother's gentle love for her people that echoes in Mydei's same affection.

And through Aglaea, all those views and lessons were enforced. Before joining up with the Flame Chase Journey, the game tells us that Mydei's life was effectively still a hellscape even when he had his friends: They wandered the land with nowhere to call home and were attacked by (or themselves attacked) everyone they met, engaging in endless violence just to keep existing, while he watched his companions be brutally murdered one by one. At the risk of extreme understatement: Mydei was not living the life his mother wanted for him.

After joining the Flame Chase Journey, Mydei becomes one of the "heroes" who dedicates himself to protecting innocents and serving as a guardian; he finds a cause, does his best to create a new home for his people, and works to reshape their views towards the beliefs his mother espoused. Like Gorgo putting down her weapon and taking up the role of "just your mother," Mydei gets to (temporarily, briefly) let down his guard and live as just a person, cooking sweets, roleplaying with kids, and cuddling with chimeras.

He inches closer to the dream of finding meaning in finding peace.

And if it was Gorgo who inspired those choices, then it was Aglaea who made them possible--Aglaea who accepted the Kremnoan Detachment into Okhema, Aglaea who literally put aside her fear of Mydei to accept him as a fellow Chrysos Heir, Aglaea who guided him, Aglaea who modeled transformational leadership for him, Aglaea who gave him the final (if forceful) push he needed to commit to changing his people's future, destroying the bloodstained Kremnos of the past. In all his struggles to move forward, the threads of Aglaea and Gorgo's mirrored ideology lead Mydei through the labyrinth of uncertainty.

All things considered, Gorgo might actually be the character with the single most significant impact on Amphoreus's current plot other than the Trailblazer, because the guidance and beliefs she instilled in Mydei will live much longer than Gorgo and even Aglaea herself--may even live on through the end of the world and the rebirth of all of Amphoreus, because it is her exact ideology that becomes the backbone of Mydei's life advice to Castorice. When Castorice reveals their future, telling him the demigods of today's Amphoreus will become the titans of the new cycle, Mydei looks her in the eye and tells her the exact thing he learned from his mother and Aglaea:

Don't accept defeat--defy despair with everything you have and weave the future with your own two hands.

Perhaps nowhere do we see the parallels between Gorgo and Aglaea more clearly than in the "As I've Written" chapter, where we are told that what ultimately swayed Mydei's decision to join the Flame Chase Journey was when, completely without knowing it, Aglaea spoke the exact same words as his mother.

Though the organization of "As I've Written" is often unclear, making it difficult to determine which passages are actually linked to each other and which are entirely separate, I'm going to personally interpret the quote included in Mydei's third chapter as that special sentence once spoken by both Gorgo and Aglaea:

"The lion has its own historian, and the history of the hunt should not be held by the hunter alone."

Putting aside that all of this is completely impossible in the timeline as we know it (Mydei has no way of remembering the sentences his mother might have spoken to him, and none of the sentences in any flashbacks or her letter to him have anything to do with lions or historians), if this is the line echoed by both women, it is an obviously poignant phrase that would immediately signify to Mydei that Aglaea's ideology matches his mother's.

Although the English translation of "As I've Written" leaves A LOT to be desired (sometimes to the point of being entirely incomprehensible; I legitimately have no idea who okayed those translations, rife as they are with just straight up grammar errors lol), the origin of this phrase is unmistakable. It comes from the African proverb that is normally translated as:

"Until the lion has its own historian, the history of the hunt will always glorify the hunter."

Essentially, "History is written by the victors."

If we take the English translation seriously, what Aglaea and Gorgo would have been saying is that "the defeated" (which, by the way, is symbolized by the lion repeatedly in Kremnos's history) should have their own historian, and that no one should get to speak for them. That is, of course, that no one should get to speak for Mydei except himself--that he should take charge of his own destiny and write his own history into the books.

Krateros repeatedly insists that Mydei is the hunter, the one who should be controlling the whole hunting ground:

But Aglaea sees through Mydei in the first moment of meeting him--sees that he's not the victor but the victim, not the Kremnoan king-to-be but the "wandering lion" who is at risk of being slaughtered on the altar of Kremnos's glory. Kremnos's history is not the "hunting lion"--it's the lion hunt. Gorgo the founder killed the lion, Gorgo the mother killed the lion... So where does that leave Mydei, the symbolic lion?

