#svein

[neopronouns]

flag id: a flag with 4 stripes, which are purple, light purple, very light silver, and gold. at the left and right sides of the flag are simple tree shapes made of stacked triangles, which are halfway cut off by the flag edges. there is a dark green tree shape at the exact edge and a green tree shape emerging from behind that one, further from the edge, on each side. end id.

banner id: a 1600x200 teal banner with the words ‘please read my dni before interacting. those on my / dni may still use my terms, so do not recoin them.’ in large white text in the center. the text takes up two lines, split at the slash. end id.

sylvaencan: a neogender umbrella for terms related to enchanted forests from fantasy settings

[pt: sylvaencan: a neogender umbrella for terms related to enchanted forests from fantasy settings. end pt]

concepts potentially included under sylvaencan:

nature imbued with magic, magic that comes from nature, or any other combination of magic and nature

magical forest aesthetics/visuals

'fairy tale' creatures that are often depicted living in forests

forests as a place that heroes travel through, a place where monsters and magical dangers lurk, and/or a place where benevolent magical beings reside

forests that are made dangerous, safe, or difficult to navigate by the magic present within them

forests as a place of liminality and transformation

derived terms:

sylv: a sylvaencan person. plural is sylven.

svein: sylvaencan-in-nature (ex: sveingender)

sylvencine: having sylvaencan qualities. noun form is sylvencinity. (equivalent to masculine/masculinity, feminine/femininity, etc.)

transylvencine: transitioning towards sylvenchinity. can be shortened to transylven. (equivalent to transmasculine/transfeminine/etc.)

ensylvic: gender alignment to sylvaencan/sylvencinity

for anon! the flag uses trees to represent forests and purple, silver, and gold for magic and fantasy. the term is 'sylva' (alternate spelling of 'silva', latin for 'forest') + 'encan' (from 'enchant' but without the 'h', since it looks nicer to me).

here's the template for anyone who wants it!

tags: @radiomogai | dni link

[ivarthebadbitch]

Don’t slash. Thrust and reset.

(requested by anonymous)

[masonxthatcher]

The werewolf had no idea what he'd done to deserve a day as a playmate for one of Raphael's fellow Councilmen, but he'd argued with his master until it was obvious he wasn't getting his own way. He really didn't want to be left to entertain someone he didn't personally know. Mason had absolutely no idea whether Raphael owed Svein for something, or whether Svein was paying for the privileges of using him, but honestly he didn't want to know either. Mason just hoped Raph wouldn't start whoring him out to other vampires on a regular basis.

When he arrived at Svein's, Mason was hesitant to go inside, but he finally did, standing just inside the doorway as he waited to be greeted by the Councilman officially. While he would do his best to be good and not show Raph up (mostly out of the fear he'd get punished for it), Mason shifted on his feet in anticipation, not having a clue what to expect.

@masterxsvein

[malatale]

Merry Christmas <3

[clancarruthers]

WHEN ENGLAND WAS PART OF A VIKING EMPIRE - CLAN CARRUTHERS CCIS

WHEN ENGLAND WAS PART OF A VIKING EMPIRE – CLAN CARRUTHERS CCIS

WHEN ENGLAND WAS PART OF A VIKING EMPIRE   EVERY PERSON YOU READ ABOUT IS A CARRUTHERS ANCESTOR, INCLUDING WINSTON CHURCHILL IN THE SOURCES   The Saga of Ragnar Lothbrok refers to London as “the finest city in Scandinavia.”  This seems like quite a mistake, considering London is the capital of England and sits on the east coast of Britain.  However for the skalds who composed the old saga, London…

[stretchmarkedmuscle]

Svein Falzon

[fhtagn-and-tentacles]

CTHULHU AND STUFF

by Svein Yngve Sandvik Antonsen

[intopower]

Svein Falzon. IG: @ genet1canomaly

[germanpostwarmodern]

Henie Onstad Kunstsenter (1968) near Oslo, Norway, by Jon Eikvar & Svein-Erik Engebretsen

[ivarthebadbitch]

truly genius grandpa move on sweyn forkbeard’s part to bring his twelve year old grandson along to invade kattegat, proclaim him king of norway, and then be like ‘ok i’m leaving, good luck kiddo’

[joeinct]

Photo © Svein Nordrum

[superiorstr8men]

[proto-humanoid]

[garadinervi]

Gazas tårer / Tears of Gaza, (2010, documentary, 82m), Directed and Written by Vibeke Løkkeberg, feat. Amira Fat-hi Dawood El Eren, Rasmia Al-Sultan, Yahya Subh, and the people of Gaza (video here)

Original: Music Marcello De Francisci, Lisa Gerrard Cinematographers: Yosuf Abu Shreah, Mwafaq al-Khateeb, Saed al Sabaa Editors: Torkel Gjørv, Anwar Saab, Svein Olav Sandem Producer: Terje Kristiansen

«If I study well I want to become a lawyer, to defend my homeland. Because they are killing children and they stole all our land.»

[unclefathersantateddy]

What's your favorite obscure ship for Bob’s?

Little King Trashmouth and his Husband Gary

Frond and Cassie (I like that we never met Cassie but she had sUch an impact on Frond)

Frond and Ambrose*

Frond and Gayle*

Gayle and Yap*

(*I am not opposed to this being a chaotic polycule)

Jericho, Varico & Pepperoni

Gene and that mf keyboard

Bob and the Butcher (Tony's ex)

Honestly the Butcher and Tony I hope they made it work

Bob and Lance (turkey)

Mr Stieblitz & Sasha's single aunt

Cotton Candy Dan and Sally the Snowcone Lady (this has the potential to be in the FM!au)

Mickey and The Nose (I just want a carnie duo tbh)

Felix Fischoeder and Fanny (really enjoy their subversive dynamic)

Finally I've been impartial on TedMort in the fanon, HOWEVER, I've been thinking about the Fresh Meat au recently and I like the idea of "morted". The same duo but plays with the FM!au dynamic subversion.

I.e. as Mort supplies the restaurant with Fresh Meat™, and Teddy is the store's main/only customer, they end up in a (subverted from canon) Toxic, Enabling relationship. Where Mort essentially uses Teddy's Pica to dispose of evidence/remains. But that's still in early development!

[stretchmarkedmuscle]

Svein Falzon

I honestly can't wait to see what he's capable of