This line is saying, Aglaea and Gorgo would both have been saying: I see you. I see that there's an entire unspoken legacy weighing on your shoulders, a horror you're fleeing from like wounded prey, a fierce desire in you to refuse the tale this world is writing for you. And in supposedly echoing Gorgo's words, Aglaea would also have echoed the very core of Gorgo's faith:

Those who have lost everything still deserve the chance to shape their own futures.

Those who have faced impossible odds, those who Fate itself has marked for death, those who would martyr themselves to secure the futures of others can and should still rage against the dying of the light, still fight with every tooth and nail to bring about a different ending.

When no one but (apparently) the ghost of Gorgo in his head had ever said it to him, Aglaea told Mydei:

If you want a different history, you can write it.

Of course he joined the Flame Chase Journey after seeing that its leader carries the very same deep-rooted goodness as his mother.

And while we're here talking about the mirrored ideologies and guidance both women have offered to Mydei, I also want to add a tiny aside about Aglaea's symbolic leadership of the other Kremnoans as well.

Although of course Mydei remains their de facto leader even in Okhema, Mydei himself makes a big deal out of the Kremnoans having submitted to Aglaea's authority, repeating in several places that the Kremnoans have a duty to follow her commands.

This isn't an off-hand statement; for someone who should have already been crowned king to state in his own words that his people should submit to someone else's authority is effectively tantamount to ceding his throne specifically to her--Mydei has essentially handed over the reins of Kremnoan leadership to Aglaea. He's the crown prince, but she's effectively the queen (that his mother never got to be). The promotional materials even label Aglaea and Mydei as occupying the same role ("King"). This is especially clear in how the Kremnoans refer to her. In multiple places, Aglaea is referred to as "the golden-haired usurper."

You don't get called a "usurper" unless people believe you're attempting to undermine their current ruler. In all but flat out saying it, the other Kremnoans perceive Aglaea as usurping Mydei's authority, despite Mydei himself willingly giving that power to her. Mydei isn't careless with the Kremnoans' futures, he doesn't shirk his duties as their crown prince, and he certainly would never surrender his power to a weak, unfit ruler. Undoubtedly, Mydei is comfortable with the idea of ceding authority to Aglaea in part because he recognizes his mother in her, sees the qualities that elevated Gorgo to royalty in Kremnos alive and well in Aglaea's Okhema. In this way, perhaps we could say that another factor contributing to Mydei's hesitance to take up Kremnos's throne might be a subconscious sense that the Kremnoans are already in the right hands, that Aglaea--embodying the ideal leadership Mydei projects onto the memory of his mother--is a better fit than he could ever be to lead them anyway?

Heck, while we're at it, I think it's even interesting that the cities of Okhema and Kremnos mirror each other so much, down to things that honestly don't make sense: We're told the legend explaining the lion heads on the walls in Kremnos, but... why are there are also talking lion heads all over Okhema's walls? Gorgo who tore the head off the Tretos lion is echoed in Aglaea, who rules a kinder, softer city still symbolized by the lion, where the talking lion heads get to be gossips and riddle masters instead of war strategists.

Okay, and the last silly thing I want to say: Aglaea would definitely not call herself a mother figure for Mydei, but after 3.2 reveals Gorgo's tough love methods, Aglaea's attempts at scolding him start to look pretty familiar, from her exasperated chiding to her genuine criticism:

Mydei has it tough, having to meet the expectations of women like these lol.

To Fade from the World

Sorry, that was a bit too light-hearted for me, so time to end this post with some more pain:

A final point I think worth comparing between Gorgo and Aglaea is the ultimate fate that both of them face in the story: Gorgo is already gone, but Aglaea is not far behind.

Gorgo's death in particular is treated as abominable. Kremnoans may be warmongers and Strife worshipers, but they're supposed to be honorable about it. Key to their obsession with combat is the idea of noble combat, between contestants who are each given a fair chance. Despite being Gorgo's greatest ally, Krateros does not stand up and join her in her revolt against Eurypon, likely because of that same "might makes right" mindset that shaped so much of Kremnos's decision-making: If Gorgo's cause was truly righteous, then she should have been able to stand up for it herself and win a duel against Eurypon. If it had been a fair contest as expected by Kremnoan cultural standards, then whoever won would have been considered the "correct" person, and no one could have contested the fair results.

But Eurypon's cowardice drove him completely from the path of Kremnos's sacred virtues, causing him to betray their values by betraying his wife, using poison to deny her her fair chance in the duel. This action--forsaking the core tenets of Nikador's divinity--marks the truest extent of Eurypon's downfall, and cements that he is utterly unfit to rule, lacking both the courage to confront his wife in fair combat and the honor to reject under-handed schemes to ensure victory.

Gorgo's death is treated as a tragedy, an act that entirely shapes the course of the story through Mydei's loss to the sea and his subsequent quest for vengeance. It was cowardly betrayal that took away Kremnos's path to a brighter future, locking the self-fulfilling prophecy of Kremnos's downfall into place.

And this, of course, is a perfect mirror to the prophesied end Aglaea is going to face, possibly sooner rather than later. Upon their ascension as demigods, each Chrysos Heir is told how their life will end. Aglaea's prophecy states: "You shall have your final bath in warm and radiant gold."

As Aglaea is most often seen there, the assumption is that she will literally die in the baths--Mydei states this in-game, saying "If a normal person heard that prophecy, they'd probably just stop coming to the baths." Aglaea effectively dismisses this threat (in a very Kremnoan fashion even, lol) by simply saying "Well, who cares? I like baths!" Whatever will be, will be; if her assassin has the strength to end a demigoddess, then truly, it doesn't matter where she goes in Okhema or across the world--fate will find her.

Of course, there's also the possible interpretation that "final bath in gold" refers simply to bathing in her own golden Chrysos Heir blood...

But in either case, the prophecy, Mydei's comments, and some plot leaks I've seen all point towards a violent and unexpected end--likely at the hands of a betrayal.

Like Gorgo, Aglaea will not live to see the world she wished to create, the softer, golden future she wanted to bring to her people. At the hands of her enemies, either facing it with honor or in an unexpected moment of vulnerability, Aglaea will be eliminated before the final hour, fading from Amphoreus's memory as the survivors succeed--or fail--to usher in the new era she sacrificed everything to create.

Although both unique characters on their own, entirely separate from each other, examining Aglaea and Gorgo's parallel plot points, core character traits, and their roles and influences on others throughout the course of the story reveals yet another incredible "echo effect" in Amphoreus's writing, aligning opposites--Okhema and Kremnos, Beauty and Strife--through eerily similar patterns and revealing the enduring thematic threads that bind together the separate portions of Amphoreus's tale.

More than anything, Amphoreus feels to me like a very Hamilton-esque "Who lives, who dies, who tells your story?" plot, one that hinges on the question of who has the power to shape and reshape the future of their world, who has the power to break through a pre-ordained structure and bring about a better end--who has the courage to sacrifice it all to seize the reins of fate itself.

Through Aglaea and Gorgo, the story reinforces a message about women in power, women who perfectly balance violence (the traditional domain of male figures) with love, with beauty, and with righteousness to shake the foundations of their world. In what they value and how they lead, the story mirrors and mirrors again, mise en abyme, the message that those who are willing to give it all for the greater good are the true crafters of our story.

(Perhaps all this is preparing for the presence of another woman, one just as willing or more to do all that must be done to usher in a brighter future for her world?)

The history of the hunt should not be held by the hunter alone.

The lion has its own historian--and so too does the lioness.

Although Gorgo and Aglaea will both fall before that golden Era Nova can be achieved, the marks they have left on Amphoreus's plot, through their legacies of defiance and grace picked up and carried, torch-like, by other characters, demonstrate just how central both women were to all that happened in the world's past and all that will happen in its future.

[apolloblogsblog]

India’s largest structural steel tubes & pipes manufacturing company. Redefining the landscape of construction in India since 1986! We are India’s largest producer of structural steel tubes and steel pipes to cater to all tubular steel building solutions.

[aparnarollform]

Leading Cable Tray Manufacturer in Hyderabad – Aparna Rollform

When it comes to reliable and high-quality cable tray solutions, Aparna Rollform stands out as a trusted name among cable tray manufacturers in Hyderabad. With years of expertise in metal fabrication and engineering excellence, Aparna Rollform offers durable and customizable cable trays designed to meet the needs of diverse industries, including construction, infrastructure, IT, and manufacturing.

Our range includes perforated cable trays, ladder-type trays, wire mesh trays, and trunking systems—all engineered for maximum load-bearing capacity and corrosion resistance. We use advanced roll forming technology to ensure consistency, precision, and long-lasting performance.

At Aparna Rollform, customer satisfaction is our priority. We provide end-to-end solutions, from design to delivery, ensuring timely project execution and cost efficiency. Whether it’s a small commercial building or a large industrial facility, we deliver cable management systems that are robust, scalable, and compliant with industry standards.

Choose Aparna Rollform – the preferred cable tray manufacturer in Hyderabad. Visit https://aparnarollform.com to explore our products and request a quote today!

[redsrooftopprincess]

Falling

RaphaelxReader (one fem pronoun)

Warnings: explosions, falling, near death experience, shoulder trauma, needles, emotional turmoil, I think that's it? If I missed any let me know? 

You scream and plummet six feet before a hand wraps around your forearm. There's a ripping pain in your shoulder as you feel it dislocate, and you scream again and slip, dropping again before he grabs your hand.

You watch your shoes tumble down the steel framework of the future bank and corporate office center, and disappear in the mushroom cloud of dust concealing the first three floors. The acrid smell of motor oil coats your tongue and the inside of your nostrils sting as the C4 continues to burn away. You choke, and his hold tightens. 

Balancing himself on a cross section of steel girders, his other hand is braced against the corner of a concrete platform, as what remains of the supports for the roof on this side of the adjacent building are making craters in the packed foundation eighteen stories below.

He growls through gritted teeth as the structure shudders again, and the screams of the civilians on the platform above add to the cacophony. His body is burning, the support of a rooftop bar full of panicked patrons resting on one arm. 

One of Vern's "Beautiful People Parties," and apparently Karai was upset The Foot weren't invited. One small brick of C4 and the Southern wall of the top floor of the swanky apartment building came tumbling down. You'd been on the roof when it collapsed, and had managed to grab hold of a waiter before the poor kid took a dive, but the stool you'd been holding on to broke and Raphael barely caught you in time. 

Your gaze shifts back and forth between the platform and him, and he can see the gears turning, see you working out the logic, and his eyes are screaming at you to stop. 

Please... He begs silently, Live the lie with me... Believe there's no way to save them... Believe it isn't them or you...

Reality settles like a block of ice in your stomach. Raphael is the strongest person you've ever met, but even he has it's limits, and bracing over 6000lbs on one arm is likely one of them. It's you, or the 40 odd people above and whoever else might get hurt on the platform's trip to the ground. 

Drawing a shuddering breath, you try to speak, but no sound comes out, "It's okay..." 

"Please..." He chokes on the word, bile rising in his throat, this can't be happening.

"It's okay..." 

He shakes his head, eyes pleading. He attempts to say your name.

You smile up at him, you hope bravely, and squeeze his hand. You can't say it. You can't speak. You look into his eyes, teary and terror-wide, you can't let him choose you, and you know he knows that.

You let go. 

The scream that tears from Raphael's throat shatters the night, and the building shudders again, almost making him lose his footing before he braces his now empty hand against the platform above. He squeezes his eyes shut, praying to whatever God might listen that he would wake up, and screams again.

You're falling in free space. There are several thick moments where all that exists is the wind rushing past you. Or you rushing past it. You have the gruesome thought that if you can land head-first, maybe you won't feel it, and you limply attempt to shift your body in a direction, but your body won't respond, as if it's already accepted the landing. 

You take one last deep breath, you're not sure if that's the right move, but you imagine in a few moments it won't matter, when there is a heavy impact against your side. All of the air rushes out of you and you're... still falling. A thought drifts by that hitting the ground should have hurt a lot more, and you wonder for a moment if you're dead, before you feel another softer, impact, and you're set safely down on the packed earth foundation. 

Michaelangelo grabs your face, physically pulling your gaze to his with a serious expression. 

"This is gonna hurt and I'm sorry." He says in one breath.

White fire shoots through your shoulder as he resets your arm with no more warning, when it's over you collapse into him, whimpering and breathing hard. He holds you, rubbing your back with one hand as he fishes around in his backpack with the other. Pulling out a small syringe, he uncaps it with his teeth and injects the local anesthetic into your shoulder. 

In seconds a warm numbness envelopes your arm, and a strangled sob of relief, pries itself from your throat. You're grateful Mike knows not to give you too much warning when he needs to do something like that. Processing what's about to happen first is sometimes worse.

The night air is filled with another anguished roar and both of your faces turn skyward.

It takes almost fifteen minutes for everyone to move into the safety of the building, and another ten for Donatello to brace the platform enough that emergency crews could safely get to fixing things once they arrive. Raphael is present for none of them. 

Running on autopilot, the world seems apart, separate from him. Vision hazy, sound muffled, as if he's watching his body interact without any real input. His head is spinning. None of it feels real.

You... fell.

No. 

He dropped you. 

No. 

You let go. 

He watched you fall.

But the roof fell too, sending tables and chairs plummeting down after you.

And he had to grab it.

There were so many people.

He'd watched you fall into a cloud of dust, the ground obscured.

He's too afraid to look now that the dust has cleared. 

He hears sobbing and prayers of gratitude from within the building, and he hates them. He's never regretted saving lives before, and the feeling turns his stomach.

He would have let them die. 

You would have never forgiven him. 

He swallows down the sick as he makes his way to the ground slowly. He'd have to... collect you. He can't just leave you there. 

It feels wrong. It feels... normal. He sees the reflection of passing emergency lights in wet asphalt and it's almost comical. 

Shouldn't it all be over? 

Ending? 

Shouldn't the universe be raging? Tearing itself apart? The fabric of reality falling to pieces? 

You're...

This... isn't.. normal. 

Why does this feel normal? 

Why is everything okay when everything is so not okay?

His hand slips, sending him tumbling down two floors of the steel framework before he catches himself. He holds tight to the beam, trying to slow his breathing. He hadn't realized how hard he was shaking. 

He grits his teeth and chokes down agony. He has to get to the ground. He has to find you. 

If the humans found you they'd take you away. 

--You're already so far away.--

Somewhere he couldn't get to you. 

--Would it really make a difference?--

Releasing the girder, he ignores the warping of the metal where he'd gripped it, and continues scaling downward. 

He'd bring you home. 

--Why?--

It's getting cold out. 

--She's already cold.--

It's supposed to rain again before morning,

--You don't have to do this.-- 

and he knows how much you hate being cold.

--Please don't do this.--

His phone fell when the supports did,

--You don't want to see this. You don't want to see her.--

and Donnie was making sure the building was safe for everyone else,

--Not like this.--

so he'll have to do this himself.

--Please.--

He touches down on packed earth littered with glass and concrete and splintered wood, looking only at the rubble beneath his feet.

He doesn't want to look.

He doesn't want to see you. 

Broken. 

Lifeless. 

Staring into nothing.

Odd angles and empty eyes.

He doesn't want to have to put you back together enough to carry you home. 

Every breath is a war in his chest and he closes his eyes, squeezing them shut and gritting his teeth, steeling himself for the task ahead. 

"Raph!" 

His eyes fly open wide and he looks around wildy. 

"Raphael!"

He turns just in time to catch you as you "totally didn't jump into his arms right after getting my shoulder reset, Donnie, I don't know where this other tear came from." 

He catches you without a thought and pulls you into him. "Fuck," He sobs, burying his face in your shoulder and holding you probably a little too tightly. His whole body is shaking with relief and it's all he can do to remain standing. He pulls back and looks you over frantically, "are you okay?"

"Yeah," you half-laugh, half-sob, nodding and grinning up at him, "Mike caught me." 

He looks over your head for a flash of orange, finding him in conversation with April and Leo. Mike looks up and catches his eye, smiling warmly at his brother's grateful expression before blowing him a kiss and a wink, and earning a snort and an eye roll in return as Raphael's snout returns to the hollow of your shoulder, and his arms wrap probably a little too tightly around you with no intention of ever letting go. 

....

I haven't decided. Will there be a part 2?

Tag List:

@thelaundrybitch @the-cauldron-witch @fyreball66 @ninnosaurus @tmntngl @thegirlwiththeninjaturtletattoos @zagreustomb @ramielll @silverwatergalaxy @gornackeaterofworlds @daedric-sorceress @sophiacloud28 @iridescentflamingo @milykins @sacred-holy-light @celeste-clearwater-06 @pheradream-15

[fatcathappycat]

Narumitsu fic recs: Miles & Maya are besties edition

Order and chaos, Miles and Maya. Miles seems to naturally attract and is fascinated by chaos, maybe because this gives him permission to be a little less than perfect. Maya, Phoenix, Kay and even Larry, are the gold in the kintsugi of his life. On the other hand, Maya's life has been incredibly chaotic, so I think she takes comfort in the supposed isle of calm and thoughtful structure and discipline that is Miles. Whether bonding over shared love of the Steel Samurai, their traumatized childhoods, or their love of Phoenix and found family, the following are the fics that gave me the feels for these two as friends.

As usual, these are in no particular order, because fanfics are gifts to be enjoyed and celebrated, not ranked. Plus I, like Maya, am a bit of a chaos gremlin.

~~ ☯ ~~

1) Maya's Secret best friend by HPUTFan

Rating: T Words: 11, 587 to read: 47 min

Really beautiful one-shot that covers the early years of Miles and Maya bonding over their love of the Steel Samurai online while not knowing their real identities, and basically helping each other in their loneliness.

~~ ☯ ~~

2) An Exchange of Hearts by drifloon for kuraintrain

Rating: T Words: 8, 209 to read: 35 min

Maya and Edgeworth write some classic fan fic. Tears!! TEARS! I can’t stop laughing!!!!

~~ ☯ ~~

3) extremely loud and incredibly close by lowbatteryhealth

Rating: T Words: 4, 370 to read: 20 mins

This one could be read as a 'trauma bonding' fic. Deals with anxiety attacks and more. Please read the tags, and also read for some excellent Maya & Miles friendship feels 💜❤️ lowbatteryhealth is such a talented author.

~~ ☯ ~~

4) what if the real steel samurai fandom was the friends we made along the way by Buffintruder

Rating: G Words: 53, 656 to read: 3.45 hours

Super charming chat fic based around Tumblr posts where Maya and an OC bond over the Steel Samurai universe, however Miles is a firmly established presence in her life and in the fandom (Maya was his gateway fandom bestie). Kay, Klavier and Phoenix (making a guest appearance) feature strongly. This is part 1 of a series! When you are done, read The Signal Samurai Podcast, chapter 3 for some Peak Maya ;)

~~ ☯ ~~

5) Stranger, Leave Yourself Alone by Wildfey

Rating: G Words: 2, 773 to read: 12 mins

I think this was the fic that made me want to read other Miles and Maya are friends fics and create this list. Beautifully written one shot sharing Miles and Maya’s first foundational conversation as friends with each other.

~~ ☯ ~~

6) To Dust or to Gold by HopeStoryteller

Rating: T Words: 24, 475 to read: 1.45 hours

"As for the fic itself… all I’ll say on the matter is that projection is one hell of a drug. "

"eat my entire ass, Sal Manella, I do what I want."

- Miles Edgeworth

Inspired by selected conversations from the magisteel discord server (see #13 below!). It's aligned with the Ace Attorney timeline and takes place in the authors’ notes and comment sections of Miles’ Ao3 fanfic. Come for the Magisteel, stay for the Miles and Maya become besties. So good!

~~ ☯ ~~

7) And you landed on McLovin'? by KlavierWrites

Rating: T Words: Work in Progress (5,201 words so far)

I have a few ‘Maya and Miles are BFFs’ stories in my bookmarks, but this one hits different. Maybe it’s because of the perspective/voice swapping? It feels honest and ‘truthy.’ Authentic. Anyways, there is a beautiful thing going on here and I invite everyone to check this out and experience how KlavierWrites has captured Maya’s voice and created such a beautiful human I want to know them more. No ´Flanderizing’ happening here. I have such sympathy and empathy for her. And Miles. And Nick too. Poor Nick. He feels and wants so deeply. I’m so looking forward to the next chapter. Subscribe to this fic, appreciate this author and join me in the comment section!

~~ ☯ ~~

8) I Mean...A Lot Of Romance Authors Are Lawyers by Adorable Anarchist (Vampbi)

Rating: G Words: 1,407 to read: 6 min

Fun!!! Chat/twitter/Miles is a romance writer fic. Maya is essentially a book club version of cupid. ଘ(੭ˊᵕˋ)੭* ੈ♡‧₊˚

~~ ☯ ~~

9) navigation by zombiekittiez for Westie

Rating: T Words: 2, 785 to read: 12 min

Another gorgeous fic by another one of my favourite authors. This one features matching jammies and winning at sleep overs and some absolutely beautiful found family and character growth moments. ♡

~~ ☯ ~~

10) nomenclature by looking_for_wisdom

Rating: T Words: 7,626 to read: 20 min

Just an absolutely gorgeous fic that covers the evolution of Maya and Miles’ friendship through out the games.

“Can I be honest with you?” ... The question catches him off guard. He’d spoken with Miss Fey on a handful of occasions now—enough that he feels it’s safe to call them acquaintances. He certainly had not considered them close enough for this, however—a lowering of defenses and the trust that comes with it... And, for whatever reason, he cannot bring himself to squander that trust.”

~~ ☯ ~~

Bonus fics that fit that I've shared before in other lists:

11) Samurai Swear by 3musketears

Rating: T Words: 11, 610 to read: 50 min

I previously shared this one in my LOL part 2 list:

Lol Maya! "There's a Steel Samurai theme park opening and Maya's buddy of choice is unavailable for opening day. Phoenix might know a fellow super-fan she could convince to attend in his place." Really lovely and funny one shot of Miles and Maya bonding over Steel Samurai

~~ ☯ ~~

12) selected conversations from the magisteel discord server by liilllyyyy, lowbatteryhealth

Rating: T Words: 34, 211 to read: 2.5 hours

File under 'Ace Attorney Fan Fiction Required Reading,' this fic has now surpassed 4100 kudos and over 1000 Bookmarks since the last time I shared (!) for a reason. SO. MUCH. FUN!!!

~~ ☯ ~~

And that's it for now! If you have a Miles and Maya are best buds themed fic, please include it in the comments or tags!

Cheers, thanks again to these fabulous authors. Enjoy!

˚₊‧ ✩ ੈ* ♡ ₍˄·͈༝·͈˄₎ ੭ ♡ * ੈ✩‧₊˚

[hometoursandotherstuff]

Today, we're in the town of Clamart, just 20 minutes from the south of Paris, France, touring two adjoining houses designed by architect Jacques-Emile Lecaron: The “Maison d’Acier,” built in 1974, and the “Maison Derrière le Miroir,” renovated and connected to its neighbor in 2003.

I'm thinking that this purple structure joins the 2 homes together. It has 4/5 bds and private access to the Meudon forest. It's such a fun house that could be yours for €2.6M / $2.809M

And, you can go up into this cute little observatory.

This is cool- the living room is moveable- you can see the circle in the floor, that facilitates moving it around for different looks.

Here it is facing the library and dining area.

Here, they moved the shorter section in the middle to get some light.

The modern shiny kitchen cabinetry is purple and green.

The kitchen stretches along the windows in a wave.

The dining area is in front of the wall of windows with a rounded red cylindrical wall behind it. As you can see in the above photo, the back of it is in the kitchen and it's a staircase.

Off the kitchen is a den with library shelving, a music area, and seating. Notice the glass window in the floor.

The glass floor gives a view of the indoor pool below.

Meanwhile, the cylindrical stairs come up to this reading area.

Isn't this a fun purple and yellow sleep loft?

It has a desk and a roof of skylights. There are rolled-up canvas shades that cover the skylights to block the sun.

The primary bedroom has it's own ladder and loft, plus a door to a patio.

Isn't this nice?

It has beautiful gardens and all sorts of patios and terraces.

The rooftop deck is a fun place, too.

https://www.architecturedecollection.fr/en/product/steel-house-and-house-behind-the-mirror-jacques-emile-lecaron-architect-clamart/